Hubbry Logo
Both of UsBoth of UsMain
Open search
Both of Us
Community hub
Both of Us
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Both of Us
Both of Us
Both of Us
View on Wikipedia
from Wikipedia

"Both of Us"
Single by B.o.B featuring Taylor Swift
from the album Strange Clouds
ReleasedMay 22, 2012
Recorded2011
Studio
GenreCountry rap[4]
Length3:36
Label
Songwriters
Producers
B.o.B singles chronology
"So Good"
(2012) 		"Both of Us"
(2012) 		"Out of My Mind"
(2012)
Taylor Swift singles chronology
"Eyes Open"
(2012) 		"Both of Us"
(2012) 		"We Are Never Ever Getting Back Together"
(2012)
Music video
"Both of Us" on YouTube

"Both of Us" is a song by American rapper B.o.B, released on May 22, 2012, as the third single from his second studio album, Strange Clouds (2012).[5] The song features vocals from American singer-songwriter Taylor Swift. The artists co-wrote the song alongside Ammar Malik and the song's producers, Dr. Luke and Cirkut.

"Both of Us" was released to critical acclaim, most praising Swift's feature, with some calling the collaboration as a sweet and melodic catchy song.[6] It debuted on the Australian Singles Chart at number 46. The song sold 143,000 copies in its first week of release in the United States, debuting at number 18 on the US Billboard Hot 100 and became the week's top debut.

Background

[edit]

The lyrics of "Both of Us" talks about racism and bullying. It was Swift who came up with the idea for the collaboration after she visited B.o.B's label, Grand Hustle Records. The rapper explained, "She came to Atlanta and she hit up Grand Hustle. I wasn't there. Tip was there and I eventually linked with her in Dallas and the rest is history." This is not the first time Swift contributed to a hip hop song; her other collaborations include a song with T-Pain at the 2009 CMT Music Awards, and inviting T.I., Nicki Minaj, and Flo Rida to her Speak Now World Tour in 2011.[7]

Music video

[edit]

The music video, directed by Jake Nava, was released on June 27, 2012. B.o.B announced the video on Twitter, sharing a photo and a release date time frame: "On the set of the #BothOfUs music video in Nashville with @taylorswift13. Video premieres end of June!".[8]

Synopsis

[edit]

The video begins with B.o.B standing before a small American flag then cuts to Swift singing the song's hook in a dark lit pool hall. B.o.B then takes to the train tracks and streets to deliver his verses while Swift croons the hook in a picturesque field while donning a white cotton dress, and shows a dog that leaves Swift awestruck with his high flying antics. Footage of the artists is interspliced with scenes of life in Nashville's less glamorous neighborhoods like tatted locals, cowboy-boot-wearing young women, shirtless youths playing in sprinklers, teens kissing, a mobile home (this leaves viewers knowing that the video isn't glamorous, but instead leaves viewers appreciating the little things in life – It's not about the money, it's understanding that a romp through a sprinkler or a good game of billiards is enough to take you away from the mundane moments of everyday life). As the first chorus precedes Swift is shown singing at a field covered with dandelions and flowers and several shots of B.o.B and Swift are interspliced. As the video closes out, viewers are left with a sort of fantasy, with B.o.B and Swift re-imagined as the every man and every woman living simple life in rural Tennessee, much like the folks in the video. At the end, B.o.B. is seen standing in a driveway with a car backing up and B.o.B staring at it.

Chart performance

[edit]

The song was successful in Australia and New Zealand, charting within the top ten in both Australia and New Zealand. It debuted on the Australian Singles Chart at number 46 and eventually peaked at number five. The song also peaked at number ten in New Zealand. The song sold 143,000 copies in its first week, along with the album release, debuting at number 18 on the US Billboard Hot 100 and became the week's top debut. The single sold over 1,000,000 digital copies as of November 2017.[9]

Live performances

[edit]

Swift performed the song with B.o.B on April 19, 2013 in the State Farm Arena in Atlanta when the rapper was invited as a surprise guest for the show for Swift's Red Tour.

