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Hank Azaria
Hank Azaria
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Henry Albert Azaria (/əˈzɛəriə/ ə-ZAIR-ee-ə;[1] born April 25, 1964) is an American actor and producer. He is known for voicing many characters in the long-running animated sitcom The Simpsons since 1989, including Moe Szyslak, Chief Wiggum, Superintendent Chalmers, Comic Book Guy, Snake Jailbird, Professor Frink, Kirk Van Houten, Duffman, Apu Nahasapeemapetilon, Lou, and Carl Carlson, among others. Azaria joined the show with little voice acting experience, but became a regular in its second season. For his work on the show, he has won four Primetime Emmy Awards.

Key Information

Alongside his continued voice acting on The Simpsons, Azaria became more widely known through his live-action supporting appearances in films such as Quiz Show (1994), Heat (1995), The Birdcage (1996) (for which he won a Screen Actors Guild Award) and Godzilla (1998). He has also appeared in numerous films including Mystery Men (1999), America's Sweethearts (2001), Shattered Glass (2003), Along Came Polly (2004), Run Fatboy Run (2007), Night at the Museum: Battle of the Smithsonian (2009) and The Smurfs (2011) and The Smurfs 2 (2013). Further voice roles include Anastasia (1997), for which he won an Annie Award.

Azaria's live-action television work includes recurring roles on the sitcoms Mad About You and Friends, as well as dramatic roles in the TV films Tuesdays with Morrie (1999) as writer Mitch Albom and Uprising (2001) as Jewish resistance leader Mordechai Anielewicz. For the former, Azaria received the Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or Movie. He starred in the title roles in the Showtime drama series Huff (2004–2006) and the IFC sitcom Brockmire (2017–2020). His recurring role on the drama Ray Donovan earned him a sixth Primetime Emmy Award in 2016.

Azaria made his Broadway debut as Lancelot in Spamalot, for which he was nominated for the Tony Award for Best Actor in a Musical. He returned to Broadway in 2007, playing David Sarnoff in The Farnsworth Invention.

Early life and education

[edit]

Henry Albert Azaria was born in the Manhattan borough of New York City on April 25, 1964, to Ruth and Albert Azaria.[2][3] He began going by the name "Hank" as a child, after a pediatrician he visited said he felt it was a more suitable name for a child than "Henry".[2] His grandparents on both sides were Sephardic Jews from the Greek city of Thessaloniki. His family spoke Ladino, also known as Judaeo-Spanish, which he described as "a strange, antiquated Spanish dialect written in Hebrew characters."[4][5] Azaria's father ran several dress-manufacturing businesses while his mother raised him and his two older sisters, Stephanie and Elise.[6][7][8] Before marrying his father, Azaria's mother had been a publicist for Columbia Pictures, promoting films in Latin American countries as she was fluent in both English and Spanish.[6] During his childhood, Azaria would often "memorize and mimic" the scripts of films, shows, and stand-up comedy routines he enjoyed.[9]

Azaria attended The Kew-Forest School in Queens' Forest Hills neighborhood.[10] He decided to become an actor after performing in a school play at the age of 16, becoming "obsessed with acting" at the expense of his academic studies.[9] Both of his parents loved all forms of show business, which further spurred him to become an actor.[6] He studied drama at Tufts University from 1981 to 1985,[10] where he met and befriended actor Oliver Platt and noted that Platt was a "better actor" than he was and inspired him.[11] Together they starred in various college stage productions, including The Merchant of Venice,[12] before Azaria went to train at the American Academy of Dramatic Arts.[3][13] Although he did not expect the endeavor to be successful, he decided to become a professional actor so that he would not regret not having tried later in life.[9] His first acting job was an advertisement for Italian television when he was 17 years old.[6] He also worked as a busboy.[14] He originally intended to work predominantly as a theatrical actor, and he and Platt set up a company called Big Theatre, although Harold Pinter's The Dumb Waiter was the only show they ever performed.[13] Azaria decided that television was a better arena and offered more opportunity, and moved to Los Angeles after being offered work with talent agent Harry Gold.[9][13]

Career

[edit]

Early career (1986–1988)

[edit]

Azaria got along with talent agent Harry Gold, who was lukewarm about working with him but still sent him out for auditions after a woman Azaria had worked with in New York "got really furious with [Gold]" for breaking his promise to work with Azaria.[9] He made his television debut with a role in the pilot episode of the 1986 ABC comedy-drama series Joe Bash.[7][13] His part—a one-line role as the police officer Maldonado—was edited out before the show was broadcast, although the role secured him admission to the Screen Actors Guild.[9] Azaria appeared in the TV film Nitti: The Enforcer, about the gangster Frank Nitti, and appeared in the failed pilot Morning Maggie alongside Matthew Perry, with whom he became good friends.[9] He played Joe in an episode of the sitcom Family Ties in 1988 in which he had one line, and the following year he played Steve Stevenson in an episode of Growing Pains.[9] Azaria has described his career progression as being gradual; he did not achieve overnight recognition or fame.[6] In Los Angeles, Azaria was trained by acting coach Roy London.[15] Between acting jobs he performed as a stand-up comedian,[13] and worked as a bartender for a catering firm.[7]

The Simpsons (since 1989)

[edit]

Azaria is known for his voice work in the ongoing animated television series The Simpsons. He joined the show having previously performed only one voice acting job—as the titular animated dog in the failed Fox pilot Hollywood Dog, a show he described as "sort of Roger Rabbit-esque, where the dog was animated, but everybody else was real."[13] The first voice he performed on The Simpsons was that of town bartender Moe Szyslak, replacing Christopher Collins who had initially recorded the character's voice. Having known him from Hollywood Dog, casting director Bonita Pietila called Azaria and asked him to audition for the voice of Moe.[13] At the time he was performing the role of a drug dealer in a play, utilizing a voice based on Al Pacino's performance in the film Dog Day Afternoon. He used the voice in his audition for The Simpsons and, at the request of the show's executive producers Matt Groening and Sam Simon, made the voice more "gravelly". Groening and Simon thought the resultant voice was ideal for Moe and took Azaria over to the Fox recording studio. Before he had even seen a script, he recorded several lines of dialogue as Moe for the episode "Some Enchanted Evening", dubbing Collins' voice.[6][9][16][17]

Azaria did not expect to hear from the show again, but they continued to call him back, first to perform the voice of Chief Wiggum and then Apu Nahasapeemapetilon.[6] He felt that, initially, "[the producers] didn't seem too pleased with what I had done...[Simon] was very exacting...[and] was kind of impatiently directing me on the ABCs of comedy. But then, much to my surprise, he would still keep having me back every week. But each week, I thought it was going to be my last week because I really didn't think I had done that well."[9] Nevertheless, by the show's second season he was performing multiple recurring voices and so was given a contract and made a permanent member of the main cast.[6] Since he joined later than the rest of the cast, Groening still considered Azaria the "new guy".[18] In addition to Moe, Wiggum and Apu, Azaria provides the voices of Comic Book Guy, Carl Carlson (until season 32, now voiced by Alex Désert), Cletus Spuckler, Professor Frink, Dr. Nick Riviera, Lou, Snake Jailbird, Kirk Van Houten, Bumblebee Man, the Sea Captain, Superintendent Chalmers, Disco Stu, Duffman, the Wiseguy, and numerous guest characters.[19] His co-star in The Simpsons, Nancy Cartwright, wrote that: "The thing about Hank that I most remember is that he started out so unassuming and then, little by little, his abilities were revealed and his contributions to the show escalated. I realized Hank was going to be our breakaway star."[20]

As Moe's voice is based on Al Pacino's, likewise many of Azaria's other recurring characters are based on existing sources. He took Apu's voice from the many Indian and Pakistani convenience store workers in Los Angeles that he had interacted with when he first moved to the area, and also loosely based it on Peter Sellers' character Hrundi V. Bakshi from the film The Party.[6] Originally, it was thought that Apu being Indian was too offensive and stereotyped, but after Azaria's reading of the line "Hello, Mr. Homer", which the show's producers thought was hilarious, the character stayed.[13][21] Azaria, however, disputed this on LateNet with Ray Ellin, claiming that Apu was always intended to be stereotypical.[22] Chief Wiggum's voice was originally a parody of David Brinkley, but when Azaria was told it was too slow, he switched it to that of Edward G. Robinson.[21] Officer Lou is based on Sylvester Stallone,[16] and Dr. Nick is "a bad Ricky Ricardo impression."[23] The "Wise Guy" voice is "basically Charles Bronson,"[16] while Carl is "a silly voice [Azaria] always did."[24] Two of the voices come from his time at college: Snake's is based on Azaria's old college roommate, while Comic Book Guy's voice is based on a student who lived in the room next door to Azaria and went by the name "F".[16] Professor Frink is based on Jerry Lewis' performance in the original The Nutty Professor, and the Sea Captain is based on English actor Robert Newton's portrayal of many pirates.[21] Azaria based his performance for the one-time character Frank Grimes, from the episode "Homer's Enemy", on actor William H. Macy. He counts Grimes as the hardest, most emotional performance he has ever had to give in the history of The Simpsons.[24]

