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Sade (singer)
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Helen Folasade Adu ⓘCBE (Yoruba: Fọláṣadé Adú [fɔ̄láʃādé ādú]; born 16 January 1959), known professionally as Sade (/ˈʃɑːdeɪ/ SHAH-day or /ʃɑːˈdeɪ/ shah-DAY),[5][6][7] is a Nigerian-born British singer and songwriter who is the lead vocalist of her band, Sade. One of the most successful British female artists in history, she is often recognised as an influence on contemporary music.[8][9][10] Her success in the music industry was recognised with the honour Officer of the Order of the British Empire in the 2002 New Year Honours, and she was made Commander in the 2017 Birthday Honours.[11]
Key Information
Sade was born in Ibadan, Nigeria,[12] and was brought up in England from the age of four. She studied at Saint Martin's School of Art in London and gained modest recognition as a fashion designer and part-time model before joining the band Pride in the early 1980s. After gaining attention as a performer, she formed the band Sade, and secured a recording contract with Epic Records in 1983. A year later, the band released the album Diamond Life, which became one of the era's best-selling albums and the best-selling debut by a British female vocalist.
In July 1985, Sade was among the performers at the Live Aid charity concert at Wembley Stadium and in November the band released their second album, Promise. The next year, she appeared in the film Absolute Beginners. The band released their third album (Stronger Than Pride) in 1988, and a fourth album (Love Deluxe) in 1992. The band went on hiatus in 1996 after the birth of Sade's child.
The band reunited in 1999 and the following year, released Lovers Rock, their first album in eight years. Lovers Rock was a departure from the band's earlier jazz-inspired sounds. In 2010, the band released Soldier of Love, their sixth studio album, and toured arenas worldwide. Since that tour ended in 2011, the band has released three songs: "Flower of the Universe" for the soundtrack of Disney's A Wrinkle in Time, "The Big Unknown", part of the soundtrack of Steve McQueen's film Widows,[13][14][15] and "Young Lion", part of the Red Hot compilation album TRAИƧA in 2024.[16][17]
Early life
[edit]Helen Folasade Adu was born on 16 January 1959 in Ibadan, Oyo State, Nigeria.[18] Her middle name, Folasade, means "crowned with wealth" in Yoruba.[19] Her parents are Adebisi Adu, a Nigerian lecturer in economics of Yoruba background from Ikere-Ekiti, and Anne Hayes, an English district nurse; they met in London, married in 1955, and moved to Nigeria.[18] Sade was four years old when her parents separated. Hayes returned to England with Sade and her elder brother, Banji, to live with their maternal grandparents near Colchester, Essex.[20] At age 11, Sade moved to Holland-on-Sea, Essex with her mother and brother.[21] After completing her education at Clacton County High School and Colchester Institute at the age of 18, she moved to London and studied fashion design at Saint Martin's School of Art.[18][20][22]
Career
[edit]1980–1984: Beginnings and Diamond Life
[edit]After completing a three-year course in fashion design, and later modelling briefly, Sade began backup singing with British band Pride. During this time, she formed a songwriting partnership with Pride's guitarist/saxophonist Stuart Matthewman; together, backed by Pride's rhythm section, they began doing their own sets at Pride gigs.[23] Her solo performances of the song "Smooth Operator", co-written with Ray St. John, attracted record companies' attention, and in 1983 Sade and Matthewman split from Pride, along with keyboardist Andrew Hale, bassist Paul Denman, and drummer Paul Cook, to form the band Sade.[18][23] By the time she performed her first show at London's Heaven nightclub, she had become so popular that 1,000 people were turned away at the door. In May 1983, Sade performed her first US show at New York City's Danceteria nightclub. On 18 October 1983, Sade Adu signed with Epic Records. The rest of the band signed in 1984.[24]
Following the record deal, the group began recording their debut album, Diamond Life, which took six weeks to record and was recorded entirely at The Power Plant in London.[25] Diamond Life was released on 16 July 1984, reached number two in the UK Album Chart, sold over 1.2 million copies in the UK, and won the Brit Award for Best British Album in 1985.[26] The album was also a hit internationally, reaching number one in several countries and the top ten in the US, where it sold in excess of four million copies. Diamond Life had international sales of over six million copies, becoming one of the top-selling debut recordings of the '80s, and the best-selling debut ever by a British female vocalist.[23]
"Your Love Is King" was released as the album's lead single on 25 February 1984 and was a success in European territories, charting at number seven in Ireland and number six on the UK Singles Chart.[27][28] The song was less successful in the US, where it peaked at number 54 on the US Billboard Hot 100.[29] The third single, "Smooth Operator", was released on 15 September 1984 and became the most successful song in the US from the album Diamond Life. The track peaked at number five on the US Billboard Hot 100 and the US Billboard Hot Black Singles, as well as peaking at number one on the US Billboard Adult Contemporary chart.[30] In Europe the song fared well, peaking at number 19 in the UK,[31] and reaching the top 20 in Austria, Switzerland, France, and Germany.[32]
1985–2000: Continued success and first hiatus
[edit]
In late 1985, the band released their second album, Promise, which peaked at number one in both the UK and the US[33][34] and became the band's first album to reach number one on the US Billboard 200. The album topped the chart in 1986 and spent two weeks at the peak position.[35] Eventually, the album went on to sell four million copies in the region and was certified four times platinum by the Recording Industry Association of America (RIAA).[36] The album spawned two singles "Never as Good as the First Time" and "The Sweetest Taboo," the latter of which was released as the album's lead single and stayed on the US Hot 100 for six months.[37] "The Sweetest Taboo" peaked at number five on the US Billboard Hot 100, number one on the US adult Contemporary chart, and number three on the US Hot R&B/Hip-Hop Singles & Tracks.[38] Sade was so popular that some radio stations reinstated the '70s practice of playing album tracks, adding "Is It a Crime" and "Tar Baby" to their playlists.[37] The following year, 1986, the band won a Grammy Award for Best New Artist.[39]
In 1986, Sade made her acting debut in Absolute Beginners, a film adapted from the Colin MacInnes book of the same name about life in late-1950s London. Sade played the role of Athene Duncannon and lent her vocals to the film's soundtrack.[40] The film was screened out of competition at the 1986 Cannes Film Festival and grossed £1.8 million in the UK.[41] Sade's third album, Stronger Than Pride, was released on 3 May 1988, and like Sade's previous album became a commercial success and certified three times platinum in the US.[36] The album was popularized by four singles, most notably the second, "Paradise", which peaked at number 16 on the US Billboard Hot 100 and at number one on their Hot R&B/Hip-Hop Songs, becoming the band's first single to do so.[42]
Love Deluxe was released as the band's fourth studio album on 26 October 1992. It peaked at number three on the US Billboard 200[43] and has sold 3.4 million copies in the United States.[44] The album was later certified four times platinum by the RIAA for shipments of four million copies.[45] The album was also commercially successful elsewhere, reaching number one in France,[46] and reaching the top ten in New Zealand,[47] Sweden,[48] Switzerland,[49] and the UK.[50] The album went on to be certified gold in the United Kingdom. In November 1994, the group released their first compilation album, The Best of Sade. The album was another top ten hit in both the United Kingdom and the United States,[51] certified platinum and four times platinum, respectively.[52] The compilation album included material from Sade's previous albums, as well as a cover version of "Please Send Me Someone to Love" (1950), originally by Percy Mayfield.[53]
2000–2010: Lovers Rock and second hiatus
[edit]
Following an eight-year hiatus, the band released their fifth studio album, Lovers Rock, on 13 November 2000 and received positive reviews from music critics.[54] The album reached number 18 on the UK Albums Chart, number three on the US Billboard 200, and has since been certified triple platinum by the Recording Industry Association of America (RIAA),[55] having sold 3.9 million copies in the United States by February 2010.[56] On 27 February 2002, the album earned Sade the Grammy Award for Best Pop Vocal Album,[57] and the lead single "By Your Side" was nominated for the 2002 Grammy Award for Best Female Pop Vocal Performance. Although the single lost out to Nelly Furtado's "I'm Like a Bird", it has been listed as the 48th greatest love song of all time by VH1.[58]
To promote the album, Sade and the band embarked on their fifth concert tour entitled Lovers Rock Tour. The tour was announced via the band's website in April 2001.[59] The announcement stated the tour would begin in the summer of 2001 with 30 shows. Initial dates were rescheduled due to extended rehearsal time. The shows sold well, with many stops adding additional shows. In August 2001, the tour was extended by eight weeks due to ticket demand.[60] Deemed by many critics as a comeback tour, it marked the band's first performances since 1994 and took place in 2001. Although many believed the trek would expand to other countries, this did not occur. With over 40 shows, it became the 13th biggest tour in North America, earning over $26 million.[61]
Following the tour, the band released their first live album, Lovers Live on 5 February 2002 by Epic Records. Lovers Live reached number ten on the US Billboard 200 and number 51 on the UK Albums Chart, the band's first album to miss the top twenty in the UK. The album was certified gold by the RIAA on 7 March 2002, having reached US sales of 562,000 copies,[62] while the DVD was certified platinum on 30 January 2003 for shipping 100,000 copies.
