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Mike Werb
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Mike Werb is an American screenwriter, whose writing credits include Face/Off,[1] The Mask and the story for Lara Croft: Tomb Raider.
Key Information
A Los Angeles native, Werb attended Stanford. He is a UCLA Film School graduate.
He has worked as a collaborator with Michael Colleary.[1] The duo won a Saturn Award for Best Writing for Face/Off in 1998. They previously worked on projects "Top Ten", "Stretch Armstrong" and "King's Ransom" (the latter one for director John Woo), but none of these films were produced. He is the creator of Unnatural History.
Credits
[edit]Film
[edit]| Year | Film | Credit | Notes |
|---|---|---|---|
| 1989 | Food of the Gods 2 | Screenplay by | Co-wrote screenplay with Richard Bennett, based on a story by Richard Bennett; as E. Kim Brewster |
| The Secret of the Ice Cave | Written by | As Michael Werb | |
| 1991 | The Human Shield | Story by | Co-wrote story with Mann Rubin |
| The Disco Years | Story editor | Short film | |
| 1994 | The Mask | Screenplay by | Based on a story by Michael Fallon and Mark Verheiden |
| 1996 | Darkman III: Die Darkman Die | Written by | Co-wrote with Michael Colleary |
| 1997 | Things That Go Bump | Written by, supervising producer | |
| Face/Off | Written by, co-producer | ||
| 2001 | Lara Croft: Tomb Raider | Story by | Co-wrote story with Michael Colleary and Sara B. Cooper |
| 2006 | Curious George | Story by | Co-wrote with Ken Kaufman |
| 2007 | Firehouse Dog | Written by, producer | Co-wrote with Claire-Dee Lim & Michael Colleary |
| 2009 | Tekken | Uncredited script work[2] | Co-wrote with Michael Colleary |
Television
[edit]The numbers in writing credits refer to the number of episodes.
| Title | Year | Credited as | Network | Notes | ||
|---|---|---|---|---|---|---|
| Creator | Writer | Executive Producer | ||||
| Tarzan | 2003 | Developer | Yes (1) | No | The WB | |
| Unnatural History | 2010 | Yes | Yes (5) | Yes | Cartoon Network | |
| Extant | 2015 | No | Yes (1) | No | CBS | consulting producer (3 episodes) |
| Salvation | 2017–18 | No | Yes (3) | No | CBS | consulting producer (19 episodes) |
References
[edit]- ^ a b Maslin, Janet (June 27, 1997). "Good and Evil Trade Places, Body and Soul". The New York Times.
- ^ Harris, Dana (May 16, 2005). "Screen Gems Taps Tekken". Variety. Retrieved August 23, 2020.
External links
[edit]
Mike Werb
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Early life and education
Upbringing in Los Angeles
Mike Werb was born and raised in Los Angeles, California, where he grew up immersed in the city's vibrant cultural landscape as a native resident.[3] During his teenage years in Los Angeles, Werb faced significant personal challenges, including a rapid growth spurt from 5 feet 4 inches to 5 feet 10 inches in a single year while weighing only 90 pounds, which left him with stretch marks and contributed to feelings of awkwardness and social isolation.[3] He later described himself as a "teen-age geek" and "loser," enduring nicknames like "The Worm" or "The Whip" from peers, experiences that profoundly shaped his empathy for underdog characters in his screenwriting.[3] Details about Werb's family life remain scarce in public records, highlighting his characteristically private demeanor regarding personal matters.[1] This early period in Los Angeles laid the groundwork for his creative interests before transitioning to formal education at Stanford University.Academic pursuits
Werb pursued his undergraduate education at Stanford University, where he earned degrees across multiple disciplines, reflecting his broad and eclectic interests.[1] This varied academic path at Stanford, involving majors in one subject after another, underscored Werb's creative inclinations and set the stage for his specialization in storytelling and the arts.[1][4] Following his time at Stanford, Werb advanced his training in the film industry by enrolling in the graduate program at the UCLA School of Theater, Film and Television, from which he received a Master's degree in screenwriting in 1987.[2] During his studies at UCLA, he won the Jack Nicholson Screenwriting Award.[2] At UCLA, he acquired practical skills in screenwriting and production, including script development and narrative techniques, which directly honed his abilities for professional storytelling.[4] This focused graduate education bridged his diverse undergraduate background to a targeted career in screenwriting, providing the technical foundation essential for entering Hollywood's competitive landscape.[4]Career
Early screenwriting efforts
