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Osheaga Festival
Osheaga Festival
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Osheaga Festival musique et arts
Crowd in 2012 and Montreal skyline in the background
DatesAugust 1-3 (2025 dates)
LocationsParc Jean-Drapeau,
Montreal, Quebec, Canada
Years active2006–present
FoundersNick Farkas[1]
Attendance294,000 (2024, 3 days total)
Capacity100,000 (all stages combined)
WebsiteOfficial website

The Osheaga Music and Arts Festival (French: Festival musique et arts Osheaga) is a multi-day music festival in Montreal, Quebec, that is held every summer at Parc Jean-Drapeau on Île Sainte-Hélène. The festival takes place on six stages with various audience capacities. Translated from their French equivalents, they are called "River Stage", "Mountain Stage", "Green Stage", "Trees Stage", "Valley Stage", and "Zone Piknic Electronik". Each performance area is paired with a sponsor. Band set times fluctuate based on the status of the performer within the festival. Emerging artists play 30-minute sets, and headliners conclude each day with 90-minute plus sets.[2] The 2006 festival attracted a crowd of around 50,000 people. The 2012 festival reached its 80,000 attendance capacity each day.[3]

Description

[edit]

Since 2006, the Osheaga Music and Arts festival has established itself as the most important festival of its genre in Canada. With its numerous outdoor stages located at Parc Jean-Drapeau on Montreal's Sainte-Hélène's Island, Osheaga attracted 155 000 music lovers from North America and Europe in 2023.[4] A huge celebration dedicated to music and visual arts, Osheaga has given itself the objective of discovering local and national emerging talent offering them the opportunity to play alongside some of the biggest international artists in the business including: Coldplay, The Killers, Iggy & The Stooges, Sonic Youth, The Roots, Rufus Wainwright, Arcade Fire, Weezer and Eminem. Over the course of several days, approximately 100 bands take to the various stages at Parc Jean-Drapeau and across the city in the festive ambiance that only a Montreal summer can provide. Osheaga also holds a series of concerts and exhibitions in several locations around the city during the week leading up to the main event. For its ninth edition, the Osheaga Music and Arts festival, presented by Virgin Mobile, promises an exhilarating experience with, among others: Jack White, Outkast and Skrillex.

In the past 2 editions, the festival has introduced "Osheaga Play", an interactive play area and social media integrated photo system. The "play zone" features carnival games where festival goers can play games and accumulate points to cash in for prizes. Osheaga Play also features roaming photographers who can scan participants' RFID bracelets so the photos will be directly uploaded to their social media.

Etymology

[edit]
Crowd gathers behind Osheaga sign. The skyline of Montreal can be seen from the Île Sainte-Hélène, where the festival is held.

Osheaga is a title given to the particular region of Canada now known as Montreal. The name is first attested in written records by Jacques Cartier, the first European explorer to see the area, when he communicated with the local St. Lawrence Iroquoian people, and recorded the name of their settlement as Hochelaga. Most linguists have ascribed the name to a francisation of either osekare, meaning "beaver path" or "beaver dam", or osheaga, meaning "big rapids" in reference to the nearby Lachine Rapids.[5] An alternative explanation has been claimed in which "Osheaga" meant "people of the shaking hands", tricking Cartier into recording the settlement's name as a word that was actually a mocking comment directed at him; in some versions of this story, the Iroquoian people were bewildered by Cartier waving his hands wildly to attract their attention as he first approached the settlement in his boat, while in others they were bewildered by his European custom of greeting them with a handshake.[6]

These latter explanations are favoured by the Mohawk people at Kahnawake, as in the Mohawk language the phrase "people of the hands" can be expressed as "O she ha ga" or "Oshahaka".[6] They cannot, however, be easily confirmed or refuted, as the few known surviving remnants of the extinct Laurentian language that was spoken by the Iroquoian people at Hochelaga are only moderately similar to the distantly related Mohawk language, which was not spoken anywhere even remotely close to Hochelaga at the time of Cartier's contact.[6]

History

[edit]

