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Tommy Cooper
Tommy Cooper
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Thomas Frederick Cooper (19 March 1921 – 15 April 1984) was a Welsh[1][2] prop comedian and magician. As an entertainer, his appearance was large and lumbering at 6 feet 4 inches (1.93 m),[3] and he habitually wore a red fez when performing. He served in the British Army for seven years before developing his conjuring skills and becoming a member of The Magic Circle. Although he spent time on tour performing his magical act, which specialised in magic tricks that appeared to fail, he rose to international prominence when his career moved into television, with programmes for London Weekend Television and Thames Television.

Key Information

By the end of the 1970s, Cooper was smoking and drinking heavily, which affected his career and his health, effectively ending offers to front new programmes and relegating him to performing as a guest star on other entertainment shows. On 15 April 1984, Cooper died at the age of 63 after suffering a heart attack on live television.[4]

Early life

[edit]

Thomas Frederick Cooper was born on 19 March 1921, at 19 Llwyn-On Street in Caerphilly, Glamorgan.[5] He was delivered by the woman who owned the house in which the family were lodging. His parents were Thomas H. Cooper, a Welsh recruiting sergeant in the British Army and later coal miner, and Catherine Gertrude (née Wright), Thomas's English wife from Crediton, Devon.[5][6]

To change from his mining role in Caerphilly, which could have had implications for his health, his father accepted the offer of a new job and the family moved to Exeter, Devon, when Cooper was three. It was in Exeter that he acquired the West Country accent that became part of his act.[7] As an adult and on a visit to Wales to visit the house where he was born, Cooper was asked if he considered himself to be a Welshman, to which he answered, "Well yes, my father's Welsh... and my mother's from Devon. Actually I was in Caerphilly and left here when I was about a year old, I was getting very serious with a girl", much to the amusement of the BBC interviewer and himself.[2]

When he was eight years old an aunt bought him a magic set and he spent hours perfecting the tricks.[8] In the 1960s his brother David (born 1930)[9] opened D. & Z. Cooper's Magic Shop at 249 High Street in Slough, Buckinghamshire.[10][7] The shop later moved to Eastbourne, East Sussex and was run by David's daughter Sabrina.[11] After leaving school, Cooper became a shipwright in Southampton, Hampshire. In 1940 he was called up as a trooper in the Royal Horse Guards, serving for seven years. He joined Montgomery's Desert Rats in Egypt. Cooper became a member of a Navy, Army and Air Force Institutes (NAAFI) entertainment party, and developed an act around his magic tricks interspersed with comedy. One evening in Cairo, during a sketch in which he was supposed to be in a costume that required a pith helmet, having forgotten the prop Cooper reached out and borrowed a fez from a passing waiter, which got huge laughs.[12] He wore a fez when performing after that, the prop later being described as "an icon of 20th-century comedy".[13]

Development of the act

[edit]

Cooper was demobilised after seven years of military service and took up show business on Christmas Eve 1947. He later developed a popular monologue about his military experience as "Cooper the Trooper". He worked in variety theatres around the country and at many night spots in London, performing as many as 52 shows in one week.[14]

Cooper developed his conjuring skills and became a member of The Magic Circle, but there are various stories about how and when he developed his delivery of "failed" magic tricks:[12]

  • He was performing to his shipbuilding colleagues when everything went wrong, but he noticed that the failed tricks got laughs.
  • He started making "mistakes" on purpose when he was in the Army.
  • His tricks went wrong at a post-war audition, but the panel thoroughly enjoyed them anyway.

To keep the audience on their toes Cooper threw in an occasional trick that worked when it was least expected.[citation needed]

Career

[edit]

Cooper was influenced by Laurel and Hardy,[15] Will Hay,[16] Max Miller,[15] Bob Hope,[15] and Robert Orben.[17]

In 1947 Cooper was booked by Miff Ferrie, a musician, to appear in a show starring the sand dance act Marqueeze and the Dance of the Seven Veils. This was followed by a European tour and work in pantomime, and concluded with a season at the Windmill Theatre. Ferrie remained Cooper's sole agent for 37 years, until Cooper's death in 1984.

Cooper rapidly became a top-liner in variety with his turn as the conjurer whose tricks never succeeded, but it was his television work that raised him to national prominence. After his debut on the BBC talent show New to You in March 1948 he began starring in his own shows, and was popular with audiences for nearly 40 years, notably through his work with London Weekend Television from 1968 to 1972 and with Thames Television from 1973 to 1980. Thanks to his many television shows during the mid-1970s he was one of the most recognisable comedians in the world.