Charts

[edit]

Certifications

[edit]
Certifications for "Both of Us"
Region Certification Certified units/sales
Australia (ARIA)[23] Platinum 70,000^
New Zealand (RMNZ)[24] Gold 7,500*
United States (RIAA)[25] Platinum 1,000,000‡

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Release history

[edit]
Release history and formats for "Both of Us"
Country Date Format Label
Various May 22, 2012 Digital download Atlantic
United States[26][27] Contemporary hit radio
United Kingdom[28] July 22, 2012 Digital download Atlantic

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Both of Us

View on Grokipedia
from Grokipedia
"Both of Us" is a song by American rapper B.o.B featuring Taylor Swift, released on May 22, 2012, as the third single from his second studio album, Strange Clouds.
The track blends hip-hop verses with pop-oriented choruses, exploring themes of mutual support and overcoming adversity through lyrics emphasizing resilience and partnership.
It garnered moderate commercial success, debuting on the Billboard Hot 100 and ultimately peaking at number 18 after spending 19 weeks on the chart.
An official music video, directed by Hiro Murai, intercuts scenes of B.o.B in urban settings with Swift performing in a dimly lit environment, amplifying the song's narrative of solidarity.
B.o.B announced that all proceeds from the single would benefit charitable causes aiding those in need, aligning with the song's message of upliftment.

Background and Production

Collaboration Origins

The collaboration between rapper (Bobby Ray Simmons Jr.) and on "Both of Us" stemmed from an initial onstage partnership that built rapport between the artists. On October 8, 2011, during Swift's concert at Cowboys Stadium in , B.o.B made a surprise appearance to perform his hit "Airplanes" alongside her, marking one of Swift's early high-profile hip-hop crossovers. Swift initiated the idea for "Both of Us" in early 2012 after visiting 's headquarters in , where she proposed working together on a track. later described the encounter: Swift arrived at the label and directly stated her interest in collaborating, to which he responded affirmatively. Following the visit, Swift contacted via text from an unknown number, messaging, "Yo, I got ," which initially puzzled him until she identified herself, leading to their agreement to proceed. This partnership resulted in "Both of Us" serving as the third single from B.o.B's second studio album, Strange Clouds, issued on May 1, 2012, by and . The single was released to radio and digital platforms on May 22, 2012.

Recording and Production Details

The production of "Both of Us" was led by (Lukasz Gottwald) and (Henry Walter), who constructed the beat incorporating electronic synths, stuttering effects, and pop-oriented hooks during sessions in early 2012. recorded his verses in studios affiliated with his Grand Hustle label, emphasizing layered flows over the producers' framework, while tracked her chorus vocals separately to align with the track's inspirational tone. Final mixing and engineering, handled by team members including additional vocal contributions from Cirkut, were completed by late March 2012 to meet deadlines for B.o.B's sophomore album Strange Clouds, released May 1, 2012. This timeline positioned the song for its official single release on May 22, 2012, following an unauthorized leak earlier in April.

Composition and Lyrics

Musical Elements

"Both of Us" employs a mid-tempo beat clocking at 125 beats per minute in 4/4 time, fostering a moderate pace suitable for its hip-hop/pop fusion. The track spans 3:36 in duration and adheres to a conventional : intro, verse (B.o.B's rap), chorus (Taylor Swift's vocal hook), second verse, second chorus, bridge, and outro, with the chorus repeating to emphasize its melodic anchor. The verses feature B.o.B's rhythmic rap delivery over sparse beats, shifting to Swift's chorus where her vocals adopt a country-inflected —marked by smooth phrasing and emotional —layered atop a pop-oriented in . This genre blend is evident in the hip-hop rhythmic foundation of the verses contrasting the anthemic, hook-driven pop elevation in the choruses, produced by and to create dynamic tension and release. Instrumentation centers on strumming for an organic, uplifting texture in the intro and choruses, augmented by subtle electronic production elements that enhance the track's emotional swell without overpowering the vocal interplay. The —primarily G, C, Em, and D—provides harmonic simplicity, allowing the and vocal melodies to drive the song's and replay value.

