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Pnau, stylised as PNAU,[a] are an Australian dance music trio originating from Sydney. The trio, a duo before 2016, consists of the musicians Nick Littlemore (vocals, production), Peter Mayes (guitar, production)[3] and Sam Littlemore (production), with the latter joining in 2016. Pnau first gained recognition through their 1999 debut album Sambanova, which later won an ARIA Music Awards for Best Dance Release.[4][5] Their third album, Pnau (2007), brought them further critical acclaim and success.[6] Pnau is also recognised for a heavily publicised apprenticeship under the musician Elton John, who signed the duo after listening to the Pnau album.[7] Several of Pnau's later projects have had John's involvement, such as the 2011 album Soft Universe[8] and an album of Pnau recreations of Elton John's hits called Good Morning to the Night, released in 2012.[9]
Key Information
Apart from being a member of Pnau, Nick Littlemore also appears as one half of the project Empire of the Sun.[10][11][12] In November 2016, the new line-up released "Chameleon", the first single from their album Changa.
Biography
[edit]1990s: Beginnings
[edit]Pnau formed in Sydney, New South Wales by Littlemore and Mayes. The two met at secondary school at the age of 12 and began performing together in the mid-1990s, initially playing acid, house music, and trance music.[3] Littlemore recalled meeting Mayes when he was 10; "He tripped me over. We hated each other for a couple years and then we started sneaking out and going to raves when we were about 13 and we formed a bond over intense music." Littlemore and Mayes created their first album when they were in their mid-teens. "It was called Fractal Geometric Spaces Made of Light," Littlemore remembers, "Which is probably why it was never picked up."[13]
The duo's first commercially available tracks were a pair of nine-minute tracks, "Frisk" and "Anthropophagi", that led off doof@cybersonic.aust.com – an underground acid trance compilation album distributed by cult electronic label Creative Vibes in 1996.[14] Pnau would then feature on another Creative Vibes project, 1998's compilation record Evolutionary Vibes III: The Evolution Will Not Be Televised, with the song "Discone".[15]
1999–2002: Sambanova
[edit]In July 1999, Pnau released their debut album Sambanova under the independent label Peking Duck. It was recorded in a bedroom studio and they state they only expected it to sell "a few thousand copies".[16] The album was pulled from record stores for using uncleared samples, but re-released in June 2000 and peaked inside the ARIA top 40. In October 2000, at the ARIA Music Awards of 2000, the album won Best Dance Release. In a 2003 interview with The Age, Mayes said that they had no understanding of sample clearances due to their naïveté in the music business.[17] Mayes claimed that the album's recall did seriously affect their commercial sales.[17] Littlemore later contested, "They screwed us over for $300,000. Warners didn't; another third party did. But that happens. We're still here, we're still doing it."[18]
Pnau went on to make many live appearances at music festivals like Big Day Out in 2001 and Homebake in 2002. During this time, they garnered a reputation for their lively performances.[19]
2003–2007: Again
[edit]In October 2003, Pnau released their second studio album, Again.[20] The album was not a commercial success and Littlemore was later quoted as Again being "the worst record I've ever done".[21] Littlemore has since retracted the statement. When asked if he still considered Again to be his worst record, Littlemore responded, "Well next to Soft Universe. They're sort of on par." Littlemore further explained that his opinions are influenced by the albums' commercial success, which is an easy headspace for him to get into since "everyone loves Empire of the Sun, it's sold 1.1 million records."[18] Despite the seemingly unfavourable album response, several tracks received considerable acclaim - the most noteworthy being "We Love the Fresh Kills" which was a significantly popular single for the duo at the time.[6] However, because of Again's lackluster success the pair parted ways for some time to work with other artists such as Robbie Williams,[21] Van She,[22] and Lost Valentinos.[23]
2007–2009: Pnau and Empire of the Sun
[edit]In 2007, the duo reunited and wrote over two-hundred songs together and started to lay down an entire album with Littlemore's brother Sam as producer. They sent a work-in-progress track to long-time friend and collaborator Luke Steele, who sent back the track with his own vocals. After receiving the track, the Littlemore brothers and Mayes agreed to scrap almost everything they had laid down to focus on a more vocally centred album.[24] The track became known as "With You Forever" and the finalised album was released under the self-titled name Pnau. The album not only featured vocal work from Steele and Littlemore, but also had many guest appearances such as Ladyhawke, Feadz, Nik Yannika from Lost Valentinos and Michael DeFrancesco from Van She.[25] The album was released to high critical acclaim[6] and gained unexpected favorable attention from John,[7][26][27][28] declaring it to be the greatest record he'd heard in ten years.[29][30]
Inspired by their track "With You Forever", Pnau began work on a collaboration with Steele, which would call themselves Empire of the Sun.[31] Originally titled Steelemore,[28] Empire of the Sun released its debut single in August 2008 titled "Walking on a Dream" and its debut album in October 2008 with Walking on a Dream. Littlemore and Steele took the roles of bandmates, while Mayes assumed the role of producer. Some critics were quick to note that the band sounded more like a work of Pnau than Steele's band The Sleepy Jackson.[32] Empire of the Sun has achieved international success having been certified 2× Platinum in Australia[10] and gold in the United Kingdom,[11] as well as winning eleven ARIA awards.[12] PNAU makes it clear on their Myspace numerous times that not only is Empire of the Sun a side project of theirs, but that they are also the producers.[33] Regarding Empire of the Sun, in early 2009 news began appearing that Littlemore had disappeared.[34][35] The reality had been that Nick Littlemore had left Empire of the Sun to begin work on the fourth Pnau album along with John.[8]
2010–2011: Soft Universe
[edit]In 2010, Pnau's track "Baby" (remixed by Breakbot) appeared in the release of Sony Computer Entertainment's "Gran Turismo 5", in the Background Music (BGM) playlist.[citation needed]