John Fisher writes in his biography of Cooper: "Everyone agrees that he was mean. Quite simply he was acknowledged as the tightest man in show business, with a pathological dread of reaching into his pocket." One of Cooper's stunts was to pay the exact taxi fare and when leaving the cab slip something into the taxi driver's pocket, saying, "Have a drink on me." That something would turn out to be a tea bag.[18]

By the mid-1970s alcohol had started to erode Cooper's professionalism and club owners complained that he turned up late or rushed through his show in five minutes. In addition he suffered from chronic indigestion, lumbago, sciatica, bronchitis and severe circulation problems in his legs. When Cooper realised the extent of his maladies he cut down on his drinking, and the energy and confidence returned to his act. However, he never stopped drinking and could be fallible: on an otherwise triumphant appearance with Michael Parkinson he forgot to set the safety catch on the guillotine illusion into which he had cajoled Parkinson, and only a last-minute intervention by the floor manager saved Parkinson from serious injury or worse.[19][better source needed]

Cooper was a heavy cigar smoker (up to 40 a day) as well as an excessive drinker.[20] He suffered a heart attack on 22 April 1977 while performing a show in Rome.[21] Three months later he was back on television in Night Out at the London Casino.

By 1980 his drinking meant that Thames Television would not give him another starring series, and Cooper's Half Hour was his last. He did continue to appear as a guest on other television shows, however, and worked with Eric Sykes on two Thames productions in 1982.

Personal life

[edit]

Cooper married Gwen Henty in Nicosia, Cyprus, on 24 February 1947. She died in 2002.[22] They had two children: Thomas, who was born in 1956, became an actor under the name Thomas Henty and died in 1988; and Victoria.

From 1967 until his death, Cooper also had a relationship with his personal assistant, Mary Fieldhouse (aka Mary Kay, the wife of composer Norman Kay), who wrote about it in her book, For the Love of Tommy (1986).[23]

Cooper's will was proved via probate on 29 August 1984, at £327,272.[24]

On Christmas Day 2018, the documentary Tommy Cooper: In His Own Words was broadcast on Channel 5. The programme featured Cooper's daughter, Vicky, who gave her first television interview following years of abstaining "because of the grief".[25]

Death

[edit]

On 15 April 1984, Cooper collapsed from a heart attack in front of 12 million viewers,[26] midway through his act on the London Weekend Television variety show Live from Her Majesty's, transmitted live from Her Majesty's Theatre in Westminster, London.[27] An assistant had helped him put on a cloak for his sketch, while Jimmy Tarbuck, the host, was hiding behind the stage curtains waiting to pass him different props that he would then appear to pull from inside his gown.[27] His last words seemed to be "Thank you, love", to the assistant seconds before collapsing. The assistant smiled at him as he slumped down, believing that it was part of the act.[28] Likewise, the audience laughed as he fell backwards, as a hand (possibly Tarbuck's hand) briefly appeared from behind the curtain to reach out towards Cooper.[27]

As Cooper lay dying on the floor, the audience continued to laugh at him, believing he was making a joke about how long it had taken him to button up the cloak he had on, before Tarbuck, director Alasdair MacMillan, and crew behind the curtain who witnessed the incident realised that Cooper had genuinely collapsed. The laughter from the audience began to die down as they realised Cooper was unable to get back up.

In the wings, show producer David Bell asked Cooper's son if the fall was part of the act. He replied that his father had a bad back, and thus would be unable to get back up if he fell on purpose.[29] After it became apparent that Cooper was in trouble, Alasdair MacMillan cued the orchestra to play music for an unscripted commercial break (noticeable because of several seconds of blank screen while LWT's master control contacted regional stations to start transmitting advertisements)[27] and Tarbuck's manager tried to pull Cooper back through the curtains.

It was decided to continue with the show. Dustin Gee and Les Dennis were the act that had to follow Cooper and performed in the limited space in front of the curtains. Two stools were positioned either side of the protrusion from behind the curtain where Cooper had collapsed, whilst efforts were being made to revive him. The following act, Howard Keel, performed as Cooper was moved (evident by the twitching of the curtains as he sang and the disappearance of the protrusion as he finished performing). After another commercial break, the curtain was removed, and he was taken by ambulance to Westminster Hospital, where he was pronounced dead on arrival at 63 years old. His death was not officially reported until the next morning, although the incident was the leading item on the news programme that followed the show.

