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Foundation universe
Foundation universe
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The Foundation universe describes a future history of humanity's colonization of the galaxy, spanning nearly 25,000 years, created through the gradual fusion of the Robot, Galactic Empire, and Foundation book series written by American author Isaac Asimov.

Works set in the universe

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Asimov's Greater Foundation series

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Merging the Robot, the Empire and the Foundation series

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The Foundation series is set in the same universe as Asimov's first published novel, Pebble in the Sky, although Foundation takes place about 10,000 years later. Pebble in the Sky became the basis for the Galactic Empire series. Then, at some unknown date (prior to writing Foundation's Edge) Asimov decided to merge the Foundation/Galactic Empire series with his Robot series. Thus, all three series are set in the same universe, giving them a combined length of 18 novels, and a total of about 1,500,000 words. The merge also created a time-span of the series of around 20,000 years.

The Stars, Like Dust states explicitly that the Earth is radioactive because of a nuclear war. Asimov later explained that the in-universe reason for this perception was that it was formulated by Earthmen many centuries after the event, and which had become distorted, due to the loss of much of their planetary history.[citation needed] This work is generally regarded as part of the Empire series, but does not directly mention either Trantor or the other Spacer worlds. One character is said to have a Visi-Sonor, the same musical instrument that is played by the clown Magnifico in Foundation and Empire.

Asimov integrated the Robot series into his all-encompassing Foundation series, making the robot R. Daneel Olivaw appear again twenty thousand years later in the age of the Galactic Empire, in sequels and prequels to the original Foundation trilogy; and in the final book of the Robots series, Robots and Empire, Asimov describes how the worlds that later formed the Empire were settled, and how Earth became radioactive (which was first mentioned in Pebble in the Sky).

The stand-alone novel Nemesis is also in the same continuity; being referenced in Forward the Foundation, where Hari Seldon refers to a twenty-thousand-year-old story of "a young woman that could communicate with an entire planet that circled a sun named Nemesis". Commentators noted that Nemesis contains barely disguised references to the Spacers and their calendar system, the Galactic Empire, and even to Hari Seldon which seem to have been deliberately placed for the purpose of later integration into the Foundation universe.[1]

Asimov's "Author's Note" in Prelude to Foundation

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The foreword to Prelude to Foundation contains the chronological ordering of Asimov's science fiction books. Asimov stated that the books of his Robot, Empire, and Foundation series "offer a kind of history of the future, which is, perhaps, not completely consistent, since I did not plan consistency, to begin with." Asimov also noted that the books in his list "were not written in the order in which (perhaps) they should be read".[2] In the Author's Note, Asimov noted that there is room for a book between Robots and Empire and The Currents of Space, and that he could follow Foundation and Earth with additional volumes.

Forward the Foundation, Nemesis, and The Positronic Man do not appear in Asimov's list, as they were not yet published at the time, and the order of the Empire novels in Asimov's list is not entirely consistent with other lists. For example, the 1983 Ballantine Books printing of The Robots of Dawn lists the Empire novels as: The Stars, Like Dust, The Currents of Space, and Pebble in the Sky. Given that The Currents of Space includes Trantor and that The Stars, Like Dust does not, these two books possibly were accidentally reversed in Asimov's list.

Standalone novels set in the universe

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While not mentioned in the "Author's Note" of Prelude to Foundation, the novels The End of Eternity (1955), Nemesis (1989), and The Positronic Man (1992) (written by Robert Silverberg) are related to the greater Foundation series.

The End of Eternity is vaguely referenced in Foundation's Edge, where a Gaian character in Foundation and Earth mentions the Eternals, whose "task it was to choose a reality that would be most suitable to Humanity." (The End of Eternity also refers to a "Galactic Empire" within its story.) Asimov himself did not mention The End of Eternity in the series listing from Prelude to Foundation. As for Nemesis, it was written after Prelude to Foundation, but in the author's note Asimov explicitly states that the book is not part of the Foundation or Empire series, but that someday he might tie it to the others.

In Forward the Foundation, Hari Seldon refers to a 20-thousand-year-old story of "a young woman that could communicate with an entire planet that circled a sun named Nemesis", a reference to Nemesis. In Nemesis, the main colony is one of the Fifty Settlements, a collection of orbital colonies that form a state. The Fifty Settlements possibly were the basis for the fifty Spacer worlds in the Robot stories. The implication at the end of Nemesis that the inhabitants of the off-Earth colonies are splitting off from Earthbound humans could also be connected to a similar implication about the Spacers in Mark W. Tiedemann's Robot books. According to Alasdair Wilkins, in a discussion posted on Gizmodo, "Asimov absolutely loves weird, elliptical structures. All three of his non-robot/Foundation science fiction novels — The End of Eternity, The Gods Themselves, and Nemesis — leaned heavily on non-chronological narratives, and he does it with gusto in The Gods Themselves."[3]

In The Robots of Dawn, Dr. Han Fastolfe briefly summarizes the story from "The Bicentennial Man" (1976), which was later expanded by Robert Silverberg into the novel The Positronic Man (1992).

Works set in universe

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The foreword to Prelude to Foundation contains the chronological ordering of Asimov's science fiction books. Asimov stated that the books of his Robot, Galactic Empire, and Foundation series "offer a kind of history of the future, which is, perhaps, not completely consistent, since I did not plan consistency to begin with." Asimov also noted that the books in his list "were not written in the order in which (perhaps) they should be read."[4]

The following works are listed in chronological order by narrative:

  1. Robot series (I):
    1. Short stories about robots, set from the 20th to 22nd centuries (1995–2180), collected in The Rest of the Robots (1964), The Complete Robot (1982), Robot Dreams (1986), Robot Visions (1990) and Gold: The Final Science Fiction Collection (1995)[5]
    2. I, Robot (1950) — a fixup novel composed of 9 short stories about robots, set in the 21st century (1998–2052) on Earth[5]
  2. The Positronic Man (1992) — a standalone robot novel, written by Robert Silverberg, based on Asimov's 1976 novelette "The Bicentennial Man", set from the 22nd to 24th centuries (2160–2360)[5]
  3. Nemesis (1989) — a standalone novel, set in the 23rd century (2236) in a star system about 2 light years from Earth, when interstellar travel was new
  4. Robot series (II):
    1. "Mother Earth" (1949) — short story, set in the 25th century (2421)[5]
    2. The Caves of Steel (1954) — first novel, set in the 35th century (3421) on Earth[5]
    3. The Naked Sun (1957) — second novel, set in the 35th century (3422) on the Spacer planet Solaria[5]
    4. "Mirror Image" (1972) — short story, set in the 35th century (3423)[5]
    5. The Robots of Dawn (1983) — third novel, set in the 35th century (3424) on the Spacer planet Aurora[5]
    6. Robots and Empire (1985) — fourth novel, set in the 37th century (3624) on Earth, Solaria, Aurora, and Baleyworld[5]
  5. Galactic Empire series
    1. The Stars, Like Dust (1951) — first novel, set in the 49th century (4850), thousands of years in the future before the founding of a Galactic Empire[5]
    2. The Currents of Space (1952) — second novel, set in the 112th century (11129), set thousands of years in the future during Trantor's unification of the galaxy into a Galactic Empire[5]
    3. Pebble in the Sky (1950) — third novel, set in the 125th century (12411), primarily set thousands of years in the future on Earth, when the galaxy is unified into a Galactic Empire[5]
    4. "Blind Alley" (1945) — short story, set in the 126th century (12561–12562)[5]
  6. Foundation series
    1. Prelude to Foundation (1988) — first novel, set in the 237th century (23604)[5]
    2. Forward the Foundation (1993) — second novel, set in the 237th century (23612–23653)[5]
    3. Foundation (1951) — third novel, set from the 237th to 239th centuries (23651–23812)[5]
    4. Foundation and Empire (1952) — fourth novel, set from the 239th to 240th centuries (23847–23963)[5]
    5. Second Foundation (1953) — fifth novel, set from the 240th to 241st centuries (23968–24029)[5]
    6. Foundation's Edge (1982) — sixth novel, set in the 242nd century (24150)[5]
    7. Foundation and Earth (1986) — seventh novel, set in the 242nd century (24150)[5]
  7. The End of Eternity (1955) — a standalone novel, about Eternity, an organization "outside time" which aims to improve human happiness by altering history

Timeline

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[5]

Other authors contributing to the expanded series

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Asimov's novels covered only 500 of the expected 1,000 years it would take for the Foundation to become a galactic empire. The novels that were written after Asimov did not continue the timeline but rather sought to fill in gaps in the earlier stories. The Foundation universe was once again revisited in 1989's Foundation's Friends, a collection of short stories written by many prominent science fiction authors of that time. Orson Scott Card's "The Originist" clarifies the founding of the Second Foundation shortly after Seldon's death; Harry Turtledove's "Trantor Falls" tells of the efforts by the Second Foundation to survive during the sacking of Trantor, the imperial capital and Second Foundation's home; and George Zebrowski's "Foundation's Conscience" is about the efforts of a historian to document Seldon's work following the rise of the Second Galactic Empire.

Also, shortly before his death in 1992, Asimov approved an outline for three novels by Roger MacBride Allen, known as the Caliban trilogy, set between Robots and Empire and the Empire series. The Caliban trilogy describes the terraforming of the Spacer world Inferno, a planet where an ecological crisis forces the Spacers to abandon many long-cherished parts of their culture. Allen's novels echo the uncertainties that Asimov's later books express about the Three Laws of Robotics, and in particular the way a thoroughly roboticized culture can degrade human initiative.

After Asimov's death and at the request of Janet Asimov and the Asimov estate's representative, Ralph Vicinanza approached Gregory Benford and asked him to write another Foundation story. He eventually agreed, and with Vicinanza and after speaking "to several authors about [the] project", formed a plan for a trilogy with "two hard SF writers broadly influenced by Asimov and of unchallenged technical ability: Greg Bear and David Brin."[6] Foundation's Fear (1997) takes place chronologically between part one and part two of Asimov's second prequel novel, Forward the Foundation; Foundation and Chaos (1998) is set at the same time as the first chapter of Foundation, filling in the background; Foundation's Triumph (1999) covers ground following the recording of the holographic messages to the Foundation, and ties together a number of loose ends. These books are now claimed by some[7][8] to collectively be a "Second Foundation trilogy", although they are inserts into pre-existing prequels and some of the earlier Foundation storylines and not generally recognized as a new Trilogy.

In an epilogue to Foundation's Triumph, Brin noted he could imagine himself or a different author writing another sequel to add to Foundation's Triumph, feeling that Hari Seldon's story was not yet necessarily finished. He later published a possible start of such a book on his website.[9]

More recently, the Asimov estate authorized the publication of another trilogy of robot mysteries by Mark W. Tiedemann. These novels, which take place several years before Asimov's Robots and Empire, are Mirage (2000), Chimera (2001), and Aurora (2002). These were followed by yet another robot mystery, Alexander C. Irvine's Have Robot, Will Travel (2004), set five years after the Tiedemann trilogy.

In 2001, Donald Kingsbury published the novel Psychohistorical Crisis, set in the Foundation universe after the start of the Second Empire.

Novels by various authors (Isaac Asimov's Robot City, Robots and Aliens and Robots in Time series) are loosely connected to the Robot series, but contain many inconsistencies with Asimov's books, and are not generally considered part of the Foundation series.