In February 2011, Pnau released "The Truth", the lead single from their forthcoming fourth studio album, Soft Universe. Soft Universe was released in June 2011 and peaked at number 13 on the ARIA Charts. Littlemore has described it as a very "emotional" album, inspired by the breakup with his long-time girlfriend.[36] With input from John, the album features Littlemore singing all the vocals on the album along with tracks co-written with fellow Aussie artist Martin Craft and producer Mark Saunders.[37] The album was positively received, although mainly critics expressed discontent with the lack of the "endearing weirdness of previous Pnau and Empire releases."[38] The Soft Universe album received the Australian Independent Record (AIR) Award for Best Independent Dance/Electronica Album.[39]
2012–2015: Good Morning to the Night
[edit]On 10 March 2012, the first remix track from the anticipated, upcoming John rework album commissioned for Pnau was leaked, initially airing on Pete Tong's BBC Radio 1 broadcast.[40] In July 2012 two singles were released from the album, "Good Morning to the Night" and "Sad", while the album Good Morning to the Night was released and reaching number 1 on the UK Albums Chart.[41]
In November 2013 French duo Faul & Wad Ad released "Changes" credited to, vs Pnau. The song samples Pnau's "Baby" and reached the top ten in numerous countries across Europe.[citation needed]
2016–2018: Changa
[edit]In November 2016, Pnau released "Chameleon" as the lead single from the upcoming fifth studio album. The song peaked at number 4 on the ARIA Charts and was certified 4× platinum. At the ARIA Music Awards of 2017, the song won the groups their second ARIA Award for Best Dance Release.[citation needed] Changa was released in November 2017 and peaked at number 11 on the ARIA Charts. The album spawned two more singles "Go Bang" and "Changa". At the ARIA Music Awards of 2018, "Go Bang" won the group's third ARIA Award for Best Dance Release.[citation needed]
Since 2019: Hyperbolic
[edit]The band released the single "Solid Gold" on 2 May 2019. The song continues Pnau's collaboration with Kira Divine on vocals, and also features additional vocals by Marques Toliver. The band hosted a live chat on their Facebook page to support the release. In August 2019, the band released the single "All of Us".[42] In December 2020, the band worked with Ladyhawke again and released the single "River".[citation needed]
In August 2021, Pnau produced a remix medley of several John songs along with Dua Lipa, titled "Cold Heart (Pnau remix)". The single charted in many countries worldwide, becoming their 3rd top 10 in Australia and their second in the UK, as well as their first song to chart in the US.[citation needed] Over the next few years, Pnau released singles with Budjerah, Troye Sivan, Khalid, Bebe Rexha and Ozuna.[citation needed]
In October 2023, Pnau released ""AEIOU"" with Empire of the Sun and announced the titled of their sixth studio album, Hyperbolic, released in March 2024.[43]
Discography
[edit]Studio albums
[edit]| Title | Details | Peak chart positions | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| AUS [44] |
NZ [44] | ||||||||||||||||
| Sambanova |
|
39 | 48 | ||||||||||||||
| Again |
|
103 | — | ||||||||||||||
| Pnau |
|
31 | — | ||||||||||||||
| Soft Universe |
|
13 | — | ||||||||||||||
| Changa |
|
11 | — | ||||||||||||||
| Hyperbolic |
|
192 | — | ||||||||||||||
| "—" denotes an album that did not chart or was not released. | |||||||||||||||||
Remix albums
[edit]| Title | Details | Peak chart positions | |
|---|---|---|---|
| AUS [44] |
UK [41] | ||
| Good Morning to the Night (Elton John and Pnau) |
|
40 | 1 |
Singles
[edit]| Year | Title | Peak chart positions | Certifications | Album | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| AUS [44] |
CAN [46] |
FRA [47] |
GER [48] |
ITA [49] |
NED [50] |
NZ [51] |
SPA [52] |
SWI [53] |
UK [41] | ||||||||
| 2000 | "Need Your Lovin' Baby" | 165 | — | — | — | — | — | — | — | — | — | Sambanova | |||||
| 2001 | "Follow Me" | 65 | — | — | — | — | — | — | — | — | — | ||||||
| 2002 | "Blood Lust" | —[A] | — | — | — | — | — | — | — | — | — | Again | |||||
| "Una Noche (Get Up)" (with Kid Creole and the Coconuts) |
54 | — | — | — | — | — | — | — | — | — | Non-album single | ||||||
| 2003 | "We Love the Fresh Kills"/"Again" | —[B] | — | — | — | — | — | — | — | — | — | Again | |||||
| 2004 | "Enuffs Enuff" | —[C] | — | — | — | — | — | — | — | — | — | ||||||
| 2007 | "Wild Strawberries"[54] | —[D] | — | — | — | — | — | — | — | — | — | Pnau | |||||
| 2008 | "Baby" | 34 | — | — | — | — | — | — | — | — | — | ||||||
| "Embrace" | 55 | — | — | — | — | — | — | — | — | — | |||||||
| 2011 | "The Truth"[55] | 103 | — | — | — | — | — | — | — | — | — | Soft Universe | |||||
| "Solid Ground"[56] | 191 | — | — | — | — | — | — | — | — | — | |||||||
| 2012 | "Unite Us"[57] | —[E] | — | — | — | — | — | — | — | — | —[F] | ||||||
| "Good Morning to the Night" (with Elton John) |
71 | — | — | — | — | — | — | — | — | — | Good Morning to the Night | ||||||
| "Sad" (with Elton John) |
— | — | — | — | — | — | — | — | — | 48 | |||||||
| 2013 | "Changes" (Faul & Wad Ad vs. Pnau) |
— | 71 | 9 | 1 | 3 | 15 | — | 2 | 4 | 3 | Changa (Deluxe) | |||||
| 2016 | "Chameleon" | 4 | — | — | — | — | — | 34 | — | — | — | Changa | |||||
| 2017 | "Go Bang" | 9 | — | — | — | — | — | — | — | — | — | ||||||
| 2018 | "Changa" | 151 | — | — | — | — | — | — | — | — | — | ||||||
| 2019 | "Solid Gold" (featuring Kira Divine and Marques Toliver) |
93 | — | — | — | — | — | —[G] | — | — | — | Hyperbolic | |||||
| "All of Us" (featuring Ollie Gabriel)[69] |
140 | — | — | — | — | — | —[H] | — | — | — | Non-album singles | ||||||
| 2020 | "Lucky" (with Vlossom)[71] |
— | — | — | — | — | — | — | — | — | — | ||||||
| "River" (with Ladyhawke) |
— | — | — | — | — | — | —[I] | — | — | — | Hyperbolic | ||||||
| 2021 | "Stranger Love" (with Budjerah)[73] |
— | — | — | — | — | — | —[J] | — | — | Non-album single | ||||||
| 2022 | "You Know What I Need" (with Troye Sivan) |
— | — | — | — | — | — | —[K] | — | — | — | Hyperbolic | |||||
| 2023 | "The Hard Way" (with Khalid)[76] |
— | — | — | — | — | 34 | —[L] | — | — | |||||||
| "Stars" (with Bebe Rexha and Ozuna)[78] |
— | — | — | — | — | — | —[M] | — | — | ||||||||
| "AEIOU" (with Empire of the Sun)[43] |
— | — | — | — | — | — | — | — | — | — | |||||||
| 2024 | "All Your Energy" (featuring Ollie Gabriel) |
— | — | — | — | — | — | — | — | — | — | Non-album single | |||||
| "Nostalgia"[80] | — | — | — | — | — | — | — | — | — | — | Hyperbolic | ||||||
| "The Feeling" (with Rudimental, 1991 and AR/CO) |
— | — | — | — | — | — | —[N] | — | — | — | Rudim3ntal | ||||||
| 2025 | "Light Me Up" (with Kungs)[82] |
— | — | — | — | — | — | — | — | — | — | ||||||
| "—" denotes a single that did not chart or was not released in that territory. | |||||||||||||||||
Notes
- ^ "Blood Lust" was released as a 12" single in Australia
- ^ "We Love The Fresh Kills"/"Again" was released as a 12" single in Australia
- ^ "Enuffs Enuff" was released as a 12" single in Australia
- ^ "Wild Strawberries" was released as a 12" single in Australia
- ^ "Unite Us" was not released in Australia
- ^ "Unite Us" was released as a 12" single.
