Joe Morton

Joseph Thomas Morton Jr. (born October 18, 1947) is an American actor renowned for his versatile performances across theater, film, and television.^[1][2] Born in New York City to Joseph Thomas Morton Sr., an intelligence officer in the U.S. Army, and Evelyn Morton, he grew up in various locations due to his father's military service before studying drama at Hofstra University, where he was the only Black student in the department.^[2][1] Morton launched his professional career on Broadway with a role in the musical Hair in the late 1960s, followed by appearances in Salvation and a Tony Award nomination for his performance in Raisin (1974), earning him a Theatre World Award.^[1][2] Throughout the 1980s and 1990s, Morton established himself in film with standout roles, including the alien protagonist in John Sayles' The Brother from Another Planet (1984) and the compassionate Dr. Miles Dyson in Terminator 2: Judgment Day (1991), as well as parts in Lone Star (1996) and the HBO film Miss Evers' Boys (1997).^[3][2] On television, he gained acclaim for series such as Equal Justice (1990), Tribeca (1993), and Under One Roof (1995), alongside guest spots on Law & Order, A Different World, and The Good Wife.^[1][2] Morton's career reached new heights with his portrayal of the complex Rowan "Eli" Pope in ABC's Scandal (2012–2018), for which he won the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series in 2014.^[1][4] He continued to diversify his roles in projects like Netflix's The Politician, CBS's God Friended Me, and Fox's Our Kind of People (2021), and in 2025, roles in the TV mini-series The American Revolution and narration for the documentary Forgotten Hero: Walter White and the NAACP, along with his series regular role as General Davidson in the Fox comedy Going Dutch (2025–present).^[5][6] With over 70 film credits and extensive stage work, including directing plays like The Heliotrope Bouquet (1993) and Crumbs from the Table of Joy (1995), Morton remains a prominent figure in the entertainment industry.^[3][2]

Early life

Family background

Joe Morton was born on October 18, 1947, in the Bronx borough of New York City.^[7] He was the only child of Joseph Thomas Morton Sr., a captain in the U.S. Army who served as an intelligence officer, and Evelyn Morton, who worked as a secretary.^[8][9] Morton was raised in a Catholic household, with his upbringing shaped by his mother's faith; he attended Catholic services and even served as an altar boy during his youth.^[10] His father's military service frequently necessitated family relocations, including stints overseas in places like West Germany and Okinawa, which marked the early familial environment with a sense of transience and adaptation.^[11]

Childhood and upbringing

Due to his father's service as a U.S. Army captain tasked with integrating the armed forces overseas, Morton spent significant portions of his elementary school years living abroad, first in West Germany and later in Okinawa, Japan. In Okinawa, the family resided off-base near a bamboo field, where young Morton learned some Japanese and enjoyed a relatively idyllic childhood filled with play and exploration, unaware of the racial tensions his father faced in his professional duties. These relocations exposed the family to unique cultural experiences but also highlighted the challenges of military life for African American service members during the 1950s.^[11] Tragedy struck in 1957 when Morton was 10 years old, as his father died under mysterious circumstances in Germany while continuing his integration efforts—a profound loss that deeply affected the family emotionally. Morton has reflected on the broader hurtful process of racial integration as leaving lasting "stretch marks" on his family, underscoring the personal toll of his father's work amid systemic prejudice. Following this event, Morton and his mother returned to the United States, settling in New York City's Harlem neighborhood. After settling in Harlem, Morton attended a military academy in Newburgh, New York, before enrolling in public schools.^[8][11][2] Back in New York, Morton attended public schools in Queens, where the transition proved challenging; his foreign accent from years abroad drew prejudice from peers in the urban environment. Despite these difficulties, his early adolescence fostered emerging interests in the performing arts, sparked by participation in school plays—beginning with his first role as the troll in a kindergarten production of "Three Billy Goats Gruff" during his time in Okinawa—and involvement in church activities, including serving as an altar boy in the Catholic tradition upheld by his family. These experiences laid the groundwork for his lifelong passion for performance, blending dramatic expression with spiritual elements.^[11]

