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Manungal
Manungal
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Nungal
Goddess of prisons
A tablet with part of the hymn to Nungal inscribed. Oriental Institute Museum, University of Chicago
Other namesManungal
Major cult centerNippur
Genealogy
ParentsEreshkigal and Anu
ConsortBirtum
ChildrenDullum
Equivalents
DilbatNinegal

Nungal (Sumerian: 𒀭𒎏𒃲 dNun-gal, "great princess"), also known as Manungal and possibly Bēlet-balāṭi, was the Mesopotamian goddess of prisons, sometimes also associated with the underworld. She was worshiped especially in the Ur III period in cities such as Nippur, Lagash and Ur.

Her husband was Birtum, and she was regarded as a courtier and daughter in law Enlil. Texts also associate her with deities such as Ereshkigal, Nintinugga and Ninkasi.

Much of the available information about her role in Mesopotamian beliefs comes from a Sumerian hymn which was a part of the scribal curriculum in the Old Babylonian period.

Name

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Nungal's name means "Great Princess" in Sumerian.[1] A plural form of the name attested in some documents can be regarded as analogous to one of the collective terms for Mesopotamian deities, Igigi.[1]

An alternate form of the name, Manungal, was possibly a contraction of the phrase ama Nungal, "mother Nungal."[1] It is first attested in documents from the Ur III period, while in later times it commonly appears in place of the base form in texts written in Akkadian or in the Emesal dialect of Sumerian.[1] A number of variant spellings of the name are attested in sources from Ugarit, for example dNun-gal-la, dMa-ga-la, dMa-nun-gal-la or dMa-nun-gal-an-na.[2]

In the hymn Nungal in the Ekur, and in a fragment of an otherwise unknown composition, Ninegal functions as an epithet of Nungal.[3] This name is otherwise attested either as an epithet of various goddesses, especially Inanna,[4] or as an independent minor deity, associated with royal palaces.[5]

It is possible that Bēlet-balāṭi, "mistress of life," a goddess known from sources from the first millennium BCE, was a late form of Manungal.[6]

Character

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Jeremiah Peterson describes punishment and detention as the primary domain of Nungal.[7] Her character is described in the hymn Nungal in the Ekur, known from a large number of Old Babylonian copies[8] thanks to its role in the scribal school curriculum.[9] Miguel Civil proposed that it was originally composed by a scribe accused of a crime which would warrant a severe penalty.[9] It describes the fate of those who find themselves under the auspice of Nungal.[10] According to this composition, the prison maintained by this goddess separates the guilty from the innocent, but also gives the former a chance to be redeemed, which is metaphorically compared to refining silver and to being born.[11] The text likely reflected views about the idealized purpose and results of imprisonment, a punishment well attested in Mesopotamian records.[12] The use of temporary imprisonment as part of the judicial process meant to help with determining if a person is guilty is also attested in the Code of Ur-Nammu.[13]

Despite being the goddess of prisons, Nungal was regarded as a compassionate deity.[14] Imprisonment was presumably viewed as compassionate compared to the death penalty,[14] and it is likely that the goddess was regarded as capable of reducing the most severe punishments.[7] She was also portrayed in various less fearsome roles, for example as a goddess of justice or as one associated with medicine and perhaps birth.[15]

Nungal was also an underworld goddess, as evidenced by her association with Ereshkigal and by the epithet Ninkurra, "lady of the underworld," applied to her in incantations.[7]

Worship

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Wilfred G. Lambert proposed that originally Manungal and her spouse Birtum were worshiped in a presently unknown city which declined in the third millennium BCE, leading to the transfer of its tutelary deities to Nippur.[16] An analogous process likely occurred also when it comes to other deities, such as Nisaba, whose cult was transferred from Eresh, which disappears from records after the Ur III period, to Nippur.[17]

