John Downer
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Sir John William Downer, KCMG, KC (6 July 1843 – 2 August 1915) was an Australian politician who served two terms as Premier of South Australia, from 1885 to 1887 and again from 1892 to 1893. He later entered federal politics and served as a Senator for South Australia from 1901 to 1903. He was the first of four Australian politicians from the Downer family dynasty.

Key Information

Early life

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Downer was born in Adelaide on 6 July 1843.[1] He was one of four sons born to Jane (née Field) and Henry Downer; his father was a tailor. His parents had immigrated from England to South Australia in 1838, among the first waves of British immigrants brought out by the South Australian Company.[2]

Downer began his education at a private academy in Adelaide.[2] He went on to attend St Peter's College, Adelaide, on a scholarship.[3] In 1862 he took first prize in the statewide examinations.[2] Downer followed his older brother Henry Edward Downer into the legal profession, serving his articles of clerkship with Henry and with James Boucaut. He was called to the bar in 1867.[1] He subsequently went into practice with his younger brother George Downer, with their firm G. & J. Downer becoming "one of the leading Adelaide law firms for the next sixty years".[2]

South Australian politics

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Downer in 1898

Downer was elected unopposed to the South Australian House of Assembly at the 1878 general election, standing in the two-member seat of Barossa. He continued to represent Barossa until his resignation to enter federal parliament in 1901.[1] His electorate spanned from Gawler across the Barossa Valley to the River Murray; his primary support base was in Gawler.[2]

In June 1881, Downer was appointed attorney-general in the ministry formed by John Cox Bray, serving until the government's defeat after the 1884 election.[2] He introduced a number of legal reforms, notably the Married Women's Property Act 1883 which abolished the law of coverture and allowed married woman to own property, enter into contracts and take part in lawsuits in their own right. He was an early advocate of universal women's suffrage and opposed attempts to include a property qualification, although he did not support the right of women to stand for parliament. He also succeeded in carrying bills allowing accused persons to give evidence on oath, and amending the insolvency and marriage acts.[1]

On 16 June 1885, Downer himself became Premier for the first time, as well as being Attorney-General once again. While Premier, Downer oversaw the construction of the first train line from Adelaide to Melbourne. He also made significant contributions to establishing irrigation settlements along the Murray River. Although this ministry lasted two years and passed a fair amount of legislation, it was often in difficulties, and in June 1886 had to be reconstructed.

At the Colonial Conference held in London during 1887, Downer represented South Australia, but during his return journey to Australia his government was defeated. This ministry was responsible for a tariff imposing increased protective duties. Downer was not in office again for several years, but in October 1892 again became Premier, taking also the portfolio of Chief Secretary. In May 1893 he exchanged this for the position of Treasurer of South Australia, but was ousted at the 1893 election by liberal Protectionist Kingston with the support of the new Labor Party led by John McPherson. Downer remarked of this party: 'They are very clever fellows. I have great respect for the way they use either side for their purposes with absolute impartiality'. For most of the period until 1899 Downer led the Opposition.

Federation movement

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Downer was a strong federalist and had represented South Australia at the 1883 and 1891 conventions. At the latter meeting, he took an important part in protecting the interests of the smaller states, and was a member of the constitutional committee. He was elected one of the 10 representatives of South Australia at the Australasian Federal Convention of 1897-8, and sat, again, on the constitutional committee. He was the most senior and significant representative of the conservative portion of the Convention's ideological spectrum. In this period he formed a close personal bond with several leading Federationists. Robert Garran, an eminence grise of the Federalist cause, was the best man at Downer's wedding in 1898. Richard O'Connor and Edmund Barton were among the attendees. The bride and groom had first met at Barton's house, and in these years Barton would stay at Downer's house when in Adelaide.[4]

Federal politics

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Downer was elected to the Senate at the inaugural 1901 federal election, placing fourth in the poll and winning election to a three-year term. He was endorsed by the Australasian National League.[2] He campaigned closely with fellow conservative Richard Baker. On the hustings he declared he "was not a Free Trader, and not a Protectionist", but "a Fair Trader".[5] In parliament he repeated that he was "abstractedly a free-trader but by force of circumstance a fair trader".[2]

