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Louvre Inverted Pyramid
Louvre Inverted Pyramid
from Wikipedia

Part of the Louvre Inverted Pyramid
View of the square base of the Louvre's Inverted Pyramid, located in the middle of the roundabout of the Place du Carrousel

The Louvre Inverted Pyramid (French: Pyramide inversée du Louvre)[1] is a skylight constructed in the Carrousel du Louvre, an underground shopping mall in front of the Louvre Museum in France. It may be thought of as a smaller sibling of the more famous Louvre Pyramid proper, yet turned upside down: its upturned base is easily seen from outside.

Design

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The inverted pyramid marks the intersection of two main underground walkways beneath the Place du Carrousel and orients visitors towards the museum entrance under the Cour Napoléon. Tensioned against a 30-tonne (33-short-ton), 13.3-metre (44 ft) square steel caisson frame, the inverted pyramidal shape in laminated glass points downward towards the floor. The glass of the pyramid itself is 10 millimetres (0.39 in) thick, while the glass above the pyramid at courtyard (ground) level, which must be able to support the weight of pedestrians, is 30 millimetres (1.2 in) thick.[2] The tip of the pyramid is suspended 1.4 metres (4.6 ft) above floor level. Individual glass panes in the pyramid are connected by stainless-steel crosses 381 millimetres (15.0 in) in length. After dark, the structure is illuminated by a frieze of spotlights.

Directly below the tip of the downwards-pointing glass pyramid, a small stone pyramid (about 1 m, 3.3 ft) is stationed on the floor, as if mirroring the larger structure above: The tips of the two pyramids almost touch.[3]

The Pyramide Inversée was designed by architect I.M. Pei, and installed as part of the Phase II government renovation of the Louvre Museum, known as the Grand Louvre project. It was completed in 1993.[1] In 1995, it was a finalist in the Benedictus Awards, described by the jury as "a remarkable anti-structure ... a symbolic use of technology ... a piece of sculpture. It was meant as an object but it is an object to transmit light."[4]

The Da Vinci Code

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The Inverted Pyramid figures prominently on the concluding pages of Dan Brown's 2003 international bestseller The Da Vinci Code. The protagonist of the novel, Robert Langdon, reads esoteric symbolism into the two pyramids: The Inverted Pyramid is perceived as a Chalice, a feminine symbol, whereas the stone pyramid below is interpreted as a Blade, a masculine symbol: the whole structure could thus express the union of the sexes. Moreover, Brown's protagonist concludes that the tiny stone pyramid is actually only the apex of a larger pyramid (possibly the same size as the inverted pyramid above), embedded in the floor as a secret chamber. This chamber is implied to enclose the body of Mary Magdalene.

At the climax of the 2006 film adaptation, the camera elaborately moves through the entire glass pyramid from above and then descends beneath the floor below to reveal the supposed hidden chamber under the tiny stone pyramid, containing the sarcophagus with the remains of Mary Magdalene.

In reality, the smaller stone pyramid does not form the tip of a larger pyramid. In fact, it can be pushed aside to facilitate maintenance and cleaning of the glass pyramid above.

References

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from Grokipedia
The Louvre Inverted Pyramid (Pyramide inversée du Louvre) is an upside-down glass-and-metal skylight located in the underground shopping mall beneath the Louvre Museum in , , serving as a source of natural illumination for the subterranean space. Designed by Chinese-American architect , it features 84 diamond-shaped glass panes and 28 triangular ones forming its structure, with the apex suspended about 1.4 meters above the floor above a small 1-meter stone pyramid. Completed in 1993 as part of Phase II of the Grand Louvre renovation project initiated in 1981 under President , the pyramid weighs approximately 30 tonnes and spans a square base of roughly 15 meters with a height of 7 meters. This innovative architectural element was conceived to enhance visitor flow and functionality in the expanded museum complex by providing a luminous focal point at the intersection of underground passages leading to the Louvre's three wings, the shopping arcade, and nearby metro stations. Pei's design draws inspiration from the museum's historic layout while introducing modern transparency, allowing daylight to penetrate the depths without obstructing views of the surrounding . The structure's subtle integration reflects Pei's philosophy of harmonizing contemporary forms with heritage sites, much like his iconic upright unveiled four years earlier. The Inverted Pyramid gained widespread cultural recognition through its fictional depiction in Dan Brown's 2003 novel and its 2006 , where it is portrayed as concealing a secret tomb—though no such elements exist in reality. Today, it remains a popular attraction for visitors exploring the , symbolizing the museum's evolution into a blend of ancient artistry and cutting-edge design.