While Nungal is already attested in the Early Dynastic god list from Fara,[1] worship of her is best attested in the Ur III period, when she was worshiped in Lagash, Nippur, Umma, Susa, Ur and possibly Uruk.[15] In Nippur she was worshiped as one of the deities belonging to the court and family of Enlil,[18] while in Ur she received offerings as one of the members of the circle of Gula instead.[19] A single attestation of Nungal receiving offerings in an Inanna temple, alongside Anu, Ninshubur, Nanaya, Geshtinanna and Dumuzi is known too.[20] There are also records of offerings being made to her alongside Inanna, Ninegal and Annunitum.[21]

According to Miguel Civil, it is unlikely that the Ekur mentioned in the Hymn to Nungal was one and the same as the temple of Enlil in Nippur, contrary to early assumptions in scholarship.[22] Other locations proposed for it include the Egalmah temple in Ur, or the city of Lagash.[3]

In the Old Babylonian period she was also worshiped in Sippar, where she had a temple, as well as a city gate named in her honor,[21] and possibly in Dilbat.[23] In the last location there was a temple known as Esapar, "house of the net," dedicated to Ninegal.[24] However, in a document listing various temples Esapar is instead said to be the name of a temple of Nungal, with no location listed.[23] Due to the existence of a well attested association between these two goddesses it is possible that there was only one Esapar.[23]

Under the name Bēlet-balāṭi Nungal continued to be worshiped in Nippur in the first millennium BCE, for example in the temple of the local goddess Ninimma.[6] She is also attested in sources linked to Babylon, Borsippa, Der and Uruk.[25] According to an economic document from the late first millennium BCE, in the last of those cities she was worshiped in the temple Egalmah (Sumerian: "exalted palace"), which instead appears in association with Ninisina in an inscription of king Sîn-kāšid from the Old Babylonian period.[26] In the so-called "Standard Babylonian" version of the Epic of Gilgamesh it is described as a temple of Ninsun.[26] According to Andrew R. George, it is possible to reconcile the different accounts by assuming all three of these goddesses were connected with Gula and possibly functioned as her manifestations.[26]

Theophoric names invoking Nungal are known from records from the Ur III period, one example being Ur-Manungal.[21]

Associations with other deities

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Nungal's spouse was Birtum, whose name means "fetter" or "shackle" in Akkadian.[15] While the word is grammatically feminine, the deity was regarded as male.[15] Birtum also appears among underworld gods linked to Nergal in god lists.[15] As Nungal is called a daughter in law of Enlil, Birtum was likely his son.[27] Nungal was also called the "true stewardess of Enlil," agrig-zi-dEn-lil-lá.[28] In the god list An = Anum the deity Dullum, whose name has been translated as "serfdom" ("Frondienst") by Antoine Cavigneaux and Manfred Krebernik, appears as Nungal's son.[15] According to the Hymn to Nungal, her mother is Ereshkigal,[7] while her father is Anu, though it is possible the later statement is not literal.[29]

Various courtiers of Nungal are attested in Sumerian and Akkadian texts. Her sukkal (attendant deity) was Nindumgul ("lady/lord mooring pole"[30]), possibly regarded as a female deity.[15] She appears to play the role of a prosecutor in the Hymn to Nungal.[30] Another of her courtiers was Igalimma, a god who originated as a son of Ningirsu in the pantheon of Lagash.[28] The deity Eḫ (Akkadian: Uplum), a deification of the louse, also appears in her circle, for example in the Nippur god list.[31] It is also assumed that the goddess Bizila, associated with the love goddess Nanaya, occurs in the court of Nungal in some sources too,[15] though Jeremiah Peterson considers it possible that there might have been two deities with similar names, one associated with Nungal and the other with Nanaya.[32]

In the Isin, An = Anum and Weidner god lists Nungal is classified as one of the underworld deities.[33] A fragmentary literary texts associates her with Nintinugga and Ereshkigal.[34] With the exception of Nungal in the Ekur and this fragment she is very rare in known works of Mesopotamian literature.[7] The Weidner god list places the beer deities Ninkasi and Siraš between Maungal and Laṣ, the wife of Nergal, who was also a deity associated with the underworld.[35] Similarly, the goddess dKAŠ.DIN.NAM, most likely to be read as Kurunnītu,[36] who is assumed to be a late form of Ninkasi[37] appears in association with Bēlet-balāṭi.[6] It has been proposed that the possible connection between beer and underworld deities was meant to serve as a reflection of negative effects of alcohol consumption.[38]