Azaria's work on the show has won him four Emmy Awards for Outstanding Voice-Over Performance, in 1998, 2001, 2003 and 2015. He was also nominated for the award in 2009 and 2010, but lost to co-star Dan Castellaneta and guest star Anne Hathaway respectively. He was nominated again in 2012.[25] Azaria, with the rest of the principal cast, reprised all of his voice roles from The Simpsons for the 2007 film The Simpsons Movie.[26] Azaria notes that he spends "an embarrassingly small amount of time working on The Simpsons."[14] He works for "an hour on Thursdays when we read through the script, then four hours on Monday when we record it, and I'll pop in again once or twice."[14] He concludes it is "the best job in the world, as far as I'm concerned."[14]

Up until 1998, Azaria was paid $30,000 per episode. Azaria and the five other main The Simpsons voice actors were then involved in a pay dispute in which Fox threatened to replace them with new actors and went as far as preparing for the casting of new voices. However, the issue was soon resolved and from 1998 to 2004, they received $125,000 per episode. In 2004, the voice actors intentionally skipped several script read-throughs, demanding they be paid $360,000 per episode.[27] The strike was resolved a month later,[28] with Azaria's pay increasing to something between $250,000[29] and $360,000 per episode.[30] In 2008, production for the twentieth season was put on hold due to new contract negotiations with the voice actors, who wanted a "healthy bump" in salary.[30] The dispute was later resolved, and Azaria and the rest of the cast received their requested pay raise, approximately $400,000 per episode.[31] Three years later, with Fox threatening to cancel the series unless production costs were cut, Azaria and the other cast members accepted a 30 percent pay cut, down to just over $300,000 per episode.[32]

In an April 24, 2018, appearance on The Late Show with Stephen Colbert, Azaria discussed his reaction to The Problem with Apu, a 2017 documentary by Hari Kondabolu that examined Azaria and other white actors who had played South Asian roles as stereotypes.[33] During the interview, Azaria described how watching the documentary had changed his perspective on the issue: "The idea that anyone, young or old, past or present, was bullied or teased based on the character of Apu, it just really makes me sad."[33] Azaria also offered to stop voicing the character: "I'm perfectly willing and happy to step aside, or help transition it into something new."[33] In response, Kondabolu tweeted his appreciation for Azaria's statement: "Thank you, @HankAzaria. I appreciate what you said & how you said it." In early 2020, Azaria announced that he was stepping away from the Apu character, primarily because of the stereotypes and bias it perpetuated.[34] Later in the year he would retire from voicing Carl for similar reasons.[35] In April 2021, Azaria formally apologized for voicing the Apu character, on Dax Shepherd's podcast.[36]

Further career (since 1991)

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Television work

[edit]
Hank Azaria in 2016

With the continuing success of The Simpsons, Azaria began taking on other, principally live-action roles. He was a main cast member on the show Herman's Head (1991–1994) playing Jay Nichols, alongside The Simpsons co-star Yeardley Smith.[37] He regularly recorded for The Simpsons and filmed Herman's Head during the same day.[10] Following the series' cancellation Azaria unsuccessfully auditioned for the role of Joey Tribbiani, one of the lead characters in the sitcom Friends.[9] He was instead cast in the role of the scientist David, one of Phoebe Buffay (Lisa Kudrow)'s boyfriends in the series. He appeared in the show's tenth episode "The One with the Monkey", before the character left for a research trip in Minsk. He reprised the role in the show's seventh season (2001), before making several appearances in the ninth (2003). This return culminates in David proposing to Phoebe; she rejects him, and David leaves the show for good.[9][15] From 1995 to 1999, Azaria had a recurring role in the sitcom Mad About You as Nat Ostertag, the dog walker.[38] Azaria was nominated for the Primetime Emmy Award for Outstanding Guest Actor in a Comedy Series for his roles in both Mad About You (in 1998) and Friends (in 2003).[25] Azaria had the lead role in the short-lived sitcom If Not for You in 1995, playing record producer Craig Schaeffer.[39]

Azaria produced and starred in the sitcom Imagine That in 2002, replacing Emeril mid-season in the NBC lineup. He played Josh Miller, a comedy writer, who "transformed" each episode into a character Miller has imagined, "provid[ing] a humorous outlet for his frustrations at home and work".[40][41][42] Production closed after five episodes and it was canceled after just two aired, due to poor critical reaction and ratings.[43] Azaria later commented on the show: "I wanted to do something really truthful and interesting and impactful. We had a bunch of executives sitting in the room, all agreeing that The Larry Sanders Show was our favorite thing on television, but we couldn't do it on NBC, and nor would we want to from a business standpoint; it simply wouldn't make enough money. By the time it aired, the writing was sort of on the wall, and I don't blame them at all. It was apparent it wasn't working."[13]

He starred as psychiatrist Craig "Huff" Huffstodt in the Showtime drama series Huff, which ran for two seasons between 2004 and 2006, airing 24 episodes.[3][44] Azaria served as an executive producer on the show and directed an episode of its second season.[11] After reading the pilot script, he sent it to Platt, who took the role of Huff's friend Russell Tupper.[12] Azaria enjoyed working on the show,[11] but struggled with the bleak subject matter and was often in dispute with its creator Bob Lowry, noting that it "was tough to marry our visions all the time, [because] we both cared so much about it that neither of us were willing to let go."[9] Gillian Flynn of Entertainment Weekly called Azaria "impressively subtle" in the role,[45] while John Leonard of New York magazine said he was a "shrewd bit of casting."[46] The show garnered seven Emmy nominations in 2005, including a nomination for Azaria for Outstanding Lead Actor in a Drama Series.[25] Despite the awards, the show continually received low ratings, and Showtime chose not to commission it for a third season.[44]

Returning to live-action television in 2011, Azaria starred in the NBC sitcom Free Agents, a remake of the British series of the same name. He played Alex Taylor, a recently divorced public relations executive "who is missing his kids and trying to keep himself together", and ends up sleeping with a co-worker Helen Ryan (Kathryn Hahn).[47][48] Azaria also served as a producer on the show.[9] He was apprehensive about the project, disliking the lengthy schedule required of a lead actor in a single-camera series, and favoring the "sensibility" of cable shows. However, he liked the script and executive producer John Enbom's previous series Party Down and decided to accept the part.[49] Despite Azaria mounting a campaign on Twitter to save it,[50] the series was canceled after four episodes due to low ratings.[51] Between 2014 and 2016, Azaria had a recurring role in the second, third and fourth season of Showtime's Ray Donovan, playing FBI agent Ed Cochran.[52][53][54] He won the Emmy for Outstanding Guest Actor in a Drama Series for his work on the show in 2016, as well as earning a further nomination the same category the following year.[55]

Azaria starred in the IFC series Brockmire, which ran for four seasons from 2017–2020.[56][57] He played the lead role of Jim Brockmire, a legendary baseball announcer, fired for a profanity-filled breakdown live on air after discovering his wife Lucy Brockmire (Katie Finneran) was having an affair. Azaria based the voice and style of Brockmire on several veteran sportscasters, including Bob Murphy and Phil Rizzuto.[58] The character originated as part of the third episode of the Funny or Die web-series Gamechangers, entitled "A Legend in the Booth", which Azaria also co-wrote.[58] He subsequently appeared as Brockmire on the NFL Network's The Rich Eisen Podcast to discuss the National Football League.[59] In November 2012, Azaria sued actor Craig Bierko over the ownership of the Brockmire voice.[60] The case was ruled in Azaria's favor in 2014. Both actors had been using a baseball announcer voice before and since meeting at a party in 1990, but United States district judge Gary Allen Feess ruled that only Azaria's voice was, as Brockmire, a defined, "tangible" character and thus subject to copyright.[61] In 2016, IFC confirmed development on the series, on which Azaria also served as an executive producer.[56] Azaria received three nominations for the Critics' Choice Television Award for Best Actor in a Comedy Series for his performance on the series.[62][63][64]

Film work

[edit]

"[Azaria's] appeal can best be summed up by, of all things, his hilarious cameo in the goofy comedy Dodgeball. As Patches O'Houlihan, the dodgeball champion who will age into the magnificently gruff Rip Torn, he delivers a pitch-perfect performance in an instructional video in which he chain-smokes, encourages a child to pick on those weaker than him, and steals the film from a cast of comedic greats. It's a wonderful, odd moment that could have failed miserably in the hands of a lesser actor, and he manages to pull it off with only seconds of dialogue. In my humble opinion, and using my limited knowledge of boxing terms: Pound for pound, Hank Azaria is the best actor working today."

