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The Alcott
The Alcott
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"The Alcott"
Single by the National featuring Taylor Swift
from the album First Two Pages of Frankenstein
ReleasedApril 28, 2023
StudioLong Pond (Hudson Valley)
GenreDowntempo
Length4:27
Label4AD
Songwriters
ProducerThe National
The National singles chronology
"Eucalyptus"
(2023)
"The Alcott"
(2023)
"Alphabet City / Space Invader"
(2023)
Taylor Swift singles chronology
"Lavender Haze"
(2022)
"The Alcott"
(2023)
"Karma"
(2023)
Lyric video
"The Alcott" on YouTube

"The Alcott" is a song by American band the National featuring American singer-songwriter Taylor Swift. The song appears on the band's album First Two Pages of Frankenstein (2023), and it was released as a single on April 28, 2023.[1][2] It is a downtempo ballad with prominent piano.[3] It was produced at Long Pond Studio in Hudson Valley.

Music and lyrics

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Produced at Long Pond studio in Hudson Valley,[4] "The Alcott" is a downtempo ballad.[5][6] It incorporates prominent piano in its production.[7] Andrew Trendell of NME described the song as "arena-ready lighters-up".[8] Pitchfork critic Brad Shoup found the track to feature a "subliminal industrial rapping".[9] Towards the end, Swift performs with her solo vocals.[10]

Reception

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In Clash, James Mellen picked "The Alcott" as a "truly stunning" track that showcases Swift's "immaculate" vocals and Berninger's "universal" performance.[10] In a mixed review, Shoup found the track to be mostly of Swift's artistry and labelled it "the National (Taylor's Version)", and wrote: "The mess is there, just not the chaos."[9]

Charts

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Release history

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Release dates and formats for "The Alcott"
Region Date Format Label(s) Ref.
Italy April 28, 2023 Radio airplay 4AD [21]
United States May 1, 2023 Adult album alternative [22]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
"The Alcott" is a by the American indie rock band the National, featuring guest vocals from , released on April 28, 2023, from the band's ninth studio album, . The song was co-written by the National's frontman , band member , and Swift, with Dessner also handling production alongside Berninger and Swift. It originated as a sparse track composed by Dessner, to which Berninger added initial lyrics inspired by his long-term marriage to Carin Besser, whom he often collaborates with creatively; Swift then contributed the responding female perspective to create the conversational . Lyrically, the track portrays an intimate, bittersweet exchange between two former lovers reuniting at a bar called The Alcott, reflecting on their shared history, regrets, and lingering affection amid a strained relationship. The name "The Alcott" evokes a sense of an old, cozy cottage, symbolizing nostalgia and familiarity in the setting. Musically, it is a slow-burning ballad characterized by Berninger's baritone vocals trading lines with Swift's higher register, building emotional tension through minimalistic that highlights their harmonious interplay. Upon release, "The Alcott" received widespread critical acclaim for its poignant and the seamless between the artists, with reviewers praising it as a standout track on the album and a highlight of Dessner's ongoing partnership with Swift, which began on her 2020 albums folklore and evermore. It has since become a fan favorite, often cited for its evocative depiction of relational complexity.

Background and development

Inspiration and writing

The song "The Alcott" drew its core inspiration from frontman Matt Berninger's long-term relationship with his wife, Carin Besser, whom he often collaborates with creatively; it portrays an intimate conversation between separated partners attempting to reconnect at a hotel bar. Berninger envisioned the narrative from a one-sided male perspective, capturing the vulnerability of reaching out after time apart. The track originated from an initial sparse piano demo composed by Aaron Dessner, which he provided to Berninger, prompting the latter to pen the first verse and chorus lyrics over the minimal arrangement. Recognizing the potential for a conversational duet structure, Dessner proposed expanding it with a female response voice to create a back-and-forth dialogue, suggesting Taylor Swift for the role given their established collaborations on her albums folklore and evermore, where Dessner had co-written and produced several tracks. Swift, adapting seamlessly to the established narrative without shifting its foundational inspiration, crafted her response verses and recorded a voice memo with her contributions within 20 minutes of receiving the demo, effectively transforming Berninger's solo viewpoint into a balanced exchange. The title "The Alcott" refers to the fictional hotel bar setting where the reunion unfolds in the song's storyline, serving as the intimate backdrop for the characters' tentative . This piece fits within the broader context of The National's album , which explores themes of creative reconstruction akin to piecing together disparate elements into a cohesive whole.