- ^ "Solid Gold" did not enter the NZ Top 40 Singles Chart, but peaked at number 15 on the NZ Hot Singles Chart.[67]
- ^ "All of Us" did not enter the NZ Top 40 Singles Chart, but peaked at number 21 on the NZ Hot Singles Chart.[70]
- ^ "River" did not enter the NZ Top 40 Singles Chart, but peaked at number 31 on the NZ Hot Singles Chart.[72]
- ^ "Stranger Love" did not enter the NZ Top 40 Singles Chart, but peaked at number 34 on the NZ Hot Singles Chart.[74]
- ^ "You Know What I Need" did not enter the NZ Top 40 Singles Chart, but peaked at number 22 on the NZ Hot Singles Chart.[75]
- ^ "The Hard Way" did not enter the NZ Top 40 Singles Chart, but peaked at number 11 on the NZ Hot Singles Chart.[77]
- ^ "Stars" did not enter the NZ Top 40 Singles Chart, but peaked at number 19 on the NZ Hot Singles Chart.[79]
- ^ "The Feeling" did not enter the NZ Top 40 Singles Chart, but peaked at number 13 on the NZ Hot Singles Chart.[81]
Promotional singles
[edit]| Year | Title | Album |
|---|---|---|
| 2012 | "Everybody" | Soft Universe |
| 2017 | "Young Melody" (featuring Vera Blue)[83] |
Changa |
| "Into the Sky"[83] | ||
| "Control Your Body"[83] |
Notable remixes
[edit]| Year | Title | Peak chart positions | Certifications | Album | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| AUS [44] |
CAN |
FRA |
GER |
NED |
NZ [84] |
SWE |
UK [41] |
US [85] |
WW [86] | ||||
| 2021 | "Cold Heart (Pnau remix)" (with Elton John and Dua Lipa) |
1 [87] |
1 | 9 | 3 | 2 | 1 | 5 | 1 | 7 | 3 | The Lockdown Sessions | |
Awards and nominations
[edit]AIR Awards
[edit]The Australian Independent Record Awards (commonly known informally as AIR Awards) is an annual awards night to recognise, promote and celebrate the success of Australia's Independent Music sector.
| Year | Nominee / work | Award | Result | Ref. |
|---|---|---|---|---|
| 2011 | Soft Universe | Best Independent Dance/Electronic Album | Won | [94][95] |
| "Solid Ground" | Best Independent Dance/Electronic Single | Nominated | ||
| 2018 | Changa | Best Independent Dance/Electronic Album | Won | [96][95] |
| "Go Bang" | Best Independent Dance/Electronic Single | Won | ||
| 2020 | "Solid Gold" | Nominated | [97] | |
| 2021 | "River" (featuring Ladyhawke) | Best Independent Dance, Electronica or Club Single | Nominated | [98][99] |
| 2022 | "Stranger Love" (with Budjerah) | Nominated | [100][101] | |
| 2023 | "You Know What I Need" (with Troye Sivan) | Nominated | [102] | |
| 2024 | Pnau | Independent Producer of the Year | Nominated | [103] |
| 2025 | Hyperbolic | Best Independent Dance or Electronica Album or EP | Nominated | [104] |
ARIA Awards
[edit]The ARIA Music Awards is an annual awards ceremony held by the Australian Recording Industry Association. They commenced in 1987. Pnau have won 3 awards from 17 nominations.[105]
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2000 | Sambanova | Best Dance Release | Won |
| 2008 | Pnau | Nominated | |
| "Baby" (James Littlemore) | Best Video | Nominated | |
| 2011 | Soft Universe | Best Dance Release | Nominated |
| 2017 | "Chameleon" | Won | |
| Song of the Year | Nominated | ||
| 2018 | Changa | Album of the Year | Nominated |
| "Go Bang" | Best Group | Nominated | |
| Best Dance Release | Won | ||
| Best Independent Release | Nominated | ||
| Song of the Year | Nominated | ||
| Toby Pike and Nick Littlemore - Pnau "Go Bang" | Best Video | Nominated | |
| Pnau Changa Australian Tour | Best Australian Live Act | Nominated | |
| 2019 | "Solid Gold" | Best Dance Release | Nominated |
| Clemens Habicht - "Solid Gold" | Best Video | Nominated | |
| 2020 | Imogen Grist, Nick Littlemore for "Lucky" (featuring Vlossom) | Nominated | |
| All of Us Australian Tour | Best Australian Live Act | Nominated | |
| 2023[106] | "You Know What I Need" (with Troy Sivan) | Best Dance/Electronic Release | Nominated |
APRA Awards
[edit]The APRA Awards are held in Australia and New Zealand by the Australasian Performing Right Association to recognise songwriting skills, sales and airplay performance by its members annually.
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2018 | "Chameleon" | Dance Work of the Year | Nominated |
| Most Played Australian Work | Nominated | ||
| 2019 | "Go Bang" | Dance Work of the Year | Nominated |
| Most Played Australian Work | Nominated | ||
| 2020[107][108] | "Solid Gold" | Most Performed Dance Work of the Year | Nominated |
| 2021[109] | "All of Us" (featuring Ollie Gabriel) | Nominated | |
| 2022[110] | "River" (featuring Ladyhawke) | Nominated | |
| 2024[111] | "You Know What I Need" (featuring Troye Sivan) | Most Performed Dance/Electronic Work | Nominated |
| 2025[112] | "AEIOU" (featuring Empire of the Sun) | Most Performed Dance/Electronic Work | Nominated |
Berlin Music Video Awards
[edit]The Berlin Music Video Awards is a festival that promotes the art of music videos.
| Year | Nominee/Work | Award | Result |
|---|---|---|---|
| 2023 | You Know What I Need | Best Experimental | Nominated |
J Award
[edit]The J Awards are an annual series of Australian music awards that were established by the Australian Broadcasting Corporation's youth-focused radio station Triple J. They commenced in 2005.
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2007[113] | Pnau | Australian Album of the Year | Nominated |
MTV Europe Music Awards
[edit]The MTV Europe Music Awards is an award presented by Viacom International Media Networks to honour artists and music in pop culture.
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2017[114] | themselves | Best Australian Act | Nominated |
National Live Music Awards
[edit]The National Live Music Awards (NLMAs) commenced in 2016 to recognise contributions to the live music industry in Australia.
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2019[115][116] | Pnau | Live Electronic Act (or DJ) of the Year | Nominated |
Rolling Stone Australia Awards
[edit]The Rolling Stone Australia Awards are awarded annually in January or February by the Australian edition of Rolling Stone magazine for outstanding contributions to popular culture in the previous year.[117]
| Year | Nominee / work | Award | Result | Ref. |
|---|---|---|---|---|
| 2022 | Pnau | Rolling Stone Global Award | Nominated | [118] |
Notes
[edit]- ^ /pəˈnaʊ/ pə-NOW and /pɑːˈnaʊ/ pah-NOW are some accepted pronunciations of Pnau.[1] The name is commonly accented to simulate the sound of a gunshot. Nick Littlemore explained the name was the result of an instance when he was speaking in tongues. After shouting gibberish for half an hour, Littlemore decided Pnau would be an appropriate band name.[2] Another theory on the pronunciation, according to one interview with the pair, is "pah-nyeow". The group has on other occasions explained that the name "rhymes with meow".[citation needed]
References
[edit]- ^ "PNAU-Again". About.com. Archived from the original on 15 September 2008. Retrieved 24 October 2010.
- ^ "Vera Meets PNAU". YouTube. Retrieved 24 October 2010.
- ^ a b Wesolowski, David Peter. "PNAU > Biography". Allmusic. Rovi Corporation. Retrieved 2 April 2010.
- ^ "PNAU Sambanova". Australian charts portal. Hung Medien. Retrieved 2 April 2010.