Cooper's funeral was held at Mortlake Crematorium in London, and his son scattered his ashes in the back garden, over his father's favourite daffodils.[30][31][32] There are memorials to Cooper, his wife Gwen, and their son Thomas, on his wife's family grave at Ocklynge Cemetery, Eastbourne, East Sussex.[33]

The video of Cooper's heart attack on stage has been uploaded to numerous video-sharing websites. YouTube drew criticism from a number of sources when footage of the incident was posted on the website in May 2009. John Beyer of the pressure group Mediawatch-UK said: "This is very poor taste. That the broadcasters have not repeated the incident shows they have a respect for him and I think that ought to apply also on YouTube."[28] On 28 December 2011, segments of the Live from Her Majesty's clip, including Cooper collapsing on stage, were included in the Channel 4 programme The Untold Tommy Cooper.[34][35]

Legacy and honours

[edit]
Statue of Cooper near Caerphilly Castle
Plaque of the statue.

A statue of Cooper was unveiled in his birthplace, Caerphilly, in 2008 by Sir Anthony Hopkins, who is patron of the Tommy Cooper Society.[36] The statue, which cost £45,000, was sculpted by James Done.[37] In 2009, for Red Nose Day, a charity Red Nose was put on the statue, but the nose was stolen.[38]

Cooper was a member of the Grand Order of Water Rats.[39]

In a 2005 poll, The Comedians' Comedian, comedians and comedy insiders voted Cooper the sixth greatest comedy act ever.[40] He has been cited as an influence by Jason Manford[41] and John Lydon.[42] Jerome Flynn has toured with his own tribute show to Cooper called Just Like That.

In February 2007 The Independent reported that Andy Harries, a producer of The Queen, was working on a dramatisation of the last week of Cooper's life.[43] Harries described Cooper's death as "extraordinary" in that the whole thing was broadcast live on national television.[44] The film subsequently went into production over six years later as a television drama for ITV. From a screenplay by Simon Nye, Tommy Cooper: Not Like That, Like This was directed by Benjamin Caron and the title role was played by David Threlfall. It was broadcast 21 April 2014.[45]

In 2010 Cooper was portrayed by Clive Mantle in a stage show, Jus' Like That! A Night Out with Tommy Cooper, at the Edinburgh Festival. To train for the role Mantle mastered many of Cooper's magic tricks, studying under Geoffrey Durham for several months.[46]

In 2012 the British Heart Foundation ran a series of advertisements featuring Cooper to raise awareness of heart conditions. These included posters bearing his image together with radio commercials featuring classic Cooper jokes.[47]

Being Tommy Cooper, a new play written by Tom Green and starring Damian Williams, was produced by Franklin Productions and toured the UK in 2013.[48][49]

In 2014, with the support of The Tommy Cooper Estate and Cooper's daughter Victoria, a new tribute show, Just Like That! The Tommy Cooper Show, commemorating 30 years since the comedian's death was produced by Hambledon Productions. The production moved to the Museum of Comedy in Bloomsbury, London, from September 2014 and continues to tour extensively throughout the UK.[50][51]

In May 2016, a blue plaque in memory of Cooper was unveiled at his former home in Barrowgate Road, Chiswick. It was announced in August that the Victoria and Albert Museum had acquired 116 boxes of Cooper's papers and props, including his "gag file", in which the museum said he had used a system to store his jokes alphabetically "as meticulous as an archivist".[52]

On 5 March 2021, BBC One aired the 30-minute documentary Tommy Cooper at the BBC, looking at his best performances, including his appearance on the Parkinson show where he almost killed Michael Parkinson with a trick guillotine. The programme, which celebrated the centenary of his birth, was presented by Sir Lenny Henry.[53]

Filmography

[edit]
Year Title[54][55][56] TV company Episodes
1948 New To You BBC 1
1948 Comedy Capers BBC 1
1952 It's Magic BBC 8
1953–1979 The Royal Variety Performance BBC / ATV 7
1955 Sunday Night at the London Palladium ATV 1
1957 Cooper / Life With Tommy A-RTV 12
1957 The Tommy Cooper Hour ATV 1
1958 The Stars Rise in the West TWW 1
1958 Cooper's Capers ATV 6
1959 After Hours ABC 1
1960 And the Same to You Film 1
1963 The Cool Mikado Film 1
1966 Cooperama ABC 7
1966–1969 Life With Cooper ABC / Thames 19
1967 The Plank Film 1
1967 Spotlight ATV 1
1967 Sykes Versus ITV ABC 1
1968 Cooper King-Size Thames 1
1968 Cooper At Large Thames 1
1969–1971 Tommy Cooper / It's Tommy Cooper LWT 13
1973–1975 The Tommy Cooper Hour Thames 9
1975 Cooper Thames 6
1976 Tommy Cooper's Guest Night Thames 1
1977 Night Out at the London Casino Thames 1
1977 The Silver Jubilee Royal Variety Gala ATV 1
1977 30 Years ... Just Like That! Thames 1
1978–1979 London Night Out Thames 2
1978 The Tommy Cooper Show Thames 1
1978 Cooper – Just Like That Thames 6
1978 Must Wear Tights Thames 1
1979 Parkinson at Christmas BBC 1
1980 Cooper's Half Hour Thames 6
1982 It's Your Move Thames 1
1982 The Eric Sykes 1990 Show Thames 1
1983 This Is Your Lunch BBC 1
1983 The Bob Monkhouse Show BBC 1
1984 Live from Her Majesty's LWT 1