—Playwright Jenelle Riley on Azaria.[13]

Azaria made his film debut in the direct-to-video release Cool Blue (1990), as Buzz.[9] His first theatrically released feature film appearance came the same year in Pretty Woman, as a police detective named Albertson.[15] His next major film role was as television producer Albert Freedman in the 1994 film Quiz Show, which was nominated for the Academy Award for Best Picture.[38] In 1996, Azaria played gay Guatemalan housekeeper Agador Spartacus in the film The Birdcage. For the role, which Azaria considers to be his "big break",[9] he was nominated for the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Supporting Role,[15] and critically branded "the most hilarious performance in the film," by Alison Macor of The Austin Chronicle,[65] while Empire wrote that he "[stole] the show."[66] For the role he used a Guatemalan accent, and made himself sound as effeminate as possible. He had chosen two possible voices, an effeminate one and a tougher one. After advice from a drag queen, he chose the effeminate voice. Three weeks into production, he realized he sounded exactly like his grandmother, which aided his performance.[6] Agador was originally going to be a single scene part, with the larger role of the housekeeper being played by David Alan Grier. With the producers fearing the racial connotations of a black actor in such a part, Azaria inherited the full role.[9]

He appeared in numerous other films in the late 1990s, including Heat (1995), Grosse Pointe Blank (1997), Celebrity (1998) and worked opposite Gwyneth Paltrow, as Walter Plane, in the 1998 adaptation of Great Expectations.[38] He played photographer Victor "Animal" Palotti in Godzilla (1998).[13][15] Godzilla was one of Azaria's first starring roles in a blockbuster film. Its five-month shoot was the longest of his career to date, but he considered it a good chance to boost his profile. He noted, "I'm so used to melding into every character I play. Even people in the business think the guy who did Birdcage, Quiz Show and Great Expectations are three different actors—which in a way makes me proud, but in another way is very frustrating. It's the curse and blessing of the character actor".[7] The shoot's physical challenges, and the film's critical failure, led Azaria to later describe it as "tough to make, and very disappointing when it came out. It was one you definitely chalk up and say, 'That was part of paying your dues, better luck next time'."[9] In 1999, he starred in the drama Mystery, Alaska as Charles Danner, and the comedy superhero film Mystery Men, as the faux-British silverware throwing expert The Blue Raja.[9][67] Other film roles included Hector Gorgonzolas in America's Sweethearts (2001), Claude in Along Came Polly (2004), and the young Patches O'Houlihan in DodgeBall: A True Underdog Story (2004), the latter two with Ben Stiller.[9][15] For his role of Claude, a French scuba instructor, in Along Came Polly, Azaria donned a wig and worked out extensively to get into the physical shape the part required.[68]

Azaria played composer Marc Blitzstein in Tim Robbins' film Cradle Will Rock in 1999.[13][67] Paul Clinton wrote that Azaria was "brilliant as the tortured (is there any other kind) artist Blitzstein."[69] The same year he appeared as author and journalist Mitch Albom alongside Jack Lemmon in the television film Tuesdays with Morrie,[38] winning the Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for the role.[70] Azaria described the latter as the "best work [he has] done."[38] These were two of the first dramatic roles Azaria had taken; throughout his career, Azaria has primarily worked in comedy,[7][13] but tries to balance the two.[40] Azaria commented: "all the roles I got were in comedy at first, and I was certainly happy to get those, so I never felt the lack of being considered a dramatic actor because I was so happy to get what I got. And then I became surprised later on when I got dramatic roles. But I never went, 'OK, now it's time to get a dramatic role.'"[13] His next dramatic part was in the television film Uprising in 2001. The film was based on the 1943 Warsaw Ghetto Uprising and Azaria played Mordechaj Anielewicz, one of the revolt's leaders. Azaria was confused by his casting in Uprising and frequently asked the film's producer and director Jon Avnet why he was selected. "I know [Avnet] liked the fact I was Jewish, and he knew I could do accents well. He cast me and David Schwimmer in [Uprising], and we were both sort of mystified. He had some instinct that he wanted people who were more known for being funny. He never explained it satisfactorily to me; I don't understand why."[13] His parts in Tuesdays With Morrie and Uprising affected him, causing a depressive state which he countered with DVDs of the comedy series Monty Python.[13] Azaria found Uprising to be "very difficult very depressing very emotionally challenging" material.[40] In 2003, Azaria played journalist Michael Kelly, the former editor of The New Republic, in the drama film Shattered Glass. Kelly died a few months before the film was released and Azaria said the film "has become a weird kind of eulogy to him."[71]

Since Huff's conclusion in 2006, Azaria has continued to make multiple film appearances. He played the smooth-talking Whit Bloom in David Schwimmer's directorial debut Run Fatboy Run (2007). During production he became good friends with co-star Simon Pegg, performing The Simpsons voices on request, frequently distracting Pegg when he was supposed to be filming.[72] He worked with Stiller again on 2009's Night at the Museum: Battle of the Smithsonian in which Azaria played the villainous pharaoh Kah Mun Rah, utilizing a Boris Karloff accent.[73] Although the film received mixed reviews, critics praised Azaria's performance.[74][75] Perry Seibert of TV Guide wrote that "thanks to Azaria, a master of comic timing. His grandiose, yet slightly fey bad guy is equally funny when he's chewing out minions as he is when deliberating if Oscar the Grouch and Darth Vader are evil enough to join his team."[76] He appeared as Abraham in Year One (2009),[77] Dr. Stan Knight in 2010's Love & Other Drugs,[78] and played Deep Throat director Gerard Damiano in Lovelace (2013).[79]

Azaria played Gargamel in the animated/live-action adaptation of The Smurfs (2011).[80] Azaria wore a prosthetic nose, ears, buck teeth, eyebrows and a wig, as well as shaving his head. He spent approximately 130 hours in the make-up chair over the course of the production.[81][82] Azaria considered Gargamel's voice to be the most important part of his performance. The producers wanted an "old, failed, Shakespearean actor" voice, but Azaria felt this would lack energy and wanted something more Eastern European. He eventually selected a voice similar to that of Paul Winchell's from the cartoon.[83] Azaria disliked the cartoon when it first aired, and considered Gargamel too one-dimensional a character and "just this straight villain";[83] he opted to make Gargamel "more sarcastic" than in the cartoon, but "discovered that there's no way to play Gargamel without screaming your head off at certain points – ramping him up and getting him very upset over Smurfs".[84] He interpreted him as "very lonely", adding that "he hates the Smurfs because they're such a happy family. He wants in really badly. I think he wants to be embraced as a Smurf".[84] Azaria worked with the writers to "infuse" the script with some of his ideas about the character, "particularly with the 'married' relationship between Gargamel and [his cat] Azreal [sic]" which Azaria conceived.[83]

Reviewers from The San Francisco Chronicle and The Boston Globe commented on Azaria's "overacting" in the role of Gargamel.[85][86] More positive reaction came from Scott Bowles of USA Today called Azaria the "human standout";[87] Betsy Sharkey of the Los Angeles Times felt he suffered the "greatest disservice" of the film's cast due to a poor script.[88] Azaria noted in an interview with The A.V. Club that The Smurfs and Night at the Museum were films he agreed to do primarily for the money, but that "I won't even do that unless I think it will at least be fun to do...I really try to throw myself into it, figure out the funniest, cleverest way to get the material over, and make it fun to do and fun to watch."[9] Azaria reprised his role in the 2013 sequel The Smurfs 2.[89] In 2016, Azaria starred in Norman with Richard Gere.[90]

Further voice work

[edit]

Azaria performed a number of voice roles in addition to The Simpsons, although he noted in 2005: "I started doing other voiceovers for cartoons for a couple of years, but I didn't really love it. I was spoiled by The Simpsons."[13] He voiced Eddie Brock / Venom in Spider-Man: The Animated Series between 1994 and 1996.[91] In the animated feature Anastasia (1997), he voiced Bartok the bat and reprised the role in the direct-to-video prequel Bartok the Magnificent (1999).[15] For his performance in Anastasia, Azaria won the Annie Award for Outstanding Individual Achievement for Voice Acting by a Male Performer in an Animated Feature Production.[92] He also voiced Eric in the American dub of the series Stressed Eric,[39] Harold Zoid in the 2001 Futurama episode "That's Lobstertainment!",[93] and Abbie Hoffman and Allen Ginsberg in Chicago 10 (2007).[9] For the 2011 film Hop, Azaria voiced Carlos and Phil. The response to the film was mostly negative, but many reviewers praised Azaria's performance.[94][95][96] For example, Sandie Chen of The Washington Post said "Azaria has been honing his over-the-top Spanish accent since The Birdcage, so anything he says grabs some laughs",[97] while Emma Simmonds of Time Out called him an "unflappable presence, voicing two characters with style".[98] Later in the year he voiced The Mighty Sven in Happy Feet Two.[99] He also voiced the lead character, Texan border agent Bud Buckwald, in Bordertown, which aired in 2016,[100] as well as Shelfish Sheldon in Mack & Moxy the same year.[101]

Once The Simpsons was "going steadily" and Azaria had enough money to live on, he stopped working on commercials as he found them "demoralizing", feeling that he sounded sarcastic whenever he read for them. When recording the part of "Jell-O Man" for a Jell-O commercial, he was told to make the voice he offered "more likable and friendly so that children like him." After pointing out that "Jell-O Man" was a fictional character, he left and pledged to never record for an advertisement again.[6] However, in 2012 he voiced several insects in a commercial for the Chevrolet Sonic.[102]

Other work

[edit]

