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Sada Abe
Sada Abe
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Sada Abe (阿部 定, Abe Sada; May 28, 1905 – date of death unknown) was a Japanese geisha and prostitute who murdered her lover, Kichizō Ishida (石田 吉蔵), via strangulation on May 18, 1936, before cutting off his penis and testicles and carrying them around with her in her kimono. The story became a national sensation in Japan, acquiring mythic overtones; it has also been interpreted by artists, philosophers, novelists and filmmakers.[4] Abe was released after serving five years in prison and went on to write an autobiography.

Key Information

Family background

[edit]

Sada Abe was the seventh of eight children of Shigeyoshi and Katsu Abe, an upper middle-class family of tatami mat makers in Tokyo's Kanda neighborhood.[3] Only four of the Abe children survived to adulthood, of whom Sada was the youngest.[5] Sada's father, originally from Chiba Prefecture,[3] had been adopted into the Abe family to help with the business, which he eventually inherited.[3] Aged 52 at the time of Sada's birth, Shigeyoshi Abe was described by police as "an honest and upright man" who had neither conspicuous vices nor any brushes with the law;[6] some acquaintances reported him to be somewhat self-centered, with a taste for extravagance. Likewise, Sada's mother had no known legal or moral blemishes on her record.[7]

Sada's brother Shintarō was known as a womanizer, and, after his marriage, ran away with his parents' money.[8] Her sister Teruko was also known to have had several lovers. Sada's father sent Teruko to work in a brothel, then not an uncommon way to punish female sexual promiscuity in Japan, although he soon bought her back. Teruko's past was not considered a hindrance to marriage for those of the Abes' class at the time, and she soon married.[9]

Early life

[edit]

Abe was born in 1905.[1] Her mother doted on Sada, who was her youngest surviving child, and allowed her to do as she wished.[9] She encouraged Abe to take lessons in singing and in playing the shamisen, both activities which, at the time, were more closely associated with geisha – an occasionally low-class profession – and prostitutes than with classical artistic endeavor.[10] Geisha were considered glamorous celebrities at the time,[9] and Abe herself pursued this image by skipping school for her music lessons and wearing stylish make-up.[11]

As family problems over her siblings Teruko and Shintarō became more pressing, Abe was often sent out of the house alone. She soon fell in with a group of similarly independent teenagers.[12] At the age of 14, during one of her outings with this group, Abe was raped by one of her acquaintances, a Keio University student.[13][14] Abe's parents initially appeared to support her, but soon changed their response, and, claiming that Abe had become irresponsible and uncontrollable, they sold her to a geisha house in Yokohama in 1922.[15] Abe's oldest sister, Toku, testified that she wished to become a geisha. Abe herself, however, claimed that her father made her a geisha as punishment for her promiscuity.[16]

Abe's encounter with the geisha world proved to be a frustrating and disappointing one. To become a true star among geisha required apprenticeship from childhood, with years spent training and studying arts and music. Abe never progressed beyond a low rank, and one of her main duties was to provide sex for clients. She worked for five years in this capacity and eventually contracted syphilis.[9] Since this meant she would be required to undergo regular physical examinations, just as a legally licensed prostitute would, Abe decided to enter a better-paying profession.[17][18]

Early 1930s

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The brothel where Abe was arrested

Abe began work as a prostitute in Osaka's famous Tobita brothel district, but soon gained a reputation as a troublemaker. She stole money from clients and attempted to leave the brothel several times, but was soon tracked down by the well-organized legal prostitution system.[19] After two years, Abe eventually succeeded in escaping and took a job as a waitress. However, not satisfied with the wages, she returned to prostitution, though now unlicensed, and began working in the unlicensed brothels of Osaka in 1932. After the death of her mother in January 1933, Abe traveled to Tokyo to visit her father, and her mother's grave. She entered into the prostitution market in Tokyo and while there became a mistress for the first time. When her father became gravely ill in January 1934, Abe nursed him for ten days until his death.[20]

In October 1934, Abe was arrested in a police raid on the unlicensed brothel at which she was working at the time. Kinnosuke Kasahara, a well-connected friend of the brothel owner, arranged for her release. Kasahara was attracted to Abe, finding that she had no debts, and with Abe's agreement, made her his mistress. He set up a house for Abe on December 20, 1934, and also provided her with an income. In his deposition to the police, he remembered, "She was really strong, a real powerful one. Even though I am pretty jaded, she was enough to astound me. She wasn't satisfied unless we did it two, three, or four times a night. To her, it was unacceptable unless I had my hand on her private parts all night long… At first it was great, but after a couple of weeks I got a little exhausted."[21] When Abe suggested that Kasahara leave his wife to marry her, he refused. She then asked Kasahara to allow her to take another lover, which he also refused to do. Afterwards, their relationship ended, and, to escape him, Abe left for Nagoya.[22] Kasahara ended his testimony with an angry remark about Abe: "She is a slut and a whore. And as what she has done makes clear, she is a woman whom men should fear."[23] Likewise, Abe remembered Kasahara in less than flattering terms, saying, "He didn't love me and treated me like an animal. He was the kind of scum who would then plead with me when I said that we should break up."[24]

In Nagoya, in 1935, again intending to leave the sex industry, Abe began working as a maid at a restaurant. She soon became romantically involved with a customer at the restaurant, Gorō Ōmiya, a professor and banker who aspired to become a member of the Diet of Japan. Knowing that the restaurant would not tolerate a maid having sexual relations with clients, and having become bored with Nagoya, she returned to Tokyo in June. Ōmiya met Abe in Tokyo and, finding that she had previously contracted syphilis, paid for her stay at a hot springs resort in Kusatsu from November until January 1936. In January, Ōmiya suggested that Abe could become financially independent by opening a small restaurant and recommended that she should start working as an apprentice in the restaurant business.[25]

Acquaintance with Kichizō Ishida

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Back in Tokyo, Abe began work as an apprentice at the Yoshidaya restaurant on February 1, 1936. The owner of this establishment, 42-year-old Kichizō Ishida, had worked his way up in the business, starting as an apprentice at a restaurant specializing in eel dishes. He had opened Yoshidaya in Tokyo's Nakano neighborhood in 1920.[26] When Abe joined his restaurant, Ishida had become known as a womanizer who, by that time, did little in the way of actually running the restaurant, which had become, in fact, managed primarily by his wife.[27]

