Community hub
0 subscribers8 pages, 0 posts
Recent from talks
All channels
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something
Welcome to the community hub built to collect knowledge and have discussions related to Joey Boy.
Nothing was collected or created yet.
Joey Boy
View on Wikipediafrom Wikipedia
Key Information
| Medal record | ||
|---|---|---|
| Asian Beach Games | ||
 |
2012 Haiyang | Team combined |
Apisit Opasaimlikit (Thai: อภิสิทธิ์ โอภาสเอี่ยมลิขิต, RTGS: Aphisit Ophat-iamlikhit; born 1974), known by his stage name Joey Boy (Thai: โจอี้ บอย), is a Thai rapper, singer, songwriter, and television personality, known as the Godfather of Thai Hip Hop.[1]
Biography
[edit]Born into a Thai Chinese family,[2] Apisit started listening to hip hop when he was 14 years old and skateboarding. In 1994, he was signed to Bakery Music. He finished high school from Wat Racha Thiwat.
Fun, Fun, Fun and work with Snow
[edit]In 1995, Joey Boy began collaborating with multi-platinum Canadian reggae artist, Snow. In 1995, Joey Boy flew to Toronto to record "Fun, Fun, Fun" with Snow and the single went on to become one of the top selling singles in Thailand. The video for "Fun, Fun, Fun" featured Snow and Joey Boy touring Toronto. In 1997, Joey Boy appeared on Snow's single, "Me and Joey."[3][4]
Gancore and the Black Eyed Peas
[edit]In 2000, he moved to GMM Grammy, where he runs his own record label, Gancore Club and produces other artists.
He has spent time in the United States, where he became acquainted with will.i.am of The Black Eyed Peas, who co-produced Joey Boy's song "LA to BKK". He met will.i.am outside a disco in San Francisco and introduced himself. "Hey you, we're Thai rappers and we like your songs," he recalls saying to will.i.am.[5] When the Black Eyed Peas came to Thailand in 2004, Joey Boy was the opening act and was invited onstage by will.i.am during the Black Eyed Peas' show.[6] He also opened for the Black Eyed Peas when they played in Bangkok in 2006 and has continued to collaborate with the band on his albums.[7]
Joey Boy was among the Thai pop music artists participating in Ramakien: A Rak Opera, a rock-opera adaptation of Thailand's national epic, the Ramakien, at the Lincoln Center for Performing Arts in 2006.
He made his feature film debut in December 2006 in The Possible as the leader of a 1970s Thai band patterned after The Impossibles who time travel to the present day. Joey Boy starred in the 2012 Thai comedy horror film Ghost Day as Mhen.[8]
He then made a hit single "Teerak" featuring Tinglish.
Discography
[edit]Bakery Music
[edit]- Joey Boy (1995)
- Joey Man (1996)
- See Ya Later (Celebrate No Million Copies) (1997)
- Fun Fun Fun
- Fun Fun Fun/The Chinese Association Remix Single
- Fun Fun Fun 1,000,000
- Joey's Hit Pt. 1
- Bangkok (1998)
- Tourist
- Joey Boy Anthology
- The Greatest Beats 1994-2000 (2005)
Independent releases
[edit]- Joey Rama
- JB (EP featuring "LA/BKK")
Gancore Club/GMM Grammy
[edit]- Gancore Club Various Artists
- Sorry, I'm Happy
- Raii Gor Ruk (ร้ายก็รัก E.P.) (EP, 2006)
- Slow Motion (ร้ายก็รัก E.P.) (EP, 2006)
- The Best of Joey Boy
- Original Motion Picture Soundtrack: The Possible (อัลบั้มเพลงประกอบภาพยนต์ 'เก๋า เก๋า') (2006)
Television
- 20:
Online
- 20: (No) On Air YouTube:JoeyBoy
See also
[edit]References
[edit]- ^ "JOEY BOY - thai hiphop superstar - Luxury Sunglasses, Designer Sunglasses | Finest Seven". Luxury Sunglasses, Designer Sunglasses | Finest Seven. 2015-11-24. Retrieved 2018-04-28.
- ^ Chris Baker, Pasuk Phongpaichit (20 April 2005). A History of Thailand. Cambridge University Press. p. 207. ISBN 0-521-81615-7.
- ^ For more on Joey Boy and Snow, see "Joey Boy Has Fun With Snow," Billboard, 23 November 1996, 67.