Recordings

[edit]
  • "Don't Jump Off the Roof Dad" (1961), words and music by Cy Coben, single, Palette Records PG 9019 (reached Number 40 in the UK Singles Chart)[57]
  • "Ginger" – 7" single
  • "Happy Tommy" – 7" single
  • "Just Like That" 7" single
  • "Masters of Comedy" – CD
  • "No Arms Will Ever Hold You" – 7" single
  • "Sweet Words of Love" – 7" single
  • "Tommy Cooper Very Best Of" – CD, DVD
  • "Walkin' Home From School" – 7" single
  • "We'll Meet Again" – 7" single

UK VHS/DVD releases

[edit]
VHS title Release date
A Tribute to Tommy Cooper (TV9936) 3 November 1986
The Magic of Tommy Cooper - Tribute to a Comedy Genius (TV8091) 4 June 1990
The Best of Tommy Cooper (TV8141) 19 August 1991
Tommy Cooper - "Not Like That" (TV8160) 1 June 1992
Tommy Cooper - Solid Gold (TV8169) 5 October 1992
The Magic of Tommy Cooper - Tribute to a Comedy Genius (LC0012) 1 March 1993
The Magic Lives of Tommy Cooper (TV8182) 11 October 1993
Tommy Cooper - The Magic Touch (TV8184) 7 March 1994
The Very Best of Tommy Cooper (TV8198) 6 March 1995
Tommy Cooper - The Missing Pieces (TV8211) 2 October 1995
The Feztastic Tommy Cooper 6 May 1996
Tommy Cooper - The Golden Years (TV8261) 3 November 1997
A Feztival of Fun With Tommy Cooper (B00005M1YE) 16 September 2002

Bibliography

[edit]

References

[edit]

Sources

[edit]
  • Fieldhouse, Mary (1986). For the Love of Tommy: a personal portrait of Tommy Cooper.
  • Fisher, John (1973). Funny way to be a hero.
  • Cooper, Tommy (1994). Just Like That (3rd ed.).
  • Nathan, David (1971). The laughtermakers: a quest for comedy.
  • Vahimagi, Tise (1996). British Television, an illustrated guide (2nd ed.).
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Tommy Cooper (19 March 1921 – 15 April 1984) was a Welsh prop comedian and magician best known for his intentionally bungled magic tricks, chaotic stage presence, and signature red fez. Born Thomas Frederick Cooper in , , he developed his comedic style during service in the British Army's concert parties in the during , where he first adopted the fez as part of his act. A skilled conjuror and member of , Cooper's humour relied on visual gags, failed illusions, and rapid one-liners that captivated audiences with their apparent incompetence masking genuine talent. Cooper's television career began with a debut appearance in 1947 on the BBC's Leslie Henson's Christmas Eve Party, followed by his first solo series, It's , in 1952. He achieved widespread popularity through ITV series such as Cooper King-Size (1968) and The Tommy Cooper Show (1978), becoming a staple of British in the mid-20th century. Tragically, Cooper died of a heart attack on 15 April 1984 while performing live on the ITV show Live from Her Majesty's, collapsing mid-act in front of a studio audience and millions of viewers. His enduring legacy as one of Britain's funniest comedians continues through tributes, revivals of his routines, and recognition of his unique blend of .

Early Years

Birth and Family Background

Thomas Frederick Cooper was born prematurely on 19 March 1921 at 19 Llwyn On Street in Trecenydd, , , to parents Thomas H. Cooper, a recruiting sergeant, and Gertrude Catherine (née Wright), from , , who took in sewing. He was kept alive by being fed brandy and condensed milk by the midwife. The family lived in a small amid the industrial landscape of the Welsh valleys, reflecting their modest working-class circumstances marked by financial hardship and the challenges of life in a mining community. Cooper had a younger brother, (born 1930), who later opened a magic shop in , , in the . In 1924, when Cooper was three years old, the family relocated to , , primarily to escape the polluted air of the valleys, which had adversely affected his mother's health; his father accepted a new job opportunity and they settled in the city. By 1925, the family was living at 3 Fords Road, a modest home off Willeys Avenue near Haven Banks, where Cooper spent much of his early childhood. At the age of eight, Cooper received his first magic set as a gift from his aunt Lucy, igniting a passion that he pursued by practicing tricks for hours and laying the groundwork for his future career in and .