Following the release of Lovers Rock, Sade took a ten-year hiatus, during which she raised her child and moved to the Caribbean. During this time, she made a rare public appearance at Buckingham Palace, for her investiture as an Officer of the Order of the British Empire (OBE) for services to music.[63] In 2002, she appeared on the Red Hot Organization album, Red Hot + Riot, a compilation CD in tribute to the music of fellow Nigerian musician, Fela Kuti. She recorded a remix of her hit single "By Your Side" for the album and was billed as a co-producer.
2010–2017: Soldier of Love and third hiatus
[edit]
The band's sixth studio album, Soldier of Love, was released worldwide on 8 February 2010, and was their first in ten years to contain new material.[20] Upon release, it received positive reviews and became a success.[64] The album debuted atop the Billboard 200 in the United States with first-week sales of 502,000 copies. Soldier of Love became the band's first album to debut at number one and their second to peak at number one on the chart. The album also had the best sales week by a group since Australian band AC/DC released their album Black Ice and entered the Billboard 200 at number one in November 2008.[35] Consequently, the band became the act with the longest time between number-one albums, as the band's Promise (1985) and Soldier of Love were separated by 24 years, 10 months and 2 weeks.[65]
The first single and title track, "Soldier of Love", premiered on US radio on 8 December 2009[66][67] and was released digitally on 11 January 2010.[68] Subsequent singles, "Babyfather" and "The Moon and the Sky", were played by US urban adult contemporary radio on 13 April and 24 August 2010, respectively.[69][70] At the 53rd Annual Grammy Awards in 2011, the title track won Best R&B Performance by a Duo or Group with Vocals, while the song, "Babyfather", was nominated for Best Pop Performance by a Duo or Group with Vocals.[71]
In April 2011, the band began their Sade Live tour (also known as the "Once in a Lifetime Tour" or the "Soldier of Love Tour").[72] The band toured Europe, the Americas, Australia and Asia to promote the band's sixth studio album and their second compilation album, The Ultimate Collection (2011). This trek marked the band's first tour in nearly a decade[73] and ranked 27th in Pollstar's "Top 50 Worldwide Tour (Mid-Year)", earning over 20 million dollars.[74] At the conclusion of 2011, the tour placed tenth on Billboard's annual "Top 25 Tours", earning over $50 million with 59 shows.[75] The tour was chronicled with Bring Me Home - Live 2011, released in May 2012.
2018–present: Return
[edit]In March 2018, she (and the reunited Sade band) released the acoustic ballad "Flower of the Universe" for the soundtrack to the Disney film A Wrinkle in Time. About asking Sade to contribute to the album, director Ava DuVernay wrote "I never thought she'd say yes, but asked anyway."[76] Later that year, Sade released "The Big Unknown" for the soundtrack to the 20th Century Fox film Widows. The film's director, Steve McQueen, stated that Sade agreed to write the song for the film, because "the original series of Widows had deeply resonated with her."[77] For a couple of weeks in 2022, the band visited Miraval Studios in France for the first time since recording some of their albums Promise and Stronger Than Pride.[78] The successor to Soldier of Love is rumoured to be in progress.[79]
Legacy and influence
[edit]The New Yorker described Sade's voice as a "grainy contralto full of air that betrays a slight ache but no agony, and values even imperfect dignity over a show of pain", a "deeply English" quality that makes categorising the artist's voice difficult.[80] Her voice was described by the BBC as "husky and restrained" and compared to singer Billie Holiday. BBC called her songwriting "sufficiently soulful and jazzy yet poppy, funky yet easy listening, to appeal to fans of all those genres."[81] Sade has been called a "pop star".[80] With the musicians in her band, Sade, The New Yorker wrote, "created one of the most profitable catalogues in pop"; the band's "easy" sound backing songs "exploring the heavier lifting inside love: commitment, consistency, friendship."[80] Her success has been attributed to a combination of her unique beauty, seemingly indefinable origins, and mysterious persona.[80] In 2023, Rolling Stone ranked Sade at No. 51 on their list of the 200 Greatest Singers of All Time.[82]
Sade's work has influenced and been recognised by many singers and hip hop artists. Rapper Rakim of Eric B. & Rakim stated he grew up listening to Sade's music and was influenced by her voice and style. Rakim has also referred to Sade's song "Smooth Operator" in the song "Microphone Fiend" (1988).[83] Talib Kweli stated he learned about precision from Sade due to her performance of Love Deluxe in its entirety at Madison Square Garden.[83] Rapper Missy Elliott cited Sade's performance of "Smooth Operator" as one of her favourites. Hip hop group Souls of Mischief stated they grew up listening to Sade's music.[83] Hip hop group Tanya Morgan also described Sade as one of their favourite artists.[83] Other rappers to recognise Sade include the rap duo of Clipse – Malice and Pusha.[83] In reaction to the newly released album Soldier of Love, rapper Kanye West wrote, "This is why i still have a blog. To be a part of moments like this ... new Sade ... How much better this ... than everything else?".[83] Rapper Rick Ross stated in an interview that "People may know my infatuation with Sade. There's never been a bad Sade track. I love all different sides."[84]
The late singer Aaliyah said that she admired Sade because "she stays true to her style no matter what ... she's an amazing artist, an amazing performer ... and I absolutely love her."[85] American R&B singer Brandy has cited Sade as one of her major vocal influences.[86] Heavy metal singers Greg Puciato and Chino Moreno have also named her as an inspiration.[87][88]
Personal life
[edit]Sade squatted in Tottenham in the 1980s, with her then-boyfriend Robert Elms.[89] In 1989, she married Spanish film director Carlos Pliego. Their marriage ended in 1995.[18] Sade moved briefly to the Caribbean to live with Jamaican music producer Bob Morgan in the late 1990s[18] and gave birth on 21 July 1996 to her first child, who later sang on Sade's song "Babyfather" in 2010. Sade and Morgan separated, and she has been in a relationship with Ian Watts, a former Royal Marine, since 2007; from this relationship, she has a stepson.
In 2016, on National Coming Out Day, Sade's child, Izaak Theo Adu, came out as a transgender man.[90][91][92] In September 2019, Izaak posted a message online, thanking his mother for her support through his transition.[93] In the autumn of 2024, Sade and the Red Hot Organization's TRAИƧA project released "Young Lion", a song dedicated to her son.[94]
In 2005, Sade moved to a village in the Gloucestershire countryside, where she bought a run-down cottage to renovate. Sade rarely gives interviews.[95][96]
Honours, awards and nominations
[edit]Sade was appointed an Officer of the Order of the British Empire (OBE) in 2002 for services to music, and stated her award was "a great gesture to me and all black women in England".[97] She was promoted to Commander of the same Order (CBE) in the 2017 Birthday Honours, also for services to music.[98][99] In 1986, she became the first Nigerian-born artist to win a Grammy Award when she was named Best New Artist. In 2023, Sade was invited to be inducted into the Songwriters Hall of Fame.[100] Sade became a 2024 nominee for induction into the Rock and Roll Hall of Fame.[101]
Discography
[edit]With Sade
- Diamond Life (1984)
- Promise (1985)
- Stronger Than Pride (1988)
- Love Deluxe (1992)
- Lovers Rock (2000)
- Soldier of Love (2010)
Tours
[edit]- 1984: Diamond Life Tour
- 1985–1986: Promise Tour
- 1988: Stronger Than Pride Tour
- 1993: Love Deluxe World Tour
- 2001: Lovers Rock Tour
- 2011: Sade Live
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- ^ "The Quietus | Features | Baker's Dozen | Bakers Dozen: Deftones' Chino Moreno Chooses His Top 13 Albums".