Azaria wrote and directed the 2004 short film Nobody's Perfect, which won the Film Discovery Jury Award for Best Short at the US Comedy Arts Festival.[47] In January 2007, he was confirmed to be directing Outsourced,[103] a film about two American workers who journey to get their jobs back, after their factory is moved to Mexico.[104] In 2009, Azaria told Empire he was instead focusing on making a documentary about fatherhood.[105] Two years later he told the Los Angeles Times that this project was "half-complete" and was "forever looking for financing to finish it."[49] It eventually began in 2014, airing on AOL as an online series titled Fatherhood. According to AOL, the series of short episodes documents Azaria's "touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad."[106][107]

Azaria (center) performing in Spamalot, December 2005

He has periodically returned to theatrical work, appearing in several productions. In 2003, he appeared as Bernard in a run of David Mamet's play Sexual Perversity in Chicago, along with Matthew Perry and Minnie Driver, in London's West End.[13][15] Azaria made his first appearance as Sir Lancelot, the French Taunter, and four other characters in Spamalot, the musical version of Monty Python and the Holy Grail, which opened in Chicago in December 2004, before moving to the Shubert Theatre on Broadway.[13][15] The show met with critical acclaim and received fourteen Tony Award nominations in 2005; Azaria and Tim Curry both received nominations for the Tony Award for Best Performance by a Leading Actor in a Musical.[15] Reuniting with The Birdcage director Mike Nichols, and being a huge Monty Python fan, he saw it as an opportunity he could not pass up, describing it as "so much fun that I haven't realized how tiring it is,"[13] and "the most fun that I've ever had in my entire life."[108] He took a break from the show in June 2005 to work on Huff, but returned in December 2005.[108] Alan Tudyk played the role during Azaria's absence.[109] In late 2007 he starred in Aaron Sorkin's The Farnsworth Invention, playing RCA head David Sarnoff.[110] In 2016, he starred in the world premiere of Dry Powder opposite Claire Danes, John Krasinski, and Sanjit De Silva, directed by Thomas Kail, at the off-Broadway Public Theater in New York City.[111]

In August of 2024, after his 60th birthday, Azaria began touring with Bruce Springsteen tribute act Hank Azaria and the EZ Band.[112][113]

Acting style and vocal range

[edit]

Azaria's friends refer to him as "the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it. As a child, he believed that everyone could do this, but later realized that it was not a common talent.[6] Azaria has said, "I can remember every voice I hear, famous or otherwise ... they kind of remain in the memory banks, so I'm ready to trot them out."[9] Azaria was glad to have found the "ultimate outlet" for this skill, in The Simpsons.[6] He "didn't realize it [when he joined the show], but it became like a lab for a character actor. [He] had to do so many voices."[13] In the early 2000s, Azaria felt he had reached the maximum number of voices he was capable of: "For the first 10 years of The Simpsons, I would develop a bunch of voices. And then ... I hit a point when I was tapped out. Every noise I can make, I have made. Even characters like Gargamel, I've done. Even if it was only two or three lines, at some point I've done something similar on The Simpsons, at least somewhere along the line."[83][84]

For many of Azaria's characters, much of their humor is derived from a "funny voice", such as The Birdcage and Night at the Museum: Battle of the Smithsonian. He stated that "being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in," although he finds it "much easier to be someone much closer to myself," as it requires "less energy ... than playing characters that are so out there and high strung."[49]

The Simpsons creator Matt Groening has stated that Azaria possesses the ability to turn unfunny lines into some of the best in an episode,[16] while former writer Jay Kogen stated: "Just when I think I know [Azaria's] bag of tricks, he's always got a new thing he does to surprise me."[13] Throughout the run of The Simpsons, Azaria has had to sing in character several times, a task which he describes as easier than singing normally.[6] The Smurfs writer David N. Weiss says Azaria "has a beautiful treasure trove of talent," and "became what you wished you were writing."[114] Playwright Jenelle Riley wrote in 2005 that Azaria was "by far" her favorite actor, praising his "versatility" and "tendency to take small roles that would normally fade into the background and to consistently create characters people care about," noting his roles in Shattered Glass, Mystery, Alaska and especially DodgeBall: A True Underdog Story.[13]

Personal life

[edit]

In the early 1990s, Azaria was in a relationship with actress Julie Warner.[10][115] His relationship with actress Helen Hunt began in 1994; they married in a traditional Jewish ceremony at the couple's home in Southern California on July 17, 1999.[116] The two had appeared together in Mad About You and the Simpsons episode "Dumbbell Indemnity".[38] After a year of marriage, Azaria moved out of the couple's home,[117] and Hunt filed for divorce after a six-month separation, citing irreconcilable differences. The divorce was finalized on December 18, 2000.[118]

Azaria began dating former actress Katie Wright in 2007,[119] and the two married later that year.[120][121] They have a son named Hal (b. 2009).[122] The family has one dog, Truman, and two rescue cats, Mookie and Wilson. In 2013, the family began renting a home on 80th Street in Manhattan, with plans to make a final decision on where to live in two years.[121] They previously lived in a four-bedroom house in Pacific Palisades, which Azaria bought from his Simpsons co-star Dan Castellaneta in 2011. Several weeks earlier, Azaria had sold his home in Bel Air.[121][123][124] Azaria previously owned the fifth-floor co-op loft on Mercer Street in Manhattan's Soho neighborhood, which he bought from photographer Cindy Sherman in 2005, before selling it in 2013.[125]

Azaria is a huge fan of the New York Mets. He is also a fan of the New York Jets.[126]

Azaria suffered from alcoholism for several years. He credited his longtime friend Matthew Perry for encouraging him to attend Alcoholics Anonymous meetings and has been sober since about 2006.[127] His contribution to the substance-free dorm at Tufts University inspired it to be renamed ‘Simpson House’.

Azaria is the godfather of Oliver Platt's son, George.[12] He is also a regular poker player, appearing twice on Celebrity Poker Showdown and competing at other events, finishing a few places short of the bubble in the main event of the 2010 World Series of Poker.[128][129][130] Azaria is a supporter of the Democratic Party.[131] He enjoys the music of Elvis Costello and has stated that he would have been a therapist if he were not an actor.[132] Azaria co-founded the educational support charity, "Determined to Succeed".[133]

On May 22, 2016, he was awarded the Honorary degree of Doctor of Humane Letters (DHL) from Tufts University.[134][135]

Acting credits

[edit]

Film

[edit]
Year Title Role Notes
1990 Pretty Woman Detective Albertson
Cool Blue Buzz Direct-to-video
1994 Quiz Show Albert Freedman
1995 Now and Then Bud Kent
Heat Alan Marciano
1996 The Birdcage Agador Spartacus
1997 Grosse Pointe Blank CIA Agent Steven Lardner
Anastasia Bartok Voice[136]
1998 Great Expectations Walter Plane
Homegrown Carter
Godzilla Victor "Animal" Palotti
Celebrity David
1999 Cradle Will Rock Marc Blitzstein
Mystery Men Jeff / The Blue Raja
Bartok the Magnificent Bartok Voice, direct-to-video; also producer[136]
Mystery, Alaska Charles Danner
2001 America's Sweethearts Hector Gorgonzolas
2002 Bark! Sam
2003 Shattered Glass Michael Kelly
2004 Nobody's Perfect Ray Short film; Also director; producer and writer
Along Came Polly Claude
Dodgeball: A True Underdog Story Young Patches O'Houlihan
Eulogy Daniel Collins
2005 The Aristocrats Himself Documentary
2007 The Grand Mike "The Bike" Heslov
The Simpsons Movie Various Characters Voice[136]
Run Fatboy Run Whit Bloom
Chicago 10 Abbie Hoffman / Allen Ginsberg Voice[136]
2008 Immigrants Jóska Voice[137][136]
2009 Night at the Museum: Battle of the Smithsonian Kahmunrah, The Thinker, Abraham Lincoln Voice[136]
Year One Abraham
2010 Love & Other Drugs Dr. Stan Knight
Under the Boardwalk: The Monopoly Story Himself Documentary
2011 Hop Carlos, Phil Voice[136]
The Smurfs Gargamel
Happy Feet Two The Mighty Sven Voice[136]
The Smurfs: A Christmas Carol Gargamel Voice; short film[136]
2013 Lovelace Gerard Damiano
The Smurfs 2 Gargamel
I Know That Voice Himself Documentary
2016 Norman: The Moderate Rise and Tragic Fall of a New York Fixer Srul Katz
2021 Plusaversary Various roles[a] Voice; Short film
2022 Out of the Blue Jock
2023 Rogue Not Quite One Chief Wiggum Voice; short film
2025 The Electric State Perplexo Voice