The text Nin-Isina and the Gods appears to syncretise Nungal with the eponymous goddess.[39] Similarly, Bēlet-balāṭi is attested as a form or member of the entourage of another medicine goddess, Gula.[40]

Nungal appears in the description of a cultic journey of Pabilsag to Lagash.[41] It has been proposed that he was associated with her as a judge deity, but it is also possible that he acquired a connection to the underworld because of her.[42]

References

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from Grokipedia
Manungal, also known as Nungal (Sumerian: dNun-gal, meaning "great princess"), was a Mesopotamian primarily associated with prisons, , and aspects of the , revered in Sumerian, Babylonian, and Akkadian traditions as a compassionate yet authoritative figure who oversaw the , purification, and rehabilitation of wrongdoers. As the daughter of the sky god An and the ruler , she embodied a dual role of mercy and inescapable judgment, distinguishing the righteous from the wicked and ensuring that prisons served not only as sites of confinement but also as "houses of life" where detainees could be cleansed of sins and restored to society. Her primary cult center was her temple in , described in ancient texts as a formidable structure akin to a netherworld mountain, functioning as both a and a judicial where she wielded powers over oaths, trials, and the river ordeal for determining guilt. Manungal was often invoked as a who tempered severe punishments with , polishing the impure "clean like silver" through suffering and offering rebirth to the just, reflecting early Mesopotamian concepts of as a corrective and transformative process dating back to the third or second millennium BCE. Associated with deities such as , Utu (the sun god of ), and her superintendent Ig-alim, she held epithets like "powerful whose aura covers heaven and earth" and was sometimes linked to life-giving roles, including assistance in , underscoring her broader influence on moral order and renewal. The most detailed portrayal of Manungal appears in the Hymn to Nungal, a Sumerian composition from around 2000–1600 BCE, which praises her vigilance, her control over evildoers via a symbolic "neck-stock," and her ultimate authority in the cosmic balance of equity.

Names and Etymology

Primary Designations

The Sumerian name for the goddess is dNun-gal, rendered in as 𒀭𒉣𒃲 and meaning "great princess" or "royal lady," which underscores her position of authority within the Mesopotamian pantheon. A common variant, Manungal, attested from the Ur III period, incorporates a prefix that emphasizes her motherly or nurturing qualities in her divine role. In Akkadian traditions, she is equated with names such as Bēlet-balāṭi ("Lady of Life"), evoking themes of redemption and post-punishment survival.

Variant Names and Interpretations

In Sumerian texts, the goddess is primarily designated as Nungal, meaning "great princess" or "royal lady," reflecting her authoritative status in the divine hierarchy. A variant form, Manungal, appears in certain hymns and inscriptions, often in contexts that highlight her maternal and merciful qualities, such as protective oversight in judicial settings. In Akkadian traditions, Manungal has been tentatively identified with Bēlet-balāṭi, literally "lady of ," suggesting a role as patroness of preservation within , where she ensured the of inmates under her domain. This identification arises from Neo-Babylonian cultic evidence at sites like and , where the appears in association with and deities. Scholarly interpretations of this link vary, with some proposing that Bēlet-balāṭi reflects a dimension through the term balāṭi (), potentially merging Manungal's punitive oversight with restorative mercy in incarceration. However, most sources maintain her core function as punitive, tied to judgment and confinement rather than broad medical patronage, distinguishing her from major goddesses like Gula. This debate underscores cultural adaptations in Akkadian contexts, where her symbolism occasionally evokes themes of tempered justice. Manungal receives rare but significant attestation as a figure in Babylonian god lists, notably in , where she is enumerated among authorities with epithets denoting judicial authority. These entries, from the late second millennium BCE, position her within the pantheon's chthonic divisions, reinforcing her interpretive role without extensive narrative elaboration.