History

Commissioning and Planning

The Grand Louvre project was initiated in 1981 by French President to modernize the museum's facilities, increase exhibition space, and improve visitor circulation amid growing attendance. This ambitious renovation encompassed multiple phases, with Phase II emphasizing underground expansions to accommodate additional amenities without compromising the historic palace above. The inverted pyramid emerged as a key component of this phase, designed to illuminate and organize subterranean areas as part of the broader effort to unify the museum's fragmented layout. In July 1983, I.M. Pei was appointed as the project's chief architect, a choice that built directly on his emerging vision for the main Louvre Pyramid unveiled in the project's initial phase. Pei, known for his modernist approach that harmonized new elements with historic contexts, extended this philosophy to the inverted pyramid, ensuring it supported the overall modernization by providing subtle, non-intrusive enhancements to navigation and light penetration. The design complemented the main pyramid's transparency, allowing views of the surrounding classical architecture while avoiding any alterations to the Louvre's facade. Planning for the inverted pyramid intensified in the late as part of the detailed development of Phase II underground works. The site was selected beneath the , aligning with the construction of the shopping mall to create an integrated subterranean complex that connected retail, parking, and museum access points. This placement maximized utility in the underutilized space while minimizing surface disruption. The specific objectives of the inverted pyramid included enhancing visitor access and orientation in the underground levels, where it served as a luminous focal point to guide movement and distribute to the subterranean space. By doing so, it preserved the Louvre's intact, directing attention inward to facilitate efficient flow without visual clutter on the historic grounds.

Construction Timeline

The construction of the Louvre Inverted Pyramid commenced in early 1991 as part of the development, representing Phase II of the Grand Louvre renovation project led by architect . This phase extended the museum's underground facilities, including a new entrance and commercial spaces, while integrating the inverted pyramid as a central feature. The project was completed in 1993. These steps demanded meticulous to achieve the delicate balance of the 7-meter-wide form hovering above the space. The project faced significant challenges, particularly in coordinating extensive underground excavation and assembly with the Louvre's ongoing operations, as the remained open to the public throughout much of Phase II to minimize disruptions. Ensuring in the confined subterranean environment required advanced cable-truss systems and rigorous testing to withstand loads without compromising the surrounding historic foundations. The Inverted Pyramid and were inaugurated to the public in October 1993, marking the culmination of Phase II and enhancing visitor access to the museum.

Architectural Design

Overall Concept

The Louvre Inverted Pyramid serves as an "upside-down" counterpart to the museum's prominent upright glass pyramid, designed to enhance transparency and infuse into the subterranean spaces of the while harmonizing modern innovation with the historic palace. Architect conceptualized it as a complementary element within the broader renovation, emphasizing clarity and order to respect the surrounding without overshadowing its facades. Pei's intent was to craft a subtle in the underground lobby, where the inverted form creates a dramatic visual effect by positioning the broad square base upward, ensuring it integrates seamlessly with the circular layout of the space above rather than imposing a sharp apex. This avoids visual competition with the Louvre's ornate exteriors, instead drawing visitors downward into a luminous entry point that facilitates smooth circulation to the museum's wings. By inverting the traditional , Pei achieved a that floods the below-ground area with daylight, promoting an inviting and navigable environment. Symbolically, the structure represents renewal and enhanced , evoking ancient motifs—rooted in stability and —while adapting them to contemporary functions like visitor orientation and commercial integration. It embodies Pei's philosophy of using geometric simplicity and glass transparency to bridge historical reverence with modern vitality, transforming the into a more approachable cultural hub. In this inverted adaptation, the shifts from an external to an internal , underscoring Pei's recurring theme of light as a unifying force between eras.

Structural and Material Details

The Louvre Inverted Pyramid consists of a suspended structure measuring approximately 15 meters (49 ft) across its square base, with an overall height of 7 meters (23 ft) from base to apex, and weighing approximately 30 tonnes; the tip is positioned 1.4 meters (4.6 ft) above the floor to facilitate pedestrian flow beneath it, incorporating a 1-meter (3.3 ft) stone base situated below the primary assembly. The is composed of 84 diamond-shaped panes and 28 triangular panes of clear, tempered, , forming a silicone-glazed that emphasizes transparency and light transmission. These elements are supported by a metal frame engineered using ship-rigging techniques, featuring stainless-steel buttons and fittings at the corners for secure connections. The structural system employs a primary "virtual cube" framework held in place by tension cables anchored to perimeter edge beams, while a secondary network of horizontal cables extends from the cube's vertical posts to the centers of the panels, creating a nearly invisible cable-net support that allows the faces to flex up to 36 inches under load. The roof's weight is transferred through compression posts and tension cables to the edge beams, with stainless- cross-bracing integrated within a steel caisson frame to ensure stability; the surrounding courtyard floor utilizes 30 mm-thick for enhanced visibility into the below. Engineered by RFR (including Peter Rice and Henry Bardsley) in collaboration with , the design incorporates anti-seismic reinforcements suited to its underground location, promoting resilience against vibrations. Key innovations include the suspended configuration, which diffuses natural daylight throughout the underground lobby while minimizing visual obstruction, and integrated spotlight illumination from below that highlights the structure's form at night for dramatic effect. Beveled edges on the panels refract light to amplify optical illusions, complementing the "anti-pyramid" aesthetic, while removable lower sections enable interior maintenance access; mirrored stone elements around the base further enhance these visual distortions. The 10 mm-thick panels for the pyramid itself balance strength and clarity, drawing on advanced structural techniques pioneered in the .