Childhood and Relocation

In , Cooper attended Comrie House Preparatory School in St Thomas and later Mount Radford School for Boys, during which time he began developing an interest in and sleight-of-hand as a means to attract from peers and teachers. The family moved again in 1930 to the area in , specifically Langley in the , after losing their home in , where Cooper spent the remainder of his childhood amid modest circumstances. Following the relocation, Cooper continued his education at Fawley Primary School and then Hardley Secondary School, environments that further nurtured his emerging humorous disposition amid the challenges of adapting to new surroundings.

Development of the Act

Military Service and Initial Performances

At the outset of , Tommy Cooper was called up to the in 1940 at the age of 19, joining the Royal Horse Guards as a trooper. He underwent initial training before being deployed to the , where he served with Field Marshal Montgomery's 8th Army, known as the Desert Rats, in and , including campaigns in . His military duties exposed him to the rigors of , and his natural clumsiness—evident from childhood—began to influence his emerging interest in performance as a way to cope with the stresses of service. In 1943, while stationed near in , Cooper sustained a to his left arm, which resulted in the loss of his A1 fitness rating and shifted his role within the military. This injury enabled him to audition successfully for an army concert party, where he first explored entertainment to boost troop morale. His debut performance as a magician occurred during a NAAFI event in a in , , where, having misplaced his , he borrowed a red fez from a passing Egyptian waiter, which elicited huge laughs and became his signature prop thereafter. Cooper was demobilized in 1947 after seven years of service and took up , securing his first paid professional gigs that same year, including a booking by musician Miff Ferrie for a on , performing in small theaters and clubs across . In these early appearances, Cooper blended straightforward magic tricks with intentional mishaps, honing a chaotic style that played on his towering 6-foot-4 frame and propensity for "accidents" to engage audiences.

Refinement of Comedy-Magic Style

Following his from the in , Tommy Cooper began to refine his performance style by incorporating the red fez as a signature prop, which he had first borrowed from a waiter during a wartime show in . This headgear, initially a spontaneous substitution for a forgotten , became a deliberate element of his act, enhancing his towering, awkward physical presence and contributing to the illusion of incompetence that defined his . Cooper's evolution from straight to comedic bungling occurred in the late , as he observed that audiences laughed more at his genuine mishaps than at successful tricks during early performances. He intentionally amplified these errors, transforming potential disasters into structured routines where tricks appeared to fail spectacularly, a technique that relied on precise timing to elicit sympathy and amusement rather than derision. This shift was influenced by the rapid-fire wordplay and cheeky delivery of music hall legend Max , whose economical shaped Cooper's verbal gags, as well as the broader traditions of British variety theater emphasizing physical absurdity and audience rapport. By the early 1950s, Cooper had solidified several core elements of his act, including oversized props like a giant used to "assist" in failed manipulations and a buzzsaw that comically malfunctioned mid-performance, often ending in feigned panic. These routines, preserved in his personal of over 100,000 jokes and 24 key props, underscored his mastery of anti-climactic reveals, where the humor arose from the gap between expectation and outcome.

Professional Career

Breakthrough in Variety and Radio

After being demobilized from the in 1947, Tommy Cooper turned professional and secured his first significant theatre engagement at the in in November of that year, performing as a straight magician despite earlier failed auditions there. Initially struggling to establish himself, Cooper toured variety clubs and theatres across , often providing his own musical accompaniment via a wind-up gramophone and transporting his scenery single-handedly. This period included a stint in around 1949-1950, where he played one of the ugly sisters in Cinderella, honing his stage presence during his early professional years. Cooper's early career focused primarily on live variety performances, with limited engagement in in the post-war era. Managed by agent Miff Ferrie since 1947, Cooper refined his act through these live shows, gaining momentum as a rising variety performer. In 1952, Cooper achieved a major breakthrough with his debut at the London Palladium on July 7, where he reportedly stole the show during a , marking his first high-profile variety booking and launching a tour with the Moss Empire circuit. By 1953, this success culminated in his first , solidifying critical acclaim for his innovative fusion of failed magic routines and humor. Throughout the mid-1950s, Cooper undertook extensive tours across the , establishing him as a top-line variety act by 1955.