- ^ "ARIA Awards – History: Winners by Year 2000: 14th Annual ARIA Awards". Australian Recording Industry Association (ARIA). Archived from the original on 26 September 2007. Retrieved 2 April 2010.
- ^ a b c "PNAU at Ministry of Sound". Ministry of Sound. Archived from the original on 11 June 2009. Retrieved 26 August 2010.
- ^ a b "Elton John signs Aussie Band PNAU". News.Com.Au. 31 July 2008. Archived from the original on 26 October 2013. Retrieved 26 August 2010.
- ^ a b "Empire of the Sun's Nick Littlemore writing with Elton John". NME. Retrieved 20 May 2010.
- ^ "Tired Big Day Out Performers Ready To Party in Perth After Final Aussie Gig". Perth Now. 7 February 2011. Retrieved 11 February 2011.
- ^ a b "ARIA Charts - Accreditations - 2010". Retrieved 20 May 2010.
- ^ a b "Certified Awards Search". BPI. Archived from the original on 24 September 2009. Retrieved 20 May 2010.
- ^ a b "Empire of the Arias". Empire of the Sun Official. Archived from the original on 5 October 2011. Retrieved 20 May 2010.
- ^ "Cosmo Chats: PNAU". Cosmopolitan. 23 November 2011. Archived from the original on 15 December 2012. Retrieved 11 March 2012.
- ^ doof@cybersonic.aust.com (1996, CD), Discogs, retrieved 13 September 2021
- ^ Evolutionary Vibes III - The Evolution Will Not Be Televised (1998, CD), Discogs, 27 September 1998, retrieved 13 September 2021
- ^ "PNAU Again". Triple J. Australian Broadcasting Corporation (ABC). 31 March 2003. Retrieved 16 April 2010.
- ^ a b Drever, Andrew (17 October 2003). "Pnau and then". The Age. Melbourne: Fairfax Media. Retrieved 16 April 2010.
- ^ a b "Interview: PNAU". FHM. 23 November 2011. Archived from the original on 3 December 2011. Retrieved 11 March 2012.
- ^ Tomas, Juan-Carlo (15 November 2002). "Cookin'". The Sydney Morning Herald. Fairfax Media. Retrieved 16 April 2010.
- ^ "PNAU – Again (CD)". Discogs. Retrieved 26 August 2010.
- ^ a b "Australian Interview - Pnau". Ruth Bailey. Archived from the original on 6 July 2011. Retrieved 26 August 2010.
- ^ "Nick Littlemore discography". Discogs. Retrieved 26 August 2010.
- ^ "Lost Valentinos* - Miles From Nowhere EP at Discogs". Discogs. August 2007. Retrieved 26 August 2010.
- ^ "PNAU - Behind The Scenes". Ministry of Sound. Retrieved 26 August 2010.
- ^ "PNAU Biography" (PDF). pnau.net. Archived from the original (PDF) on 5 February 2009. Retrieved 26 August 2010.
- ^ "Elton John Loves PNAU". Crushable. Archived from the original on 27 July 2011. Retrieved 26 August 2010.
- ^ "Elton John Joins the PNAU Fan Club". Undercover. Archived from the original on 15 December 2007. Retrieved 26 August 2010.
- ^ a b "Rolling Stone: PNAU interview". Rolling Stone. Retrieved 26 August 2010.
- ^ "PNAU - Nick Littlemore - Music". Time Out Sydney. Archived from the original on 13 March 2011. Retrieved 26 August 2010.
- ^ "PNAU Baby (live on Sunrise), with the Talent Zone Dancers". Talent Zone. Retrieved 26 August 2010.
- ^ "PNAU Tracks" (PDF). pnau.net. Archived from the original (PDF) on 5 February 2009. Retrieved 26 August 2010.
- ^ "Walking on a Dream Review". Allmusic. Retrieved 26 August 2010.
- ^ "PNAU Myspace". Myspace. Retrieved 20 May 2010.
- ^ "Empire of the Sun's Nick Littlemore MIA for Five Months; Luke Steele May Be Forced to Play Duo's First-Ever Live Shows Minus His Right-Hand Man". Exclaim News. Archived from the original on 11 July 2012. Retrieved 20 May 2010.
- ^ "Empire of the Sun's Nick Littlemore Leaves Band And Goes Missing!". Take 40. Archived from the original on 20 January 2010. Retrieved 20 May 2010.
- ^ McNamara, Tim. "Littlemore discusses Empire sequel and PNAU's "emotional" new album". The Music Network. Retrieved 26 November 2010.
- ^ "Nick Littlemore joins the circus". Triple J. Retrieved 29 November 2010.
- ^ Hogwood, Ben. "Pnau - Unite Us". Music OMH. Archived from the original on 7 March 2012. Retrieved 18 October 2024.
- ^ "The Jagermeister Independent Music Awards 2011". Archived from the original on 3 April 2012. Retrieved 22 June 2012., Australian Independent Record Labels Association Ltd (AIR), 2012
- ^ "Pete Tong - Essential Selection - 09-03-2012". beatmyday. Archived from the original on 13 March 2012. Retrieved 11 March 2012.
- ^ a b c d "Elton John vs Pnau | full Official Chart history". Official Charts Company. Retrieved 4 March 2017.
- ^ "All of Us will Love new Pnau". auspOp. 27 August 2019. Retrieved 28 August 2019.
- ^ a b c LeFevre, Jules (12 October 2023). "PNAU and Empire of the Sun Team Up for New Single 'AEIOU'". Music Feeds. Retrieved 12 October 2023.
- ^ a b c d e Peak positions in Australia
- For all except noted: "Discography Pnau". Australian Charts Portal. Hung Medien.
- For all ARIA peaks to June 2025:"PNAU ARIA Chart History to June 2025". ARIA. Retrieved 26 June 2025 – via Imgur.com. N.B. The High Point number in the NAT column represents the release's peak on the national chart.
- ^ Williams, Tom (25 August 2017). "Pnau Just Dropped Three New Songs From Their New Album 'Changa'". Music Feeds. Retrieved 26 August 2017.
- ^ "Pnau on Billboard Canadian Hot 100". Billboard. Retrieved 24 April 2025.
- ^ "Discographie PNAU". Les Charts. Retrieved 29 May 2023.
- ^ "Faul & Wad Ad vs. Pnau". offizielle charts. Retrieved 29 May 2023.
- ^ "Top Digital Download - Classifica settimanale WK 15 (dal 07-04-2014 al 13-04-2014)" (in Italian). FIMI. 17 April 2014. Archived from the original on 18 April 2014. Retrieved 17 April 2014.
- ^ "PNAU Top 40-hits". Top40. Retrieved 29 May 2023.
- ^ "NZ Top 40 Singles Chart". Recorded Music NZ. 27 February 2017. Retrieved 24 February 2017.