The inaugural edition of Osheaga termed itself a "music and arts festival". It took place on Labour Day weekend, September 2–3, 2006. Nick Farkas, a concert buyer for Gillett Entertainment Group at the time, presented the event. Noticing a lack of similarly themed music venues on the East Coast, Farkas hoped to take advantage of Montreal’s newfound credibility among indie music listeners. "People love Montreal. Let's not kid ourselves—that makes it attractive (to bands), but it's hard for people to take a chance on a first year fest."[7] Farkas attempted to establish a lineup of underground artists that would appeal to both discerning fans and the broader public.[8] Organizers aspired to transform the festival into a destination event. "That's the goal—to get people talking about it, and coming from all over," said Farkas in 2006.

Osheaga's sophomore year began to take stride with the Smashing Pumpkins, M.I.A, Feist, and the Arctic Monkeys. Accordingly, organizers hoped to imitate the previous year's success by hosting an assortment of indie performers. "The fest offers an array of quality, mid-level alternative bands. But put them together—here's the key to Osheaga's success—and you have a headliner by committee."[9] In keeping with the festival's name, Osheaga organizers also incorporated several Montreal-based bands including the Sam Roberts Band, Stars, Dumas, Sixtoo, Pawa Up First, Pony Up, the Royal Mountain Band, Sunday Sinners, and Pas Chic Chic.[9]

Moving to the first weekend in August, the third Osheaga festival broadened its indie appeal by incorporating The Killers, a rock group, and Jack Johnson. Crowds initially complained that Johnson would muddle the festival's persona, but Farkas asserted, "...in (his) philosophy—everything fits".[10] At this point in Osheaga's lifespan, the event was not a financial success. However, the inclusion of more recognizable headliners was intended to draw more expansive crowds. Secondary acts consisted of Metric, The Black Keys, Cat Power, and The Kills. Osheaga 2008 occurred August 2–3 at Jean Drapeau Park, Montreal.

The fourth installation of the festival originally slotted Coldplay and the Beastie Boys as the two-day event's leading performances. However, the Beastie Boys were forced to withdraw after Adam Yauch was diagnosed with a cancerous tumor in his salivary gland.[11] Event organizers filled the opening with Yeah Yeah Yeahs, a then up and coming rock group from Brooklyn. 450 refunds were granted to attendees that requested them. Otherwise, reactions to the set change were positive. Despite these setbacks, the fourth Osheaga festival was the first edition to make a profit. Fifty acts performed on 4 stages from August 1–2, 2009, including Girl Talk, Lykke Li, Jason Mraz, the Decemberists, Arctic Monkeys, and Vampire Weekend.

In its fifth year, Osheaga welcomed Arcade Fire and a host of eclectic sets to its venues. The MEG stage was replaced by the Green stage—a wind and solar powered platform. In keeping with this environmental consciousness, free bike parking and public transit to Jean Drapeau Park was also offered.[12] After the sale of Gillett Entertainment Group, Osheaga fell under the promotion of Evenko.[13] However, Nick Farkas, the company's Vice President of Concerts and Events, continued to head the festival. Roughly 30% of ticket sales in 2010 came from Montreal, 20% from Ontario, and 12% from the United States.[14]

The sixth annual Osheaga festival sold more than 153?000 tickets—more than any previous year.[15] It was also the first three-day incarnation of the event. Eminem closed out the Friday performances, signifying a turning point in the festival's development.[16] 76,000 attendees, the largest single-crowd seen since Osheaga's inauguration, stretched the venue's 75,000 capacity.[17] Despite the absence of a similarly high-profile performer, the seventh edition of Osheaga in 2012 sold out at 240,000 total attendees over the three-day weekend from August 3–5, 2012. Farkas credited the surge to 2011s big-name lineup and the festival's recognition outside Montreal. Eminem’s performance inflated the festival's presence among American and European markets, making it a destination on an international scale.[17] Headliners in 2012 included The Black Keys, Snoop Dogg, Justice, M83, MGMT, Feist, Sigur Ros, and the Jesus and Mary Chain. However, the once intimate festival layout made for reportedly frustrating navigation among such massive crowds.

