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SCART
SCART
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EuroSCART (Syndicat des Constructeurs d'Appareils Radiorécepteurs et Téléviseurs) Péritel
A male SCART connector (21-pin)
Type Analogue audio and video connector
Production history
Designer CENELEC
Designed 1976; 49 years ago (1976)
Superseded RCA, DIN (in Europe)
Superseded by HDMI, DisplayPort
General specifications
Audio signal Bi-directional Stereo
Video signal Composite (bi-directional),
RGB (uni-directional),
S-Video (sometimes bi-directional), or
YPbPr (Component)
Pins 21 (21 wires:RGB/10 wires:CVBS)
10 (10 wires:CVBS)
Data
Data signal D²B and widescreen switching
Pinout
Female connector seen from the front
Pin 1 Audio output (right)
Pin 2 Audio input (right)
Pin 3 Audio output (left/mono)
Pin 4 Audio ground (pins 1, 2, 3 & 6 ground)
Pin 5 RGB Blue ground (pin 7 ground)
Pin 6 Audio input (left/mono)
Pin 7 RGB Blue up
S-Video C down[a]
Component PB up[b]
Pin 8

Status & Aspect Ratio up[c]

  • 0–2 V → off
  • +5–8 V → on/16:9
  • +9.5–12 V → on/4:3
Pin 9 RGB Green ground (pin 11 ground)
Pin 10 Clock / Data 2[d]
Control bus (AV.link)
Pin 11 RGB Green up
Component Y up[b]
Pin 12 Reserved / Data 1[d]
Pin 13 RGB Red ground (pin 15 ground)
Pin 14 Usually Data signal ground (pins 8, 10 & 12 ground)
Pin 15 RGB Red up
S-Video C up
Component PR up[b]
Pin 16

Blanking signal up
RGB-selection voltage up

  • 0–0.4 V → composite
  • 1–3 V → RGB
Pin 17 Composite video ground (pin 19 & 20 ground)
Pin 18 Blanking signal ground (pin 16 ground)
Pin 19 Composite video output
S-Video Y output
Pin 20 Composite video input
S-Video Y input
Pin 21 Shell/Chassis[e]

output/input denotes symmetrical links
up/down denotes links to/from the TV set

^ a rarely supported.
^ b non-standard extension.
^ c from STB to VCR when used for unattended recording; 12V forces tv-set to AV-channel
^ d protocol not standardised, e.g. D²B.

^ e This pin is part of the shell/surround of the male connector. It is often connected to the overall screen in a cheap cable. In equipment, Pin 21 should be connected separately to the chassis, but often it is merely connected to all the other ground pins.

SCART (also known as Péritel or Péritélévision, especially in France, 21-pin EuroSCART in marketing by Sharp in Asia, Euroconector in Spain,[1] EuroAV or EXT, or EIA Multiport in the United States, as an EIA interface) is a French-originated standard and associated 21-pin connector for connecting audio-visual (AV) equipment. The name SCART comes from Syndicat des Constructeurs d'Appareils Radiorécepteurs et Téléviseurs, "Radio and Television Receiver Manufacturers' Association", the French organisation that created the connector in the mid-1970s. The related European standard EN 50049 was refined and published in 1978 by CENELEC, calling it péritelevision, but it is commonly called by the abbreviation péritel in French.

The signals carried by SCART include both composite and RGB (with composite synchronisation) video, stereo audio input/output and digital signalling. SCART is also capable of carrying S-Video signals, using the red pins for chroma.[2] A TV can be woken from standby mode and automatically switch to the appropriate AV channel when the SCART attached device is switched on. SCART was also used for high definition signals such as 720p, 1080i, 1080p with YPbPr connection by some manufacturers, but this usage is scarce due to the advent of HDMI.[citation needed]

In Europe, SCART was the most common method of connecting AV equipment and was a standard connector for such devices; it was far less common elsewhere.

The official standard for SCART is CENELEC document number EN 50049–1. SCART is sometimes referred to as the IEC 933-1 standard.

History

[edit]

Before SCART was introduced, TVs did not offer a standardised way of inputting signals other than RF antenna connectors, and these differed between countries. Assuming other connectors even existed, devices made by various companies could have different and incompatible standards. For example, a domestic VCR could output a composite video signal through a German-originated DIN-style connector, an American-originated RCA connector, an SO239 connector or a BNC connector.

The SCART connector first appeared on TVs in 1977. It became compulsory on new TVs sold in France from January 1980,[3][4] and since 1987 in eastern Europe, such as Poland. The actual French legal decree was adopted on 7 February 1980 and revoked on 3 July 2015.[5]

The standard was subject to several amendments and at least 2 major revisions, approved by CENELEC on 13 November 1988 (EN 50049-1:1989) and 1 July 1997 (EN 50049-1:1997).[6]

Features

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The SCART system was intended to simplify connecting AV equipment (including TVs, VCRs, DVD players and games consoles). To achieve this it gathered all of the analogue signal connections into a single cable with a unique connector, which normally made incorrect connections nearly impossible.

The signals carried by SCART include both composite and RGB (with composite synchronisation) video, stereo audio input/output and digital signalling. The standard was extended at the end of the 1980s to support the new S-Video signals. A TV can be awakened from standby mode, and it can automatically switch to appropriate AV channel, when the device attached to it through a SCART connector is turned on.

Daisy chaining

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Typical SCART sockets on a set-top box

SCART is bi-directional regarding standard composite video and analogue audio. A TV will typically send the antenna audio and video signals to the SCART sockets all the time and watch for returned signals, to display and reproduce them. This allows "transparent" set-top boxes, without any tuner, which just "hook" and pre-process the TV signals. This feature is used for analogue pay TV like Canal Plus and was used for decoding teletext.