Television

[edit]
Year Title Role Notes
1986 Joe Bash Maldonado Episode: "Pilot"; deleted scene
1987 Morning Maggie Philly McAllister Television film
1988 Family Ties Joe Episode: "Designing Woman"
Frank Nitti: The Enforcer Luc Television film
1989 Growing Pains Steve Stevenson Episode: "The New Deal: Part 2"
1989–present The Simpsons Various roles[b] Voice, main role (769 episodes)
1990 Hollywood Dog Hollywood Dog Voice, pilot[136]
The Fresh Prince of Bel-Air Jerry Episode: "Mistaken Identity"
Babes Tony Episode: "Rent Strike"
1991–1994 Herman's Head Jay Nichols Main role (72 episodes)
1994 Beethoven Killer, Ned, Traffic Cop, Harv, Ex-Con, Firemen Voice, 4 episodes
1994–1996 Spider-Man: The Animated Series Eddie Brock / Venom, additional voices Voice, 8 episodes[136]
1994; 2001–2003 Friends David 5 episodes
1995 Tales from the Crypt Richard Episode: "Doctor of Horror"
What a Cartoon! Elmo Voice, episode: "The Fat Cats in 'Drip Dry Drips'"[136]
If Not for You Craig Schaeffer 8 episodes
1995–1999 Mad About You Nat Ostertag 16 episodes
1998 Stressed Eric Eric Feeble Voice, American English dub
1999 Tuesdays with Morrie Mitch Albom Television film
2000 Fail Safe Prof. Groeteschele Television film
2001 Futurama Harold Zoid Voice, episode: "That's Lobstertainment!"
Uprising Mordechai Anielewicz Television film
2002 Imagine That John Miller Main role (5 episodes); also executive producer
2004–2006 Huff Dr. Craig "Huff" Huffstodt Main role (26 episodes); also executive producer
2011 The Cleveland Show Comic Book Guy Voice, episode: "Hot Cocoa Bang Bang"
Free Agents Alex Taylor 8 episodes
2012 Stand Up to Cancer Moe Szyslak, Apu Nahasapeemapetilon, Rafael Voice, television special
2013 Sesame Street Himself Episode: "Count Tribute"
The Smurfs: The Legend of Smurfy Hollow Gargamel Voice, television short[136]
Timms Valle Chaz Babcock Voice, pilot
2013–2019 Family Guy Additional Voices 4 episodes
2014–2016 Ray Donovan Ed Cochran 14 episodes
2016 Bordertown Bud Buckwald Voice, main role (13 episodes)
Mack & Moxy Shelfish Sheldon[136] Voice, main role (12 episodes)
2017–2020 Brockmire Jim Brockmire Main role (32 episodes); also executive producer
2017 The Wizard of Lies Frank DiPascali Television film
2018 Maniac Hank Landsberg 3 episodes
2022 Life & Beth Funeral Director Episode: "We're Grieving"
Super Pumped Tim Cook Episode: "The Charm Offensive"
2023 Hello Tomorrow! Eddie Nichols Main role (10 episodes)
The Marvelous Mrs. Maisel Danny Stevens Episode: "A House Full of Extremely Lame Horses"
The Idol Chaim Main role (5 episodes)

Theatre

[edit]
Year Title Role Venue Ref.
2003 Sexual Perversity in Chicago Bernard Comedy Theatre, West End
2004–2005 Spamalot Sir Lancelot / French Taunter
Tim the Enchanter / Knight Who Says "Ni!"
Shubert Theatre, Broadway
2007 The Farnsworth Invention David Sarnoff Music Box Theatre, Broadway
2016 Dry Powder Rick The Public Theatre, Off-Broadway
2023 Gutenberg! The Musical! The Producer James Earl Jones Theatre, Broadway
2025 All In: Comedy About Love Performer Hudson Theatre, Broadway

Video games

[edit]
Year Title Role
1996 The Simpsons: Cartoon Studio Apu Nahasapeemapetilon, Chief Clancy Wiggum, Bumblebee Man, Dr. Nick Riveria
1997 Anastasia: Adventures with Pooka and Bartok Bartok
The Simpsons: Virtual Springfield Apu Nahasapeemapetilon, Moe Szyslak, Bumblebee Man, Dr. Nick Riveria,
Cletus Spuckler, Professor John Frink, Chief Clancy Wiggum, Various characters
2001 The Simpsons Wrestling
The Simpsons: Road Rage
2002 The Simpsons Skateboarding
2003 The Simpsons: Hit & Run
2005 Friends: The One with All the Trivia David
2007 The Simpsons Game Apu Nahasapeemapetilon, Moe Szyslak, Dr. Nick Riveria, Cletus Spuckler
Professor John Frink, Chief Clancy Wiggum, Various characters
2008 Grand Theft Auto IV Various
2009 Night at the Museum: Battle of the Smithsonian Kahmunrah, The Thinker
2012 The Simpsons: Tapped Out Apu Nahasapeemapetilon, Moe Szyslak, Dr. Nick Riveria, Cletus Spuckler
Professor John Frink, Chief Clancy Wiggum, Various characters

Awards and nominations

[edit]
Organizations Year Category Nominated work Result Ref.
American Comedy Award 1999 Funniest Male Guest Appearance in a TV Series Mad About You Nominated [138]
2000 Nominated [138]
Annie Award 1998 Outstanding Voice Acting in a Feature Production Anastasia Won [92]
Critics' Choice Television Award 2001 Best Actor in a Picture Made for Television Uprising Nominated [139]
2018 Best Actor in a Comedy Series Brockmire Nominated [140]
2019 Nominated [141]
2021 Nominated [64]
Primetime Emmy Awards 1998 Outstanding Voice-Over Performance The Simpsons Won [55]
Outstanding Guest Actor in a Comedy Series Mad About You Nominated [55]
2000 Outstanding Supporting Actor in a Miniseries or a Movie Tuesdays with Morrie Won [55]
2001 Outstanding Voice-Over Performance The Simpsons (episode: "Worst Episode Ever") Won [55]
2003 Outstanding Voice-Over Performance The Simpsons (episode: "Moe Baby Blues") Won [55]
Outstanding Guest Actor in a Comedy Series Friends Nominated [55]
2005 Outstanding Lead Actor in a Drama Series Huff Nominated [55]
2009 Outstanding Voice-Over Performance The Simpsons (episode: "Eeny Teeny Maya Moe") Nominated [55]
2010 The Simpsons (episode: "Moe Letter Blues") Nominated [55]
2012 The Simpsons (episode: "Moe Goes from Rags to Riches") Nominated [55]
2015 Outstanding Character Voice-Over Performance The Simpsons (episode: "The Princess Guide") Won [55]
2016 Outstanding Guest Actor in a Drama Series Ray Donovan (episode: "One Night in Yerevan") Won [142]
2017 Ray Donovan (episode: "Norman Saves the World") Nominated [55]
2019 Outstanding Character Voice-Over Performance The Simpsons (episode: "From Russia Without Love") Nominated [55]
2020 The Simpsons (episode: "Frinkcoin") Nominated [55]
2024 The Simpsons (episode: "Cremains of the Day") Nominated [55]
2025 The Simpsons (episode: "Abe League of Their Moe") Nominated [55]
Screen Actors Guild Award 1996 Outstanding Actor in a Supporting Role The Birdcage Nominated [143]
Outstanding Cast in a Motion Picture Won [143]
1999 Outstanding Actor in a Miniseries or Television Movie Tuesdays with Morrie Nominated [144]
2004 Outstanding Actor in a Drama Series Huff Nominated [145]
Tony Award 2005 Best Actor in a Musical Monty Python's Spamalot Nominated [146]
Teen Choice Awards 2009 Choice Movie Villain Night at the Museum: Battle of the Smithsonian Nominated [138]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Henry Albert "Hank" Azaria (born April 25, 1964) is an American actor, comedian, voice artist, and producer renowned for voicing over a dozen characters on the animated series since 1989, including , Chief Clancy Wiggum, , and . Azaria's career spans live-action television and film roles, such as in (1996) and (1999), for which he earned a Primetime Emmy Award for Outstanding Supporting Actor in a or Movie, alongside voice work in animated features like (1997), where he won an Annie Award for . In 2020, Azaria ceased voicing Apu, a convenience store owner of Indian descent, amid criticism that the character's accent and traits reinforced of South Asian immigrants, a decision he described as voluntary to prevent perpetuating harm in an evolving cultural context. He has secured four additional for his Simpsons performances, highlighting his versatility in comedy and character delineation.

Early life

Family background and upbringing

Henry Albert Azaria was born on April 25, 1964, in , New York. His parents, Albert Azaria and Ruth (née Altcheck), descended from Ladino-speaking Sephardic Jewish communities in , , with all four grandparents having immigrated to the in the early 20th century. Albert Azaria owned and operated multiple dress-manufacturing businesses in the garment district, while Ruth Azaria served as a homemaker responsible for raising the family. Azaria grew up alongside two older sisters, and Elise, in a close-knit Sephardic Jewish household that emphasized . From the age of five, Azaria attended Camp Towanda, a sleep-away camp in , for the next twelve summers, an experience that contributed to his formative years amid a New York City upbringing. His parents later retired to .