In 2013, the festival continued to out-do previous sales, selling out in record time with a total of 270,000 audience members. In fact, 70% of tickets were purchased from outside the Province of Quebec.[18] To accommodate these growing numbers, the site at Jean Drapeau Park was expanded to a 85,000-person capacity. The lineup slated Mumford & Sons, The Cure, and Beck as the main attractions, followed by Phoenix, Imagine Dragons, Vampire Weekend, Macklemore & Ryan Lewis, New Order, The Lumineers, Tegan and Sara, and Kendrick Lamar. Physical organization of the venue continued to present issues in light of foot traffic-prone crowds. "Adequate flow patterns are something we never thought of before," said Farkas. "We were always focusing on the lineup, and making it better than the last year."[18]

Ranked by Pollster as the #1 festival in Canada and the #11 festival in the world, Osheaga has grown significantly since its inauguration.[19] Some have criticized the pronounced commercial presence at 2013's festival; however, those same reviewers admit that the lineup quality has been well maintained since 2006.[20] In total, the festival has presented more than 600 performances.

In 2014, the festival added a sixth stage, the Valley Stage. The lineup featured headliners such as OutKast, Jack White, Arctic Monkeys, Skrillex, Lorde and The Replacements.

Editions

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Every edition since inception has been held at Montreal's Parc Jean-Drapeau.

2006

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The inaugural edition of the Osheaga Festival was held on September 2 and 3, 2006 and was headlined by Sonic Youth and Ben Harper & the Innocent Criminals.

2007

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Tickets for the second day of the 2007 edition.

The festival was held on September 8 and 9, 2007 and was headlined by The Smashing Pumpkins and Bloc Party.

2008

[edit]

The festival was held on August 3 and 4, 2008 and was headlined by The Killers and Jack Johnson.

2009

[edit]

The festival was held on August 1 and 2, 2009 and was headlined by Coldplay and the Yeah Yeah Yeahs.

2010

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Parc Jean-Drapeau during Osheaga 2010.

The festival was held on July 31 and August 1, 2010 and was headlined by Arcade Fire and Weezer.

2011

[edit]
Alice Glass of Crystal Castles performs at Osheaga 2011 in Montreal.
Ethan Kath of Crystal Castles performs at Osheaga 2011 in Montreal.
Alice Glass and Ethan Kath of Crystal Castles performs at Osheaga in 2011.

The festival was held on July 29, 30, and 31, 2011, the first edition the festival expanded to a Friday. It was headlined by Eminem, Elvis Costello & The Imposters, and The Flaming Lips.

2012

[edit]
Crowd at night on second day of Osheaga 2012.
Bloc Party performs on The Green Stage (La scène verte) in 2012.

Osheaga 2012 took place August 3, 4, and 5 and was headlined by Justice, Snoop Dogg, and The Black Keys.

The Piknic Électronik stage, one of several stages where Osheaga artists perform.

The 2012 edition of the festival sold 120 000 tickets in total.[21]

2013

[edit]

Osheaga 2013 took place August 2 through August 4 and was headlined by The Cure, Beck, and Mumford & Sons.

2014

[edit]

Osheaga 2014 took place August 1 through August 3 and was headlined by Outkast, Jack White, and Arctic Monkeys.

2015

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Osheaga 2015 took place July 31 through August 2 and was headlined by Florence and The Machine, Kendrick Lamar, and The Black Keys.

2016

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Osheaga 2016 took place July 29 through July 31 and was headlined by the Red Hot Chili Peppers, Lana Del Rey, and Radiohead.

2017

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Osheaga crowd during Foster the People's 2017 set on August 6, 2017

Osheaga 2017 took place August 4 through August 6 and was headlined by Lorde, Muse, and The Weeknd. There were some cancellations because of inclement weather and travel difficulties:[22]

2018

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Osheaga 2018 took place August 3 through August 5 and was headlined by Travis Scott, Arctic Monkeys, and Florence and The Machine.