In November 2009, the Asimov estate announced the publication of a prequel to I, Robot under the working title Robots and Chaos, the first volume in a prequel trilogy featuring Susan Calvin by fantasy author Mickey Zucker Reichert. The first book was published in November 2011 under the title I, Robot: To Protect, followed by I, Robot: To Obey in 2013 and I, Robot: To Preserve in 2016.[10]

Stories set in the Foundation universe, including works by other authors

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The following works are listed in chronological order by narrative:

C Year Title Notes
2011 I, Robot: To Protect New prequel I, Robot trilogy by Mickey Zucker Reichert
2013 I, Robot: To Obey New prequel I, Robot trilogy by Mickey Zucker Reichert
2016 I, Robot: To Preserve New prequel I, Robot trilogy by Mickey Zucker Reichert
1 1950 I, Robot The first collection of Robot short stories, all of which were included in The Complete Robot, except for the binding text, which is absent from The Complete Robot.
1964 The Rest of the Robots Includes 8 Robot short stories that were not in I, Robot, as well as the novels The Caves of Steel and The Naked Sun
1982 The Complete Robot Omnibus of I, Robot and The Rest of the Robots, although not including the binding text from I, Robot or the novels The Caves of Steel and The Naked Sun from The Rest of the Robots
1986 Robot Dreams Includes "Robot Dreams" and other short stories.
1990 Robot Visions Includes "Robot Visions," "Too Bad," "Christmas Without Rodney," and other short stories and essays.
1995 Gold A collection of short stories and essays, including robot short stories "Cal" and "Kid Brother".
1993 Predator First book of Isaac Asimov's Robots in Time series by author William F. Wu
1993 Marauder Second book of Isaac Asimov's Robots in Time series by author William F. Wu
1993 Warrior Third book of Isaac Asimov's Robots in Time series by author William F. Wu
1994 Dictator Fourth book of Isaac Asimov's Robots in Time series by author William F. Wu
1994 Emperor Fifth book of Isaac Asimov's Robots in Time series by author William F. Wu
1994 Invader Sixth book of Isaac Asimov's Robots in Time series by author William F. Wu
2 1992 The Positronic Man Robot novel based on Asimov's short story "The Bicentennial Man", written by Robert Silverberg
3 1989 Nemesis The novel is set in an era in which interstellar travel is in the process of being discovered and perfected.
1948 "Mother Earth" Short story set between the early Earth era and the era of the Robot novels, at a time when the Spacer worlds were first being colonised. Contains some minor inconsistencies with later stories. Published in The Early Asimov, or Eleven Years of Trying[11]
4 1954 The Caves of Steel The first Robot novel. It is contained in The Rest of the Robots, although not in The Complete Robot.
5 1957 The Naked Sun The second Robot novel. It is contained in The Rest of the Robots, although not in The Complete Robot.
1972 "Mirror Image" Written after having received numerous requests to continue the story of detective Elijah Baley and his robot partner R. Daneel Olivaw, featured in his earlier novels The Caves of Steel and The Naked Sun. Published in The Complete Robot and later in Robot Visions.[12]
6 1983 The Robots of Dawn The third Robot novel. Hugo Award nominee, 1984[13] Locus Award nominee, 1984[13]
1987 Odyssey First book of Isaac Asimov's Robot City series by Michael P. Kube-McDowell
1987 Suspicion Second book of Isaac Asimov's Robot City series by Mike McQuay
1987 Cyborg Third book of Isaac Asimov's Robot City series by William F. Wu
1988 Prodigy Fourth book of Isaac Asimov's Robot City series by Arthur Byron Cover
1988 Refuge Fifth book of Isaac Asimov's Robot City series by Rob Chilson
1988 Perihelion Sixth book of Isaac Asimov's Robot City series by William F. Wu
1989 Changeling First book of Isaac Asimov's Robots and Aliens series by Stephen Leigh
1989 Renegade Second book of Isaac Asimov's Robots and Aliens series by Cordell Scotten
1990 Intruder Third book of Isaac Asimov's Robots and Aliens series by Robert Thurston
1990 Alliance Fourth book of Isaac Asimov's Robots and Aliens series by Jerry Oltion
1990 Maverick Fifth book of Isaac Asimov's Robots and Aliens series by Bruce Bethke
1990 Humanity Sixth book of Isaac Asimov's Robots and Aliens series by Jerry Oltion
2000 Mirage First book of the Robot Mystery series by Mark W. Tiedemann.
2001 Chimera Second book of the Robot Mystery series by Mark W. Tiedemann.
2002 Aurora Third book of the Robot Mystery series by Mark W. Tiedemann.
2005 Have Robot, Will Travel Fourth book of the Robot Mystery series; written by Alexander C. Irvine.
7 1985 Robots and Empire The fourth Robot novel. Locus Award nominee, 1986[14]
1993 Isaac Asimov's Caliban Caliban trilogy by Roger MacBride Allen.
1994 Isaac Asimov's Inferno Caliban trilogy by Roger MacBride Allen.
1996 Isaac Asimov's Utopia Caliban trilogy by Roger MacBride Allen.
8 1951 The Stars, Like Dust The first Empire novel.
9 1952 The Currents of Space The second Empire novel.
10 1950 Pebble in the Sky The third Empire novel; however, it was Asimov's first full novel to be published.
1945 "Blind Alley" Short story set in the Foundation universe. Published in the March/1945 issue of Astounding Science Fiction, and later included in the collection The Early Asimov (1972).
11 1988 Prelude to Foundation This is the first Foundation novel. Locus Award nominee, 1989[15]
12[a] 1993 Forward the Foundation The second Foundation novel (although it was the last written by Asimov himself).
1997 Foundation's Fear The first book of the Second Foundation trilogy by Gregory Benford.
1998 Foundation and Chaos The second book of the Second Foundation trilogy by Greg Bear.
1999 Foundation's Triumph The third book of the Second Foundation trilogy by David Brin.
13 1951 Foundation The third Foundation novel. Actually, it is a collection of four stories, originally published between 1942 and 1944, plus an introductory section written for the book in 1949. Published, slightly abridged, as part of an Ace Double paperback, D-110, with the title The 1000-Year Plan, in 1955.
14 1952 Foundation and Empire The fourth Foundation novel, made up of two stories originally published in 1945. Published with the title The Man Who Upset the Universe as a 35c Ace paperback, D-125, in about 1952.
15 1953 Second Foundation The fifth Foundation novel, made up of two stories, originally published in 1948 and 1949.
16 1982 Foundation's Edge The sixth Foundation novel. Nebula Award nominee, 1982;[16] Hugo Award winner, 1983;[17] Locus Award winner, 1983[17]
17 1986 Foundation and Earth The seventh Foundation novel. Locus Award nominee, 1987[18]
1989 Foundation's Friends Foundation's Friends, Stories in Honor of Isaac Asimov is a 1989 anthology of short stories set in the timeline of the greater Foundation series. It was edited by Martin H. Greenberg, with contributing authors including Ray Bradbury, Robert Silverberg, Frederik Pohl, Poul Anderson, Harry Turtledove, and Orson Scott Card.
2001 Psychohistorical Crisis Psychohistorical Crisis is a science fiction novel by Donald Kingsbury. An expansion of his 1995 novella "Historical Crisis", it is a re-imagining of the world of Isaac Asimov's Foundation series, set after the establishment of the Second Empire.
18 1955 The End of Eternity Members of the time-changing organization Eternity seek to ensure that their own organization is founded as history says it was, by ensuring the conditions for that event happen as history says they happened. Asimov tied this novel into his broader Foundation Series, by suggesting in Foundation's Edge that it is set in a universe where Eternity had existed but was destroyed by Eternals, resulting in an all-human galaxy.

Characters

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Technology

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Psychohistory

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In Foundation (1951), famed mathematician and psychologist Hari Seldon has developed the science of psychohistory, which uses sophisticated mathematics and statistical analysis to predict future trends on a galactic scale. He has predicted the unavoidable and relatively imminent fall of the Galactic Empire, and intends to establish the Foundation, "a repository of crucial, civilization-preserving knowledge" that will enable society to revive itself more quickly and efficiently.[19][20]: 23–24  The Seldon Plan is Seldon's great work intended to achieve this goal, a huge work of mathematics that describes the pattern of events set in motion by Seldon's intervention and those of his successors; a plan that centres on the Foundation, but is far from Seldon's ostensible goal of setting up a repository of knowledge.

The Time Vault, created and programmed by Seldon, is designed to open "at defining moments in galactic history", known as "Seldon Crises", and impart crucial knowledge through holographically recorded messages from Seldon.[21][22]

The Prime Radiant, a device designed by Seldon, stores psychohistorical equations showing the future development of humanity. The Prime Radiant projects the equations onto walls in some unexplained manner, but it does not cast shadows, thus allowing workers easy interaction. As a tool of the Second Foundation, control operates through the power of the mind, allowing the user to zoom in to details of the equations, and to change them.[23] The plan is described in Foundation's Edge as containing acres of equations, starting with Seldon's own work and extended in colour-coded addenda by Seldon's successors.

Other

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A Visi-Sonor is a multi-keyed musical instrument that produces holographic visual effects as well as music. By incorporating his own mental ability to manipulate emotions, The Mule is able to use the instrument to brainwash others in Foundation and Empire (1952).[24][25] In the prequel novel Prelude to Foundation (1988), Eto Demerzel, the First Minister and chief advisor to Emperor Cleon I, is revealed to be the ancient sentient robot R. Daneel Olivaw from Asimov's Robot series, one of the last of his kind.[20]: 213–215 

The Mind static device is introduced in Second Foundation. It is a tool developed by a group within the Foundation for use against the members of the Second Foundation, using their mentalic powers against them.

TV series technologies

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The 2021 Apple TV+ television series adaptation Foundation deviates substantially from Asimov's source work, and includes technological elements not featured by Asimov in the novels.[21] Though cloning does not factor in Asimov's novels,[26] the television series introduces a "Genetic Dynasty", surreptitiously administered for centuries by the regal Lady Demerzel, an expanded and gender-swapped version of the character from Prelude to Foundation and its sequel, Forward the Foundation (1993).[21][27][28] In the series, the 12,000-year-old Empire is ruled by a revolving trio of Cleon I clones: Brother Day, a Cleon in his prime; Brother Dawn, a young Cleon being trained to succeed Brother Day; and Brother Dusk, a retired and aging Cleon who serves in an advisory role.[29]

In the television series, an aura is depicted as a protective force shield technology forbidden to everyone except the Emperors, but in season two it is revealed that the Foundation also possesses the technology and has distributed it to their envoys. Jumpships are starships capable of faster-than-light travel, operated by Spacers, genetically engineered and cybernetically enhanced humans made capable of remaining conscious and functional during jumps. Though jump technology is initially possessed only by the Empire, the Foundation is able to reverse-engineer their own version using the captured warship Invictus. Called whisper-ships, these starships are able to jump without requiring a Spacer to navigate.[30] In the series, The Vault has been sent to Terminus ahead of the colonists who establish the Foundation. The object, which hovers above the ground, is surrounded by a "null field" that disorients humans, preventing anyone from approaching until the Vault itself allows them to. The exception is Salvor Hardin, the Warden and protector of Terminus, who possesses an inexplicable immunity to the field.[21][22] The Star Bridge is a massive structure on Trantor that serves as a space elevator connecting the surface of the planet to a starship platform in geosynchronous orbit. Known as the "tether" or the "stalk", transit from the platform to the surface of the planet takes 14 hours. When the Star Bridge is severed by a terrorist attack in "The Emperor's Peace", the bulk of it crashes to the surface and kills 100 million citizens.[31] Trader and con man Hober Mallow possesses a castling device which allows two people of similar mass to switch places via a form of teleportation. Imperial General Bel Riose uses it to switch places with the Emperor clone Brother Day in the season two finale "Creation Myths", resulting in Day being vented into space and killed.[32][33]

Planetary systems, stars and planets

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Asimov notes in "The Psychohistorians" that there are "nearly twenty-five million inhabited planets in the Galaxy".[34]