Thematic Content

The lyrics of "Both of Us" center on a of mutual support amid personal and societal adversity, portraying the protagonists as underdogs striving for resilience against external critics and internal doubts. B.o.B's verses depict encounters with "haters" and a dismissive establishment that labels dreamers as part of a "," emphasizing defiance through lines such as "They say we are the lost generation, the truth is so hard to swallow / They say that we're just a product of what they don't want to follow / And we live in a world full of haters, they say that we're just a / But we got the fire in our hearts, and we ain't going out like that." Taylor Swift's recurring chorus reinforces this by expressing a desire for collective upliftment: "I wish I was strong enough / To lift not one but both of us / Someday I will be strong enough / To lift not one but both of us," framing the song as an of aspirational . B.o.B's contributions specifically address perceived systemic barriers, invoking imagery of mental strain—"Ever thought about losing it, two straight jackets that would fit"—and persistent opposition, as in "No matter how many times that you tell me it's over / I know that it's not because you still got that fire." These elements underscore a theme of perseverance against , with the rapper positioning himself and his counterpart as outsiders challenging conventional expectations. Swift's complements this by shifting focus to empathetic partnership, avoiding individual triumph in favor of shared . The overall structure alternates between and motivational resolve, prioritizing textual declarations of inner strength over explicit resolution of conflicts. Interpretations linking the lyrics to or arise from references to "haters" and generational alienation, which some observers connect to broader social hostilities faced by minorities or youth. However, the content remains general, emphasizing universal resilience rather than detailing specific incidents of discrimination or interpersonal aggression; no direct mentions of racial epithets, institutional , or peer victimization appear, suggesting an inspirational over autobiographical specificity. This allows broad relatability but invites scrutiny of authenticity, as both artists had achieved substantial commercial success by the song's 2012 release— with prior multi-platinum singles like "" and Swift as a global superstar from an affluent upbringing—potentially rendering the underdog portrayal motivational fiction rather than lived hardship. Empirical assessments of such themes in hip-pop collaborations often highlight performative solidarity, though no peer-reviewed studies isolate "Both of Us" for causal analysis of intent versus impact.

Music Video

Production and Direction

The music video for "Both of Us" was directed by Jake Nava. Filming took place in , during mid-June 2012, capturing scenes in local settings such as pool halls, house parties, barns, and rural areas to evoke everyday . On-set footage documented collaborative interactions between and , including moments of them posing together between takes in . captured behind-the-scenes clips showing the artists on location amid minor disruptions like insects, highlighting the practical challenges of outdoor shooting. The completed video premiered on June 27, 2012, via platforms including and .

Visual Narrative

The music video for "Both of Us" opens with positioned in front of a small American flag, establishing a motif of and perseverance, before transitioning to Taylor Swift performing the chorus in a dimly lit pool hall. This sequence intercuts with vignettes of ordinary individuals facing daily hardships, such as single parents working multiple jobs, children in modest homes, and young athletes training amid limited resources, highlighting themes of resilience through authentic, unpolished imagery. Subsequent scenes feature B.o.B rapping verses while navigating urban streets and abandoned lots in Nashville's less affluent neighborhoods, contrasting his rise from humble beginnings with the surrounding decay of rundown buildings and empty fields. Swift's appearances emphasize a grounded , including shots of her wandering alleyways and interacting briefly with locals, while montages depict community moments like families gathering for meals and workers toiling in factories, underscoring collective endurance without celebrity gloss. and Swift share limited on-screen moments together, such as synchronized performance clips amid these real-life backdrops, filmed entirely in Nashville to capture the city's working-class essence on June 15-16, 2012. The narrative culminates in uplifting sequences of triumph, showing underdogs achieving small victories—like a kid scoring a goal or a busking successfully—interwoven with the artists' delivery, portraying unity across diverse struggles in southern American locales. These elements avoid high-production glamour, opting for raw, documentary-style footage of Nashville's outskirts, including barns, rural roads, and urban fringes, to evoke genuine relatability.