- ^ "More About DK Eng". davidkennetheng.com. Archived from the original on 2011-08-14.
- ^ "Peas to please" Archived 2007-09-29 at the Wayback Machine, The Nation, May 21, 2004 (retrieved on November 23, 2006).
- ^ "Peas, love and harmony" Archived 2007-09-29 at the Wayback Machine, The Nation, May 21, 2004 (retrieved on November 23, 2006).
- ^ "Second helping of Peas, please" Archived 2007-09-30 at the Wayback Machine, The Nation, August 4, 2006 (retrieved on November 23, 2006).
- ^ Elley, Derek (August 2, 2012). "Ghost Day". Film Business Asia. Archived from the original on August 24, 2012. Retrieved March 11, 2013.
External links
[edit]
Joey Boy
View on Grokipediafrom Grokipedia
Early life
Family background
Apisit Opasaimlikit, professionally known as Joey Boy, was born on December 25, 1974, in Bangkok, Thailand.[9] As of November 2025, he is 50 years old. His full name in Thai is อภิสิทธิ์ โอภาสเอี่ยมลิขิต (Aphisit Opasaimlikit).[6] Joey Boy hails from a Thai-Chinese family, reflecting the significant Sino-Thai community in Thailand.[10] This ethnic background is characteristic of many urban families in Bangkok, where Chinese-Thai heritage often blends traditional values with modern city life. He spent his childhood primarily in Bangkok, immersed in the bustling metropolitan environment that would later influence various aspects of his personal development.[9]Introduction to music and influences
Apisit Opasaimlikit, professionally known as Joey Boy, first encountered hip hop music at the age of 14, around 1988, during his teenage years in Bangkok.[2] This introduction occurred through his burgeoning interest in skateboarding, a subculture that intertwined with the genre's spread among Thai youth.[11] A pivotal moment came when a skateboarding friend named Carlo played Run-D.M.C.'s "Peter Piper" for him, igniting an instant realization that he wanted to become a rapper.[11] His early influences were drawn from foundational American hip hop acts, particularly Run-D.M.C. for their innovative fusion of rap and rock, and Public Enemy for their bold, politically charged lyricism.[2] These artists represented a vibrant contrast to the pop and rock sounds like Carabao that had dominated Joey Boy's earlier listening habits.[11] Skateboarding served as a parallel passion, fostering connections with like-minded peers, including future Thai hip hop figures such as Tee and Khan from Thaitanium, within Bangkok's nascent street culture scene.[11] Raised in a Thai-Chinese family, Joey Boy's traditional upbringing highlighted the cultural dissonance between his heritage and the Western-rooted hip hop movement, which was only beginning to emerge in 1980s Thailand as an underground import among urban teenagers.[2] He began experimenting creatively by rapping on Bangkok's streets and self-teaching lyric writing in a hybrid Thai-English style, allowing him to articulate personal stories while adapting the genre to local contexts.[2] This period of informal practice also involved DJing and freestyling, honing skills without formal training.[11] By the early 1990s, a formative exchange student trip to the United States deepened his exposure to hip hop's epicenter, solidifying his commitment to the art form.[11] Motivated by this immersion, he chose to drop out of high school and pursue music professionally, viewing it as the most authentic path forward despite familial expectations tied to his Thai-Chinese roots.[2]Music career
Early recordings with Bakery Music
Apisit Opasaimlikit, known professionally as Joey Boy, entered the Thai music industry in the early 1990s after developing an interest in hip hop during his teenage years spent skateboarding and listening to American rap influences. He began writing lyrics and experimenting with rapping following exposure to tracks like Run-D.M.C.'s "Peter Piper," which a friend played for him. By 1994, Joey Boy auditioned successfully at venues such as Siam Square and MBK Center, leading to his signing with Bakery Music, Thailand's pioneering independent record label established that same year.[11][12] His debut album, the self-titled Joey Boy (also released as First Album), arrived in 1995 under Bakery Music and marked the label's first fully rap-oriented project. Comprising 10 tracks, the album blended fast-paced Thai rap verses with pop sensibilities, introducing hip hop culture to Bangkok audiences through energetic beats and urban storytelling. Key singles from the release, such as "เอ-โพด (รถติด) [Remix]" (about Bangkok traffic woes) and "Happy (Radio Edit)," captured a playful party rap vibe while addressing everyday city life, helping to establish Joey Boy as a trailblazer. The album's success, with over one million copies sold nationwide, solidified his reputation and earned him the enduring nickname "Godfather of Thai Hip Hop" for pioneering the genre domestically.