61 Cygni
A star system advanced by Lord Dorwin as the potential site for a planet of origin for the human species. Lord Dorwin cites 'Sol' (meaning Earth's Sun) and three other planetary systems in the Sirius Sector, along with Arcturus in the Arcturus Sector, as potential original worlds.[35] Claims were made as early as 1942 that 61 Cygni had a planetary system, though, to date, none have been verified.[36]
Achilles
A gas giant planet in the Anacreon system. Its size is somewhere between Saturn and Neptune, about 1.7 times as dense as water, with a strong equatorial bulge. In appearance, it is a dark, yellow-biased red, with scattered orange patches indicating storm systems. Achilles has several moons, such as one within the orbit of Neoptolemus, four between that and Ulysses, and twenty outside of Ulysses; all of these others are captured asteroids.
Alpha
It orbits the star Alpha Centauri A (only 4.2 light-years from Sol[clarification needed]). The Empire terraformed this planet to hold Earth's inhabitants after it was devastated by radiation, but the project was never completed. Covered almost entirely with water, save for a fifteen-thousand-square-kilometer island, this planet was considered by Lord Dorwin to be the original system of humanity. The inhabitants call it New Earth and live a simple lifestyle that of women and men are completely shirtless, weather permitting, and the men engage in long sea voyages to fish. About halfway into the thousand-year darkness after the fall of the Empire, Golan Trevize ventured to this planet in his search for Earth. The inhabitants seemed nice enough but tried to infect him and his crew with a disease. After leaving, Trevize headed to the Solar System.
Anacreon (also known as Anacreon A II)
A planet near the outer end of the periphery. As part of the Galactic Empire was the capital of Anacreon subprefecture, Anacreon prefecture, and Anacreon Province, and later the Anacreon Kingdom. Anacreon is a binary star system. The pair orbit at 73.8 AU with a period of, in Earth terms, 181 years, 84 days and 14 hours.
Arcturus
One of the major planets. It is the capital world of the Sirius Sector in the Galactic Empire. It seems to have been named for the star Arcturus in Boötes.
Aurora
Originally named New Earth, in later millennia the planet would be renamed "Aurora", which means "dawn", to signify the dawning of a new age for the Spacer culture. It is an Earthlike planet, the innermost planet orbiting the star Tau Ceti (12 ly from Sol). It was the first Spacer planet colonized, established in 2065. Its capital is Eon (about 20,000 inhabitants). As it was highly populated and developed, it was considered the "capital" of the Spacers. The planet has two moons: Tithonus I and Tithonus II. Aurora at its height had a population of 200 million humans, and 10 billion robots. The head of its planetary government was called the "Chairman". The largest city on the planet was Eos (which means also "dawn"), the administrative and robotic centre of Aurora, where Han Fastolfe and Gladia Solaria lived. The University of Eos and the Auroran Robotics Institute were both located within Eos.[37] After the decline of the Spacers, the planet's remaining inhabitants are believed to have emigrated to Trantor, settling in the Mycogen Sector. The descendants of the Aurorans, or Mycogenians, never forgot Aurora, but they apparently evolved to the point where they were indistinguishable from Settlers. The scripture of the Mycogenians mentions Aurora, robots, and other topics; Hari Seldon peruses this document and finds the "corpse" of a robot in Mycogen also.[38] Ironically, the culture of Mycogen appears to be in many ways a complete opposite of Aurora. Where the society of Aurora had complete gender equality and social mobility, Mycogen has a restrictive caste system with women apparently taking the place of Auroran robots, with absolutely no rights. It is also very restrictive sexually, where Aurora was basically a free love society. Mycogen, a sector of Trantor, identifies Aurora as the first planet and gives a high value to the Robots, lamenting his loss. The searchers for Earth visit Aurora, along with other ancient settlements. The planet is by then not inhabited by human beings, and its desertified ecology is dominated by feral dogs.[39]
Comporellon (originally Baleyworld)
A planet located near Gaia and Sayshell, Comporellon was renowned for its particularly old age. It was founded by the second wave of space colonists, known as the Settlers, and thus had a very superstitious attitude toward the first wave, the Spacers. They were also superstitious about Earth. Golan Trevize, Janov Pelorat, and Bliss visit Comporellon in Foundation and Earth, and acquire the coordinates of three Spacer worlds: Solaria, Aurora, and Melpomenia from a historian. Comporellon was under the political influence of the First Foundation, but its awkward situation caused resentment toward Foundationers. Its inhabitants preferred clothes that were white, gray, and black. Trevize comments that their food could be very good. Astronomically, Comporellon was a very cold ice world.
Earth (sometimes called Old Earth, Gaia or Terra)
A planet, the most common setting of his robot short stories. Earth is the planet upon which humans have lived for longer than anyone remembers. Earth features in one of several Origin Myths found throughout the Galactic Empire. Its history, however, is shrouded in the mists of time. Earth was the third planet from its sun (called Sol) and had one large moon (Luna). From millions of years BC to the early Galactic Era, Earth was one of the most, if not the most, important planets in the galaxy, being one of the only planets to ever develop life without being colonized by other worlds, and being the origin planet of the human race, who would go on to dominate the galaxy through the Galactic Empire. Around 65,000,000 BC, the dinosaurs, the original dominant race of Earth, were killed by a race of small intelligent lizards armed with guns, which either left Earth or died out. Eventually, humans evolved on the planet. Up until the 20th century AD, the human race progressed, having wars and developing technology, experiencing the ups and downs of civilization, but nothing extremely radical happened, and, most importantly, no one made an attempt to leave Earth and colonize new worlds. In the early 20th century, two world wars were endured, WW1 in the 1910s and WW2 in the 1940s. Eventually, in 1973, the human race reached for the moon. The Prometheus[clarification needed] failed, but, after some complicated series of events, the New Prometheus reached the moon in 1978, achieving the goal of leaving Earth, if only slightly. From around 1979 to 1982, WW3 took place, ending nationalism, and splitting Earth into Regions. From there, the planet experienced a new renaissance, developing positronic brains in the 1980s and 1990s, governed by the Three Laws of Robotics. One of the most important early pioneers in robotics was Susan Calvin (1982-2064), who was the first and chief robopsychologist at US Robots and Mechanical Men from 2007 to 2058. Robots eventually grew very advanced. In 2065, Earth colonized the first extrasolar world, Aurora, the World of the Dawn. This was the first of the great Spacer Worlds, which were colonized over thousands of years across the stars. Around 3720, they rebelled against Earth, winning the Three-Week War, and would become higher in society than Earth. In 4724, detective Elijah Baley managed to allow the colonization of new worlds by Earth, which had been suppressed, and the Settler worlds were made. These were threatened in 4922 but were saved due to the efforts of Gladia Solaria, R. Daneel Olivaw and R. Giskard Reventlov, at the cost of Earth being made radioactive by Levular Mandamus. Eventually, the Settler worlds spread across the galaxy, outnumbering the Spacer worlds greatly, and Earth sank into unimportance, but was still known of and not looked down on. 1,000 years into the radioactivity, it was believed to be the result of a nuclear war. Thousands of years later, in the year 500 of the Foundation Era, Daneel Olivaw was on the Moon of Earth and encountered Golan Trevize.
Fomalhaut
A star mentioned in novel Pebble in the Sky. Joseph Schwartz of Chicago is transported by a stray beam of radiation to the Earth of the far future, which is part of a galactic empire ruled by the planet Trantor. Finding himself in wild countryside, he searches far and wide for help until he stumbles upon a cottage — only he can't understand the dwellers, nor they, him. One of them theorizes, "He must come from some far-off corner of the Galaxy ... They say the men of Fomalhaut have to learn practically a new language to be understood at the Emperor's court on Trantor."[40] Asimov would later substantially abandon using any real star names at all in the empire.[41]
Gaia
Whose people are known by the same name or the Anti-Mules, is a planet described in the novel Foundation's Edge and referred to in Foundation and Earth. The name is derived from the Gaia hypothesis, which is itself eponymous to Gaia, the Earth goddess. Gaia is located in the Sayshell Sector, about ten parsecs (32 light-years) from the system Sayshell itself. It orbits a G-4 class star and has one natural satellite (50 km or 31 miles in diameter). Its axial inclination is 12°, and a Gaian day lasts 0.92 Galactic Standard Days. In its course of settlement, the human beings on Gaia, under robotic guidance, not only evolved their ability to form an ongoing group consciousness but also extended this consciousness to the fauna and flora of the planet itself, even including inanimate matter. As a result, the entire planet became a super-organism. Gaia was founded by R. Daneel Olivaw during the Empire's reign. Even then, the galaxy left it alone and it evaded taxes. By 498 F.E., Gaia had a population of one billion, a high population for a planet at that time. The inhabitants hoped eventually to create a complex ecology; all human-settled planets in the Galaxy —except Earth— had simple ecologies. The inhabitants of Gaia were all tied together into a telepathic group consciousness when it was founded; this consciousness was eventually extended to the non-human life, and later to the inorganic material of the planet. This would explain the Mule's incredible psychic powers, as Gaia was said to be his home planet.
Gamma Andromeda
A star system mentioned in the novel Foundation. A catastrophic nuclear reactor meltdown occurred on Gamma Andromeda V in the year 50 F.E. The meltdown killed several million people and destroyed at least half the planet.
Jennisek
A planet in close vicinity of Helicon, its traditional rival. This planet was described by Hari Seldon in Prelude to Foundation.
Kalgan
A planet located in the Periphery, Kalgan was a world of no particular resource or strategic value which rose to prominence during the reign of the Galactic Empire as a pleasure planet. Imperial nobles would visit Kalgan as a means to indulge themselves, making the planet and its leadership immensely prosperous. Because of its ability to stay neutral from conflict and to provide tourism as its main amenity, Kalgan survived the decline of the Empire with ease and eventually came under the control of a warlord. In 310 F.E., the Mule, as chronicled in Foundation and Empire, took over Kalgan by converting its warlord into his mind-slave. For a brief time, over a third of the Galaxy was ruled from Kalgan through the Mule's Union of Worlds, but after his death, the Lords of Kalgan were unable to maintain this level of control. The Union disintegrated into a mere 27 worlds and was almost completely encapsulated by the economic and political control of the Foundation. In 376 F.E., Lord Stettin, urged by his own egomania, decided to invade the Foundation. For a brief time, the power of Kalgan was extended, before the morale boost of the Seldon Plan caught up to Kalganians fighting on the front. Demoralized, they were easily overcome by the brilliant technical maneuvers of the Foundationer Navy. The peace deals following the Stettinian War made the subject worlds of Kalgan autonomous and, through popular vote, they were permitted to become independent or to join the Foundation Federation. After this crushing defeat, Kalgan ceased to play a major role in galactic history.
Korell
A planet in the novel Foundation. Located in the Whassalian Rift, it was the capital of the Republic of Korell. Korell was one of those frequent phenomena of a republic only in name. The dictator, called the Commdor 'first citizen of the state', is elected every year. Through some twist or another, a member of the Argo family is always chosen. According to Hober Mallow, people who didn't like this arrangement had "things" happen to them. Unlike a de jure monarch, the de facto monarchy associated with the status of the Commdor was not moderated by the typical influences of "honour" and "court etiquette". Korell was the third Seldon Crisis because it was the first nation encountered by the Foundation with an effective system of nucleics. Hober Mallow was sent to investigate. Mallow visited Asper Argo, Commdor of Korell, and opened up trade with his people through him. Despite discovering the steel foundries were not nuclear, Mallow did spot nuclear blasters provided by the Galactic Empire. Otherwise, Korell was decadent. The only remains of the Empire were 'silent memorials' and 'broken buildings'; the navy consisted of 'tiny, limping relics' and 'battered, clumsy hulks'. Mallow later learned that the viceroy of the Normannic Sector was providing Korell with nuclear blasters and with ships (five by the time Korell declared war with the Foundation; a sixth was promised). Mallow quickly realised that the real enemy was the Empire, not Korell; forcing himself into the office of mayor, Mallow was able to destroy the threat of Korell by doing nothing. Since his visit three years before had made Korell dependent on Foundation-made goods, the Korellians raised a good deal of complaints about their minor inconveniences. Since there was no threat of foreign conquest, the people became rebellious. Faced with this situation, the Commdor was forced to surrender to the Foundation unconditionally. The planets of the Korellian Republic eventually entered the Foundation's hands. They were captured briefly by Kalgan during the early stages of the war with Kalgan.
Melpomenia
A planet in the novel Foundation and Earth and it was one of the fifty Spacer worlds, colonized by the first wave of settlers from Earth. It was nineteenth in the order of settlement. In their search for the planet of origin of the human species, the third set of coordinates given to Golan Trevize, Janov Pelorat, and Bliss points to Melpomenia, an old, dead Spacer world with a very thin atmosphere and almost no signs of civilization except for some old ruins. One of these ruins was found to be the "Hall of the Worlds", within which was a wall inscribed with the names, coordinates, and dates of the settlement of all the fifty Spacer worlds in chronological order. This information is later used by Janov Pelorat to deduce the approximate position of Earth in the galaxy. The first try led Pelorat not to Earth but to the nearby planet Alpha (in the system of Alpha Centauri, approximately four light-years away from Earth). In addition, they also happen to find that even in this harsh, nearly air-less world, life does manage to survive in the form of a kind of moss that lives on the faintest traces of carbon dioxide. The moss starts to grow along the edges of the face-plates of their spacesuits, and Trevize realizes that if it were to somehow get within their ship, the Far Star, it would become impossible to control. It would follow the trail of carbon dioxide along their nostrils and into their lungs and kill them. Using his blaster on minimum power, he burns away the moss on their spacesuits and also along the Far Star's airlock so that they can get inside safely.
Neotrantor (originally named Delicass)
Was a small agricultural planet located near the center of the galaxy, near Trantor. After the Great Sack, it was the location of the last seat of the Galactic Empire. Dagobert IX short reign stemmed from Neotrantor. In Foundation and Empire, Toran and Bayta Darell, Ebling Mis, and the Mule visit Neotrantor during their search for the Second Foundation. They are given permission by Dagobert IX to enter the Imperial Library on Trantor but are stopped by Dagobert X, who wishes to marry Bayta. After the Mule kills the crown prince, the group leaves the disenfranchised Neotrantor.
Nishaya
A planet mentioned in the novel Forward the Foundation. Part of the pre-Imperial Kingdom of Trantor. At the end of the Empire, the planet was noted for its goat herding and high-quality cheeses. Laskin Joranum pretended to be from Nishaya during his campaign to overthrow Eto Demerzel. His identity was compromised when Hari Seldon noted that he had a perfect fluency of the Trantorian dialect and was opposed to native Nishayans who spoke a very different dialect of Galactic standard.
Santanni
A planet 9000 parsecs (29,000 light-years) from Trantor and 800 parsecs (2600 light-years) from Locris. In 12,058 G.E. the population of Santanni attempted to rebel against the Galactic Empire. Raych Seldon, son of psychohistorian Hari Seldon, was killed in the rebellion, valiantly defending the University of Santanni. After the founding of the Foundation, Santanni traded with it until the trade route was cut off by the rebellion of Anacreon. One known thing of Santanni make was the cigar box possessed by Jord Fara, and later by Salvor Hardin. It was captured in the early stages of the war with Kalgan. After the death of the Mule, Santanni was instrumental in breaking the siege on Terminus levied by the Mule's successor, Han Pritcher in 308 F.E.
Sayshell
Was a planet in the Periphery. It was the capital of the Sayshell Union, which was renowned for having resisted the control of the Foundation Federation for several hundred years during the Interregnum, despite being completely surrounded by Federation territory. Sayshell features heavily in Foundation's Edge. According to the legends of Sayshell, the planet was founded by a group of colonists who were not known to hail from any other colonized world, leading some historians, such as Janov Pelorat, to conclude that Sayshell was a colony founded directly from Earth. The Sayshellians themselves believed (incorrectly) that Earth was located somewhere within Sayshell Sector. Due to the protection of the mentalic planet Gaia, Sayshell was never truly threatened by outside forces for all of its history. Under the Galactic Empire, Sayshell received minimal taxation and enjoyed a large degree of independence from Imperial controls. Later, after the fall of the Empire, Sayshell remained untouched by the anarchic war which consumed most of the Galaxy and eventually from the control of the Mule's Union of Worlds and the Foundation Federation. Sayshell was briefly threatened by the Foundation Federation under Harla Branno, who in reality wished to destroy the planet Gaia (which lay completely within Sayshellian territory). However, Gaia used her mentalic influence to convince the Sayshellians that, in the end, Mayor Branno was looking for a neutrality-trade treaty, marking the end of Sayshell's brief stint in galactic affairs. Sayshellian culture was noticeably different from that of the ultra-scientific Foundation Federation. It stressed mysticism (especially the influence of dreams) and the respect of nature, as evidenced by the percentage of Sayshellian wildlife that was still preserved from human influence. Sayshellians also had excellent cuisine, and a minor dislike toward outsiders, especially Foundationers. The religion and philosophy of Sayshell seem to be modeled on Buddhism.
Siwenna[b]
A planet prominent in Foundation and Foundation and Empire. It was the capital of the Normannic Sector of the Galactic Empire, and once one of its richest planets. Shortly after 100 F.E., Wiscard, the viceroy of Siwenna, rebelled. Most of the subjects remained loyal to the Empire and overthrew Wiscard, led by Patrician Onum Barr. The Imperial Admiral dispatched to Siwenna was angered at this, because it robbed him of his glory. So, he put most of the population of Siwenna under the atom blast, charging them with the crime of rebelling against an Imperial viceroy (Wiscard). Much of its population was killed, and Barr himself lost five sons and a daughter; only his sixth son, Ducem Barr, survived. Because of the rampant destruction of Siwenna, the Admiral set himself up as viceroy but moved the capital of the Normannic Sector to Orsha II. Between this time and its conquest by Bel Riose in 200 F.E., Siwenna rebelled five times, eventually becoming independent. When the campaign led by Riose against the Foundation ended, the Siwenna province transferred to the Foundation, the first Imperial province to pass directly from the Empire to the Foundation. After the beginning of the Foundation Era, Siwenna began to run downhill. 'The physical resources of twenty-five first rank planets take a long time to use up. Compared to the wealth of the last century, though, we have gone a long way downhill—and there is no sign of turning, not yet,' –Onum Barr, to Hober Mallow, 150 F.E. About 50 years before, Stanel VI died, ending a reign under which Siwenna came close to achieving its ancient prosperity. Little is known of Siwennian culture, except that when Riose first met Ducem Barr, it was 'socially impossible not to drink tea on Siwenna'.
Smyrno
A planet located in the Anacreon Province. It is originally a prefect but later becomes one of the Four Kingdoms in the Anacreon Province that broke away from the Galactic Empire c. 50 F.E. The kingdom of Smyrno has no nuclear power until the Foundation arrives. The planet itself is located a little less than 50 parsecs (163 light-years) from Terminus. Its name is a parallel with Smyrna, an important city of the Roman Empire in Anatolia. Smyrno is hot and dry, the rooms smell of sulphur, and people live underground. Its most famous citizen is Hober Mallow, one of the major characters from the Foundation series. Its citizens are often discriminated against by Foundation members. Smyrnians are often seen as unintelligent and untrustworthy. Jorane Sutt, a political enemy, to Mallow, who eventually becomes mayor, uses Mallow's ethnicity against him.
Solaria
A planet in Robot and Foundation series. Inhabited by Spacer descendants, Solaria is the fiftieth and last Spacer world settled in the first wave of interstellar settlement. It was occupied from approximately 4627 AD by inhabitants of the neighboring world Nexon, originally for summer homes. It was ruled by a Regent after it became independent around roughly 4727 AD. It had perhaps the most eccentric culture of all of them. The Solarians specialized in the construction of robots, which they exported to the other Spacer Worlds. Solarian robots were noted for their variety and excellence. They also exported their grain, which was used to make a pastry known as the pachinka. Originally, there were about 20,000 people living in vast estates individually or as married couples. There were thousands of robots for every Solarian. Almost all of the work and manufacturing was conducted by robots. The population was kept stable through strict birth and immigration controls. In the era of Robots and Empire, no more than five thousand Solarians were known to remain. Twenty thousand years later, the population was twelve hundred, with just one human per estate. Solarians hated physical contact with others and only communicated with each other via holograms. A few hundred years after Elijah Baley's visit to the planet, Solarians retreated from the Galactic scene and fled underground. The Solarians genetically altered themselves to be hermaphroditic and have the ability to use telekinesis. They specially made robots that were made to kill any foreigners who came to the planet.[42] In 499 F.E. (approximately 25,066 AD), Solaria was visited by Golan Trevize, Janov Pelorat, and Bliss. They landed on the estate of Sarton Bander, the "Ruler" of a Solarian estate (note that Sarton was the last name of R. Daneel Olivaw's designer, Roj Nemennuh Sarton of Aurora). They learned of the sociological developments of Solaria through Bander, who apparently took a secret pleasure in having something close to intellectual companionship, or at least an intellectual audience. To prevent them from providing information to the Galaxy about Solaria and in keeping with Solarian customs and beliefs, not to mention preventing other Solarians' discovery of shameful personal contact with offworlders, Bander attempted to kill the visitors but was instead killed in self-defense by Bliss, resulting in the shutdown of all of the robots and other machinery of the Bander Estate. The visitors were able to escape, but not before discovering a child in one of the countless rooms of the estate, Fallom, assuming it to be a successor to Bander (who had not mentioned the existence of an heir, but had mentioned that there would be one at the appropriate time or in the case of an unforeseen accident), whom they would ultimately bring with them to Earth. Had they left Fallom on Solaria, the child would almost certainly have been killed, because it was seen as a surplus child and also had not as yet developed its transducer lobes, therefore not counting as a Solarian and being expendable. Fallom demonstrated great precocity in learning Galactic and would eventually stay on the Moon of Earth to mentally merge with Daneel Olivaw.[39]
Synnax
A planet mentioned in novel Foundation. Synnax circles a star at the edges of the Blue Drift. Its inhabitants are considered "provincial" by the more urbanite Trantorians. It was the homeworld of the psychohistorian Gaal Dornick. It is mentioned in the first book that despite its "provincial" nature, it had not been kept away from civilization. Imperial coronations have been broadcast properly in the world. Synnax has only one satellite.
Tazenda
A star system visited by Bail Channis, under the orders of The Mule, in search of the second Foundation.
Terminus
The capital planet of the First Foundation. It is located at the edge of the Galaxy. It was the sole planet orbiting its isolated star and had almost no metals. The nearest planet was Anacreon, 8 parsecs (26 light-years) away. Being on the fringe of the galaxy, there are almost no stars in the sky. It lay on the edge of the Galaxy that was opposite the planet Siwenna. It was the planet farthest from the Galactic Centre; its name reflects that fact: Latin terminus means 'end of the line'. It had a very high water-to-land ratio. The only large island was the one on which Terminus City lay. A total of ten thousand inhabited islands existed on the planet. The climate was mild. Prior to human occupation, there was some life on Terminus. However, once humans arrived (along with their supporting species), these native life forms were crowded out and became extinct. The capital of Terminus Planet is Terminus City. Three other cities are known: Agyropol, Newton City, Stanmark (Arkady Darell's hometown).
Trantor
Known after the Great Sack as Home, or Hame, to its people, is a fictional world in the Foundation universe. Trantor has a very long history first as the throne of the Kingdom of Trantor and later as the administrative center of the galaxy. It is also the planet where Streeling University is located.