- ^ Mahoney, Elisabeth (22 November 2011). "Radio review: From Frestonia to Belgravia – The History of Squatting". The Guardian. London. Archived from the original on 5 October 2013. Retrieved 22 November 2011.
- ^ "Sade's Child Comes Out as a Transgender Man | Health". BET. 5 October 2016. Archived from the original on 9 October 2016. Retrieved 9 October 2016.
- ^ "Sade's Transgender Son Announces Breast Removal Surgery On Instagram". BET. 8 August 2017. Archived from the original on 2 February 2018. Retrieved 1 February 2018.
- ^ Henderson, Cydney. "Sade's transgender son thanks mom for 'staying by my side' throughout transition surgery". USA TODAY. Archived from the original on 7 July 2020. Retrieved 7 July 2020.
- ^ "Sade's son praises her support as he completes transition from woman to man". Metro. 26 September 2019. Archived from the original on 26 September 2019. Retrieved 28 September 2019.
- ^ Grow, Kory (25 October 2024). "Sade's First Song in Six Years, 'Young Lion,' Is Tender Apology to Trans Son, Izaak". Rolling Stone. Retrieved 14 November 2024.
- ^ Kai, Maiysha (16 January 2019). "The Music, the Myth, the Muse: Sade Turns 60". The Glow Up. Archived from the original on 6 July 2019. Retrieved 5 July 2019.
A glimpse at her rare quotes and interviews reveal a woman introspective enough to recognize her own polarities—as well as a telling respect for her own need for space.
- ^ Sandall, Robert (31 January 2010). "Sade emerges from her country retreat". www.thetimes.com. Retrieved 21 September 2025.
- ^ "Actress and Singer Collect OBEs". BBC News. 17 April 2002. Archived from the original on 5 December 2013. Retrieved 14 June 2012.
- ^ "No. 61962". The London Gazette (Supplement). 17 June 2017. p. B8.
- ^ James, Rapheal (2014). 100 Pioneer/ Remarkable Women of the Century: In Celebration of Nigerian Centenary. Nigeria: JARAPH Books. p. 98. ISBN 978-9783030824.
- ^ Brockington, Ariana (18 January 2023). "Snoop Dogg And Sade Among Songwriters Hall Of Fame Inductees". www.today.com. Retrieved 24 January 2023.
- ^ "Sade - Rock & Roll Hall of Fame". www.rockhall.com. 10 February 2024. Retrieved 12 March 2024.
Further reading
[edit]Books
- Bego, Mark (1986). Sade!. Toronto; New York: Paperjacks. ISBN 9780770104702.
- Ebby, Margaret (2012). Rock and Roll Baby Names: Over 2,000 Music-Inspired Names, from Alison to Ziggy. New York: Gothem Books. ISBN 9781101561539. Retrieved 2 September 2015.
- Elms, Robert (2014). The Way We Wore: A Life In Threads. London: Indie. pp. 192, 230, 236, 240–242, 259–260. ISBN 9781780258072.
- Vickers, Graham (2010). "W1 Le Beat Route". Rock Music Landmarks Of London. Omnibus Press. ISBN 9780857123091. Retrieved 21 April 2016.
- Watson, Albert; Koons, Jeff; Kratochvil, Laurie (1994). Cycl[ops] (1st ed.). Boston: Little, Brown and Company. ISBN 9780821221419.
Magazines
- "5 Minutes With... Sade". Flare. May 2010. p. 118.
- "15 Rap Bangers Inspired by Sade Samples". XXL Magazine. 20 October 2010. Archived from the original on 27 September 2015. Retrieved 8 September 2015.
- Berens, Jessica (January 1986). "Spins – Sade". Spin. p. 32. Retrieved 13 September 2015.
- Clinton, Ivory Jeff; Arnold, Chuck; Herndon, Jessica (17 January 2011). "Picks and Pans Review: The Grammy Grapevine Sade". People. Archived from the original on 20 September 2015. Retrieved 4 September 2015.
- Collier, Aldore (30 June 1986). "Sade Sizzles as Singer in Her First Film". Jet. pp. 58–59. Retrieved 11 September 2015.
- Collier, Aldore (April 1993). "Sade Speaks Out". Ebony. pp. 124–127. Retrieved 4 September 2015.
- Concepcion, Mariel (30 September 2010). "Sade Announces First Tour in Ten Years". Billboard. Archived from the original on 6 March 2016. Retrieved 6 September 2017.
- Eshun, Ekow (Winter 2000). "Sade's Complex Relationship With Fame Can Still Teach Us Something, 15 Years Later". Fader. No. 6. Archived from the original on 3 September 2015. Retrieved 4 September 2015.
- Flick, Larry (11 November 2000). "Epic's Sade Returns with 'Rock'". Billboard. pp. 1, 102. Retrieved 4 September 2015.
- Gibbs, Adrienne Samuels (1 April 2010). "The Complete Insider's Guide to Sade". Ebony. pp. 90–94.
- Hines, Kimberly A. (25 May 2012). "Sade Talks 'Bring Me Home Live,' Touring, Music & What's Next". Ebony. Archived from the original on 5 September 2015. Retrieved 4 September 2015.
- Leavy, Walter (May 1986). "Sade: The Story Behind the Exotic Singing Sensation". Ebony. pp. 155–164. Retrieved 4 September 2015.
- Mieses, Stanley (3 February 1986). "Lean and Languid and Young and Lovely, Pop's Sade Makes Even the Girl from Ipanema Seem Hyper". People. Archived from the original on 19 September 2015. Retrieved 4 September 2015.
- Moore, Trudy S. (7 November 1988). "Sade: Hit Singer Talks about Coping with Rumors, Sexy Image". Jet. pp. 30–32. Retrieved 4 September 2015.
- Murray, Charles Shaar (23 May 1985). "Sade: Sophisticated Lady". Rolling Stone. Archived from the original on 24 September 2015. Retrieved 4 September 2015.
- Pearson, Roger (24 June 1995). "Suing Over Song Royalties". Billboard. p. 50. Archived from the original on 10 June 2016. Retrieved 13 September 2015.
- Peters, Mitchell (27 August 2011). "The Love Moment". Billboard. pp. 16–19. Retrieved 13 September 2015.
- "Sade Talks About Her Comeback, Bad Marriage and New Outlook". Jet. Johnson Publishing Company. 12 April 1993. pp. 58–59. Retrieved 11 September 2015.
- Sanders, Richard (7 April 1986). "Archive: Chatter". People. No. 14. Archived from the original on 26 September 2015. Retrieved 13 September 2015.
- Sangweni, Yolanda (30 May 2012). "Exclusive: Four Things You Didn't Know about Sade". Essence. Archived from the original on 15 September 2015. Retrieved 13 September 2015.
- Shaw, William (January 2001). "Sade Speaks". Harper's Bazaar. pp. 68–69.
- Tate, Greg (January 2001). "Black Magic Woman". Vibe. pp. 104–109. Retrieved 13 September 2015.[permanent dead link]
- Walker, Nicole (18 December 2000). "Sade". Jet. pp. 60–64. Retrieved 4 September 2015.
Newspapers
- Eccles, Peter R. (7 February 1986). "Sade: Nigerian Pop Princess". Observer-Reporter. Washington, Pennsylvania. Associated Press. p. B5. Archived from the original on 12 May 2016. Retrieved 6 September 2015.