2019

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Osheaga 2019 took place August 2 through August 4 and was featured by The Lumineers, The Chemical Brothers, and Childish Gambino.

2020 (cancelled due to COVID-19)

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Osheaga 2020, originally scheduled to take place from July 31 to August 2, was cancelled due to the COVID-19 pandemic.[23]

2021 (cancelled again due to COVID-19)

[edit]

Osheaga 2021 was scheduled to take place from July 30 to August 1. On April 22, 2021, it was announced that the 2021 edition of the festival was cancelled for the second year in a row due to the ongoing COVID-19 crisis.[24]

2021 - Osheaga Get Together

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Evenko decided to host a mini Osheaga with Canadian artists from October 1 to October 3.[25] This event was headlined by Charlotte Cardin, Jessie Reyez, and Half Moon Run.

2022

[edit]

Osheaga 2022 took place between July 29 to July 31.[26] The event was headlined by Arcade Fire, Future, and Dua Lipa. The Foo Fighters, who were originally headlined for this edition, were not able to attend due to the passing of the band's drummer Taylor Hawkins.

2023

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Osheaga 2023 took place between August 4 to August 6 and was headlined by Rüfüs Du Sol, Billie Eilish, and Kendrick Lamar.[27]

2024

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Osheaga 2024 took place between August 2 to August 4 and was headlined by Noah Kahan, Green Day, and SZA.[28]

2025

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Osheaga 2025 took place between August 1 to August 3 and was headlined by The Killers, Tyler, the Creator and Olivia Rodrigo.[29] Inclement weather affected several sets on the second night, most notably those of Gracie Abrams and Tyler, the Creator.[30]

See also

[edit]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Osheaga Music and Arts Festival is an annual multi-day outdoor event held in , , , featuring a diverse lineup of international and emerging artists across genres such as rock, indie, hip-hop, and , along with installations. Founded in 2006 by Nick Farkas and produced by evenko, it takes place at Parc Jean-Drapeau on Île Sainte-Hélène, attracting over 140,000 attendees from around the world each year and establishing itself as one of North America's premier music festivals. The festival's name derives from the Mohawk term "O she ha ga" or "Oshahaka," meaning "people of the shaking hands," referencing an encounter between French explorer and near the in 1535, as interpreted in early 20th-century historical accounts. Since its inception, Osheaga has grown from a modest gathering into one of Canada's largest music and arts festivals, hosted at the expansive Espace 67 venue within Parc Jean-Drapeau, which offers scenic views of the city skyline and accommodates multiple stages amid wooded trails. Notable headliners over the years have included , , , and for the 2025 edition, , , and , highlighting its role in showcasing both global stars and local Quebec talent. Beyond music, Osheaga emphasizes , initiatives, and premium experiences like VIP areas and food vendors, while evenko extends the festival's reach through year-round city-wide concerts in . Its success has positioned as a key destination on the international festival circuit, drawing comparisons to European events and contributing significantly to the local through and related programming.

Overview

Description

The OSHEAGA Music and Arts Festival is an annual multi-day outdoor event held during the summer weekend at Parc Jean-Drapeau on Île Sainte-Hélène in , , . Produced by evenko, it celebrates and through performances by a mix of emerging local and national talent alongside major international artists across diverse genres, including , hip-hop, electronic, and pop. The features up to six stages spread throughout the park, hosting over 100 acts and creating a vibrant, immersive atmosphere enhanced by the scenic island setting amid the . Typical daily attendance reaches 40,000 to 50,000 people, contributing to a total of more than 140,000 visitors across the three days. Beyond music, OSHEAGA incorporates installations, vendors offering diverse culinary options such as those in the YUL EAT Gardens, and elements, including free admission for children under 10 accompanied by an adult ticket holder. These features foster a holistic experience that blends cultural expression, , and for .