A VCR will often have two SCART sockets, to connect it to the TV ("up", "primary" or "1"), and for video input from a set-top box or other device ("down", "secondary" or "2"). When idle or powered off, VCRs will usually forward the signals from the TV to the set-top decoder and send the processed result back to the TV. When a scrambled show is recorded, the VCR will drive the set-top box from its own tuner and send the unscrambled signals to the TV for viewing or simple recording control. Alternatively, the VCR could use the signals from the TV, in which case it would be inadvisable to change channels on the TV during the recording.

The "down" socket can also be used to connect other devices, such as DVD players or game consoles. As long as all devices have at least one "down" and "up" socket, this allows for connecting a virtually unlimited number of devices to a single SCART socket on the TV. While audio and video signals can travel both "up" to the TV and "down" to devices farther away from the TV, this is not true for RGB (and non-standard YPBPR) signals, which can only travel towards the TV.

"Down" and "up" are conventional. Logically, the TV is the last device of the "up" chain-path (stream) and the first device in the "down" chain path. Physically, the TV is under the device which sits on its top, hence the name "set-top box" for the device. Moreover, some sockets' relative position may enforce the belief that the TV is physically the last in the down direction.

Logically, the TV is on top and ends the "up" chain-path, translating the electrical info into an image and sound. From the same logical point of view the info stream, wherever it originates, may need processing such as decrypting (decoding, descrambling) or adding captioning/subtitles. In this case the info stream is sent logically "down" to dedicated function devices. From the last processing device the info stream is sent logically "up" to the TV, through all the chain-path. Another case is when the info stream is sent "down" and not expected to be sent back "up", for example when sent to a recorder.

Closing a loop on either the "up" or "down" chain-path may not have useful effects and may create instability.

Direct connections

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As audio and (composite) video use the same pins on "down" and "up" connectors (and require a crosslinked cable), it is also possible to connect two devices directly to each other without paying attention to the type of the socket.

However, this no longer works when S-Video signals are used. As straight links (RGB red and blue up) were re-purposed to carry chrominance information, the S-Video pinouts are different for "down" and "up" SCART connectors.[7] Further, they are often not fully implemented.

Paying attention to the type of socket is essential when handling component RGB/YPBPR/S-video. Damage can be caused to devices incorrectly connected as follows:

  • connecting SCART 1 ("up") from one device to SCART 1 ("up") of another device when both SCARTs are configured for RGB/YPBPR/S-video-up. Pins 7, 11 and 15 are outputs.
  • connecting SCART 2 ("down") from one device to SCART 2 ("down") of another device when both SCARTs are configured for S-video-down. Pin 7 is an output.
  • connecting SCART 1 ("up") from a device configured RGB/YPBPR, to SCART 2 ("down") of another device configured with S-video-down. Pin 7 is an output.

Damaging pins 7, 11 or 15 may result in yellow, purple or blue/green images, due to the missing blue, green or red components respectively. When using S-video, damaging pin 7 or 15 may result in black-white images due to the missing chroma component ("down" and "up" respectively). Similarly, damaging pins 7 and 15 (PB and PR) while leaving pin 11 (Y) undamaged may result in black-white images when using YPBPR. Damaging more than one of these pins may result in combined effects.

RGB overlays

[edit]

SCART enables a device to command the TV to very quickly switch between signals, in order to create overlays in the image. In order to implement captioning or subtitles, a SCART set-top box does not have to process and send back a complete new video signal, which would require full decoding and re-encoding of the color information, a signal-degrading and costly process, especially given the presence of different standards in Europe. The box can instead ask the TV to stop displaying the normal signal and display a signal it generates internally for selected image areas, with pixel-level granularity. This can also be driven by the use of a "transparent" color in a teletext page.

Device control

[edit]

SCART allows a connected device to bring it in and out of standby mode or to switch it to the AV channel. A VCR or other playback device will optimally power on when a cassette is inserted, power on the TV (or switch it to video mode) and then start playing immediately if the cassette write protection tab is absent. When turned off, the VCR will ask the TV to power off, which it will do if it had been powered on by the VCR's request and if it remained in video mode. Only some TVs will do this—most only implement automatic switching to and from the SCART input.

The same signal can be used by a satellite receiver or set-top box to signal a VCR that it is supposed to start and stop recording ("pin 8 recording"). This configuration usually requires that the VCR be farther from the TV than the source, so the signal usually travels "down".

Design

[edit]

Cables

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The cables for connecting equipment together have a male plug at each end. Some of the wires such as ground, data, switching and RGB connect to the identical pin number at each end. Others such as audio and video are swapped so that an output signal at one end of the cable connects to an input signal at the other end. The complete list of wires that are swapped are: pins 1 and 2, pins 3 and 6, pins 17 and 18, pins 19 and 20.

The original SCART specification provided for different cable (cordset) types denoted by a key color, but color-coding is rarely used and cables often use different, non-standard configurations.