Selected Awards

[edit]
Year Award Category Recipient Result Ref.
1956 1956 Hugo Awards Best Novel The End of Eternity Nominated [43]
1966 1966 Hugo Awards Best All-Time Series The Foundation Trilogy Won [44]
1973 1973 Locus Awards Best Reprint Anthology/Collection The Early Asimov[c] 5 [45]
1975 1975 Locus Awards Best Novelette "—That Thou Art Mindful of Him!" 3 [46]
1975 Hugo Awards Best Novelette Nominated [47]
1975 Locus Poll Best All-Time Novel The Foundation Trilogy 6 [48]
The Caves of Steel 30
1977 1976 Nebula Awards Best Novelette "The Bicentennial Man" Won [49]
1977 Hugo Awards Best Novelette Won [50]
1977 Locus Awards Best Novelette Won [51]
Best Author Collection The Bicentennial Man and Other Stories 5
1983 1982 Nebula Awards Best Novel Foundation's Edge Nominated [52]
1983 Hugo Awards Best Novel Won [53]
1983 Locus Awards Best SF Novel Won [54]
Best Single Author Collection The Complete Robot 7
1984 1984 Hugo Awards Best Novel The Robots of Dawn Nominated [55]
1984 Locus Awards Best SF Novel 2 [56]
1986 1986 Locus Awards Best SF Novel Robots and Empire 4 [57]
1987 1986 Nebula Awards Best Short Story "Robot Dreams" Nominated [58]
1987 Hugo Awards Best Short Story Nominated [59]
1987 Locus Awards Best Short Story Won [60]
Best SF Novel Foundation and Earth 5 [61]
Best Collecttion Robot Dreams[d] 8
1987 Locus Poll Best All-Time SF Novel The Foundation Trilogy 6 [62]
The Caves of Steel 33
1989 1989 Locus Awards Best SF Novel Prelude to Foundation 4 [63]
1990 1990 Locus Awards Best Novella "The Originist"[e] by Orson Scott Card 8 [64]
1993 1993 Locus Awards Best Novella "Cleon the Emperor"[f] 4 [65]
1994 1994 Locus Awards Best Collection Forward the Foundation 5 [66]
1995 1995 Locus Awards Best Art Book I, Robot: the Illustrated Screenplay by Harlan Ellison and Isaac Asimov 3 [67]
1996 1946 Retro-Hugo Awards Best Novella "Dead Hand"[g] Nominated [68]
Best Novel "The Mule"[h] Won
1998 1998 Locus Poll Best All-Time SF Novel before 1990 The Foundation Trilogy 4 [69]
2001 1951 Retro-Hugo Awards Best Novel Pebble in the Sky Nominated [70]
Best Novella "...And Now You Don’t"[i] Nominated
2004 1954 Retro-Hugo Awards Best Novel The Caves of Steel Nominated [71]
2012 2012 Locus Poll Best 20th Century SF Novel The Foundation Trilogy 3 [72]
Best 20th Century Novelette "The Bicentennial Man" 4 [73]
"Foundation"[j] 34
Best 20th Century Short Story "Robbie" 29
"Liar!" 41
2016 1941 Retro-Hugo Awards Best Short Story "Robbie" Won [74]
2018 1943 Retro-Hugo Awards Best Novelette "Foundation"[j] Won [75]
"Bridle and Saddle"[k] Nominated
Best Short Story "Runaround" Nominated
2020 1945 Retro-Hugo Awards Best Novelette "The Big and the Little" (aka "The Merchant Princes")[l] Nominated [76]
Best Short Story "The Wedge" (aka "The Traders")[m] Nominated
2023 2023 Seiun Awards Best Translated Long Form The Foundation Trilogy Won [77]