Etymology

The name Osheaga derives from the Iroquoian term "osheaga," meaning "big rapids," in reference to the nearby , as interpreted by most linguists. This term is related to "Hochelaga," the name recorded by French explorer in 1535 for the Iroquoian village on the island now occupied by , believed to be a francization of similar roots such as osheaga ("big rapids") or osekare ("beaver path" or "beaver dam"), evoking the area's historical geography and wildlife. An alternative interpretation, used in the festival's official narrative, links Cartier's transcription "O she ha ga" to a Mohawk phrase meaning "people of the shaking hands," referring to greeting practices observed during his encounters with near the . The festival, held on Île Sainte-Hélène in Parc Jean-Drapeau, draws its name from this Indigenous nomenclature to reflect the site's on traditional, unceded territory of the Kanien'kehá:ka (Mohawk) Nation.

Organization and Venue

Organizers and Production

The Osheaga Music and Arts Festival was founded in 2006 by Nick Farkas, who continues to serve as its primary organizer and Senior Vice President of Booking, Concerts and Events at Evenko. Evenko, a prominent Canadian event production company majority owned by Groupe CH since 2014, handles the festival's overall organization and operations. In 2019, Evenko entered a strategic partnership with , which has enhanced resources for booking and production while maintaining Evenko's leadership in artist selection and event management. Festival production encompasses extensive logistical efforts, including stage construction by specialized crews from companies like Solotech, which deploys modular structures such as Stageline SAM750 platforms for the main stages. Audio systems are provided through long-standing partnerships with , featuring arrays of K1 and loudspeakers for consistent sound coverage across multiple venues, supplemented by subwoofers and front-fill configurations tailored to the park's layout. Ticketing and sales are managed exclusively via , integrating digital platforms for general admission, VIP packages, and resale options to accommodate over 140,000 attendees across three days. Staffing draws from a large pool of paid , security personnel, and volunteers to support operations, with security protocols coordinated to ensure attendee safety amid high crowds. Over time, Osheaga has transitioned from an independent Evenko production to a corporate-supported event, bolstered by major sponsorships from brands including Bell as the presenting partner, Scotiabank for financial services integration, and Monster Energy for activation zones. This evolution, accelerated by the 2019 Live Nation partnership, has enabled expanded infrastructure and artist lineups while preserving local decision-making. Evenko coordinates closely with Montreal city officials and Parc Jean-Drapeau authorities to secure annual permits for site usage, crowd control, and infrastructure modifications. Transportation logistics emphasize sustainable options, such as dedicated shuttle services and incentives for public transit use via the STM network to reduce vehicle congestion on Île Sainte-Hélène. Waste management involves collaboration with municipal services and on-site teams employing the Green Brigade system for sorting recyclables, compost, and refuse, aiming to divert generated waste from landfills through reusable materials and vendor compliance.

Location and Infrastructure

The Osheaga Festival is held at Parc Jean-Drapeau on Île Sainte-Hélène, an island in the Saint Lawrence River adjacent to . The site spans a scenic parkland environment with wooded trails connecting performance areas, offering panoramic views of the city skyline and the river. Accessibility is facilitated by the Jean-Drapeau metro station on the STM's yellow line, providing a direct 15-minute ride from central stations like Berri-UQAM, as well as pedestrian bridges linking the island to the mainland. The festival's infrastructure features six main outdoor stages, including the Bell River Stage, which often hosts electronic and acts, and the Coors Light Mountain Stage, designated for major headliners. Additional facilities encompass VIP zones such as the Defender Platinum Terrace, offering elevated viewing, private lounges, and shuttle access between stages; limited shaded relaxation areas; and no on-site , with attendees directed to nearby hotels or off-island accommodations. The layout incorporates eco-conscious elements like reusable refill stations and accessible restrooms, including porta-potties adapted for reduced mobility. Amenities prioritize attendee comfort and local flavor, with food courts showcasing a diverse array of vendors emphasizing Quebecois specialties like and alongside international, vegetarian, and gluten-free options—all cashless for efficiency. Hydration is supported by multiple free water stations, while medical tents staffed by on-site personnel handle emergencies, including provisions for prescription medications. Capacity management employs perimeter fencing for secure crowd flow, accommodating up to 45,000 daily attendees, supplemented by shuttle services from hotels and river ferries from Jacques-Cartier Pier. Weather contingencies ensure operations proceed rain or shine, with potential pauses for severe conditions announced via official channels. Parc Jean-Drapeau's historical significance enhances the festival's backdrop, as the island was enlarged and developed for the 1967 (), transforming it into a cultural hub with remnants of modernist architecture amid green spaces.

