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Rachel Field
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Rachel Lyman Field (September 19, 1894 – March 15, 1942)[1] was an American novelist, poet, and children's fiction writer. She is best known for her work Hitty, Her First Hundred Years. Field also won a National Book Award, a Newbery Honor award and two of her books are on the Lewis Carroll Shelf Award list.
Key Information
Life
[edit]Field was a descendant of David Dudley Field, the early New England clergyman and writer. She grew up in Stockbridge, Massachusetts. Her first published work was an essay entitled "A Winter Walk" printed in St. Nicholas Magazine when she was 16.[2] She was educated at Radcliffe College where she studied writing under George Pierce Baker.[2]
According to Ruth Hill Viguers, Field was "fifteen when she first visited Maine and fell under the spell of its 'island-scattered coast'. Calico Bush [1931] still stands out as a near-perfect re-creation of people and place in a story of courage, understated and beautiful."[3]
Field married Arthur S. Pederson in 1935, with whom she collaborated in 1937 on To See Ourselves. In 1938, one of her plays was adapted for the British film The Londonderry Air.[4] She was also successful as an author of adult fiction, writing the bestsellers Time Out of Mind (1935), All This and Heaven Too (1938), and And Now Tomorrow (1942). Field also wrote the English lyrics for the version of Franz Schubert's "Ave Maria" used in the Disney film Fantasia (1940).[5]
She moved to Hollywood, where she lived with her husband and daughter.[6]
Rachel Field died at the Good Samaritan Hospital on March 15, 1942, of pneumonia following an operation.[7]
Awards
[edit]Hitty, Her First Hundred Years received the Newbery Award in 1930, for the year's "most distinguished contribution to American literature for children."[8] As a publicity stunt, Field was informed of her win via radio by a group of librarians and ALA President Milton J. Ferguson who were flying in a second plane as Field flew from New Mexico to Los Angeles.[9]
The 1944 (posthumous) Prayer for a Child, with a story by Field and illustrations by Elizabeth Orton Jones, won the Caldecott Medal recognizing the year's "most distinguished picture book for children" published in the U.S.[10]
Hitty and Prayer for a Child were both named to the Lewis Carroll Shelf Award list of books deemed to belong "on the same bookshelf" with Carroll's Alice. Prayer for a Child was one of the seventeen inaugural selections in 1958, which were originally published 1893 to 1957. Hitty was added in 1961.
Time Out of Mind won one of the inaugural National Book Awards as the Most Distinguished Novel of 1935, voted by the American Booksellers Association.[11][12]
Adaptation of works into other media
[edit]The novel And Now Tomorrow (1942) was adapted into the 1944 film And Now Tomorrow by Irving Pichel.[13]
Prayer for a Child (1944) was the lyrics for the song A Child's Prayer (1955), which was written for a three-part chorus of women's voices with piano accompaniment. The music was by Gustav Klemm and the arrangement was by Rudolph Schirmer.[14] As mentioned in this article, Field had written the lyrics for one of the songs in the 1940 film Fantasia.
Selected works
[edit]- 1924, The Pointed People, poetry
- 1924, Cinderella Married, A Comedy in One Act, drama
- 1924, Six Plays, drama
- 1926, Taxis and Toadstools, poetry
- 1926, Eliza and the Elves, fiction
- 1926, An Alphabet for Boys and Girls, poetry
- 1927, The Magic Pawnshop, fiction
- 1927, The Cross-Stitch Heart And Other One-Act Plays, drama
- 1928, Little Dog Toby, fiction
- 1929, Hitty, Her First Hundred Years, fiction—winner of the 1930 Newbery Medal[8]
- 1930, A Circus Garland: Poems, poetry
- 1931, Calico Bush, fiction
- 1931, The Bad Penny: A Drama in One Act, drama
- 1932, Hepatica Hawks, fiction (translated into German by Annemarie Böll "Die Tochter des Riesen")
- 1933, Just Across the Street, fiction
- 1934, Branches Green, poetry (including "Something Told the Wild Geese"[15])
- 1934, Susanna B And William C, fiction
- 1934, God's Pocket, historical non-fiction
- 1935, Time Out Of Mind , fiction
- 1936, Fear Is the Thorn, poetry
- 1936, First Class Matter: A Comedy in One Act, drama
- 1937, To See Ourselves, by Field and her husband Arthur Pederson, fiction
- 1938, All This and Heaven Too, based on the true story of Field's great-aunt, Henriette Deluzy-Desportes, and made into a movie, All This, and Heaven Too, in 1940.