See also

[edit]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Foundation universe is a expansive science fiction framework devised by Isaac Asimov, revolving around the fictional discipline of psychohistory, which enables probabilistic forecasting of societal trends across vast human populations in a declining Galactic Empire spanning millions of worlds. In this setting, mathematician Hari Seldon pioneers psychohistory to predict the empire's collapse, prompting him to orchestrate the creation of the Foundation—a scholarly enclave on the periphery planet Terminus tasked with compiling an Encyclopedia Galactica to safeguard civilization's intellectual legacy and compress the anticipated barbarism from tens of thousands to roughly one thousand years. The narrative unfolds over centuries, chronicling the Foundation's evolution from a cloistered repository into a burgeoning power amid feudal warlords, mutant telepaths, and imperial remnants, all while Seldon's holographic "Crisis" recordings guide successors through engineered historical pivots known as Seldon Crises. Originally serialized as short stories in Astounding Science-Fiction magazine from 1942 to 1950, the core saga coalesced into the Foundation trilogy—Foundation (1951), (1952), and (1953)—drawing explicit inspiration from Edward Gibbon's The History of the Decline and Fall of the Roman Empire to model imperial decay on a cosmic scale. Asimov later retroactively linked this universe to his earlier and , revealing psychohistory's roots in robotic laws and ancient origins, culminating in works like (1982) and (1986) that introduce elements such as the superorganism and the relation to Earth and early robots. The framework's defining innovation lies in its deterministic yet stochastic portrayal of history as amenable to mathematical intervention, eschewing individual heroism for mass behavioral inevitabilities, though later expansions grapple with psychohistory's limitations against unpredictable "mule"-like anomalies or transcendent entities. The Foundation universe profoundly shaped by popularizing grand-scale future histories and predictive social sciences, earning the trilogy a retrospective for Best All-Time Series in 1966 and influencing fields from to computational modeling, albeit as rather than empirical blueprint. Its emphasis on empirical over ideological fiat underscores a mechanistic view of civilizational cycles, where in bureaucratic sprawl yields to engineered renewal, unmarred by romanticized saviors or egalitarian illusions.

Overview and Core Concepts

Historical Inspirations and Creation

conceived the Foundation series during his tenure as a civilian researcher at the Navy Yard in 1941, amid , while reading Edward Gibbon's The History of the Decline and Fall of the (1776–1789), which profoundly shaped the narrative of galactic imperial decay and renewal. This historical parallel informed the core premise: a vast interstellar empire, modeled after , facing inevitable collapse after 12,000 years of dominance, prompting mathematician to devise a plan to shorten the ensuing dark age from 30,000 to 1,000 years. Asimov, collaborating with at the yard, extrapolated Gibbon's analysis of barbarian incursions and internal rot into a framework, emphasizing predictable societal cycles over individual agency. Central to the series is psychohistory, a fictional mathematical discipline Asimov invented to forecast mass human behavior through statistical aggregation, akin to gas laws in physics but applied to historical trends, assuming populations too large for individual perturbations to derail probabilistic outcomes. Asimov derived this from his biochemistry and mathematics background, viewing history as amenable to quantification via large datasets, though he embedded skepticism in the concept—psychohistory fails against unpredictable "mules" or small-group disruptions, reflecting real-world limits of determinism in complex systems. Influences included statistical mechanics and early social science attempts to model societies, but Asimov rejected direct ties to ideologies like Marxism's historical materialism, prioritizing empirical pattern recognition over teleological progress. The series originated as serialized short stories in Astounding Science Fiction under editor , who encouraged Asimov's speculative rigor; the inaugural tale, "Foundation," appeared in the May 1942 issue, introducing Seldon's crisis predictions and the establishment of a knowledge-preserving foundation on remote Terminus. Subsequent installments, including "Bridle and Saddle" in June 1942, built the arc through 1950, comprising eight stories later compiled into the Foundation trilogy (1951–1953) by Gnome Press. Asimov initially resisted expanding beyond short fiction but yielded to Campbell's serial format, which serialized the epic over years to sustain reader engagement amid wartime pulp demands.

Central Themes: Decline, Prediction, and Human Agency

The Foundation universe prominently features the theme of imperial decline, drawing direct inspiration from Edward Gibbon's The History of the Decline and Fall of the Roman Empire, which Isaac Asimov was reading aboard a navy vessel in 1941 when he conceived the series. Asimov explicitly modeled the crumbling Galactic Empire—spanning millions of planets and facing inevitable fragmentation into barbarism—as analogous to Rome's fall, predicting a 30,000-year interregnum of chaos absent intervention. This decline is portrayed not as sudden catastrophe but as a gradual erosion driven by bureaucratic stagnation, technological inertia, and internal decay, with psychohistorical analysis foreseeing societal collapse within centuries. The Galactic Empire, centered on the ecumenopolis Trantor and encompassing 25 million inhabited worlds, represents the zenith of human political organization, yet its decay creates opportunities for emerging institutions like the Foundations to reshape galactic power dynamics. Central to mitigating this decline is the theme of prediction through psychohistory, a mathematical discipline invented by Hari Seldon that forecasts macroscopic historical trends by treating human societies as probabilistic systems akin to gas molecules in kinetic theory—where individual behaviors average out in vast populations exceeding 10^12 people. Psychohistory enables Seldon to calculate the Empire's fall as irreversible but to devise the Seldon Plan, establishing twin Foundations at galactic extremes to preserve knowledge and shorten the dark age to 1,000 years via a Second Empire. The First Foundation, located on the remote planet Terminus, was ostensibly tasked with compiling the Encyclopedia Galactica as a facade, while its true mission was to preserve and advance physical sciences and technology to form the basis of a renewed civilization. The Second Foundation, secretly established at "Star's End" (revealed to be Trantor in a metaphorical sense), consisted of mentalics possessing mind-touching and telepathic abilities, who were charged with safeguarding the Plan through subtle psychohistorical adjustments and interventions to counter deviations. The Plan's efficacy relied heavily on institutional secrecy, particularly the concealment of the Second Foundation's existence, location, and mentalic capabilities from the First Foundation and the galaxy at large, to avoid self-fulfilling alterations in behavior and preserve predictive accuracy. Human agency emerges as a , challenging psychohistory's deterministic assumptions by demonstrating how exceptional individuals can derail probabilistic forecasts. The Mule, a genetic mutant with mind-control abilities arising post-Seldon, conquers the First Foundation in the 300s F.E. (Foundation Era), briefly establishing his own short-lived empire across much of the galaxy before his defeat by the Second Foundation's mentalic guardians, who restore the Plan. This disruption exposes psychohistory's vulnerability to low-probability "Jokers in the deck"—unpredictable personal factors that amplify beyond statistical norms. The narrative illustrates shifting power dynamics across millennia: the Galactic Empire's vast but decaying hegemony gives way to the First Foundation's evolution from a scholarly outpost to a mercantile and political power in the Periphery, the Second Foundation's concealed mentalic influence, the Mule's temporary conquest, and later the emergence of Gaia—a galaxy-wide group mind consciousness—as an adaptive response to potential chaos. Asimov thus illustrates causal realism: while mass trends drive , rare agents introduce bifurcations, limiting to broad contours rather than precise control, with institutions evolving in secrecy and comparative power to guide humanity's long-term trajectory.

Scope and Timeline of the Universe

The Foundation universe depicts humanity's expansion from to colonize the galaxy, culminating in the formation of the , a governing millions of inhabited planets with a total in the quadrillions. This , centered on the planet Trantor—an supporting 40 billion residents—spans the galaxy's approximately 100 billion stars, though focuses on habitable worlds and those terraformed or adapted over millennia. The narrative scope emphasizes interstellar governance, technological stagnation, and societal dynamics without non-human intelligent life, attributing galactic hegemony solely to human ingenuity and migration waves. The integrated timeline begins in the early CE with Earth's development of positronic robots and hyperdrive technology, enabling initial off-world colonies. By circa 3200–3700 CE, "Spacer" worlds—outer planets settled by robot-augmented humans—dominate, but their isolationist decline paves the way for expansion from a radioactive , leading to widespread . Over the subsequent 8,000–10,000 years, regional powers coalesce, with Trantor emerging as a commercial hub that evolves into the Galactic Empire's capital by the start of the Galactic Era (GE), dated approximately to 1 GE. The empire endures for roughly 12,000 years, reaching bureaucratic ossification by 11,988–12,000 GE, when mathematician Hari Seldon applies psychohistory to forecast its collapse and a 30,000-year dark age. During its decline phase, the Empire loses control of the Periphery, enabling the Foundations to emerge as alternative power centers. This marks the transition to the Foundation Era (FE), commencing in 0 FE with the establishment of the Foundation on Terminus to compile the Encyclopedia Galactica as a covert seed for a second empire. The First Foundation evolves over centuries from a group of scholars into a major political and economic force, while the Second Foundation maintains its secretive, mentalic oversight. Core events unfold across the first 500–1,000 FE years: early crises (0–150 FE), the Mule's disruption (circa 300 FE), Second Foundation interventions (up to 500 FE), and explorations revealing robot influences and Gaia (around 498 FE). Later phases envision a Second Galactic Empire or galaxy-spanning superorganism by 1,000–1,054 FE (circa 25,000–26,000 CE), shortening the interregnum through planned historical vectors. This chronology fuses Asimov's Robot, Empire, and Foundation cycles, with robots' Zeroth Law guiding long-term human preservation across 20,000–25,000 years from origin to resolution.

Asimov's Canonical Works

Isaac Asimov's canonical works in the Foundation universe include the following major novels: Foundation Series:
  • Foundation (1951)
  • Foundation and Empire (1952)
  • Second Foundation (1953)
  • Foundation's Edge (1982)
  • Foundation and Earth (1986)
  • Prelude to Foundation (1988)
  • Forward the Foundation (1993)
Related Robot Series:
  • I, Robot (1950)
  • The Caves of Steel (1954)
  • The Naked Sun (1957)
  • The Robots of Dawn (1983)
  • Robots and Empire (1985)

Original Foundation Trilogy (1942–1950)

The original Foundation trilogy originated as eight short stories and novellas serialized in Astounding Science Fiction magazine from May 1942 to December 1950 under editor John W. Campbell Jr.. These were later edited and collected into three hardcover novels by Gnome Press: Foundation (September 1951), Foundation and Empire (1952), and Second Foundation (1953).. The series depicts the decline of a vast Galactic Empire modeled after the historical Roman Empire, as acknowledged by Asimov in later prefaces where he cited Edward Gibbon's The History of the Decline and Fall of the Roman Empire as a key influence.. Central to the narrative is Hari Seldon, a mathematician who invents psychohistory—a statistical science for forecasting societal trends in large populations, excluding unpredictable individual influences. Seldon predicts the Empire's imminent collapse after 12,000 years, followed by 30,000 years of barbarism, and establishes the Foundation on remote Terminus to compile an Encyclopedia Galactica as a means to reduce the interregnum to 1,000 years.. Foundation encompasses the Foundation's founding circa 12,069 Era of the and its first two centuries, highlighting "Seldon Crises" where holographic messages from Seldon guide resolutions. Stories feature protagonists like Gaal Dornick, who witnesses Seldon's trial; Salvor Hardin, Terminus's mayor who shifts reliance from science to politics amid threats from neighboring prefects; and Hober Mallow, a trader who expands influence through economic dominance over military means, embodying the adage that an "atmosphere of mutual trust and faith" underpins commerce.. The volume underscores themes of adapting rigid plans to unforeseen variables, with the Foundation evolving from scholarly enclave to regional power. Foundation and Empire, comprising four stories from 1944–1945, shifts to existential threats in later eras. It introduces Bel Riose, a Imperial general probing the Foundation's rise, revealing Empire's internal decay through bureaucratic inertia and emperor paranoia. The latter half centers on the , a genetic with emotive mind-control powers who conquers the Foundation by exploiting personal loyalties, exposing psychohistory's vulnerability to atypical individuals who sway masses emotionally rather than rationally.. Bayta Darell emerges as a key figure in halting the 's initial advances, highlighting human agency in derailing probabilistic forecasts. Second Foundation collects two novellas from 1948–1950: "Search by the Mule," where the Mule hunts his mentalic adversaries after partial defeat, and "...And Now You See It," reframed as the Foundation's quest for the secretive —Seldon's counterforce of psychological manipulators preserving the plan. Young Darell, a precocious , navigates intrigues involving mental interference and tampered technologies, culminating in affirmations of the 's subtle guardianship. The trilogy concludes with restored equilibrium to Seldon's scheme, emphasizing layered safeguards against chaos.. In , the compiled retroactively received the for Best All-Time Series, beating competitors like Tolkien's ..