Education and initial interests

Azaria attended in , where he first developed an interest in acting after performing in a school play at age 16, an experience that led him to become "obsessed with acting" at the expense of his academic studies. He enrolled at in , from 1981 to 1985, pursuing a that exposed him to diverse subjects including and , though his primary focus shifted toward theater and performance. Azaria marched with the graduating class of 1985 but fell two credits short of his degree, completing the required courses in in 1987 to officially receive his diploma. His initial professional aspirations centered on stage acting and theater, drawing from a childhood talent for and voice impressions, which he honed through formal training at the American Academy of Dramatic Arts in New York following his undergraduate studies. Despite these interests, Azaria later reflected in a 2016 Tufts commencement address that his early insecurity drove him toward acting as a means of escaping his own identity rather than purely artistic pursuit.

Career beginnings

Entry into acting (1986–1988)

Following his graduation from Tufts University in 1987 with a degree in drama, Hank Azaria pursued professional acting opportunities, building on prior training at the American Academy of Dramatic Arts. Azaria's television debut occurred in 1986 with a minor role as a police officer in the pilot episode of the ABC comedy-drama series Joe Bash, starring Peter Boyle; the part consisted of one or two lines, which Azaria later recalled flubbing during filming. This appearance marked his entry into union eligibility with the Screen Actors Guild, facilitating further auditions. In 1988, Azaria appeared in the episode "Designing Woman," aired November 6, which featured him as Joe in a single-line capacity amid a storyline involving theft. These early bit parts reflected the challenges of breaking into television during a period when Azaria was transitioning from academic theater training to on-screen work, primarily through persistent auditions in New York and initial forays into . No major roles or film credits emerged in this interval, underscoring a phase of modest exposure typical for aspiring actors reliant on episodic television for visibility.

Breakthrough roles in television

Azaria's initial forays into television were minor, including a one-line role as the son of a Puerto Rican man in the unaired pilot for the ABC series Joe Bash in 1986. He followed with a supporting part in the 1988 TV film Nitti: The Enforcer, portraying a character in the biopic about gangster . Guest appearances ensued, such as playing Joe in an episode of that same year and a policeman in in 1990. His breakthrough came with the recurring role of sleazy aspiring writer Jay Nichols, the best friend of protagonist Herman Brooks, in the sitcom , which aired from September 8, 1991, to April 21, 1994, across three seasons and 72 episodes. In the series, created by Andy Guerdat and Steve Kreinberg, Azaria's character provided comic relief as a philandering sidekick navigating life alongside fact-checker Herman (), whose internal conflicts were visualized through four animated psyche aspects. This marked Azaria's first substantial live-action television role, establishing his onscreen presence beyond voice work and showcasing his comedic timing in ensemble dynamics. The show's innovative format, blending tropes with psychological inner dialogue, garnered a despite modest ratings, and Azaria's performance as the opportunistic Jay highlighted his versatility in portraying flawed, humorous everymen. Prior to Herman's Head's full run, Azaria appeared as Warren Morris in the short-lived ABC sitcom Sibs in 1991, a family comedy that lasted only 22 episodes, further honing his skills in live-action ensemble comedy. These roles positioned Azaria as a rising talent in 1990s network television, bridging his early bit parts to more prominent opportunities.

The Simpsons involvement

Character voices and contributions (1989–present)

Hank Azaria first contributed voices to The Simpsons in 1989, debuting with the gruff bartender Moe Szyslak in the show's inaugural season. His early work established him as a core member of the ensemble cast, initially earning $30,000 per episode until a 1998 renegotiation alongside other principal voice actors that increased compensation amid the series' rising popularity. Azaria drew inspiration for Moe from a drug dealer character he portrayed in a stage play at the time, adopting a raspy, world-weary tone to embody the character's perpetual misfortune and abrasive demeanor toward patrons like Homer Simpson. Azaria's portfolio expanded rapidly, encompassing law enforcement figures such as the dim-witted Chief Clancy Wiggum, whose sluggish speech and donut obsession reflect incompetent authority, and his bumbling deputy Lou. He also voiced Superintendent Gary Chalmers, the perpetually exasperated school administrator known for berating with phrases like "Smell my cheese," and the eccentric Professor John Frink, inventor of absurd gadgets delivered in a staccato, pseudo-German accent. Additional recurring roles include the snide (Jeff Albertson), whose catchphrase "Worst. Episode. Ever." encapsulates pop culture disdain, and the quick-talking, accented Kwik-E-Mart owner , whom Azaria portrayed from 1990 until stepping away in following discussions about ethnic representation. Beyond these staples, Azaria has lent his voice to over 150 characters across the series' run, including Spuckler (the patriarch), Carl Carlson (until season 32), Bumblebee Man (the TV comedian), and one-off figures like Disco Stu and Frank Grimes, demonstrating his ability to improvise distinct personas in recording sessions. His technique often involves layering impressions and phonetic distortions—Moe's gravelly bark contrasting Wiggum's nasal drawl—allowing multiple roles to appear in single episodes without overlap, a feat honed through rapid vocal shifts during production. This versatility has sustained ' satirical depth, with Azaria's performances earning multiple for Outstanding Voice-Over Performance, including wins in 2002 and subsequent years for specific character work.

Evolution of roles and tenure

Azaria joined as a voice actor in 1989 for its inaugural season, initially providing the voice for after redubbing the character from Christopher Collins's original recording. His early contributions focused on this core tavern owner role, which became a staple of the series' Springfield ensemble. By the second season in 1990, Azaria's responsibilities expanded significantly, incorporating additional recurring characters such as , the Kwik-E-Mart proprietor, and , reflecting the show's growing demand for versatile male voices. Over subsequent seasons, he assumed voices for , Superintendent Chalmers, and numerous others, including one-off and guest roles, amassing over 100 distinct characters by the 2020s through improvisational techniques and impressions drawn from personal acquaintances. This proliferation underscored his integral status in the production, contributing to the series' episodic variety without fixed contracts limiting his scope beyond principal cast agreements renegotiated periodically, such as in 2004 and 2008 for salary escalations tied to syndication revenues. A pivotal shift occurred in January 2020, when Azaria voluntarily stepped away from voicing Apu after years of introspection prompted by cultural critiques, including comedian Hari Kondabolu's 2017 documentary The Problem with Apu, which argued the character perpetuated stereotypes despite Azaria's intent to portray a multifaceted immigrant entrepreneur. He emphasized the decision as self-initiated, not mandated by producers, to address South Asian representation concerns, though Apu has appeared sparingly in subsequent episodes without Azaria's involvement, often via animation adjustments or reduced prominence. Azaria's tenure persists with primary roles like Moe, Wiggum, and as of 2025, marking over 35 years of continuous principal involvement amid the show's renewal to season 40.

Broader professional work

Live-action television and film

Azaria's early live-action film appearances included minor roles such as a detective in (1990), directed by , and a reporter in Quiz Show (1994), Robert Redford's drama about the . He gained prominence with his portrayal of Agador Spartacus, the flamboyant Guatemalan housekeeper, in ' comedy (1996), opposite and ; the role, inspired by a Cuban waiter Azaria knew, showcased his and accent work, contributing to the film's success of over $185 million worldwide. Subsequent film roles highlighted Azaria's versatility in supporting parts, including the mobster Alan Marciano in Michael Mann's crime epic Heat (1995), where he shared scenes with Al Pacino and Robert De Niro, and the quirky assassin Steven Lardner in Grosse Pointe Blank (1997), a black comedy starring John Cusack. In Roland Emmerich's Godzilla (1998), he played Victor "Animal" Palotti, a French pest exterminator aiding in the monster hunt, a role that drew mixed reviews amid the film's $379 million gross but criticized effects. Other notable credits include the blue-hued superhero The Blue Raja in the ensemble comedy Mystery Men (1999), Hector Gorgonzolas in America's Sweethearts (2001), a romantic satire with Julia Roberts and Billy Crystal, and the clownish Claude in Along Came Polly (2004), opposite Ben Stiller. In live-action television, Azaria recurred as Nat, the sarcastic building superintendent, on from 1993 to 1999, appearing in over 20 episodes alongside and . His most extended sitcom arc came as David, the awkward scientist and Phoebe Buffay's on-again-off-again boyfriend, on Friends, spanning five episodes from 1994 to 2003; the character, marked by a Harvard education and romantic mishaps, provided in the ensemble. Azaria earned acclaim for dramatic work, including the lead as terminally ill professor in the 1999 TV movie , adapted from Mitch Albom's memoir, which drew 16 million viewers and garnered him an Emmy nomination for Outstanding in a or Movie. Later series roles included Craig "Huff" Huffstodt, the protagonist grappling with and family issues, in Showtime's Huff (2004–2006), for which he received a Golden Globe nomination in 2005 for in a Television Series . He starred as washed-up announcer Jim Brockmire in the IFC series (2017–2020), playing the titular character across four seasons; the role, inspired by real broadcaster scandals, allowed Azaria to blend his vocal talents with on-screen intensity, earning a Critics' Choice nomination in 2018. Shorter stints included in the comedy Free Agents (2011), which ran for eight episodes before cancellation. Throughout, Azaria's live-action output balanced comedy and , often leveraging his improvisational skills, though he noted in interviews that voice work overshadowed these efforts in public perception.