- 1938(?), The Londonderry Air, drama; produced as a film, The Londonderry Air (1938)
- 1940(?), "Ave Maria" lyrics for the film Fantasia (1940)
- 1940, All Through the Night, nativity story[16]
- 1942, And Now Tomorrow, fiction
- 1944, Prayer for a Child, fiction, picture book illustrated by Elizabeth Orton Jones—winner of the 1945 Caldecott Medal[10]
See also
[edit]
References
[edit]- ^ "Rachel Field, 47, Novelist, is Dead". The New York Times. 16 March 1942. p. 15.
- ^ a b Wing, Donald G. (1956). "The Rachel Field Exhibition". The Yale University Library Gazette. 31 (1): 53–54. ISSN 0044-0175. JSTOR 40857725.
- ^ Ruth Hill Viguers, "Introduction" (date?) to Calico Bush by Rachel Field (1931).
- ^ Rachel Field at Internet Movie Database. Retrieved 2012-03-15.
- ^ Pinsky, Mark (2004). The Gospel according to Disney: Faith, Trust, and Pixie Dust. Louisville, Kentucky: Presbyterian Publishing Corporation. p. 38. ISBN 9781611644272.
- ^ Newbery Medal Books: 1922–1955, eds. Bertha Mahony Miller and Elinor Whitney Field, The Horn Book, Inc., 1955, LOC 55-13968, pp. 77–85.
- ^ Fordyce, Rachel (1978). "Field, Rachel (Lyman)". In Kirkpatrick, D.L. (ed.). Twentieth-century Children's Writers. London: Macmillan. p. 445. ISBN 978-0-33323-414-3.
- ^ a b "Newbery Medal and Honor Books, 1922–Present". Association for Library Service to Children. ALA. Retrieved 2012-03-15.
- ^ Horning, Kathleen T (Spring 2022). "One Hundred Years: A Timeline of the Newbery Medal". Children & Libraries. 20 (1): 13. doi:10.5860/cal.20.1.12. S2CID 247646701.
- ^ a b "Caldecott Medal Winners, 1938 – Present". Association for Library Service to Children. ALA. Retrieved 2012-03-15.
- ^ "Books and Authors", The New York Times, April 12, 1936, page BR12.
- ^ "Lewis is Scornful of Radio Culture: Nothing Ever Will Replace the Old-Fashioned Book, He Tells Booksellers", The New York Times, May 12, 1936, page 25.
- ^ "Screen News Here and in Hollywood: Paramount Pays $75,000 for 'And Now Tomorrow,' Late Rachel Field's Last Novel 'In This Our Life' to Open. Film Based on Pulitzer Prize Novel at Strand – Premiere for 'Kipps' on May 23". New York Times. May 8, 1942. p. 27.
- ^ Type of Work: Music Registration Number / Date: RE0000189852 / 1983-12-12 Renewal registration for: PA0000196258 / 1955-05-17 Title: A Child's prayer. For three-part chorus of women's voices with piano acc. Arr. Rudolph Schirmer. Copyright Claimant: Rudolph Schirmer (A) Basis of Claim: New Matter: "arr." WebVoyage Record View 1 (loc.gov)
- ^ "Something Told the Wild Geese by Rachel Field". The Writer's Almanac with Garrison Keillor. Minnesota Public Radio. September 22, 1999.