- Farley, Christopher John (6 November 2000). "Sade Art & Soul". Time International (Canada Edition). Archived from the original on 5 March 2016. Retrieved 4 September 2015.
- Harrington, Richard (10 January 1986). "Sade's Platinum Life". The Age. The Washington Post. pp. 12–13. Archived from the original on 29 April 2016. Retrieved 6 September 2015.
- Holden, Stephen (30 January 1985). "The Pop Life; 'Diamond Life,' Sade's Debut Album". The New York Times. Archived from the original on 24 May 2015. Retrieved 4 September 2015.
- Holden, Stephen (27 November 1985). "The Pop Life; Sade's 2d Album, A Refined Fusion". The New York Times. Archived from the original on 24 May 2015. Retrieved 4 September 2015.
- Holden, Stephen (25 May 1988). "The Pop Life". The New York Times. Archived from the original on 25 May 2015. Retrieved 4 September 2015.
- Holden, Stephen (12 December 1985). "Pop: Sade at Radio City". The New York Times. Archived from the original on 24 May 2015. Retrieved 19 September 2015.
- Holden, Stephen (19 June 1988). "In an Exhibitionist World, Sade's Quiet Songs Shine". The New York Times. Archived from the original on 7 March 2016. Retrieved 4 September 2015.
- Holmes, Steven; Kohan, John; Schoenthal, Rhea (13 April 1986). "Much Adu about Sade". The Sydney Morning Herald. p. 107. Archived from the original on 6 May 2016. Retrieved 6 September 2015.
- Italie, Hillel (15 October 1988). "Music Makers: The Smooth, Sexy Vocals of Sade". The Newburgh Beacon. Associated Press. p. 6B. Archived from the original on 29 April 2016. Retrieved 6 September 2015.
- Jobey, Liz (25 October 1992). "Still Got the Look". The Independent. Archived from the original on 28 September 2015. Retrieved 13 September 2015.
- Lester, Paul (22 February 2010). "Why Does Sade Have Such a Poor Reputation in the UK?". The Guardian. Archived from the original on 12 June 2015. Retrieved 4 September 2015.
- Lindvall, Helienne (18 May 2011). "Behind the Music: The Secrets of Sade's Success". The Guardian. Archived from the original on 1 December 2016. Retrieved 16 December 2016.
- Millner, Denene (22 September 1996). "Shedding Sade Backup Band Goes It Alone While Singer's Tied Up Being A Mom". New York Daily News. Archived from the original on 4 March 2016. Retrieved 4 September 2015.
- Saeed, Saeed (11 December 2011). "5 Minutes with Sade Adu". The National. Archived from the original on 2 February 2017. Retrieved 4 September 2015.
- Sandall, Robert (5 November 2000). "Beautiful Stranger – Interview". The Sunday Times. p. Style 6.
- Sandall, Robert (7 May 2012). "Sade Emerges from Her Own Country Retreat [Interview]". Soulhead. Archived from the original on 7 September 2017. Retrieved 6 September 2017.
Websites
- Recording Industry Association of America (RIAA). "Gold & Platinum – Sade". Recording Industry Association of America. Archived from the original on 6 March 2016. Retrieved 6 September 2017.
- Recording Industry Association of America (RIAA) (30 January 1985). "Top Selling Artists – Albums – Sade". The New York Times. Archived from the original on 7 September 2017. Retrieved 6 September 2017.
- Stosuy, Brandon (3 September 2010). "VH1 100 Greatest Artists of All Time". Archived from the original on 23 June 2015. Retrieved 6 September 2017.
- VH-1 Music (13 February 2012). "The 100 Greatest Women in Music". Archived from the original on 7 June 2015. Retrieved 6 September 2017.
{{cite web}}: CS1 maint: numeric names: authors list (link)
External links
[edit]Main
Articles
- Shapersofthe80s.com – Provides images and stories of Sade Adu's life while a men's clothing designer and part-time model.
- "2010, Comeback Shard Comfy as 'Auntie Sade'". Shapersofthe80s.com. WordPress.com. Retrieved 15 September 2015.
- "1981, First Blitz Invasion of the US". Shapersofthe80s.com. WordPress.com. 22 January 2010. Retrieved 15 September 2015.
- "1982, Strange Takes Fashion to the French". Shapersofthe80s.com. WordPress.com. 5 October 2009. Retrieved 15 September 2015.
Sade (singer)
View on GrokipediaEarly life
Upbringing in Nigeria and England
Helen Folasade Adu, known professionally as Sade, was born on January 16, 1959, in Ibadan, Nigeria, to Adebisi Adu, a Nigerian Yoruba economics lecturer at the University of Ibadan, and Anne Hayes, an English district nurse.[1][7][8] The couple had met in London in the mid-1950s while Adu pursued postgraduate studies at the London School of Economics, marrying before relocating to Nigeria shortly thereafter.[8][9] Sade's Yoruba middle name, Folasade, translates to "honor bestows a crown," reflecting her paternal heritage from Ikere-Ekiti in present-day Ekiti State.[8] Sade's parents separated when she was four years old, around 1963, after which her mother returned to England with Sade and her elder brother, Banji, leaving her father behind.[1][9] The family initially settled near Colchester in Essex, living with Sade's maternal grandparents while her mother worked as a nurse for the National Health Service.[1][7] This early childhood transition marked a shift from the vibrant cultural environment of post-independence Ibadan—a hub of Yoruba traditions and intellectual life—to the more insular, rural setting of 1960s England.[8] As a mixed-race child raised primarily by her English mother and grandparents, Sade navigated a blend of Nigerian and British influences that shaped her identity, including limited but formative exposure to her father's love of soul and jazz music, which echoed broader African American sounds resonant with Nigerian tastes.[8] Her family's professional backgrounds in academia and healthcare instilled a strong value on education and self-reliance.[7] By her early teens, around age 11, Sade moved with her mother to Holland-on-Sea in Essex, where the household emphasized artistic pursuits alongside schooling.[1] In her later teenage years, after relocating to the London area, she began exploring fashion through part-time modeling, drawing on the creative environment fostered by her upbringing.[1][9]Education and early interests
Sade Adu completed her secondary education at Clacton County High School in Essex, England, after moving there with her mother at age 11.[10] She also attended classes at the nearby Colchester Institute, where her interest in artistic pursuits began to emerge.[8] At 18, Adu relocated to London to enroll in a three-year fashion design program at Central St. Martin's College of Art and Design, beginning in 1978.[11] During her studies, she designed clothes for a friend's boutique and worked as a part-time model to support herself, gaining modest recognition in the local fashion scene.[11] She later focused on modeling opportunities in the city's vibrant creative circles. Adu's early hobbies centered on music, particularly American soul and jazz from the 1970s, with key influences including artists like Bill Withers and Curtis Mayfield, whose emotive songwriting and smooth grooves shaped her appreciation for sophisticated rhythms.[12][13] Lacking formal musical training, she immersed herself in these sounds while navigating London's nightlife, which exposed her to diverse genres.[14] This period marked the formation of Adu's initial creative identity, blending her Nigerian Yoruba roots—reflected in her pride for her Ibadan birthplace—with her British upbringing in Essex, all while absorbing global musical elements that would later inform her artistry.[8]Career
Band formation and debut (1978–1983)
Sade Adu entered London's thriving jazz-funk scene in the late 1970s, where she began networking with musicians and overcoming her initial reluctance toward performing. By 1981, she had joined the North London-based Latin funk band Pride as a backing vocalist, marking her first significant foray into professional music. It was through Pride that Adu met the core members who would shape her future band: saxophonist Stuart Matthewman, bassist Paul S. Denman, and keyboardist Andrew Hale. These collaborations immersed her in the vibrant UK jazz-funk circuit, where she contributed vocals to energetic sets and gradually built confidence on stage.[1] Adu toured extensively with Pride from 1981 to 1983, often taking on driving duties for the group and fronting a smaller quartet for more intimate, jazz-inflected performances. During this period, she co-wrote the track "Smooth Operator" with Pride guitarist Ray St. John, a composition that drew early interest from record labels scouting fresh talent. Despite solo offers, Adu prioritized loyalty to her collaborators, refusing to pursue opportunities without them. This ethos laid the groundwork for her transition to leadership, as internal dynamics within Pride shifted amid growing recognition of her distinctive voice and songwriting.[1] In 1982, Adu departed Pride to form her eponymous band, recruiting Matthewman, Denman, and Hale to form the foundational lineup, with drummer Paul Cooke joining to complete the group. The nascent band focused on crafting a sophisticated blend of jazz, funk, and soul, drawing from their shared experiences in the scene. Early rehearsals and demos emphasized Adu's role as lead singer and primary songwriter, honing a polished yet emotive sound that would define their identity. They secured a temporary addition of percussionist Martin Ditcham for initial sessions, allowing flexibility in their evolving arrangements.[1] The band's breakthrough came through live performances that showcased their chemistry, including a pivotal 1982 appearance at Ronnie Scott's Jazz Club in London, where they debuted embryonic versions of songs like "Smooth Operator." These gigs, amid the UK's club circuit, helped refine their smooth sophisti-pop aesthetic—characterized by elegant instrumentation and Adu's poised delivery—before a wider audience. By 1983, after circulating demo tapes to labels, the group signed with Epic Records; Adu insisted the contract encompass her three longtime bandmates, ensuring their collective vision remained intact. This deal positioned them for their major-label debut, solidifying the lineup's commitment amid rising anticipation.[1][15]Diamond Life breakthrough (1984)