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External links
[edit]Band members
Current members
Pnau is currently a duo comprising Nick Littlemore and Peter Mayes, following the departure of Sam Littlemore in 2025 after performances supporting their album Hyperbolic.[8] Nick Littlemore serves as the primary vocalist, producer, and multi-instrumentalist, playing a pivotal role in the group's songwriting and electronic production elements since its inception; he is also known for his involvement in the side project Empire of the Sun. His contributions emphasize innovative sound design and melodic structures that blend pop accessibility with experimental electronic textures. Peter Mayes functions as the guitarist and co-producer, bringing instrumental depth through his guitar work and shaping the live performance dynamics of the group. His production input focuses on layering organic guitar elements with synthetic sounds, enhancing Pnau's signature fusion of rock influences and dance music. Together, Littlemore and Mayes have driven the band's recent activities, including high-profile performances such as their set at the 2025 Melbourne Cup.[9] The group expanded to a trio in 2016 with the addition of Sam Littlemore, Nick's brother, who contributed as a producer and multi-instrumentalist, integrating his expertise in electronic beats and remixing into the band's sound during that period. His involvement bolstered the production on albums like Changa (2017), before he stepped away to pursue solo endeavors under the moniker Sam La More.Past contributors
Pnau originally formed as a duo in the 1990s by childhood friends Nick Littlemore and Peter Mayes, who met at Barker College in Sydney and began collaborating on music as teenagers.[10] Littlemore handled vocals and production, while Mayes contributed guitar and production, forming the core creative partnership that defined the group's early sound. Sam Littlemore, Nick's older brother and a producer known as Sam La More, provided early support to the group, including art direction and design for their debut album Sambanova (1999).[11] He later took on a more substantial production role, co-writing and co-producing tracks on Pnau's self-titled third album (2007), where he is credited as an additional producer alongside the duo. The early albums also featured guest musicians, notably on Sambanova, which included contributions from Paul Johannessen on Fender Rhodes electric piano and Gawain McGrath on guitar for select tracks.[11] These collaborations added jazz and instrumental elements to the duo's electronic foundation, though no major recurring guests were noted on the follow-up Again (2003), which remained primarily the work of Littlemore and Mayes.[12] In 2016, Pnau expanded to a trio with Sam Littlemore's official inclusion as a full member, solidifying the lineup at the time after years of his intermittent production involvement.[13]Career
Formation and early years (1990s–2002)
Pnau was formed in Sydney during the early 1990s by childhood friends Nick Littlemore and Peter Mayes, who met as teenagers at Barker College in the suburb of Hornsby. Bonded by a shared fascination with industrial and cyberpunk music, including acts like Meat Beat Manifesto, the duo began experimenting with electronic sounds around age 12, initially setting up a makeshift studio in a backyard shed equipped with a Roland SH-101 synthesizer. Their early influences drew from the burgeoning electronic and hip-hop scenes, encompassing techno, trance, and sampling-heavy production techniques that shaped their initial forays into music-making. The duo's debut album, Sambanova, emerged in July 1999 via the independent Peking Duck label, marking a bold entry into Australia's dance music landscape. Recorded at Creative Vibes' studio in Mosman, the production process heavily relied on sampling from an extensive vinyl collection sourced from collaborators Pete and Heidi Pasqual, incorporating elements from jazz, funk, disco, and world music to create layered, groovy tracks blended with synthesizers and beats. Notable examples include the title track "Sambanova," which samples "Que Tal America" by Two Man Sound—a Latin-inspired world music piece—and "King Kong" by The Jimmy Castor Bunch, a funk classic, filtered and manipulated to form a distinctive downtempo electronica sound.[14] Critically, the album was hailed as a confident fusion of deep house, future jazz, and downtempo, earning it the No. 26 spot on Double J's list of the best Australian albums of the 1990s for its innovative approach to dance music.[15] In October 2000, Sambanova secured the ARIA Award for Best Dance Release, recognizing its impact despite subsequent challenges with uncleared samples that led to a temporary withdrawal from stores.[16] During this period, Pnau immersed themselves in Sydney's electronic underground, performing at intimate venues like the Underground café (later known as Candy's Apartment) and Creative Vibes parties alongside international acts such as Mr. Scruff. These early live sets, often debuting tracks from Sambanova, garnered enthusiastic responses from local crowds and helped build a grassroots following within the city's rave and club scene, supported by airplay on triple j and features on Rage and Alchemy. By 2000–2002, the success of Sambanova and its lead single fueled growing hype around Pnau, positioning them for broader recognition in Australia's electronic music circuit while they navigated the album's re-release with edited samples to address clearance issues.Breakthrough and challenges (2003–2009)
Following the release of their debut album Sambanova, Pnau shifted toward a more experimental electronic sound with their second album, Again, issued on October 17, 2003, by Warner Music Australia under the WEA imprint.[17] The record blended leftfield electronics, house rhythms, and synth-pop elements, featuring tracks like the title song "Again" and the extended "Bubbles 'N' Mum," which showcased their boundary-pushing production style.[12] However, Again received mixed critical reviews for its uneven execution and failed to achieve commercial success, stalling the duo's momentum as they struggled to define a cohesive identity beyond their early big-beat influences.[10] Chart performance was modest, with limited radio play and sales in Australia, contributing to a sense of creative frustration for Nick Littlemore and Peter Mayes.[18] Post-Again, Pnau encountered significant label issues with Warner Music, including disputes over artistic direction that led to the project being shelved and an abandoned follow-up album.[10] This period marked a brief hiatus from 2005 to 2007, during which the duo grappled with creative blocks, experimenting with side projects while seeking independence from major-label constraints.[19] The fallout prompted them to part ways with Warner, allowing a self-financed reinvention on the independent label etcetc.) These challenges ultimately fueled a more focused approach, as Littlemore later reflected on the "messy" phase as a necessary regrouping.[19] In 2007, Pnau released their self-titled third album on November 12, marking a bold reinvention through pop-electronic fusion that emphasized complete, vocal-driven songs over instrumental grooves.[19] Tracks like "Embrace," featuring vocals from Ladyhawke (Pip Brown), and "With You Forever," with contributions from Luke Steele of The Sleepy Jackson, highlighted this evolution with uplifting, anthemic hooks and collaborations that added emotional depth.[19] The album garnered international attention, praised by Elton John as "the best thing he'd heard in a decade," which opened doors for future mentorship and elevated Pnau's profile beyond Australia.[19] Critics noted its positive, journey-like quality, though it remained a cult favorite rather than a mainstream breakthrough.[20] During this transitional era, Nick Littlemore's collaboration with Luke Steele extended to forming Empire of the Sun in 2007, an electronic project that built directly on their work together for "With You Forever."[19] The duo's debut album Walking on a Dream (2008) achieved global success, peaking in international charts and winning multiple ARIA Awards in 2009.[21] While Empire of the Sun operated separately, its rapid rise boosted Pnau's visibility in the electronic scene, drawing renewed interest to their catalog without eclipsing the core duo's efforts.[21] This side venture provided Littlemore creative outlet amid Pnau's challenges, helping sustain momentum through the late 2000s.[22]Collaborations and revival (2010–2015)