Not long after Abe began work at Yoshidaya, Ishida began making amorous advances towards her. Ōmiya had never satisfied Abe sexually, and she was responsive to Ishida's approaches. In mid-April, Ishida and Abe initiated their sexual relationship in the restaurant to the accompaniment of a romantic ballad sung by one of the restaurant's geisha. On April 23, Abe and Ishida met for a pre-arranged sexual encounter at a teahouse, or machiai—the contemporary equivalent of a love hotel[28]—in the Shibuya neighborhood. Planning only for a short fling, the couple instead remained in bed for four days. On the night of April 27, they moved to another teahouse in the distant neighborhood of Futako Tamagawa where they continued to drink and have sex, occasionally with the accompaniment of a geisha's singing, and would continue even as maids entered the room to serve sake.[29] They next moved to the Ogu neighborhood. Ishida did not actually return to his restaurant until the morning of May 8, after an absence of about two weeks.[30] Of Ishida, Abe later said, "It is hard to say exactly what was so good about Ishida. But it was impossible to say anything bad about his looks, his attitude, his skill as a lover, the way he expressed his feelings. I had never met such a sexy man."[31]

After their two-week encounter ended, Abe became agitated and began drinking excessively. She said that with Ishida she had come to know true love for the first time in her life, and the thought of Ishida being back with his wife made her intensely jealous. Just over a week before Ishida's eventual death, Abe began to contemplate his murder. On May 9, she attended a play in which a geisha attacked her lover with a large knife, after which she decided to threaten Ishida with a knife at their next meeting. On May 11, Abe pawned some of her clothing and used the money to buy a kitchen knife. She later described meeting Ishida that night: "I pulled the kitchen knife out of my bag and threatened him as had been done in the play I had seen, saying, 'Kichi, you wore that kimono just to please one of your favorite customers. You bastard, I'll kill you for that.' Ishida was startled and drew away a little, but he seemed delighted with it all…"[32]

Murder of Ishida

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Newspaper photo taken shortly after Abe's arrest, at Takanawa Police Station [ja], Tokyo on May 20, 1936
Site of the "Abe Sada Incident"

Ishida and Abe returned to Ogu, where they remained until his death. During their lovemaking this time, Abe put the knife to the base of Ishida's penis and said she would make sure he would never play around with another woman. Ishida laughed at this. Two nights into this bout of sex, Abe began choking Ishida, and he told her to continue, saying that this increased his pleasure (erotic asphyxiation). She had him do it to her as well.

On the evening of May 16, 1936, Abe used her obi to cut off Ishida's breathing during orgasm, and they both enjoyed it. They repeated this for two more hours. Once Abe stopped the strangulation, Ishida's face became distorted and would not return to its normal appearance. Ishida took thirty tablets of a sedative called Calmotin to try to soothe his pain. According to Abe, as Ishida started to doze, he told her, "You'll put the cord around my neck and squeeze it again while I'm sleeping, won't you… If you start to strangle me, don't stop, because it is so painful afterwards." Abe commented that she wondered if he had wanted her to kill him, but on reflection decided he must have been joking.[33]

At about 2 a.m. on May 18, while Ishida was asleep, Abe wrapped her sash twice around his neck and strangled him to death. She later told police, "After I had killed Ishida I felt totally at ease, as though a heavy burden had been lifted from my shoulders, and I felt a sense of clarity." After lying with Ishida's body for a few hours, she next severed his penis and testicles with the kitchen knife, wrapped them in a magazine cover and kept them until her arrest three days later.[34][18] With the blood she wrote Sada, Ishida no Kichi Futari-kiri (定、石田の吉二人キリ, "We, Sada and Kichi(zō) Ishida, are alone") on Ishida's left thigh, and on a bed sheet. She then carved ("Sada", the character for her name) into his left arm. After putting on Ishida's underwear, she left the inn at about 8 am, telling the staff not to disturb Ishida.[35]

After leaving the inn, Abe met her former lover Gorō Ōmiya. She repeatedly apologized to him, but Ōmiya, unaware of the murder, assumed that she was apologizing for having taken another lover. In actuality, Abe's apologies were for the damage to his political career that she knew his association with her was bound to cause. After Ishida's body was discovered, a search was launched for Abe, who had gone missing. On May 19, the newspapers picked up the story. Ōmiya's career was ruined, and Abe's life was under intense public scrutiny from that point onwards.[36]

Abe Sada panic

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The circumstances of Ishida's death immediately caused a national sensation. The ensuing frenzy over the search for Abe was called "Abe Sada panic".[9] Police received reports of sightings of Abe from various cities, and one false sighting nearly caused a stampede in the Ginza, resulting in a large traffic jam.[26] In a reference to the recent failed coup in Tokyo, the February 26 Incident or "Ni Ni-Roku Incident" ("2–26" or "February 26"), the crime was satirically dubbed "the Go Ichi-Hachi Incident" ("5–18" or "May 18").[28]

On May 19, 1936, Abe went shopping and visited a cinema. Under a pseudonym, she stayed in an inn in Shinagawa on May 20, where she had a massage and drank three bottles of beer. She spent the day writing farewell letters to Ōmiya, a friend and Ishida.[35] Abe planned to commit suicide one week after the murder and practiced necrophilia. "I felt attached to Ishida's penis and thought that only after taking leave from it quietly could I then die. I unwrapped the paper holding them and gazed at his penis and scrotum. I put his penis in my mouth and even tried to insert it inside me… It didn't work however though I kept trying and trying. Then, I decided that I would flee to Osaka, staying with Ishida's penis all the while. In the end, I would jump from a cliff on Mount Ikoma while holding on to his penis."[37]

At 4:00 in the afternoon, police detectives, suspicious of the alias under which Abe had registered, came to her room. "Don't be so formal," she told them. "You're looking for Sada Abe, right? Well, that's me. I am Sada Abe." When the police were not convinced, she displayed Ishida's genitalia as proof.[38]

