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Rabbit Is Rich
Rabbit Is Rich
Rabbit Is Rich
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Rabbit Is Rich is a 1981 novel by John Updike. It is the third novel of the tetralogy that begins with Rabbit, Run, continues with Rabbit Redux, and concludes with Rabbit at Rest. There is also a related novella, Rabbit Remembered (2001). Rabbit Is Rich was awarded the Pulitzer Prize for Fiction and the National Book Award for Fiction[1][a] in 1982, as well as the National Book Critics Circle Award for Fiction in 1981. The first-edition hardcover "rainbow" dust jacket for the novel was designed by the author and is significantly different from the horizontal-stripe designs deployed on the other three Rabbit novel covers. Subsequent printings, however, including trade paperbacks, feature the stripe motif with stock images of a set of car keys or an image of a late-1970s Japanese automobile.

Key Information

Plot summary

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This third novel of Updike's Rabbit series examines the life of Harry "Rabbit" Angstrom, a one-time high school basketball star, who has reached a paunchy middle-age without relocating from Brewer, Pennsylvania, the poor, fictional city of his birth. Harry and Janice, his wife of 22 years, live comfortably, having inherited her late father's Toyota dealership. He is indeed rich, but Harry's persistent problems—his wife's drinking, his troubled son's schemes, his libido, and spectres from his past—complicate life. Having achieved an opulent lifestyle that would have embarrassed his working-class parents, Harry is not greedy, but neither is he ever quite satisfied. Harry has grown smitten with a country-club friend's young wife. He worries about Nelson, his indecisive son, a student at Kent State University. Throughout the book, Harry wonders whether his former lover, Ruth, ever gave birth to their illegitimate daughter.[2]

Notes

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References

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Rabbit Is Rich

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Rabbit Is Rich is a 1981 novel by American author , serving as the third entry in his four-part that traces the life of protagonist Harry "Rabbit" Angstrom from young adulthood through old age. Published by , the book is set in 1979 in the fictional town of Brewer, Pennsylvania, and follows Angstrom, a former high school basketball star turned middle-aged car salesman, as he navigates prosperity, family tensions, and personal dissatisfaction amid the economic and cultural shifts of late-1970s America. Widely regarded as a pinnacle of Updike's career, Rabbit Is Rich won the 1982 , the , and the for Fiction, cementing its status as a landmark in postwar . The narrative picks up a decade after the events of (1971), with now thriving as the chief sales representative at Springer Motors, his father-in-law's dealership, enjoying financial stability and a seemingly settled family life with Janice. However, this comfort is disrupted by the return of his son Nelson, a dropout entangled in his own romantic and professional troubles, as well as lingering echoes from Angstrom's past infidelities and broader anxieties about aging, mortality, and societal change during the era of and the oil crisis. Updike employs a stream-of-consciousness style interspersed with vivid, sensory descriptions of suburban existence, capturing Angstrom's internal conflicts without overt plot contrivances, making it the longest and most introspective installment in the series to that point. At its core, Rabbit Is Rich delves into themes of middle-aged complacency and decline, the illusions of wealth and happiness, and the inexorable passage of time, using Angstrom as an everyman figure to reflect the disillusionments of post-1960s America. Critics praised Updike's unflinching yet compassionate portrayal of ordinary lives, with the novel's humor, eroticism, and psychological acuity earning it acclaim as a mature evolution of the series' exploration of the American dream's fragility. Its critical and commercial success—bolstered by Updike's reputation following earlier works like Rabbit, Run (1960)—highlighted his mastery of realist fiction, influencing subsequent depictions of suburban malaise in literature.

Background and Publication

Publication History

Rabbit Is Rich was published in hardcover by Alfred A. Knopf on September 12, 1981, with the ISBN 0-394-52087-4. The novel marks the third installment in John Updike's Rabbit Angstrom tetralogy, coming a decade after Rabbit Redux (1971) and two decades after the series opener Rabbit, Run (1960). This temporal spacing mirrors the series' deliberate structure, with each book set during the ninth year of a decade—Rabbit Is Rich unfolds in 1979—and composed in the preceding year before release at the decade's start. Updike's writing process for the novel involved integrating everyday routines like to sustain focus amid his prolific output, which included contributions to . The book spans approximately 467 pages in its first edition. Knopf issued a limited first edition of 350 signed and numbered copies on special paper and bound in gray cloth, distinct from the trade edition.

