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Robert Chartoff
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Robert Irwin Chartoff (August 26, 1933 – June 10, 2015) was an American film producer and philanthropist.
Key Information
Early life and education
[edit]Chartoff was born on August 26, 1933, in New York City, the son of Bessie and William Chartoff.[1] His family was Jewish.[2][3] He graduated from Union College in 1955, followed by Columbia University Law School.
Career
[edit]Chartoff produced more than 30 movies, including the Rocky film series. He and fellow producer Irwin Winkler won an Academy Award for Best Picture for its 1976 debut installment, Rocky.
Philanthropy
[edit]Chartoff established the RC Charitable Foundation in 1990 to award grants to international schools and other child agencies. He served as its President. The RC Charitable Foundation gives grants awards to the Buddha Educational Trust. He served on the Community Advisory Board of the Younes and Soraya Israel Studies Center at UCLA.[4][5]
Personal life
[edit]Chartoff's first wife was Phyllis Raphael, with whom he had three children – Jenifer, William and Julie – before divorcing. In 1970, he married British actress Vanessa Howard, with whom he had one son, Charley. That marriage also ended in divorce. He last married Jenny Weyman, with whom he had one daughter, Miranda. He died at his home in Santa Monica, California, in 2015 from pancreatic cancer, leaving a widow.[6]
Filmography
[edit]He was a producer in all films unless otherwise noted.
Film
[edit]| Year | Film | Credit | Notes |
|---|---|---|---|
| 1967 | Point Blank | ||
| 1968 | The Split | ||
| 1969 | They Shoot Horses, Don't They? | ||
| 1970 | Leo the Last | ||
| The Strawberry Statement | |||
| 1971 | Believe in Me | ||
| The Gang That Couldn't Shoot Straight | |||
| 1972 | The New Centurions | ||
| Thumb Tripping | |||
| The Mechanic | |||
| Up the Sandbox | |||
| 1974 | Busting | ||
| S*P*Y*S | |||
| The Gambler | |||
| 1975 | Breakout | ||
| Peeper | |||
| 1976 | Rocky | ||
| Nickelodeon | |||
| 1977 | New York, New York | ||
| Valentino | Executive producer | ||
| 1978 | Comes a Horseman | Executive producer | |
| Uncle Joe Shannon | |||
| 1979 | Rocky II | ||
| 1980 | Raging Bull | ||
| 1981 | True Confessions | ||
| 1982 | Rocky III | ||
| 1983 | The Right Stuff | ||
| 1985 | Beer | ||
| Rocky IV | |||
| 1990 | Rocky V | ||
| 1992 | Straight Talk | ||
| 2004 | In My Country | ||
| 2006 | Rocky Balboa | Executive producer | |
| 2010 | The Tempest | ||
| 2011 | The Mechanic | Executive producer | |
| 2013 | Ender's Game | ||
| 2014 | A Midsummer Night's Dream | Executive producer | |
| The Gambler | |||
| 2015 | Creed | Final film as a producer |
- Thanks
| Year | Film | Role |
|---|---|---|
| 2015 | Creed | In memory of |
References
[edit]- ^ a b "Robert Chartoff Biography (1933-)". Filmreference.com. Retrieved October 28, 2018.
- ^ Jewish Journal: "Seder by the Sea" by Melanie Chartoff Jewishjournal.com, March 29, 2010
- ^ Erens, Patricia The Jew in American Cinema. Indiana University Press, August 1988 ISBN 9780253204936 ISBN 0253204933. p. 392.
- ^ Lowe, Kinsey (June 10, 2015). "Robert Chartoff Dies: Producer Of 'Raging Bull,' 'The Right Stuff,' 'Rocky' Was 81". Deadline Hollywood. Retrieved January 15, 2018.
- ^ Younes and Soraya Israel Studies Center: Community Advisory Board International.ucla.edu
- ^ Obituary, Cnn.com; accessed June 14, 2015.