- ^ Better Homes and Gardens treasury of Christmas ideas: and a selection of favorite stories, poems, and carols. Meredith Press. 1966. p. 4.
External links
[edit]
Works by or about Rachel Lyman Field at Wikisource- Papers, 1845–1942—finding aid at Radcliffe College Archives, Schlesinger Library, Harvard University (2007)
- Rachel Field collection at the Mortimer Rare Book Collection, Smith College Special Collections
- Rachel Field Collection. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
- Rachel Field at Find a Grave
Rachel Field
View on Grokipediafrom Grokipedia
Early Life and Education
Childhood and Family
Rachel Field was born on September 19, 1894, in New York City, as the youngest of five children to physician Matthew Dickinson Field and Lucy Atwater Field.[6] Her father died shortly before her first birthday in 1895, leaving her mother to raise the family, of which only Field and her older sister Elizabeth survived past early childhood.[4] Following her father's death, the family relocated to Stockbridge, Massachusetts, where Field spent her formative years in a rural colonial home on Main Street, immersing herself in the area's natural surroundings.[4] This countryside environment, rooted in her paternal family's New England origins, nurtured her early affinity for nature, which later permeated her storytelling and poetic sensibilities.[1] Field was a great-niece of U.S. Supreme Court Justice Stephen J. Field through her father's lineage, a connection to notable ancestors including transatlantic cable pioneer Cyrus Field and lawyer David Dudley Field, though it exerted no direct bearing on her creative path.[6] Field's introduction to literature came through her family's reading traditions, as her mother frequently read aloud to her during childhood, sparking an enduring passion despite Field not learning to read independently until age ten.[1] This maternal encouragement fostered her imaginative world, transforming her from an awkward, late-blooming reader into an avid consumer of books who pursued every opportunity in literature and writing from an early age.[1]Education and Early Influences
Rachel Field was raised in Stockbridge, Massachusetts, where her family's roots provided a backdrop of New England heritage that subtly shaped her early perspectives.[6] After graduating from Springfield High School, she won admission to Radcliffe College after a high school essay contest and attended as a special student from 1914 to 1918, focusing on literature and drama but not completing a formal degree.[6][1] At Radcliffe, Field encountered key intellectual influences in the burgeoning fields of modernist poetry and theater, particularly through her participation in George Pierce Baker's renowned "English 47" playwriting workshop, which emphasized practical dramatic techniques and attracted aspiring writers.[6] Baker's guidance exposed her to innovative approaches in American drama, fostering her interest in narrative structure and character development that would later inform her multifaceted writing style.[6] Field's early creative outlets emerged during her college years, where she honed her skills through writing plays for Baker's workshop, including works that demonstrated her emerging voice in dramatic form.[6] These experiences, combined with her immersion in Radcliffe's literary environment, encouraged her initial poetic experiments, often drawing from the evocative New England landscapes she knew from her upbringing.[7] As a teenager, Field's visits to Maine's Cranberry Isles, beginning in 1910 at age fifteen when she was sent to study art with cousins on Sutton Island, ignited a profound and enduring affinity for the region's rugged coastal beauty and island life.[8][4] These formative trips, spent at her family's summer cottage, instilled a deep connection to Maine's natural and cultural rhythms, profoundly influencing her artistic sensibilities and affinity for evocative, place-based storytelling.[8]Literary Career
Poetry and Plays