Diamond Life, Sade's debut studio album, was recorded over six weeks in late 1983 and early 1984 at Power Plant Studios in London, with production handled by Robin Millar. The sessions focused on crafting a sophisticated sound, drawing from the band's live repertoire, and resulted in eight tracks that highlighted Sade Adu's poised vocals alongside jazz-inflected instrumentation from Paul S. Denman on bass, Andrew Hale on keyboards, and Stuart Matthewman on saxophone and guitar. Key songs included "Smooth Operator," a sultry tale of fleeting romance co-written by Adu and Ray St. John; "Your Love Is King," an elegant soul ballad that became their breakthrough single; and "Hang On to Your Love," a smooth plea for commitment that underscored the album's themes of love and resilience.[16][17][18] The album was released on 16 July 1984 in the United Kingdom by Epic Records and on 27 February 1985 in the United States by Portrait Records, a subsidiary of CBS. Its packaging featured a minimalist black-and-white cover image of Adu in a wide-brimmed hat, eschewing group photos to cultivate an air of enigmatic allure that aligned with the band's reclusive image. Diamond Life quickly gained traction, peaking at No. 2 on the UK Albums Chart and No. 5 on the US Billboard 200, while selling over seven million copies worldwide and earning four-times platinum certifications in both the UK and US from the BPI and RIAA, respectively.[19] Critics praised the album for its seamless fusion of soul, jazz, and pop elements, delivered with understated elegance that distinguished it from the era's bombastic pop. Publications hailed Sade as pioneers of "sophisti-pop," a genre blending urbane sophistication with quiet introspection, influencing subsequent acts in the quiet storm and neo-soul traditions. The record's commercial breakthrough was bolstered by four hit singles—"Your Love Is King" (UK No. 6), "Hang On to Your Love" (UK No. 4), "Smooth Operator" (US No. 5), and "When Am I Going to Make a Living" (UK No. 36)—which propelled radio play and music video exposure.[20][18][3][21] In recognition of its impact, Diamond Life won the Brit Award for Best British Album at the 1985 ceremony, presented by Pete Townshend. Promotion included headline tours across the UK in late 1984 and a major US outing in 1985, where the band performed to sold-out crowds, solidifying their transatlantic appeal despite Adu's aversion to the spotlight. These efforts cemented the album's status as a defining release of the 1980s, blending commercial success with artistic restraint.[18][22]Promise and Stronger Than Pride (1985–1988)
Following the success of their debut album, Sade released their sophomore effort, Promise, on November 4, 1985, in the UK and January 15, 1986, in the US via Epic Records.[23] The album was primarily recorded at Power Plant Studios in London, with key sessions held over two weeks at Studio Miraval in Provence, France, where the band utilized an SSL E-series console to capture its sophisticated sound.[24] Produced by Robin Millar, Promise marked a subtle evolution in the band's style, leaning into deeper soul and R&B elements while retaining their signature blend of jazz and quiet storm influences.[25] It debuted at number one on the UK Albums Chart and the US Billboard 200, where it held the top spot for two weeks, eventually earning quadruple platinum certification from the RIAA for over four million units sold in the US.[26][27][28] Standout singles from Promise included "The Sweetest Taboo," released in October 1985, which peaked at number five on the Billboard Hot 100, number one on the Adult Contemporary chart, and number three on the Hot R&B/Hip-Hop Songs chart, becoming one of the band's enduring hits with its themes of forbidden romance.[29] Another key track, "Never as Good as the First Time," issued in 1986, reached number 20 on the Hot 100, number eight on the R&B chart, and number six on Adult Contemporary, highlighting the album's introspective exploration of relationships.[30] In July 1985, shortly before Promise's release, Sade performed at the Live Aid concert at Wembley Stadium in London, delivering a set featuring "Your Love Is King," "Why Can't We Live Together," and "Is It a Crime," which showcased their poised stage presence to a global audience of over 1.9 billion viewers.[31] Around this period, the band expanded its lineup following the departure of drummer Dave Early in 1985, incorporating percussionist Martin Ditcham to handle drumming duties and enhance their live rhythm section.[32] Sade supported Promise with their second world tour from late 1985 to mid-1986, encompassing dates in the UK, Europe, the US—where they played major arenas like Madison Square Garden—and extending to Japan and Australia, solidifying their international appeal. In 1988, the band returned with Stronger Than Pride, their third studio album, released on May 3 in the UK and May 10 in the US, marking their first self-produced effort led by Sade Adu.[33] Recorded primarily at Studio Miraval in southern France, along with sessions at Compass Point Studios in the Bahamas and Studio Marcadet in Paris, the album delved further into introspective R&B territory, emphasizing emotional depth and jazz-inflected arrangements over pop accessibility.[34] It peaked at number six on the UK Albums Chart and number seven on the Billboard 200, achieving triple platinum status in the US from the RIAA for sales exceeding three million copies.[27][28] Combined worldwide sales of Promise and Stronger Than Pride surpassed 10 million units, reflecting the band's growing fanbase across Europe and Asia.[35] Prominent singles from Stronger Than Pride included "Paradise," released in May 1988, which topped the Hot R&B/Hip-Hop Songs chart for one week and reached number 16 on the Hot 100, its lush bassline and evocative lyrics capturing a sense of escapist longing.[36] "Nothing Can Come Between Us," issued in November 1988, climbed to number three on the R&B chart, underscoring the album's themes of enduring love amid vulnerability, though it did not enter the Hot 100.[37] The album's release was promoted through the Stronger Than Pride Tour, a global outing from mid-1988 to early 1989 that featured arena performances in the US, extensive European dates, and stops in Asia, further expanding Sade's sophisticated, cross-continental following.[38]Love Deluxe and first hiatus (1989–1999)
Following the success of their previous albums, Sade began work on their fourth studio album, Love Deluxe, in 1992. The recording sessions took place at several locations, including Studio Condulmer in Venice, Italy; Ridge Farm in Surrey, UK; The Hit Factory in London; and Image Recording Studios in Los Angeles. Produced by Sade and Mike Pela, the album featured a sophisticated blend of soul, jazz, and quiet storm elements, with standout tracks such as "No Ordinary Love" and "Cherish the Day," which explored themes of intense romance and emotional depth.[39][40] Love Deluxe was released in late 1992 by Epic Records, debuting at number 3 on the US Billboard 200 chart and eventually certified triple platinum by the RIAA for sales exceeding 3 million copies in the United States. The album's lead single, "No Ordinary Love," earned the band their first Grammy Award for Best R&B Performance by a Duo or Group with Vocals at the 36th Annual Grammy Awards in 1994. Music videos for singles like "No Ordinary Love" (directed by Sophie Muller) and "Cherish the Day" (directed by Albert Watson) showcased Sade's ethereal aesthetic, contributing to the album's visual and commercial impact. The band supported the release with a world tour in 1993, performing to sold-out crowds across North America and Europe.[40] After the 1993 tour concluded, Sade announced an indefinite hiatus to allow the band members to pursue personal endeavors, marking the start of their first extended break from recording and touring. Lead singer Sade Adu prioritized family life, including the birth of her child, Izaak Theo Adu, in 1996. During the 1990s, the band remained largely inactive, with no new studio albums released until 2000, though their existing catalog continued to influence R&B and soul music.[41]Lovers Rock return (2000–2002)