Context in the Rabbit Angstrom Series

Rabbit Is Rich serves as the third installment in John Updike's Rabbit Angstrom series, following (1960) and (1971), and preceding (1990). Set in 1979, the novel advances the timeline by a decade from the 1969 events of , capturing Harry "Rabbit" Angstrom in his mid-forties amid the era's social and economic turbulence. The series traces Rabbit's life from his restless youth in late-1950s suburban in , through the cultural upheavals of the late 1960s in , to his middle-aged complacency and familial tensions in Rabbit Is Rich, culminating in his declining health and reflections on legacy during 1988–1989 in . This arc spans over three decades, portraying Rabbit's evolution from a former high school athlete grappling with entrapment to an aging confronting mortality. Updike conceived the tetralogy as a chronicle of American middle-class existence, embedding Rabbit's personal struggles within broader historical shifts, including the post-Vietnam disillusionment of the and economic pressures like the oil crisis and that permeate Rabbit Is Rich. Through this framework, the series functions as a social and political barometer of postwar America, highlighting themes of , , and spiritual unease in Protestant, small-town life. The narrative continuity extends beyond the tetralogy with the 2000 novella , included in Updike's collection Licks of Love, which acts as a postscript set a decade after and reconnects the Angstrom family dynamics, providing closure to unresolved threads from the series.

Content

Plot Summary

Harry "Rabbit" Angstrom, now 46 years old and a former high school star, serves as co-owner and sales manager of the Springer Motors Toyota dealership in Brewer, , during the economic turbulence of , marked by high and the ongoing . He lives a comfortable middle-class life with his wife Janice, who struggles with , and her widowed mother Bessie in the Springer family home after their own house burned down years earlier. Their son Nelson returns home from with his girlfriend Melanie, later bringing home his pregnant fiancée Pru and seeking greater involvement in the dealership, introducing new family tensions. Amid these dynamics, Harry harbors persistent fantasies about Cindy Murkett, the young wife of a acquaintance. Meanwhile, the family embarks on a vacation to the with the Harrisons and Murketts, where a wife-swapping arrangement occurs, pairing Harry with Thelma Harrison and complicating relationships. Back home, Nelson's mismanagement at the dealership escalates, including crashing a car during a dispute; after a rushed to Pru due to her , Nelson runs off with . The plot reaches its climax when Harry encounters a mysterious young woman at the dealership who strikingly resembles his deceased former lover Ruth Byer from two decades prior; suspecting she might be their daughter, Harry travels to confront Ruth, who reveals she had aborted the pregnancy. In resolution, Harry and Janice welcome their granddaughter's birth, settling into a new home and embracing the stability of their middle-class existence as the novel concludes on .

Characters

Harry "Rabbit" Angstrom, the , is a middle-aged dealer who has achieved financial prosperity but remains restless and self-indulgent, marked by his lecherous tendencies, womanizing, and nostalgic fixation on his youthful athletic past. He embodies the "l’homme moyen sensuel," preoccupied with sensory pleasures like sex, , and , while harboring an innocent faith in , America, and consumer goods, yet he grapples with resentment, physical decline—gaining weight—and an emerging awareness of mortality. In his relationships, Rabbit maintains a tense with his wife Janice, a strained rivalry with his son Nelson, and an affable business partnership with Charlie Stavros, all while reflecting a broader American of seeking escape amid suburban comfort. His arc in the novel highlights a hardening of heart alongside moments of , underscoring his self-centered yet vaguely empathetic nature. Janice Springer Angstrom, Rabbit's wife, is an unfulfilled suburban housewife who copes with marital dissatisfaction through alcohol and social engagements, representing the ennui of middle-class domesticity. She is depicted as stubborn, resilient, and pragmatic, enjoying tennis and country-club activities while adapting to the era's loosening sexual mores, though her coarse, resentful demeanor and indifferent approach to housekeeping reveal underlying tensions. In family dynamics, Janice navigates a fraught partnership with Rabbit—marked by mutual fussing and fornication—and supports their son Nelson, while her past affair with Charlie Stavros has evolved into a more amicable coexistence within the household. Her development emphasizes a gradual assertion of independence amid the constraints of her role as mother and wife. Nelson Angstrom, Rabbit and Janice's adult son, is a rebellious and petulant young man who returns from harboring deep toward his parents, particularly over past tragedies, fueling a strained father-son . Self-centered and aggressive, with a history of use, Nelson mirrors his father's immaturity while criticizing their freedoms, often acting as a "Mr. Spoil-it-All" who disrupts plans through his lack of manners and sense of . His relationship with Pru is turbulent, marked by mistreatment, as he seeks a role in the family business amid personal confusion and a godless outlook that contrasts with his parents' . Pru Angstrom, née Priscilla, is Nelson's pregnant wife, embodying the younger generation's quest for stability within the Angstrom family's chaotic dynamics. She endures hardships with a sense of resignation, her gravid state highlighting the physical and emotional toll of her marriage, while her interactions with the in-laws underscore the generational tensions and her position as an outsider navigating familial betrayals. Among supporting characters, Charlie Stavros serves as Rabbit's affable business partner and best friend at the dealership, a confident and sexually potent figure whose past role as Janice's lover has transitioned into a friendly integration within the circle. , a bitter and Rabbit's ex-teammate, belongs to the middle-aged country-club set, sharing commerce-driven beliefs and social activities with the family, including membership in the jolly Flying Eagle group. Thelma Harrison, Ronnie's wife afflicted with , is a key figure in Rabbit's social explorations, adoring him and representing shifting marital norms through her bold personality. Other figures, such as the smooth-talking Webb Murkett and his wife Cindy, populate the Angstroms' suburban world, ensnaring in and group socializing that reflect the era's hedonistic undercurrents.