Education

Morton graduated from Andrew Jackson High School in Queens, New York, in 1965.^[12] Following high school, he attended Hofstra University in Hempstead, New York, initially as a psychology major before switching to drama. At Hofstra, Morton was the only Black student in the drama department. He graduated with a degree in drama in 1969.^[13][14][2] During his time at Hofstra, Morton became deeply involved in university theater productions, including performances in plays like As You Like It in 1968, which helped hone his acting skills despite facing racial barriers in casting. Influenced by supportive mentors and teachers who recognized his talent, he decided to pursue acting professionally after graduation, with one instructor connecting him to a New York agent that launched his career.^[15][16][14]

Career

Stage career

Joe Morton began his professional stage career in the late 1960s, making his Broadway debut in the ensemble of the groundbreaking rock musical Hair, which opened at the Biltmore Theatre in 1968 and revolutionized theater with its countercultural themes and nudity.^[17] His early work placed him in ensemble and supporting capacities, building a foundation in live performance amid New York's vibrant theater scene. This period honed his skills in improvisation and ensemble dynamics, essential for the communal energy of Hair.^[1] Morton's breakthrough came with his starring role as Walter Lee Younger in the musical adaptation Raisin, based on Lorraine Hansberry's A Raisin in the Sun, which premiered at the 46th Street Theatre on October 18, 1973, and ran for over 800 performances until December 7, 1975.^[18] Portraying the ambitious yet frustrated family man grappling with dreams deferred and racial barriers, Morton delivered a performance noted for its emotional depth and intensity, capturing the character's volatile mix of hope, anger, and determination.^[19] For this role, he earned a Tony Award nomination for Best Actor in a Musical in 1974, marking his emergence as a leading man capable of carrying a major production.^[20] Throughout the 1970s and 1980s, Morton continued to take on notable Broadway roles, evolving from supporting parts to more prominent characters. He appeared as a replacement Valentine in the musical Two Gentlemen of Verona (1971–1973), a lively Shakespeare adaptation that showcased his versatility in comedic and romantic leads.^[21] In 1979, he played Caliban in a New York Shakespeare Festival production of The Tempest directed by Gerald Freedman, bringing physicality and nuance to the enslaved character's primal rage and humanity.^[22] Later credits included Eastern Habim in the short-lived Oh, Brother! (1981) and Barney Walker in Honky Tonk Nights (1986), roles that highlighted his range in musical comedy.^[23] By the 1990s, he returned to Broadway as a replacement Serge in Yasmina Reza's Art (1998–1999), exploring intellectual debates with sharp timing.^[24] Morton's off-Broadway and regional theater work further demonstrated his commitment to diverse narratives, often addressing social issues. In 2002, he starred as the imagined Black carjacker "Mr. Zero" in the Vineyard Theatre's world premiere of Brutal Imagination by Cornelius Eady and Diedre Murray, a poetic exploration of racial fabrication inspired by the Susan Smith case.^[25] In April 2025, Morton reprised this role alongside Sally Murphy in a benefit reading at the Lucille Lortel Theatre for the Innocence Project, underscoring his ongoing advocacy through performance.^[26] These experiences, from ensemble beginnings to lead portrayals of complex figures, informed Morton's commanding screen presence in film and television, where his stage-honed intensity and vocal precision translated seamlessly to dramatic roles.^[27]