Type Ring color Pins Description Symmetric
U Universal black 1–20, 21 Fully wired cable. no
V Video only white 17–20, 21 Only composite wires. yes
C Combined grey 1–4, 6, 17–20, 21 Composite Video and Audio yes
A Audio only yellow 1–4, 6, 21 Audio yes
B Bus green 10, 12, 21 Only data connections Depends on protocol used

Maximum SCART cable length is estimated to be about 10 to 15 metres without amplification.[citation needed]

Due to the relatively high signal voltages used in SCART, "hot plugging" (connecting or disconnecting devices while they are on) is not recommended. Although there is no risk of personal injury, there is the possibility of damaging electronics within the devices if the connector is inserted improperly.[citation needed] Also, since many TVs are Class II (double-insulated) rather than earthed, the large exposed shield on the SCART connector will be held at approximately half mains voltage if it is plugged into a powered TV with the other end unplugged. If the cable is then plugged into an earthed device with a metal case, inadvertent contact with the SCART cable shield while the earthed device is touched with the other hand can cause a painful electric shock. For this reason the device end of the cable should always be plugged in first and the TV end plugged in last.[8][9][10]

Quality differences exist in SCART cables. While a proper SCART cable uses miniature coaxial cables for the video signals, cheap SCART cables often use plain wires for all signals, resulting in a loss of image quality and greatly reducing the maximum cable length. A common problem on a cheap SCART cable is that a TV outputs a composite video signal from its internal tuner and this is induced or crosstalked onto an incoming video signal due to inadequate or non-existent screening; the result is ghostly images or shimmering superimposed on the incoming signal. To non-destructively verify if a SCART cable uses coaxial cables, unscrew the strain relief at the SCART connector and fold open the plastic shell.

Using higher-quality cables such as those with ribbon cords that have properly shielded coaxial cables inside might help in reducing a 'ghosting' effect, but it does not always eliminate it due to various factors. A more permanent method is to remove pin 19 (Video Out) from the SCART plug that is put into the TV, preventing a signal from being broadcast by the TV into the cable, so it cannot cross-talk with the incoming signal.

Blanking and switching

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Two pins provide switching signals.

Pin 8, the switch signal pin, carries a DC voltage from the source that indicates the type of video present.

  • 0 V–2 V means no signal, or internal bypass
  • 4.5 V–7 V (nominal 6 V) means a widescreen (16:9) signal
  • 9.5 V–12 V (nominal 12 V) means a normal (4:3) signal

Pin 16, the blanking signal pin, carries a signal from the source that indicates that the signal is either RGB or composite.

  • 0 V–0.4 V means composite.
  • 1 V–3 V (nominal 1 V) means RGB only.

The original specification defined pin 16 as a high frequency (up to 3 MHz) signal that blanked the composite video. The RGB inputs were always active and the signal 'punches holes' in the composite video. This could be used to overlay subtitles from an external Teletext decoder.

  • 0 V–0.4 V means composite with a transparent RGB overlay.
  • 1 V–3 V (nominal 1 V) RGB only.

There is no switching signal to indicate S-Video. Some TVs can auto-detect the presence of the S-Video signal but more commonly the S-Video input needs to be manually selected. The same for the rare component YPbPr, which is in many cases implemented over a composite or RGB SCART.

Non-standard extensions

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RGB-capable SCART (gold plated)
Non-RGB SCART male connector. Only 10 pins (2, 6, 7, 8, 11, 15, 16, 17, 18, 20) are available. Some cheap cables or devices (DVD players, TVs) have a 21-pin SCART connector or socket that actually have 10 wires connected and are thus not RGB / S-Video capable, but only CVBS.

The use of the data pins was not standardised in the original SCART specification, resulting in the use of several different protocols, both proprietary protocols and semi-proprietary protocols based on standards such as D²B.

Some of the most creative usages appeared in analogue satellite receivers. The function of decoding hybrid, time-compressed analogue-digital MAC transmissions into RGB and analogue audio was akin to making a digital receiver out of an analogue one. The D²B pins (10 and 12) were used for communicating with satellite dish positioners and for driving magnetic polarisers, before these became incorporated into LNBs. The daisy-chaining features were used to connect both a Pay TV decoder and a dish positioner/polariser to a single Decoder socket on the receiver.[11]

CENELEC EN 50157-1 introduced AV.link as a standardised protocol to carry advanced control information between devices. It is a single-wire serial data bus and allows carrying remote control information and to negotiate analogue signal types (e.g. RGB). AV.link is also known as nexTViewLink or trade names such as SmartLink, Q-Link or EasyLink. It appears as the Consumer Electronics Control channel in HDMI.

The data pins, 10, 12, 14, were used by some manufacturers for Dolby Pro Logic, surround and multichannel on their TV sets (some high end models with built in Dolby decoders, and external surround speakers, both CRT, LCD and plasma sets, and only in Europe - and European versions of Japanese TV Sets and DVD players -, and mainly on S/PDIF), in order to connect a DVD player to the TV set and stream the Dolby and DTS to the surround of the TV set [citation needed]. However, this protocol was rarely used, as it was limited only to a certain manufacturer, and the connections were different from a manufacturer to another, and in some cases, it was only commanded by the pin 8. In this case, it was unusable with RCA to SCART adapters. Also, if a Compatible TV with such connection and a compatible DVD with such connection, but from different manufacturers were interconnected, the surround might not work, and only the stereo sound from the DVD player was available to the TV, because some manufacturers did not use SPDIF, but an own protocol. Also, this connection might be also lost, if the connection of the DVD with the TV was made indirectly (through a VCR in daisy chaining mode, for example), however, some VCR allowed the pass-through of these signals. Some DVD player manufacturers on some models offered SPDIF only on SCART, and an adapter in order to extract the digital audio signal to send it to a home cinema. To the present day this connection remains rare, as HDMI, S/PDIF, and TOSLINK can provide multichannel audio, also some TV sets with Surround built in may have an Optical or S/PDIF INPUT, beside Output [citation needed].