Release and Promotion

Single Release

"Both of Us" was released digitally on May 22, 2012, as the third single from 's album Strange Clouds. The track was distributed by and in digital download format via platforms including . On the same date, it was serviced to Top 40 mainstream radio stations to promote . No physical retail editions, such as CDs or vinyl, were produced for the single's commercial release, with distribution limited to digital and promotional formats. A promotional CD single was prepared for industry use in select markets like the UK.

Promotional Strategies

The collaboration on "Both of Us" was strategically positioned as a surprise feature to leverage Taylor Swift's pop-country appeal for B.o.B's hip-hop audience, with the track first previewed via online streaming snippets on April 11, 2012, generating early buzz prior to the May 1 release of the parent album Strange Clouds. This pre-album tease highlighted the duet's inspirational theme and cross-genre potential, aiming to expand reach beyond traditional rap listeners. B.o.B employed , particularly , for targeted announcements that emphasized the unexpected pairing, including posts about recording sessions and the track's inclusion on Strange Clouds to surprise and engage fans. Promotional interviews, such as B.o.B's April 20, 2012, discussion with on the song's organic development from shared studio time, underscored the authenticity of the partnership to build media narratives around and underdog resilience. Radio promotion focused on contemporary hit and rhythmic formats to bridge hip-hop and pop-country playlists, with the May 22, 2012, single release timed as the third from Strange Clouds following "So Good" to sustain album momentum. This included airplay pushes that capitalized on Swift's vocal for broader accessibility, integrating the single into the album's sponsorship-backed rollout without separate genre-specific campaigns. The approach was described as a calculated pop crossover effort, prioritizing viral sharing and inclusion over traditional rap channels.

Critical Reception

Contemporary Reviews

Upon its release as a single on , 2012, "Both of Us" received praise for its uplifting message of mutual support and perseverance amid hardship. The Music review highlighted Taylor Swift's contribution as delivering the album's equivalent to B.o.B's earlier hit "Airplanes," describing it as a "disarming passion pledge" that evoked sincere emotional resonance. Similarly, RapReviews acknowledged the "undoubtedly sincere" sentiments in B.o.B's , emphasizing themes of overcoming personal and societal neglect without reliance on fame or wealth. Critics noted strong vocal chemistry between the artists, particularly Swift's soaring, anthemic chorus that served as the track's emotional anchor and propelled its pop appeal. However, some reviews expressed skepticism about the genre fusion's authenticity, with HipHopDX observing that the song's inspirational tone and execution "would make more sense on a Taylor Swift album" than B.o.B's hip-hop-oriented project, as her hook overshadowed his verses. RapReviews further critiqued the track's formulaic production by Dr. Luke—known for mainstream pop hits—as a calculated move for crossover success, suggesting it slightly undermined the lyrical sincerity by prioritizing commercial viability over artistic depth. Certain outlets pointed to potential lyrical inconsistencies, including a line in B.o.B's verse deemed offensive by some for its implications amid the song's empathetic themes. The Boot described the track as inspirational overall but flagged the rap section's content as something "some may deem offensive," potentially clashing with the collaborative ethos of shared struggle. Niche hip-hop commentary echoed mixed fan sentiments, praising Swift's performance while questioning B.o.B's integration into the pop-leaning arrangement, viewing it as a derivative follow-up to prior crossover experiments like "Airplanes."

