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Barry Humphries
John Barry Humphries AC CBE (17 February 1934 – 22 April 2023) was an Australian comedian, actor, author and satirist. He was best known for writing and playing his stage and television characters Dame Edna Everage and Sir Les Patterson. He appeared in numerous stage productions, films and television shows.
Humphries's characters brought him international renown. Originally conceived as a dowdy Moonee Ponds housewife who caricatured Australian suburban complacency and insularity, the Dame Edna Everage character developed into a satire of stardom: a gaudily dressed, acid-tongued, egomaniacal, internationally fêted "housewife gigastar". His other satirical characters included the "priapic and inebriated cultural attaché" Sir Les Patterson, who "continued to bring worldwide discredit upon Australian arts and culture, while contributing as much to the Australian vernacular as he has borrowed from it"; gentle, grandfatherly "returned gentleman" Sandy Stone; iconoclastic 1960s' underground film-maker Martin Agrippa; Paddington socialist academic Neil Singleton; sleazy trade-union official Lance Boyle; high-pressure art salesman Morrie O'Connor; failed tycoon Owen Steele; and archetypal Australian bloke Barry McKenzie.
Humphries was born on 17 February 1934 in the suburb of Kew in Melbourne, Victoria, the son of Eric Humphries (né John Albert Eric Humphries) (1905–1972), a construction manager, and his wife Louisa Agnes (née Brown) (1907–1984). His grandfather John George Humphries was an emigrant to Australia from Manchester, England, in the late 1800s. His father was well-to-do, and Barry grew up in a "clean, tasteful, and modern suburban home" on Christowel Street, Camberwell, then one of Melbourne's new "garden suburbs". His early home life set the pattern for his eventual stage career; his father in particular spent little time with him, and Humphries spent hours playing at dressing-up in the back garden.
Disguising myself as different characters and I had a whole box of dressing up clothes ... Red Indian, sailor suit, Chinese costume and I was very spoiled in that way ... I also found that entertaining people gave me a great feeling of release, making people laugh was a very good way of befriending them. People couldn't hit you if they were laughing.
His parents nicknamed him "Sunny Sam", and his early childhood was happy and uneventful. However, in his teens, Humphries began to rebel against the strictures of conventional suburban life by becoming "artistic", much to the dismay of his parents, who, despite their affluence, distrusted "art". A key event took place when he was nine – his mother gave all of his books to the Salvation Army, cheerfully explaining: "But you've read them, Barry." Humphries responded by becoming a voracious reader, a collector of rare books, a painter, a theatre fan and a surrealist. Dressing in a black cloak, black homburg hat and mascaraed eyes, he invented his first sustained character, "Dr Aaron Azimuth", agent provocateur, dandy and Dadaist.
Educated first at Camberwell Grammar School, Humphries was awarded a place in the school's gallery of achievement. As his father's building business prospered, Humphries was sent to Melbourne Grammar School, where he spurned sport, detested mathematics, shirked cadets "on the basis of conscientious objection" and matriculated with strong results in English and art. Humphries described this schooling, in a Who's Who entry, as "self-educated, attended Melbourne Grammar School".
Humphries spent two years studying at the University of Melbourne, where he studied law, philosophy and fine arts. During this time, he was a private in the Melbourne University Regiment, serving a period of national service in the Citizens Military Force of the Australian Army. He did not graduate from university (although he would receive an honorary doctorate almost 50 years later). During this time he became a follower of the deconstructive and absurdist art movement, Dada.
The Dadaist pranks and performances that he mounted in Melbourne were experiments in anarchy and visual satire that have become part of Australian folklore. An exhibit entitled "Pus in Boots" consisted of a pair of Wellington boots filled with custard; a mock pesticide product called "Platytox" claimed on its box to be effective against the platypus, a beloved and protected species in Australia. He was part of a group that made a series of Dada-influenced recordings in Melbourne from 1952 to 1953. "Wubbo Music" (Humphries said that "wubbo" is a pseudo-Aboriginal word meaning "nothing") is thought to be one of the earliest recordings of experimental music in Australia. Other exhibits the group mounted include "Creche Bang", a pram covered in meat and "Eye and Spoon Race", a spoon with a sheep's eye.