Mike Werb's entry into screenwriting was marked by determination following his graduation from UCLA's film school, where he honed foundational skills in narrative structure and storytelling. Emerging in the late 1980s as a newcomer to Hollywood, Werb navigated the competitive industry through persistence and odd jobs, including errands and minor script-related tasks, while seeking opportunities to break in.[5] His first credited screenplay came in 1989 with the low-budget horror film Food of the Gods II, co-written with Richard Bennett under the pseudonym E. Kim Brewster and based on Bennett's story. The film, directed by Damian Lee and produced by Roger Corman, depicted giant rats terrorizing a research institute after a scientific mishap, but Werb later reflected on it as a "strange experience" that was "not good," emphasizing its role as his initial professional credit amid financial hardships. This project exemplified the challenges of early Hollywood for aspiring writers, where low-paying gigs and uncredited contributions to script development were common as newcomers built portfolios.[6][5][7] That same year, Werb contributed to another lesser-known production, The Secret of the Ice Cave, a science fiction adventure directed by Radu Gabrea, where he received writing credit as Michael Werb. The film followed a group discovering extraterrestrial secrets in Antarctica, representing an early exploration of speculative genres that would later define his career. These initial efforts, produced under tight constraints, underscored Werb's struggles with rejection and instability, including periods of pennilessness after leaving prior academic pursuits, yet they laid the groundwork for his persistence in the industry.[8][5]Breakthrough collaborations
Mike Werb's breakthrough in Hollywood came through his screenplay for The Mask (1994), a dark comedy starring Jim Carrey as a mild-mannered bank clerk transformed by a magical artifact into a zany, cartoonish antihero.[9] The film blended slapstick humor with supernatural elements, drawing from the Dark Horse Comics series, and became a major commercial hit, grossing over $351 million worldwide on an $18 million budget.[10] This success established Werb as a versatile writer capable of genre fusion, setting the stage for his subsequent high-profile partnerships.[2] Werb's most enduring collaborations began in the early 1990s with Michael Colleary, a fellow UCLA film school alumnus whom he met during their studies.[11] The duo's creative process emphasized bold, high-concept premises that merged science fiction with action, often iterating through multiple drafts to refine character dynamics and visual spectacle.[12] Their first joint spec script, Face/Off (1997), co-written in 1990 and later directed by John Woo, exemplified this approach by innovating the action-thriller genre through a premise of facial transplant surgery allowing an FBI agent (John Travolta) and terrorist (Nicolas Cage) to swap identities.[2] Werb and Colleary worked closely with Woo during production, incorporating storyboard revisions to heighten balletic gunfights and emotional reversals, resulting in a film that grossed $245 million globally and redefined identity-swapping tropes in cinema.[12][13] Building on this momentum, Werb and Colleary contributed the story for Lara Croft: Tomb Raider (2001), adapting the iconic video game franchise into a globe-trotting adventure starring Angelina Jolie as the archaeologist-heroine.[14] Their narrative focused on ancient artifacts and familial secrets, blending pulp action with puzzle-solving elements to capture the game's exploratory essence, though the final screenplay was expanded by others.[15] The film achieved significant box-office success, earning $275 million worldwide despite mixed reviews, and helped pioneer the adaptation of gaming properties into blockbuster cinema.[16] These partnerships highlighted Werb's skill in co-developing scalable, effects-driven stories that prioritized visceral thrills and commercial appeal.[17]Television and later projects
In the early 2000s, Mike Werb shifted his focus toward television, serving as a developer and story contributor for the 2003 Tarzan series on The WB, a modern adaptation of Edgar Rice Burroughs' classic tale set in New York City that reimagined the jungle hero as part of a mystery-driven narrative.[18] The short-lived project, which aired eight episodes, marked Werb's entry into TV development alongside collaborators Eric Kripke and Michael Colleary.[1] Werb created and executive produced Unnatural History, a live-action adventure series that premiered on Cartoon Network in 2010, centering on a teenage protagonist who applies unconventional skills learned from his globetrotting anthropologist parents to solve mysteries in Washington, D.C.[19][20] The show, which ran for one season of 13 episodes, blended action, humor, and educational elements, drawing on Werb's experience with high-concept storytelling from his film work.