Analyst Perspectives

Analysts have retrospectively critiqued "Both of Us" as a calculated crossover effort prioritizing commercial synergy over substantive exploration of its themes of unity and resilience against adversity. Rob Sheffield of Rolling Stone characterized the track as a "nice try at remaking 'Airplanes,'" noting its failure to replicate the emotive spark of B.o.B's prior collaboration with Hayley Williams, which underscores a perceived reliance on formulaic pop-rap hybrid structures rather than innovative artistic intent. Similarly, in comprehensive rankings of Taylor Swift's discography, the song consistently places low—such as 217th out of 284 by music professor Andrew Ledbetter—highlighting its limited enduring artistic resonance despite initial chart momentum. The collaboration's social messaging, emphasizing mutual uplift amid bullying and socioeconomic challenges as visualized in the music video, has faced scrutiny for superficiality when juxtaposed against the artists' trajectories. B.o.B's post-2012 pivot toward promoting conspiracy theories, including flat Earth advocacy and critiques of institutional narratives, has prompted observers to question the causal depth of his contributions to a song advocating mainstream harmony and empathy. This shift contrasts with Swift's maintenance of a curated, image-conscious persona, where the duet is often framed as an early, opportunistic foray into rap rather than a genuine fusion of perspectives on division. SPIN described the result as a "gooey duet" split between acoustic earnestness and electronic rap, implying stylistic disconnects that dilute thematic authenticity. Comparatively, "Both of Us" underperformed relative to other rap-pop crossovers in sustaining impact, with its chart trajectory—debuting at No. 18 on the driven by 143,000 first-week digital downloads—suggesting transient appeal to a blended of hip-hop and pop listeners rather than demographic transformation. Unlike B.o.B's "Airplanes," which achieved multi-platinum status and broader cultural permeation, this track's metrics indicate primary traction among younger, genre-fluid fans but limited penetration into core demographics of either artist's base, as evidenced by its modest 12-week run without topping genre-specific charts long-term. Non-mainstream critiques have neutrally highlighted such efforts as potential virtue-signaling for sales, though empirical data on listener retention post-release remains sparse, reinforcing views of intent as market-driven over causally transformative.

Commercial Performance

Chart Achievements

"Both of Us" entered the US at its peak position of number 18 on the chart dated May 19, 2012, and spent a total of 12 weeks on the chart. Its chart performance was primarily driven by digital download sales and significant radio airplay, as the song topped the R&B/Hip-Hop Digital Songs chart for one week during this period. The single achieved stronger results in Canada, peaking at number 5 on the Billboard Canadian Hot 100. In Australia, it reached number 5 on the ARIA Singles Chart. On the UK Singles Chart, "Both of Us" peaked at number 22.
Country/RegionChartPeak PositionSource Citation
United StatesBillboard Hot 10018[Billboard]
CanadaBillboard Canadian Hot 1005[aCharts]
AustraliaARIA Singles Chart5[aCharts]
United KingdomUK Singles Chart22[Official Charts]

Certifications and Sales

"Both of Us" earned Platinum certification from the (RIAA) on March 15, 2016, signifying 1,000,000 certified units shipped in the United States. This milestone was driven predominantly by digital downloads, reflecting the track's performance in an era where Nielsen SoundScan data highlighted the shift toward non-physical formats for single sales. analyses confirm the song exceeded 1 million downloads domestically, providing of its commercial viability despite varying critical responses to B.o.B's broader discography. Relative to the parent album Strange Clouds, which achieved moderate overall sales, "Both of Us" contributed meaningfully through streaming and download metrics without dominating the project's totals.

Live Performances

Key Appearances

and performed "Both of Us" together at the Z100 Jingle Ball on December 8, 2012, at in . The duo reunited for a joint rendition during Swift's on April 19, 2013, at Philips Arena in , Georgia, where appeared as a surprise guest. B.o.B delivered a solo version of the track at the Highline Ballroom in on July 24, 2012. Post-2013, joint appearances ceased, with occasionally featuring the song in his tour setlists and Swift excluding it from her subsequent concerts, including .

