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The Coming
The Coming is the debut studio album by the American rapper and record producer Busta Rhymes. It was released on March 26, 1996, by Flipmode Entertainment and Elektra Records. The album contains contributions by the Def Squad members Redman, Keith Murray, and Jamal; as well as Q-Tip, Zhané, Leaders of the New School, and several Flipmode Squad members. It was produced by DJ Scratch, Easy Mo Bee, and the Ummah, among others. It serves as Rhymes's first solo album after the breakup of Leaders of the New School two years prior, and his first full-length project after numerous guest appearances on other songs with artists such as A Tribe Called Quest, the Notorious B.I.G., Heavy D and the Boyz, and Mary J. Blige.
The album reached number six on the Billboard 200 chart. Although, according to the Recording Industry Association of America (RIAA), The Coming was certified platinum on January 13, 1999, Rhymes has stated that the album went platinum within the same year of its release. The lead single, "Woo-Hah!! Got You All in Check" reached number eight on the Billboard Hot 100 chart in 1996, and earned Rhymes his first nomination for Best Rap Solo Performance at the 39th Grammy Awards. The second single, "It's a Party" (featuring Zhané) would also make the chart, peaking at number 52. In commemoration of its 25th anniversary, a super deluxe edition of The Coming featuring remixes, instrumentals and acapellas was released to all streaming platforms on April 16, 2021, by Rhino.
"I was like the first artist to really start rhyming on everyone else's record. And I was doing that because it was a quick way to feed my kid. That's what was going on until, you know, I got to a place where I felt comfortable enough with doing a solo album."
The Coming serves as Busta Rhymes's first solo album after the break up of his former group Leaders of the New School. As his group had just broken up and he had his first son, he needed a source of income to provide a secure life for his son. He then got offered an Elektra Records solo deal by Dante Ross and Chris Lighty but was hesitant about accepting the deal due to his concerns regarding if he would be able to captivate listeners for the length of an entire album by himself. To get more comfortable with recording without his former group Leaders of the New School, he then appeared on numerous other artists' records. He did so to experiment with and find his own sound. His guest appearances at the time included A Tribe Called Quest's "Oh My God" and Craig Mack's "Flava in Ya Ear (Remix)", among others. Rhymes contributed hugely to the ongoing trend of guest appearances in hip hop.
The initial recording sessions began in late 1994 in Los Angeles, where Rhymes was shooting for the movie Higher Learning, directed by John Singleton. When shooting ended, he also flew to Atlanta where he worked with record producer Dallas Austin in his new recording studio D.A.R.P. (Dallas Austin Recording Projects). Rhymes was worried about his responsibility and the future of his family, unsure whether he was capable of making a debut that would serve as the foundation of his solo career. Back in New York City, he moved between three recording studios, The Music Palace, Chung King Studios and Soundtrack Studios, to record music. After he sourced beats, he would write solely in the studio, afraid to lose lines or ideas for flows. Everything, including arrangements, concepts, choruses and verses, was written down on paper. Most of the time, he worked alone in the studio, with no one to hype him up before or after he got in the booth.
"He was creating a sound that nobody else was doing. I loved it, and it reminded me of that hard-slapping, creative way of sampling records that Q-Tip was already doing, and Large Professor, Pete Rock, and Preemo. But he sounded closer to Q-Tip more than anybody else. Tip was one of my favorite producers at the time, and Dilla sounded like a young, iller version of Q-Tip. That was it. I just fell in love with his work."
Up until this point, Rhymes had problems with recording a full album on his own and sought help from his frequent collaborator, the rapper Q-Tip. Rhymes was mentored by Q-Tip, who gave him advice, motivated him and played a role in choosing the direction for the album. With his help and after several months of frustration, he finally came up with the idea that would become the skit after "It's a Party". In 1995, Q-Tip also introduced Rhymes to the then-unknown record producer J Dilla, who was known as Jay Dee at the time and had his biggest credits on the hip hop group the Pharcyde's second studio album Labcabincalifornia. Dilla went on to produce two tracks on the album, "Still Shining" and "Keep It Movin'", as well as numerous other tracks by Rhymes in the following years.
Rhymes recorded a track for the album called "The Ugliest" with the rapper the Notorious B.I.G. over a beat by Dilla. The rappers Method Man and Nas were also set to appear on the track which because of scheduling conflict did not come about. Because of subliminal disses about 2Pac by Biggie, the song was ultimately not included on the album. Biggie's verse would later be reused on "Dangerous MC's", a posse cut on the posthumously released 1999 album Born Again, also featuring Rhymes, Mark Curry and Snoop Dogg, while the song itself was released in a new form on Rhymes' 2003 mixtape "Surrender".