Implementations

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Multi-AV (2-channel audio, S-Video and CVBS) SCART adaptors with input/output signal switch

Nearly all modern DVD players and set-top boxes with SCART sockets can output RGB signal, which offers superior picture quality to composite signal. However, many devices do not have RGB output turned on by default, instead defaulting to composite video: RGB often has to be set up manually in the menu or via switches on the back of the device.[citation needed]

The GameCube, Wii, Neo-Geo, Dreamcast, PlayStation, PlayStation 2, PlayStation 3, Xbox and Xbox 360 can output RGB, component video, S-Video, or composite video. These consoles come with the standard composite video connector, but the manufacturers and third parties sell connectors for component video hookup and for RGB SCART hookup. Where the Nintendo GameCube and Xbox automatically switch to the proper mode, the PlayStation 2 must be told via a selection in the system menu whether it is to use YPBPR or RGB video. RGB is only available on PAL region GameCube and Wii consoles, while S-Video is only available on NTSC consoles.[12]

Some older consoles such as the Master System, Mega Drive/Genesis, and Super Nintendo Entertainment System output RGB, and many older home computers (Amstrad CPC, later ZX Spectrum models, MSX, Amiga, Atari ST, BBC Micro and Acorn Archimedes, etc.) output RGB with composite sync suitable for SCART use, via DIN plugs. Standard-resolution arcade monitors use RGB signals with a composite sync, which is SCART-compatible.

Besides simple connection of external devices to SCART TVs, RGB SCART is used in the retrogaming scene for connecting vintage games consoles (including ones internally modified for RGB or 60 Hz RGB where necessary) to:

  • RGB SCART inputs of upscalers / analogue-to-digital converters; these output over HDMI at higher than original resolution, to modern TVs / monitors / projectors / capture cards, or, via further conversion (HDMI to VGA digital-to-analogue) CRT PC monitors
  • RGB SCART to RGB BNC adapters and into RGB CRT professional video monitors
  • RGB SCART to S-video converters, for achieving the best video quality on a combination of a TV / monitor with S-video as its best input but with a console that cannot output S-video, but can output RGB as its best output

The SAM Coupé microcomputer also uses a SCART connector for its output, however it is a non-standard pinout.[13]

Japanese RGB 21-pin connector

[edit]
EIA interface on a 1987 RCA Dimensia
Alternative Japanese JP21 pinout

There is also a Japanese version of the SCART connector, which is referred to as the Japanese RGB-21 connector, EIAJ TTC-003,[14] or simply JP-21. This version of SCART uses similar signals and the same connector, but it has a different pinout. In Japan and Korea, it is commonly called RGB-21 while it is more generally called JP-21 in the English-speaking world.

JP-21 was standardised in January 1983 with the norm TTC-0003[15] published by EIAJ, which was superseded in March 1993 by the norm CPR-1201[16] to include S-Video. CPR-1201 was withdrawn in March 2003 to be replaced by the equivalent norm CPR-1205, representing Japan's transition from analogue to digital, and thus antiquating analogue connectors.

It was adopted in Japan for the connector's ability to support RGB output format (no compression nor deterioration of original video signals) but, contrary to SCART in Europe, it never saw widespread use on the consumer market.

When using RGB video, the red channel uses the same pins in both standards, so red video with no audio is indicative of mismatching JP-21 SCART with EuroSCART.[17]

JP21 pinout
Pin Function Pin Function
1 Audio left channel input 2 Audio left channel output
3 Audio ground 4 Audio ground
5 Audio right channel input 6 Audio right channel output
7 Video ground 8 Video ground
9 CVBS input 10 CVBS output
11 AV control input 12 Ym input
13 Red signal ground 14 Ground
15 Red signal I/O 16 Ys input
17 Green signal ground 18 Blue signal ground
19 Green signal I/O 20 Blue signal I/O
21 Plug shield

Notes:

  • Audio input: 0.40 mVrms, > 47K ohms
  • Audio output: 0.40 mVrms, > 10K ohms
  • CVBS (composite video) in and out: 1 Vp-p, 75 ohms, sync: negative
  • Ym input: Switches RGB to half-brightness, for video overlay (L: < 0.4 V, H: > 1 V, 75 ohms)
  • Ys input: RGB in/out: (ground for output, 1 V+ for input (preferred))
  • All RGB lines: 0.7 Vp-p, 75 ohms[14]

Newer standards

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As it was designed to carry analogue standard-definition content, SCART is rarely used since the adoption of HDMI, which carry high-definition content and multichannel audio.

See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
SCART, an acronym for Syndicat des Constructeurs d’Appareils Radiorécepteurs et Téléviseurs (also known as Péritel in or Euroconnector), is a 21-pin analog connector standard developed in for interconnecting audio-visual equipment such as televisions, VCRs, DVD players, and set-top boxes, primarily in . It enables the transmission of standard-definition video signals including composite, , and RGB, along with stereo audio, in a single cable, supporting bidirectional communication for both input and output between devices. Introduced in , SCART was designed to standardize AV connections and future-proof television systems amid evolving European broadcast formats like PAL and , becoming compulsory on new TVs in from 1980 and widely adopted across the continent for its versatility in handling multiple signal types without separate cables. The official specification is defined by the CENELEC EN 50049-1 standard (also known as IEC 60933-1), which outlines the pin assignments, voltage levels, and impedance for reliable signal integrity. Key features include support for RGB video, input/output, audio channels, and control signals for audio/video switching and RGB detection, allowing devices to automatically select the highest-quality input. Its robust, flat trapezoidal design with 21 pins facilitates easy connection but results in bulky cables, contributing to its decline in favor of digital interfaces like by the early 2000s. Despite obsolescence in modern , SCART remains notable in retro gaming, vintage AV restoration, and professional broadcast adaptations for converting to digital formats such as SDI.