Rachel Field's poetic oeuvre encompasses both adult and children's verse, characterized by lyrical introspection, whimsical imagery, and keen observations of nature and society. Her debut collection, The Pointed People (1924), employs satirical portraits to critique human follies, blending humor with pointed social observation.[7] This was followed by Taxis and Toadstools (1926), which juxtaposes urban bustle with rural tranquility through light-hearted, contrasting vignettes.[7] Her children's poetry includes An Alphabet for Boys and Girls (1926), a playful ABC book with rhythmic verses introducing letters through child-friendly scenarios, and A Circus Garland (1930), a whimsical set of performance-themed poems evoking the magic of circuses.[7] Later works like Branches Green (1934) offer reflective meditations on nature's cycles and beauty.[7] Fear Is the Thorn (1936) shifts toward social commentary, using verse to address fears and societal thorns with poignant intensity.[7] Field's dramatic output consists primarily of one-act plays and anthologies, often blending comedy, romance, and historical elements for stage performance. Her earliest play, Rise Up, Jennie Smith (1918), is a one-act drama depicting personal awakening and resilience.[9] Cinderella Married (1924) presents a comedic take on post-fairy-tale life in three acts.[7] That same year, she compiled Six Plays (1924), an anthology including Cinderella Married alongside other short works like Three Pills in a Bottle and Columbine in Business.[10] The Cross-Stitch Heart (1927) explores romance through interconnected one-act plays centered on emotional entanglements.[7] The Bad Penny (1931) is a mystery drama in one act, probing themes of greed and family legacy.[7] First Class Matter (1936) delivers satire via a one-act comedy critiquing postal bureaucracy and human absurdity.[7] Her final play, The Londonderry Air (1938), is a historical one-act piece set in Ireland, later adapted into a British film of the same name.[11] Field's poem "If Once You Have Slept on an Island", inspired by her summers in Maine's Cranberry Isles, has been widely anthologized posthumously, highlighting island life and natural serenity, and published as an illustrated children's book in 1993.[12]Children's Literature
Rachel Field's pioneering contributions to children's fiction are exemplified by her breakthrough novel Hitty, Her First Hundred Years (1929), which presents the autobiography of a wooden doll carved from mountain ash who narrates her experiences across a century of American history, from 1829 to 1929.[13] The work earned acclaim for its rich historical details, capturing events like sea voyages, frontier life, and cultural shifts through the doll's limited yet poignant viewpoint, offering young readers an engaging, childlike lens on the nation's past.[14] Hitty received the Newbery Medal in 1930, marking Field as the first woman to win the award.[15] Field often illustrated her own early children's books, bringing a personal touch to their whimsical narratives, and she collaborated with acclaimed artist Dorothy P. Lathrop on the black-and-white drawings for Hitty, which enhanced the story's intimate, antique charm.[16] Among her other notable titles are The Magic Pawnshop (1927), a New Year's Eve fantasy in which a nine-year-old girl enters a mysterious shop in 1920s New York seeking a cure for her ill uncle; Little Dog Toby (1928), chronicling a stray dog's escapades joining a Punch and Judy street show in Victorian London; Calico Bush (1931), depicting a French orphan's indentured life with a pioneer family in 1743 Maine; Hepatica Hawks (1932), following a young performer in a traveling freak show; and Just Across the Street (1933), portraying the everyday adventures of two neighborhood children sharing skates and a pet dog.[17][18] Her posthumously published Prayer for a Child (1944), originally written for her daughter, offers a simple, rhythmic bedtime verse evoking comfort and wonder.[19] Field's children's literature consistently wove themes of adventure and resilience, as seen in protagonists like the resourceful Marguerite in Calico Bush who endures harsh wilderness trials, and Hitty's indomitable spirit amid loss and change. Infused with New England folklore—such as tales of indigenous encounters, seafaring lore, and rural customs drawn from her Maine summers—these stories evoked the region's rugged heritage without overt biographical elements, fostering a sense of timeless exploration for young audiences.[2][4]Adult Novels