Abe was arrested and interrogated over eight sessions.[39] When asked why she had severed Ishida's genitalia, Abe replied, "Because I couldn't take his head or body with me. I wanted to take the part of him that brought back to me the most vivid memories."[40] The interrogating officer was struck by Abe's demeanor when asked why she had killed Ishida. "Immediately she became excited and her eyes sparkled in a strange way."[41] Her answer was: "I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived, he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…"[2] In attempting to explain what distinguished Abe's case from over a dozen other similar cases in Japan,[42] William Johnston suggests that it is this answer which captured the imagination of the nation: "She had killed not out of jealousy but out of love."[43] Mark Schreiber notes that the Sada Abe Incident occurred at a time when the Japanese media were preoccupied with extreme political and military troubles, including the February 26 Incident and a looming war in China. He suggests that a sensationalistic sex scandal such as this served as a welcome national release from the disturbing events of the time.[28] The case also struck a chord with the ero guro nansensu ("erotic-grotesque-nonsense") style popular at the time, and the case came to represent that genre for years to come.[44]

When the details of the crime were made public, rumors began to circulate that Ishida's penis was of extraordinary size; however, the police officer who interrogated Abe after her arrest denied this, saying, "Ishida's was just average. [Abe] told me, 'Size doesn't make a man in bed. Technique and his desire to please me were what I liked about Ishida.'"[41] After her arrest, Ishida's penis and testicles were moved to Tokyo University Medical School's pathology museum. They were put on public display soon after the end of World War II, but have since disappeared.[45][18]

Conviction and sentencing

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The first day of Abe's trial was November 25, 1936; by 5 a.m., crowds were already gathering to attend.[2] The judge presiding over the trial admitted to being sexually aroused by some of the details involved in the case yet made sure that the trial was held with the utmost seriousness.[9] Abe's statement before receiving sentencing began, "The thing I regret most about this incident is that I have come to be misunderstood as some kind of sexual pervert… There had never been a man in my life like Ishida. There were men I liked, and with whom I slept without accepting money, but none made me feel the way I did toward him."[46]

On December 21, 1936, Abe was convicted of murder and mutilation of a corpse. Though the prosecution demanded ten years, and Abe claimed that she desired the death penalty, she was in fact sentenced to just six years in prison.[2] Abe was confined in Tochigi women's penitentiary, where she was prisoner No. 11.[47] Her sentence was commuted on November 10, 1940, on the occasion of the 2,600th anniversary celebrations of the mythical founding of Japan, when Emperor Jimmu came to the throne.[48] Abe was released exactly five years after the murder, on May 17, 1941.[47]

The police record of Abe's interrogation and confession became a national best-seller in 1936. Christine L. Marran puts the national fascination with Abe's story within the context of the dokufu (毒婦) or "poison woman" stereotype, a transgressive female character type that had first become popular in Japanese serialized novels and stage works in the 1870s.[49] In the wake of popular "poison woman" literature, confessional autobiographies by female criminals had begun appearing in the late 1890s.[50] By the early 1910s, autobiographical writings by criminal women took on an unapologetic tone and sometimes included criticisms of Japan and Japanese society. Kanno Suga, who was hanged in 1911 for conspiring to assassinate Emperor Meiji in what was known as the High Treason Incident, wrote openly rebellious essays while in prison.[51] Kaneko Fumiko, who was sentenced to death for plotting to bomb the imperial family, used her notoriety to speak against the imperial system and the racism and paternalism that she said it engendered.[52] Abe's confession, in the years since its appearance, became the most circulated female criminal narrative in Japan. Marran points out that Abe, unlike previous criminal autobiographers, stressed her sexuality and the love she felt for her victim.[53]

Later life

[edit]

Upon release from prison, Abe assumed an alias. As the mistress of a "serious man", whom she referred to in her memoirs as "Y", she moved first to Ibaraki Prefecture and then to Saitama Prefecture. When Abe's true identity became known to Y's friends and family, she broke off their relationship.[54]

In the aftermath of World War II, wishing to divert public attention from politics and criticism of the Allied occupation authorities, the Yoshida government encouraged a "3-S" policy—"sports, screen, and sex".[55] Pre-war writings, such as The Psychological Diagnosis of Abe Sada (1937) depict Abe as an example of the dangers of unbridled female sexuality and as a threat to the patriarchal system. In the postwar era, she was treated as a critic of totalitarianism, and a symbol of freedom from oppressive political ideologies.[56] Abe became a popular subject in literature of both high and low quality. The buraiha writer Sakunosuke Oda wrote two stories based on Abe,[57] and a June 1949 article noted that Abe had recently tried to clear her name after it had been used in a "mountain" of erotic books.[58]

In 1946, the writer Ango Sakaguchi interviewed Abe, treating her as an authority on both sexuality and freedom. He called Abe a "tender, warm figure of salvation for future generations."[59] In 1947, Ichiro Kimura's The Erotic Confessions of Abe Sada became a national bestseller, with over 100,000 copies sold.[47] The book was in the form of an interview with Abe, but was actually based on the police interrogation records. As a response to this book, Abe wrote her own autobiography, Memoirs of Abe Sada, which was published in 1948. In contrast to Kimura's depiction of her as a pervert, she stressed her love for Ishida.[60] The first edition of the magazine True Story (実話, Jitsuwa), in January 1948, featured previously unpublished photos of the incident with the headline "Ero-guro of the Century! First Public Release. Pictorial of the Abe Sada Incident." Reflecting the change in tone in writings on Abe, the June 1949 issue of Monthly Reader called her a "Heroine of That Time" for following her own desires in a time of "false morality" and oppression.[58]

Abe capitalized on her notoriety by sitting for an interview in a popular magazine,[47] and appearing for several years starting in 1947 in a traveling one-act stage production called Shōwa Ichidai Onna (A Woman of the Shōwa Period) under the direction of dramatist Nagata Mikihiko.[61] In 1952 she began working at the Hoshikikusui,[62] a working-class pub in Inari-chō in downtown Tokyo. Abe lived a low-profile life in Tokyo's Shitaya neighborhood for the next 20 years, and her neighborhood restaurant association gave her a "model employee" award.[63] More than once, during the 1960s, film-critic Donald Richie visited the Hoshikikusui. In his collection of profiles, Japanese Portraits, he describes Abe making a dramatic entrance into a boisterous group of drinkers. She would slowly descend a long staircase that led into the middle of the crowd, fixing a haughty gaze on individuals in her audience. The men in the pub would respond by putting their hands over their crotches, and shouting out things like, "Hide the knives!" and "I'm afraid to go and pee!" Abe would slap the banister in anger and stare the crowd into an uncomfortable and complete silence, and only then continue her entrance, chatting and pouring drinks from table to table. Richie comments, "…she had actually choked a man to death and then cut off his member. It was a consequent frisson when Sada Abe slapped your back."[64]