Film career

Morton first appeared in film in a small role as Prison Doctor in ...And Justice for All (1979). His breakthrough came a decade later with the independent science fiction film The Brother from Another Planet (1984), directed by John Sayles, where he portrayed the mute alien protagonist who crash-lands in Harlem and navigates themes of racism, immigration, and urban alienation through non-verbal performance.^[28] The role established Morton as a versatile character actor capable of blending social commentary with genre elements, earning critical praise for his expressive physicality in a low-budget production.^[29] In 1991, Morton achieved wider recognition for his portrayal of Miles Dyson, the Cyberdyne Systems engineer who inadvertently creates the AI network Skynet, in James Cameron's blockbuster Terminator 2: Judgment Day; he drew on a personal experience from a prior car accident that caused a collapsed lung to inform Dyson's labored breathing in the film's climactic scenes.^[30] This performance humanized a pivotal antagonist, contributing to the film's exploration of technological hubris and redemption.^[31] Throughout the 1990s and 2000s, Morton demonstrated genre versatility in supporting roles across thrillers, dramas, and historical pieces, including LAPD Lieutenant "Mac" McMahon in the high-octane action film Speed (1994), where he coordinated the response to a bomb-rigged bus crisis.^[32] He played Colonel Delmore Payne, a principled military officer confronting personal and racial tensions in the Texas border town mystery Lone Star (1996), directed by John Sayles.^[33] Morton also starred as Dr. Sam Brodus, a compassionate physician involved in the infamous Tuskegee syphilis study, in the HBO historical drama Miss Evers' Boys (1997), highlighting ethical dilemmas in medical research on African American men.^[34] Morton entered the superhero genre with his role as Dr. Silas Stone, a S.T.A.R. Labs scientist and father to the cyborg Victor Stone (Cyborg), first appearing in Batman v Superman: Dawn of Justice (2016) and reprised in Zack Snyder's Justice League (2021), where his character's use of alien Mother Box technology to save his son underscores themes of paternal sacrifice and human augmentation.^[35] More recently, in the faith-based drama Trinity's Triumph (2023), Morton portrayed Monsignor Gregory Heck, a wise mentor guiding seminarians through challenges of vocation and resilience, offering a nuanced look at modern priesthood amid personal doubts and friendships.^[36]

Television career

Morton began his television career in the 1970s with guest appearances and recurring roles on daytime soaps, including a stint as Dr. Abel Marsh on the NBC series Another World from 1983 to 1984.^[37] He continued with episodic work in the 1990s, notably portraying defense attorney Leon Chiles in an episode of Law & Order in 1990.^[38] These early roles established him as a versatile supporting player in procedural and serialized formats before he transitioned to more prominent parts.^[39] Morton's breakthrough in television came with his portrayal of the multifaceted scientist Henry Deacon on the Syfy series Eureka from 2006 to 2012.^[40] As the quirky, resourceful mechanic and inventor in the sci-fi comedy, Deacon served as a stabilizing force among the eccentric geniuses of the secretive town, blending technical expertise with dry humor across 77 episodes.^[41] The role highlighted Morton's ability to infuse intellectual characters with warmth and relatability, marking his first extended run as a series regular.^[42] He achieved greater acclaim as Rowan "Papa Pope" Pope on ABC's Scandal from 2012 to 2018, playing the enigmatic, authoritarian father of lead character Olivia Pope amid a web of political scandals and family tensions.^[43] Morton's commanding performance as the intelligence operative, known for his manipulative tactics and intense monologues, earned him a Primetime Emmy Award for Outstanding Guest Actor in a Drama Series in 2014.^[1] The character's exploration of power dynamics and paternal control became a cultural touchstone, solidifying Morton's reputation for layered antagonists in high-stakes dramas.^[44] Following Scandal, Morton took on leading roles in diverse series, including Reverend Arthur Finer on CBS's God Friended Me from 2018 to 2019, where he depicted a compassionate pastor guiding his skeptical son through mysterious divine interventions.^[45] He then starred as Dr. Anthony Duchon in the 2021 Fox drama Our Kind of People, portraying a prominent surgeon entangled in the elite world of Black society on Martha's Vineyard.^[46] These parts showcased his range in inspirational and socially nuanced narratives.^[6] As of 2025, Morton appears in a recurring role as General Davidson on Fox's comedy series Going Dutch, which premiered in January 2025, playing a stern military commander overseeing an eccentric U.S. Army outpost in the Netherlands.^[5] His involvement in the ensemble-driven sitcom adds authoritative comic timing to the show's fish-out-of-water premise.^[47]