[13][12][14][15] Despite its commercial breakthrough, Joey Boy's early work faced initial resistance in Thailand's conservative music market, where traditional pop and luk thung dominated, making hip hop an unfamiliar and risky proposition for labels and listeners alike. Bakery Music played a crucial role in overcoming these hurdles by promoting a fusion of rap with accessible Thai pop elements during the mid-1990s indie boom, allowing Joey Boy to experiment with localized themes like Bangkok's bustling streets and youthful rebellion without alienating broader audiences. This strategic support from the label not only boosted his solo output but also paved the way for hip hop's gradual integration into mainstream Thai music.[13][12][11]Breakthrough single and collaboration with Snow
In 1995, Joey Boy released the single "Fun Fun Fun" in collaboration with Canadian reggae artist Snow, marking a significant milestone in his career under the Bakery Music label. The track fused hip hop rhythms with reggae influences and elements of Thai pop, creating an upbeat sound that captured themes of enjoyment and urban lifestyle. This partnership emerged as Joey Boy, already signed to Bakery Music, connected with Snow through international music networks, leading to Joey Boy traveling to Toronto for recording sessions where he refined his rap style alongside Snow's vocals.[8][16] The single quickly achieved commercial breakthrough in Thailand, topping the national charts and becoming one of the best-selling releases of the year. The accompanying music video, featuring Joey Boy and Snow exploring Toronto, further amplified its appeal and introduced Thai audiences to cross-cultural collaborations in music. By blending local and global styles, "Fun Fun Fun" helped elevate hip hop's visibility in Thailand, inspiring a new generation of artists and demonstrating the genre's potential within the Thai pop landscape.[17][8] The success of "Fun Fun Fun" propelled the 1996 album of the same name, which sold over one million copies and solidified Joey Boy's status as a commercial force during Thailand's economic challenges. This momentum carried into his 1998 album Bangkok, which continued the energetic vibe with tracks emphasizing fun, street culture, and rhythmic fusion, further embedding hip hop into mainstream Thai music.[18][19]Founding Gancore and transition to GMM Grammy
In 2000, Joey Boy left Bakery Music and signed with the prominent Thai record label GMM Grammy, marking a significant shift in his career toward greater institutional support and creative autonomy.[20] Under this new affiliation, he founded Gancore Club as a sub-label dedicated to nurturing Thai hip hop artists and expanding the genre's presence in the domestic music industry.[21] Gancore Club quickly became a platform for emerging talent, with Joey Boy serving as producer and mentor to acts like Buddha Bless, who debuted under the imprint and helped diversify Thai rap with fusion elements blending hip hop and local sounds.[22] This initiative played a key role in the early 2000s growth of Thai hip hop, fostering a new generation of rappers amid the genre's rising popularity.[23] During this period, Joey Boy released his album Sorry, I'm Happy in 2004 through GMM Grammy, which featured a more refined rap delivery incorporating dance and ska influences alongside introspective lyrics.[24] The partnership with GMM Grammy facilitated broader distribution networks, allowing Gancore releases to reach wider audiences while Joey Boy balanced his solo output with label responsibilities.[21]International work with Black Eyed Peas
In the mid-2000s, Joey Boy's international exposure significantly expanded through his connection with will.i.am of the Black Eyed Peas. During a trip to the United States, he approached will.i.am outside a disco in San Francisco, boldly introducing himself as a Thai rapper who admired the group's music, which sparked a friendship and led to a collaboration on the track "LA to BKK" in 2004.[25] This encounter exemplified Joey Boy's proactive pursuit of cross-cultural opportunities, blending his Thai rap style with Western production influences.[26] Joey Boy's association with the Black Eyed Peas extended to live performances, where he served as the opening act for their concerts in Bangkok in both 2004 and 2006, drawing large crowds and showcasing Thai hip hop to international audiences.[26][25] These events included joint stage appearances, further solidifying his ties with the group and allowing him to perform alongside them, which heightened visibility for his work abroad.[25] Under his Gancore label during this era, Joey Boy also featured international artists such as Toophat from Malaysia and Rude Boy Face from Japan on his projects, fostering a platform for regional hip hop exchanges.[25] The collaboration period marked a key cultural exchange, as U.S. hip hop profoundly shaped Joey Boy's style; inspired early on by artists like Run-DMC, he adapted rhythmic flows and energetic delivery to Thai contexts, incorporating local poetry and social themes into his lyrics.[25] Through these partnerships, he promoted Thai rap on a global stage, introducing Western listeners to Southeast Asian flavors while drawing from American influences to evolve the genre domestically.[25] This era elevated Joey Boy's status as a pivotal bridge between Thai and Western hip hop, enhancing his profile and inspiring a new generation of artists to blend cultural elements.[26][25]Later career and recent performances