After a hiatus following the release of Love Deluxe in 1992, Sade reconvened in 1999 to begin recording their fifth studio album, Lovers Rock, at Sarm Hook End in London, along with sessions at El Cortijo in Spain and Deliverance Studios in London, spanning from September 1999 to August 2000.[42] The project was co-produced by Sade Adu and longtime collaborator Mike Pela, who helped shape the album's intimate, stripped-back sound.[43] This return marked a deliberate shift toward a more personal and acoustic aesthetic, drawing on Adu's reflections during her time away from the spotlight. Lovers Rock was released on November 14, 2000, via Epic Records, featuring standout tracks such as "By Your Side" and "King of Sorrow," which explored themes of love, loss, and resilience with understated elegance.[44] The album debuted at number three on the US Billboard 200 and reached number 18 on the UK Albums Chart, earning widespread commercial success.[45][27] Infused with reggae and dub elements inspired by the lovers rock subgenre prominent in 1970s London—reflecting Adu's British-Nigerian heritage and the multicultural sounds of her youth—the record blended soulful grooves with folk-tinged acoustics.[46] Critics praised its maturity, noting the band's evolution toward a sparser, more introspective style that conveyed emotional depth without excess ornamentation.[47] At the 44th Annual Grammy Awards in 2002, Lovers Rock won Best Pop Vocal Album, while the lead single "By Your Side" received a nomination for Best Female Pop Vocal Performance.[48][49] The album's promotion included a brief Lovers Rock Tour in 2001, focusing primarily on North American amphitheaters and arenas, with select European dates to support its international release.[50] Capturing the band's signature intimate performance style—characterized by warm lighting, minimal stage effects, and Adu's poised stage presence—the tour highlighted both new material and classics, fostering a sense of reconnection with fans. In 2002, Epic released Lovers Live, a live album and accompanying DVD compiled from concerts during the tour, including performances from venues like the Arrowhead Pond in Anaheim, California.[51] The package, featuring 13 audio tracks and 22 video selections, showcased the ensemble's seamless interplay and Adu's commanding yet vulnerable delivery.[52] Lovers Rock ultimately sold over four million copies worldwide, solidifying Sade's enduring appeal and setting the stage for future endeavors.[53]Soldier of Love and second hiatus (2002–2017)
In late 2009, after a decade-long absence from releasing new studio material since Lovers Rock in 2000, Sade announced their sixth album, Soldier of Love, set for release the following year.[54] The band, consisting of vocalist Sade Adu, saxophonist/guitarist Stuart Matthewman, bassist Paul S. Denman, and keyboardist Andrew Hale, reunited for the project, marking a return to their core lineup.[55] Recording took place primarily at Real World Studios in Box, England, with additional sessions at El Cortijo Studios in San Pedro de Alcántara, Spain, beginning in 2008 and wrapping up in the summer of 2009.[56][57] Soldier of Love was released worldwide on February 8, 2010, via Epic Records, with the U.S. edition following on February 9.[54] The album debuted at number four on the UK Albums Chart and topped the Billboard 200 in the United States, selling 502,000 copies in its first week—the highest debut of Sade's career and the biggest opening week for an album by a female group at the time.[25][58] The title track served as the lead single, achieving moderate chart success and earning a Grammy Award for Best R&B Performance by a Duo or Group with Vocals in 2011, while the album itself received a nomination for Best R&B Album at the same ceremony.[59][60] Another standout track, "In Another Time," highlighted the album's blend of introspective ballads and rhythmic grooves. Thematically, Soldier of Love explored resilience in the face of emotional hardship, enduring love amid life's struggles, and personal fortitude, conveyed through Adu's signature smooth, emotive delivery over minimalist production.[61][62] The title track's music video, directed by Sophie Muller, featured stark black-and-white imagery of Adu as a warrior-like figure in a desolate landscape, emphasizing themes of inner strength and isolation.[63] Following the album's success, Sade embarked on the Soldier of Love Tour in 2011, their first major outing in over a decade since the Lovers Rock Tour in 2001.[58] The North American leg, which launched on June 16 in Baltimore and ran through mid-August, comprised 36 sold-out arena shows and grossed $31.4 million from 345,441 tickets sold, averaging over $870,000 per concert. This leg alone positioned the tour among the year's top-grossing acts, underscoring the band's enduring draw despite the extended break.[64] After concluding the tour in Europe later that year, Sade entered a second extended hiatus from 2011 to 2017, during which Adu largely withdrew from public life to focus on family and privacy in her UK countryside home.[25] The band made only sporadic appearances, including a remix of "The Moon and the Sky" featuring Jay-Z, released in April 2011 as part of the compilation The Ultimate Collection, which revisited the track's themes of longing and redemption with added rap verses.[65] This period reinforced Sade's pattern of deliberate, infrequent releases, allowing the group's influence to simmer through reissues and fan appreciation rather than constant output.[55]Recent releases and activities (2018–present)
In February 2018, Sade released "Flower of the Universe," an acoustic soul ballad written and produced by the band for the soundtrack of Disney's A Wrinkle in Time, marking their first original material since the 2010 album Soldier of Love.[66] The track, featuring Sade Adu's signature breathy vocals over minimalist instrumentation, debuted at number 21 on the Billboard Adult R&B Airplay chart and was praised for its ethereal quality. Following a period of relative quiet, Sade issued the box set This Far on October 9, 2020, which included remastered versions of all six studio albums on 180-gram heavyweight vinyl, but contained no new recordings.[55] The collection, half-speed mastered at Abbey Road Studios, celebrated the band's catalog without signaling an immediate return to active production.[67] In 2024, Sade undertook a series of vinyl reissues for their entire studio discography, beginning with Diamond Life (1984), Promise (1985), and Stronger Than Pride (1988) on June 21, followed by Love Deluxe (1992), Lovers Rock (2000), and Soldier of Love (2010) on September 20.[68] These heavyweight black vinyl editions, pressed from the remastered sources used in This Far, aimed to make the albums more accessible to collectors amid renewed interest in analog formats.[69] October 25, 2024, saw the release of "Young Lion," Sade's first new song in six years, featured on the Red Hot Organization's TRAИƧA compilation album dedicated to transgender awareness and liberation.[70] The poignant ballad, co-written by Sade Adu with Aaron Taylor and Ben Travers, honors her transgender son Izaak and was accompanied by an official music video on November 22, 2024, directed by Izaak Adu.[71] As of November 2025, rumors persist of a seventh studio album potentially arriving to coincide with the 15th anniversary of Soldier of Love, alongside speculation of a 2026 world tour—Sade's first in over a decade—though both remain unconfirmed by the band or their representatives.[72] Despite maintaining a high level of privacy, Sade's official social media accounts, such as Instagram, have adopted a subtle presence, sharing updates on reissues and archival content to engage fans without frequent personal disclosures.[73]Artistry
Musical style