Recording process

The recording sessions for "The Alcott" took place at Long Pond Studios in , New York, during 2021 and 2022, as part of the broader production for The National's album . The track originated from an initial demo featuring a sparse arrangement composed by , over which frontman added his vocals as a starting point. Dessner served as the primary producer, layering orchestral elements including strings and to build upon the demo and enhance its emotional depth. His brother, , contributed orchestration for the string arrangements, while other band members participated extensively: on lead vocals, also handling guitar and keyboards, on bass, and on drums. Taylor Swift's vocal contributions were recorded separately and sent remotely via voice note, where she provided her parts along with new and countermelodies, creating the song's distinctive dynamic that simulates a conversational exchange between the two singers. Following Swift's input, the arrangement was further developed with additional to balance the band's signature sound while allowing both vocalists to stand out. The final mixing was handled by Jonathan Low, who focused on preserving the intimate, back-and-forth interplay of the vocals amid the subtle .

Composition

Musical style

"The Alcott" is classified as an incorporating folk and orchestral elements, characteristic of The National's signature sound blended with Taylor Swift's collaborative style. The track features a slow , perceived around 78 BPM in half-time feel within its waltz-time structure, contributing to its , atmospheric quality. Its minimalistic arrangement emphasizes restraint, allowing space for emotional resonance through subtle builds rather than overt intensity. The song employs a format, with and alternating verses in a conversational manner, leading into a harmonious chorus where their vocals intertwine. centers on prominent chords that open the track, complemented by strums, subtle strings for an orchestral layer, and light percussion including a steady drum beat, all fostering an introspective and ethereal mood. Composed in the key of , it includes dynamic shifts from sparse, piano-driven verses to fuller in the bridge, enhancing the narrative progression without electronic flourishes. At a runtime of 4:28, "The Alcott" follows a classic structure of intro, verse, chorus, verse, chorus, bridge, and outro, providing ample room for its deliberate pacing. This approach draws comparisons to the duo's earlier collaboration "Coney Island" from Swift's evermore, but adopts a more narrative-driven tone with reduced electronic elements, prioritizing organic acoustic and orchestral textures.

Lyrics and themes

"The Alcott" unfolds as a narrative dialogue between two estranged lovers reuniting at the hotel bar named in the title, with Matt Berninger's verses conveying regret and a confession of rekindled feelings, while Taylor Swift's responses offer reflective pushback and hints of possible reconciliation. The song's structure mirrors this conversational tension through overlapping vocals in the choruses, where the singers appear to interrupt and respond to each other, enhancing the sense of emotional interplay. The lyrics were co-written by Berninger, , and Swift, with Berninger initially crafting his perspective on a demo from Dessner, and Swift later contributing her lines to transform it into a balanced from a viewpoint. Key motifs include yearning for reconnection amid time apart, as in Berninger's opening lines—"I get myself twisted in threads / To meet you at The Alcott"—and shared history evoked through symbols like the "golden notebook" representing past intimacy and the "curse on our house" suggesting lingering domestic ties. Emotional permeates the exchange, with Berninger admitting, "I tell you that I think I'm fallin' / Back in love with you," only for Swift to counter with pleas like "Give me some tips to forget you," underscoring the raw exposure of unresolved feelings. At its core, the song explores themes of middle-aged and marital , drawing loosely from Berninger's long-term relationship without explicit , as he has described it as a "contained moment" between partners navigating familiarity and friction. Hope for renewal emerges tentatively, particularly in Swift's bridge interjections—"Could it be easy this once?"—balancing despair with a fragile openness to mending. Specific lines highlight cyclical relationship patterns, such as Berninger's self-aware query, "How many times will I do this / And you'll still believe?" and the repeated "I'll ruin it all over / And over like I always do," which capture the repetitive pull of dysfunction and attempted repair. The maintain deliberate ambiguity by avoiding direct references to specific events, allowing the to resonate broadly as a on love's persistence rather than a literal recounting, which Berninger has noted amplifies its universal appeal.

Release and promotion

Album inclusion

"The Alcott" serves as the sixth track on The National's ninth studio album, , an 11-song collection released on April 28, 2023, through . The album draws its thematic concept from Mary Shelley's , with frontman using the novel's opening as a metaphor for his experiences of mental fragmentation during a period of depression and creative block; this framework explores themes of creation, personal and relational disintegration, and eventual rebirth or reconstruction. In this context, "The Alcott" fits as a pivotal moment of relational reanimation, depicting a between estranged lovers attempting to resurrect their troubled bond through conversation at a hotel bar, thereby embodying the album's motif of piecing together broken elements. The song contributes to the album's narrative arc by bridging more introspective, solo-driven tracks with its collaborative duet structure, injecting a surge of emotional intimacy and dynamic interplay that propels the record's progression from isolation toward reconnection. In the album's packaging and liner notes, the collaboration on "The Alcott" is prominently credited, listing Taylor Swift as a co-writer alongside Berninger and Dessner, and highlighting her featured vocals to underscore the track's role in the record's interpersonal themes.