Mythological Role

Goddess of Prisons and Justice

Manungal, also known as Nungal, served as the primary Sumerian goddess overseeing and the , functioning as the divine responsible for the incarceration and judgment of offenders. In this capacity, she governed the Ekur prison located in the city of , a central institution depicted as a formidable structure under her direct authority where detainees were held pending divine verdict. Her role emphasized the enforcement of earthly order through confinement, ensuring that the guilty faced retribution while upholding principles of fairness in Sumerian legal and moral frameworks. The under Manungal's domain symbolized a site of and detention, often portrayed as a "jail of the gods" and an "august neck-stock of and ," evoking images of unyielding restraint that battered enemies and secured the against chaos. This institution represented not merely punishment but a controlled space for moral containment, where the of wrongdoers served to protect , with provisions for the eventual release or transformation of those deemed worthy. Through her oversight, the embodied measured severity, balancing the severity of binding the unjust with the potential for redemption among the righteous. Key attributes of Manungal included her possession of the "tablet of life," a divine artifact she held to record and decide the of individuals, inscribing the just upon it to affirm their eligibility for reprieve. This instrument underscored her role in tempering punishments with discernment, ensuring that penalties were proportionate and aligned with cosmic equity rather than indiscriminate harshness. Her interventions were characterized by a judicious restraint, preventing excessive cruelty while maintaining the prison's role as a purifying mechanism. In the judicial process, Manungal distinguished truth from falsehood by interrogating detainees and evaluating their cases, thereby separating the guilty from the innocent through infallible divine insight. Upon rendering judgment, she imposed penalties such as binding the evildoers in a "painful grip" to enforce their detention or ordering the release of the just, often granting them rebirth as a form of rehabilitation. This process highlighted her as an impartial arbiter, integral to the Sumerian conception of justice as a divine mechanism for societal harmony.

Underworld Judge and Merciful Aspects

In Mesopotamian mythology, Manungal, also known as Nungal, is depicted as a chthonic deity residing in the netherworld, or Kur, where she serves as a judge among the divine assembly. Her abode, described as the "prison, jail of the gods," is situated in this subterranean realm, and she is closely associated with Ereshkigal, the queen of the underworld, who allots her divine powers and designates her domain on the mountain from which the sun god Utu emerges. As a judge, Manungal distinguishes between the true and the false, overseeing the fate of souls or the accused in divine courts, particularly through mechanisms like the river ordeal, where she separates the just from evildoers. Manungal's merciful traits are prominently highlighted in ancient hymns, portraying her as a compassionate arbiter who grants protection and rebirth to the righteous. She is invoked as the "life-giving lady" who holds the tablet of life, registering the just upon it and snatching them from destruction, thereby averting total annihilation for those who merit redemption. This redemptive quality underscores her role in soothing hearts and tempering severe fates, emphasizing compassion as a core aspect of her character: "Mercy and compassion are mine. I frighten no one." Her dual nature balances punitive authority with benevolence, as she binds and punishes evildoers while extending mercy to the innocent, wielding control over the powers of both and . In this capacity, Manungal enforces oaths and ordeals under Utu's oversight, ensuring justice in the without descending into unrelenting harshness. This equilibrium reflects her position as a guardian who protects the worthy, fostering a nuanced portrayal of underworld .

