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The Ghost Network
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| "The Ghost Network" | |
|---|---|
| Fringe episode | |
 Roy is wearing equipment that will help the Fringe team tap into the "Ghost Network". | |
| Episode no. | Season 1 Episode 3 |
| Directed by | Frederick E. O. Toye |
| Written by | |
| Production code | 3T7652 |
| Original air date | September 23, 2008 |
| Guest appearances | |
| |
"The Ghost Network" is the third episode of the first season of the American science fiction drama television series Fringe. The episode was written by co-executive producer David H. Goodman and supervising producer J. R. Orci, and was directed by Frederick E. O. Toye. The episode follows the Fringe team's investigation into a bus that was filled with amber, encasing the people inside. They discover a man named Roy (Zak Orth) who predicted it and other similar events, and Walter realizes Roy has connections to a past experiment he did over twenty years ago, called the "Ghost Network".
The episode was important in the show's evolution, as the writers noted that Roy was the first guest character the audience could get emotionally invested in. "The Ghost Network" also included their quest to explain seemingly impossible and weird phenomena through a real scientific explanation from Walter's past research.
It first aired on the Fox network in the United States on September 23, 2008. An estimated 9.42 million viewers watched the episode on its first broadcast. It received mixed reviews, with many believing the show to be finally finding its legs, while others worried over the ongoing formulaic storylines featured in each episode.
Plot
[edit]A man named Roy McComb (Zak Orth) confesses to his priest that he sees visions of bad things, including a bus where everyone is going to die. Simultaneously with this scene, a man enters a bus, unleashes a canister emitting gaseous fumes, and steals a backpack before quickly getting off. The Fringe team arrives soon after, only to find the fumes have hardened into an amber-like substance, trapping and killing those inside. Walter (John Noble) studies the substance and concludes it started out as a gas and then solidified, suffocating the passengers. While looking at a victim's video footage, Olivia (Anna Torv) discovers a backpack is missing, and traces it back to one of the victims, a Federal employee with undercover connections to a drug cartel. They interview her "handler", who comes to identify her body. The Fringe team finds out about Roy, and search through his apartment, believing he is behind the bus and other Pattern-related terror attacks. They soon realize all of his drawings are dated before the incidents took place, despite the fact that several of them were never made public. In an interrogation, Roy tells Charlie (Kirk Acevedo) he's been receiving his visions for nine months, roughly when they began seeing Pattern-related attacks.
Meanwhile, they trace the substance to Massive Dynamic. Olivia interviews Massive Dynamic executive Nina Sharp (Blair Brown), who tells her the substance has been seen in an attack before. Walter suspects Roy is psychic and runs tests on him before realizing Roy has some kind of magnetic compound in his blood. This leads Walter to recall he and his old lab partner William Bell had conducted research on creating a "Ghost Network" to secretly communicate messages from one person to another in an otherwise undetectable frequency range. During this research, Roy was one of his past test subjects. Walter further theorizes that someone else has perfected his research, and that Roy is overhearing secret messages from some of the people behind the terrorist attacks. Olivia and Peter (Joshua Jackson) arrive at his old house to find equipment needed to tap into Roy's mind.
Using the equipment, they are able to intercept messages in Latin detailing an upcoming exchange at South Station in an hour. They realize the handler removed a small crystalline disk from the Federal agent's hand when he identified her body, and that he is now going to exchange it for something else. Olivia intercepts the man, who is killed before she can talk to him. She chases another man involved in the exchange, who commits suicide in front of a bus after giving them a briefcase containing the disc. Phillip Broyles (Lance Reddick) secretly gives the disc to Nina for analysis, while Roy is sent home, as they believe he will no longer see visions because the Ghost Network has been compromised.