Following his earlier international collaborations, Joey Boy shifted focus to domestic projects in the 2010s, releasing the album Fun Again in 2011 and JOEY BOY 30+ อัลบั้มที่ 30 กว่า in 2014, which highlighted his continued production under the Gancore label and independent tracks blending hip hop with Thai pop elements.[27] These efforts demonstrated his adaptability amid the evolving Thai music scene, though major full-length albums became less frequent after 2014.[28] In the 2020s, Joey Boy has prioritized singles and occasional albums, including the 2023 release คนโสดในคอนเสิร์ต, which captured live energy from his performances, and recent tracks like "ผัดไทย" featuring DJ Soda in 2024, "พัลวันไหล (PALAONE LIKE)" and "สวิงลม BADBALL" in 2025.[27][28] These works, distributed on platforms such as Spotify and Apple Music, reflect a streamlined approach to music production, emphasizing digital accessibility and collaborations with contemporary artists to stay relevant in Thailand's growing hip hop landscape.[29] Joey Boy's enduring popularity is evident in his consistent live performances, drawing crowds at festivals and clubs across Thailand. Notable recent shows include his full set at the Go Wet Concert in September 2023, a mini-concert at Classic Kameo Hotel in Rayong in November 2023, and a high-energy appearance at Republic Club in Pattaya on September 20, 2024.[30][31][32] In 2025, he performed at the Rimpha12 Music Festival in Khao Yai in February, KLUB25 in April, Salaya Water Fest during Songkran with a debut of "ผัดไทย," the Groove Riders Return of The Groove Concert in July, and the Maha Songkran World Water Festival.[33][34] These events underscore his role as a veteran performer, maintaining fan engagement through energetic sets that mix classic hits with new material.[35] Through social media, particularly his Instagram account with over one million followers, Joey Boy shares updates on tours and releases, fostering connections with younger fans and responding to the expansion of Thai hip hop by promoting his ongoing activities.[36] This digital presence, combined with selective touring, has solidified his active status as a key figure in the genre into 2025.Other pursuits
Acting roles
Joey Boy made his feature film debut in 2006 with The Possible (also known as Kao... Kao), a Thai musical-comedy directed by Witthaya Thongyooyong. In the film, he portrayed Toi, the lead singer of a 1970s Thai rock band called The Possible, whose members time-travel to 1978 and enter a high-stakes basketball tournament against a rival team. The story incorporates hip-hop elements through Joey Boy's performance, blending his musical expertise with the film's sports and time-travel themes.[37] Following his debut, Joey Boy took on a leading role in the 2008 comedy The Holy Man 2 (also known as Luang Phi Teng 2), directed by Note Chernyim. He played Monk Joey, a character inspired by his own background as a former rapper who becomes a monk at a rural temple and navigates a conflict involving a nearby stone quarry. The film humorously explores themes of redemption and community, with Joey Boy's portrayal drawing on his real-life persona for comedic effect.[38] Joey Boy continued with supporting roles in several genre films. In 2009, he appeared in a cameo as a monk in the horror-comedy Rahtree Revenge (Buppah Rahtree 3.2), directed by Yuthlert Sippapak, reprising a similar character from The Holy Man 2 in a brief hallway scene amid the apartment ghost storyline.[39] The following year, he played Torpong, a supporting character in the 2011 crime thriller Headshot, directed by Pen-ek Ratanaruang, where a detective suffers a head injury that inverts his perception of the world.[40] His most recent major film role came in 2012 with Ghost Day, a horror-comedy directed by Thanit Jitnukul. Joey Boy starred as Mhen, one half of an exorcist duo whose YouTube videos of supernatural encounters go viral, leading to a collaboration with a struggling TV show. The film satirizes media sensationalism and ghost-hunting trends in modern Bangkok.[41] Throughout his acting career, Joey Boy has primarily featured in supporting or cameo capacities in Thai cinema and music videos, without pursuing lead roles extensively, while prioritizing his music endeavors.Television appearances and judging roles