In 1969, Abe appeared in the "Sada Abe Incident" section of director Teruo Ishii's dramatized documentary History of Bizarre Crimes by Women in the Meiji, Taishō, and Shōwa Eras (明治大正昭和 猟奇女犯罪史, Meiji Taishō Shōwa Ryōki Onna Hanzaishi),[65] and the last known photograph of Abe was taken in August of that year.[63][66]

Abe disappeared from the public eye in 1970.[9] When the film In the Realm of the Senses was being planned in the mid-1970s, director Nagisa Ōshima apparently sought out Abe and, after a long search, found her, her hair shorn, in a nunnery in Kansai.[67] According to Kagero Mutsuki, around 1992, the cannibal murderer Issei Sagawa somehow tracked down Abe to a nursing home in Izu City, Shizuoka Prefecture.[68]

Legacy

[edit]

Decades after both the incident and her disappearance, Abe continues to draw public interest:

  • Mutsuo Toi took an interest in Abe's case and started writing a novel, Yūtokaiōmaru (雄図海王丸).[citation needed] In 1938, two years after Abe's crime, Toi perpetrated the deadliest single-shooter massacre in Japanese history before killing himself.[69][70]
  • In addition to the documentary in which Abe herself appeared shortly before she disappeared from the public eye, and the 1976 Japanese-language In the Realm of the Senses, at least three successful films have been made based on the story. The 1983 film, Sexy Doll: Abe Sada Sansei, made use of Abe's name in the title.[71] In 1998, a 438-page biography of Abe was published in Japan,[63] and the first full-length book on Abe in English, William Johnston's Geisha, Harlot, Strangler, Star: A Woman, Sex, and Morality in Modern Japan, was published in 2005.[72]
  • Japanese Noise musician Merzbow adopted the alias Abe Sada for an early musical project. He released only one record under this name, the 1994 7" Original Body Kingdom/Gala Abe Sada 1936.[73]
  • In March 2007, a four-bass noise band from Perth, Australia, named Abe Sada won a Contemporary Music Grant from the Australian Department of Culture and the Arts to tour Japan in June and July 2007.[74]

Pretrial Interrogation Transcript

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  • Pretrial Interrogation Transcript - Undisclosed court documents were transcribed (or photographed) by someone and leaked to the outside. From his upbringing, he wrote about the situation before and after the crime, and it was published underground as "Glossy Record". From his upbringing, he wrote about the situation before and after the crime, and it was published underground as "Glossy Record".[clarification needed]It is a first-class document related to the Abe Sada case.[75].
    • Chimao Nakazawa "Abe Retirement Chronology (according to the pretrial inquiry record contents of the record are summarized in a chronological format (from the birth of Sada Abe to the incident and arrest).[76][clarification needed]

Sada Abe in literature

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  • Sada, Abe (1998). 阿部定手記―愛の半生 [Memoirs of Abe Sada: Half a Lifetime of Love] (in Japanese). Tokyo: Chuokoron sha. ISBN 978-4-12-203072-5.
  • Funabashi, Seiichi (1947). Abe Sada gyōjō-ki [A Record of Abe Sada's Behavior] (in Japanese).
  • Fuyuki, Takeshi (1947). Aiyoku ni nakinureta onna—Abe Sada no tadotta hansei [Woman Tearstained in Passion—The Life Led by Abe Sada] (in Japanese).
  • Kimura, Ichirō (1947). お定色ざんげ―阿部定の告白 [The Erotic Confessions of Abe Sada] (in Japanese). Tokyo: Kawade Shobo Shinsha. ISBN 978-4-309-40530-8. {{cite book}}: ISBN / Date incompatibility (help)
  • Nagata, Mikihiko (1950–1951). Jitsuroku: Abe Sada/Jōen ichidai onna [True Story: Abe Sada (a.k.a.) Impassioned Woman of Love] (in Japanese).
  • Oda, Sakunosuke (1946). Sesō [The State of the Times] (in Japanese).
  • Oda, Sakunosuke (1947). Yōfu [The Seductress] (in Japanese).
  • Satō, Makoto. Abe Sada's Dogs, avant-garde play.[77]
  • Sekine, Hiroshi (1971). "Abe Sada", poem.[78]
  • Tōkyō Seishin Bunsekigaku Kenkyōjo (1937). The Psychoanalytic Diagnosis of Sada Abe (Abe Sada no seishin bunseki teki shindan).[79]
  • Watanabe, Junichi (1997). Shitsuraken [A Lost Paradise]. (novel modeled on the Abe Incident)[80]

Sada Abe in film

[edit]

Abe herself appeared in the "Sada Abe Incident" section of Teruo Ishii's 1969 documentary History of Bizarre Crimes by Women in the Meiji, Taisho and Showa Eras (明治大正昭和 猟奇女犯罪史, Meiji Taishō Shōwa Ryōki Onna Hanzaishi); actress Yukie Kagawa portrayed Abe.[65]

There have also been at least six films based on her life:

See also

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Notes

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Sada Abe (阿部 定, Abe Sada; born May 28, 1905) was a Japanese who worked as a and prostitute and achieved lasting notoriety for murdering her lover Kichizō Ishida by strangulation during an encounter on May 18, 1936. Following his death, she severed his and testicles with a , placed them in a cloth pouch, and carried the genitalia with her over the next two days while sleeping beside them and engaging in necrophilic acts with his body. She dismembered the remainder of Ishida's corpse, inscribed messages of eternal union on his skin, and wandered before her arrest on May 20, 1936, after approaching police to express her desire to join him in death. Abe's trial drew intense public attention, with her testimony revealing an obsessive affair marked by extreme sexual practices, including repeated asphyxiation at Ishida's request, which culminated in the fatal incident. Convicted of second-degree and corpse , she received a six-year sentence in December 1936, which was later commuted, leading to her release in 1940. The "Sada Abe Incident" gripped Japanese society amid prewar modernization, sparking debates on sexuality, morality, and female agency, as detailed in contemporary police interrogations and media accounts that highlighted her unrepentant demeanor and claims of acting to preserve their bond eternally. Post-release, Abe adopted aliases and lived reclusively, evading sustained public scrutiny until sporadic sightings in the postwar era, with her exact death date remaining unconfirmed beyond the or later. The case's raw depiction of passion and violence inspired enduring cultural reflections, including Nagisa Ōshima's 1976 film In the Realm of the Senses, which dramatized the events and faced for its explicit content, underscoring Abe's transformation into a symbol of transgressive eros in modern .