Additional voice acting and animation

Azaria provided the voice for and his alter ego in the animated series : The Animated Series, appearing in four episodes between 1994 and 1996. In the 1997 feature film , he voiced Bartok, the wisecracking albino bat companion to Rasputin, contributing to the character's humorous and acrobatic personality through distinctive vocal inflections. He portrayed the villainous wizard in the hybrid live-action/animated films (2011) and (2013), as well as in the fully animated shorts (2011) and The Smurfs: The Legend of Smurfy Hollow (2013), delivering a sneering, obsessive tone suited to the character's antagonism toward the Smurfs. Azaria also lent additional voices to the 1994 animated film Beethoven and the 2004 short Immigrants, voicing the character Joska in the latter. On television, Azaria guest-starred as Harold Zoid in a 2001 episode of and as the Robot Devil across five episodes from 2001 to 2003, including the 2008 direct-to-video film The Beast with a Billion Backs. He voiced Nigel Harpington in a 2014 episode of . Other animated series credits include additional voices in Bordertown (2016), the educational program (2016–2018), and guest spots in Hey Arnold! (1996), (2000), (2002), (2003), The Boondocks (2005), and American Dad! (2005).

Theater performances and variety work

Azaria made his Broadway debut in the musical Python's in 2005, originating the role of Sir Lancelot while also portraying the Knight of Ni, the French Taunter, and Tim the Enchanter. His multifaceted performance earned a Tony Award nomination for in a Musical. He reprised these roles later that year from December 2005 through April 2006, alongside co-stars and . In 2007, Azaria starred in the Broadway production of , directed by , playing the inventor in a exploring the battle over television technology. This role highlighted his transition to dramatic stage work beyond comedic . He also appeared in off-Broadway productions, including the 2016 play Dry Powder under Thomas Kail's direction, opposite and , tackling themes of high finance and ethics. Azaria's stage versatility extended to variety-style engagements, such as the planned 2009 production An Evening Without with , featuring sketches and improvisation inspired by the comedy troupe, though he withdrew prior to opening. His theater work often leverages his vocal range and impressions, mirroring the character multiplicity seen in .

Vocal versatility and technique

Range, impressions, and influences

Azaria's vocal range encompasses a wide spectrum of timbres, pitches, and accents, enabling him to portray over 100 distinct characters on The Simpsons alone, from the raspy, exasperated New York-inflected growl of Moe Szyslak to the nasal, rapid-fire cadence of Apu Nahasapeemapetilon's Indian accent and the bumbling authority of Chief Wiggum's thickened drawl. This versatility extends to gravelly villains, high-pitched eccentrics like Professor Frink, and even serpentine undertones for Snake Jailbird, often achieved through physical adjustments like altering throat tension or mouth shape to produce authentic resonance without relying solely on post-production effects. His technique prioritizes emotional layering and improvisational spontaneity—drawing from lived observations rather than scripted phonetics—to infuse voices with psychological depth, a nuance he contrasts with algorithmic replication in voice acting. In live demonstrations and interviews, Azaria has showcased impressions of public figures including news anchor (which accelerated into Wiggum's voice), actor for undead pharaoh roles, and comedian Al Pacino's early intensity adapted for Moe's bartender persona. These mimicries highlight his ability to capture idiosyncratic speech patterns, such as regional dialects or celebrity intonations, often layered with exaggerated emotional states for comedic effect, as seen in his rapid-fire impression sessions on talk shows. Azaria's influences trace to childhood self-discovery rather than formal training, where he instinctively mimicked relatives and acquaintances using a tape recorder, initially assuming such aptitude was commonplace. Many characters derive from real-life inspirations: Snake from a college stoner friend, Apu partially from Peter Sellers' comedic Indian portrayal in The Party (1968), and others from observational sketches of friends' mannerisms or broadcasters' cadences. He has described this process as organic evolution from personal encounters, eschewing deliberate study of impressionists like Rich Little in favor of intuitive adaptation, though his work echoes Sellers' boundary-pushing ethnic caricatures in accent precision and satirical bite. This grounded approach underscores his emphasis on authenticity over artifice, informing a career where vocal innovation stems from empathetic replication of human quirks.

Comparisons to industry peers

Azaria's , encompassing over a dozen distinct characters on alone—such as the gravelly , the nasal , and the authoritative —has prompted comparisons to , the pioneering "Man of a Thousand Voices" who originated hundreds of roles across and productions from the 1930s to 1980s. While Blanc's technique relied on extreme physicality, including contorting his body to alter resonance for characters like and , Azaria employs subtler manipulations of pitch, dialect, and emotional inflection to achieve separation without visual aids, as demonstrated in rapid-fire demonstrations of his repertoire. Fan analyses often position Azaria as a modern successor to Blanc in versatility, though Blanc's catalog exceeded 400 unique voices, far surpassing Azaria's documented output of around 100 roles across and live-action. In contrast to contemporaries like , whose expertise leans toward animal vocalizations and sound effects in franchises such as Transformers (voicing and Soundwave since 1984), Azaria prioritizes anthropomorphic human archetypes with layered impressions drawn from real-life figures, such as infusing Moe with elements of Al Pacino's intensity. This approach aligns more closely with , Azaria's Simpsons co-star, who similarly sustains high-energy, multifaceted performances for and others; both maintain consistent vocal vigor over long tenures, unlike some peers whose styles evolve toward uniformity in later careers. Azaria's impressionistic style, honed from childhood mimicry, evokes classic entertainers like , but applied to scripted animation rather than standalone , enabling seamless integration into narrative-driven ensembles.

Controversies and cultural impact

Apu Nahasapeemapetilon and stereotype debates

, introduced in The Simpsons season 1 episode on February 25, 1990, serves as the proprietor of the convenience store in the fictional town of Springfield. Voiced by Hank Azaria from the character's debut, Apu is portrayed as a naturalized Indian immigrant possessing a Ph.D. in from the fictional Calcutta Technical Institute, where he graduated first in his class of seven million. The character embodies attributes of diligence, with Apu depicted as arriving in the United States on a student visa, forgoing a high-paying tech career to operate the store and support his large family, often showcasing intellectual wit, cultural traditions, and resilience against local antagonism. Criticism of Apu as a stereotype emerged prominently in the 2017 documentary The Problem with Apu, written and hosted by Indian-American comedian Hari Kondabolu, which premiered on truTV on November 19, 2017. Kondabolu contended that Apu's exaggerated accent—performed by white actor Azaria—and recurring tropes of the South Asian convenience store owner with eight children and arranged marriage elements perpetuated a one-dimensional, mocking caricature, allegedly contributing to bullying of South Asian youth in the 1990s and 2000s. The film featured testimonials from South Asian actors and comedians, such as Kal Penn, who echoed claims of limited, harmful representation in media, framing Apu as emblematic of broader "brownface" practices akin to historical blackface minstrelsy. Mainstream outlets, including The Hollywood Reporter, amplified these arguments, portraying the character as outdated amid evolving cultural sensitivities. Azaria initially defended Apu's intent in interviews, emphasizing the character's aspirational qualities and lack of malice, stating in 2018 that the role was crafted without discriminatory purpose. However, following sustained public pressure, Azaria announced on January 17, 2020, that he would no longer voice the character, describing the decision as mutual with producers after years of reflection on its potential unintended consequences. He elaborated that while he cherished the role, awareness of reported harm—such as associations with slurs or exclusion—prompted his exit, though he conditioned any future involvement on input from the South Asian community or showrunners. In April 2021, Azaria issued a formal apology on the podcast, acknowledging participation in "harm" through the portrayal. Dissenting perspectives from within the South Asian community challenged the of universal offense, with some Indian-Americans arguing Apu offered rare, affirmative visibility as a competent, self-made immigrant defying through —a common empirical reality for early South Asian migrants in the U.S. convenience sector. A May 2018 BBC report quoted Indian respondents who viewed Apu not as derogatory but as a humorous, relatable figure highlighting immigrant perseverance, contrasting Kondabolu's personal anecdotes with broader approval. Critics of the backlash, including outlets like , noted scant evidence of widespread resentment among Indian-Americans, attributing the controversy's amplification to selective media focus on activist voices rather than representative surveys, and pointed to Apu's arcs—such as intellectual pursuits and family loyalty—as countering simplistic stereotyping. addressed the debate meta-fictionally in the , 2018, "No Good Read Goes Unpunished," wherein reflects on a long-running character amid changing societal norms, without resolving Apu's future.