Artist Interpretations

recounted the collaboration's origin in a 2012 interview, explaining that initiated contact via text message, which he initially dismissed as inauthentic: "I was like, 'This isn't .'" Upon verifying her identity and meeting after she visited his Grand Hustle label headquarters in , he played an early version of the track for her; Swift responded enthusiastically before the first verse concluded, stating she loved it already, leading her to record the chorus vocals in while he handled his parts in . The rapper highlighted the song's underdog theme, positioning it as an for those battling personal hardships and societal barriers, with advocating mutual support amid struggles like and doubt. In reflections on the track's intent, described it as carrying a "good message" aimed at connecting with listeners through relatable resilience, underscoring cross-genre appeal by blending hip-hop verses with Swift's pop-country to symbolize between disparate fanbases. On performing the song live together, such as at the 2012 Jingle Ball, B.o.B noted the intense synergy: "Performing it live with her was crazy... the energy was insane," attributing the dynamic to their shared commitment to the track's empathetic core. Post-release comments from both artists have been sparse, coinciding with their career divergences—B.o.B's pivot toward independent releases and unconventional pursuits, contrasted with Swift's escalation in mainstream pop dominance—without further joint interpretations of the single's execution or stage delivery.

Legacy and Retrospective Analysis

Cultural Impact

The song exemplified early 2012 experiments in rap-country crossovers, merging B.o.B's hip-hop verses with Taylor Swift's melodic country-pop chorus, as part of a broader trend including Jason Aldean's "Dirt Road Anthem." This fusion highlighted genre-blending potential in mainstream music, predating later hits like Lil Nas X's "Old Town Road" by showcasing accessible narratives over hybrid beats. Lyrically, "Both of Us" promoted themes of mutual support amid adversity, influencing media portrayals of resilience in pop-rap contexts, with its video depicting relatable vignettes of personal struggles and . Streaming data reflects ongoing but niche fanbase traction, reaching approximately 84 million plays by late 2023, underscoring modest enduring play in playlists rather than transformative trendsetting. Counterpoints emphasize limited lasting cultural footprint, as B.o.B's post-2012 pivot to conspiracy endorsements—including claims—eroded his , framing the track as a transient peak amid his career decline rather than a sustained influence on music discourse.

Long-Term Evaluations

In retrospective analyses as of , "Both of Us" is frequently contextualized as a product of early pop-rap crossovers, with its endurance attributed to Taylor Swift's overarching commercial dominance rather than standalone artistic merit. A December 2024 discussion on hip-hop forums highlighted the track's representation of recession-era recession pop, where high-profile duets leveraged Swift's country-to-pop transition and B.o.B's hit-making phase to achieve broad accessibility, though subsequent divergences in their careers—Swift's ascent versus B.o.B's pivot to niche controversies—have confined revivals to nostalgic live sets. B.o.B's September 2025 concert review noted the song's inclusion elicited strong audience response, underscoring its utility in evoking era-specific swagger amid his otherwise marginalized mainstream presence. Empirically, the song sustains visibility through streaming algorithms, appearing in Spotify recommendations and playlists tied to Swift's catalog, which as of 2025 propels her pre-2014 collaborations into ongoing rotation for casual listeners. This mechanistic persistence contrasts with critical rankings, such as a October 2025 assessment placing it 217th among Swift's 284 songs, praising its decency as a rap-adjacent feature but critiquing its lack of innovation relative to her later fusions. Causal realism points to economics and Swift's fan-driven metrics as primary sustainers, bypassing deeper reevaluation; without her , the track risks fading like many contemporaneous B.o.B efforts. Balanced evaluations acknowledge achievements in populist messaging—promoting cross-class unity via simple, relatable hooks that broadened rap's appeal to non-hip-hop audiences—against perceptions of superficiality in addressing inequality. An August 2025 retrospective lauded the co-written lyrics for tackling and economic divides through underdog narratives, yet this inspirational framing has drawn implicit for evading structural causations like distortions or misalignments, favoring feel-good resolution over empirical dissection. Mainstream nostalgia, often amplified by Swift-centric media, tends to retroactively elevate such collaborations while sidelining B.o.B's contributions, reflecting biases toward established icons over artists whose later unorthodox views invite institutional dismissal.