Production
[edit]Writing
[edit]Executive producer Jeff Pinkner decided he wanted fellow executive producer David H. Goodman and supervising producer J. R. Orci to collaborate in writing the episode;[1][2] Goodman wrote the first half, while Orci wrote the rest of the episode. The two later worked together on only one other episode, "The Equation".[2] Frederick E. O. Toye directed the episode,[3] as he had worked previously with the writers on Alias.[2] The writers had the idea for a couple of weeks of Olivia walking into an apartment and discovering walls covered with drawings of events that "no man could possibly have known about". They wanted to take "urban myths or legends of strange events" and come up with a fringe science equivalent; this led them to creating the story of Roy, a man with seemingly "psychic" abilities, which they then expanded by offering a real scientific explanation in the form of Walter's past research.[2] In the show's early development, the producers were also unsure about how other aspects should be developed, such as Joshua Jackson's character Peter. For instance, in "The Ghost Network", they debated whether or not Peter would break into his childhood home before finally "stalling and just let him do it"; Orci came up with Peter's explanation to Olivia, that he used to live there so it wasn't really breaking in.[2]
Casting
[edit]The character Roy McComb was played by actor Zak Orth. Roy's name was inspired from Richard Dreyfuss' character Roy Neary in Close Encounters of the Third Kind. The writers noted in the audio commentary that Roy was the first guest character the audience could get emotionally invested in. They wanted the actor to shave off his hair in preparation for the experimentation scene in Walter's lab, but Orth successfully "begged" them to change their minds. When casting for the part of Grant, the writers looked for a man similar in appearance to previous character John Scott (Mark Valley), as they wanted "to play into whatever Olivia's feelings about how she was or was not betrayed by John".[2] Peter Hermann won the part.[4]
Filming
[edit]
Orci came up with the idea to start the episode in a church's confessional, while the ambered scene on the bus was originally scripted to take place on a subway; one of the writers felt the bus "let you see more of the city". Early in the show's creation the writers were trying to figure out what Fringe could be, and ultimately chose "big crazy event[s]" at the start of each episode that would catapult its plot and drive its characters. They felt the bus scene essentially achieved this.[2] When creating the scene on the bus when the gas canister is released, the crew sat on a bus that was really driving through the streets of New York City; director Frederick Toye called the shooting "Student film style, run and gun".[5] To shoot the three scenes of the bus in the tunnel, the crew looked at a variety of locations before choosing a tunnel near the United Nations headquarters on the east side of Manhattan. As it was a busy area, they had to shoot at night and then attempt to make it appear to be daytime, as the scenes were set during the day. They had a limited schedule to shoot all three scenes, and despite never having seen the tunnel before, the production crews had 8–9 hours to quickly set up the massive set and leave enough time to shoot the scenes before dawn approached.[6] To simulate being encased in amber, the actors had to pretend they were frozen.[5]
The episode marked the first time composer Michael Giacchino worked with assistant Chad Seiter on a Fringe episode.[2] Seiter would continue to score the rest of the season's first half.[2] Joshua Jackson's character briefly plays the piano in a scene near the end of the episode, and it is really Jackson playing. The writers noted in the audio commentary that Jackson can actually play the piano, and that when he receives musical scenes, he learns the piece(s) beforehand to be able to play it for the scene.[2]
Reception
[edit]Ratings
[edit]"The Ghost Network" first aired in the United States on September 23, 2008.[7] The episode's broadcast was watched by an estimated 9.42 million viewers in the US.[8]
Reviews
[edit]The story this week is a good one and it isn’t just a case of the week, it’s also tied directly into the mythology of the series. Actually, every case of the week is tied to the mythology but this week’s story is directly connected to the shady people that the Fringe team is searching for. By the end of the episode, the mystery becomes extremely compelling and finally Fringe hits that special place of TV series addiction reserved for shows like LOST and Battlestar Galactica.