Family and Divine Relationships

Parentage and Lineage

In Mesopotamian mythology, Manungal, also known as Nungal, is identified as the daughter of the sky god An, which endows her with celestial authority over divine decrees and order. Her mother is , the queen of the underworld, establishing a direct connection to the chthonic realms and their associated themes of judgment and the . This parentage is explicitly stated in the Hymn to Nungal, where the goddess proclaims, "An has determined a fate for me, the lady; I am the daughter of An. [...] My own mother, Ereckigala, has allotted to me her divine powers." Manungal occupies a mid-tier position in the hierarchical Mesopotamian pantheon, as evidenced by her placement in major god lists such as . In this canonical list, she appears in Tablet V, lines 192-194, within sections cataloging and judicial , reflecting her inherited roles that blend An's overarching authority with Ereshkigal's dominion over subterranean judgment. This genealogical positioning underscores her as a specialized bridging heavenly and infernal domains, without ascending to the uppermost echelon of the pantheon reserved for primordial gods like An and . Additionally, Manungal holds honorific ties to , the chief god of the earthly sphere, being described as his daughter-in-law through her consort and as the "true stewardess of ," implying a functional lineage under his oversight. In the Hymn to Nungal, she affirms, " too has provided me with an eminent fate, for I am his daughter-in-law. [...] I am the lady, the true stewardess of ; he has heaped up possessions for me." This relationship highlights her administrative and custodial roles within the divine hierarchy, derived from her ancestral connections.

Consort, Offspring, and Kinship Ties

Manungal's primary consort was the Birtum, an underworld deity whose name derives from the Akkadian term for "fetter" or "shackle," symbolizing restraint and judicial bondage that complemented her oversight of prisons. In the Hymn to Nungal, she describes Birtum as her "very strong" spouse residing with her in the divine house, underscoring their partnership in administering detention and within the underworld domain. No offspring are attested for Manungal in known sources. This marital alliance reinforced Manungal's role in balanced retribution, as Birtum's association with binding mechanisms aided in the enforcement of her verdicts. Through her marriage to Birtum, Manungal held the honorific status of daughter-in-law to , the chief god of the pantheon, who endowed her with authoritative powers over heaven and earth. The Hymn to Nungal explicitly states that provided her with an eminent fate as his daughter-in-law, positioning her as a trusted in the divine . This kinship tie elevated her administrative influence in the , integrating her judicial functions with broader cosmic order under Enlil's patronage. Extended linked Manungal to Inana (Ištar) as her niece, given that Manungal's , Ereškigal, was Inana's ; this familial connection highlighted shared themes of mercy amid punitive roles, with both goddesses exhibiting compassionate interventions in divine judgments. Overall, these relational bonds—spousal, in-law, and collateral—facilitated collaborative governance, where family members supported mechanisms of and occasional clemency to maintain equitable divine rule.

Worship and Cult Practices

Major Cult Centers and Temples

Manungal's primary cult center was in the city of , where her temple was described in ancient texts as a formidable structure called Ekur, embodying her authority over confinement and judicial retribution. This architectural description underscored the sacred and punitive dimensions of her domain, transforming the temple into a symbolic nexus of divine justice. Veneration extended to several other Mesopotamian cities, including , where she received localized worship alongside major deities. In Dilbat, her shrine known as Esapar, or "House of the Net," served as a focal point for rituals tied to her netherworld attributes, potentially linked to the broader temple of Uraš. Shrines and gates dedicated to Manungal also appeared in , reflecting her inclusion in the local pantheon, and in , where a prominent Nungal-gate marked urban spaces associated with oaths and judgment. Manungal's cult reached its height during the Neo-Sumerian period, particularly under the Ur III dynasty (ca. 2112–2004 BCE), when administrative documents highlight state-sponsored support for her judicial cult. These records portray her sanctuaries as essential to royal legitimacy and the maintenance of order.