External links
[edit]
Robert Chartoff
View on Grokipediafrom Grokipedia
Robert Chartoff (August 26, 1933 – June 10, 2015) was an American film producer renowned for his influential partnership with Irwin Winkler, through which they produced over 20 films that defined late-20th-century Hollywood cinema, including the Academy Award for Best Picture winner Rocky (1976), the boxing biopic Raging Bull (1980), and the space epic The Right Stuff (1983).[1][2][3]
Born in New York City and raised in a Jewish family in the Bronx, Chartoff graduated from Union College in Schenectady, New York, in 1955 before earning a law degree from Columbia University School of Law.[1][3] Despite his legal training, Chartoff gravitated toward the entertainment industry, spending summers working at Catskills resorts and later becoming a talent agent and personal manager for comedians including Jackie Mason.[1][3]
In the mid-1960s, Chartoff formed a producing partnership with fellow agent Irwin Winkler, launching Chartoff-Winkler Productions with their debut film, the neo-noir thriller Point Blank (1967), starring Lee Marvin.[2][3] Over nearly two decades, the duo specialized in character-driven stories and socially resonant dramas, often championing emerging talent and risky projects from directors like Martin Scorsese and John Schlesinger; their output included The Strawberry Statement (1970), a youth protest film; The Gambler (1974), a tense drama with James Caan; True Confessions (1981), a crime saga starring Robert De Niro and Robert Duvall; and the Rocky sequels through Rocky IV (1985).[2][3] Their films collectively earned 40 Academy Award nominations and secured 12 Oscars, with Rocky alone receiving 10 nominations and winning Best Picture, Best Director, and Best Film Editing, while Raging Bull garnered eight nods including for Best Picture, Best Director, and Best Actor for De Niro.[1][2]
The partnership dissolved in 1985, after which Chartoff founded his own company and continued producing independently, focusing on diverse projects such as the anti-apartheid drama In My Country (2004) with Samuel L. Jackson and Juliette Binoche, Julie Taymor's adaptation of The Tempest (2010) starring Helen Mirren, and the young adult sci-fi film Ender's Game (2013) based on Orson Scott Card's novel.[2] He also received a posthumous producer credit on Creed (2015), the Rocky franchise continuation.[2] In addition to his cinematic contributions, Chartoff was a philanthropist who established the Jennifer School, an institution providing education to girls in Bodh Gaya, India, named after one of his daughters.[1] He died in Santa Monica, California, at age 81 following a two-year battle with pancreatic cancer, survived by his wife, Jenny Weyman Chartoff, five children, and ten grandchildren.[1][2]
This filmography is compiled from verified production credits.[21]
Early Years
Early Life
Robert Irwin Chartoff was born on August 26, 1933, in New York City to Jewish parents Bessie and William Chartoff.[1][4] He grew up in the Bronx within an artistic Jewish family, where his father's career as a cellist and bass player for the New York Philharmonic provided an early immersion in the performing arts.[1][4] This environment, marked by cultural vibrancy and musical influences, shaped his formative years in the bustling New York neighborhood.[5] Chartoff's childhood in the Bronx exposed him to the dynamic energy of urban Jewish life, though specific family dynamics beyond his parents' artistic leanings remain sparsely documented. Early hints of his future in entertainment emerged through familial connections to show business, fostering an interest that would later guide his path.[1] This foundation preceded his transition to formal education at Union College.[3]Education
Robert Chartoff received his Bachelor of Arts degree from Union College in Schenectady, New York, in 1955.[6] After completing his undergraduate education, Chartoff pursued legal studies at Columbia University Law School in New York City, earning his Juris Doctor degree in 1968.[7] During his years at Union College, Chartoff gained early exposure to the entertainment industry through summer jobs in the Catskills resorts, where he worked first as a waiter and later as an assistant to his uncle Charlie Rapp, a talent agent and manager.[1] This experience, though outside formal academics, sparked his interest in show business alongside his legal training.[5]Professional Career
Entry into Entertainment
After graduating from Columbia Law School, Chartoff briefly practiced law before pivoting to the entertainment industry, where his legal training proved instrumental in navigating contracts and representation in New York.[1] He joined his uncle Charlie Rapp's talent agency, representing actors and writers in the burgeoning New York scene of the early 1960s.[1] As a talent agent, Chartoff managed comedian Jackie Mason and secured his breakthrough appearance on Jack Paar's Tonight Show, which propelled Mason to national prominence.[1] In another key contribution, he arranged the screen test that earned Julie Christie her starring role in David Lean's Doctor Zhivago (1965), highlighting his early influence in connecting talent with major opportunities.[8] By the mid-1960s, Chartoff relocated to Los Angeles to transition into film production, drawn by the industry's shift toward independent voices.[3] His initial foray into producing focused on low-budget features amid Hollywood's evolving landscape, culminating in his debut credit on the gritty neo-noir thriller Point Blank (1967), directed by John Boorman and starring Lee Marvin.[3] This project marked Chartoff's entry as a producer, emphasizing taut storytelling and urban tension in the late-1960s cinematic wave.[5]Partnership with Irwin Winkler