The episode received mixed reviews. The A.V. Club's Noel Murray graded the episode with a B, explaining that while he thought it was "much more fun" than the previous week's episode and enjoyed Peter's expanded presence, he was growing slightly wearied by the "hint-dropping" of Peter's past. Murray thought the climax was "so exciting" that he was willing "to forgive the fact that this is the third week in a row that Walter's big idea has involved some kind of communication with the unconscious".[9] IGN's Travis Fickett rated it 7.5/10, writing that he thought it was a solid episode because the "characters are coming together nicely, the story is better than last week's – but already it seems the show is hitting a formula". Fickett expressed worriment that Fringe would eventually become too formulaic, much like the first season of Smallville, and concluded his review by calling Fringe "a solid show, but [not] exceptional yet".[7]
Writing for Mania.com, Stephen Lackey thought that though the episode wasn't perfect, Fringe had finally seemed to hit its stride, as its "mix of humor and darker storytelling... is starting to come together nicely". Lackey concluded his review by expressing his "excitement" at watching Fringe get better and better, and thought the show could become the best new series of the year if it continued to improve with each episode.[3] Another UGO writer, Alex Zalben, compared "The Ghost Network" to the similarly-plotted The X-Files film The X-Files: I Want to Believe. Zalben wrote, "Man, that X-Files movie was just no good. Fringe wins."[10]
References
[edit]- ^ Lachonis, Jon (September 24, 2008). "Fringe: "The Ghost Network" Review". UGO Networks. Archived from the original on October 2, 2010. Retrieved March 28, 2011.
- ^ a b c d e f g h i j David H. Goodman, J.R. Orci, Bryan Burk (2009). "Audio commentary for "The Ghost Network"". Fringe: The Complete First Season (DVD). Warner Bros. Television.
- ^ a b c Lackey, Stephen (September 25, 2008). "FRINGE: The Ghost Network". Mania.com. Archived from the original on February 11, 2009. Retrieved March 28, 2011.
- ^ "Peter Hermann Credits". TV Guide. Retrieved March 28, 2011.
- ^ a b Conrad Brink, Fred Toye, Gary Rake, Peter Gelfman, Christopher Scollard, Gilbert Gertsen (2009). "Deciphering the Scene: The Ghost Network". Fringe: The Complete First Season (DVD). Warner Bros. Television.
- ^ Lynn Powers, Michael Trisoli, Thomas Yatsko, Tom Tobin, Stephen Kelly (2009). "The Massive Undertaking: The Ghost Network". Fringe: The Complete First Season (DVD). Warner Bros. Television.
- ^ a b Fickett, Travis (September 24, 2008). "Fringe: "The Ghost Network" Review". IGN. Retrieved March 28, 2011.
- ^ Gorman, Bill (September 30, 2008). "Top Fox Primetime Shows, September 22–28". TV by the Numbers. Archived from the original on September 15, 2009. Retrieved March 28, 2011.
- ^ Murray, Noel (September 23, 2008). "The Ghost Network". The A.V. Club. Archived from the original on January 22, 2009. Retrieved March 28, 2011.
- ^ Alex, Zalben (April 5, 2010). "Fringe vs. The X-Files: Which Does Weird Science Better?". UGO Networks. Archived from the original on October 29, 2012. Retrieved March 18, 2012.
External links
[edit]
The Ghost Network
View on GrokipediaEpisode Overview
Synopsis
The episode opens with a targeted attack on a Boston city bus, where an assailant releases a canister of silicon-based aerosol gas, encasing all passengers in an amber-like substance that solidifies rapidly, killing them instantly.[3] The Fringe Division, led by FBI Agent Olivia Dunham, is summoned to the scene, where forensic analysis by Dr. Walter Bishop reveals the substance's composition and its potential connection to Massive Dynamic, a powerful corporation with ties to fringe science.[2] As the team processes the crime scene, they identify that the attacker targeted a backpack carried by DEA Agent Evelyn Mendoza, prompting Dunham and her partner Charlie Francis to pursue leads on the stolen item, which turns out to be a crystalline data disk containing sensitive information related to ongoing "Pattern" events.[3] Parallel to the investigation, a man named Roy McComb, tormented by vivid premonitions, confesses to a priest about foreseeing the bus attack and other disasters, including drawings that match the incident exactly. McComb's visions stem from his unwitting participation as a test subject in Walter Bishop's experiments over 20 years prior, where he was injected with an iridium-based compound designed to enable telepathic communication via an undetectable frequency known as the Ghost Network.[3] Walter recognizes the connection immediately upon meeting McComb, explaining that the compound allows McComb to inadvertently intercept transmissions on this "ghost" frequency, mistaking them for divine visions. Olivia Dunham displays notable empathy toward McComb, offering reassurance amid his distress and guilt over failing to prevent the bus attack, while Peter Bishop initially approaches the claims with skepticism, viewing them as delusions until evidence mounts, gradually becoming more involved in protecting McComb from potential exploitation.