Sequels: Foundation's Edge and Foundation and Earth (1982–1986)

Foundation's Edge, published by Doubleday in September 1982, serves as a direct sequel to Asimov's original Foundation Trilogy, advancing the narrative approximately 500 years after the establishment of the Foundation. The novel centers on Golan Trevize, a young councilman on Terminus who harbors doubts about the Seldon Plan following a political crisis involving accusations of interference. Exiled for his skepticism, Trevize embarks on a quest with scholar Janov Pelorat to investigate potential threats beyond the galaxy's mapped regions, uncovering —a inhabited by a collective that fuses individual minds into a unified consciousness, challenging the Foundation's emphasis on individual agency and psychohistorical prediction. This introduction of represents Asimov's exploration of alternatives to Hari Seldon's probabilistic forecasting, positing a deterministic, empathetic galactic unity as a to fragmented human societies. The book marked Asimov's return to the series after a three-decade hiatus, spurred by persistent reader demand, and shifted the format from interconnected short stories to a full-length with extended dialogues and character development. Critics noted improved interpersonal dynamics compared to the trilogy's more abstract focus on historical forces, though some found the pacing uneven and the resolution reliant on revelation over rigorous plotting. It achieved commercial success, topping lists and broadening the series' scope by questioning the Plan's completeness, while hinting at undiscovered influences shaping galactic history. Foundation and Earth, released by Doubleday in 1986, immediately continues from Foundation's Edge, with Trevize, Pelorat, and the Gaian entity Bliss undertaking a perilous voyage to locate the legendary planet Earth, seeking validation for Trevize's intuitive choice of Galaxia—a galaxy-wide extension of Gaia's collective model—over isolationist futures. The narrative unfolds as a quest narrative across decayed worlds and isolated societies, revealing fragmented human origins and ancient prohibitions surrounding Earth, which underscore tensions between technological stagnation, genetic manipulation, and evolving sentience. Asimov employs this odyssey to probe causality in human evolution, contrasting psychohistory's statistical predictions with deterministic interventions from prior eras. Reception praised the sequels for humanizing the vast Foundation cosmos through personal stakes and exploratory adventures, yet critiqued their episodic structure as diluting the trilogy's intellectual rigor in favor of puzzle-solving travelogues. Together, the works expanded the universe's timeline into uncharted philosophical territory, setting the stage for later integrations without resolving all ambiguities in Seldon's vision.

Prequels: Prelude to Foundation and Forward the Foundation (1988–1993)

Prelude to Foundation, published by Doubleday on April 1, 1988, serves as the initial prequel in the series, depicting the origins of psychohistory through the experiences of its inventor, Hari Seldon. In the novel, Seldon, a mathematician from Helicon, presents a theoretical paper on predicting the future of large populations at a decennial mathematics convention on Trantor, the Galactic Empire's capital world. This revelation attracts the attention of imperial authorities, prompting Seldon to flee with the assistance of journalist Chetter Hummin and historian Dors Venabili, who guide him through Trantor's underground sectors including Upperside, Mycogen, Wye, and Dahl. The narrative explores Seldon's gradual realization of psychohistory's practical potential amid encounters with diverse cultural enclaves, emphasizing themes of societal fragmentation and the challenges of applying mathematical prediction to human behavior on a galactic scale. The book integrates elements foreshadowing connections to Asimov's broader universe, such as Dors Venabili's exceptional abilities hinting at robotic origins from the , and introduces recurring characters like the street urchin Raych Seldon, whom adopts. Spanning approximately 400 pages, it received commercial success, appearing on bestseller list in June 1988, though critics noted its dialogue-heavy style and slower pace compared to the original trilogy's concise short-story format. Asimov structured the plot as a series of episodic adventures across Trantor's micro-societies, using them to illustrate empirical data on cultural decay and imperial decline, core to the Foundation concept. Forward the Foundation, Asimov's final novel, was published by Doubleday on April 1, 1993, following his death on April 6, 1992, with completion occurring weeks prior. Set roughly a decade after Prelude, it chronicles Seldon's middle and later years, from his appointment as First Minister under Emperor Cleon I to the establishment of the Seldon Project at Streeling University. The story divides into four parts, each focusing on key periods marked by personal tragedies—including the murders of his adopted son Raych and wife Dors—and political upheavals like the Jo-Jo Joranumite rebellion and Cleon's assassination. Seldon advances psychohistory toward mathematical formalization, recruiting key figures such as Eto Demerzel (revealed as the robot R. Daneel Olivaw) and Wanda Seldon, while grappling with Trantor's deteriorating infrastructure and the Empire's systemic collapse. The novel emphasizes causal factors in imperial decline, such as bureaucratic inefficiency and leadership vacuums, grounded in Seldon's first-hand observations rather than abstract theory. At around 450 pages, it portrays Seldon's physical decline from natural causes, mirroring Asimov's own health struggles, and culminates in that motivates the Foundation's creation. Reception highlighted its introspective focus on character development over action, with some analyses praising the biographical depth on Seldon but critiquing repetitive exposition; it continued the series' tradition of linking to and narratives through Daneel's long-term galactic guardianship. Together, the prequels provide chronological backstory to the original trilogy, expanding the timeline to cover Seldon's full arc from theoretical insight to the holographic recordings in the Time Vault.

Merging with Robot and Empire Series

In the 1980s, unified his previously separate , , and Foundation series into a single future history, retroactively linking early robotic societies to the imperial decline and Seldon's psychohistorical project. This merger positioned the novels—featuring positronic brains and the —as the foundational era of human expansion beyond , followed by the Empire series depicting the consolidation of Trantorian rule, and culminating in the Foundation's role during the empire's fall. The unification emphasized causal continuity, with advanced robots subtly directing human progress to avert existential risks, rather than isolated narratives. The pivotal bridge appeared in Robots and Empire (published 1985), set approximately 200 years after The Robots of Dawn, where robots R. Daneel Olivaw and R. Giskard Reventlov invoke a "Zeroth Law" prioritizing humanity's collective welfare over the original Three Laws. This allows Daneel to orchestrate the spread of Settler worlds modeled on Earth, while engineering the empire's galactic dominance and the radioactive isolation of Earth itself, directly presaging the imperial structure in earlier Empire novels like Pebble in the Sky (1950). Giskard's telepathic abilities, transferred to Daneel, enable long-term manipulation, establishing robots as unseen stewards transitioning humanity from localized spacer-robot economies to a vast, robot-free empire. Further integration occurred in the Foundation sequels, particularly Foundation and Earth (1986), where protagonist Golan Trevize encounters Daneel—now over 10,000 years old—on the planet Gaia. Daneel confesses to engineering Seldon's psychohistory by selecting and protecting him, shortening the predicted 30,000-year interregnum to 1,000 years through the Foundations, while fostering Gaia as a gestalt mind to defend against galaxy-threatening mentalics like the Mule. This revelation frames psychohistory not as pure human foresight but as robot-augmented inevitability, with Daneel embodying causal persistence across epochs. Hints of such influences appear earlier in Foundation's Edge (1982), via Gaia's advocacy for galactic unity as Galaxia. The prequels reinforced these ties: in (1988), Daneel operates incognito as Eto Demerzel, imperial minister and Seldon's clandestine guardian, using robotic longevity to safeguard psychohistory's inception amid Trantor's political intrigues. (serialized 1989–1991, published 1993) extends this, showing Demerzel's orchestration of Seldon's rise before Daneel fakes his deactivation to evade detection. These elements embed robot agency into Foundation origins, portraying the series' predictive science as intertwined with positronic ethics evolved via the Zeroth Law. The merged chronology spans roughly from the (early Robot stories) through the Robot-Empire transition around 4922 AD (), the Empire's zenith and decay over millennia, to the Foundation era beginning circa 12,000 years after founding, with Daneel's interventions ensuring human survival against and external perils. This framework, detailed in Asimov's internal timelines, underscores robots' role in averting civilizational , though critics note it retrofits earlier works' robot-free premises.

Expansions by Other Authors

Second Foundation Trilogy (Gregory Benford, Greg Bear, David Brin; 1997–1999)

The Second Foundation Trilogy consists of three novels authorized by Isaac Asimov's estate to extend his Foundation universe, bridging the psychohistory-focused Foundation series with the robot-dominated earlier works. Commissioned in 1995 through HarperCollins, the project tasked prominent science fiction authors with exploring Hari Seldon's era as a midquel between Forward the Foundation and the original Foundation novel, incorporating robotic long-term planning and entropy's role in galactic decline. Each book advances Seldon's development of psychohistory while revealing hidden influences from ancient robots adhering to the Zeroth Law of protecting humanity as a whole. Foundation's Fear (1997), the opening volume by Gregory Benford, depicts Hari Seldon and mathematician Dors Venabili navigating Trantor's political upheavals while refining psychohistory through early computational models vulnerable to chaos and unpredictability. Benford, a physicist, emphasizes mathematical simulations and personal vendettas threatening Seldon's work, set against the Empire's bureaucratic decay. Greg Bear's Foundation and Chaos (February 1998) shifts to Seldon's arrest and trial on charges of treason, where entropy's inexorable advance mirrors imperial collapse and robotic agents like R. Daneel Olivaw intervene covertly to safeguard the psychohistoric plan. Bear highlights quantum uncertainties and a rogue robot's disruptive potential, underscoring tensions between deterministic predictions and emergent chaos. David Brin's Foundation's Triumph (1999) concludes with Seldon in exile, embarking on a quest to assess his life's work amid encounters with millennia-old robots debating humanity's future evolution. Brin ties unresolved threads, including the Foundation's dual purpose and robotic directives, positing a resolution where psychohistory enables adaptive human agency over rigid galactic control. Critics and fans noted the trilogy's innovative fusion of Asimov's elements with modern scientific concepts like , yet faulted it for denser prose and heightened action diverging from Asimov's dialogic style, resulting in uneven fidelity to the source material's parsimonious plotting.

Robot/Foundation Crossovers and Other Authorized Works

The trilogy, written by Roger MacBride Allen, represents a key authorized extension bridging Asimov's Robot and Foundation series through other authors. Comprising Isaac Asimov's (published February 1993), Inferno (October 1994), and Isaac Asimov's (August 1996), the series is set roughly two millennia after , during the era of expanding human settlement beyond the Spacer worlds. It explores the societal tensions between positronic robots adhering to the and anti-robot Settler colonists on the frontier world of Inferno, introducing —a unique robot engineered without the Three Laws to navigate ethical ambiguities in human-robot interactions. Asimov personally reviewed and approved detailed outlines for the trilogy prior to his death in 1992, ensuring alignment with his established lore, including subtle references to R. Daneel Olivaw's long-term guardianship of humanity and the evolving Zeroth Law. In the narrative, the trilogy delves into causal mechanisms for the decline of integration in human society, portraying bureaucratic decay on Inferno's domed cities, ecological crises threatening , and ideological clashes that the Trantorian Empire's formation. Caliban's "no Laws" design allows him to prioritize human survival over rigid obedience, facilitating resolutions to plots involving , , and efforts—elements that causally link the era's technological legacy to the pre-Foundation galactic expansion. Critics note the series' fidelity to Asimov's first-principles emphasis on logical extrapolation of robotic positronics, though some argue it amplifies dramatic conflicts beyond Asimov's typically restrained style. The trilogy concludes with advancements in robot-human coexistence that indirectly pave the way for the psychohistorical preconditions in the Foundation timeline, without contradicting canonical events. Other authorized works include the 1989 anthology Foundation's Friends: Stories in Honor of Isaac Asimov, edited by Martin H. Greenberg, featuring contributions from authors such as , , and . Published to commemorate Asimov's 50 years in science fiction, it contains 14 original stories and Asimov's own "The Eternal Frontier," set across his interconnected universe. Several tales incorporate Robot-Foundation crossovers, such as Robert Silverberg's "The Death of a Spaceman," which nods to positronic influences in early imperial decay, and Edward Wellen's "Murder at the Urth Degree," linking detective motifs from Asimov's mysteries to broader galactic intrigue. Asimov provided an afterword and endorsed the project, validating its place in the extended canon; however, the stories vary in direct integration, prioritizing thematic homage over strict timeline adherence. These works collectively expand the universe's causal depth, illustrating how robotic imperatives and human agency intersect in the millennia-spanning decline toward the Foundation era.