[1] Later in the decade, Werb took consulting producer positions on science fiction series, including Extant in 2015 on CBS, where he contributed to scripting for three episodes exploring artificial intelligence and human evolution, and Salvation from 2017 to 2018, also on CBS, involving 19 episodes focused on an asteroid threat and global conspiracy. These roles allowed Werb to infuse TV projects with speculative elements akin to his earlier blockbuster scripts. Parallel to his TV endeavors, Werb continued in film with the story credit for the animated feature Curious George (2006), co-written with Ken Kaufman, which followed the mischievous monkey's adventures in a live-action/animation hybrid produced by Universal and Imagine Entertainment. He also acted as producer and co-writer (with Claire-Dee Lim and Michael Colleary) for the family-oriented action-comedy Firehouse Dog (2007), about a Hollywood pooch who joins a fire station and aids in solving a mystery. Werb's unproduced efforts included script work on King's Ransom, a heist thriller rewrite developed for director John Woo in the late 1990s, featuring a jewel thief love triangle.[21] Other undeveloped projects encompassed concepts like Top Ten and Stretch Armstrong, reflecting his interest in genre-driven action and adaptation properties.Awards and honors
Saturn Award recognition
Mike Werb shared the Saturn Award for Best Writing with his collaborator Michael Colleary for the screenplay of Face/Off (1997), presented at the 24th annual Saturn Awards on June 10, 1998.[22] The award, given by the Academy of Science Fiction, Fantasy and Horror Films, honors excellence in screenwriting for genre films, including science fiction, fantasy, and horror.[23] Werb and Colleary's script was recognized for its inventive fusion of high-stakes action and psychological thriller elements, centered on a groundbreaking sci-fi premise that elevated the film's status within the genre.[24] This win underscored their contribution to one of the decade's standout action spectacles, praised for revitalizing the form through dynamic character interplay and narrative tension.[25]Other accolades
Werb's screenplay for The Mask (1994) received a nomination for the Hugo Award for Best Dramatic Presentation at the 1995 World Science Fiction Convention, recognizing its adaptation of the Dark Horse comic into a fantasy-comedy blockbuster.[26] The film's screenplay contributed to its status as a commercial phenomenon, grossing over $351 million worldwide against a $23 million budget and earning praise for revitalizing the superhero genre in the mid-1990s.[27] In addition to the Saturn Award for Face/Off, which marked a career highlight in action screenwriting, Werb's body of work in genre films led to his election to the Writers Branch of the Academy of Motion Picture Arts and Sciences. Werb serves on the Nomination Committee for the Writing category of the Academy of Science Fiction, Fantasy and Horror Films.[28] His story contributions to Lara Croft: Tomb Raider (2001) supported one of the earliest major video game-to-film adaptations, influencing subsequent efforts in the emerging franchise genre.Filmography
Feature films
Mike Werb's contributions to feature films span writing, story development, and production roles across various genres, from horror to action and family-oriented stories. His credited works, listed chronologically below, highlight key projects in his screenwriting career.| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1989 | Food of the Gods 2 | Writer (screenplay, co-written with Richard Bennett) | Damian Lee | Credited under pseudonym E. Kim Brewster; Werb later disavowed due to script changes during 1988 Writers Guild strike.[29] |
| 1991 | The Human Shield | Story (co-written with Mann Rubin) | Ted Post | Early action film from first pitch sold to Cannon Pictures.[30] |
| 1994 | The Mask | Screenplay (co-written with Michael Colleary) | Chuck Russell | Adapted from the Dark Horse comic; the film grossed over $351 million worldwide, establishing Werb's breakthrough in comic book adaptations. |
| 1997 | Face/Off | Screenplay (co-written with Michael Colleary) | John Woo | High-concept action thriller that earned critical acclaim for its innovative premise. |
| 2001 | Lara Croft: Tomb Raider | Story (co-written with Sara B. Cooper and Michael Colleary) | Simon West | Video game adaptation starring Angelina Jolie; screenplay by others.[31] |
| 2006 | Curious George | Story (co-written with Ken Kaufman) | Matthew O'Callaghan | Animated family film based on the children's book series. |
| 2007 | Firehouse Dog | Screenplay (co-written with Claire-Dee Lim and Michael Colleary); Producer (co-producer with Michael Colleary) | Todd Holland | Family adventure film. |
| 2009 | Tekken | Uncredited writer (original screenplay, co-written with Michael Colleary; final screenplay by Alan B. McElroy) | Dwight H. Little | Video game adaptation; Werb's early draft not retained in final credits.[32] |