In 2011, Pnau released their fourth studio album, Soft Universe, which marked a shift toward more accessible electro-pop with anthemic structures and global appeal. The album featured intricate production emphasizing glamour, expansiveness, and soft electronic sounds infused with cosmic synths and funky bass lines, drawing influences from diverse sources like 1980s synth-pop and emotional balladry. Tracks such as "Solid Ground" and "Twist of Fate" showcased warm synths and kooky vocals reminiscent of their Empire of the Sun work, while "Everybody" stood out as a joyous break-up anthem. Released on 15 July 2011 through Etcetc Music, Soft Universe debuted at number 13 on the ARIA Albums Chart and received modest praise for its confidence and catchiness, though some critics noted issues with mastering and an over-reliance on 1980s references.[23][24][25] The pivotal collaboration of this era came in 2012 when Pnau partnered with Elton John on Good Morning to the Night, a remix album that reimagined John's early 1970s catalogue into eight dance-oriented tracks by sampling over 40 songs, primarily deep cuts rather than hits. The production process involved granting Pnau access to John's original multitracks, which they edited manually without time-stretching or click tracks—cutting audio by hand to align tempos ranging from 50 to 180 BPM using Pro Tools on a 2010 Mac Pro setup with analogue outboard gear like Eventide H3000 effects. Elton John, a fan since purchasing 100 copies of Pnau's 2007 self-titled album during his Australian tour, initiated the project by offering his archives. Released on 13 July 2012 via Mercury Records, the album debuted at number 1 on the UK Albums Chart—John's first chart-topper there in 22 years—and also topped the ARIA Albums Chart in Australia, achieving gold certification and providing significant international exposure.[26][27][28][29][30] During this period, Pnau continued remix work for other artists, including contributions to tracks like "Changes" (a 2013 mashup with Faul & Wad Ad that became a European hit) and various electronic reinterpretations that built on their reputation for blending vintage samples with modern dance elements. They also featured on select projects, maintaining momentum through production partnerships in the electro-pop scene. The success of Good Morning to the Night revitalized Pnau's live presence, leading to increased festival appearances and headline shows from 2012 onward. Notable performances included a set at the Ibiza 123 Festival in San Antonio, Spain, on 2 July 2012, and headlining the New Year's Eve "On the Harbour" event in Sydney on 31 December 2012 alongside Ajax. These outings, combined with tours supporting the album's promotion, helped solidify their revival as a key electronic act in Australia and internationally.[32]Expansion and Hyperbolic era (2016–present)
In 2016, Pnau solidified as a trio with the full integration of Sam Littlemore, brother of co-founder Nick Littlemore and previously known as producer Sam La More, who had contributed to earlier works.[13] This lineup shift marked a return to a more collaborative dynamic, culminating in the release of their fifth studio album, Changa, on November 10, 2017, via etcetc Music. The album explored themes of personal and societal change, infused with psychedelic elements drawn from the band's experimental roots, blending euphoric rave sequences with introspective electronic textures.[33] Key singles such as "Chameleon" highlighted this evolution, featuring vibrant, shape-shifting production that earned critical acclaim for revitalizing Pnau's dancefloor energy while pushing futuristic boundaries.[34] Reviewers praised Changa for its eccentric fusion of past influences and forward-looking sound, positioning it as a triumphant return after a five-year hiatus from full-length releases.[35] Following Changa, Pnau entered a period of hiatus from 2020 to 2023, focusing on selective collaborations amid global disruptions, before announcing their sixth studio album, Hyperbolic, in late 2023.[36] Released on March 22, 2024, through etcetc, the album featured 12 tracks that blended retro-futurism with contemporary electronic production, incorporating nostalgic synths and pulsating rhythms to evoke a sense of hyperbolic expansion.[37] Standout collaborations included "AEIOU" with Empire of the Sun, a vocal-driven anthem that merged the groups' shared aesthetic of cosmic pop, alongside features from artists like Khalid on "The Hard Way" and Bebe Rexha on "Stars."[38] Critics noted the album's ambitious scope, with its production emphasizing layered, euphoric builds that reflected the trio's matured synergy.[39] The trio's remix work gained renewed prominence during this era, starting with their 2021 rework of Elton John's "Cold Heart" featuring Dua Lipa, which mashed up four classic tracks into a chart-topping disco-infused hit and secured an American Music Award for Favorite Collaboration in 2022.[40] Building on this momentum, Pnau delivered high-profile remixes in subsequent years, including the November 2024 remix of Coldplay's "ALL MY LOVE", which amplified the original's emotional core with vibrant electronic flourishes.[41] Their February 2024 take on Sophie Ellis-Bextor's "Murder on the Dancefloor" injected pulsating house energy into the 2001 classic, reigniting its viral resurgence.[42] In August 2025, Pnau remixed Parcels' "Yougotmefeeling," transforming the indie track into a dynamic, feel-good electronic cut that showcased their signature upbeat production.[43] By 2025, Pnau maintained active momentum through live performances across Australia, including DJ sets at the Big Pineapple Festival in Woombye on November 1 and Harvest Rock in Adelaide on October 26, as well as a headline slot at the Lexus Melbourne Cup Day at Flemington Racecourse on November 4.[44] These appearances underscored the band's enduring appeal in the electronic scene, with no major new album announcements as of November 2025, though their collaborative output suggested ongoing creative exploration.[45]Musical style and influences
Core elements
Pnau's music is fundamentally rooted in electronic dance music (EDM), blending elements of pop, synth-pop, and indie influences to create vibrant, anthemic tracks designed for both club environments and broader pop appeal.[46][47] This core genre framework emphasizes rhythmic drive and melodic hooks, often incorporating disco-infused grooves and psych-pop flourishes that evoke a sense of euphoric escapism.[46] A hallmark of their production style is the heavy incorporation of sampling, particularly in early works where they drew from diverse sources such as jazz, hip-hop, funk, and Latin rhythms to build layered, eclectic soundscapes—for instance, the debut album Sambanova featured uncleared samples from tracks like Two Man Sound's "Que Tal America" and The Jimmy Castor Bunch's "King Kong," resulting in a fusion of deep house and future jazz elements.[14][3] Over time, this evolved into more refined techniques like manual multitrack editing and time-aligned sampling without heavy reliance on pitch-shifting, combined with layered synthesizers and upbeat, medium-tempo rhythms around 116 bpm to craft polished, dance-pop arrangements.[26] Their use of outboard gear, such as Eventide H3000 for effects and UAD plugins for EQ and compression, contributes to a signature ostentatious sound that balances analogue warmth with digital precision.[26] Thematically, Pnau's work often explores cosmic and hyperbolic motifs through escapist lyrics that conjure otherworldly or euphoric narratives, paired with kitsch and playful aesthetics in both sound design and visuals—evident in the DayGlo riot of fizzing pop and squelchy disco that permeates their output, fostering a festival-ready, soul-warming vibe.[46][47] Central to their identity are the vocals of Nick Littlemore, which are characteristically processed to achieve an ethereal, sparkly falsetto quality through tools like Antares Auto-Tune and Waves RVox, creating a haunting yet accessible layer that elevates the synth-driven compositions.[26][46] This vocal approach, often bold and brassy in delivery, integrates seamlessly with the upbeat rhythms and sampled elements to define Pnau's distinctive, innovative electronic sound.[47]Evolution over time
