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Martin Jay
Martin Evan Jay (born May 4, 1944) is an American intellectual historian whose research interests connect history with Frankfurt School critical theory, social theory, cultural criticism, visual culture, and historiography.
He is the Sidney Hellman Ehrman Professor of History Emeritus at UC Berkeley, where he taught for 45 years, co-founded (with Judith Butler) the Designated Emphasis in Critical Theory (2007–2016). He was elected to the American Academy of Arts and Sciences (1996) and American Philosophical Society (2019), received the American Historical Association’s Award for Scholarly Distinction (2018) and was awarded an Honorary Doctorate from Bard College (2018).
Conferences on his work were held at the University of Wrocław (2010), the University of California, Berkeley (2016), Ritsumeikan University, Kyoto (2018), Queen Mary College, London (2018), and the University of Pennsylvania (2024). A Festschrift, The Modernist Imagination, was published in 2009.
Jay is a graduate of Bronx High School of Science (1961). He earned a BA from Union College in 1965 and spent his junior year abroad at the London School of Economics. He completed his Ph.D. at Harvard (1971) under H. Stuart Hughes; his dissertation became The Dialectical Imagination (1973), a prize-winning account of the Frankfurt School. At Berkeley, he became close with Leo Lowenthal, the last surviving member of the School’s first generation, who aided his research.
Jay continued exploring the Frankfurt School through major works on Adorno (1984), Reason after Its Eclipse (2016), Splinters in Your Eye (2021), Immanent Critiques (2023), and three edited volumes for Japanese readers.
He expanded his scope to the intellectual migration from Nazi Germany (Permanent Exiles, 1985; Kracauer l’exilé, 2014) and Western Marxism (Marxism and Totality, 1984), including extensive discussions of Jürgen Habermas. His engagement with French post-structuralism led to Downcast Eyes (1993), recognized as a seminal text in the study of visual culture, and the widely cited essay, "Scopic Regimes of Modernity" (1987).
His book Songs of Experience (2004) examined the role of "experience" in scientific, religious, historical, political and aesthetic discourses in Europe and America, while The Virtues of Mendacity (2010) tackled lying in politics. It drew on Hannah Arendt, and defended the inevitability of strategic deception even in democracies against the search for a monolithic truth; so long as it doesn't escalate into the "big lie."[citation needed]
Jay contributed to methodological debates in intellectual history in Cultural Semantics (1998) and Genesis and Validity (2022).
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Martin Jay
Martin Evan Jay (born May 4, 1944) is an American intellectual historian whose research interests connect history with Frankfurt School critical theory, social theory, cultural criticism, visual culture, and historiography.
He is the Sidney Hellman Ehrman Professor of History Emeritus at UC Berkeley, where he taught for 45 years, co-founded (with Judith Butler) the Designated Emphasis in Critical Theory (2007–2016). He was elected to the American Academy of Arts and Sciences (1996) and American Philosophical Society (2019), received the American Historical Association’s Award for Scholarly Distinction (2018) and was awarded an Honorary Doctorate from Bard College (2018).
Conferences on his work were held at the University of Wrocław (2010), the University of California, Berkeley (2016), Ritsumeikan University, Kyoto (2018), Queen Mary College, London (2018), and the University of Pennsylvania (2024). A Festschrift, The Modernist Imagination, was published in 2009.
Jay is a graduate of Bronx High School of Science (1961). He earned a BA from Union College in 1965 and spent his junior year abroad at the London School of Economics. He completed his Ph.D. at Harvard (1971) under H. Stuart Hughes; his dissertation became The Dialectical Imagination (1973), a prize-winning account of the Frankfurt School. At Berkeley, he became close with Leo Lowenthal, the last surviving member of the School’s first generation, who aided his research.
Jay continued exploring the Frankfurt School through major works on Adorno (1984), Reason after Its Eclipse (2016), Splinters in Your Eye (2021), Immanent Critiques (2023), and three edited volumes for Japanese readers.
He expanded his scope to the intellectual migration from Nazi Germany (Permanent Exiles, 1985; Kracauer l’exilé, 2014) and Western Marxism (Marxism and Totality, 1984), including extensive discussions of Jürgen Habermas. His engagement with French post-structuralism led to Downcast Eyes (1993), recognized as a seminal text in the study of visual culture, and the widely cited essay, "Scopic Regimes of Modernity" (1987).
His book Songs of Experience (2004) examined the role of "experience" in scientific, religious, historical, political and aesthetic discourses in Europe and America, while The Virtues of Mendacity (2010) tackled lying in politics. It drew on Hannah Arendt, and defended the inevitability of strategic deception even in democracies against the search for a monolithic truth; so long as it doesn't escalate into the "big lie."[citation needed]
Jay contributed to methodological debates in intellectual history in Cultural Semantics (1998) and Genesis and Validity (2022).