References

  1. https://taylorswiftswitzerland.ch/index.php/features/both-of-us/
  2. https://www.billboard.com/charts/hot-100/2012-06-30/
  3. https://247wallst.com/special-report/2022/11/28/taylor-swifts-biggest-hits/
  4. https://www.youtube.com/watch?v=1b5km47Xp44
  5. https://theboot.com/taylor-swift-b-o-b-airplanes-video-dallas/
  6. https://www.setlist.fm/setlist/taylor-swift/2011/cowboys-stadium-arlington-tx-2bdb407e.html
  7. https://hiphopdx.com/news/b-o-b-explains-origins-of-taylor-swift-collaboration-both-of-us/
  8. https://www.elitedaily.com/entertainment/taylor-swift-song-collaborations
  9. https://www.allmusic.com/album/strange-clouds-mw0002303717
  10. https://www.discogs.com/master/629047-BoB-Strange-Clouds
  11. https://www.whosampled.com/B.o.B/Both-of-Us/
  12. https://www.discogs.com/release/3625786-BoB-Strange-Clouds
  13. https://www.billboard.com/music/rb-hip-hop/bob-the-adventures-of-bobby-ray-10th-anniversary-interview-9373896/
  14. https://www.rapreviews.com/2012/05/b-o-b-strange-clouds/
  15. https://getsongbpm.com/song/both-of-us/9QOKEJ
  16. https://tunebat.com/Info/Both-of-Us-feat-Taylor-Swift-B-o-B-Taylor-Swift/3r9bgSJlJz2zlevcBRYXko
  17. http://thebigshotsblog.blogspot.com/2012/05/bob-both-of-us-feat-taylor-swift.html
  18. https://popcrush.com/b-o-b-both-of-us-taylor-swift/
  19. https://taylorswiftswitzerland.jimdoweb.com/album-eras/features/both-of-us/
  20. https://www.nj.com/entertainment/music/2012/05/song_of_the_week_both_of_us_bo.html
  21. https://genius.com/Bob-both-of-us-lyrics
  22. https://www.azlyrics.com/lyrics/bob/bothofus.html
  23. https://taylorswift.fandom.com/wiki/Both_of_Us
  24. https://savingcountrymusic.com/mono-genre-watch-taylor-swift-records-both-of-us-rap-w-b-o-b/
  25. https://theboot.com/taylor-swift-b-o-b-both-of-us-video/
  26. https://tasteofcountry.com/taylor-swift-b-o-b-both-of-us-video-shoot/
  27. https://theboot.com/taylor-swift-b-o-b-both-of-us-video-behind-the-scenes/
  28. https://popcrush.com/b-o-b-taylor-swift-behind-the-scenes-both-of-us-video/
  29. https://www.xxlmag.com/behind-the-scenes-of-b-o-b-taylor-swifts-both-of-us-video/
  30. https://www.billboard.com/music/music-news/bob-taylor-swift-rep-for-the-underdogs-in-both-of-us-video-482534/
  31. https://www.rap-up.com/article/2012/06/27/video-b-o-b-f-taylor-swift-both-of-us
  32. https://www.hollywoodreporter.com/music/music-news/bob-taylor-swift-both-of-us-video-342649/
  33. https://tasteofcountry.com/taylor-swift-bob-both-of-us-video/
  34. https://musicbrainz.org/release-group/de8a4453-f8fe-4827-a310-92b4b636b1ca
  35. https://www.last.fm/music/B.o.B/_/Both%2Bof%2BUs%2B%28feat.%2BTaylor%2BSwift%29
  36. https://www.youtube.com/watch?v=1sa9qeV6T0o
  37. https://ideas.fandom.com/wiki/B.o.B
  38. https://www.discogs.com/release/3678247-BoB-Both-Of-Us
  39. https://www.vulture.com/2012/04/bob-featuring-taylor-swift-both-of-us.html