Historical Development

Founding and Early Years (2006–2010)

The Osheaga Music and Arts Festival was founded in 2006 by Nick Farkas, vice-president of concerts and events at the Canadian promoter Evenko, as a two-day event aimed at bringing a major to while highlighting the city's cultural scene. Held on September 2–3 at Parc Jean-Drapeau on Île Sainte-Hélène, the inaugural edition drew approximately 25,000 attendees and featured headliners & the Innocent Criminals and , alongside acts like and . In 2007, Osheaga continued as a two-day format from August 4 to 5, with attendance estimated at around 45,000 and solidifying its presence on the North American festival circuit. The lineup included headliners and M.I.A., which helped attract a broader audience despite ongoing efforts to build support for local Quebec artists. Financial losses persisted in these initial years, as organizers navigated low ticket sales and logistical hurdles with a small team of under 20 people. The festival maintained a three-day structure in 2008, running from August 1 to 3, with headliner drawing strong crowds, but heavy rain throughout the event created muddy conditions and exacerbated financial losses for the third consecutive year. By 2009, from August 1 to 2, Osheaga achieved profitability for the first time, with approximately 60,000 attendees and headliners the (who canceled due to illness) and stepping in as a major draw. These years also saw challenges in fostering local artist participation, gradually addressed through targeted programming. A key milestone came in 2010, when Osheaga partnered with Live Nation to enhance production and promotion, contributing to attendance of approximately 50,000 over the July 31 to August 1 weekend. Headliners Phoenix and Muse anchored the lineup, marking the festival's transition from a regional event to a viable international contender amid recovering from early financial strains and weather setbacks.

Growth and Challenges (2011–2019)

During the period from 2011 to 2015, Osheaga experienced significant growth in attendance, rising from 81,200 total visitors in 2011 to approximately 130,000 over three days by 2015, reflecting its increasing popularity as a premier North American music event. This expansion was bolstered by high-profile headliners, including in 2011, who drew massive crowds on the festival's opening night with 38,000 attendees alone, and in 2013, contributing to the event's reputation for diverse indie and rock lineups. The 2015 edition marked the festival's 10th anniversary, featuring headliners such as Florence + the Machine, , and , alongside emerging acts that helped solidify Osheaga's role in launching artists to wider audiences—though Billie Eilish's notable debut actually occurred later in 2019. From 2016 to 2019, Osheaga reached new peaks, with attendance stabilizing around 135,000 in 2016 and maintaining strong figures of about 130,000 in 2019, attracting an international audience through bookings like in 2016 and in 2018. The festival also enhanced its "Music and Arts" identity during this era by expanding programming, including installations and collaborations with local galleries and animators, which complemented the musical performances and drew broader creative crowds. In 2016, to mark its maturation, organizers introduced expanded stage configurations at Parc Jean-Drapeau, allowing for more simultaneous acts and better crowd flow, while initiating sustainability efforts such as ecofriendly catering and recycling programs aimed at reducing environmental impact. Despite these successes, Osheaga faced operational challenges, including weather-related disruptions like severe storms in 2017 that led to cancellations by artists such as Solange, , and Noname due to travel issues and safety concerns. emerged as a recurring issue, particularly noted in attendee feedback around 2014 when daily capacities neared limits, straining navigation and stage access at the venue. Rising ticket prices, from around $115 for single-day passes in 2016 to higher tiers by 2019, sparked debates on , as the increases enabled bigger bookings but priced out some local and younger fans, contributing to perceptions of in the festival's evolution. Economically, Osheaga solidified its status as Quebec's largest during this decade, generating over $50 million annually for Montreal's through , hotel occupancy exceeding 90%, and local spending by the mid-2010s. This impact underscored the event's transformation from a regional gathering to a major driver of cultural and financial growth in the province.