Rachel Field transitioned to adult fiction in the mid-1930s, drawing on her poetic sensibility and historical interests to craft intricate narratives that blended romance, scandal, and social commentary, earning her widespread acclaim beyond children's literature.[1] Her debut adult novel, Time Out of Mind (1935), is a Gothic romance set along the 19th-century Maine coast, chronicling the decline of the Fortune shipping family amid the rise of steam-powered vessels. Narrated by Kate Fernald, who grows up in the family's Fortune's Folly estate, the story explores themes of mental fragility in the patriarch Major Fortune, whose stubborn resistance to change masks deeper family secrets and emotional turmoil. The novel received the National Book Award in 1936 for its evocative portrayal of memory and loss.[20][21] Field's subsequent works solidified her as a bestselling author of historical and romantic fiction. All This and Heaven Too (1938), her most successful novel, draws directly from the scandalous life of her great-aunt Henriette Deluzy-Desportes, a governess in 1840s France entangled in a passionate affair with the Duc de Praslin, culminating in the Duchess's murder and a trial that fueled revolutionary unrest. Set primarily in Paris, the narrative follows Henriette's flight to America and her resilient pursuit of dignity amid societal judgment, blending factual history with dramatic tension to top bestseller lists.[22][4] In And Now Tomorrow (1942), Field shifted to a contemporary medical drama centered on Emily Blair, a wealthy young woman who loses her hearing and navigates class divides and personal independence in a New England town. The plot revolves around her relationship with Dr. Jeff Vance, a working-class physician experimenting with a serum to cure deafness, highlighting themes of vulnerability, ambition, and the limits of medical innovation in restoring wholeness. This novel further showcased Field's ability to infuse emotional depth into accessible, plot-driven stories.[23][24] Field co-authored To See Ourselves (1937) with her husband, Arthur S. Pederson, a light comedy of manners satirizing the film industry's social dynamics in 1930s Hollywood, where aspiring writers and actors grapple with ambition and pretense. This collaborative effort reflected their shared literary interests and marked an early foray into Hollywood-themed prose.[2][25] Field's adult novels attracted significant Hollywood attention, positioning her as a rising scenarist in the late 1930s and early 1940s; she contributed lyrics to Disney's Fantasia (1940), was shortlisted for the Gone with the Wind screenplay, and adapted her own works for the screen, including All This and Heaven Too (1940), which earned three Academy Award nominations.[4][26]Personal Life
Marriage and Family
Rachel Field maintained a long single career as a writer, establishing herself in poetry, plays, and children's literature before her marriage. On June 20, 1935, at the age of 40, she wed Arthur S. Pederson, a Broadway actor who later became her literary agent.[6] The couple adopted a daughter, Hannah Pederson, in 1939, when the child was six weeks old; Field's experiences as a mother inspired later works, including the children's book Prayer for a Child. Their family life emphasized quiet domesticity, first in New York City until 1938 and then in Hollywood, California, where they relocated for a more private existence.[4][25] Pederson played a key role in supporting Field's career, co-authoring the novel To See Ourselves in 1937 and handling her literary affairs, including negotiations for Hollywood adaptations of her works such as All This and Heaven Too. Field was known for her calm demeanor and devotion to family, enjoying gardening and limiting social engagements to close friends and professional contacts.[27][25][8]Connection to Maine
Rachel Field first visited the Cranberry Isles off Mount Desert Island in Maine around 1910, at the age of fifteen, when she traveled there to study art with her cousins; she was immediately captivated by the rugged coastline and island scenery, which she later described as stirring her deeply.[4][8] From 1924 until her death in 1942, Field returned annually for summers on Sutton Island, one of the five Cranberry Isles, establishing a profound personal attachment to the region that offered respite from her burgeoning literary career in New York.[4][8] In 1922, Field purchased a simple, rustic cottage known as "The Playhouse" on Sutton Island, which she transformed into her primary creative retreat and family vacation spot; the unpretentious wooden-shingled home overlooked the Eastern Way and became a sanctuary where she could escape the demands of fame.[8][28] There, amid the natural beauty of rocky shores, dense forests, and tidal waters, Field immersed herself in the island's environment—swimming in the cold Atlantic, picking wild blueberries, and observing the rhythms of the sea—finding solace in its seclusion that contrasted with her urban life and professional pressures.