Marketing and media attention

The announcement of Taylor Swift's feature on "The Alcott" occurred during the rollout of The National's ninth studio album, First Two Pages of Frankenstein, generating significant buzz through social media teasers from the band. On January 13, 2023, The National shared a cryptic video on social media depicting frontman Matt Berninger reading an altered version of Mary Shelley's Frankenstein at a piano, linking to a password-protected website (americanmary.com/lp9) that hinted at collaborations with "Taylor" and other guests through modified excerpts from the novel. The full album announcement five days later confirmed Swift's involvement on the duet, amplifying anticipation among fans of both artists. The song was highlighted in pre-release album listening events tied to the Frankenstein theme, such as early fan sessions at independent record stores like Banquet Records in the UK and Fingerprints Music in , where attendees experienced the full album three days before its April 28, 2023, street date. These events, along with the band's thematic virtual teaser site, built immersive promotion around the album's narrative concept of creative , drawing parallels to the novel's motifs of reanimation and collaboration. In media interviews, Berninger and guitarist emphasized the collaboration's organic development, noting how Swift contributed lyrics and vocals spontaneously via a voice memo. Dessner described the as evolving from a demo he shared with Swift, who added her perspective without prior planning, in a profile that highlighted their mutual admiration and shared history from Swift's Folklore and Evermore eras. Berninger echoed this in discussions, praising Swift's instinctive songwriting as a key factor in the track's emotional depth. Post-release, "The Alcott" gained traction on streaming platforms through editorial playlists and features, debuting at No. 186 on Spotify's Global chart with over 1.2 million streams in its first day, driven by algorithmic recommendations in indie and pop crossover selections. Outlets like and spotlighted the duet in editorial roundups of notable 2023 collaborations, underscoring its blend of introspection and Swift's confessional style. Despite no designation as an official single or production of a traditional music video, the track achieved organic virality via fan shares and short-form clips on TikTok, where users created over 1,500 videos syncing its lyrics to personal stories of reconciliation and longing by late 2023. A simple lyric video, featuring in-studio footage of the recording sessions, was released alongside the album to accompany streams. The release timing coincided with Swift's ongoing in 2023, which began in March and drew massive global audiences, providing cross-promotional exposure as Swift's fanbase discovered the collaboration amid her high-profile performances. This synergy boosted the song's visibility without formal tie-ins, leveraging the tour's cultural dominance to introduce "The Alcott" to broader listeners.

Reception

Critical response

"The Alcott" received widespread acclaim from music critics, who frequently highlighted the strong chemistry between and as a standout element of the track. Reviews praised the 's emotional depth, portraying it as a poignant exchange between estranged lovers reconnecting in a hotel bar. described it as a "true , a waltz-time between estranged mopes condemned to mutual attraction," noting how Swift's assured infused the song with her distinctive energy, resulting in what they termed "the National (Taylor’s version)." echoed this sentiment, calling it a "gorgeous that boasts the best chemistry on the album," emphasizing its "heartbreaking" wistful tone as a stunning centerpiece of the album. Specific aspects of the performance drew particular praise for their maturity and restraint. The Guardian observed that "The Alcott," featuring Swift, injects a touch of lightness into the album's melancholy, reflecting the band's evolved, softer sound while maintaining themes of longing. lauded it as a "gorgeous and gossamer" collaboration, with Swift's contribution forming a "subtle " that complements The National's aesthetic through its back-and-forth structure and arena-ready emotional resonance. While the track was largely celebrated, some reviews offered minor critiques regarding its stylistic predictability within the indie-folk crossover genre. The characterized the album, including "The Alcott," as overly predictable in its cinematic balladry, suggesting the duet's familiar tropes of rekindled romance did little to surprise longtime listeners. Album reviews aggregated on , which scored First Two Pages of Frankenstein at 79/100 based on 22 critics, often singled out "The Alcott" as a highlight amid the praise for the record's introspective renewal. Critics also noted the song's evolution from prior collaborations, such as Swift's "Coney Island" on her 2020 album Evermore, where The National's members contributed. The Atlantic praised this progression in their analysis of the ongoing partnership, describing "The Alcott" as part of a "productive synergy" that shifts from folklore-era fictional narratives to more direct, brighter expressions of emotional support and vulnerability. Vulture reinforced this view, hailing the track as "one of the most beautiful moments" on the album and a clear evolution in the artists' interplay, with Swift's prominent vocals marking a departure from subtler background features in past works. The song appeared in several 2023 end-of-year lists as one of the year's best features or collaborations, including Rolling Stone's ranking of top indie-rock albums, where it was cited for revitalizing The National's sound, and WFUV's best songs playlist alongside tracks by and .