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The Coming
The Coming is the debut studio album by the American rapper and record producer Busta Rhymes. It was released on March 26, 1996, by Flipmode Entertainment and Elektra Records. The album contains contributions by the Def Squad members Redman, Keith Murray, and Jamal; as well as Q-Tip, Zhané, Leaders of the New School, and several Flipmode Squad members. It was produced by DJ Scratch, Easy Mo Bee, and the Ummah, among others. It serves as Rhymes's first solo album after the breakup of Leaders of the New School two years prior, and his first full-length project after numerous guest appearances on other songs with artists such as A Tribe Called Quest, the Notorious B.I.G., Heavy D and the Boyz, and Mary J. Blige.
The album reached number six on the Billboard 200 chart. Although, according to the Recording Industry Association of America (RIAA), The Coming was certified platinum on January 13, 1999, Rhymes has stated that the album went platinum within the same year of its release. The lead single, "Woo-Hah!! Got You All in Check" reached number eight on the Billboard Hot 100 chart in 1996, and earned Rhymes his first nomination for Best Rap Solo Performance at the 39th Grammy Awards. The second single, "It's a Party" (featuring Zhané) would also make the chart, peaking at number 52. In commemoration of its 25th anniversary, a super deluxe edition of The Coming featuring remixes, instrumentals and acapellas was released to all streaming platforms on April 16, 2021, by Rhino.
"I was like the first artist to really start rhyming on everyone else's record. And I was doing that because it was a quick way to feed my kid. That's what was going on until, you know, I got to a place where I felt comfortable enough with doing a solo album."
The Coming serves as Busta Rhymes's first solo album after the break up of his former group Leaders of the New School. As his group had just broken up and he had his first son, he needed a source of income to provide a secure life for his son. He then got offered an Elektra Records solo deal by Dante Ross and Chris Lighty but was hesitant about accepting the deal due to his concerns regarding if he would be able to captivate listeners for the length of an entire album by himself. To get more comfortable with recording without his former group Leaders of the New School, he then appeared on numerous other artists' records. He did so to experiment with and find his own sound. His guest appearances at the time included A Tribe Called Quest's "Oh My God" and Craig Mack's "Flava in Ya Ear (Remix)", among others. Rhymes contributed hugely to the ongoing trend of guest appearances in hip hop.
The initial recording sessions began in late 1994 in Los Angeles, where Rhymes was shooting for the movie Higher Learning, directed by John Singleton. When shooting ended, he also flew to Atlanta where he worked with record producer Dallas Austin in his new recording studio D.A.R.P. (Dallas Austin Recording Projects). Rhymes was worried about his responsibility and the future of his family, unsure whether he was capable of making a debut that would serve as the foundation of his solo career. Back in New York City, he moved between three recording studios, The Music Palace, Chung King Studios and Soundtrack Studios, to record music. After he sourced beats, he would write solely in the studio, afraid to lose lines or ideas for flows. Everything, including arrangements, concepts, choruses and verses, was written down on paper. Most of the time, he worked alone in the studio, with no one to hype him up before or after he got in the booth.
"He was creating a sound that nobody else was doing. I loved it, and it reminded me of that hard-slapping, creative way of sampling records that Q-Tip was already doing, and Large Professor, Pete Rock, and Preemo. But he sounded closer to Q-Tip more than anybody else. Tip was one of my favorite producers at the time, and Dilla sounded like a young, iller version of Q-Tip. That was it. I just fell in love with his work."
Up until this point, Rhymes had problems with recording a full album on his own and sought help from his frequent collaborator, the rapper Q-Tip. Rhymes was mentored by Q-Tip, who gave him advice, motivated him and played a role in choosing the direction for the album. With his help and after several months of frustration, he finally came up with the idea that would become the skit after "It's a Party". In 1995, Q-Tip also introduced Rhymes to the then-unknown record producer J Dilla, who was known as Jay Dee at the time and had his biggest credits on the hip hop group the Pharcyde's second studio album Labcabincalifornia. Dilla went on to produce two tracks on the album, "Still Shining" and "Keep It Movin'", as well as numerous other tracks by Rhymes in the following years.
Rhymes recorded a track for the album called "The Ugliest" with the rapper the Notorious B.I.G. over a beat by Dilla. The rappers Method Man and Nas were also set to appear on the track which because of scheduling conflict did not come about. Because of subliminal disses about 2Pac by Biggie, the song was ultimately not included on the album. Biggie's verse would later be reused on "Dangerous MC's", a posse cut on the posthumously released 1999 album Born Again, also featuring Rhymes, Mark Curry and Snoop Dogg, while the song itself was released in a new form on Rhymes' 2003 mixtape "Surrender".