Early Life

Family Background

Sada Abe was born on May 28, 1905, in the Kanda district of to parents Shigeyoshi Abe and Katsu Abe. Her father, aged 52 at the time of her birth, originated from before being adopted into the Abe family, where he inherited and operated a tatami mat manufacturing business; this occupation contributed to the family's upper-middle-class status in early 20th-century . Her mother had no recorded legal or moral issues. Abe was the youngest of eight siblings, though high rates meant only four survived to adulthood. While the family maintained a reputation for respectability, certain siblings displayed nonconformist behaviors: her brother Shintaro was a known womanizer who absconded with family funds, and her sister Teruko engaged in multiple romantic liaisons, prompting their to place her in a before she later married. These incidents, though not indicative of systemic dysfunction, deviated mildly from prevailing social ideals of the era.

Childhood and Entry into Society

Sada Abe was born on May 28, 1905, in Tokyo's Kanda district to parents who owned a mat shop, affording the family a stable middle-class livelihood in early 20th-century . As the youngest of eight siblings—of whom only four reached adulthood—she received particular attention from her mother, who enrolled her in a reputable local school despite the era's limited educational opportunities for girls. Abe displayed little aptitude or interest in formal education, instead gravitating toward pursuits like singing and playing the , skills traditionally linked to training rather than scholarly endeavors. By her early teens, family dynamics strained; reports indicate she quarreled frequently with her parents over her rebellious behavior and aspirations for independence in a society enforcing rigid gender roles. At age 15, in 1920, Abe left home abruptly, accompanying a recruiter under circumstances suggestive of or , which led to her being indentured to a house in Osaka's Shimabara pleasure district. There, she commenced training as a shinzō (apprentice ), involving rigorous instruction in arts, etiquette, and entertainment, though her entry marked the onset of exploitation in Japan's licensed quarters, where apprentices often serviced clients sexually despite nominal prohibitions. This transition thrust her into the underbelly of Taishō-era urban society, far from her family's modest stability, amid economic pressures that commodified young women from provincial or disrupted backgrounds.

Pre-Crime Career

Geisha Apprenticeship and Work

In November 1922, at age 17, Abe Sada was indentured to a house in by her father, who sought to capitalize on her perceived beauty amid family financial strains. As an apprentice, known as a hangyoku in the Tokyo-Yokohama region, she received instruction in core geisha skills, including playing and singing, which her mother had encouraged prior to her entry into the profession. These arts were essential for entertaining clients through performances, though Abe's late start—unlike girls typically beginning training in childhood—limited her proficiency. Abe's intermediary, Inaba Masatake, who arranged her placement, initiated a sexual relationship with her within the first month, reflecting the blurred boundaries between , patronage, and exploitation common in lower-tier houses of the era. She advanced to working as a low-ranking for about five years, primarily in before moving to establishments in and , where her role emphasized sexual services over refined artistic entertainment due to her modest skills and the district's commercial demands. During this time, Abe contracted , likely from client encounters, which exacerbated her health decline and professional frustrations, as the idealized lifestyle of cultural elegance clashed with the economic necessity of -like duties. This venereal disease, prevalent in Japan's licensed quarters, prompted her gradual shift away from work toward unlicensed by the late 1920s, as contracts rarely tolerated prolonged illness or unreliability. Her police interrogation records, preserved as primary evidence, detail these experiences without romanticization, underscoring the causal role of , family decisions, and industry norms in shaping her trajectory.

Prostitution and Personal Struggles

In 1922, at the age of 17, Sada Abe was placed by her father in a geisha house in Yokohama due to her emerging promiscuity following a rape by an acquaintance two years earlier, which had altered her behavior. As a low-ranking geisha apprentice (shinzō), she provided sexual services to patrons, marking her initial entry into sex work amid familial efforts to redirect her path. This apprenticeship proved unsuccessful, as Abe struggled with the rigid training and discipline, leading her to seek alternative means of income. By 1927, after contracting —likely from her work—Abe transitioned to licensed in Osaka's Tobita , where regulated brothels offered structured but confining conditions, including mandatory health examinations. Dissatisfied with the low and earnings, she developed a reputation as a disruptive figure, engaging in from clients and repeated escape attempts from the brothels throughout the early . In 1932, she successfully escaped licensed , shifting to unlicensed operations in , which allowed greater freedom but exposed her to legal risks and unstable clientele. Personal hardships compounded her professional instability: the death of her mother in January 1933 prompted a brief return to , where she resumed and briefly served as a mistress, only for tragedies to continue with her father's death in January 1934, whom she nursed in his final days. An 1934 on a brothel led to her , after which she became the mistress of Kinnosuke Kasahara, who provided her housing until their relationship dissolved in 1935. That year, she worked intermittently as a in , entered another short-lived relationship with Goro Omiya, and returned to in June before undergoing treatment at Kusatsu hot springs from November 1935 to January 1936. These episodes reflected ongoing cycles of economic desperation, health complications, and failed personal attachments, driving her repeated reliance on sex work despite its toll.

Relationship with Kichizō Ishida

Meeting and Initial Affair

In early 1936, following a period of itinerant work as a prostitute, Sada Abe returned to and obtained a position as an apprentice maid at the Yoshidaya, a (traditional Japanese restaurant specializing in high-end dining and entertainment) located in the Nakano suburb. The establishment had been founded in 1920 by Kichizō Ishida, then aged 26, who served as its proprietor alongside his wife Otoku, who managed daily operations. Abe, seeking stability and possibly aspiring to learn arts through proximity to such an elite venue, encountered Ishida in this professional context. Ishida, a 42-year-old businessman with a reputation for philandering and maintaining mistresses despite his and responsibilities—including several children—began making amorous advances toward Abe shortly after her arrival at Yoshidaya. These overtures, initiated by Ishida amid the restaurant's environment of discreet and , rapidly progressed to a clandestine sexual relationship. The commenced in to avoid scrutiny from Ishida's wife and the restaurant staff, reflecting the social constraints on extramarital liaisons in . By February or March 1936, their encounters had become regular, occurring primarily at love hotels and other private locations away from Yoshidaya, where the couple indulged in fervent intimacy that Abe later described as uniquely fulfilling compared to her prior experiences. Ishida provided Abe with financial support, including payments and gifts, which she viewed as affirmations of his devotion, though contemporaries noted his pattern of similar indulgences with other women. This initial phase of the relationship, spanning approximately two to three months before intensifying, marked a departure for Abe from transactional toward what she perceived as genuine romantic attachment.