  40. https://www.billboard.com/music/music-news/bob-talks-strange-clouds-album-sponsorship-deals-46484/
  41. https://www.rapreviews.com/archive/2012_05F_BOBstrangeclouds.html
  42. https://www.bbc.co.uk/music/reviews/gbrj/
  43. https://hiphopdx.com/reviews/b-o-b-strange-clouds/
  44. https://theboot.com/b-o-b-taylor-swift-both-of-us/
  45. https://www.rollingstone.com/music/music-lists/taylor-swift-songs-ranked-rob-sheffield-201800/
  46. https://andrewledbetter.com/taylor-swifts-songs-ranked-by-a-40-something-professor/
  47. https://www.vice.com/en/article/why-hip-hop-loves-conspiracy-theories-bob-flat-earth/
  48. https://www.billboard.com/lists/top-taylor-swift-collaborations-songs/
  49. https://www.spin.com/2012/04/hear-bob-and-taylor-swifts-gooey-duet-both-us/
  50. https://www.billboard.com/music/music-news/carrie-underwood-debuts-atop-billboard-200-beats-norah-jones-bob-488849/
  51. https://www.billboard.com/charts/hot-100/2012-05-19/
  52. https://www.youtube.com/watch?v=okAMVjJXj8s
  53. http://www.rockonthenet.com/artists-b/bob.htm
  54. https://acharts.co/song/70516
  55. https://www.officialcharts.com/artist/5387/taylor-swift/
  56. https://www.riaa.com/wp-content/uploads/2016/04/RIAA_March2016.pdf
  57. https://www.billboard.com/music/music-news/ask-billboard-taylor-swifts-career-sales-480278/
  58. https://www.youtube.com/watch?v=K5_buDTyggE
  59. https://kisscasper.com/taylor-swift-jingle-ball-2012-b-o-b-ed-sheeran/
  60. https://www.youtube.com/watch?v=10-sfKWzuPs
  61. https://www.youtube.com/watch?v=vWFKfDl0WDE
  62. https://www.setlist.fm/stats/songs/taylor-swift-3bd6bc5c.html?songid=5bd9a7ec
  63. https://www.songfacts.com/facts/bob/both-of-us
  64. https://www.vibe.com/news/entertainment/bob-talks-hip-hop-dance-experience-new-mixtape-working-taylor-swift-120562/
  65. https://musicrow.com/2012/06/new-b-o-b-video-featuring-taylor-swift/
  66. https://www.complex.com/music/a/al-shipley/best-country-rap-songs
  67. https://www.usatoday.com/picture-gallery/entertainment/music/2019/08/14/20-country-rap-songs-that-preceded-old-town-road/39956321/
  68. https://www.prestigeonline.com/sg/lifestyle/culture-plus-entertainment/biggest-taylor-swift-collaborations-post-malone-zayn-lana-del-rey-ed-sheeran-bon-ivor/
  69. https://kworb.net/spotify/artist/5ndkK3dpZLKtBklKjxNQwT_songs.html
  70. https://turntablethought.com/2018/07/22/bobby-ray-flat-earther/
  71. https://www.reddit.com/r/hiphopheads/comments/1haoec3/bob_both_of_us_ft_taylor_swift/
  72. https://www.miaminewtimes.com/music/review-b-o-b-brings-nostalgia-and-swagger-to-revolution-live-40491897/
  73. https://open.spotify.com/track/3r9bgSJlJz2zlevcBRYXko
  74. https://www.ebony.com/taylor-swift-collabs-black-artists/
  75. https://wkml.com/2025/10/10/taylor-swift-most-memorable-early-collaborations/
Add your contribution
Related Hubs
User Avatar
No comments yet.