[2] Walter, drawing on his fringe science background, conducts experiments including an MRI scan and neural stimulation on McComb to tune into the network, confirming its origins in his own abandoned research.[3] The plot escalates as the team traces the disk to a Massive Dynamic operative acting on behalf of unseen interests, leading to a tense confrontation where Dunham and Francis pursue the suspect to South Station for an exchange. Using McComb's abilities to intercept communications on the Ghost Network, the team arrives in time; the suspect is killed by a sniper before interrogation.[3] In a key twist, McComb reveals his backstory in detail during the experiments, disclosing how the Ghost Network has plagued him with fragmented predictions of Pattern-related events. The crystalline data disk is recovered from the suspect's briefcase, averting further harm.[2] The episode resolves with the Fringe team sending McComb home, as they believe he will no longer receive visions now that the Ghost Network transmissions have ceased, while the disk's contents are handed over to Massive Dynamic's Nina Sharp for analysis, hinting at deeper conspiracies.[3]Broadcast Details
"The Ghost Network" aired as the third episode of the first season of the American science fiction series Fringe on the Fox Broadcasting Company network on September 23, 2008.[4] The episode was directed by Frederick E. O. Toye, known for his work on various television dramas, and written by David H. Goodman and J. R. Orci, marking the first Fringe installment not penned by the series' core creative team of J. J. Abrams, Alex Kurtzman, and Roberto Orci.[5] In its initial broadcast, "The Ghost Network" drew 9.42 million total U.S. viewers, achieving a 4.1 rating in the key adults 18-49 demographic.[4] This performance represented a 20% decline from the previous episode's viewership but retained a substantial portion of its lead-in from House, contributing to Fox's strong Tuesday night lineup. The episode's audience placed it within the top 20 programs for the week among broadcast networks, underscoring early momentum for the freshman series amid competitive primetime scheduling.[4]Production
Writing and Development
"The Ghost Network" was written by David H. Goodman and J. R. Orci, who crafted it as an early mythology-building episode designed to introduce psychic elements connected to Walter Bishop's enigmatic past.[6] This approach allowed the script to lay foundational lore while exploring Walter's history of fringe science experiments, particularly those involving extrasensory perception and experimental networks. In development, the writers aimed to introduce Roy McComb as the series' first emotionally resonant guest character, using his psychic abilities and tragic backstory to deepen the core team's interpersonal dynamics and highlight themes of isolation and redemption. They deliberately blended procedural casework—centered on a mysterious bus attack—with subtle serial hints, ensuring the episode advanced the overarching narrative without alienating new viewers. The episode's structure was refined through revisions to maintain a balance between the self-contained investigation of the bus incident and broader lore progression, with specific changes heightening tension surrounding the accuracy and implications of predictive visions. These adjustments emphasized suspense in the psychic predictions, making the standalone plot more engaging while teasing future mythology ties.Casting
The principal cast for "The Ghost Network" reprise their roles from the series' pilot and second episode, with Anna Torv portraying Olivia Dunham, the determined lead investigator heading the FBI's Fringe Division; Joshua Jackson as Peter Bishop, the street-smart but skeptical consultant brought in for his unconventional expertise; and John Noble as Walter Bishop, the brilliant yet eccentric scientist whose experimental past drives much of the episode's scientific inquiry.[1] Among the guest stars, Zak Orth delivers a standout performance as Roy McComb, the reluctant psychic informant whose connection to the episode's central "ghost network" reveals hidden communications, selected for his nuanced ability to convey emotional vulnerability and desperation in a character tormented by his abilities.[7] Other supporting roles include Lance Reddick as Phillip Broyles, the head of the Fringe Division, in an early appearance underscoring the FBI's involvement in investigating fringe science events.[1] The casting process emphasized fitting actors to the series' established archetypes without major recasts or widely documented auditions, ensuring seamless integration into the ongoing narrative while highlighting guest performers like Orth to add depth to one-off characters.Filming and Visual Effects