Directing work

Joe Morton made his television directing debut with the episode "The Loft" of the anthology series Tribeca in 1993, where he also starred as Detective Eddie Jenkins.^[48] This marked his initial foray behind the camera in episodic television, drawing on his extensive acting experience to helm the story of an artist and her friends facing a terrifying night in a New York loft.^[49] Morton continued directing select television episodes, often on shows where he had acting roles, allowing him to balance both crafts. He directed three episodes of Eureka, including "Have an Ice Day" (season 3, 2009), while portraying series regular Henry Deacon.^[41] His work on God Friended Me (2018–2020) included directing three episodes—"Scenes from an Italian Restaurant" (season 1, episode 16), "Angels of Death" (season 2, episode 8), and "Raspberry Pie" (season 2, episode 14)—complementing his lead role as Reverend Arthur Finer. For Scandal, Morton directed the season 7 episode "People Like Me" (2018), infusing the political thriller with insights from his portrayal of Rowan Pope.^[50] He later directed an episode of Bull in 2021.^[37] Morton's directing style emphasizes guidance for actors, leveraging his theater roots for precise scene blocking and performance nuance, as seen in his approach to ensemble-driven stories on these series.^[51] To date, he has no feature film directing credits, focusing instead on episodic television that enhances his acting career by providing creative control within familiar projects.^[45]

Personal life

Family

Joe Morton married Nora Chavooshian, a sculptor and production designer, on October 6, 1985.^[3] The couple remained together for 21 years before divorcing in 2006.^[3] During their marriage, they had three children: daughters Hopi Noel Morton and Seta Morton, and son Ara Morton.^[3] In 1995, Morton described his family life in New York, noting that Ara was then 6 years old and Seta was 2, highlighting the close-knit household they maintained amid his acting career.^[8] In the late 1980s, Morton was involved in a serious car accident that resulted in a collapsed lung, requiring hospitalization; he has stated that the incident involved no long-term physical impairments but left a lasting impression on his approach to certain roles.^[30] This experience indirectly informed his portrayal of Miles Dyson in Terminator 2: Judgment Day (1991), where he drew from the physical sensations of the injury for the character's death scene.^[30] Following his divorce, Morton has maintained a low profile regarding his personal relationships, with no reports of remarriage as of 2025.^[52] He has been in a long-term partnership with Christine Lietz, his business collaborator, since at least the mid-2010s.^[52]

Activism and philanthropy

Joe Morton was appointed as an Innocence Ambassador by the Innocence Project on September 25, 2025, committing to advocate for individuals facing wrongful convictions and to promote broader criminal justice reform.^[53] In this role, he uses his public platform to amplify the stories of those affected by systemic injustices, emphasizing the need for accountability and policy changes to prevent miscarriages of justice.^[53] As part of his ambassadorship, Morton participated in a benefit reading of Cornelius Eady's play Brutal Imagination on April 7, 2025, at the Lucille Lortel Theatre in New York City, directing and starring alongside Sally Murphy.^[26] The event, which explores themes of racial profiling and wrongful accusations inspired by the 1994 Susan Smith case, raised funds specifically for the Innocence Project to support its mission of exonerating the innocent and reforming the justice system.^[26] Proceeds from the one-night performance aimed to foster discussions on racial equity and social justice, highlighting Morton's dedication to causes addressing racial bias in law enforcement.^[26] Morton has also engaged in advocacy for racial equity within the entertainment industry through his involvement with the NAACP, including discussions on the challenges faced by Black actors in Hollywood and the importance of community recognition to combat underrepresentation.^[54] In a 2025 episode of the NAACP's Our Culture, Our Stories podcast, he addressed navigating career barriers as a Black performer and the need for greater advocacy to ensure fair opportunities and valuation in the industry.^[54] This work aligns with his broader efforts to leverage his career for promoting diversity and inclusion in media.^[54]