Escalation of Obsession and Practices

Abe's initial attraction to Ishida evolved into a profound obsession, marked by demands for his complete devotion. She frequently confronted him about his and children, urging him to abandon his and business responsibilities to focus solely on their relationship; Ishida acquiesced by promising and accompanying her on extended trysts away from . Their encounters grew increasingly insular, with the pair secluding themselves in hotels for days, consuming aphrodisiacs and engaging in near-continuous intercourse that disrupted Ishida's management of the Yoshidaya restaurant. Sexual practices between them escalated to include erotic asphyxiation, initiated by Abe strangling Ishida with her obi sash during intercourse to intensify sensations. Ishida endorsed the act, reporting heightened pleasure and requesting it even during sleep, while they alternated roles with him applying pressure to her neck as well. These sessions, sometimes lasting hours, left Ishida with lingering physical distress, such as facial swelling and pain, yet he continued participating. Abe further personalized their bond by carving her name into his arm with a knife, a mark of possessive claim that underscored her desire for eternal union. By mid-May 1936, the intensity peaked during a four-day confinement at an Ogu inn starting May 15, where prolonged asphyxiation on May 16 caused Ishida acute discomfort, prompting a half-serious plea for Abe to strangle him fatally if the pain persisted. Abe's fixation manifested in rituals like sleeping entwined with Ishida's obi and voicing fears that external forces would separate them, reflecting a psychological merger where she sought to "keep him forever" through dominance in their erotic dynamic.

The Crime

Lead-Up to the Murder

In early May 1936, following a period of separation during which Kichizō Ishida returned to his family obligations, Sada Abe rekindled their affair after Ishida visited her on May 11. Inspired by a theatrical depicting a lovers' pact of mutual strangulation, Abe purchased a that day, which Ishida later sharpened for her use in their intimate encounters, initially as a prop for threats during . This marked an escalation in their practices, incorporating elements of danger that Ishida reportedly found arousing, including Abe holding to his genitals while demanding exclusivity. By May 16, the couple had checked into an inn in Tokyo's Ogu red-light district, where they engaged in prolonged sexual sessions over the following days, often multiple times daily. Their activities included bondage, with Abe binding Ishida's limbs, and the introduction of erotic asphyxiation; during intercourse, she would tighten her obi sash around his neck to intensify his pleasure, a practice he encouraged and which he survived on initial occasions, though it left him in discomfort. Ishida, after one such two-hour session on May 16, even jested about the pain, suggesting she strangle him to death next time to end his torment. The immediate prelude to the fatal act occurred in the early hours of , after another round of intercourse at the . As Ishida dozed, Abe, driven by her possessive obsession and their ongoing game, applied the sash around his neck with greater force than previously, initially as part of their routine asphyxiation play but continuing when he failed to respond, under the that he would revive as before. This reflected the cumulative intensity of their relationship, where Abe's jealousy and desire for permanent union had normalized increasingly risky behaviors, though accounts vary on whether Ishida explicitly consented to lethal force or if Abe misinterpreted the game's boundaries.

Strangulation and Mutilation

On May 18, 1936, during an extended stay at the Oguura Hotel in Tokyo's red-light district, Sada Abe fatally strangled her lover, Kichizō Ishida, in Room 4 while engaging in erotic asphyxiation, a practice they had incorporated into their sexual encounters over preceding days. Abe later recounted using her obi sash to bind Ishida's neck at his urging for intensified sensation, tightening it progressively until he ceased breathing; autopsy examination confirmed death by asphyxiation, with ligature marks consistent with the sash's width and material. After verifying Ishida's death around 2:00 a.m., Abe remained with the body for several hours, engaging in further intimate acts before retrieving a from the room's facilities to perform the . She severed Ishida's and testicles in a single incision, wrapped the organs in and a cover obtained from the hotel, and inserted them into her obi for safekeeping as a personal token of their bond. This act, executed methodically without immediate distress per Abe's confession, reflected her stated intent to possess irremovable evidence of Ishida's devotion amid fears of his infidelity. The left the genitalia absent upon discovery of the body on May 19, prompting initial police confusion over the cause until Abe's clarified the sequence; forensic noted clean cuts indicative of deliberate excision rather than postmortem damage. Abe's actions post-strangulation, including cleaning and redressing the corpse to simulate sleep, delayed detection until staff grew suspicious of the locked room and unpaid bill.

Flight and Possession of Remains

After strangling Kichizō Ishida on the night of May 18, 1936, Abe Sada remained with his body for several hours, engaging in sexual acts before using a kitchen knife to sever his penis and testicles around dawn on May 19. She wrapped the organs in a Tokyo Asahi Shinbun newspaper, placed them in a pink pouch, and hid the pouch inside her kimono obi sash. Abe then cleaned the room at the Ogu apartments, dressed Ishida's body, and left a note stating, "Travelling now. Do not search for me. I will return on the 10th. Do not worry," before fleeing the scene around 7:30 a.m. Abe proceeded to wander , first visiting two acquaintances at a , where she removed the pouch from her obi and displayed the remains to them; the women recoiled in horror but did not alert authorities immediately. She then checked into a in the district under the "Fusako Mamiya" on May 19, followed by another in the Ogu area, where she spent time writing affectionate inscriptions on the pouch, such as "Sada, Kichi together" and "In life we were one, in death we are one." During her flight, Abe reportedly continued to fondle and sleep with the preserved organs, viewing them as a perpetual connection to Ishida. The body was discovered later on May 19 by a maid at the Ogu inn, prompting police investigation; traces led to Abe's prior movements and contacts. She was arrested without resistance on May 20, 1936, at a in Ward while attempting to check in under yet another false name; upon apprehension, she handed over the pouch containing the mutilated remains, which had begun to decompose, and reportedly smiled, stating to officers, "This is his, and now it is mine."