History and Development

Origins in France

The Syndicat des Constructeurs d'Appareils Radiorécepteurs et Téléviseurs (SCART), a French representing manufacturers of radio receivers and televisions, originated in the mid-20th century to coordinate industry standards and interests. Records document its existence and activities as early as , when it participated in discussions on merging with other syndicates to form a national federation. This organization later gave its name to the SCART connector, also known initially as Peritel in , reflecting its central role in developing the interface. Development of the SCART connector began in the mid-1970s, driven by the need for improved interconnection standards following France's adoption of the color television system in 1967. , which transmitted color information sequentially using , highlighted the shortcomings of existing connections, particularly for achieving higher-fidelity RGB signal transmission amid the rapid growth of color TV ownership in . French electronics firms, coordinated by the SCART syndicate, designed the connector in 1976 to enable unified cabling between televisions and audio-visual peripherals, prioritizing compatibility with both and PAL systems. It first appeared on television sets in 1977, marking a shift toward integrated audio-video setups.

Standardization and Adoption

The formal standardization of SCART took place in 1978 with the publication of the CENELEC EN 50049-1 document, which defined it as a 21-pin connector for interconnecting . This standard, sometimes also referred to as IEC 933-1, built on initial French developments from the mid-1970s and aimed to unify AV connections across by supporting multiple signal types in a single interface. Adoption began mandatorily in , where the government required all televisions sold after 1980 to include a SCART connector, accelerating its integration into domestic AV systems. By the early 1980s, SCART had become the voluntary standard across the , spreading through VCRs and early home entertainment devices despite initial resistance from the , which relied on established RF connectors, and , which favored its own proprietary standards like those for NTSC-based systems. Usage peaked in the alongside the widespread integration of VCRs and DVD players, which commonly featured SCART for seamless connectivity. A key driver of SCART's success was its promotion of higher-quality RGB video signals over traditional , enabling sharper images and better color fidelity in European broadcasting and playback systems. By the mid-1990s, the vast majority of new European televisions were equipped with SCART ports, solidifying its role as the dominant AV interface on the continent until the rise of digital alternatives.

Physical and Electrical Design

Connector Pinout and Interface

The SCART connector is a 21-pin trapezoidal interface standardized for audio-visual connections in , featuring two parallel rows of flat pins arranged in a D-shaped or trapezoidal to ensure correct orientation and prevent reverse insertion. The design includes male variants typically used on source devices such as VCRs or DVD players, and female variants on display devices like televisions, facilitating a secure push-fit connection without a mechanical locking latch, relying instead on friction and the connector shell for retention. The overall connector housing measures approximately 52 mm in width, 39 mm in length, and 20 mm in height, with the pin array spanning about 21 mm across the narrower top row (8 pins) and wider bottom row (13 pins). The pin assignments are defined in the CENELEC EN 50049-1 standard (also known as IEC 933-1), supporting bidirectional audio, , RGB video inputs, and control signals through specific voltage levels and impedances. Audio signals operate at 0.5 V RMS with low (<1 kΩ) and high input impedance (>10 kΩ), while video signals use 75 Ω impedance with peak-to-peak voltages of 1 V (including sync) for composite and 0.7 V for RGB components; control signals tolerate 0-2 V for low states and up to 12 V for high states. The 21st "pin" is actually the metal shell providing grounding and () shielding via continuous contact between connector housings, reducing and external noise ingress without additional ferrite components. for mono audio is achieved by linking left and mono signals on pins 3 and 6, allowing single-channel sources to drive both stereo inputs. The following table summarizes the standard pinout for a full-featured SCART connector (Table 1 configuration from EN 50049-1), focusing on primary functions, signal directions (from the perspective of the connected device), levels, and notes:
PinFunctionSignal TypeLevel/ImpedanceNotes
1Audio output rightAnalog audio out0.5 V RMS / <1 kΩStereo right channel from source
2Audio input rightAnalog audio in0.5 V RMS / >10 kΩStereo right channel to source
3Audio output left/monoAnalog audio out0.5 V RMS / <1 kΩStereo left or mono from source
4Audio groundGround-Common for pins 1, 2, 3, 6
5Ground (RGB )Ground-For pin 7
6Audio input left/monoAnalog audio in0.5 V RMS / >10 kΩStereo left or mono to source; mono compatibility via pin 3 link
7RGB inputAnalog video in0.7 V pp / 75 Ω component from source
8Switching / fast blankingControl in/out0-2 V (low: composite), 9.5-12 V (high: RGB/AV) / >10 kΩSelects RGB mode or
9Ground (RGB green)Ground-For pin 11
10Data 2 (AV.link)Control/bidirectional0-5 V / >10 kΩOptional communication bus
11RGB green inputAnalog video in0.7 V pp / 75 ΩGreen component from source
12Data 1Control/bidirectional0-5 V / >10 kΩOptional data line
13Ground (RGB red)Ground-For pin 15
14Data groundGround-For pins 8, 10, 12
15RGB red inputAnalog video in0.7 V pp (RGB) / 75 ΩRed component; also used for in variants
16Blanking signal inputControl in0-0.4 V (low: composite), 1-3 V (high: RGB) / 75 ΩEnables RGB display mode
17 groundGround-For pins 19, 20
18Blanking groundGround-For pin 16
19 outputAnalog video out1 V pp (incl. sync) / 75 ΩFrom display to source (e.g., TV out)
20 inputAnalog video in1 V pp (incl. sync) / 75 ΩFrom source to display
21Shell/chassisShield- shielding via metal contact
Voltage tolerances ensure robust , with video inputs accepting 0-2 V peak excursions to accommodate variations in source output, while audio lines maintain up to 2 V RMS without . The interface supports hot-plugging with low risk of damage due to the defined ground and low-voltage signals, though full shielding via pin 21 minimizes in typical home environments.