Location and Purpose

Physical Setting

The Louvre Inverted Pyramid is situated underground beneath the Place du Carrousel in the 1st arrondissement of Paris, France. This location places it within the Carrousel du Louvre, an underground shopping mall adjacent to the Louvre Museum. The pyramid's subterranean position integrates it into the historic urban fabric of central Paris, in close proximity to the above-ground Louvre Pyramid in the Cour Napoléon and the adjacent Tuileries Garden. This placement preserves the surface-level heritage sites, including the open spaces of Place du Carrousel and the surrounding 17th- and 19th-century architecture, by avoiding any disruption to the visible landscape. As a , the inverted crowns an open atrium in the , allowing natural light to illuminate the space below while connecting via escalators and passages to the 's entrances. Completed in 1993, its construction addressed Paris's challenging urban subsurface conditions, including a high and vibrations from nearby traffic.

Functional Role

The Louvre Inverted Pyramid functions primarily as a and orientation landmark in the underground , illuminating the central hall and directing visitors toward the museum's main entrance in the Cour Napoléon via intersecting walkways. This design element enhances natural daylight penetration into the subterranean atrium, minimizing the use of artificial lighting and creating a brighter, more welcoming environment for navigation. By serving as a visual focal point at the junction of key underground pathways, it streamlines visitor circulation, reducing surface-level congestion around the historic palace and facilitating smoother transitions from street level to the museum's core spaces. The structure integrates seamlessly with adjacent facilities, including the shopping mall, ticketing areas, an auditorium, cafés, bookshops, and direct metro access, thereby supporting the 's high-volume operations. This connectivity accommodates the Louvre's substantial daily visitor influx, which the aimed to cap at 30,000 as of 2023 to manage crowds effectively, though pre-pandemic peaks exceeded 45,000 per day and challenges persisted into 2025, with temporary lower caps tested. As of 2025, the continues to grapple with , implementing temporary caps and extended hours to sustain efficient access via underground features like the Inverted Pyramid. The pyramid's role in this ecosystem promotes efficient flow from commercial and transit hubs to exhibition areas, contributing to the overall modernization of visitor access initiated in the Grand Louvre project. Maintenance of the Inverted Pyramid involves routine cleaning of its panels to ensure maximal light transmission and periodic structural inspections to preserve integrity, similar to protocols for the museum's other elements. These efforts are essential for sustaining its operational utility amid constant foot traffic and environmental exposure.

Cultural and Public Reception

The Louvre Inverted Pyramid gained widespread recognition through its prominent role in Dan Brown's 2003 novel , where it is depicted as the symbolic resting place of , representing the "chalice"—a feminine emblem of the —in contrast to the upright Louvre Pyramid's "blade," a masculine symbol; this imagery culminates in key plot scenes as protagonist uncovers the site's esoteric significance. The structure's mystique was further amplified in the 2006 film adaptation directed by Ron Howard, which features on-location filming at the Carrousel du Louvre to capture the inverted pyramid during the story's climactic revelation, enhancing its aura of hidden secrets and ancient lore. Beyond this blockbuster, the inverted pyramid has appeared in numerous travel documentaries and architectural films showcasing modern Parisian landmarks, such as explorations of I.M. Pei's designs and the Louvre's evolution, often highlighting its striking suspended form as a beacon of contemporary ingenuity. It also receives occasional nods in mystery genres across literature and television, invoked as a metaphor for concealed truths and subterranean enigmas inspired by its Da Vinci Code legacy. The pyramid's media exposure, particularly from , has significantly boosted its visibility and contributed to tourism at the Louvre, attracting fans for guided "Da Vinci" tours, photo opportunities beneath the structure, and immersive experiences tying fiction to the site's real architecture.

Awards and Critical Response

The Louvre Inverted Pyramid, as part of I.M. Pei's broader renovation project, received recognition through the ' (AIA) 2017 Twenty-Five Year Award for Phase I, honoring the ensemble of steel and glass structures including the main pyramid for their enduring architectural significance and successful integration of modern elements into a . Although specific awards for the inverted pyramid alone are limited, the project's overall acclaim underscores its innovative subterranean design, which was praised for facilitating efficient visitor flow without overwhelming the surrounding . Critical reception to the inverted pyramid upon its 1993 completion was generally more favorable than that of the main , with architects and reviewers noting its subtle placement underground as a harmonious to the historic , avoiding the visual dominance that sparked debate over the larger structure. Initial critiques in the early focused on the challenges of blending contemporary forms with the 17th-century environs, yet experts later lauded its role in modernizing the museum's while preserving aesthetic continuity, describing it as an "elegant solution" to urban spatial constraints. Over time, public perception has solidified the inverted pyramid as a understated triumph, often viewed as less controversial than its upright counterpart and appreciated for enhancing the Louvre's by serving as a key entry point to the underground concourse. The structure gained additional visibility through its depiction in Dan Brown's , though this has been secondary to its architectural merits in shaping long-term appreciation.

References

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