Aftermath, apologies, and alternative viewpoints

In April 2020, producers announced a policy shift, stating that moving forward, non-white characters would not be voiced by white actors, explicitly referencing Azaria's departure from Apu as a precedent. Azaria's last voicing of Apu occurred in season 31 episodes aired prior to his February 2020 decision to step away voluntarily, following years of personal reflection on the character's cultural implications; he described the choice as self-initiated rather than mandated by the show's creators. The character's appearances were subsequently minimized in the series, with no new episodes featuring Apu in a speaking role after 2020, though archival footage has occasionally appeared. Azaria issued a formal apology in April 2021 during an appearance on the Armchair Expert podcast, telling co-host Monica Padman, an Indian American, "I really do apologize" for his portrayal, which he acknowledged contributed to "structural racism" through stereotypes. He expressed a desire to "personally apologize to every single Indian person in this country," framing the accent and tropes as having become "practically a slur at this point" in contemporary cultural context. In a 2023 interview, Azaria reiterated regret, stating he felt "embarrassed" by the 2017 documentary The Problem with Apu that spotlighted the issue, though he initially declined to participate due to fear of backlash. By April 2025, Azaria defended his exit in another interview, emphasizing that the decision stemmed from recognizing participation in "harm" beyond mere cartoon exaggeration, including reinforcement of stereotypes like overworked immigrant merchants. Alternative perspectives have challenged the narrative of inherent harm, arguing that Apu's depiction emphasized positive traits such as entrepreneurial success, strong family devotion, and cultural pride, which resonated with some Indian American viewers as aspirational rather than derogatory. Commentator , editor of Jacobin, contended in 2018 that Apu represented an "emotionally developed" immigrant archetype who worked tirelessly for his octuplets and defended against Western condescension, portraying him as a "" to working-class South Asian immigrants rather than a reductive caricature. Others, including online commentators, have noted that employs stereotypes across its ensemble—such as Moe's Irish alcoholism or Krusty's Jewish greed—for satirical effect, suggesting selective over Apu overlooks the show's equal-opportunity lampooning and ignores empirical fondness among fans, evidenced by the character's since 1990 without widespread protests until 2017. These defenses posit that erasing established characters risks cultural erasure over nuanced , particularly given Apu's basis in real-life Indian-owned convenience stores prevalent in the U.S. during the .

Recent industry reflections

Concerns over AI in voice acting (2024–2025)

In February 2025, Hank Azaria articulated significant concerns about artificial intelligence's encroachment on , particularly its potential to replicate his extensive work on . In an opinion piece for dated February 4, 2025, Azaria stated that he anticipates AI will soon recreate the sounds of the more than 100 voices he originated for the series, including those of , Police , and . He explicitly predicted that this capability could result in his replacement for these roles, noting the technology's rapid advancement in mimicking vocal timbres and accents derived from his 35-year tenure on the show. Azaria emphasized, however, that AI's limitations extend beyond mere sound replication to the holistic essence of performance. He argued that while machines might approximate the "neck-up version"—isolated vocal output— they cannot capture the "body and soul" elements, such as physical gestures, emotional , improvisational timing, and contextual responsiveness that inform a voice actor's delivery in recording sessions. This distinction, he contended, preserves a uniquely human artistry rooted in and spontaneous interaction, which AI, reliant on algorithmic patterns from training data, inherently lacks. Azaria's perspective aligns with his belief that transcends phonetic imitation, drawing from physiological embodiment—like breath control and —to convey character depth. Subsequent interviews amplified Azaria's unease, with him describing the prospect of AI-driven replacement as "sad" and "just plain wrong," underscoring ethical qualms about commodifying performers' likenesses without consent or compensation. He warned of broader industry ripple effects, where cost-cutting incentives could prioritize synthetic voices over human ones, potentially eroding the collaborative, iterative nature of animation production. No major public statements from Azaria on AI in surfaced in 2024, though his 2025 reflections built on ongoing Hollywood discussions about generative tools trained on actors' archival footage.

Personal life

Marriages and relationships

Azaria was first married to actress on July 17, 1999, after dating for several years. The couple separated approximately six months prior to Hunt filing for divorce on December 18, 2000, ending the marriage after 17 months. Following the divorce, Azaria entered a period of personal reflection, describing himself as devastated and choosing to "date himself" for a year to address issues. He has been linked to brief relationships, including with singer in 2006. Azaria married actress Katie Wright in 2007, and the couple remains together as of 2024. They have one son, Hal, born in 2009.

Jewish heritage and social engagements

Azaria was born on April 25, 1964, in Forest Hills, Queens, New York, to Sephardic Jewish parents whose families originated from Thessaloniki, Greece. His paternal and maternal grandparents immigrated to the United States from the Jewish community in Salonika, with some relatives also tracing ancestry to Sephardic Jews in Turkey. The family maintained cultural ties through speaking Ladino, a Judeo-Spanish language, at home, reflecting the linguistic heritage of Sephardic Jews expelled from Spain in 1492 and resettled in the Ottoman Empire, including Greece. Azaria has publicly affirmed this background, noting in 2014 that his family were "Sephardic Jews from Greece, not Greek," distinguishing ethnic Jewish identity from national origin. In social engagements, Azaria has supported Jewish educational and health initiatives. In 2002, he participated in Koreh L.A., a literacy program sponsored by The Jewish Federation of Greater Los Angeles, by reading to children at the Central Library to promote Jewish cultural continuity. He has also endorsed Miami Jewish Health, producing video messages in 2020 to thank frontline workers during the COVID-19 pandemic and serving as Honorary Chairman for the Miami Jewish Empathicare Village project, aimed at expanding elder care facilities. These efforts align with his expressed commitment to Jewish communal values, as articulated in interviews emphasizing family-rooted traditions. Azaria has occasionally incorporated Jewish elements into performances, such as impersonating Bruce Springsteen singing a Passover song, highlighting cultural pride without commercial intent.

Recognition and legacy

Awards and nominations

Hank Azaria has received numerous accolades for his voice acting and live-action performances, particularly earning recognition from the Primetime Emmy Awards for his work on The Simpsons and other projects. He has secured six Primetime Emmy wins across categories, including four for Outstanding Character Voice-Over Performance. His Emmy victories for voice work include episodes from The Simpsons in 1998 ("Homer's Enemy"), 2001 ("HOMR"), 2003 ("I Am Furious (Yellow)"), and 2015 ("Barthood"). Additional wins comprise Outstanding Supporting Actor in a Miniseries or Movie for Uprising in 2000 and Outstanding Guest Actor in a Drama Series for Ray Donovan in 2016. Azaria holds multiple Emmy nominations, totaling 17 as of 2025, with recent nods for The Simpsons including 2020 (as Professor Frink), 2024 ("Cremains of the Day"), and 2025 (as Moe Szyslak in "League of Their Moe"). Beyond Emmys, nominations include two Critics' Choice Television Awards for Best Actor in a Comedy Series for Brockmire in 2019 and 2021. He also received the Film Discovery Jury Award at the U.S. Comedy Arts Festival for Best Short for "Nobody's Perfect" and the 2014 Impact Award from a charitable organization.
YearAwardCategoryWorkResult
1998Primetime EmmyOutstanding Character Voice-Over PerformanceThe Simpsons ("Homer's Enemy")Won
2000Primetime EmmyOutstanding Supporting Actor in a Miniseries or MovieUprisingWon
2001Primetime EmmyOutstanding Character Voice-Over PerformanceThe Simpsons ("HOMR")Won
2003Primetime EmmyOutstanding Character Voice-Over PerformanceThe Simpsons ("I Am Furious (Yellow)")Won
2015Primetime EmmyOutstanding Character Voice-Over PerformanceThe Simpsons ("Barthood")Won
2016Primetime EmmyOutstanding Guest Actor in a Drama SeriesRay DonovanWon
2019Critics' Choice TelevisionBest Actor in a Comedy SeriesBrockmireNominated
2021Critics' Choice TelevisionBest Actor in a Comedy SeriesBrockmireNominated
2024Primetime EmmyOutstanding Character Voice-Over PerformanceThe Simpsons ("Cremains of the Day")Nominated
2025Primetime EmmyOutstanding Character Voice-Over PerformanceThe Simpsons ("League of Their Moe")Nominated

Enduring influence on comedy and voice work

Hank Azaria's voice work on , spanning over 35 years since his debut in 1989, exemplifies his enduring influence through the creation of more than 100 distinct characters, including , [Chief Wiggum](/page/Chief_Wiggu m), and , achieved via mimicry drawn from real-life acquaintances and innate impressionistic skills. This versatility enabled a single performer to embody diverse archetypes—gruff, bumbling, or eccentric—enhancing the show's comedic depth and efficiency in production, a model that has informed in reliant on multifaceted voice ensembles. Azaria's techniques emphasize physical embodiment and emotional authenticity, involving full-body movements, real tears, and improvisational interactions during recording sessions, which infuse characters with nuanced humanity beyond mere vocal replication. These methods, rooted in his early mimicry training, have sustained ' cultural longevity, with characters like and the becoming templates for exaggerated, relatable comedic foils in animation. In broader comedy, his range extends to live-action roles, such as the neurotic in Friends (1994–2004) and the flamboyant Agador in (1996), where vocal inflections amplified physical humor, influencing portrayals of outsider personas in ensemble sitcoms. In 2025 reflections, Azaria articulated the limitations of AI in capturing these irreplaceable elements, arguing that synthetic voices lack the "humanness" derived from an actor's lived emotional palette and adaptive spontaneity, thereby reinforcing the primacy of human-driven in preserving comedic subtlety and narrative vitality. His advocacy highlights a legacy of prioritizing causal performance dynamics—where voice emerges from bodily and psychological realism—over algorithmic approximation, guiding industry standards amid technological shifts.

References

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