Cable Types and Construction

SCART cables are constructed as multi-conductor assemblies, typically incorporating up to 21 individual wires to support the full range of signals defined in the EN 50049 standard. These include six conductors for video transmission, four-core configurations for audio, two cables for bus functions, and additional hook-up wires for control signals. The video elements use tinned strands (0.10 mm , seven strands) insulated with solid , providing a of 75 ± 5 Ω to ensure low attenuation and for analog video signals. Audio cores similarly employ tinned conductors with insulation and bare spiral screening for rejection, all encased in PVC inner jackets. The overall cable construction features a grey PVC outer jacket (11.5 mm ) with an aluminum-polyester (Al-PET) foil offering at least 125% coverage, complemented by a tinned drain wire for grounding and effective () suppression. This ing helps mitigate external noise pickup, while individual braiding on sections (80% bare coverage) reduces internal between signals. Fully wired cables connect all 21 pins for complete audio-video and control functionality, whereas partial-wired variants, such as RGB-only cables, limit connections to video pins (e.g., pins 7, 11, 15 for blue, green, red) and essential audio to reduce bulk and cost, though they may compromise bidirectional features. Typical constructions use for low resistance (max 330 Ω/km at 20°C) and operate within -20°C to +70°C ranges. Cable lengths are generally limited to 1-3 in standard applications to minimize signal loss, with attenuation rates around 19.6 dB/100 m at 50 MHz for video paths. Exceeding this without amplification can lead to noticeable degradation in RGB quality due to the analog nature of the signals. Variations include straight and angled (right-angle) connectors for space-constrained installations, as well as SCART-to-RCA adapters, which extract and stereo audio for compatibility with legacy non-SCART devices like older VCRs. Unshielded or poorly constructed cables are prone to , where audio signals interfere with video, resulting in visible artifacts on displays.

Signal Transmission and Features

Video Signal Support

SCART supports multiple analog video transmission modes, enabling compatibility with various devices. The primary mode is (CVBS), transmitted bidirectionally on pins 19 (output) and 20 (input) at 1 V peak-to-peak with negative sync, grounded on pin 17. , offering improved separation of and , utilizes pin 20 for luminance (Y) input and pin 15 for chrominance (C) input, with grounds on pins 13 and 17. The highest-quality mode, RGB, is provided unidirectionally as inputs on pins 7 (), 11 (), and 15 (), each at 0.7 V peak-to-peak and 75 ohms impedance, with respective grounds on pins 5, 9, and 13. In terms of signal quality, RGB represents the superior hierarchy within SCART, delivering unencoded primary color components without the cross-color and cross-luminance artifacts inherent to composite video, where luminance and chrominance are multiplexed into a single signal. S-Video occupies an intermediate position by separating these components, reducing but not eliminating such distortions compared to composite. Synchronization for RGB typically employs composite sync embedded in the luminance or CVBS signal on pin 20. SCART was engineered for compatibility with European broadcast standards, including PAL and color encoding systems, facilitating 625-line at 50 Hz field rates. This supports effective resolutions up to (720 × 576 pixels active), aligning with formats of the era. Additionally, the interface incorporates a blanking signal on pin 16 (RGB status/fast blanking, 0–0.4 V low or 1–3 V high), which enables pixel-level overlay functionality, such as superimposing on-screen displays (OSD) from a source device like a VCR onto the primary video feed on a television. As an exclusively analog connector, SCART lacks support for digital video formats, limiting it to pre-HDMI era applications. Its unshielded or poorly constructed cables are particularly vulnerable to and noise pickup, which can degrade over distances exceeding a few meters.

Audio and Control Signals

SCART supports analog stereo audio transmission via dedicated pins, enabling bidirectional communication between devices such as televisions and video recorders. The right-channel audio output is provided on pin 1 at a nominal level of 0.5 V RMS, with a frequency response spanning 20 Hz to 20 kHz and ground referencing to ensure compatibility with standard line-level inputs. Similarly, pin 3 carries the left-channel audio output at 0.5 V RMS over the same frequency range, also serving as the mono audio output for devices lacking stereo capability, where the signal is duplicated across channels as a fallback. Input paths include pin 2 for right-channel audio at 0.5 V RMS and pin 6 for left-channel or mono audio input, maintaining impedance matching around 1 kΩ to minimize signal degradation during recording or playback operations. Control signals on SCART facilitate automatic device detection and mode selection, primarily through pin 8, which carries a DC voltage to indicate the active video and trigger input switching. A voltage of 0-2 V on pin 8 signals no external input or mode, prompting the display to default to broadcast reception; 4.5-7 V activates 16:9 detection and AV mode for widescreen content; while 9.5-12 V selects 4:3 AV mode for standard aspect ratios, with an input resistance of ≤10 kΩ and ≤2 nF to ensure reliable sensing. This voltage-based protocol allows televisions to prioritize connected peripherals over internal tuners, using load sensing where low-impedance sources (e.g., 75 Ω terminations) indicate active priority over high-impedance (high-Z) idle states. Pins 10 and 12 serve as returns or grounds for control and signals, including support for fast blanking operations that integrate with audio handling. Audio signals follow the video transmission path in SCART, with blanking mechanisms on related pins enabling mute functions during switching or overlay transitions to prevent audio artifacts. This integration ensures synchronized audiovisual output, where control voltages on pin 8 can indirectly influence audio routing by confirming the active source.