Television Fame and Key Shows

Following his television debut in 1947, Tommy Cooper's first solo series was the BBC's It's Magic in 1952, an eight-episode comedy-magic program that aired fortnightly from March to June, marking his first major foray into the medium as a performer blending mishaps with illusions. His breakthrough to national stardom came in 1955 on ITV's Sunday Night at the London , where his signature routine—featuring a red fez, bumbling magic tricks, and self-deprecating humor—captivated audiences, with the show's peak episodes drawing up to 28 million viewers in its era of dominance. Throughout the 1960s and 1970s, Cooper starred in several regular ITV series that showcased his evolving act, adapted for close-up camera intimacy and rapid-fire gags. The BBC's Life with Cooper (1966–1969) featured him in domestic sketches interspersed with magic failures, while LWT's It's Tommy Cooper (1970–1971) highlighted solo stand-up and guest interactions. Later, produced The Tommy Cooper Hour (1973–1975), a variety format with musical guests and elaborate props, and Cooper (1975), emphasizing his one-man theater segments. These programs, building on his variety roots, routinely attracted millions, with specials often exceeding 20 million viewers to underscore his television draw. Cooper also made notable guest appearances abroad, including on CBS's in 1967, where his feigned magical incompetence amused American audiences during the variety program's 20th season. He frequently collaborated with comedian on television, notably in the 1967 silent short The Plank, a piece directed by Sykes featuring Cooper as a hapless workman, and in sketches like "" from Sykes's specials, blending physical comedy with Cooper's prop-based chaos. These outings demonstrated Cooper's versatility in adapting his stage persona—once honed in live variety—to television's demands, prioritizing visual timing over verbal patter for broader appeal.

Personal Life

Marriage and Family

Tommy Cooper met Gwendoline Henty, known professionally and affectionately as "Dove," while stationed in with the British Army's Combined Services Entertainment unit during the final years of . Henty, a and civilian entertainer, joined Cooper in performances for the troops, marking the beginning of their professional and personal partnership. The couple married on 24 February 1947 in , , shortly after a brief , and enjoyed a that lasted until Cooper's in 1984. They had two children: a daughter, Victoria (), and a son, Thomas, born on 19 January 1956, who later pursued acting under the stage name . In 1955, the family settled into a detached Edwardian house at 51 Barrowgate Road in , , where they resided for the remainder of Cooper's life, providing a stable base amid his demanding touring schedule. Gwen Cooper played a vital supportive role in her husband's career, particularly in its formative stages, by assisting with stage logistics, props, and occasional on-stage contributions as part of a early in their partnership. As their family grew, she shifted focus to managing the home front in , allowing Cooper to pursue his rising fame, though the family occasionally participated in his shows, fostering a blend of professional and domestic life. Their marriage, while enduring, was marked by Cooper's volatile temperament, yet Gwen remained a steadfast presence. Beginning in 1967, Cooper entered into a long-term extramarital relationship with Mary Fieldhouse, his stage manager and personal assistant, known as , which continued until his and was maintained in secrecy from the public and, reportedly, from Gwen during his lifetime. The affair came to light posthumously through Fieldhouse's 1986 book, For the Love of Tommy: A Personal Portrait of Tommy Cooper, revealing the complexities beneath Cooper's public persona.

Interests and Philanthropy

Tommy Cooper was an active participant in showbusiness philanthropy, particularly through his membership in the Grand Order of Water Rats, a prestigious entertainment industry fraternity and charity founded in 1889. As member number 595, inducted in the 1960s, Cooper contributed to the organization's efforts to raise funds for various good causes, including support for individuals in need and nationally recognized charities, reflecting his commitment to benevolence within the profession. The Grand Order, known for its annual charity balls and fundraisers, has historically aided vulnerable groups, such as children and families, through initiatives like donations and community support programs. Cooper's involvement extended to performing at events that generated proceeds for these philanthropic activities, demonstrating a side of his personality dedicated to giving back despite his demanding career.

Death

The On-Stage Incident

On 15 April 1984, Tommy Cooper was performing live on the ITV variety show Live from Her Majesty's, broadcast from Her Majesty's Theatre in and hosted by . Midway through his act, during his signature magic cloak routine where he appeared to pull increasingly larger props—such as a paint pot and a plank of wood—from under a voluminous red robe, with Tarbuck assisting by passing items from behind the curtain, Cooper suddenly slumped backwards against the stage curtain. The collapse occurred after Cooper had completed one of the props in the escalating sequence, leading the theatre audience and millions watching at home to initially assume it was another intentional mishap in his bungled style; laughter and applause followed as the incident seemed consistent with his chaotic . The production crew, also mistaking for part of the act, did not interrupt the broadcast immediately, allowing the show to continue as planned with the subsequent performers, including the comedy duo and , following a commercial break. During this time, stagehands discreetly carried Cooper's motionless body through the curtain and backstage, where his condition raised immediate concerns, and a heart attack was suspected based on his visible distress and unresponsiveness. Efforts to revive him began there, though the full severity only became apparent after the broadcast concluded. Cooper's longstanding health issues, including a prior heart attack in while preparing for a performance in , had been managed but contributed to the tragic outcome.