Joey Boy has established himself as a prominent television personality in Thailand, transitioning from a music performer to a respected mentor and judge on various music competition programs. His involvement in these shows has allowed him to share his extensive experience in hip hop and pop music, guiding emerging talents while promoting the genre's growth in mainstream media.[42] One of his earliest and most notable judging roles was as a coach on The Voice Thailand, beginning with Season 1 in 2012 on Channel 3. Alongside coaches such as Stamp Apiwat, Jennifer Kim, and Kong Saharat, Joey Boy focused on identifying unique vocal talents and encouraging contestants to develop authentic styles rather than imitating established artists.[42][43] He continued in this capacity through multiple seasons, including Season 5 in 2017, where a contestant from his team, Siphum Bencharat, won the competition, and Season 7 in 2018, which further solidified his reputation for nurturing diverse performers.[44] His coaching extended to Season 8 and at least through 2019, where he provided constructive feedback emphasizing emotional delivery and stage presence.[45] In 2017, Joey Boy took on a producer and judging role on The Rapper, a Workpoint Entertainment reality series dedicated to discovering new rap talents. As part of the judging panel, which included prominent figures like Khan of Thaitanium and F.Hero, he offered critiques on lyrics, flow, and cultural relevance, drawing from his pioneering status in Thai hip hop.[46][47] The show, which aired starting in late 2017, featured Joey Boy mentoring contestants through challenges that highlighted freestyle battles and original compositions, contributing to the mainstream visibility of rap contests in Thailand.[48] His involvement helped elevate the program, which ran for multiple seasons and launched careers for artists like Milli.[46] Beyond major judging positions, Joey Boy has made guest appearances on other Thai music and variety programs to promote hip hop culture. In 2017, he appeared as a guest on I Can See Your Voice Thailand Season 2, participating in the show's guessing game format to showcase his musical expertise.[45] He also guested on The Driver in 2018, engaging in light-hearted segments that tied into his broader media presence.[45] These spots often involved performances or discussions that bridged his music career with television, reinforcing his role as a cultural ambassador for the genre. Through these television roles, Joey Boy has evolved from a frontline artist to a key mentor, using platforms like The Voice Thailand and The Rapper to foster the next generation of Thai musicians. His feedback, often blending humor with sharp insights, has played a significant part in popularizing structured rap and vocal competitions, while aligning with his efforts to promote artists from his Gancore label.[6][42] This mentorship has extended the reach of Thai hip hop beyond live performances into broadcast media, influencing public perception and inspiring aspiring rappers nationwide.[46]Sports achievements
In the early 2000s, Apisit Opasaimlikit, known professionally as Joey Boy, developed an interest in powered paragliding, or paramotoring, as a personal hobby that reflected his adventurous spirit and desire for adrenaline-fueled activities beyond his music career. This pursuit provided a counterbalance to his high-profile life in the entertainment industry, allowing him to engage in outdoor challenges that complemented his energetic persona.[49][2] Joey Boy's involvement escalated to competitive levels when he represented Thailand at the 2012 Asian Beach Games in Haiyang, China, where he trained rigorously with the national team to prepare for the paramotoring events held from June 17 to 21 at Fengxiang Beach. As a member of Thailand's five-person squad—alongside Noparat Intharaumnuay, Jiri George Macak, Kroekrit Muenphukhiao, and Kittiphop Phrommat—he contributed to the team's gold medal victory in the Team Combined event, marking a significant achievement in the sport's debut as an FAI-sanctioned competition at the Games. Thailand dominated the paramotoring discipline overall, securing three gold medals, three silvers, and two bronzes across individual and team categories.[50][51] His participation in paramotoring also connected to his earlier roots in skateboarding, another high-risk hobby from his youth that influenced his dynamic lifestyle and ability to juggle creative pursuits with physical endeavors. Following the 2012 Games, Joey Boy has maintained paramotoring as an ongoing hobby without pursuing further major competitive successes, using it to stay grounded amid his professional commitments. In recent years as of 2025, he has developed an interest in golf, participating in celebrity tournaments such as the Chang Golf Fun Day and serving on the organizing committee for the All Thailand All Stars 2025 golf event.[49][52]Legacy