[8] She also formed close ties with local islanders and fishing communities, as well as visiting writers like Dorothy Lathrop and Abbie Huston Evans, whose interactions enriched her experiences and subtly influenced the Maine settings in works such as Calico Bush.[8] Following Field's death, her Sutton Island cottage faced neglect but was preserved through the efforts of subsequent owners, notably author Robin Clifford Wood, who acquired it in 1994 and discovered remnants of Field's life there, including letters and artifacts.[29][8] Wood's restoration and research culminated in her 2021 biography-memoir The Field House: A Writer's Life Lost and Found on an Island in Maine, which highlights the site's historical significance; today, the preserved house stands as a symbol of Field's enduring bond with Maine, occasionally open for literary tours and serving as a touchstone for her legacy in the region.[29][8]Death and Legacy
Final Years and Death
In 1941, seeking opportunities in Hollywood following the successful film adaptation of her novel All This, and Heaven Too, Rachel Field relocated to Beverly Hills, California, with her husband and daughter, amid the escalating global tensions preceding the United States' entry into World War II.[30][4] Despite emerging health issues from cancer, Field completed her final novel, And Now Tomorrow, which was published in 1942.[31] In early 1942, she underwent surgery for colon cancer at Good Samaritan Hospital in Los Angeles on March 5, supported by her family during her recovery.[4][5] Field died on March 15, 1942, at the age of 47, from pneumonia that complicated her post-operative recovery.[6][3] In the immediate aftermath, her personal papers, including correspondence and manuscripts, were transferred to archives such as the Schlesinger Library at Radcliffe Institute and Yale University's Beinecke Rare Book and Manuscript Library.[1][32][33]Posthumous Recognition and Rediscovery
Following Rachel Field's death in 1942, her work continued to receive significant acclaim, most notably with the posthumous publication of Prayer for a Child in 1944. Illustrated by Elizabeth Orton Jones, the book—a simple, heartfelt prayer expressing a child's love for everyday wonders and protection—earned the Caldecott Medal in 1945 for the most distinguished American picture book for children.[34] Field's personal papers, manuscripts, and correspondence are preserved in several major archival collections, ensuring her literary legacy remains accessible for scholars. The Schlesinger Library at the Radcliffe Institute holds key documents from her life and career, including photographs and unpublished materials.[1] Similarly, Smith College's Mortimer Rare Book Collection houses manuscripts of her poems, postcards, greeting cards, and other ephemera.[25] At Yale University's Beinecke Rare Book and Manuscript Library, the collection includes letters from Field to contemporaries such as Ruth Stanley-Brown Feis and Prentiss Taylor, offering insights into her creative process and relationships.[32] A pivotal moment in Field's rediscovery came with the 2021 publication of The Field House: A Writer's Life Lost and Found on an Island in Maine by Robin Clifford Wood, a hybrid biography-memoir that intertwines Wood's experiences living in Field's former Cranberry Isles home with a detailed recounting of the author's life. The book illuminates Field's prolific output as a poet, playwright, and novelist in the 1920s and 1930s, while emphasizing her deep ties to Maine's island landscapes that inspired much of her work, such as the settings in Hitty, Her First Hundred Years.[35] Wood's narrative revives interest in Field's overlooked contributions, portraying her as a multifaceted artist whose personal resilience and creative independence shaped her enduring appeal.[36] In the 2020s, Field's legacy has seen renewed cultural attention through exhibits, media, and reprints, reflecting broader interest in early 20th-century women authors. The Great Cranberry Island Historical Society and its Great Harbor Maritime Museum maintain displays of Field-related artifacts, including her bathing suit and items evoking her summers on the island, which continue to draw visitors exploring her Maine connections.[8] Podcasts and online talks, such as a 2024 presentation by the Stockbridge Library, Museum & Archives titled "Rachel Field and Hitty," have further engaged audiences with discussions of her life and works.[37] Meanwhile, Hitty, Her First Hundred Years—her 1929 Newbery Medal winner—has benefited from fresh reprints, including editions from Simon & Schuster that keep the doll's adventurous narrative available to new generations amid this revival.[38]Awards and Honors