Pandemic and Recovery (2020–2025)

The led to the cancellation of the Osheaga Festival's 2020 edition, originally scheduled for July 31 to August 2, as organizers cited concerns amid rising cases. The event was initially postponed to 2021 but ultimately cancelled for that summer as well, marking the second consecutive year without the full-scale festival due to ongoing restrictions and uncertainties. In response, organizers hosted the "Osheaga Get Together," a scaled-down, three-day event from October 1 to 3, 2021, at Parc Jean-Drapeau, featuring an all-Canadian lineup including headliners , , and , with capacity limited to comply with pandemic protocols and live performances streamed exclusively on . This gathering served as a bridge to full recovery, emphasizing local talent while adhering to health guidelines such as masking and reduced crowds. Osheaga returned to its traditional summer format in 2022, held July 29 to 31, drawing approximately 120,000 attendees across three days and marking a significant rebound with headliners Foo Fighters, A$AP Rocky, and Dua Lipa. The event operated without mandatory vaccination proofs, aligning with Quebec's lifted restrictions earlier that year, though enhanced sanitation measures and optional masking were promoted to ensure safety. This edition highlighted the festival's resilience, featuring over 90 acts on six stages and restoring the communal energy absent since 2019. By 2023, Osheaga achieved record attendance of 155,000 over August 4 to 6, with headliners , , and drawing massive crowds despite minor weather-related delays on the final day. The 2024 edition, August 2 to 4, welcomed 147,000 festivalgoers and featured headliners , , and , though a severe weather warning interrupted sets, including RAYE's performance, prompting safety measures. These years solidified the festival's post-pandemic momentum, with full capacity operations and diverse lineups spanning indie, hip-hop, and rock genres. The 2025 festival, occurring August 1 to 3, attracted 142,000 attendees and was headlined by , , and , earning positive reviews for its vibrant atmosphere despite reports of minor crowding at peak stages. While some navigation challenges arose from high foot traffic, the event's overall execution was praised for balancing scale with attendee experience. Post-pandemic adaptations included the introduction of hybrid ticketing options allowing flexible entry and resale through official platforms, alongside widespread systems at food vendors and merchandise stalls to minimize queues and enhance hygiene. Additionally, organizers expanded resources, providing on-site counseling tents and partnerships with local support services for both staff and attendees to address festival-related stress and recovery from the isolation of prior years. These measures reflected a broader commitment to sustainable, inclusive operations in the festival's recovery phase.

Cultural and Social Impact

Economic and Community Contributions

The Osheaga Festival significantly bolsters the , generating tens of millions of dollars annually through increased , spending, and vendor sales during its three-day event. By drawing over 140,000 attendees annually, including 142,000 in 2025, the festival drives high hotel occupancy rates exceeding 90% in and stimulates local commerce in food, transportation, and accommodations. Produced by evenko, Osheaga fosters partnerships with Montreal-area suppliers and businesses, prioritizing regional expertise to enhance economic circulation while minimizing logistical footprints. The event supports numerous local jobs, particularly for young people and under-represented groups, through production roles, vendor operations, and on-site staffing. These opportunities extend to collaborations with providers for and transit, embedding the festival within Montreal's service ecosystem and promoting year-round in the cultural sector. Osheaga engages the by showcasing emerging artists on its stages, providing platforms for local talent to perform alongside international acts and build visibility. The festival also contributes directly to social welfare, redistributing surplus food to local charities such as La Tablée des Chefs, which delivered over 4,600 servings in 2024 to organizations like Mission Old Brewery Mission and Mission Bon Accueil supporting vulnerable populations. Additional sponsorship-driven donations, such as $8,800 to community causes in 2024, further amplify these efforts. In terms of , Osheaga attracts a substantial portion of visitors from outside —approximately 60% in recent editions—positioning as a premier music destination and complementing events like the under the same production umbrella. This influx promotes cultural exchange and sustains Montreal's reputation as a global hub for live music. Over nearly two decades, Osheaga has elevated Canada's festival landscape, establishing itself as the country's largest multi-day music event and inspiring regional growth in similar gatherings by demonstrating scalable models for artist curation and audience engagement.