Fan and cultural impact

"The Alcott" garnered significant appeal among the overlapping fanbases of The National and , drawing in Swift's dedicated followers—known as —to the band's live shows and broadening their audience demographics to include more younger attendees and women. These fans often expressed initial bewilderment at The National's atmospheric style during early set portions, highlighting the stylistic contrast that fueled cross-genre interest. Online discussions on platforms like and positioned the track as a spiritual "sequel" to Swift's "" from her 2020 album , citing shared themes of fractured communication between ex-lovers and the format's conversational tension. Fans theorized connections between the lyrics and Swift's , particularly her 2023 breakup with , interpreting lines about regret and reunion as veiled references to their six-year relationship. However, clarified that the song stemmed from his own marriage, describing it as a bar scene inspired by his wife, with Swift enhancing the narrative through her contributions without drawing from her autobiography. The song's dialogue structure inspired viral recreations on , where users produced covers and duets mimicking the back-and-forth exchange, contributing to its organic spread among younger audiences in 2023. This grassroots engagement amplified its presence in indie-pop crossover conversations, including features in podcasts exploring Swift's collaborations with alternative acts like The National. The track also sparked visualizing the imagined hotel bar encounter, emphasizing its evocative storytelling. Despite its popularity, "The Alcott" has not been performed live by The National during their 2023-2024 tours, forgoing guest vocalists or a joint appearance with Swift, which has only heightened fan anticipation. In 2025, frontman included the song in his solo performances, such as at in New York.

Commercial performance

Chart positions

"The Alcott" debuted on several in the United States during the week ending May 13, 2023, largely driven by streams and sales from its parent album . On the Digital Song Sales chart, it entered at number 11 with 12 weeks of longevity. The track also marked Taylor Swift's first appearance on the Rock & Alternative Airplay chart, debuting at number 45 with 636,000 audience impressions, reflecting crossover appeal from her fanbase to rock radio audiences. On the chart, it debuted at number 18 the following week (May 20, 2023), eventually peaking at number 9 on July 22, 2023, and spending 12 weeks in total. Although "The Alcott" did not receive dedicated radio promotion as a single, the feature from Swift helped draw a broader pop audience, contributing to its sustained performance on alternative formats despite limited mainstream airplay push. The album's debut at number 14 on the provided additional context for the track's visibility, as album equivalent units boosted individual song metrics. Internationally, "The Alcott" achieved modest placements. In the , it peaked at number 90 on the Official Singles Chart for one week, entering on May 11, 2023. The song entered charts the week of May 13, 2023, globally, demonstrating longevity particularly on streaming-based tallies in alternative genres.

Streaming and sales data

"The Alcott" has achieved substantial streaming success, surpassing 93 million streams on by November 2025. The track experienced its peak streaming activity in the first month following its April 28, 2023 release, building on an initial surge of approximately 1.2 million global streams that propelled it to #186 on Spotify's daily Global chart. In terms of sales, the song contributed to the debut performance of its parent album First Two Pages of Frankenstein, which earned 32,000 equivalent album units in its first week according to Luminate data, including 24,000 in pure album sales and track equivalent albums from digital downloads and streaming. Specific download figures for "The Alcott" are not publicly broken out, but the track's popularity, boosted by Taylor Swift's feature, helped drive the album's overall consumption. The song has also performed strongly on Apple Music, benefiting from Swift's established catalog and user base on the platform. As of 2025, "The Alcott" has not received major certifications from bodies like the RIAA in the US, though its streaming volume equates to potential gold status in some markets; for instance, the BPI in the UK has not yet certified it despite the song's #90 peak on the UK Singles Chart. Compared to other tracks from First Two Pages of Frankenstein, "The Alcott" has outperformed non-featured songs in streaming by roughly twice the volume, establishing it as the album's standout in digital consumption.

References

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