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Barry Humphries
John Barry Humphries AC CBE (17 February 1934 – 22 April 2023) was an Australian comedian, actor, author and satirist. He was best known for writing and playing his stage and television characters Dame Edna Everage and Sir Les Patterson. He appeared in numerous stage productions, films and television shows.
Humphries's characters brought him international renown. Originally conceived as a dowdy Moonee Ponds housewife who caricatured Australian suburban complacency and insularity, the Dame Edna Everage character developed into a satire of stardom: a gaudily dressed, acid-tongued, egomaniacal, internationally fêted "housewife gigastar". His other satirical characters included the "priapic and inebriated cultural attaché" Sir Les Patterson, who "continued to bring worldwide discredit upon Australian arts and culture, while contributing as much to the Australian vernacular as he has borrowed from it"; gentle, grandfatherly "returned gentleman" Sandy Stone; iconoclastic 1960s' underground film-maker Martin Agrippa; Paddington socialist academic Neil Singleton; sleazy trade-union official Lance Boyle; high-pressure art salesman Morrie O'Connor; failed tycoon Owen Steele; and archetypal Australian bloke Barry McKenzie.
Humphries was born on 17 February 1934 in the suburb of Kew in Melbourne, Victoria, the son of Eric Humphries (né John Albert Eric Humphries) (1905–1972), a construction manager, and his wife Louisa Agnes (née Brown) (1907–1984). His grandfather John George Humphries was an emigrant to Australia from Manchester, England, in the late 1800s. His father was well-to-do, and Barry grew up in a "clean, tasteful, and modern suburban home" on Christowel Street, Camberwell, then one of Melbourne's new "garden suburbs". His early home life set the pattern for his eventual stage career; his father in particular spent little time with him, and Humphries spent hours playing at dressing-up in the back garden.
Disguising myself as different characters and I had a whole box of dressing up clothes ... Red Indian, sailor suit, Chinese costume and I was very spoiled in that way ... I also found that entertaining people gave me a great feeling of release, making people laugh was a very good way of befriending them. People couldn't hit you if they were laughing.
His parents nicknamed him "Sunny Sam", and his early childhood was happy and uneventful. However, in his teens, Humphries began to rebel against the strictures of conventional suburban life by becoming "artistic", much to the dismay of his parents, who, despite their affluence, distrusted "art". A key event took place when he was nine – his mother gave all of his books to the Salvation Army, cheerfully explaining: "But you've read them, Barry." Humphries responded by becoming a voracious reader, a collector of rare books, a painter, a theatre fan and a surrealist. Dressing in a black cloak, black homburg hat and mascaraed eyes, he invented his first sustained character, "Dr Aaron Azimuth", agent provocateur, dandy and Dadaist.
Educated first at Camberwell Grammar School, Humphries was awarded a place in the school's gallery of achievement. As his father's building business prospered, Humphries was sent to Melbourne Grammar School, where he spurned sport, detested mathematics, shirked cadets "on the basis of conscientious objection" and matriculated with strong results in English and art. Humphries described this schooling, in a Who's Who entry, as "self-educated, attended Melbourne Grammar School".
Humphries spent two years studying at the University of Melbourne, where he studied law, philosophy and fine arts. During this time, he was a private in the Melbourne University Regiment, serving a period of national service in the Citizens Military Force of the Australian Army. He did not graduate from university (although he would receive an honorary doctorate almost 50 years later). During this time he became a follower of the deconstructive and absurdist art movement, Dada.
The Dadaist pranks and performances that he mounted in Melbourne were experiments in anarchy and visual satire that have become part of Australian folklore. An exhibit entitled "Pus in Boots" consisted of a pair of Wellington boots filled with custard; a mock pesticide product called "Platytox" claimed on its box to be effective against the platypus, a beloved and protected species in Australia. He was part of a group that made a series of Dada-influenced recordings in Melbourne from 1952 to 1953. "Wubbo Music" (Humphries said that "wubbo" is a pseudo-Aboriginal word meaning "nothing") is thought to be one of the earliest recordings of experimental music in Australia. Other exhibits the group mounted include "Creche Bang", a pram covered in meat and "Eye and Spoon Race", a spoon with a sheep's eye.