Advanced Functionality

Switching and Blanking Mechanisms

SCART employs a voltage-based switching logic on pin 8 to select between input modes in multi-device setups. This pin carries a DC control voltage from the source device: levels of 0-2 V indicate TV mode, 2-7 V select 16:9 AV mode, and 6-12 V activate 4:3 AV mode, often used for RGB or signals when and are provided on pins 20 and 15, respectively. The voltage is typically applied through a load (e.g., 100-1k Ω) in the source to limit current. Blanking mechanisms ensure clean signal transitions and support overlays by suppressing unwanted video components. Fast blanking, controlled via pin 16, operates as a high-speed signal (1-3 V to enable RGB mode, 0-0.4 V for composite mode) that blanks the composite input during RGB transmission or vice versa, preventing interference and achieving response times under 1 ms for seamless switching. Slow blanking, often tied to modulated variations on pin 16 or coordinated with pin 8, allows for (OSD) overlays by temporarily blanking the main video at field rates (e.g., 50 Hz in PAL systems), enabling text or graphics from the TV to superimpose on the source signal without full mode changes. RGB overlays are facilitated by driving pin 16 low (0 V) during overlay periods to enable composite OSD on RGB video, with pin 15 (RGB red input) remaining active for the base signal. Internally, televisions implement these mechanisms using electromechanical relays in early designs for isolating or solid-state analog multiplexers such as the CD4051 IC, which routes selected video and audio lines based on decoded control voltages from pins 8 and 16. This combination supports dynamic source selection in setups with VCRs, consoles, or set-top boxes while maintaining .

Daisy Chaining and Overlays

SCART supports daisy chaining through its bi-directional signal paths, allowing multiple AV devices to be connected in series without requiring separate inputs on the television. In a typical setup, a television's SCART output sends the RF or antenna signal to the first device (e.g., a VCR), which processes it if active or passes it unchanged to the next device via loop-through connections, ultimately returning the modified signal to the TV's input. This feature was particularly useful in home theater systems for integrating devices like VCRs and satellite decoders into a single chain, simplifying wiring in multi-device environments. The loop-through functionality relies on specific pins designed for signal passthrough: pin 2 handles right-channel audio input (0.5 V RMS, 10 kΩ impedance), acting as a loop from the previous device's audio output, while pin 19 provides output (1 V p-p, 75 Ω) to the next device's input on pin 20. Similarly, pin 6 serves left-channel audio loop-through. Devices in the chain must be configured to pass signals transparently when inactive, often using internal switches or relays to avoid loading the line. However, extended chains can introduce signal degradation due to cumulative impedance mismatches and , with practical limits typically around two to three devices before amplification or regeneration is needed to maintain quality. Potential issues include ground loops from multiple connections, which may cause hum or interference in audio paths. Overlays in SCART are enabled by the fast blanking mechanism on pin 16 (RGB status/fast blanking, 0–0.4 V for composite, 1–3 V for RGB, 75 Ω), which prioritizes RGB signals over composite video by blanking the lower-priority composite input to prevent interference or ghosting. When the blanking signal is high, the display device suppresses the composite video on pin 20, allowing clean RGB transmission on pins 7 (blue), 11 (green), and 15 (red), each at 0.7 V p-p into 75 Ω. This rapid switching (capable of per-pixel transitions) supports overlay applications, such as superimposing teletext data or on-screen displays (OSD) from a decoder onto incoming video without disrupting the base signal. For instance, a teletext-equipped VCR could generate RGB OSD elements that overlay the composite video feed, with the blanking signal ensuring seamless integration. Audio remains unaffected, continuing through loop-through pins, though chains may limit full bidirectional control in complex setups.

Variations and Extensions

Non-Standard Modifications

Non-standard modifications to the SCART interface have been developed by manufacturers and enthusiasts to extend its capabilities beyond the official IEC 60933-1 specification, often by repurposing control pins for additional signaling or power management. While the standard already includes voltage levels on pins 8 (0–2 V for off/composite, 5–8 V for 16:9 aspect ratio, 9.5–12 V for 4:3) and 16 (0–0.4 V for composite, 1–3 V for RGB with fast blanking) to enable RGB mode selection, aspect ratio switching, and features like temporary video suppression for subtitles or on-screen displays, some implementations have applied voltages outside these ranges or for other purposes. For instance, supplying voltages beyond the standard to pin 8 has been used to force RGB input on compatible televisions, overriding default composite video detection; however, this can introduce risks like input shorting if voltages exceed 12 V, potentially damaging TV circuits. Pins 4 (audio ground) and 20 (composite video/sync) were occasionally repurposed for low-level digital data transmission in manufacturer-specific RGB control extensions, such as enhanced sync signaling in and devices, though this led to brand incompatibilities due to varying implementations. Non-standard hacks, such as routing 12 V to pin 8 for accessory powering in adapters, were also prevalent but posed hazards like to grounded pins (e.g., pin 9 for RGB ground), risking equipment failure across incompatible brands. These modifications, while innovative, often resulted in issues and were not universally supported, contributing to SCART's fragmented legacy in consumer AV systems.

