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Mrs. Miller
Elva Ruby Miller (October 5, 1907 – July 5, 1997) known professionally as Mrs. Miller, was an American singer who became a novelty figure in the 1960s for her unconventional interpretations of contemporary pop songs. An untrained mezzo-soprano, she performed with a pronounced vibrato and frequently deviated from standard pitch and tempo.
Miller's recording of "Downtown" entered the Billboard Hot 100 in April 1966, where it reached No. 82. Its B-side, "A Lover’s Concerto", also charted that month, peaking at No. 95.
Elva Ruby Connes was born in Joplin, Missouri, the third of seven children of Edward and Ada (née Martin) Connes. She spent her childhood in Missouri and Kansas.
On January 17, 1934, she married John Richardson Miller, a professional investor three decades her senior. The couple moved to Claremont, California the following year, where she studied music, voice, and composition at Pomona College and participated in church and community activities. Although she described singing as a hobby, Miller recorded several self-financed projects, including classical, gospel, and children’s music. She produced at least one privately distributed 45 RPM single, "Slumber Song", which she shared with local orphanages.
Miller came to public attention when radio disc jockey Gary Owens featured her on his program in 1960 and later included her on a limited-run album of his comedy material. Arranger Fred Bock heard her recordings, encouraged her to attempt contemporary popular songs, and submitted the results to various record labels. In 1965, producer Lex de Azevedo signed her to Capitol Records.
Miller’s commercial appeal was widely attributed to the unconventional and amateurish qualities of her singing, a characteristic also associated with performers such as Florence Foster Jenkins and Wing. Capitol Records highlighted this aspect of her work; in a 1967 Life magazine interview, Miller stated that during recording sessions she was sometimes conducted slightly ahead of or behind the beat, and that the released versions often used what she considered the worst takes.
Miller's debut album, Mrs. Miller’s Greatest Hits (1966), consisted entirely of contemporary popular standards and sold more than 250,000 copies within its first three weeks. Owens wrote the album’s liner notes. Two additional Capitol albums followed: Will Success Spoil Mrs. Miller?! and The Country Soul of Mrs. Miller. She performed for American troops in Vietnam, appeared at the Hollywood Bowl, and made guest appearances on numerous television talk and variety shows. Miller also appeared in the 1967 film The Cool Ones, performing "It’s Magic".
As public interest declined, Capitol Records ended its association with Miller in 1968. She later released Mrs. Miller Does Her Thing on Amaret Records and issued several singles on her own label, Vibrato Records. She recorded two albums at Radio Recorders studios in Hollywood for Dunhill Records, though they received little attention. Her final known recording, a self-released EP, appeared in 1971.
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Mrs. Miller
Elva Ruby Miller (October 5, 1907 – July 5, 1997) known professionally as Mrs. Miller, was an American singer who became a novelty figure in the 1960s for her unconventional interpretations of contemporary pop songs. An untrained mezzo-soprano, she performed with a pronounced vibrato and frequently deviated from standard pitch and tempo.
Miller's recording of "Downtown" entered the Billboard Hot 100 in April 1966, where it reached No. 82. Its B-side, "A Lover’s Concerto", also charted that month, peaking at No. 95.
Elva Ruby Connes was born in Joplin, Missouri, the third of seven children of Edward and Ada (née Martin) Connes. She spent her childhood in Missouri and Kansas.
On January 17, 1934, she married John Richardson Miller, a professional investor three decades her senior. The couple moved to Claremont, California the following year, where she studied music, voice, and composition at Pomona College and participated in church and community activities. Although she described singing as a hobby, Miller recorded several self-financed projects, including classical, gospel, and children’s music. She produced at least one privately distributed 45 RPM single, "Slumber Song", which she shared with local orphanages.
Miller came to public attention when radio disc jockey Gary Owens featured her on his program in 1960 and later included her on a limited-run album of his comedy material. Arranger Fred Bock heard her recordings, encouraged her to attempt contemporary popular songs, and submitted the results to various record labels. In 1965, producer Lex de Azevedo signed her to Capitol Records.
Miller’s commercial appeal was widely attributed to the unconventional and amateurish qualities of her singing, a characteristic also associated with performers such as Florence Foster Jenkins and Wing. Capitol Records highlighted this aspect of her work; in a 1967 Life magazine interview, Miller stated that during recording sessions she was sometimes conducted slightly ahead of or behind the beat, and that the released versions often used what she considered the worst takes.
Miller's debut album, Mrs. Miller’s Greatest Hits (1966), consisted entirely of contemporary popular standards and sold more than 250,000 copies within its first three weeks. Owens wrote the album’s liner notes. Two additional Capitol albums followed: Will Success Spoil Mrs. Miller?! and The Country Soul of Mrs. Miller. She performed for American troops in Vietnam, appeared at the Hollywood Bowl, and made guest appearances on numerous television talk and variety shows. Miller also appeared in the 1967 film The Cool Ones, performing "It’s Magic".
As public interest declined, Capitol Records ended its association with Miller in 1968. She later released Mrs. Miller Does Her Thing on Amaret Records and issued several singles on her own label, Vibrato Records. She recorded two albums at Radio Recorders studios in Hollywood for Dunhill Records, though they received little attention. Her final known recording, a self-released EP, appeared in 1971.