Pnau's musical journey began in the late 1990s with their debut album Sambanova (1999), which blended sample-heavy deep house and funky house elements infused with jazz, Latin, and hip-hop flavors, creating a lo-fi, eclectic fusion that captured underground rave energy.[48][49] This raw, experimental approach marked their initial foray into electronic music, emphasizing playful sampling and diverse genre crossovers that set a kitsch, boundary-pushing tone.[50] By the early 2000s, Pnau's sound evolved toward more leftfield and synth-pop-infused house on Again (2003), introducing messier, progressive structures that leaned into electro and tech house while retaining the group's signature exuberance and genre-blending innovation.[12][51] This period solidified their experimental electronica roots, moving away from the sample-driven density of Sambanova toward broader sonic explorations that highlighted their performance-art-like approach to electronic composition.[52] The self-titled album Pnau (2007) represented a pivotal shift to electro-house and bloghouse aesthetics, with infectious, high-energy tracks that embraced the era's indie-pop and nu-disco trends, achieving a more polished yet kitsch-driven accessibility.[47][53] This evolution from underground experimentation to zeitgeist-capturing dance anthems broadened their appeal while maintaining a cheeky, visual-identity-infused core.[54] Entering the 2010s, Pnau adopted a softer, pop-oriented revival with Soft Universe (2011), incorporating rock-anthem choruses and euphoric electro-pop melodies that diverged from their prior straightforward dance focus, emphasizing emotional depth and universal themes through up-tempo, cathartic structures.[55][23] This album's accessible, feature-light sound marked a transitional phase toward mainstream viability, channeling influences like Daft Punk in its blend of nostalgia and futurism. By Changa (2017), their style expanded into psychedelic, cosmic electronica with late-90s synth nostalgia, hyperkinetic funk, and genre-blending disco elements, creating mind-expanding, hedonistic tracks that evoked rave euphoria while pushing experimental boundaries further.[13][56][57] In the 2020s, Hyperbolic (2024) refined this trajectory into polished, collaborative pop-dance, fusing disco-infused anthems with soulful, nostalgic indie and indie flair, incorporating guest features from artists like Khalid and Troye Sivan to enhance its multifaceted, modern appeal.[58][59] Overall, Pnau's evolution traces a path from sample-heavy underground fusions to mainstream, adaptive electronica, consistently retaining a kitsch, celebratory essence amid trend-responsive shifts.[37]Discography
Studio albums
Pnau's debut studio album, Sambanova, was released in July 1999 by the independent label Peking Duck. Recorded in a bedroom studio setup, the album blends deep house, funky house, and elements of funk, hip-hop, Latin, and jazz across its 12 tracks, including "Journey Agent," "Mellotron," "Keep On Truckin'," "Hard Biscuit," "Sambanova," "Need Your Lovin' Baby," and "Direct Drive." It earned an ARIA Music Award for Best Dance Release, marking an early cultural milestone in Australian electronic music, though the album was later recalled in 2000 due to unresolved sample clearance issues, limiting its commercial distribution.[11][3][10] The group's second album, Again, arrived on October 17, 2003, via Warner Music Australia. This 14-track release explores experimental electronic sounds in styles like leftfield, house, and synth-pop, featuring songs such as "Enuff Tools," "Again," and "Shock." Despite critical praise for its innovative approach following Sambanova, the album struggled commercially and did not achieve significant chart success.[17][52] Pnau's self-titled third album, Pnau, was issued on November 12, 2007, by the independent label etcetc in Australia (and Pnau Records and Tapes for the LP edition). The 11-track effort represents a reinvention with electro and bloghouse influences, incorporating samples and vocals that caught the attention of Elton John, leading to future collaborations; key singles integrated include "Embrace" and "With You Forever." It received positive reception for its bold production and peaked at number 31 on the Australian albums chart.[60][19] Soft Universe, released on July 22, 2011, by etcetc, marks Pnau's fourth studio album and shifts toward a more emotional, thematic exploration inspired by personal experiences. The 11-track record features lush electronic arrangements and vocals from artists like Marques Toliver, with standout songs including "Unite Me" and "The Truth." It achieved moderate sales success, peaking at number 13 on the ARIA Albums Chart, and was noted for its introspective depth compared to prior works.[61] Pnau's fifth album, Changa, came out on November 10, 2017, through etcetc, marking their first release as a trio following Sam Littlemore's return in 2016. The 12-track project draws on themes of change and celebration, featuring vibrant electro house and dance-pop with guest vocals from artists like Kira Divine; notable tracks include "Chameleon," "Changes," and "Embrace." Its colorful, psychedelic artwork reflects the album's festival-ready energy, described as a "DayGlo riot of fizzing pop [and] squelchy disco," and it earned seven ARIA Award nominations, including Album of the Year. The release debuted and peaked at number 11 on the ARIA Albums Chart.[62][46][56][63] The latest studio album, Hyperbolic, was released on March 22, 2024, by etcetc (under license to Columbia Records). This 10-track pop-oriented effort, Pnau's first in seven years, emphasizes communal celebration with collaborations like "AEIOU" featuring Empire of the Sun and "Solid Gold" with Kira Divine and Marques Toliver; other highlights include "River" and "Stars." Critics praised its refreshed sound diverging from prior festival anthems toward accessible electro-pop, noting its high-energy production and emotional resonance. It debuted at number 7 on the ARIA Albums Chart.[64][37]Remix and compilation albums
Pnau has ventured into remix and compilation albums as extensions of their electronic sound, often reinterpreting their own material or collaborating on transformative projects with other artists. These releases highlight their production prowess in blending original compositions with external remixes, creating derivative works that expand their discography beyond studio efforts.[65] In 2008, Pnau released PNAU [Remix Album], a dedicated compilation featuring remixes of tracks from their self-titled 2007 album by various international producers. The album includes reinterpretations such as Breakbot's funky take on "Baby," The Aston Shuffle's extended "Just Whoa" version of the same track, and Fred Falke & Miami Horror's disco-infused remix of "Embrace." Other notable contributions encompass Dirty South's vocal-driven remix of "With You Forever" and Sam La More's upbeat rework of "Sambanova," resulting in a 13-track collection that showcases diverse electronic subgenres like house and electro. This release served as a creative outlet for Pnau's early catalog, emphasizing their appeal to remix culture.[65] A significant milestone came in 2012 with Good Morning to the Night, a collaborative remix album crediting Elton John vs. Pnau, where the duo sampled and reimagined elements from John's extensive catalog to produce five new tracks. The project transforms classics like "Rocket Man" and "Bennie and the Jets" into modern electronic anthems, with Pnau layering micro-samples into fresh compositions such as the title track and "Sad." The standard edition peaked at number 16 on the UK Albums Chart, demonstrating the commercial viability of their remix approach. The deluxe edition, expanded in the same year, adds remixes, including Seamus Haji's club-oriented version of "Sad" and The 2 Bears' deeper house rendition, for a total of 13 tracks and providing deeper explorations of the material. This album marked Pnau's first major international collaboration and underscored their skill in compilation-style remixing.[66][67]Singles