Influence on Thai hip hop
Joey Boy, born Apisit Opasaimlikit, is widely recognized as the "Godfather of Thai Hip Hop" for his pioneering role in introducing rap music to Thailand during the mid-1990s.[2][53] His debut album Joey Boy in 1994, released under Bakery Music, marked the first all-rap project in the Thai mainstream, challenging the dominance of traditional Thai music genres like luk thung and mor lam.[54][55] At a time when hip hop was viewed as a niche import akin to obscure Western sports, Joey Boy broke cultural barriers by infusing rap with playful, accessible Thai elements, making it appealing to urban youth and defying expectations of conventional song structures.[2][56] In developing the genre, Joey Boy blended English and Thai lyrics to create a hybrid style that resonated with Thailand's multicultural urban landscape, promoting themes of youth identity and street culture.[54][55] His establishment of Gancore Club (also known as Kankho Club) in 2000 served as a pivotal platform for fostering urban hip hop, signing and promoting artists who expanded the sound beyond solo efforts.[53][57] This label not only introduced reggae-infused rap tracks like "A-Pode" but also encouraged the integration of local social commentary, shifting hip hop from mere imitation of Western models to a distinctly Thai expression of everyday life.[2][57] Joey Boy's mentorship has been instrumental in hip hop's mainstream ascent, particularly through guiding emerging talents such as Buddha Bless, Thaitanium, and F.HERO, who credit his work for inspiring their entry into the scene.[56][58] F.HERO, for instance, has described Joey Boy's 1994 self-titled debut as the catalyst for pursuing rap professionally, highlighting how it provided a blueprint for authentic lyricism in Thai.[53] His efforts contributed to the genre's rise in the 2000s and 2010s, transforming rap from an underground novelty to a festival staple and media-accepted format, evident in the success of trap-influenced waves.[54][56] Over three decades, Joey Boy's foundational contributions have enabled the modern Thai rap scene of the 2020s, empowering a new generation of artists to achieve global visibility through platforms like YouTube and social media while maintaining cultural relevance.[57][55] By normalizing rap as a vehicle for personal and social expression, he laid the groundwork for politically charged works and commercial hits that dominate Thai charts today.[2][58]Recognition and cultural impact
Joey Boy has been widely recognized as the "Godfather of Thai Hip Hop" for his pioneering role in introducing and popularizing the genre in Thailand during the 1990s. This honorific title appears frequently in media profiles and music histories, underscoring his foundational contributions to blending Thai linguistic elements with Western rap styles. For instance, a 2014 episode of the Thai entertainment series Backstage Pass profiled him as the undisputed leader of the scene, highlighting his influence on subsequent generations of artists.[59] Recent publications, including a 2025 article in Koktail Magazine, reaffirm this status, describing him as a "cornerstone" of Thai hip-hop even three decades later.[8] Similarly, a 2023 HipHopDX interview with artist F.HERO credits Joey Boy as the genre's originator, emphasizing his enduring legacy.[23] His breakthrough single "Fun Fun Fun" (1996), featuring Snow, earned an international nomination at the 1997 MTV Video Music Awards for International Viewer's Choice (MTV Asia), marking one of the earliest global acknowledgments of Thai rap. Domestically, Joey Boy's label Gancore Club has supported artists promoting positive values through music. While specific lifetime achievement awards post-2010 remain limited in public records, his platinum-certified album Gakinang (2002), which sold over one million copies, solidified his commercial impact and cultural stature.[25] Beyond music, Joey Boy has contributed to Thai pop culture by promoting Thai-Chinese harmony, drawing from his own third-generation heritage. In Gakinang, he incorporates Thai and Chinese lyrics to celebrate peaceful coexistence between the communities, addressing subtle societal tensions through accessible rap. This theme resonates in broader discussions of multicultural identity in Thailand, as noted in cultural analyses of his work. Additionally, through Gancore Club—founded in the early 2000s—he mentors young artists and conducts workshops for high school and university students, fostering youth involvement in music production and providing opportunities akin to those he received early in his career.