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AssassiNation
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| AssassiNation | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 21 February 2006 | |||
| Genre | Death metal | |||
| Length | 46:29 | |||
| Label | Century Media | |||
| Producer | Andy Classen | |||
| Krisiun chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Blabbermouth.net | |
AssassiNation is the sixth album by Brazilian death metal band Krisiun, released in 2006 on Century Media. The album features 12 tracks and two extra bonus tracks. It is dedicated In Memory of Doc and Dimebag.[3]
Track listing
[edit]| No. | Title | Length |
|---|---|---|
| 1. | "Bloodcraft" | 5:49 |
| 2. | "Natural Genocide" | 4:29 |
| 3. | "Vicious Wrath" | 3:54 |
| 4. | "Refusal" | 4:49 |
| 5. | "H.O.G. (House of God)" | 3:21 |
| 6. | "Father's Perversion" | 4:49 |
| 7. | "Suicidal Savagery" | 4:23 |
| 8. | "Doomed" | 1:00 |
| 9. | "United in Deception" | 4:52 |
| 10. | "Decimated" | 4:08 |
| 11. | "Summon" | 0:49 |
| 12. | "Sweet Revenge" (Motörhead cover) | 4:04 |
| Total length: | 46:29 | |
| No. | Title | Length |
|---|---|---|
| 13. | "Slain Fate" (live) | 3:31 |
| 14. | "Conquerors of Armageddon" (live) | 7:04 |
Credits
[edit]- Alex Camargo – bass, vocals
- Moyses Kolesne – guitar
- Max Kolesne – drums
- Andy Classen – producer
- Jacek Wiśniewski – cover art[4]
References
[edit]- ^ AssassiNation at AllMusic
- ^ Blabbermouth Review Archived 21 August 2009 at the Wayback Machine
- ^ AssassiNation (CD booklet). Krisiun. Hawthorne, CA: Century Media Records. 2006. back cover. 8367-2.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ "Jacek Wisniewski". Archived from the original on 22 February 2008.
AssassiNation
View on Grokipediafrom Grokipedia
Assassination is the premeditated and targeted killing of a prominent individual, such as a political leader, by sudden or secret assault, typically driven by ideological, political, or religious motives rather than personal gain.[1][2] The term derives from the Medieval Latin assassinare, meaning to kill treacherously, ultimately tracing to the Arabic ḥashshāshīn, referring to members of the Nizari Ismaili sect who employed such tactics against adversaries in the 11th–13th centuries, though the hashish association is likely apocryphal.[3][4]
Historically, assassinations predate the term, appearing in ancient tyrannicides justified as liberation from despots, but they proliferated as tools of factional strife, revolution, and statecraft, often failing to achieve intended regime overthrows or policy reversals despite short-term disruptions.[5] Empirical analyses of over a century of attempts reveal that while they correlate with heightened domestic instability and democratic erosion in targeted polities, successful hits rarely sustain the assassin's goals, frequently entrenching successors or escalating conflicts due to rally effects and institutional resilience.[6][5]
In contemporary contexts, methods have evolved from blades and poisons to firearms, improvised explosives, and precision strikes via unmanned systems, with state-sponsored variants blurring lines between assassination and lawful targeting in warfare, though international norms largely proscribe peacetime acts as illicit murder.[7] Such killings underscore causal dynamics where individual agency intersects with systemic incentives, often amplifying grievances without resolving underlying power imbalances.[5]