Filmography

1970s

• 1971: Brother John as Cleve, directed by James Goldstone^[55]
• 1977: Between the Lines as Roy, directed by Joan Micklin Silver
• 1979: ...And Justice for All as Prison Doctor, directed by Norman Jewison^[55]

1980s

• 1984: The Brother from Another Planet as The Brother, directed by John Sayles^[55]
• 1985: Trouble in Mind as Solo, directed by Alan Rudolph^[55]
• 1987: The Believers as Tom Lopez, directed by John Schlesinger^[55]
• 1988: Crossing Delancey as David, directed by Joan Micklin Silver^[55]
• 1988: The Good Mother as Frank, directed by Leonard Nimoy^[55]
• 1988: Zelly and Me as Earl, directed by Isabelle Huppert^[55]
• 1989: Tap as Nicky, directed by Nick Castle^[55]

1990s

• 1990: The Lost Platoon as World War II Soldier (uncredited), directed by David A. Prior^[55]
• 1991: Terminator 2: Judgment Day as Miles Dyson, directed by James Cameron^[55]
• 1992: Of Mice and Men as Crooks, directed by Gary Sinise^[55]
• 1992: Forever Young as Cameron, directed by Steve Miner^[55]
• 1993: The Pelican Brief as Ned, directed by Alan J. Pakula^[55]
• 1994: Speed as Lt. Herb McMahon, directed by Jan de Bont^[55]
• 1994: The Inkwell as Kenny Tate, directed by Matty Rich^[55]
• 1995: Under Siege 2: Dark Territory as Captain David Trilling, directed by Geoff Murphy^[55]
• 1996: Executive Decision as Sgt. Cappy, directed by Stuart Baird^[55]
• 1996: Lone Star as Delmore Payne, directed by John Sayles^[55]
• 1997: Trouble on the Corner as Detective Henry, directed by Alan Madison^[55]
• 1997: The Pest as Mr. Kent, directed by Paul Miller^[55]
• 1998: Apt Pupil as Dan Richler, directed by Bryan Singer^[55]
• 1998: What Dreams May Come as The Tracker, directed by Vincent Ward^[55]
• 1998: Blues Brothers 2000 as Cab Driver, directed by John Landis^[55]
• 1999: The Astronaut's Wife as Sherman Reese, directed by Rand Ravich^[55]

2000s

• 2000: Bounce as Jim Miller, directed by Don Roos^[55]
• 2000: What Lies Beneath as Dr. Drayton, directed by Robert Zemeckis^[56]
• 2001: Ali as Chauncy Eskridge, directed by Michael Mann^[55]
• 2001: Dragonfly as Hugh Campbell, directed by Tom Shadyac^[55]
• 2002: Paycheck as Agent Dodge, directed by John Woo^[55]
• 2003: Thoughtcrimes as Dr. Michael Welles, directed by Breck Eisner^[55]
• 2004: Breaking Dawn as Professor, directed by Mark Edwin Robinson^[55]
• 2005: Stealth as Dick Marshfield, directed by Rob Cohen^[55]
• 2005: Back in the Day as Reverend James, directed by James Hunter^[55]
• 2006: The Night Listener as Ashe, directed by Patrick Stettner^[55]
• 2007: Badland as Max, directed by Francesco Lucente^[39]
• 2007: American Gangster as Charlie Williams, directed by Ridley Scott^[55]
• 2008: The Line as Hodges, directed by James Cotten^[39]
• 2008: American Violet as Judge Sanders, directed by Tim Disney^[55]
• 2009: Law Abiding Citizen as Judge, directed by F. Gary Gray^[55]