In parliament, Downer served on the standing orders committee and chaired the elections and qualifications committee, which notably denied Henry Saunders' petition to unseat Alexander Matheson from a Western Australian seat. He spoke frequently on the Senate's role and importance, stressing "the independence of the Senate and its crucial role as the protector of the smaller states".[2] He "doggedly defended the Senate's constitutional rights" including the principle that it might remove governments, although he opposed attempts to delay a supply bill as against Westminster convention.[1] According to one biographer, he sometimes appeared "more concerned with constitutional proprieties and procedures than with the substance of the legislation being considered".[2]

Downer generally supported the Protectionist government formed by Edmund Barton, although he often crossed the floor and was critical of individual pieces of legislation. He believed the Immigration Restriction Act 1901 should not be given a high priority and criticised "this general running amok with the name of white Australia".[1] Downer opposed the government's bill to grant sugar-growers a bounty and was equivocal about the Commonwealth Franchise Act 1902 and other electoral legislation. He did support the Naval Agreement Act 1903, which defined the terms on which Australian personnel would serve in the Royal Navy before the creation of an independent Australian Navy.[2]

Downer took a particular interest in the passage of the Judiciary Act 1903, which created the High Court of Australia as envisaged in the constitution. During the debate on the bill he made "a long and eloquent defence of Federation and the role of the High Court as the defender of the smaller states".[2] Downer hoped to be appointed as one of the inaugural justices of the High Court, based on his role in drafting the constitution, his status as a leading constitutional lawyer, and his personal friendship with Barton.[1] His name was considered by cabinet but was ultimately rejected, with Barton himself becoming one of the three inaugural justices along with Samuel Griffith and Richard O'Connor.[2] According to Peter Bartlett, Downer's failure to secure appointment as an inaugural justice of the High Court was "the great disappointment of his life".[1]

Final years

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Undated photo by Hammer Studios

Downer declined to re-contest his Senate seat at the 1903 election. His primary motivation for retirement was financial, as his legal practice had suffered from his frequent absences in Melbourne. He subsequently resumed an active practice at the bar and made frequent appearances in the Supreme Court of South Australia. In 1905, Downer was elected to the South Australian Legislative Council as a member for the Southern District. He was re-elected in 1912 and remained a member of the Legislative Council until his death.[2]

Downer died of cancer at his home in North Adelaide on 2 August 1915, aged 72.[1][6] He was interred at North Road Cemetery.[2] His estate was valued for probate at £14,190 (equivalent to $1,640,000 in 2022).[1]

Character and views

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Alfred Deakin assessed Downer in the following terms: 'bull-headed, and rather thick-necked, ... with the dogged set of the mouth of a prize fighter' and 'smallish eyes'. Downer was regarded a first-rate barrister, and some of his speeches to juries were singled out by contemporaries as laudable examples of forensic art. He was equally successful in parliamentary debate; one of his colleagues called him the best debater in a house that contained Charles Kingston, Frederick Holder, John Cockburn, and John Jenkins.

In politics Downer tended to be conservative without being obstinate. He described himself as a Tory, and partly on account of this he often found himself in a minority during his later years in parliament. Nevertheless, he consistently advocated the rights of married women to their own property, female suffrage, protection of local industries, and federation.

Historian Tony Roberts, in his 2005 award-winning book Frontier Justice: A History of the Gulf Country to 1900, described the nature of massacres and violent encounters with Aboriginal peoples in the Gulf Country as part of the Australian frontier wars. His research showed that senior colonial politicians, including premiers Downer and Sir John Colton, along with South Australian police, "masterminded, condoned or concealed... atrocities" in the NT Gulf Country, which led to the deaths of at least 600 Aboriginal people.[7][8][9][10][11][12] According to Henry Reynolds, Roberts concluded that Downer's name occurred[clarification needed] with greater frequency than any of his colleagues, and he pointed out that Downer, as a trained lawyer, attorney-general between 1881 and 1884, and both premier and attorney-general 1885–1887, he must have deliberately ignored the Aboriginal rights which were embodied by law in the pastoral leases in that area. He also appeared as attorney for William Willshire, a policeman known for his brutality who was acquitted of the murder of a group of Aboriginal people in 1891[13] at Tempe Downs Station in the NT. Even at the time, there was outrage at the not guilty verdict, and questioning of the validity of the process, which took place in Port Augusta.[14]