Diversity, Inclusivity, and Sustainability

Osheaga Festival has emphasized diversity in its programming by showcasing artists from varied creative and cultural backgrounds, including those from Quebec, to celebrate the richness of cultural diversity at the event. The festival's lineups have increasingly featured inclusive representation, with efforts to highlight a broad spectrum of musical genres and performers that reflect multicultural influences. To promote inclusivity, Osheaga provides features for attendees with reduced mobility, including elevated viewing platforms, ramps, gentle slopes throughout the site, accessible restrooms, and priority access lanes at entrances. Food vendors offer options tailored to special dietary needs, such as vegetarian, vegan, and allergen-free choices, ensuring broader participation. These measures support an environment where diverse attendees can engage fully with the festival experience. Sustainability efforts at Osheaga focus on minimizing environmental impact through reduction and resource conservation. The festival bans single-use plastic containers, cups, utensils, straws, and from food services, while distributing over 5,000 reusable bottles to attendees annually. Free refill stations have enabled the avoidance of more than 137,000 single-use plastic bottles in 2024 alone, contributing to a cumulative reduction of 3 million such bottles across events, with a 2025 target of 155g of per attendee. All food service uses compostable containers to further decrease . Since 2018, these initiatives have evolved, starting with the plastic straw ban and reusable bottle encouragement, alongside free access to curb single-use plastics.

Policies and Controversies

Cultural Sensitivity Policies

In 2015, Osheaga implemented a prohibition on non-Indigenous attendees and artists wearing First Nations headdresses, recognizing them as sacred rather than fashion accessories. This policy was announced ahead of the festival to combat cultural appropriation, with the statement emphasizing respect for the "spiritual and cultural significance" of such items to Indigenous communities. Enforcement involved security personnel confiscating headdresses at entry points or requiring removal, coupled with educational efforts to inform participants about the harm of appropriation. The ban exemplified Osheaga's broader commitment to , extending to a that prohibits hate symbols and promotes respect for diverse cultural expressions. For instance, in response to incidents involving antisemitic imagery like swastikas, festival organizers have swiftly removed such items, aligning with zero-tolerance approaches to symbols of . performances are also monitored to ensure alignment with these principles, though specific rider reviews for cultural content are integrated into production protocols to avoid offensive elements. The initiatives have been praised by Indigenous leaders for setting a proactive standard, with the headdress ban described as an "uncompromising stance" that honors First Nations traditions. This approach has influenced other festivals, including Canadian events like Heavy Montreal, prompting similar prohibitions on appropriated to promote cultural .

Notable Incidents and Responses

A notable arose in 2022 when British rapper performed on the main stage wearing a featuring the word "Destroy" superimposed over a symbol, intended as an anti-fascist statement critiquing . The attire sparked immediate confusion and outrage among attendees, prompting complaints about perceived insensitivity and hate symbolism. Osheaga organizers quickly issued a public apology on , clarifying that the shirt denounced the Nazi regime but acknowledging the distress caused, and the performance was briefly paused to address the situation before resuming. himself later apologized via , affirming his opposition to antisemitism and fascism. Other incidents have included safety concerns related to and environmental factors. In 2018, extreme heat during the festival led to reports of at certain stages and medical interventions for among attendees. Similarly, in 2023, conditions forced the cancellation of several performances, with Osheaga providing full refunds to affected ticket holders as per their policy for major disruptions. In 2025, lightning and rain on August 2 led to the cancellation of ' set and temporary halts to performances like ', with refunds issued for impacted shows. In response to these events, Osheaga focuses on improving and attendee safety protocols. These actions have reinforced Osheaga's commitments to inclusivity and rapid response, maintaining its reputation as a safe event space.

References

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