In the early 1960s, Robert Chartoff, a young lawyer specializing in talent management and representing comedians in New York, met Irwin Winkler, who was working as an agent at the William Morris Agency after starting in its mailroom.[9][3] Their initial collaboration began when they joined forces to broker a distribution deal for an unfinished British film, securing involvement from producer Joseph E. Levine, which marked their entry into film financing and production.[9] This partnership quickly evolved from talent management to film production by the late 1960s, as they recognized opportunities in the shifting Hollywood landscape. Chartoff and Winkler formally established Chartoff-Winkler Productions in 1967, operating as independent producers who maintained creative autonomy outside the major studio system.[5] Their business model emphasized a lean operation with personal oversight, allowing them to navigate the transition to New Hollywood by partnering with studios for distribution while retaining control over development and casting.[10] This approach enabled them to produce a diverse slate of projects on modest budgets, often under $1.5 million, using "put" deals that bypassed rigorous studio script approvals and focused on high-concept, character-driven stories.[9] Key joint decisions shaped their success during the 1970s New Hollywood era, including innovative financing strategies such as leveraging personal assets—like mortgaging their homes—to secure completion bonds when studios hesitated on funding.[9] They prioritized socially relevant projects that captured the era's cultural turbulence, selecting material with themes of social justice, personal struggle, and anti-establishment narratives to align with the innovative, youth-oriented wave of filmmaking.[10] This risk-tolerant strategy, rooted in their complementary skills—Chartoff's legal acumen for deals and Winkler's agent network—positioned them as pivotal figures in independent production, fostering collaborations with emerging directors and talent.[3]Major Productions and Achievements
One of Chartoff's most landmark achievements was his production of Rocky (1976), a gritty underdog story written by and starring Sylvester Stallone as a Philadelphia boxer given a shot at the heavyweight title. Co-produced with Irwin Winkler, the film was made on a modest budget of approximately $1 million and grossed over $117 million at the U.S. box office, becoming the highest-grossing film of 1976 and the second highest in 1977. It received widespread critical acclaim for its inspirational themes and raw authenticity, earning ten Academy Award nominations and winning Best Picture, which Chartoff and Winkler shared. Building on this success, Chartoff co-produced Raging Bull (1980), Martin Scorsese's intense biopic of boxer Jake LaMotta, starring Robert De Niro in a transformative performance that explored themes of self-destruction, jealousy, and redemption within the brutal world of prizefighting. Despite a more modest domestic box office of about $23.4 million against a $18 million budget, the film garnered exceptional critical praise, holding a 93% approval rating on Rotten Tomatoes and ranking among the greatest films ever made for its innovative black-and-white cinematography and emotional depth. It earned eight Oscar nominations, including Best Picture for Chartoff and Winkler, and won two awards for De Niro and Thelma Schoonmaker's editing. Chartoff's production portfolio in the 1970s and 1980s also included The Right Stuff (1983), Philip Kaufman's epic adaptation of Tom Wolfe's book about the Mercury Seven astronauts, emphasizing American ingenuity, courage, and resilience in the face of space race challenges. With a $27 million budget, it underperformed commercially, earning roughly $21 million domestically, but achieved strong critical reception for its sweeping storytelling and ensemble cast, securing eight Academy Award nominations and four wins, including Best Score. Through their partnership, Chartoff and Winkler oversaw more than 25 films during this era, many of which captured the cultural zeitgeist of perseverance and heroism, solidifying their influence on New Hollywood cinema.Later Career