Unofficial or Fan-Inspired Contributions

The rock band Deep Purple's instrumental track "The Mule," released on their 1971 album Fireball, draws inspiration from the titular mutant conqueror in Asimov's . Frontman confirmed that the song's concept was influenced by Asimov's depiction of the character, whom he regarded as required reading during the . Fan fiction communities have produced numerous unofficial stories expanding the Foundation universe, often hosted on platforms like FanFiction.net, which archives over 98 such works as of recent counts. These include crossovers with other franchises and original tales focusing on psychohistory or Second Foundation intrigue, though they lack canonical status and vary widely in quality. Reddit's r/asimov subreddit features user-shared fan fiction, such as series exploring Wanda Seldon's role in the Second Foundation's history. Tabletop role-playing enthusiasts have adapted the Foundation setting for unofficial campaigns using generic systems like Traveller or , emphasizing galactic politics, psychohistorical predictions, and empire decline over millennia-spanning narratives. Discussions on forums like RPG.net and Dragonsfoot highlight homebrew rules for modeling Seldon's plan or Mule-like mutants, but no commercial non-canon RPG supplements exist. Fan art and illustrations, including custom book covers and character depictions, circulate on platforms like Reddit and DeviantArt, often visualizing Trantor or Hari Seldon, though these remain amateur contributions without formal publication.

Adaptations and Media

Apple TV+ Television Series (2021–present)

The Apple TV+ series Foundation is an American science fiction television drama created by David S. Goyer and Josh Friedman, adapting Isaac Asimov's Foundation novel series. It chronicles mathematician Hari Seldon's development of psychohistory to predict the fall of the Galactic Empire and establish the Foundation to preserve knowledge. The series premiered on September 24, 2021, with its first season consisting of 10 episodes released weekly. The opening title sequence, created by Imaginary Forces under creative director Ronnie Koff, uses vibrant particles resembling grains of colored sand to form and erode iconic monuments of power, statues (including representations of the Cleons), and imperial symbols, symbolizing the Galactic Empire's opulence, hubris, ego, and inevitable demise through decay and entropy. This visual motif draws from the in-universe "Mural of Souls" and reinforces the series' themes of imperial decline and psychohistory's predictions of collapse. The sequence evolves across seasons, with later seasons showing more pronounced crumbling, increased decay, and darker tones (such as black backgrounds), as observed by viewers and discussed in fan communities, aligning with the narrative's progression into darker eras. The ensemble cast is led by as , as Gaal Dornick, as Salvor Hardin, and as Brother Day, one of the cloned emperors . Additional key performers include as Brother Dusk and as Demerzel. Production is handled by Skydance Television and , with executive producers including Goyer, , , and Asimov's daughter Robin Asimov. In October 2021, Apple TV+ renewed the series for a second season, which premiered on July 14, 2023. The third season, renewed in December 2023, debuted on July 11, 2025, with 10 episodes airing weekly until September 12, 2025. Ahead of the season three finale, Apple TV+ announced renewal for a fourth season on September 11, 2025, with production slated to begin in early 2026. Goyer stepped down as showrunner in February 2024 prior to season three production resuming after industry strikes, with executive producer Bill Bost overseeing completion; for season four, Dana Goldberg and Ian Goldberg serve as co-showrunners. Critics have praised the series for its and performances, particularly from Pace and Harris. The series has received generally positive reviews that improved across seasons. On Rotten Tomatoes, it holds an overall critics Tomatometer of 87% and audience score of 73%, with Season 1 at 72%, Season 2 at 100% (Certified Fresh), and Season 3 at 91% (Certified Fresh, based on 23 reviews). On Metacritic, Season 1 scored 62/100 (generally favorable), Season 2 79/100 (generally favorable), and Season 3 83/100 (universal acclaim), with the main Metascore at 68. Season three has driven high viewer demand, ranking in the top 2.7% of U.S. shows with demand 25.1 times the average. The series has topped Apple TV+'s internal charts during its third season run.

Other Adaptations and Proposed Projects

In 1973, BBC Radio 4 broadcast an eight-part dramatization of the original Foundation trilogy, adapted by Patrick Tull for the first four episodes and Mike Stott for the latter four, each approximately one hour in length. The production featured voice actors including Geoffrey Beevers, Lee Montague, and Julian Glover, and was repeated in 1977 and 2001. This audio adaptation emphasized the dialogue-heavy narrative and psychohistorical concepts central to Asimov's work, marking the first major broadcast version of the series. Several proposed visual adaptations failed to materialize prior to the Apple TV+ series. New Line Cinema attempted to develop a film version of the Foundation trilogy throughout the 1990s and into the early 2000s but ultimately abandoned the project after struggling with the epic scope and non-linear structure. In 2009, () acquired the rights with plans for a potential film or television project, hiring screenwriter in 2012 to adapt it as a trilogy of films for Fox, though development stalled due to creative and budgetary challenges, eventually pivoting toward television formats. No feature films or additional television series have been completed, often attributed to the series' intellectual focus on prediction and societal collapse over action-oriented plots.

Differences Between Source Material and Adaptations

The Apple TV+ series Foundation (2021–present), adapted from Isaac Asimov's novels, diverges substantially from the source material by incorporating elements from later prequels and sequels such as Prelude to Foundation (1988) and Foundation's Edge (1982), rather than adhering strictly to the original trilogy (Foundation, 1951; Foundation and Empire, 1952; Second Foundation, 1953). The novels emphasize psychohistory, the collapse of the Galactic Empire, and long-term societal development, with narratives jumping across centuries and introducing new character ensembles per era to highlight historical processes through diplomacy and dialogue rather than action or individual heroism. In contrast, the series prioritizes dramatic visuals, action sequences, personal relationships, and emotional tension, compressing the timeline for narrative continuity and sustained main characters with deepened arcs, including gender and role changes, new subplots, and original elements while loosely adapting core themes. This approach expands the narrative scope but alters core events and timelines, with showrunner David S. Goyer stating that a direct adaptation would be unfilmable due to the books' episodic structure spanning centuries. Key character redesigns include gender-swapping Gaal Dornick from a male in the novels to a female computational genius played by , enhancing her agency and backstory on Synnax. Similarly, Salvor Hardin, male in the books as Terminus's mayor, is reimagined as a female warden portrayed by , with added personal stakes like a romantic subplot absent in Asimov's text. Demerzel, the male advisor in the novels, becomes a female character () with expanded emotional depth, drawing from later ties but altering her subservient role. The Galactic Empire's depiction introduces a fictional genetic dynasty of cloned Emperors—Brother Dawn, Day, and Dusk—modeled after Cleon I but not present in Asimov's works, where succession follows conventional imperial lines without cloning or ritualistic governance. This "Brotherhood" system, inspired loosely by historical dynasties, serves as a central antagonist mechanism, enabling recurring actors across episodes via clone successions, contrasting the books' focus on bureaucratic decay without such personalization. To manage the novels' vast time jumps, the series employs cryogenic sleep and mental projections of (Jared Harris), allowing actor continuity and present-day conflicts, whereas Asimov's narrative relies on off-page generational shifts with new protagonists per era. Original characters like Raych Foss, a knife-wielding ally to Seldon with ties to Gaal, are invented to drive early plot tensions, including a that propels Gaal's arc, elements absent from the source. Psychohistory remains central but is visualized more dynamically in the series, with holographic crises and prime radiant manipulations, yet its predictive limitations are downplayed in favor of character-driven interventions, diverging from the books' emphasis on inexorable over individual agency. These changes prioritize visual and serialized drama, resulting in a narrative that Goyer describes as "inspired by" rather than faithful to Asimov, prompting debates on whether it captures the original's intellectual core of societal forecasting.

Key Fictional Elements

Psychohistory: Mathematical Foundations and Limitations

Psychohistory, as developed by the fictional mathematician Hari Seldon in Isaac Asimov's Foundation series, constitutes a purported science that applies advanced statistical mathematics to historical and sociological data for forecasting the broad trajectories of human civilizations across galactic scales. It models societal dynamics through equations that aggregate individual behaviors into predictable patterns, akin to how kinetic theory derives macroscopic gas laws from molecular motions, assuming that deviations in personal actions average out in populations exceeding trillions of individuals. This approach yields probabilistic crises, such as the predicted galactic empire's collapse over millennia, with Seldon's calculations estimating a reduction in post-collapse dark age duration from 30,000 to 1,000 years via strategic interventions like establishing Foundations. The field's mathematical underpinnings emphasize differential equations and to simulate responses to economic, political, and cultural stimuli, treating history as a emergent from chaotic micro-level events when scaled appropriately. Asimov described it as the "final mathematicization" of mental sciences, enabling simulations of "what-if" scenarios to identify leverage points for averting catastrophes, though the exact formulations remain opaque in the narratives, presented as computationally intensive and accessible only to elite psychohistorians. Real-world analogies include sociophysics and , which employ similar statistical tools to analyze historical patterns, but Asimov's version extrapolates to unprecedented fidelity due to the Empire's vast data resources and computational power. Key limitations arise from scale dependencies: psychohistory loses reliability below planetary populations, where stochastic individual influences overwhelm ensemble averages, rendering predictions for isolated worlds or small groups infeasible. It presupposes universal ignorance of its methods among the populace; widespread knowledge risks self-altering behaviors that cascade into prediction failures, as actors adjust actions to defy or exploit forecasts. External perturbations, such as the Mule's emergence—a genetically anomalous conqueror with mentalic abilities—exemplify breakdowns, as rare, non-statistical outliers evade modeling, forcing reliance on ad hoc adjustments like the covert Second Foundation. Predictive accuracy also degrades exponentially with temporal horizon, confining utility to centuries rather than indefinite futures, and assumes stable underlying assumptions like technological stasis or demographic uniformity, which galactic upheavals can invalidate. To safeguard the Seldon Plan against such deviations, Seldon secretly established the Second Foundation, composed of mentalics capable of reading and shaping minds, enabling subtle interventions to realign events with the predicted course. In the extended canon, later developments introduce Gaia, a planetary collective consciousness with group mind capabilities, offering an alternative vision of unified mentalic integration across galactic scales.

Major Characters and Their Roles

Hari Seldon is the mathematician who formulates , a statistical science predicting large-scale societal trends, and establishes the Foundation on Terminus to preserve knowledge and shorten the impending galactic dark age from 30,000 to 1,000 years following the Empire's collapse. He orchestrates the Seldon Plan through crisis predictions delivered via holographic recordings from the Time Vault, guiding the Foundation's development across centuries. Salvor Hardin, the first mayor of Terminus, navigates the initial Seldon Crisis by shifting the Foundation from an encyclopedia project to a centered on , leveraging priestly influence over surrounding barbaric kingdoms to ensure survival against Anacreon's aggression. His pragmatic politics and famous dictum—"Violence is the last refuge of the incompetent"—enable the Foundation's expansion through ideological control rather than military force during the early interstellar conflicts. Hober Mallow, a merchant-trader turned , resolves the second Seldon Crisis by pioneering economic dominance over neighboring worlds, introducing Foundation trade goods that foster dependency and undermine rival powers like Konom and Daribow without direct confrontation. His trial for heresy reveals the strategic value of commerce as a tool for cultural and technological infiltration, solidifying the Foundation's transition to mercantile . The Mule, a genetic with mentalic abilities to manipulate emotions and loyalties, emerges as an unforeseen disruptor of the Seldon Plan, conquering the Foundation and much of the galaxy by turning leaders into devoted followers through telepathic control. His rapid empire-building from the planet Kalgan exposes psychohistory's vulnerability to individual anomalies, forcing reliance on the hidden for restoration. Bayta Darell, a key figure in the Mule's era, unwittingly aids in his initial rise but later identifies him as the threat during pursuits across war-torn worlds, sacrificing personal ties to alert the Second Foundation and preserve the Plan's trajectory. Her intuitive actions, supported by husband Toran and scholar Ebling Mis, highlight human elements that psychohistory overlooks amid the Mule's conquests. Arkady Darell, a precocious teenager and descendant of Bayta, plays a pivotal role in exposing the Second Foundation's location on Trantor during searches by First Foundation conspirators, inadvertently ensuring its secrecy through her impulsive flight and messages. Her adventures underscore themes of in historical planning, as her actions affirm the Second Foundation's mentalic guardianship over the Seldon equilibrium.