2010s

• 2010: The Mulberry Tree as Samuel R. Freeman, directed by Mark Heller^[39]
• 2012: Dredd as Chief Judge, directed by Pete Travis^[55]
• 2013: Home as Donald Hall, directed by Jono Oliver^[39]
• 2013: Homefront as Dr. Carter, directed by Gary Fleder^[55]
• 2016: Batman v Superman: Dawn of Justice as Silas Stone, directed by Zack Snyder^[55]
• 2016: All the Way as Roy Wilkins, directed by Jay Roach^[39]
• 2017: Justice League as Silas Stone, directed by Zack Snyder^[55]
• 2019: Godzilla: King of the Monsters as Dr. Houston Brooks, directed by Michael Dougherty^[39]

2020s

• 2021: Zack Snyder's Justice League as Silas Stone, directed by Zack Snyder^[39]
• 2022: Till as Dr. T.R.M. Howard, directed by Chinonye Chukwu^[55]
• 2023: Rustin as A. Philip Randolph, directed by George C. Wolfe^[55]
• 2023: Trinity's Triumph as Monsignor Gregory Heck, directed by Michael J. Wickham^[57]

Television

Joe Morton's television career spans over five decades, beginning with guest roles in the 1970s and evolving into prominent series regular and recurring positions. His early work included appearances in soap operas and police procedurals, while later roles showcased his versatility in sci-fi, legal dramas, and political thrillers.^[58]

Theatre

Joe Morton's stage career began in the early 1970s and encompasses a wide range of roles in musicals, plays, and Shakespearean works across major New York theaters and regional venues. His performances often highlight complex characters grappling with identity, power, and social issues, earning critical acclaim for their depth and intensity.^[20]

Broadway Productions

Morton appeared in six Broadway productions between 1971 and 1999, frequently taking on leading or featured roles in musicals and dramas.

• Two Gentlemen of Verona (musical, original production): Valentine (replacement, March 20, 1973 – April 8, 1973); St. James Theatre; December 1, 1971 – May 20, 1973.^[21]
• Tricks (musical comedy, original production): Arlecchino / Lead Singer; Alvin Theatre; January 8, 1973 – January 13, 1973.
• Raisin (musical, original production): Walter Lee Younger; 46th Street Theatre; October 18, 1973 – December 7, 1975.^[18]
• Oh, Brother! (musical comedy, original production): Eastern Habim; ANTA Playhouse; November 10, 1981 – November 11, 1981 (preview October 30, 1981).
• Honky Tonk Nights (musical comedy, original production): Barney Walker; Biltmore Theatre; August 7, 1986 – August 9, 1986.
• Art (play, original production): Serge (replacement, December 22, 1998 – May 9, 1999); Royale Theatre; March 1, 1998 – August 8, 1999.^[24]

Off-Broadway Productions

Morton's off-Broadway work, spanning from the 1980s to the 2020s, includes innovative adaptations, solo performances, and ensemble pieces at prominent venues like the Public Theater and Vineyard Theatre.

• Cheapside (play, original production): Cutting Bull; Union Square Theatre; March 29, 1986 – May 11, 1986.
• Elektra (after Ezra Pound, original production): Orestes; McGinn/Cazale Theatre; November 11, 1987 (limited run).^[63]
• King John (Shakespeare, original production): Hubert; Delacorte Theatre (New York Shakespeare Festival); August 22, 1988 – September 11, 1988 (limited summer run).^[64]
• Golden Boy (play, Encores! concert staging): Dr. Brooks; New York City Center; May 3, 1994 – May 22, 1994.^[20]
• Brutal Imagination (play, original production): Mr. Zero; Vineyard Theatre; January 9, 2002 – February 24, 2002.^[65]
• The Exonerated (play, original production): Delbert Tibbs (replacement); 45 Bleecker Theater; September 19, 2012 – December 2, 2012.
• Turn Me Loose (solo play, original production): Dick Gregory; Westside Theatre (Downstairs); May 3, 2016 – July 24, 2016.^[66]
• All the President's Men? (reading): Senator Patrick J. Leahy / Senator James M. Inhofe / Senator Benjamin L. Cardin; Public Theater (one-night reading, co-produced with National Theatre); 2017.^[20]
• Brutal Imagination (benefit reading): Mr. Zero (also director); Lucille Lortel Theatre; April 7, 2025.^[26]