Filming for "The Ghost Network" primarily took place in New York City, doubling as the series' Boston setting, with key exterior shots capturing urban authenticity. The episode's central bus incident was filmed in the 1st Avenue Tunnel, where production closed the location to simulate the confined, tense environment of the attack. Additional sequences included the bus boarding at East 40th Street and 1st Avenue, and a chase scene at Yonkers Station, employing a "run and gun" documentary-style approach to heighten the urgency and realism of the pursuit.[8] Visual effects played a crucial role in realizing the episode's speculative elements, particularly the amber-like substance that encases the bus passengers. This was achieved through a combination of practical effects—such as actors holding rigid poses coated in a resinous material—and CGI to depict the gas transforming into the solidifying mass within the bus interior, creating a seamless illusion of instantaneous entrapment. The psychic vision sequences featuring Roy McComb utilized subtle digital distortions, including faint visual warping and ethereal overlays, to convey his premonitions without overpowering the narrative. These effects were overseen by visual effects supervisor Jay Worth, as detailed in the season's production featurettes.[9][10] Production faced logistical hurdles in coordinating the large-scale bus set, which required assembling dozens of extras in frozen positions inside a studio-built interior matched to exterior tunnel footage. Director Frederick E.O. Toye navigated these challenges by balancing the horror of the amber scene's grotesque tableau with the procedural investigation, using tight framing and dynamic lighting to maintain tension while advancing the plot's investigative rhythm. Toye's direction emphasized grounded performances amid the fantastical, ensuring the effects served the story's emotional core.[1][11]Reception
Viewership
"The Ghost Network" attracted 9.7 million viewers in the United States upon its initial broadcast on September 23, 2008, achieving a 4.2 rating in the adults 18-49 demographic according to Nielsen measurements.[12] This performance marked a decline from the second episode's 13.3 million viewers and 5.2 rating in the same demographic, but an increase over the series pilot's 9.1 million viewers and 3.2 rating, demonstrating solid retention for a new sci-fi series in its third week.[13] The episode's strong showing in the 18-49 demographic, particularly among sci-fi enthusiasts, contributed to Fox's decision to order a full 22-episode first season just eight days later on October 1, 2008, positioning "Fringe" as the network's top new drama for young adults.[14] Nielsen data indicated consistent viewer retention from prior episodes, with the show's appeal rooted in its genre elements sustaining interest despite competitive Tuesday night scheduling.[12]Critical Response
The episode received generally positive reviews from critics, who appreciated its advancements in the series' overarching mythology while noting some structural familiarity. The A.V. Club awarded it a B grade, praising the integration of "The Pattern" through Walter Bishop's past experiment with the Ghost Network, which tied into larger conspiracy elements more effectively than prior installments.[3] IGN gave it a 7.5 out of 10, highlighting the emotional depth in character interactions that strengthened the ensemble dynamics.[15] Critics lauded specific performances and atmospheric elements, particularly the strong guest turn by Zak Orth as Roy McComb, whose portrayal added a layer of unsettling authenticity to the psychic's role.[3] The episode's blend of horror—exemplified by the chilling amber scene—and quieter character moments was seen as a successful balance, enhancing the procedural case with personal stakes for the protagonists.[9] However, some reviewers pointed to shortcomings in the episode's execution. The predictable procedural structure was a common critique, with IGN noting that the show was already settling into a formulaic rhythm despite improvements over the previous week.[15] Conspiracy hints felt underdeveloped to The A.V. Club, as the slow reveal of continuity elements like Peter's backstory occasionally overshadowed the central mystery.[3] Opinions on pacing were mixed, with some finding it an improvement over the pilot's intensity but others viewing the deliberate buildup as occasionally draggy compared to the series opener.[3]Series Integration
Mythology Connections