Analysis

Themes

In Rabbit Is Rich, explores the through Harry "Rabbit" Angstrom's newfound prosperity as a dealership manager amid the and economic , where his success selling fuel-efficient cars symbolizes a superficial embrace of that masks deeper spiritual voids. Rabbit's accumulation of wealth, including investments in and silver, reflects the era's inflation-driven obsession with financial security, yet it underscores a hollowness in his life, as his indulgences in and possessions contribute to physical decline without fulfilling existential needs. The novel delves into and aging as Rabbit, now in his forties, grapples with mortality and for his youthful athleticism, often escaping through fantasies of running or sexual pursuits that highlight his of inevitable decay. Motifs of represent elusive riches and , while recurring images of running evoke futile attempts to outpace time, portraying Rabbit's "inner dwindling" as a one-directional march toward amid middle-aged complacency. His spiritual life shrinks to irrelevance, with reduced to "the size of a raisin lost under the ," emphasizing a broader of meaning in late-20th-century America. Family and generational conflict permeate the narrative, as tensions arise between Rabbit, his wife Janice, and their son Nelson over , differing values, and unresolved past traumas, with Nelson harboring deep resentment toward his father's perceived sins. Rabbit's role as an inadequate husband and father exacerbates these rifts, as his self-centered decisions clash with Janice's evolving independence and Nelson's idealistic but flawed rebellion, mirroring broader societal shifts in familial roles during economic uncertainty. Sexuality and serve as central coping mechanisms for Rabbit's dissatisfaction, with Updike's frank depictions of extramarital flirtations, visits, and even encounters illustrating as a desperate bid for in the face of aging and routine. These acts, driven by Eros amid spiritual unrest, strain bonds and highlight Rabbit's unsettled desires, positioning not as liberation but as a symptom of deeper emotional and existential voids.

Style and Structure

"Rabbit Is Rich" employs a third-person limited perspective that alternates among key characters, most prominently Harry "Rabbit" Angstrom, granting readers intimate access to their inner thoughts and motivations. This approach, sustained in the novel's characteristic , immerses the audience in the immediacy of each character's experiences, particularly through Harry's extensive stream-of-consciousness reflections on daily life and existential concerns. The technique blends realism with , allowing Updike to delve into Harry's darting and philosophical musings without adhering to strict , as seen in passages where Rabbit's thoughts shift fluidly from mundane observations to deeper anxieties. The novel's structure is episodic, eschewing a tightly plotted arc in favor of vignettes that mirror the randomness and flux of middle-class existence in late-1970s America. Chapters, often demarcated by spatial breaks rather than rigid divisions, are loosely tied to seasonal shifts—from summer's heat to winter's chill—and contemporaneous events like the gasoline shortages of 1979 and a vacation to the , which serve as pivots for interpersonal dynamics. This fragmented form underscores the novel's avoidance of overt dramatic progression, instead emphasizing cumulative moments that accumulate emotional weight over time. Updike's prose is lyrical and richly descriptive, with a keen focus on sensory details that evoke the tactile world of cars gleaming under sunlight, the contours of human bodies in intimate encounters, and Pennsylvania's varied landscapes from suburban lots to mountain vistas. Colloquial dialogue captures the of , blending everyday , regional idioms, and era-specific references to and economic woes, lending authenticity and humor to interactions among the characters. Through interior monologues woven into this descriptive fabric, the style reinforces explorations of by grounding abstract desires in concrete, palpable objects and sensations.