Family and legacy

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Downer in 1901

Downer married twice: firstly in 1871 to Elizabeth Henderson (c. 1852 – 3 May 1896), daughter of the controversial Rev. James Henderson;[15] and secondly, in Sydney 29 November 1899 to Una Stella Haslingden Russell, daughter of Henry Edward Russell.[a] With Elizabeth he had three children, John Henry (born 1872), James Frederick (born 1874) and Harold Sydney (born in 1875 and died in infancy).[19] The son of his second marriage was Alexander Russell "Alick" Downer (born 1910), who served in the Menzies government, was knighted, and served as Australian High Commissioner in London, and whose son, Alexander Downer served as leader of the (Opposition) Liberal party in 1994 and Foreign Minister in the Howard government.

The home he purchased in 1880 at 42 Pennington Terrace, North Adelaide, is now St Mark's College and the original part of the building is known as Downer House. A draft of the Australian Constitution was prepared in the ballroom in 1897.[20]

A brother and partner in his business, Henry Edward Downer (1836–1905), entered the South Australian parliament in 1881 and was attorney-general in the John Cockburn ministry from May to August 1890. Another brother, A(lexander) George Downer (1839–1916) was his partner in the legal firm G & J Downer and a prominent businessman.[21]

In 1887, at the Imperial Conference in London (now the Commonwealth Heads of Government Meeting), Downer was created KCMG, recommended to the Queen by the Marquis of Salisbury.[22] During retirement, he joined the Adelaide University Council and became president of the Commonwealth Club.[23]

The Canberra suburb of Downer, Australian Capital Territory, was named after him in 1960. On Garema Place, Canberra stands a commemorative sculpted fountain titled Father and Son and was presented by his son Sir Alick in 1964.[24]

Electoral history

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South Australia

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House of Assembly

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Election year Electorate Party Votes % Result
1878 Barossa Independent unopposed Elected
1881 Elected
1884 502 24.0% Steady n/a Elected
1887 unopposed Elected
1890 658 25.4% Steady n/a Elected
1893 National Defence League 1,008 30.3% Increase 4.9 Elected
1896 1,549 24.5% Decrease 5.8 Elected
1899 1,786 33.8% Increase 9.3 Elected

Legislative Council

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Election year Electorate Party Votes % Result
1905 Southern District Independent 3,800 28.3% Steady new Elected
1912 Liberal Union 7,073 36.7% Increase 8.4 Elected

Australian Senate

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Election year State Party Votes % Result
1901 South Australia Protectionist 30,493 60.6% Steady new Elected (4th)