International Adaptations

In , the RGB 21-pin connector, standardized by the Electronic Industries Association of Japan (EIAJ) as TTC-003 and commonly referred to as JP-21, utilized the same physical trapezoidal 21-pin design as the European but featured a remapped pinout tailored for video signals. This adaptation supported RGB video, , and stereo audio, with key differences including input on pin 9 (versus pin 20 in the ) and RGB signals on pins 15 (red), 19 (green), and 20 (blue), along with sync on pin 9. The remapping optimized it for Japanese consumer electronics, such as televisions and video game consoles from the , but created compatibility challenges when connecting to European SCART ports, often resulting in issues like red-tinted video output without audio due to mismatched signal routing. These Japanese devices, including early implementations by manufacturers like and Sharp around 1983, were frequently imported to , necessitating adapters to bridge the pin differences and address NTSC-to-PAL conversion problems, such as color phase shifts that could distort hues or eliminate color entirely on PAL displays. For instance, the JP-21's handling of chroma signals diverged from SCART, with pin 7 repurposed for chroma input in some configurations, exacerbating phase errors when interfacing NTSC sources with PAL systems. In , the connector was branded as Peritel, which is essentially the standard 21-pin SCART interface. remained minimal outside niche applications, primarily through third-party adapters for connecting European-imported AV equipment in the 1980s, as domestic standards favored RCA composite and over the more integrated SCART design. By the mid-1990s, the JP-21 variant had largely declined in , supplanted by superior interfaces that offered higher resolution and better compatibility without the need for multi-pin remapping.

Usage and Legacy

Implementations in

SCART found widespread adoption in European consumer electronics during the and , serving as the primary interface for interconnecting devices such as televisions, video cassette recorders (VCRs), and gaming consoles. In televisions, SCART sockets became a standard feature following French government mandates that required their inclusion on new TV sets sold in from the early , promoting compatibility with emerging video technologies and supporting local manufacturers. This policy influenced broader European integration, with SCART appearing on the majority of mid-to-high-end TVs across by the late , enabling direct RGB video transmission for superior picture quality over composite signals. Video cassette recorders exemplified early SCART implementation, with models like the 1980s VR series incorporating SCART connectors for output to deliver video playback to compatible TVs. These VCRs allowed users to bypass RF modulation, providing cleaner signals for recording and playback, and were common in households for connecting to SCART-equipped televisions. Similarly, players from , such as the LDP-600WS, featured SCART outputs supporting RGB for enhanced video from analog optical discs, integrating seamlessly with home theater setups. CD-i players also utilized SCART for multimedia delivery, outputting or RGB signals to TVs for content. Gaming consoles leveraged SCART for optimal RGB video, particularly in where it aligned with TV standards. The Commodore supported RGB output through its dedicated port, connectable via official or adapter cables to SCART sockets on TVs, enabling sharp graphics for computing and gaming applications. Nintendo's (SNES) in PAL regions included official RGB SCART cables, allowing direct connection to European TVs for vibrant, artifact-free visuals during . By the , built-in SCART sockets were present on most European television sets, facilitating easy integration with these devices and reducing the need for multiple cables. Satellite receivers commonly employed SCART for AV bypass, routing external video sources like VCRs directly to the TV while passing through audio and control signals. SCART's design enabled features like Macrovision in VCRs and players, where blanking signals on specific pins disrupted unauthorized recording by altering the vertical blanking interval, ensuring compliance with content protection standards without affecting legitimate playback. However, its implementation faced challenges, particularly the connector's bulkiness, which made it impractical for portable devices like early camcorders or handheld players, often necessitating RF fallback options for compatibility with non-SCART equipment. Despite these limitations, SCART's role in standardizing AV connections played a key part in the European electronics ecosystem during its peak.

Decline and Modern Relevance

The rise of digital video standards in the late 1990s and early 2000s accelerated SCART's decline, as analog connectors like SCART could not transmit high-definition signals without conversion. Component video, introduced in the 1990s, provided superior analog quality for early digital sources but lacked the integrated digital capabilities that later dominated consumer electronics. The introduction of HDMI in 2002 marked a pivotal shift, offering uncompressed high-definition video and audio over a single cable, which quickly became the preferred interface for new televisions and devices due to its support for resolutions up to 4K and beyond. In , regulatory pressures further hastened SCART's obsolescence. The EU's eEurope 2005 Action Plan promoted widespread digital TV adoption, with most member states completing analog switchover by 2012, rendering SCART's analog focus incompatible with without additional adapters. New televisions with SCART ports ceased production around 2005–2006, coinciding with the transition from CRT to flat-panel displays that prioritized and other digital inputs. By the mid-2010s, legal requirements for SCART compatibility on new TVs in several EU countries, such as and , were lifted, eliminating mandates that had sustained its use since the . Despite its decline, SCART retains niche relevance in retro gaming and legacy media restoration. Enthusiasts employ SCART upscalers like the Open Source Scan Converter (OSSC), which processes analog RGB signals from classic consoles for display on modern screens while preserving original scan rates and reducing lag. Similarly, modifications, such as RGB-Pi AV boards, enable SCART output for emulation setups on CRT televisions, delivering pixel-accurate reproduction of and games. Adapters converting SCART to allow vintage VCRs to connect to contemporary displays, facilitating the and restoration of analog tapes without quality loss from composite alternatives. The shift from SCART to digital interfaces has contributed to challenges, as millions of analog-equipped CRT televisions and peripherals were discarded during Europe's digital TV transition, exacerbating burdens and . In enthusiast communities, FPGA-based systems like have revived interest in SCART during the , using custom VGA-to-SCART cables to interface reconfigurable hardware with original-era displays for authentic retro computing and arcade emulation. Looking ahead, SCART's role in broadcasting has ended with the full phase-out of analog terrestrial signals across , confining it to private legacy applications. HDMI's dominance ensures SCART remains a transitional relic, supported only through adapters rather than native integration in new hardware.

References

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