Following the dissolution of Chartoff-Winkler Productions in 1985, Robert Chartoff transitioned to more independent producing ventures, reflecting broader industry shifts toward diversified studio partnerships and smaller-scale films amid the rise of blockbuster franchises and corporate consolidations. He established Chartoff Productions, focusing on a mix of commercial and artistic projects that often involved established talent but on reduced budgets compared to his earlier collaborations. This period marked a pivot from the high-profile ensemble efforts of the 1970s and 1980s to more selective, genre-spanning work, including comedies, thrillers, and literary adaptations.[5][3] Chartoff maintained his longstanding connection to the Rocky franchise, serving as producer on Rocky V (1990), which explored themes of family and redemption amid declining box office returns for the series, and as executive producer on Rocky Balboa (2006), a reflective comeback story that revitalized interest in the aging protagonist and grossed over $155 million worldwide. These later installments demonstrated Chartoff's enduring commitment to the property that defined much of his career, adapting it to contemporary audiences while navigating creative tensions with star Sylvester Stallone. His involvement extended into the franchise's evolution with Creed (2015), where he acted as producer on the spin-off directed by Ryan Coogler, introducing Michael B. Jordan as Adonis Creed and earning critical acclaim for its fresh take on legacy and mentorship; the film was a commercial success, earning $173 million globally and multiple Academy Award nominations, including for Best Supporting Actor for Stallone.[3] Beyond the Rocky series, Chartoff's post-1980s output included lighter fare like the romantic comedy Straight Talk (1992), starring Dolly Parton as a radio advice host, which highlighted his interest in character-driven stories appealing to mainstream viewers. In the 2000s, he produced dramas such as In My Country (2004), a historical film addressing South Africa's Truth and Reconciliation Commission with Samuel L. Jackson and Juliette Binoche, emphasizing human rights themes. Later projects encompassed the action remake The Mechanic (2011), executive produced by Chartoff and featuring Jason Statham, as well as the science fiction adaptation Ender's Game (2013), based on Orson Scott Card's novel and starring Asa Butterfield, which explored military training in a futuristic setting but underperformed commercially. These efforts underscored Chartoff's adaptability to evolving market demands, from mid-budget genre films to ambitious adaptations, though none matched the cultural impact of his earlier successes.[5]Philanthropy
RC Charitable Foundation
The RC Charitable Foundation was established by Robert Chartoff in 1990 as his primary philanthropic vehicle, focusing on supporting education and child welfare initiatives globally.[11] Tax-exempt status was granted by the IRS in March 1992, allowing the foundation to operate as a private nonprofit based in Los Angeles, California.[12] Chartoff served as its president and director, directing resources toward grant-making for underserved communities.[12] The foundation's grant-making activities emphasize aid to international schools and child welfare agencies, particularly in developing regions. Key programs include ongoing funding for educational institutions in India, such as the Basant Mistry-Jennifer School, the Wisdom Trust Computer School and Kindergarten, and the Jai Hind School, which provide access to quality education for children in rural and underprivileged areas. These efforts support curriculum development, infrastructure improvements, and basic resources to enhance learning opportunities for youth. Additionally, the foundation has awarded grants to organizations like the Buddha Educational Trust, aiding child-focused educational and welfare projects. Annual grants typically total under $150,000, reflecting a targeted approach to impactful, smaller-scale initiatives rather than large endowments. For instance, in recent years, the foundation distributed approximately $124,000 in grants across various recipients, prioritizing those that directly benefit children's education and well-being.[13] This funding draws from Chartoff's personal wealth accumulated through his film production career.[4]Other Philanthropic Efforts
Chartoff served on the Community Advisory Board of the UCLA Younes and Soraya Nazarian Center for Israel Studies, providing dedicated support to advance academic programs in Jewish and Israeli studies.[11] He contributed to Jewish community organizations, including a donation to the USC Shoah Foundation in support of its educational initiatives on Holocaust history and human rights.[14] In the realm of health and child welfare, Chartoff made documented donations post-1990 to institutions such as Children's Hospital Los Angeles, aiding pediatric care efforts, and The Cure Starts Now Foundation, which focuses on pediatric cancer research and treatment.[15][16]Personal Life and Legacy
Marriages and Family
Robert Chartoff's first marriage was to Phyllis Raphael, with whom he had three children—Jenifer, William, and Julie—before their divorce.[1][4] In 1970, Chartoff married British actress Vanessa Howard, and the couple had one son, Charley.[4] That marriage also ended in divorce.[1] Chartoff's third marriage was to film editor Jenny Weyman in the early 1990s, and they had one daughter, Miranda.[5][4] The family resided in California, primarily in Santa Monica.[1][5]Death