The episode "The Ghost Network" originates a pivotal element of the Fringe series' mythology through Walter Bishop's collaboration with William Bell, the founder of Massive Dynamic, on an experimental psychic surveillance system developed in the 1980s.[16] This initiative involved administering an iridium-based compound to human subjects, such as Roy McComb, to transform their brains into conduits capable of transmitting and receiving thought waves across a hidden spectrum known as the "Ghost Network."[3] Designed as a means of covert observation and communication, the network inadvertently bridged to the parallel universe, allowing fragmented visions of impending events tied to interdimensional anomalies. These origins underscore Massive Dynamic's deep entanglement in fringe technologies, positioning the corporation as a shadowy architect of the series' overarching Pattern—a series of interconnected scientific disruptions signaling the collision of universes.[3] The episode foreshadows Walter's profound guilt over his ethical transgressions, as he confronts the unintended consequences of subjecting individuals like Roy to irreversible neurological alterations for the sake of boundary-pushing research.[18] This theme of remorse recurs throughout the narrative, amplifying Walter's internal conflict as revelations about his past experiments unfold, while the surveillance motif subtly anticipates the Observer patterns, where detached entities monitor human affairs without direct intervention.[3] Retrospectively, "The Ghost Network" stands as an foundational mythology pillar, with its introduction of the amber-like containment substance referenced in later seasons to seal parallel universe breaches, such as in season 3's "6B," where Walter proposes its use to isolate a haunted building from spreading anomalies.[19] The episode's psychic conduit concept also informs season 3 developments, including explorations of enhanced human cognition and interdimensional signaling, reinforcing the narrative's focus on Walter's legacy of morally fraught innovations that propel the multiverse conflict.[18]Themes and Scientific Concepts
The Ghost Network in the episode represents a pseudoscientific framework for telepathic communication, conceptualized as an "early warning system" where individuals with enhanced neural sensitivity intercept impending threats or events through subconscious visions. This idea draws from fringe neuroscience research exploring brainwave synchronization for remote signaling, akin to experimental helmets designed to enable soldier-to-soldier mental links via detected neural patterns.[20] The network's mechanism posits a collective psychic linkage, allowing prescient glimpses of disasters, though it remains ungrounded in empirical evidence and serves primarily as a narrative device to probe the boundaries of human cognition. Complementing this is the amber substance, depicted as a volatile containment medium that transitions from gas to solid to isolate anomalies and preserve stability across dimensional boundaries. In the episode's context, it functions as a rapid-hardening agent to encapsulate threats, foreshadowing broader series lore where it stabilizes fracturing realities by preventing entropy spread from parallel universes. This concept echoes speculative materials science, where polymers mimic amber's preservative qualities, but amplifies them into a tool for cosmic equilibrium without verifiable physical basis.[21] Thematically, the episode underscores the ethics of human experimentation, particularly through Walter Bishop's involvement in creating psychic networks, evoking his profound regrets over subjecting vulnerable individuals to mind-altering procedures. This mirrors real-world controversies like the CIA's MKUltra program (1953–1973), which conducted non-consensual tests with LSD and hypnosis on unwitting subjects to achieve behavioral control, often leading to psychological harm and ethical reckonings for participants.[22] Isolation emerges as a core philosophical undertone, portraying prescience not as empowerment but as a burdensome curse that severs individuals from normal social bonds, amplifying existential loneliness in the face of foreknowledge. Corporate conspiracy in scientific advancement forms another layer, illustrating how private entities exploit fringe research for surveillance or control, paralleling MKUltra's covert institutional collaborations. The pseudoscience of telepathy here analogizes quantum entanglement, where correlated particles instantaneously influence each other regardless of distance, suggesting a non-local "connectedness" that could underpin mental links—though actual entanglement enables no information transfer faster than light, rendering it a metaphorical rather than literal basis.[23] These elements collectively critique the hubris of unchecked innovation, emphasizing moral accountability in pursuing boundary-pushing science.References
- https://www.[popmatters](/page/PopMatters).com/125503-fringe-every-generation-gets-the-x-files-it-deserves-2496195199.html