Pnau's singles discography reflects their evolution from underground house tracks to mainstream electronic anthems and high-profile remixes, often serving as lead promotions for their albums or standalone collaborations. In their early years, Pnau released "Need Your Lovin' Baby" in 2000 as a vinyl single, drawing from deep house influences and marking their debut on Warner Music Australia; it sampled Average White Band's "Cut the Cake" and helped build buzz around their Sambanova album.[68] This was followed by the 2001 single "Follow Me," a funky house track that showcased their experimental production style.[69] By 2003, they issued the double A-side 12" single "We Love the Fresh Kills / Again," tying into their sophomore album Again and blending leftfield electronics with synth-pop elements.[17] The 2008 single "Embrace," featuring uncredited vocals from Ladyhawke, was the third release from their self-titled album Pnau; the electro-house track received strong radio play and peaked at number 55 on the ARIA Singles Chart.[70][71] During their revival period, "Unite Us" emerged in 2011 as the lead single from Soft Universe, an uplifting electronic pop song that highlighted their shift toward more accessible sounds.[72] In 2013–2014, they contributed to the international hit "Changes" with French duo Faul & Wad Ad, a deep house remake of a Black Box sample that topped charts in several European countries and introduced Pnau to a broader global audience.[73] Pnau's later hits gained significant commercial traction. "Chameleon," released in November 2016 as the lead single from Changa, became a festival staple with its shape-shifting synths and peaked at number 4 on the ARIA Singles Chart, earning platinum certification and winning Best Dance Release at the 2017 ARIA Music Awards.[74][75] "AEIOU," a 2023 collaboration with Empire of the Sun, blended cosmic pop with electronic grooves and peaked at number 16 on the ARIA Australian Dance Singles Chart.[76] From their 2024 album Hyperbolic, "So High" (featuring Emily Wurramara) served as a promotional teaser, emphasizing soaring vocals over hyperbolic production. "Solid Gold," featuring Kira Divine and Marques Toliver, arrived in 2019 as a standalone single previewing their mature sound, with glittering synths evoking nostalgia.[77] Pnau has also excelled in remixes released as lead singles. Their 2021 rework of "Cold Heart" for Elton John and Dua Lipa transformed 1970s samples into a modern disco hit, topping the ARIA Singles Chart for seven weeks and achieving multi-platinum status worldwide.[78] In 2024, the "ALL MY LOVE" remix with Coldplay infused the original track with pulsating electronic energy, extending its run on global playlists. Most recently, in 2025, Pnau delivered the remix for Parcels' "Yougotmefeeling," amplifying its indie-dance vibe into a club-ready anthem. These non-charting promotional releases, like early EP tracks and album teasers, often experimented with remixing their own catalog to maintain fan engagement.Awards and nominations
ARIA Music Awards
Pnau first received recognition at the ARIA Music Awards for their debut album Sambanova, which won Best Dance Release at the 2000 ceremony.[16] The album's eclectic blend of house, funk, hip-hop, Latin, and jazz elements marked an early highlight in their career, earning the group their initial industry accolade despite subsequent challenges with sample clearances that led to its temporary withdrawal from shelves shortly after the win.[10] The group returned to the ARIA spotlight in 2017 with nominations for their single "Chameleon" from the album Changa, ultimately securing the Best Dance Release award.[79] This victory highlighted Pnau's resurgence in electronic music, with the track's vibrant production and visual performance at the ceremony underscoring their innovative approach.[7] In 2018, Pnau dominated the nominations with seven nods centered on Changa and related works, including Album of the Year for the album itself and Best Dance Release for "Go Bang," which they won.[63] Additional nominations encompassed Best Group and Best Independent Release (for Changa), Song of the Year and Best Video (for "Go Bang"), and Best Australian Live Act for the Pnau Changa Australian Tour.[63] These achievements affirmed Changa's impact, blending psychedelic influences with dancefloor energy and solidifying Pnau's status in Australian electronic music.[80]| Year | Category | Work | Result | Source |
|---|---|---|---|---|
| 2000 | Best Dance Release | Sambanova | Won | ARIA Past Winners |
| 2017 | Best Dance Release | "Chameleon" | Won | ARIA Past Winners |
| 2018 | Album of the Year | Changa | Nominated | ARIA Nominees Announcement |
| 2018 | Best Dance Release | "Go Bang" | Won | ARIA Past Winners |
| 2018 | Best Group | Pnau | Nominated | ARIA Nominees Announcement |
| 2018 | Best Independent Release | Changa | Nominated | ARIA Nominees Announcement |
| 2018 | Song of the Year | "Go Bang" | Nominated | ARIA Nominees Announcement |
| 2018 | Best Video | "Go Bang" | Nominated | ARIA Nominees Announcement |
| 2018 | Best Australian Live Act | Pnau Changa Australian Tour | Nominated | ARIA Nominees Announcement |
Other major awards
Pnau has received recognition at several international music awards, particularly for their remix work on "Cold Heart" with Elton John and Dua Lipa. At the 2022 Billboard Music Awards, the track won Top Dance/Electronic Song, marking Pnau's first victory in this category. Similarly, at the 2022 American Music Awards, "Cold Heart (PNAU Remix)" secured the Collaboration of the Year award, highlighting the group's impact on global pop collaborations. The song also earned nominations at the 2022 MTV Video Music Awards for Song of the Year and Best Collaboration, as well as nominations for Song of the Year and Best Dance/Electronic Recording at the 64th Annual Grammy Awards, underscoring its commercial and artistic success.[81][82] In the realm of Australian independent music accolades, Pnau has been honored at the AIR Awards. In 2018, they won Best Independent Dance/Electronica Album for Changa and Best Independent Dance/Electronica Single for "Go Bang," establishing their prominence in the indie electronic scene.[83] Earlier, in 2011, the group received nominations at the same awards for Best Independent Dance/Electronic Album (Soft Universe) and Best Independent Dance/Electronic Single ("Solid Ground"). Pnau's contributions to songwriting have been acknowledged through APRA Music Awards nominations. "Chameleon" was nominated for Most Performed Australian Work in 2018, while "Go Bang" earned a nod for Dance Work of the Year in 2019. In 2020, "Solid Gold" was nominated for Most Performed Dance Work of the Year. In 2024, "You Know What I Need" featuring Troye Sivan was nominated for Most Performed Dance/Electronic Work. More recently, their 2024 collaboration "AEIOU" with Empire of the Sun received a nomination for Most Performed Dance/Electronic Work at the 2025 APRA Music Awards.[84] On the international stage, Pnau members Nick Littlemore, Peter Mayes, and Sam Littlemore were credited on the Elvis soundtrack, earning a nomination for Best Compilation Soundtrack for Visual Media at the 2023 Grammy Awards.[85] Additionally, Pnau was nominated for Best Australian Act at the 2017 MTV Europe Music Awards.[86]| Award | Year | Category | Work | Result |
|---|---|---|---|---|
| Billboard Music Awards | 2022 | Top Dance/Electronic Song | "Cold Heart (PNAU Remix)" | Won |
| American Music Awards | 2022 | Collaboration of the Year | "Cold Heart (PNAU Remix)" | Won |
| MTV Video Music Awards | 2022 | Song of the Year | "Cold Heart (PNAU Remix)" | Nominated |
| MTV Video Music Awards | 2022 | Best Collaboration | "Cold Heart (PNAU Remix)" | Nominated |
| Grammy Awards | 2022 | Song of the Year | "Cold Heart (PNAU Remix)" | Nominated |
| Grammy Awards | 2022 | Best Dance/Electronic Recording | "Cold Heart (PNAU Remix)" | Nominated |
| AIR Awards | 2018 | Best Independent Dance/Electronica Album | Changa | Won |
| AIR Awards | 2018 | Best Independent Dance/Electronica Single | "Go Bang" | Won |
| APRA Music Awards | 2024 | Most Performed Dance/Electronic Work | "You Know What I Need" (featuring Troye Sivan) | Nominated |
| Grammy Awards | 2023 | Best Compilation Soundtrack for Visual Media | Elvis (soundtrack) | Nominated |
| MTV Europe Music Awards | 2017 | Best Australian Act | N/A | Nominated |
References
- https://www.[whosampled](/page/WhoSampled).com/PNAU/remixed/