Regional Theater

In addition to New York stages, Morton has performed in notable regional productions, often in classical roles at prestigious festivals and centers.

• The Legend of Oedipus (adaptation of Euripides, Aeschylus, and Sophocles, world premiere): Oedipus; Williamstown Theatre Festival Main Stage; June 23, 1988 – July 9, 1988.
• King Lear (Shakespeare, adapted production): King Lear; Wallis Annenberg Center for the Performing Arts; May 10, 2022 – June 5, 2022.^[67]

Audio

Joe Morton has narrated several notable audiobooks since 2019, focusing on works of historical fiction, memoirs, and literary classics that often explore themes of race, identity, and American history. His voice work brings depth and emotional resonance to these narratives, earning critical acclaim for its authenticity and power. The following is a selection of his audiobook narration credits from 2019 to 2024: Morton's narration of The Water Dancer won the 2020 Audie Award for Literary Fiction & Classics ^[74].

Awards and nominations

Primetime Emmy Awards

Joe Morton received his first and only Primetime Emmy nomination in 2014 for Outstanding Guest Actor in a Drama Series for his portrayal of Rowan Pope, the commanding father of the protagonist in the ABC political drama Scandal. He submitted the episode "Guess Who's Coming to Dinner" from season 3, in which his character delivers a tense confrontation revealing deep familial and professional conflicts. Morton won the award at the 66th Primetime Creative Arts Emmy Awards ceremony held on August 16, 2014, at the Nokia Theatre in Los Angeles, where guest acting categories are typically presented.^[43] The Television Academy's performers peer group voted on the nominees, recognizing Morton's intense and nuanced performance amid competition from actors like Beau Bridges and Reg E. Cathey. His victory marked a career highlight, celebrated for bringing depth to the complex role of a high-ranking intelligence official.^[1] As of 2025, Morton has not received any additional Primetime Emmy nominations for his subsequent television work.^[75]

Tony Awards

Joe Morton received his sole Tony Award nomination in 1974 for Best Performance by a Leading Actor in a Musical for his portrayal of Walter Lee Younger in the Broadway production of Raisin, a musical adaptation of Lorraine Hansberry's A Raisin in the Sun.^[76][77] The role showcased Morton's ability to convey the character's frustrations and aspirations within a family navigating racial and economic challenges on Chicago's South Side.^[78] Although Morton did not win the award, which went to Christopher Plummer for Cyrano, the production of Raisin achieved significant acclaim, securing the Tony for Best Musical and running for 847 performances, highlighting its cultural impact and the strength of its ensemble, including Morton's nominated performance.^[79][80]

Other awards and honors

Morton received NAACP Image Awards for Outstanding Supporting Actor in a Drama Series for his portrayal of Rowan Pope on Scandal, winning in 2014, 2015, 2016, and 2018.^{[81][82][83][84]} In 1974, Morton won a Theatre World Award for his performance in the Broadway musical Raisin.^[85] In 2020, he won an Audie Award in the Literary Fiction & Classics category for his narration of Ta-Nehisi Coates's novel The Water Dancer.^[86] On February 24, 2025, Morton was honored at the Vineyard Theatre Annual Gala for his contributions to theater.^[87] In September 2025, Morton was appointed as an Innocence Ambassador for the Innocence Project, recognizing his commitment to criminal justice reform and support for wrongfully convicted individuals.^[53]