Reception and Legacy

Critical Reception

Upon its publication in , Rabbit Is Rich received widespread critical acclaim for its vivid portrayal of American suburbia and the of middle-class life in the late . John Leonard, reviewing the for , praised Updike's ability to capture the reflective essence of Harry "Rabbit" Angstrom's , navigating family dynamics, death, and societal stagnation in the fictional town of Brewer, , against a backdrop of economic unease. Similarly, , in , hailed the book as a "rollicking comedy of ironic omission," marveling at Updike's "alert, funny and sensuous" style that elevated the to a new plane of intimacy while tracing Rabbit's material and emotional "spread" with appalled affection. Despite the praise, the novel faced criticisms for its explicit depictions of sexuality and perceived in character portrayals. , writing in The New York Review of Books, faulted Updike's steamy but unstimulating focus on , which he described as domestic and implausibly voiced through Rabbit's perspective, including unflattering details of his wife Janice's aging body that suggested a dismissive tone toward women. Amis also noted frustrations with the novel's garrulous excess and plot's retreat into mundane details like car repairs and mortgage rates, suggesting a more proportionate book lurked beneath its encyclopedic talent, while some reviewers pointed to repetitiveness in Rabbit's unchanging across the series. In later assessments, critics have emphasized the novel's timeliness in reflecting the economic turmoil, including the oil crisis and cultural malaise, positioning Rabbit's personal complacency as a microcosm of broader . Retrospectively, Rabbit Is Rich has been recognized as a high point in Updike's oeuvre.

Awards and Recognition

Rabbit Is Rich received widespread recognition through several prestigious literary awards following its publication in 1981. It won the for in 1981, honoring Updike's portrayal of middle-class during the late . The award, selected by a vote of book critics and editors, highlighted the novel's insightful social observations and narrative craftsmanship. In 1982, the novel secured the (Hardcover), marking Updike's second win in the category after in 1964. This accolade, administered by the , recognized the book's depth in exploring personal and societal changes. It also won the American Book Award for Hardcover Fiction that year, further affirming its status among contemporary works. The novel's most prominent honor came with the 1982 , Updike's first in the category and the first for the Rabbit series. The Pulitzer jury praised it as distinguished fiction dealing with American life, emphasizing Updike's chronicle of ordinary experiences amid economic and cultural shifts. These awards collectively reflected the critical acclaim for Rabbit Is Rich as a pivotal work in Updike's oeuvre. The novel's success contributed to Updike's broader recognition, including the 1989 for his lifetime contributions to literature.

Cultural Impact

Rabbit Is Rich solidified the Rabbit Angstrom as a cornerstone of late 20th-century , offering a panoramic view of middle-class life amid societal shifts from the to the . By chronicling Harry Angstrom's navigation of prosperity and personal dissatisfaction, the novel inspired subsequent explorations of economic and familial decline in works by authors such as , whose mirrors the series' epic portrayal of ordinary Americans grappling with cultural malaise. This influence underscores Updike's role in elevating the suburban everyman narrative to a vehicle for broader commentary on the fraying . The novel has not received major film or television adaptations, unlike the 1970 screen version of . A proposed TV series adaptation of the full , announced in 2018 and scripted by Andrew Davies for Lookout Point Productions, remains undeveloped as of 2025. Its themes occasionally surface in literary discussions, including podcasts and essays on midlife , with subtle echoes in pop culture depictions of small-town automotive sales dynamics. In Updike scholarship, Rabbit Is Rich fuels ongoing analyses of 1970s-era , material excess, and existential drift, positioning the series as a key text for understanding consumer culture. It endures in university curricula on American fiction, valued for its era-specific snapshot of social flux and individual ennui. The book's portrayal of , shortages, and familial tensions retains modern resonance, prompting reinterpretations that link its economic undercurrents to contemporary uncertainties like post-pandemic recovery and household instability. This enduring relevance highlights the tetralogy's capacity to reflect cyclical American anxieties beyond its original context.

References

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  8. https://johnpistelli.com/2020/01/10/john-updike-rabbit-is-rich/
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  20. https://www.nytimes.com/2000/11/07/books/books-of-the-times-updike-takes-another-shot-at-rabbit.html
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  33. https://www.bookcritics.org/past-awards/1981/
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  35. https://www.nytimes.com/1982/04/20/books/updike-and-kidder-win-american-book-awards.html
  36. https://www.arts.gov/honors/medals/john-updike
  37. https://slate.com/culture/2001/09/franzen-vs-updike.html
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  39. https://deadline.com/2018/02/andrew-davies-to-adapt-john-updikes-rabbit-run-novels-for-lookout-point-1202277632/
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  42. https://literary-arts.org/2013/10/delve-seminar-summaries-john-updikes-rabbit-series/
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