Sade's music is renowned for its sophisticated fusion of quiet storm soul, smooth jazz, R&B, and pop, creating a sound that emphasizes elegance and emotional depth.[25][12] This blend draws from classic soul and jazz traditions while incorporating elements of bossa nova and funk, resulting in a style often categorized as sophisti-pop during the 1980s.[25][12] The arrangements are typically minimalistic, highlighting the prominent saxophone work of Stuart Matthewman and the steady bass lines of Paul Denman, which provide a foundational groove without overwhelming the composition.[12][74] Central to the sound are slow tempos, Sade Adu's breathy and intimate vocals, and lush yet restrained production that fosters an intimate, atmospheric mood.[75][25] Heavy percussion is largely avoided in favor of subtle rhythms, often relying on live instrumentation such as real piano, Fender Rhodes electric piano, and acoustic elements rather than synthesizers or electronic drums, which contributes to the timeless, organic quality of the recordings.[75] The band's preference for live recording sessions, as in early works like Diamond Life, underscores this approach, allowing for natural interplay among instruments.[25] Influences from jazz structures and African rhythmic patterns, rooted in Adu's Nigerian heritage, further infuse the music with a subtle global texture.[12][25] Over the course of her career, Sade's style has evolved while retaining its core sophistication, shifting from the polished sophisti-pop of the 1980s to reggae and dub infusions in the 2000s, as heard on Lovers Rock, and incorporating electronic textures in the 2010s with Soldier of Love.[25] This progression reflects a deliberate avoidance of trends, prioritizing emotional resonance through layered, understated production.[75] The resulting "Sade sound"—elegant, adult-oriented soul often likened to "quiet storm" radio fare—evokes a sense of refined intimacy, with complexity hidden beneath apparent simplicity.[12][25]Themes and influences
Sade's lyrics frequently explore the complexities of love and relationships, blending vulnerability with empowerment and resilience in the face of heartbreak. Songs such as "No Ordinary Love" and "The Sweetest Taboo" delve into the emotional turbulence of desire and loss, portraying love as both a source of solace and pain without resorting to overt sentimentality.[74] This thematic focus extends to resilience, as seen in tracks like "Soldier of Love," where the narrator confronts personal wounds while affirming survival and hope.[76] Social issues also permeate her work, particularly racism and historical trauma; in "Slave Song" from the 2000 album Lovers Rock, she addresses the enduring legacy of slavery through a lovers rock-inspired lens, drawing on reggae's tradition of subtle social commentary to evoke collective struggle and endurance.[22] These themes reflect Sade Adu's commitment to emotional authenticity, often framing personal and societal pain as pathways to catharsis.[77] Autobiographical elements subtly inform her songwriting, incorporating her Nigerian-British heritage and experiences of displacement. The track "Immigrant" captures the alienation faced by newcomers, echoing her father's journey from Nigeria to England and the broader challenges of cultural hybridity she navigated growing up.[78] Similarly, "Like a Tattoo" draws from a real encounter with a war veteran, exploring themes of indelible guilt and personal loss from conflict, where past actions haunt the present like an inescapable mark.[74] Adu has noted that such stories allow her to process vulnerability without direct exposition, aligning with her mixed-race upbringing in a racially divided UK, where her mother faced prejudice raising two "brown" children as a single white woman.[78] Adu's influences span soul legends and global sounds, shaping her abstract, poetic approach to lyrics. Early exposure to Marvin Gaye, James Brown, and Aretha Franklin instilled a soulful depth, while comparisons to Billie Holiday highlight her emotive delivery, though Adu emphasizes soul over jazz categorization.[78] World music elements, including Fela Kuti's Afrobeat rhythms from her Nigerian roots and Nina Simone's socially charged introspection, inform tracks blending personal narrative with broader cultural resonance.[79] Songwriting is a collaborative effort within the band, with Adu leading on melodies and initial concepts, while guitarist Stuart Matthewman and others contribute to lyrics, fostering a collective refinement that mirrors their integrated sound.[78] True to her private persona, Adu favors metaphor and subtlety over explicitness, crafting lyrics that invite interpretation rather than declaration. This understated style, evident in the moody elegance of Diamond Life (1984), avoids "wacky" or overt drama, allowing listeners to project their own experiences onto her evocative imagery.[11]Legacy
Impact on music genres
Sade's music in the 1980s pioneered the revival of the quiet storm genre and the emergence of sophisti-pop, blending smooth jazz fusion with accessible pop arrangements to bring sophisticated, worldly sounds into mainstream R&B. Their debut album Diamond Life (1984) and follow-up Promise (1985) became staples of quiet storm radio, epitomizing the era's romantic, mellow aesthetic through sultry vocals and lush instrumentation that contrasted the era's more upbeat pop and funk trends.[80][81] This bridging of jazz and pop not only expanded quiet storm's appeal but also set a precedent for genre fusion in commercial music.[82] The band's innovative style significantly influenced the rise of neo-soul in the 1990s and 2000s, providing a foundation for artists seeking to merge soul, jazz, and R&B with introspective lyricism and live instrumentation. Sade's fusion of these elements offered a template for neo-soul's emphasis on emotional depth and genre-blending, as seen in the movement's early proponents who drew from her eclectic influences.[83] Their extraordinary commercial success, with over 60 million albums sold worldwide, established high standards for female-led bands in soul and R&B, demonstrating viability for sophisticated, band-driven projects in a male-dominated industry.[4] Sade further shaped music genres by integrating global elements like reggae rhythms and African percussive beats into Western pop, particularly on Lovers Rock (2000), which homaged the UK's lovers rock subgenre with its sensual, orchestral reggae influences in tracks such as "King of Sorrow" and the dub-inspired "Slave Song," the latter paying tribute to African ancestral resilience.[84] This cross-cultural approach impacted chill-out and lounge music, where Sade's relaxed tempos, atmospheric production, and smooth blends of soul and world rhythms contributed to the genres' emphasis on soothing, interpretive soundscapes.[85] Sade's longevity underscores their genre-defining evolution, with albums charting decades later—such as Diamond Life and Promise re-entering the Billboard Contemporary Jazz Albums chart at Nos. 13 and 15 in September 2025—and the 2024 vinyl reissues of all six studio albums highlighting their sustained influence on soul, R&B, and fusion styles.[86][68] This enduring chart presence and renewed accessibility affirm Sade's role in evolving these genres toward timeless, boundary-crossing appeal.Influence on other artists
Sade's music and enigmatic persona have profoundly shaped contemporary artists across genres, with many citing her as a key influence on their sound and approach to artistry. Beyoncé has showcased her admiration for Sade's introspective vulnerability. Solange has echoed Sade's stylistic sophistication in her 2016 album A Seat at the Table, drawing on similar themes of emotional intimacy and minimalist production to explore Black identity and resilience. In the neo-soul movement, artists like Jill Scott and Erykah Badu have frequently acknowledged Sade's impact on their exploration of emotional depth and lyrical authenticity. Scott has praised Sade's ability to convey profound feelings through subtle phrasing, influencing her own poetic songwriting style. Badu, meanwhile, has highlighted Sade's fusion of soul and jazz as a blueprint for her genre-blending work, emphasizing vulnerability in tracks like those on Baduizm. Hip-hop producers have also sampled Sade extensively.[87] Sade's collaborative spirit extends to high-profile partnerships, such as her 2010 remix of "The Moon and the Sky" featuring Jay-Z. Sade's commitment to privacy has resonated with reclusive artists like Frank Ocean, who has cited her as a major influence on his elusive public image and thematic focus on personal introspection in albums like Channel Orange. Ocean's mother was a fan of Sade, further embedding her impact on his artistic ethos. Globally, her fusion style has influenced Afrobeats, with Burna Boy interpolating "The Sweetest Taboo" in his 2020 track "Time Flies" featuring Sauti Sol, nodding to her Nigerian roots and smooth rhythms in contemporary African pop.[88] In K-pop, groups like Red Velvet have incorporated Sade-like velvet textures in their R&B-leaning releases, such as the atmospheric production on Velvet (2018), blending her sophistication with genre experimentation.[89]Personal life
Family and relationships