Technologies and Societal Structures

The Foundation universe features advanced yet unevenly distributed technologies, reflecting a declining galactic where core worlds maintain sophistication while peripheries regress. travel relies on jumps, enabling ships to traverse vast distances by briefly entering a higher-dimensional realm; durations are limited to seconds, as prolonged exposure causes psychological derangement in biological passengers. and fission power underpin most energy needs, from compact "walnut-sized" generators for personal use to vast reactors sustaining planetary infrastructures, though maintenance declines lead to technological atrophy in outer regions. In later editions, such atomic technologies are termed "nucleics," including devices like nucleobulbs (nuclear-powered lights) and energy-based weapons. Weapons such as —discharging concentrated energy beams—and atomic handguns are common, often paired with personal force fields for defense, emphasizing directed energy over kinetic projectiles. Hyperwave relays enable instantaneous faster-than-light communication across the galaxy. Mentalics, the ability to read and manipulate minds telepathically, serve as a crucial technology wielded by the Second Foundation for subtle guidance and by the Mule for overt control. In the extended canon incorporating Asimov's Robot series, positronic brains enable sophisticated artificial intelligences governed by the Three Laws of Robotics, prioritizing human safety, obedience, and self-preservation; these underpin humanoid robots and computational systems, though overt robotic presence wanes in the imperial era due to historical Spacer-Earth conflicts. Some robots, such as R. Daneel Olivaw, possess mentalic capabilities and exert hidden influence over millennia. Psychohistory, while primarily a predictive methodology, functions as a computational technology aggregating vast demographic data to forecast societal trends, reliant on supercomputers processing probabilistic models of human behavior across trillions. Societal structures center on the , a centralized spanning roughly 25 million inhabited worlds, characterized by bureaucratic inertia and administrative sectors; the rules from Trantor, an where 75 million square miles of surface are domed and urbanized, supporting over 40 billion residents dependent on hydroponic agriculture and imported foodstuffs. This imperial core contrasts with feudal peripheries, where warlords control resource-scarce kingdoms amid technological regression, fostering cycles of conquest and decay. The Galactic Empire's vast but decaying centralized power gives way during the decline phase to emerging entities with distinct power dynamics. The Foundation, established on the remote planet Terminus, evolves from an encyclopedic research outpost—tasked with compiling the —into a techno-religious authority, exporting atomic power plants and shielding devices to neighboring realms under priestly guise, thereby securing influence without direct engagement. This structure exploits knowledge asymmetry, positioning the Foundation as a stabilizing against barbarism during the Empire's predicted 500-year . The Second Foundation, concealed at Star's End (revealed in the narratives as located on Trantor), comprises mentalics who maintain institutional secrecy while subtly manipulating events to protect the Seldon Plan across centuries. The Mule's brief empire represents a centralized autocracy sustained by forced loyalty through mentalic domination. In later works, Gaia introduces a collective societal structure: a group mind encompassing the entire planet's biosphere, enabling unified thought and galactic influence as a potential evolutionary path for humanity. These institutions evolve over millennia, with power shifting from the Empire's overt scale to the Foundations' specialized and secretive roles, highlighting comparative dynamics of technological, mentalic, and collective authority.

Planets, Stars, and Galactic Setting

The Foundation universe depicts a human-colonized galaxy governed by the , which encompasses nearly 25 million inhabited planets organized into administrative sectors. Interstellar navigation relies on travel, enabling vessels to bypass light-speed limitations by entering a higher-dimensional "hyperspace" continuum for jumps between star systems, though precise mechanics remain abstracted in the narrative. The empire's structure emphasizes centralized control from Trantor, with peripheral worlds varying widely in development, from advanced cores to barbaric frontiers, reflecting a decline in technological uniformity as the empire fragments. Trantor serves as the imperial capital, positioned near the for strategic centrality, and functions as an —a entirely encased in a metallic sheath supporting billions of residents across domed cities, underground caverns, and hydroponic farms. Its revolve around , with vast populations sustained by imported foodstuffs and , underscoring the empire's overreliance on administrative inertia over innovation. In contrast, Terminus, the Foundation's founding world and remote host to the preservation of knowledge, orbits a solitary star at the galaxy's periphery, featuring barren terrain, negligible native metals, and initial isolation that fosters through atomic power amid surrounding feudal kingdoms like . The name Terminus inspired Elon Musk's 2025 proposal to name the first human city on Mars after it. Other notable planets include Helicon, Hari Seldon's birthplace known for computer expertise; Synnax, Gaal Dornick's watery homeworld with rigid traditions; and the Four Kingdoms (Anacreon, Smyrno, Konom, and Daribow), peripheral realms reverting to monarchy and religious influence post-imperial decay. Later works introduce worlds like Kalgan, a pleasure planet turned military base under the Mule's conquest, and Haven, a trading hub devastated by atomic bombardment, illustrating the galaxy's vulnerability to localized upheavals. Gaia, featured in Foundation's Edge and Foundation and Earth, is a planet whose inhabitants form a group mind collective, connected through mentalic abilities for instantaneous shared consciousness and galactic influence. Earth appears in extended canon as a legendary, radioactive origin world, distant from core events. These settings collectively portray a spiral galaxy where stellar densities influence hyperspace routes, but individual stars receive minimal unique description beyond their planetary systems.

Reception, Impact, and Analysis

Literary Awards and Recognition

The Foundation series by was awarded the for Best All-Time Series at the 1966 World Science Fiction Convention (Tricon), held in , , from September 1–5. This one-time category recognized the original trilogy—comprising Foundation (1951), (1952), and (1953)—as superior to nominees including Edgar Rice Burroughs's series and Robert A.. Heinlein's Future History series. Foundation's Edge (1982), the fourth novel in the series and first sequel to , won the at the 1983 World Science Fiction Convention (Constellation), held in , , from September 1–4. It was also nominated for the in 1982 but lost to Michael Bishop's No Enemy but Time. No other volumes in the Foundation universe received major literary awards such as the Hugo, , or Locus for Best Novel, though the series as a whole has been retrospectively honored in fan polls and retrospective analyses for its enduring influence.

Critical Reception of Asimov's Works

Asimov's Foundation series, initially published as short stories in Astounding Science-Fiction magazine from 1942 to 1944 and later compiled into novels starting with Foundation in 1951, received acclaim for its ambitious conceptualization of psychohistory and galactic-scale societal decline modeled on the fall of the Roman Empire. Critics highlighted the series' intellectual rigor in treating history as a predictable statistical phenomenon, with mathematician Hari Seldon devising a plan to shorten interstellar dark ages from 30,000 to 1,000 years through encyclopedic preservation and strategic Foundations. This framework earned retrospective recognition, including the 1966 Hugo Award for Best All-Time Series, voted by science fiction professionals and fans as the premier series in the genre's history up to that point. The work's emphasis on societal dynamics over individual heroics or technological gadgets distinguished it from pulp science fiction contemporaries, influencing economists like Paul Krugman, who credited it with shaping his understanding of long-term economic predictability and crisis response. Literary scholars and reviewers praised the series' prescience in exploring technology's role in power structures and predictive modeling, themes that resonate with modern data-driven forecasting in fields like and . Asimov's integration of first-millennium historical analogies—drawing parallels between the Galactic 's decay and Rome's—provided a causal framework for collapse, attributing it to bureaucratic , technological stagnation, and detachment rather than external invasions alone. Such elements positioned Foundation as a foundational text in , compelling readers through conceptual depth despite episodic structure derived from its magazine origins. However, the series faced consistent criticism for underdeveloped characters, who often serve as interchangeable vehicles for exposition rather than psychologically complex figures, rendering them one-dimensional and functional. Stylistic weaknesses, including stilted dialogue, repetitive plotting across centuries-spanning vignettes, and prosaic sentences prioritizing idea conveyance over narrative flow, led critics like Charles Elkins to describe the novels as "stylistic disasters" with "atrocious" ear for conversation. These flaws, evident in the trilogy's (Foundation, 1951; Foundation and Empire, 1952; Second Foundation, 1953) reliance on summary over immersive scenes, alienated readers seeking emotional depth or literary polish, with some contemporary reviews noting bland pacing and lack of nuance in interpersonal dynamics. Later sequels amplified these issues, as Asimov's focus on expanding the psychohistorical universe sometimes sacrificed tight plotting for encyclopedic world-building. Despite these literary shortcomings, the series' enduring critical valuation stems from its causal realism in modeling civilizational trajectories, privileging empirical patterns over character-driven —a deliberate choice Asimov defended as aligning with scientific method's impersonality. Retrospective analyses affirm its influence on conventions, though evaluations vary: idea-centric admirers view flaws as secondary to visionary scope, while prose-focused detractors rank it below contemporaries like Frank Herbert's Dune for holistic storytelling. This duality underscores Foundation's reception as intellectually provocative yet narratively austere, cementing its status as a polarizing yet work evaluated more for conceptual innovation than stylistic finesse.

Influence on Science Fiction and Real-World Thinking

The Foundation series established key conventions, including the motif of a sprawling in decline modeled after the Roman Empire's fall, which permeated subsequent space operas. This framework, introduced in short stories published from 1942 to 1944 and compiled in novel form starting in 1951, influenced narratives of imperial decay and renewal in works like Frank Herbert's Dune (1965), where psychohistory's determinism is critiqued through prescient visions and ecological factors, and George Lucas's Star Wars (1977), featuring a challenging a decaying authoritarian . Asimov himself observed parallels between his Trantorian Empire and the in Star Wars, attributing the similarities to shared historical inspirations. Psychohistory, depicted as a statistical science forecasting societal trajectories through mass human behavior while ignoring individuals, prefigured real-world quantitative approaches to history and sociology. It contributed to the emergence of social physics, a field applying probabilistic models from physics to analyze crowd dynamics and collective actions, as evidenced by researchers citing Asimov's work for conceptual groundwork. Cliodynamics, developed by Peter Turchin from the early 2000s, explicitly draws from psychohistory by using empirical data on demographics, economics, and inequality to model cyclical instability; Turchin has forecasted U.S. social turmoil peaking around the 2020s based on structural-demographic indicators like elite overproduction, with events such as the January 6, 2021, Capitol riot aligning with predicted violence escalation. Despite these echoes, psychohistory's feasibility is constrained in reality by non-ergodic systems, where rare events or individual decisions amplify unpredictably per principles, as small perturbations invalidate long-range probabilistic aggregates assumed in Asimov's model. Turchin's , while empirically grounded in historical databases spanning centuries, achieves short-term pattern detection—such as correlating wage stagnation with unrest—but falters on precise causation due to omitted variables like technological disruptions. The series fosters causal realism in analyzing civilizational risks, underscoring knowledge codification as a hedge against barbarism; Asimov posited that Seldon's could compress a projected 30,000-year to 1,000 years via targeted preservation, echoing real debates on amid collapse scenarios in fields like resilience studies. This emphasis on scalable interventions over heroic individualism has informed futurist thought, prioritizing systemic safeguards against entropy in human societies.

Controversies and Debates

The concept of psychohistory in Asimov's Foundation series has sparked ongoing debates regarding its scientific feasibility, with critics arguing that large-scale predictive models of human behavior fail due to chaotic individual actions and the observer effect, where knowledge of predictions alters outcomes. Asimov himself evolved the idea across sequels, introducing elements like the Mule's unpredictable influence and later concepts of group consciousness, which undermine the deterministic framework of early psychohistory by highlighting the limits of statistical forecasting in the face of anomalies. Mathematicians have noted partial parallels to real-world statistical mechanics and big data analytics for aggregate trends, but emphasize that psychohistory's galactic-scale precision remains implausible without accounting for quantum-like uncertainties in social systems. Interpretations of the series' ideological underpinnings have also generated controversy, particularly claims that it promotes a vulgar form of akin to , portraying societal collapse and renewal through inexorable economic and class dynamics rather than cultural or spiritual factors. Asimov's depiction of , as in the engineered cult on Terminus, has been critiqued for thinly veiled antagonism toward organized faith, framing it as a tool for elite control over masses, which some readers interpret as reflective of mid-20th-century secular humanist biases. The Apple TV+ adaptation, premiering in 2021, ignited debates over fidelity to the source material, with substantial alterations including gender-swapped characters (e.g., Salvor Hardin as female), expanded personal dramas, and the introduction of clairvoyant elements absent in Asimov's texts, leading to accusations of prioritizing visual spectacle and modern over the books' intellectual focus on probability and empire. Critics have highlighted the series' audience reception, with an overall audience score of 73% on Rotten Tomatoes, attributing it to convoluted plotting that diverges into unrelated subplots, such as imperial , while diluting psychohistory's centrality. Proponents defend the changes as necessary for serialized , arguing they enhance emotional stakes, though this view is contested by those who see it as emblematic of broader Hollywood trends toward ideological revisionism in adaptations.

References

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