Arrest and Interrogation

On May 20, 1936, at approximately 4:00 p.m., police arrested Sada Abe at an inn in Tokyo's Shinagawa ward (now part of the Ota ward), two days after Ishida's body was discovered and amid a widespread search prompted by her description and the unusual nature of the crime. Abe offered no resistance upon the officers' arrival, immediately surrendering Ishida's preserved genitalia—which she had wrapped in paper, treated with disinfectant, and concealed within the folds of her obi sash—and a love letter she had written to him postmortem. She was promptly transferred to Takanawa Police Station for processing, where photographs captured her composed demeanor, including a slight smile, contrasting sharply with the gravity of the charges. Interrogations commenced that evening and extended over eight sessions in the following days, during which Abe cooperated fully, providing a candid and detailed account without apparent or evasion. She confessed to intentionally strangling Ishida during an act of that escalated fatally due to her and possessiveness, severing his genitalia post-mortem to "keep him forever" as no other could possess him, and fleeing while simulating continued intimacy with the remains. Abe expressed no in her statements, framing the acts as an ultimate expression of love and ownership, and investigators noted her articulate, unemotional delivery, which they described as strangely captivating despite the mutilation's horror. The verbatim police interrogation transcript, documenting her responses and the investigators' questions, was officially released shortly thereafter and became a national bestseller, reflecting public fascination with her psychological profile and the case's erotic undertones.

Trial, Conviction, and Sentencing

Abe Sada's trial took place in the before a panel of three judges, following her full confession during police interrogation. Prosecutors argued for the death penalty, citing premeditation in the strangulation and subsequent as evidence of intent to kill. Abe maintained that the act stemmed from overwhelming passion and a desire to eternally possess Ishida, offering no formal defense beyond her voluntary admission of guilt. On December 21, 1936, the court convicted Abe of premeditated and mutilation of a corpse, sentencing her to six years' imprisonment at Tochigi Women's Prison. The relatively lenient term, far below the potential , surprised observers and legal analysts, who attributed it partly to public sympathy framing the crime as an extreme expression of romantic obsession rather than calculated malice, alongside judicial discretion in weighing her lack of prior violent offenses. No appeals were filed, and the sentence stood until a commutation in reduced her effective time served.

Imprisonment and Release

Prison Experience

Abe Sada began serving a six-year sentence for and on December 21, 1936, at Tochigi Women's Penitentiary, where she was designated prisoner number 11. The facility, located in , , housed female inmates under strict disciplinary regimens typical of prewar Japanese correctional institutions, emphasizing labor, moral instruction, and rehabilitation through repetitive tasks such as sewing and cleaning. Throughout her approximately four years and eleven months of confinement, Abe exhibited disciplined conduct, working diligently without incident and adhering to prison protocols, which earned her recognition as a model prisoner. Her compliance and lack of disciplinary infractions facilitated a commutation of her sentence, resulting in parole on November 10, 1940, as part of amnesties marking the 2,600th anniversary of the Japanese Empire's founding. This early release reflected standard practices for well-behaved inmates during imperial celebrations, though Abe's notoriety drew media attention even upon exit from the prison gates.

Parole and Immediate Aftermath

Abe's sentence of six years' imprisonment, handed down on December 21, 1936, for second-degree murder and mutilation of a corpse, was commuted on November 10, 1940, following demonstrations of good behavior during her incarceration. She received full release from Toyotama Prison on May 17, 1941, after serving approximately five years, amid Japan's escalating involvement in , which shifted national focus away from her case. In the immediate period following her , Abe adopted an assumed identity to minimize public and scrutiny from her past infamy, relocating to areas outside central . She initially sustained herself through modest employment, reportedly taking up work in service roles such as at a local establishment in Kawasaki, while maintaining a reclusive to avoid media during wartime . This low profile contrasted with her earlier sensational , as societal priorities centered on efforts rather than revisiting the 1936 .

Later Life

Post-Parole Activities

Abe assumed a false identity upon her release on May 17, 1941, following the commutation of her six-year sentence on November 10, 1940. She relocated to and later , where she lived as the mistress of a man identified only as "Y" until her true identity was discovered, ending the relationship. In 1952, Abe returned to and secured employment at the Hoshikikusui pub in the Inari-cho district, earning a "model employee" from the neighborhood restaurant association for her diligent service. She subsequently joined a traveling stage production of Shōwa Ichidai Onna (A Woman of the Period), performing in the show for several years as a means of livelihood. In 1969, Abe made a rare public appearance in the "Sada Abe Incident" segment of Teruo Ishii's Love and Crime (original title: Meiji Taishō : Ryōki Onna Hanzai Shi), which profiled notable Japanese criminals; this included her last known photograph from August of that year.

Disappearance and Death

After her on November 15, 1953, Abe Sada adopted the alias Sada and resided primarily in and later , engaging in menial work such as at a parlor and a snack bar while shunning media attention. By the late 1960s, she had relocated to , where she was occasionally sighted living modestly. Abe vanished from public record around , with no verified subsequent appearances or communications. Her death date and circumstances remain undocumented, as Japanese civil registries lack any entry for her under known identities post-1970, leading biographers to conclude she likely died in obscurity without formal notification. Speculation persists in secondary accounts, but no confirms , relocation, or other fates.

Immediate Societal Impact

Media Frenzy and Public Panic

The discovery of Kichizō Ishida's mutilated body on May 19, 1936, at the Ōshima teahouse in Tokyo's Nakano district ignited widespread media coverage, with newspapers framing the incident as a shocking tale of obsessive love turned lethal. Reports detailed Abe's strangulation of Ishida using an obi sash during intimate play, her subsequent necrophilic acts, and the excision of his penis and testicles, which she carried away wrapped in a magazine cover. Sensational headlines and articles proliferated, often portraying Abe as a tragic figure of uncontrollable passion rather than mere criminality, fueling public morbid curiosity. Print media amplified the through individual photographs of Abe and Ishida, alongside images of the implicated room marked with arrows, which appeared in major dailies as early as May 19. This visual documentation transformed a private erotic misadventure into a national spectacle, with circulation boosts reflecting the era's appetite for lurid amid tightening pre-war on other topics. Abe's evasion of authorities for approximately 48 hours precipitated the "Abe Sada panic," a surge of reported sightings across that overwhelmed police with tips, many unfounded, as citizens fixated on her flight with the grisly trophy. This public , peaking before her on May 20 at a Tōkyō inn, exposed underlying societal unease with sexual agency and deviance, though contemporaneous accounts emphasize fascination over outright moral condemnation. The frenzy underscored the press's power to shape collective anxiety in 1930s , where such scandals briefly eclipsed geopolitical tensions.