Sade Adu was born Helen Folasade Adu to Adebisi Adu, a Nigerian lecturer in economics of Yoruba descent, and Anne Hayes, an English district nurse, who met in London and married in 1955 before relocating to Ibadan, Nigeria.[1] When Adu was four years old, her parents separated, and her mother returned to England with Adu and her elder brother, Banji Adu, to live with their maternal grandparents near Colchester, Essex.[1] In 1989, Adu married Spanish film director Carlos Pliego, with whom she relocated temporarily to Madrid; the couple divorced in 1995 amid personal challenges.[1] Following the divorce, Adu entered a relationship with Jamaican music producer Bob Morgan, with whom she welcomed her only child, son Izaak Theo Adu, in 1996.[1] Izaak, born as Mickailia "Ila" Adu, publicly came out as a transgender man on National Coming Out Day in 2016 and has since pursued a career as a model while sharing aspects of his transition journey, including top surgery in 2019.[41] Adu has been openly supportive of her son's identity throughout his transition, describing it as a source of pride and dedicating her 2024 single "Young Lion"—her first new music in nearly a decade, with a music video released in November featuring rare family footage—to him as an apology for any past shortcomings in understanding his experiences.[90][91] Since 2007, Adu has maintained a long-term relationship with Ian Watts, a former Royal Marine, and the couple resides together in a low-profile manner on a farm in rural Gloucestershire, England, where she has focused on family life away from public scrutiny.[92][1]Privacy and activism
Sade Adu has maintained a notably reclusive lifestyle throughout her career, prioritizing privacy over public exposure and largely avoiding media engagements since the band's 2011 Soldier of Love Tour. Following the tour, she has granted very few interviews, with her last major one occurring in 2010 for The Guardian, where she discussed her extended hiatus and focus on personal life. This selective approach stems from her unease with fame, as she has stated, "I'm uneasy with fame so I do my best to avoid places that will bring me more attention." Adu maintains a home in London for business purposes, while her primary residence is the farm in rural Gloucestershire, allowing her to balance seclusion with proximity to family. Embracing a "less is more" philosophy toward celebrity, Adu has emphasized family as her central priority, often retreating from the spotlight to nurture personal relationships and avoid the intrusions of publicity. This stance extends to her handling of mental health matters, where she has consistently protected her privacy amid occasional unsubstantiated rumors, choosing instead to focus on emotional well-being through low-profile living. Her residences reflect this desire for a grounded, away-from-the-limelight existence. Adu's activism has centered on human rights and social justice causes, beginning in the 1980s with performances at Amnesty International's Human Rights Now! tour concerts in 1986, alongside artists like Sting and Peter Gabriel. She also took a firm anti-apartheid stance that year, performing at the Artists Against Apartheid Freedom Festival on Clapham Common in London to raise awareness and funds for the movement. In philanthropy, Adu has supported children's charities, including the Rainbow Trust Children's Charity, for which she launched a campaign and dedicated her song "The Sweetest Gift" to families facing terminal illness in children; she has also participated in events for Keep a Child Alive, co-founded by Alicia Keys to combat HIV/AIDS affecting youth. More recently, Adu contributed to LGBTQ+ advocacy through her 2024 single "Young Lion," released as part of the Red Hot Organization's Transa compilation album benefiting transgender rights and awareness. The track serves as a personal ode to her transgender son, Izaak Theo Adu, highlighting themes of unconditional love and support within her commitment to privacy-respecting activism.Awards and honors
Major accolades
Sade has received numerous accolades throughout her career, with four Grammy Award wins highlighting her critical and commercial success. In 1986, she won Best New Artist, becoming the first Nigerian-born artist to achieve this honor.[49] Her band also secured Best R&B Performance by a Duo or Group with Vocals for "No Ordinary Love" in 1994, Best Pop Vocal Album for Lovers Rock in 2002, and another Best R&B Performance by a Duo or Group with Vocals for "Soldier of Love" in 2011.[49][93] At the BRIT Awards, Sade earned one victory, recognizing her impact on British music. In 1985, Diamond Life won Best British Album, marking a breakthrough for her sophisticated soul sound.[94] Her albums have achieved significant commercial certifications from the Recording Industry Association of America (RIAA), underscoring sales exceeding 23 million units in the United States as of 2012. Diamond Life (1984) was certified 4× Platinum in 1995, Love Deluxe (1992) and Stronger Than Pride (1988) each reached 4× Platinum and 3× Platinum respectively (both in 1994), Lovers Rock (2000) was certified 3× Platinum in 2001, The Best of Sade (1994) was certified 4× Platinum in 1999, and Promise (1985) attained Platinum status in 1997; Soldier of Love (2010) was certified Platinum in 2010. Overall, multiple albums hold multi-Platinum certifications.[95] (Note: Using discography for sales context, but primary RIAA) Among other major awards, Sade won an American Music Award in 2002 for Favorite Adult Contemporary Artist, reflecting her broad appeal in soul and pop genres. She received nominations for MTV Video Music Awards in 1985 for "Smooth Operator" in categories including Best Female Video, though she did not win.[96][97] In recognition of her contributions to music, Sade was appointed Officer of the Order of the British Empire (OBE) in 2002 and promoted to Commander (CBE) in 2017 for services to music. She was nominated for induction into the Rock & Roll Hall of Fame in 2024, though she has not yet been inducted.[98][99]Nominations and lifetime achievements
Throughout her career, Sade has garnered numerous nominations for prestigious music awards, highlighting her enduring influence in R&B and pop music. In addition to her four Grammy wins, the band has received nine Grammy nominations, including Best Female Pop Vocal Performance for the single "By Your Side" from the album Lovers Rock at the 44th Annual Grammy Awards in 2002 and Best Long Form Music Video for Bring Me Home - Live 2011 at the 55th Annual Grammy Awards in 2013.[6] Most recently, on November 7, 2025, the music video for "Young Lion" was nominated for Best Music Video at the 68th Annual Grammy Awards, scheduled for 2026, underscoring her continued relevance.[100] Sade has also earned nominations from other major award bodies, such as the Soul Train Music Awards. The band was nominated for Best R&B/Soul Album - Female for Love Deluxe in 1993 and for Best R&B/Urban Contemporary Album of the Year - Group, Band or Duo for Stronger Than Pride in 1989.[96] Among her lifetime achievements and honors, Sade was recognized on VH1's 100 Greatest Women in Music list in 2012, celebrating her contributions as a pioneering female artist. The band's commercial success includes over 50 million records sold worldwide as of 2011, reflecting her global impact and the timeless appeal of her sophisticated sound.[75] As of 2025, while no new major awards have been announced beyond the recent Grammy nod, Sade maintains a strong presence on streaming charts, with her catalog continuing to attract new generations of listeners.Discography
Studio albums
Sade, the English band fronted by singer Helen Folasade Adu, has released six studio albums since their debut in 1984, each achieving commercial success through a blend of soul, jazz, and R&B influences. These albums have collectively sold over 70 million equivalent album sales (EAS) worldwide, establishing the band as one of the best-selling acts in music history.[35] The band's discography demonstrates consistent chart performance in both the UK and US markets, with all albums reaching the top 20 on the UK Albums Chart and the US Billboard 200. Certifications from the Recording Industry Association of America (RIAA) reflect strong US sales, ranging from gold to multi-platinum status. Below is a summary of the studio albums, including release years, peak chart positions, and US certifications.| Album | Release Year | UK Peak (Official Charts Company) | US Peak (Billboard 200) | US Certification (RIAA) | Worldwide Sales Notes |
|---|---|---|---|---|---|
| Diamond Life | 1984 | No. 2[27] | No. 5[101] | 4× Platinum (4 million units)[102] | Over 10 million copies[35] |
| Promise | 1985 | No. 1[27] | No. 1[101] | 3× Platinum (3 million units)[102] | - |
| Stronger Than Pride | 1988 | No. 3[27] | No. 7[101] | 2× Platinum (2 million units)[102] | - |
| Love Deluxe | 1992 | No. 10[27] | No. 3[101] | 3× Platinum (3 million units)[102] | - |
| Lovers Rock | 2000 | No. 18[27] | No. 3[101] | 2× Platinum (2 million units)[102] | - |
| Soldier of Love | 2010 | No. 4[27] | No. 1[101] | Platinum (1 million units)[102] | - |
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