Major Literary Awards
Rachel Field's most significant literary recognition came from the Newbery Medal, awarded in 1930 for her children's novel Hitty, Her First Hundred Years. This honor, presented annually by the American Library Association for the most distinguished contribution to American literature for children, marked Field as the first woman to receive the award.[39] In 1945, three years after Field's death, her picture book Prayer for a Child, illustrated by Elizabeth Orton Jones, received the Caldecott Medal posthumously. The Caldecott, also from the American Library Association, recognizes the artist of the most distinguished American picture book for children, emphasizing the synergy between text and illustrations to create an exceptional whole.[40][41] Field's adult fiction was affirmed by the National Book Award for Fiction in 1936, won for her debut novel Time Out of Mind. This early iteration of the award, voted by the American Booksellers Association as the Most Distinguished Novel of the year, highlighted her versatility beyond children's literature and her ability to craft compelling narratives of family and regional life.[20][42] These awards underscored Field's impact on both children's and adult genres, with Hitty and Prayer for a Child later receiving Lewis Carroll Shelf Awards for their enduring classic status.[42]Additional Recognitions
Field's enduring contributions to children's literature were further acknowledged by the Lewis Carroll Shelf Award, presented annually from 1958 to 1979 by the University of Wisconsin–Madison to books sharing the whimsical and classic qualities of Lewis Carroll's Alice's Adventures in Wonderland. Her picture book Prayer for a Child, illustrated by Elizabeth Orton Jones, received the award in 1958 for its gentle, timeless depiction of a child's bedtime prayer. Similarly, Hitty, Her First Hundred Years was honored in 1961, recognizing its narrative charm and the doll protagonist's century-spanning adventures as a lasting classic. During the 1930s, Field's historical novel Calico Bush earned a Newbery Honor in 1932, one of three runners-up for the Newbery Medal that year, highlighting its distinguished portrayal of an orphaned French girl's indentured life among Maine settlers in the 1740s.[43] This recognition complemented her major awards and underscored her skill in crafting authentic, character-driven stories for young readers.Adaptations
Film and Theater Adaptations
Rachel Field's novels saw several successful adaptations to the screen during the 1940s, reflecting her growing influence in Hollywood, where she had expressed interest in screenwriting opportunities, including being shortlisted for the Gone with the Wind screenplay.[44] Her 1938 novel All This, and Heaven Too was adapted into a lavish Warner Bros. drama released in 1940, directed by Anatole Litvak with a screenplay by Casey Robinson.[45] Starring Bette Davis as the governess Henriette Deluzy-Desportes and Charles Boyer as the Duc de Praslin, the film emphasized the tragic romance and historical intrigue of Field's bestseller, earning praise for its performances and production values in contemporary reviews.[46] It proved a commercial hit, grossing approximately $4.2 million domestically and ranking among the year's top earners.[47] Field's 1942 novel And Now Tomorrow, her final work published before her death, was brought to the screen by Paramount Pictures in 1944 under the direction of Irving Pichel, with a script by Frank Partos and Raymond Chandler.[48] Featuring Loretta Young as the socialite Emily Blair, who loses her hearing to meningitis, and Alan Ladd as the innovative doctor who aids her, the adaptation highlighted the emotional depth of the deafness storyline and the class tensions central to the plot.[49] The film received positive notices for its stars' chemistry and sensitive handling of disability themes, contributing to its solid box office performance amid wartime audiences.[50] The 1935 novel Time Out of Mind received a 1947 Universal Pictures adaptation directed by Robert Siodmak, with Abem Finkel and Arnold Phillips adapting the screenplay.[51] Phyllis Calvert starred as the devoted housekeeper Kate Fernald opposite Robert Hutton as the aspiring musician Christopher Fortune, set against a backdrop of 19th-century New England family strife and artistic ambition.[52] Though the film blended gothic elements with melodrama and garnered mixed reviews for its pacing, it underscored Field's talent for evocative historical narratives in a post-war cinematic context.