Medical Cause and Inquest

Tommy Cooper was rushed to following his collapse during a performance on 15 April 1984, where he was pronounced . The official was determined to be due to , a condition linked to his longstanding cardiovascular issues exacerbated by heavy and alcohol consumption. Cooper's medical history included significant heart problems, notably a heart attack suffered in April 1977 while preparing for a performance in , which Italian physicians attributed to chronic alcoholism. Following that incident and subsequent lung complications, he was advised to cease cigars, though he continued to face health risks from his lifestyle. Doctors had warned Cooper of the potential lethality of his condition, a concern his family was aware of in the years leading up to his death. The into Cooper's death concluded with a of natural causes, reflecting the determination that his passing resulted from underlying health deterioration rather than external factors.

Legacy

Posthumous Recognition and Honours

Following his death in 1984, Tommy Cooper received several formal posthumous recognitions that highlighted his enduring status as a icon. In 2008, a bronze statue of Cooper, depicting him in his signature red fez performing a trick, was unveiled in his birthplace of , , by fellow Welsh actor Sir , who served as patron of the Tommy Cooper Memorial Society. The 9-foot-tall sculpture, created by artist James Done, stands on a granite plinth and serves as a permanent to his contributions to and . In 2016, installed a at Cooper's former family home at 51 Barrowgate Road in , , where he lived from 1955 to 1960. The plaque commemorates him as "one of Britain's best-loved comedians," and its unveiling ceremony featured fans in fezzes chanting his catchphrase "just like that," underscoring his lasting popularity. Cooper's comedic legacy was further affirmed in professional rankings and tributes. In the 2005 Channel 4 poll "The Comedians' Comedian," voted on by over 100 comedians and comedy experts, he ranked sixth among the greatest acts of all time, behind figures like and . This recognition emphasized his influence on subsequent generations of performers through his unique blend of bungled magic and . Biographical works and media honors continued to celebrate Cooper's life and career. The definitive Tommy Cooper: Always Leave Them Laughing (2006) by , a close friend and collaborator, drew on personal archives to detail his professional triumphs and personal struggles, earning praise for its comprehensive portrayal of his genius. More recently, the 2024 Channel 5 documentary Tommy Cooper: The Lost Tapes featured previously unseen footage from his performances, offering fresh insights into his craft and reinforcing his place in British entertainment history. In November 2025, a documentary titled Tommy Cooper: The Tragic Story of Britain's Greatest Comedian was released, examining his life and enduring legacy.

Cultural Impact and Influence

Tommy Cooper's distinctive style of , characterized by intentionally botched magic tricks and exaggerated clumsiness, has profoundly influenced subsequent generations of comedians and magicians. His approach to blending failure with charm inspired performers like John Kearns, who described Cooper's "magical mannerisms" as central to his own craft, emphasizing the deliberate art of appearing inept on stage. Similarly, the duo have acknowledged Cooper's impact on deconstructive magic routines, with noting that Cooper "was great" in creating an act around mishaps that captivated audiences through authenticity and surprise. This legacy extends to modern magicians who incorporate self-deprecating elements, drawing from Cooper's 1970s television performances where key moments of comedic timing originated his enduring appeal. Central to Cooper's iconic status in British popular culture is his signature red fez, which evolved from a borrowed prop into a symbol of 20th-century , representing his bumbling yet endearing . The acquired items from his collection in 2016, highlighting the fez's role as a cultural emblem that transcends his lifetime, often replicated in tributes to evoke his chaotic charm. Parodies of Cooper's style appear in various media, including advertisements like the 2012 campaign, which featured his likeness to raise awareness of heart conditions, underscoring his familiarity and versatility as a comedic . Recent revivals have sustained Cooper's influence, bridging his mid-20th-century fame with contemporary audiences. The 2014 stage production Just Like That! The Tommy Cooper Show, starring , toured the and received acclaim for faithfully recreating his act while exploring his personal struggles, running at venues like the Museum of Comedy and drawing crowds through its nostalgic yet insightful portrayal. In 2021, marking the centenary of his birth, celebrations included special performances and recordings, such as a Q&A-style event that highlighted his contributions to British humor. In March 2025, a collection of Tommy Cooper memorabilia was auctioned, providing fans an opportunity to own items from his personal collection.