See also

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Footnotes

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References

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Sources

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  • Bartlett, Peter (1981). "Downer, Sir John William (1843–1915)". Australian Dictionary of Biography. Vol. 8. National Centre of Biography, Australian National University. pp. 330–332. ISBN 978-0-522-84459-7. ISSN 1833-7538. OCLC 70677943. Retrieved 14 August 2022.
  • Serle, Percival (1949). "Downer, John William". Dictionary of Australian Biography. Sydney: Angus & Robertson. Retrieved 4 October 2008.
  • Parliamentary Debates (South Australia), 1883–84, 2031
  • Intercolonial Convention, 1883: Report of the Proceedings of the Intercolonial Convention, held in Sydney, in November and December, 1883 (Syd, 1883)
  • Proceedings of the Colonial Conference, 1887: Papers Laid before the Conference (Lond, 1887)
  • National Australasian Convention, 1891 to 1898, Official Record of the Proceedings … (Sydney 1891, Adelaide 1897, Sydney 1898 and Melbourne 1898)
  • British Australasian, 17 June 1887
  • Edmund Barton papers (National Library of Australia)
  • Alfred Deakin papers (National Library of Australia)
  • P. M. Glynn diaries, 1880–1918 (National Library of Australia)
  • The Register, Adelaide, 3 August 1915
  • The Advertiser, Adelaide, 3 August 1915
  • E. Hodder, The History of South Australia
  • Quick and Garran, The Annotated Constitution of the Australian Commonwealth
  • P. Mennell, The Dictionary of Australasian Biography
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from Grokipedia
John Downer is a British wildlife filmmaker and producer known for his pioneering use of innovative camera technologies to create immersive nature documentaries that reveal intimate animal behavior from unprecedented perspectives. [1] [2] Downer began his career in 1981 at the BBC Natural History Unit, where he made his mark with the groundbreaking short film “In-flight Movie,” which introduced revolutionary techniques for capturing birds in flight. [1] He followed this with acclaimed series such as Supersense, Supernatural, Weird Nature, and Swarm, which expanded the technical possibilities of wildlife filmmaking, attracted large audiences, and received multiple awards including an Emmy nomination for Best Director. [1] After leaving the BBC, he worked on high-profile commercials and music videos before founding John Downer Productions, through which he developed his signature “Spy” franchise featuring remote-controlled animatronic creatures equipped with hidden cameras. [1] This approach has defined major series including Penguins – Spy in the Huddle, Dolphins – Spy in the Pod, Spy in the Wild, and Spy in the Ocean, allowing viewers to experience animal interactions from within their social groups and earning record-breaking viewership figures. [1] He also created Earthflight, a landmark series showcasing innovative aerial photography of migratory birds that won the Royal Television Society Craft & Design Award for Photography in Documentary/Factual. [1] Through his consistent focus on technological innovation and emotional storytelling, Downer has significantly influenced the genre of natural history television. [2]

Early life

Early years and entry into filmmaking

John Downer was born in London, England, in 1953.[3] From an early age, he displayed a keen interest in the natural world, filming insects, frogs, and toads in his parents' garden using a Super 8 camera while still in elementary school.[4] This hands-on childhood experience of getting close to small creatures profoundly shaped his later approach to filmmaking, inspiring him to seek ways to immerse viewers within the animal world.[4] He pursued formal studies in zoology at university, training as a zoologist.[3][4] After completing his education, Downer began his professional career in media with the BBC, initially working in radio.[4] He soon transitioned into television, producing programs for children where he built miniaturized cameras to capture life in a garden setting.[4] This early work represented his first significant combination of technological innovation with image-making, laying the groundwork for his future specialization in natural history filmmaking.[4]

Career

Early career and BBC collaborations

John Downer began his professional career in wildlife filmmaking at the BBC Natural History Unit. [5] [6] During his time there, he produced several groundbreaking and award-winning natural history programmes that helped establish his reputation in the field. [5] [7] A key early contribution was his role as producer on the six-part series Supersense (1988–1989), commissioned by the BBC Natural History Unit. [8] He produced all six episodes of the series. [8] This work reflected his early focus on innovative approaches to wildlife documentary production before founding his independent company. [5]

Founding of John Downer Productions

John Downer established John Downer Productions in 1989 as his independent production company following his work at the BBC Natural History Unit. [9] The company was incorporated in the United Kingdom on 5 September 1989 and has remained active since then, serving as the primary vehicle for his filmmaking endeavors. [10] John Downer Productions specializes in natural history and wildlife programming, encompassing television documentaries, feature films, and commercials. [2] It focuses on creating groundbreaking immersive visuals and dynamic storytelling, with an emphasis on innovative approaches that prioritize emotional engagement and scientific integrity in wildlife content. [5] The company pioneered a subjective perspective in nature documentaries, moving away from conventional formats to develop highly inventive techniques that bring viewers closer to the animal world. [5] Over more than three decades, John Downer Productions has established itself as an internationally renowned leader in high-end natural history filmmaking. [5] Described as a trailblazing entity, it has sustained its reputation for originality and expertise, consistently producing award-winning work that challenges traditional methods while maintaining a commitment to innovation during John Downer's lifetime. [5]