Historical Evidence and Hymns

The earliest attestations of Manungal, also known as Nungal, appear in texts from the Early Dynastic IIIa period (c. 2600–2350 BCE), with a single reference recorded in lexical materials. Her worship continued into the Ur III period (c. 2112–2004 BCE), where she is mentioned once in administrative documents likely related to temple or judicial functions. The majority of references, however, date to the Old Babylonian period (c. 2000–1600 BCE), with 23 known occurrences in various texts, indicating a peak in her cultic recognition during this era. Archaeological evidence for Manungal's veneration emerges from excavations at major Mesopotamian sites, including and . In , Old Babylonian god lists from the University Museum, Philadelphia, classify her among underworld deities, underscoring her role in divine hierarchies. Votive inscriptions and related artifacts from these sites further mention her in contexts of dedication and ritual offering, though specific examples are sparse compared to major deities. Such finds, recovered through systematic digs by institutions like the , provide material corroboration of her presence in scribal and religious practices. The primary literary source preserving Manungal's attributes is the Hymn to Nungal, a Sumerian composition known from multiple Old Babylonian copies dated c. 2000–1600 BCE. This anonymous hymn, part of the Sumerian literary tradition, portrays her as a compassionate who presides over prisons, distinguishing the righteous from the wicked and granting to those who repent. It describes her domain as a place of purification and rebirth, where she oversees ordeals and enforces with benevolence, reflecting her in and rehabilitation. These hymns held ritual significance in temple ceremonies, particularly for invoking Manungal's mercy in legal and judicial matters, such as during interrogations or trials involving confinement. Texts like the Hymn to Nungal were likely recited to petition her intervention, emphasizing her as a divine arbiter who could transform into redemption.

Associations with Other Deities

Manungal maintained a significant functional connection to , the chief god of the Mesopotamian pantheon, as the stewardess of his court in the Ekur temple at , where her associated enforced earthly under his decree. In the Hymn to Nungal, bestows upon her an eminent fate and accumulates possessions for her within the Ekur, affirming her role in upholding his authority over human affairs and moral order. Her integration into the chthonic hierarchy is evident through shared underworld authority with , with whom she forms a mother-daughter duo overseeing the realm of the dead and ensuring its orderly governance. The Hymn to Nungal describes allotting her divine powers pertaining to the netherworld, enabling Manungal to establish her dais there and administer judgments that extend from the earthly to the subterranean domain. Manungal collaborated thematically with Utu, the sun god embodying and truth, in the adjudication of oaths and river ordeals, as her house is portrayed as the "river of the ordeal which leaves the just ones alive" and situated on the "mountain where Utu rises." This linkage highlights her role in divine verdict processes, where Utu's illuminating presence complements her capacity to discern and punish evildoers while sparing the righteous. Manungal exhibited merciful and life-affirming attributes in tandem with Inana and Nintud, goddesses associated with , , and , respectively, as she declares herself Inana's heart's joy and assists Nintud in childbirth by knowing how to cut the . These associations underscore her broader integration into the pantheon, blending punitive justice with compassionate intervention in human life cycles.

Attendants and Subordinate Figures

In Mesopotamian mythology, the goddess Nungal (also known as Manungal) is depicted with a divine court of attendants and subordinate figures, particularly in her role as warden of the prison and judge in the . These entities assist her in maintaining order, prosecuting offenders, and executing judgments within her domain, the E-kur prison at . The primary source detailing her entourage is the Hymn to Nungal (c. 2000–1600 BCE), a Sumerian composition that enumerates her helpers as integral to the operations of her "." Among her key subordinates is Ig-alim, identified as her and described as the "neck-stock of my hands," symbolizing his role in restraining and managing captives while overseeing the household affairs of her prison. Nindimgul serves as her , or divine attendant and , functioning as the chief who "stretches out his arm in accusation" against evildoers, sentencing them while sometimes sparing them from immediate destruction to allow for rehabilitation. This figure, whose name means "lady/lord of the mooring pole," underscores themes of binding and detention central to Nungal's authority. Additional attendants include Ninḫarana, a messenger who brings intelligence and presents cases directly to Nungal for . The court also features unnamed guardians and protective goddesses who safeguard the prison's precincts, ensuring no escape or intrusion occurs. Practical roles are filled by figures such as the chief barber, who may handle or marking of prisoners, and Nezila, an assistant in administrative duties. These subordinate figures collectively embody Nungal's merciful yet firm , blending prosecutorial, custodial, and protective functions to rehabilitate the wicked rather than solely destroy them, as emphasized in her hymnal praises.
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