[53] In theater, Field's original plays found stage productions, particularly appealing to educational and community audiences. Her one-act comedy Cinderella Married (1924), a whimsical sequel to the fairy tale focusing on marital mishaps, was included in her collection Six Plays and staged in various little theaters and school productions during the 1920s.[54] Similarly, the short pieces in Patchwork Plays (1926), such as "Polly Patchwork" and "Little Square-Toes," were adapted for children's theater, emphasizing moral tales through simple, imaginative staging that highlighted Field's skill in juvenile drama.[55] These works received acclaim for their accessibility and charm, often performed in regional venues to foster young audiences' interest in live performance.[56]Other Media Adaptations
Rachel Field's contributions extended beyond literature into musical and audio formats, notably through her lyrical work for Walt Disney's Fantasia (1940). She penned special English lyrics for the "Ave Maria" segment, set to Franz Schubert's composition and performed by the Westminster Choir with soloist Julietta Novis, enhancing the film's ethereal conclusion with themes of peace and redemption.[7] These lyrics, evoking heavenly imagery and maternal grace, were uniquely crafted for the animation's procession of silhouetted figures emerging from darkness, marking Field's influence on early cinematic music integration.[7] The success of Field's literary works in visual media paved the way for broader audio adaptations, particularly in the digital era. Her Newbery Medal-winning novel Hitty, Her First Hundred Years (1929) has seen renewed life through audiobooks and electronic formats tailored for educational use. In the 2020s, narrated versions featuring voice actors like Oliver Thompson became available on platforms such as Audible and Amazon, allowing young listeners to follow Hitty's century-spanning adventures in accessible audio form.[57] Educational organizations, including Learning Ally, offer digital audio editions designed for students with learning differences, promoting the book's historical and narrative value in classroom settings.[58] Additionally, free e-book versions have proliferated on sites like the Internet Archive and homeschooling resources, facilitating interactive reading and discussions in modern pedagogy.[59]Bibliography
Children's Books
Rachel Field began her career in children's literature with whimsical fairy tales and progressed to more ambitious historical narratives and gentle verses, often drawing on themes of adventure, resilience, and everyday wonder. Her works for young readers earned critical acclaim, including two prestigious awards for specific titles. The following provides a chronological bibliography of her children's fiction, with brief annotations highlighting key elements.- Eliza and the Elves (1926): A collection of fairy tales featuring elfin characters, illustrated by Elizabeth MacKinstry, that enchanted young audiences with its playful folklore.[60]
- The Magic Pawnshop (1927): A magical realism tale for young readers, centering on a girl's New Year's Eve quest at a mysterious shop run by a wizard, blending fantasy and family warmth.[61]
- Little Dog Toby (1928): An adventure story following the journeys of a spirited puppy through various escapades, capturing the joys and trials of canine exploration for early readers.
- Hitty, Her First Hundred Years (1929, Newbery Medal winner): Presented as the memoir of a wooden doll witnessing American history over a century, from Quaker homes to global travels, noted for its vivid historical detail and whimsical narrative voice.
- Calico Bush (1931): A survival story set in 18th-century Maine, depicting an orphaned French girl's indentured service and cultural adaptation among settlers.[62]
- Hepatica Hawks (1932): A story about a young girl traveling with a freak show, featuring her giant father and other performers, exploring themes of family and belonging for tween readers.
- Just Across the Street (1933): A heartwarming tale of neighborhood friendships and small-town life, emphasizing community bonds through the eyes of children.
- Susanna B. and William C. (1934): A romance for older children set among Quakers in colonial America, exploring young love amid historical tensions.[63]
- Prayer for a Child (1944, posthumous, Caldecott Medal winner): A tender bedtime verse-prayer invoking protection and gratitude, originally written for Field's daughter and illustrated by Elizabeth Orton Jones.