Major productions and credits

John Downer's major productions and credits encompass a wide array of innovative wildlife television series and specials, primarily as director, producer, and often cinematographer, created through John Downer Productions in partnership with broadcasters such as the BBC and PBS. [11] These works, spanning from the late 1990s onward, frequently feature pioneering filming approaches to reveal animal behavior in unprecedented ways. [6] Early notable credits under his company include Supernatural: The Unseen Powers of Animals (1999), a six-part miniseries he produced that examined the extraordinary sensory capabilities of various species. [12] In the mid-2000s, he directed and produced Bears: Spy in the Woods (2004), Pride (2004), and Trek - Spy on the Wildebeest (2007), which marked the development of concealed robotic cameras to observe animals intimately without intrusion. [13] He extended this signature "Spy" format with Polar Bear - Spy on the Ice (2010), Penguins: Spy in the Huddle (2013), Dolphins: Spy in the Pod (2014), and Spy in the Wild (2017), each deploying animatronic devices disguised as animals or environmental elements to capture authentic interactions. [13] Among his most ambitious projects is Earthflight (2012), a six-part miniseries he directed and produced, offering global aerial perspectives on bird migrations through innovative camera placements on birds, aircraft, and other platforms. [6] Subsequent works include Snow Chick: A Penguin's Tale (2015), a chronicle of an emperor penguin chick's early life, and Spy in the Snow (2018), applying spy technology to cold-weather species. [13] More recent productions feature the Serengeti series, starting with Serengeti (2019) as director and producer, following interconnected animal stories across seasons in the African savannah, along with continuations in later seasons, and Spy in the Ocean (2023), adapting the spy approach to underwater environments. [13]

Innovations in wildlife cinematography

John Downer has been a pioneer in wildlife cinematography, developing techniques that enable filmmakers to capture authentic animal behaviors with minimal human interference. His innovations include the use of animal-mounted cameras to obtain point-of-view footage from wildlife, providing unprecedented aerial perspectives from birds and immersive ground-level views from other animals. These methods were notably applied in productions such as "Supernatural" (1999), where lightweight cameras attached to animals delivered direct insights into their experiences and movements. [14] Downer advanced this approach with remote-controlled and miniature cameras designed for close-up filming of shy or elusive species, allowing detailed observation of natural interactions without disturbing subjects. A major evolution came with animatronic "spy" creatures equipped with hidden cameras and realistic movements, enabling them to blend into animal groups. This technique debuted prominently in "Penguins – Spy in the Huddle" (2013), where remote-controlled models resembling penguins, eggs, and rocks infiltrated colonies to record parenting, social dynamics, and other intimate behaviors. The concept reached greater sophistication in "Spy in the Wild" (2017) and its sequel, featuring advanced animatronic animals—including monkeys, birds, crocodiles, and more—with embedded cameras and lifelike expressions that prompted genuine responses from wild animals, revealing rarely seen social interactions and emotions. These developments have significantly influenced contemporary wildlife filmmaking, encouraging the adoption of non-intrusive technologies to prioritize ethical observation and authentic documentation of natural history. [15]

Awards and recognition

Personal life

Personal life

John Downer has kept his personal life private, and there is no publicly available information from reliable sources regarding his family, marriage, children, or personal interests outside his professional work in wildlife filmmaking. Details such as residences or non-professional hobbies are not documented in credible interviews, official biographies, or industry reports. His public profile centers exclusively on his contributions to nature documentaries.

Legacy

John Downer's legacy in wildlife filmmaking is characterized by his pioneering innovations in camera technology that have transformed how animal behavior is documented and presented to audiences. [5] His development of animatronic "spy" creatures—camouflaged cameras designed to blend seamlessly into natural environments—enabled filmmakers to capture intimate, never-before-seen interactions among wildlife without disturbing subjects. [16] This approach, first widely showcased in the Spy series, set a new standard for immersive storytelling in natural history programming and inspired a wave of similar techniques across the industry. [7] The enduring impact of Downer's work is evident in the continued success and expansion of the Spy franchise, which has evolved through multiple iterations and spin-offs, influencing contemporary wildlife documentaries that prioritize non-intrusive observation. [16] His emphasis on combining scientific accuracy with dramatic narrative has helped elevate the genre's appeal to broad audiences while advancing technical capabilities in remote and challenging filming conditions. [5] Through John Downer Productions, these methods have sustained a legacy of award-winning output that continues to shape how filmmakers approach ethical and innovative wildlife cinematography. [2]
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