Governmental and Social Responses

The Sada Abe incident prompted widespread societal reflection on morality, sexuality, and the perils of unchecked passion in interwar Japan, where rapid urbanization and Western influences were seen by some as eroding traditional family structures. Public discourse, fueled by exhaustive media coverage, portrayed the crime as emblematic of modern decadence, with critics arguing it exemplified the dangers of female independence and erotic excess outside licensed brothels. Intellectuals and moralists debated whether Abe represented a pathological deviant or a victim of societal failures in regulating desire, often invoking her geisha background to underscore anxieties about women's roles amid economic shifts that displaced traditional entertainers. Artistic responses proliferated rapidly, including songs, sketches, and serialized novels romanticizing the lovers' affair, which elicited both admiration for Abe's devotion and condemnation for glorifying violence. These works contributed to a cultural phenomenon where Abe became a folk heroine to some, particularly among urban youth and women who sent supportive letters to her during , viewing her as defying patriarchal constraints on female agency. However, conservative voices, including educators and religious figures, decried the incident as a symptom of "ero-guro" (erotic grotesque) influences, urging a return to Confucian ethics and state-promoted familial piety to avert further social disintegration. Governmentally, the incident aligned with the era's escalating militarist oversight of public morals, though no dedicated legislation emerged directly from it. Authorities under the intensified scrutiny of "decadent" media, censoring depictions that humanized Abe or sensationalized the mutilation to safeguard national discipline amid preparations for war; for instance, several theatrical adaptations were suppressed shortly after the crime's discovery on May 19, 1936. Police and judicial handling emphasized restoring order, with interrogations and trial proceedings leaked to media under controlled conditions to mitigate hysteria, reflecting broader state efforts to channel public outrage toward reinforcing imperial loyalty over individual scandals. This response underscored institutional biases toward viewing female criminality as a threat to social harmony, prioritizing containment over deeper policy reform.

Cultural Legacy and Interpretations

Depictions in Literature and Media

The story of Sada Abe has inspired numerous depictions in Japanese cinema, frequently portraying her obsessive relationship with Kichizō Ishida as a tragic fusion of , passion, and , often within the constraints of or conventions like . A prominent early adaptation is the 1975 pink film (Abe Sada: Docu-drama), directed by Noboru Tanaka and starring Junko Miyashita as Abe, which traces her background as a and prostitute to the 1936 , emphasizing themes of and while adhering to the softcore erotic format of Nikkatsu's Roman Porno series. The film culminates in the strangulation and , drawing directly from and contemporary accounts to sensationalize the events. Nagisa Oshima's 1976 film In the Realm of the Senses (Ai no korīda) provides a more explicit and artistic interpretation, fictionalizing Abe's affair with Ishida as an escalating sadomasochistic obsession ending in and genital mutilation; its scenes provoked trials in and bans in several countries, positioning Abe as a symbol of unrestrained desire against societal norms. Oshima used the historical incident to critique prewar Japanese repression, though critics noted its focus on over biographical fidelity. Later portrayals include Nobuhiko Obayashi's 1998 drama Sada, starring Hitomi Kanno, which spans Abe's life from and at age 15 to the and , blending fantasy elements with historical details to explore her as a victim-turned-celebrity; the film premiered at the . A shorter 2017 docudrama, , directed by , recounts the murder via reenactments, highlighting the necrophilic and possessive aspects post-strangulation on May 18, 1936. In literature, Abe's case has influenced postwar Japanese works, including plays like the 1973 Black Tent Theatre production Abe Sada, which staged her story as experimental theater amid cultural reflections on sexuality. Fictional retellings appear in modern English-language books such as Kristine Ohkubo's Nickname Flower of Evil: The Abe Sada Story (2019), framing her against Meiji-era transitions and personal descent into obsession. These media often amplify the erotic mutilation—wrapping Ishida's severed genitals in her obi sash—for dramatic effect, though scholarly analyses critique them for romanticizing over empirical causes like Abe's reported mental instability during .

Controversies in Modern Portrayals

Modern cinematic depictions of Sada Abe, most notably Nagisa Ōshima's 1976 film In the Realm of the Senses, have drawn sharp criticism for their unflinching explicitness, including unsimulated sexual acts and graphic violence, which many viewed as crossing into rather than artistic exploration. The film, which dramatizes Abe's obsessive relationship with Kichizō Ishida culminating in his strangulation and genital mutilation, premiered under live optical to obscure genitalia, and faced outright bans or seizures in countries like the , , and due to laws. Defenders, including Ōshima, positioned it as a critique of Japan's prewar and militaristic conformity, yet detractors argued it sensationalized a real for shock, reducing a fatal to erotic spectacle and neglecting the causal chain of escalating asphyxiation play that led to Ishida's death on May 18, 1936. Subsequent films, such as the 1998 drama Sada directed by Noboru Tanaka, echoed this explicit style within Japan's genre, focusing on Abe's psychological descent but similarly prioritizing eroticism over forensic details of the crime, including her post-mortem and possession of Ishida's severed genitals for two days. Critics have faulted these portrayals for romanticizing Abe's actions as transcendent passion, potentially glamorizing female-perpetrated violence and without addressing the non-revivable outcome or Abe's prior history of failed work and , which empirical records indicate contributed to her unstable attachments rather than innate liberation. Such depictions have been labeled "pretentious " by some reviewers, who contend they exploit historical tragedy to provoke rather than illuminate the moral and psychological realities of obsession-driven homicide. Academic and literary interpretations have intensified debates by reframing Abe as a transgressive figure challenging patriarchal norms, as in Christine L. Marran's 2007 analysis of her as a "poison woman" embodying female defiance in modern Japanese culture. William Johnston's 2005 monograph Geisha, Harlot, Strangler, Star further humanizes her by emphasizing survivorship of acquaintance rape and socioeconomic marginalization, rejecting simplistic labels of deviance in favor of contextual factors like Taishō-era gender roles. While these works draw on primary sources such as Abe's prison writings, critics argue they risk causal overreach, attributing murder to systemic forces while underemphasizing Abe's agency in prolonging strangulation beyond revival and mutilating the corpse—acts verifiable from police reports and her May 20, 1936 confession. This sympathetic lens, prevalent in postwar Japanese scholarship amid anti-authoritarian sentiments, contrasts with empirical evidence of her six-year sentence commuted for good behavior, highlighting a tension between biographical nuance and excusing criminal accountability.

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