Media Works

Film and Television Roles

Tommy Cooper made several notable appearances in films and television productions outside of his own headline series, often leveraging his distinctive and bungled magic routines in ensemble or supporting roles. His film debut came in the 1960 boxing comedy And the Same to You, where he played the character Horace Hawkins, a supporting role in a story about a priest's nephew hiding his pugilistic ambitions. This was followed by a part as the bumbling private detective Pooh-Bah in the 1963 musical adaptation The Cool Mikado, a loose contemporary take on Gilbert and Sullivan's opera set in , featuring a cast including and . Cooper's most celebrated film role arrived in 1967 with the silent short The Plank, directed by and co-starring ; Cooper portrayed one of two hapless workmen whose attempts to transport a wooden plank lead to a cascade of mishaps involving a star-studded lineup of British comedians like and . On television, Cooper frequently guested in specials and comedies, bringing his chaotic energy to collaborative sketches. In the 1967 ABC special Sykes Versus ITV, a courtroom-themed variety show written by Eric Sykes, Cooper appeared alongside Sykes, Hattie Jacques, and Bernard Bresslaw in satirical sketches lampooning the television industry. Later collaborations with Sykes continued this pattern; in the 1982 Thames TV short It's Your Move, another dialogue-free farce, Cooper played the "Big Removal Man" in a tale of disastrous house movers, echoing the physical comedy of The Plank with co-stars Bernard Cribbins and Dandy Nichols. He also featured in the 1982 special The Eric Sykes 1990 Show, entertaining as part of Sykes' revue-style program. These guest spots highlighted Cooper's ability to amplify ensemble dynamics through improvised-seeming blunders, often without relying on spoken punchlines. Following his death in , Cooper's archived footage has been featured in numerous posthumous television compilations and specials, preserving his legacy through curated highlights of performances from his career. Notable examples include the 2000 ITV documentary-style compilation The Magic of Tommy Cooper, which assembled classic clips without narration to showcase his magical mishaps. In the , series like The Best of Tommy Cooper (ITV, various episodes from 1993 onward) aired over 15 edited specials drawing from Thames and LWT archives, typically 30-60 minutes each, focusing on guest segments from shows like Sunday Night at the London Palladium and international appearances. More recent tributes, such as the 2017 two-part ITV mini-series Tommy Cooper Forever, incorporated interviews and rare clips to celebrate his on-screen persona across networks like and ITV. In 2024, Channel 5 aired Tommy Cooper: The Lost Tapes, a special featuring rare and previously unseen footage of Cooper's performances, including international appearances. These productions, broadcast primarily on ITV and , have collectively reached millions, emphasizing Cooper's enduring appeal in visual media.

Recordings and Home Media Releases

Tommy Cooper's audio recordings primarily consisted of novelty singles and comedy sketches, with most of his original releases occurring in the late 1950s and early 1960s through labels such as Decca and Palette Records. His breakthrough hit was the single "Just Like That," a spoken-word comedy routine mimicking a magic trick gone wrong, which peaked at number 8 on the UK Singles Chart in 1960. Issued on Decca Records (catalogue DL 25018), the track captured Cooper's signature chaotic humor and became one of his most enduring pieces. Other notable singles included "Don't Jump Off the Roof, Dad" in 1961, which reached number 40 on the chart via Palette (PG 9019) and featured a humorous about a child's plea to his father. Additional releases from this era encompassed comedy sketches like "The Sheikh of Araby" (his signature tune adaptation), often blending vaudeville-style patter with musical elements. These recordings, totaling around a dozen singles, emphasized Cooper's inept magician persona and were produced with orchestral backing to enhance the comedic timing. Posthumous compilations have preserved and expanded access to Cooper's audio work, with CD collections such as "The Very Best of Tommy Cooper Volume One" (2004, ) and "Volume Two" (2005, ) aggregating his classic sketches and singles. These sets, remastered for modern formats, include tracks like "I Went to the Doctors" and "A Friend in Need," drawing from original Decca sessions. Digital bundles became available in the 2010s on platforms like and , bundling over 50 tracks into albums such as "Comedy Genius at His Best" (2010, Universal), facilitating broader streaming access to his discography. Home media releases of Cooper's television appearances began with VHS tapes in the 1980s and 1990s, including "The Magic Touch" (1985, Video Gems), a compilation of magic routines and sketches from his ITV shows. DVD transitions followed in the early 2000s, with box sets like "Tommy Cooper Collection" (2008, Network DVD) featuring episodes from "The Tommy Cooper Hour" and "Des O'Connor Tonight" guest spots. Key releases include "The Complete LWT Series" (2019, Network DVD), a two-disc set of 13 episodes from his 1970s London Weekend Television program, and "Tommy Cooper at ITV" (2022, ITV Studios Home Entertainment), compiling rare archival footage from his variety specials. These physical formats often paired video with bonus audio tracks from his singles. In the streaming era, Cooper's content has been digitized for services like , which offers 2020s compilations including full episodes of "The Tommy Cooper Show" (1978–1979) and specials like "Cooper – Just Like That" (1978), available via subscription in the UK and internationally. Audio sketches remain accessible on and , with playlists curating his Decca-era material alongside TV audio rips for comprehensive listening.

References

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