[25][25] In 2006, Joey Boy faced controversy over the song "Maya" from his album, which included references to the Quran deemed offensive by some Muslims, leading to the CD being withdrawn in Thailand; he issued a public apology to the Muslim community.[60] Since 2018, Joey Boy's recognition has persisted through features in hip-hop timelines and live performances, maintaining a dedicated fanbase amid evolving Thai music trends. A 2024 Thailand Foundation overview of rap history positions him as a key figure in the genre's development, while 2025 profiles continue to highlight his relevance. His societal ripple effects include inspiring Thai-Chinese representation in media, with no major philanthropy initiatives documented beyond his educational mentoring efforts.[1][61]Discography
Studio albums
Joey Boy released his debut studio album, First Album (also known as Joey Boy), in 1995 under Bakery Music, marking the introduction of rap music to the Thai mainstream audience with 10 tracks blending hip hop and pop elements.[14] The album featured simple, energetic beats and lyrics focused on youthful experiences, establishing Joey Boy as a pioneer in Thai hip hop.[62] His follow-up, Joey Man, arrived in 1996, also via Bakery Music, expanding on the debut's formula with a cassette-format release that included more playful rap verses and continued to build his fanbase through accessible urban storytelling. It contains 10 tracks.[63] In 1996, Fun Fun Fun was issued by Bakery Music, a high-energy album that propelled Joey Boy to commercial success with its hit title track, emphasizing party anthems and collaborations that highlighted his charismatic delivery. It features 10 tracks.[64] The momentum from Fun Fun Fun carried into See Ya Later (Celebrate No Million Copies) in 1997 (Bakery Music), a celebratory 10-track album marking sales milestones with upbeat tracks and remixes that sustained his rising popularity. This success continued with Bangkok (1998, Bakery Music), a 12-track exploration of urban life in Thailand's capital, incorporating streetwise themes and achieving strong sales and radio play.[65] Transitioning to GMM Grammy and his Gancore label in the early 2000s, Joey Boy's ตัวฤทธิ์ (Tua Rit, 2000) delivered 10 tracks with more mature, introspective lyrics on relationships and personal growth, produced under Gancore with a mix of rap and R&B influences.[66] The album reflected his evolving style amid label changes, featuring production by Kamol Sukosol and others.[67] Tourist (2000, Bakery Music/GMM transition) followed closely with 10 songs, delving into observational themes of travel and city life, serving as a bridge between his early party rap and deeper narratives.[68] In 2001, Joeyboyrama under Gancore presented a retrospective vibe with experimental beats, though it maintained his signature flow across its 10 tracks.[69] The 2004 release Sorry, I'm Happy (Gancore/GMM Grammy), while structured as a mini-album or EP with 5 tracks, showcased introspective content on happiness and daily struggles, produced with a focus on emotional depth and featuring tracks like "Summer All The Time."[70] Later in the decade, Joey Boy's output slowed, but he returned independently with Fun Again (2011, Bakery Music), a 15-track compilation-style album revisiting hits like "Fun Fun Fun" alongside new material, emphasizing nostalgia and live energy.[71] His 2014 self-released JOEY BOY 30+ อัลบั้มที่ 30 กว่า celebrated over 30 years in music with 13 tracks, including remixes and originals, produced collaboratively to reflect his enduring influence.[72]| Year | Album | Label | Tracks | Key Notes |
|---|---|---|---|---|
| 1995 | First Album (Joey Boy) | Bakery Music | 10 | Debut introducing Thai rap; energetic pop-rap fusion.[14] |
| 1996 | Joey Man | Bakery Music | 10 | Playful urban storytelling; cassette release.[63] |
| 1996 | Fun Fun Fun | Bakery Music | 10 | Commercial breakthrough with party anthems.[64] |
| 1997 | See Ya Later (Celebrate No Million Copies) | Bakery Music | 10 | Celebratory album marking sales success; upbeat tracks and remixes. |
| 1998 | Bangkok | Bakery Music | 12 | Urban themes post-hit success; 49 minutes runtime.[65] |
| 2000 | ตัวฤทธิ์ (Tua Rit) | Gancore/GMM Grammy | 10 | Introspective lyrics on relationships; R&B influences.[66] |
| 2000 | Tourist | Bakery Music/GMM | 10 | Observational themes; 39 minutes.[68] |
| 2001 | Joeyboyrama | Gancore | 10 | Experimental beats; retrospective elements.[69] |
| 2004 | Sorry, I'm Happy | Gancore/GMM Grammy | 5 | Emotional depth on personal happiness; mini-album format.[70] |
| 2011 | Fun Again | Bakery Music | 15 | Nostalgic revisits and new tracks; 61 minutes.[71] |
| 2014 | JOEY BOY 30+ อัลบั้มที่ 30 กว่า | Independent (Gancore) | 13 | Career retrospective with remixes; 50 minutes.[72] |