Robert Chartoff was diagnosed with pancreatic cancer and battled the disease for two years before his death on June 10, 2015, at the age of 81.[5][1] He passed away at his home in Santa Monica, California, where he had resided for many years with his family.[5][1] No public details regarding funeral arrangements or burial were reported.[17] Chartoff was survived by his wife, Jenny Weyman Chartoff, and his five children: Jenifer, Julie, Miranda, William, and Charley, as well as ten grandchildren.[1][17] His son William Chartoff confirmed the cause of death and reflected on his father's philanthropic efforts, including the establishment of a school in India for children of marginalized communities.[1] Additionally, Sylvester Stallone, a longtime collaborator, issued a tribute stating, "He changed my life forever."[5]Legacy
Robert Chartoff's partnership with Irwin Winkler exemplified the independent producing model that defined New Hollywood, where producers actively shaped creative decisions to champion auteur-driven projects on modest budgets, influencing the era's shift toward riskier, character-focused narratives over studio blockbusters.[18] Their approach, seen in backing films like Rocky and Raging Bull, empowered emerging talents such as Sylvester Stallone and Martin Scorsese, fostering a wave of independent productions that prioritized artistic vision and cultural relevance amid the decline of the studio system.[10] Chartoff's productions contributed significantly to American cinema's exploration of resilience and social issues, particularly through underdog stories that resonated with working-class audiences grappling with economic and racial tensions in the 1970s. In Rocky, for instance, the narrative underscores themes of personal perseverance and ethnic identity, portraying the protagonist's fight as a metaphor for blue-collar endurance against systemic barriers, while subtly reflecting broader societal prejudices around race and class.[19] Similarly, Raging Bull delved into psychological fragility and redemption, offering a raw examination of masculinity and self-destruction that academic analyses have praised for humanizing social alienation in post-war America.[18] These works, produced under Chartoff's oversight, elevated cinema's role in mirroring and critiquing resilience amid urban decay and identity struggles, influencing subsequent films on personal triumph and societal critique. Posthumously, Chartoff's legacy endures through the ongoing success of the Rocky franchise, which he co-produced across its initial entries; the 2015 release of Creed, his final credited project, extended the series' themes of legacy and perseverance, grossing over $173 million worldwide and earning three Oscar nominations shortly after his death.[20] By 2025, the franchise's expansion, including Creed III in 2023—which surpassed $275 million in global earnings—continues to honor Chartoff's foundational vision, with industry tributes highlighting his role in creating enduring symbols of American grit.[10] Cultural retrospectives, such as those marking the Rocky series' nearly five-decade impact, underscore his contributions to cinema's portrayal of social mobility and emotional fortitude, ensuring his influence on independent filmmaking and thematic depth persists in contemporary discourse.[19]Works
Filmography
Robert Chartoff produced over 30 feature films throughout his career, most notably in long-term partnership with Irwin Winkler via their company Chartoff-Winkler Productions.[3] The following table lists his feature film production credits chronologically, including release year, title, director, and notes on his role (all credits are as producer unless otherwise noted; co-productions with Winkler are standard unless specified).| Year | Title | Director | Notes |
|---|---|---|---|
| 1967 | Point Blank | John Boorman | Co-produced with Judd Bernard |
| 1968 | The Split | Gordon Douglas | |
| 1969 | They Shoot Horses, Don't They? | Sydney Pollack | |
| 1970 | The Strawberry Statement | Stuart Hagmann | |
| 1970 | Leo the Last | John Boorman | |
| 1971 | The Gang That Couldn't Shoot Straight | James Goldstone | |
| 1971 | Believe in Me | Stuart Hagmann | |
| 1972 | The New Centurions | Richard Fleischer | |
| 1972 | Up the Sandbox | Irvin Kershner | |
| 1972 | The Mechanic | Michael Winner | |
| 1974 | Busting | Peter Hyams | |
| 1974 | The Gambler | Karel Reisz | |
| 1975 | Breakout | Tom Gries | |
| 1975 | Peeper | Peter Hyams | |
| 1976 | Nickelodeon | Peter Bogdanovich | |
| 1976 | Rocky | John G. Avildsen | |
| 1977 | Valentino | Ken Russell | Executive producer |
| 1977 | New York, New York | Martin Scorsese | |
| 1978 | Comes a Horseman | Alan J. Pakula | |
| 1978 | Uncle Joe Shannon | Joseph C. Hanley | |
| 1979 | Rocky II | Sylvester Stallone | |
| 1980 | Raging Bull | Martin Scorsese | |
| 1981 | True Confessions | Ulu Grosbard | |
| 1982 | Rocky III | Sylvester Stallone | |
| 1983 | The Right Stuff | Philip Kaufman | |
| 1985 | Rocky IV | Sylvester Stallone | |
| 1985 | Revolution | Hugh Hudson | |
| 1990 | Rocky V | John G. Avildsen | |
| 2006 | Rocky Balboa | Sylvester Stallone | |
| 2010 | The Tempest | Julie Taymor | |
| 2011 | The Mechanic | Simon West | Remake of 1972 film |
| 2013 | Ender's Game | Gavin Hood | |
| 2014 | A Midsummer Night's Dream | Julie Taymor | Executive producer |
| 2014 | The Gambler | Rupert Wyatt | Remake of 1974 film |
| 2015 | Creed | Ryan Coogler |