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Claris
View on WikipediaThis article needs additional citations for verification. (March 2017) |
Claris International Inc., formerly FileMaker Inc., is a computer software development company formed as a subsidiary company of Apple Computer (now Apple Inc.) in 1987. It was given the source code and copyrights to several programs that were owned by Apple, notably MacWrite and MacPaint, in order to separate Apple's application software activities from its hardware and operating systems activities.
Key Information
In 1998, the company divested itself of all but its flagship product, and reformed as FileMaker Inc. In 2019, FileMaker Inc. announced at DevCon that it was restoring the Claris brand name. Also in 2019, Claris acquired Italian startup, Stamplay, a cloud-based integration platform which connects web services like Dropbox and Slack without writing code,[1] and announced they would rename their product offering as Claris Connect.[2]
The company develops, supports and markets the relational database program FileMaker. The FileMaker Platform is available for the macOS, Microsoft Windows and iOS operating systems and is aimed towards business users and power users.
History
[edit]This section may contain original research. (July 2010) |

In the early days of the Mac, Apple shipped the machines with two basic programs, MacWrite and MacPaint, so that users would have a working machine "out of the box". However, this resulted in complaints from third-party developers, who felt that these programs were good enough for so many users that there was little reason to buy something better.[4]
Apple decided to allow the programs to "wither" so that the third-party developers would have time to write suitable replacements. The developers did not seem to hold up their end of the bargain, and it was some time before truly capable replacements like WriteNow came along. In the meantime users complained about the lack of upgrades, while the third-party developers continued to complain about the possibility of upgrades.[citation needed]
Eventually Apple decided the only solution was to spin off the products to a third party of its own creation, forming Claris in 1987. Claris was also given the rights to several lesser-known Apple products such as MacProject, MacDraw, and the hit Apple II product AppleWorks. Claris' second corporate headquarters (nicknamed "The Wedge") was in Santa Clara, about six miles from the main Apple campus.[citation needed] The company began with five software products totaling about $50 million in revenue and access to Apple's distribution, acquisition, and marketing resources, with a goal of becoming fully independent in 18 months.[5]
At first Claris provided only trivial upgrades, limited to making the products continue to run on newer versions of the Macintosh operating system. In 1988, Claris purchased FileMaker from Nashoba Systems and quickly released a rebranded version called FileMaker II, to conform to its naming scheme for other products, such as MacWrite II. The product, however, changed little from the last Nashoba version. Several minor versions followed; it was succeeded by FileMaker Pro 1.0 in 1990. In the meantime, development began on major overhauls of their entire product line, including FileMaker. Each of these would be eventually released as part of the Pro series of products.[citation needed]
In 1990, Apple decided that Claris should remain a wholly owned subsidiary, as opposed to being completely spun off in an initial public offering. The company president soon left, and over the next year most of the other executives followed.[citation needed]
That same year Claris also purchased an integrated application written by two former Claris employees. After rebranding in a style similar to FileMaker, MacDraw, and MacWrite, it was released in 1991 as ClarisWorks, and became another huge success for the company. After a lengthy series of ups and downs, this product was eventually taken back by Apple in 1998 and rebranded as AppleWorks (for Macintosh).[citation needed]
In September 1992, Claris released a cross-platform version of FileMaker for both the Mac and Windows; except for a few platform-specific functions, the program's features and user interface were the same. Up to this point FileMaker had no real relational capabilities; it was limited to automatically looking up and importing values from other files. It only had the ability to save a state—a filter and a sort, and a layout for the data. Version 3.0, released around 1995, introduced new relational and scripting features.[6]
Transition to FileMaker Inc.
[edit]By the mid-1990s it appeared to most observers that Apple was in serious danger of disappearing. The main ClarisWorks development team left Claris, disillusioned with the product and the market, and founded Gobe Software, which produced a Claris-like office suite for BeOS.[citation needed]
Facing declining sales, Claris management decided that FileMaker was the only product worth keeping, and put all of the rest of the products on indefinite hold. By 1998 the transition was complete and the company renamed itself as FileMaker Inc. Claris's only other major product, ClarisWorks, was taken back by Apple to become AppleWorks. The company kept FileMaker and Claris HomePage 3.0. The latter was discontinued in 2001 leaving FileMaker as its lone offering until January 8, 2008, when the company released Bento, a template-based database application with a leaning toward information from other applications. Bento was discontinued on September 30, 2013.[citation needed]
Return to Claris
[edit]During DevCon 2019, the developers' conference, FileMaker announced it was resurrecting the Claris name and re-branding commenced. FileMaker Inc. changed its name to Claris International.[7] The FileMaker product name remains as Claris FileMaker.[citation needed]
Products
[edit]FileMaker
[edit]FileMaker is a cross-platform relational database application. It integrates a database engine with a graphical user interface (GUI) and security features, allowing users to modify the database by dragging new elements into layouts, screens, or forms. It started as an MS-DOS app called Nutshell, developed by Nashoba Systems.[citation needed]
Pro series
[edit]In the late 1980s, Claris began a major upgrade effort, rewriting all of its products to use a more modern and common user interface. The result was the "Pro" series: MacDraw Pro, MacWrite Pro, and FileMaker Pro. In order to provide a complete office suite they later purchased the rights to the Informix Wingz spreadsheet on the Mac, rebranding it as Claris Resolve,[8] and added the new presentation program Claris Impact.[citation needed]
The series was released piecemeal over a period of about two years, during which period Microsoft was able to dominate the market with Microsoft Word and Microsoft Excel. While the Claris packages were arguably much more "approachable" than the Microsoft applications, the Claris software applications lacked some features of the now-mature Microsoft suite, leaving them lacking in "checkbox features." Their value was further eroded by aggressive bundling deals from Microsoft that could allow Word, Excel, and PowerPoint to be purchased for a cost not much higher than MacWrite alone—a bundle that Claris did not match. Claris did offer ClarisWorks, an all-in-one package; and, while the price was right, ClarisWorks was very limited and could not compete in the business market. Microsoft also released a Works package.[citation needed]
Microsoft's domination of the Macintosh office suite software marketplace would be replicated five years later when (following the release of Windows 95), Microsoft Office crushed its two main rivals in Windows software: the WordPerfect/Quattro Pro suite and the Lotus SmartSuite.[citation needed]
Other applications
[edit]By the late 1980s, HyperCard needed updating as well but Apple management did not see any value in the product and let it wither. Complaints eventually became loud enough that they decided something had to be done. Studying the problem, they decided that all software should be released through Claris, and sent HyperCard and the Mac OS[citation needed] to them. Many of the developers refused to move to Claris, leading to a serious split in development that delayed future releases of both products. The Mac OS was soon returned to Apple; HyperCard was ignored for a time, before also returning briefly as a part of the QuickTime group.[citation needed]
In 1988, Claris published Claris CAD, a 2-D CAD package, and Claris Graphics Translator, a translation package for Claris CAD.[citation needed]
In early 1989, Claris published Smart Form Designer,[9] software to design forms, and a companion product, Smart Form Assistant, software to fill forms created by Smart Form Designer.[citation needed]
In 1994, Claris published Amazing Animation, software aimed at children and young teenagers, allowing them to produce their own short animated films.[citation needed]
In 1995, Claris purchased and released Claris Home Page, which enjoyed popularity as one of the few truly GUI-based WYSIWYG HTML editors of the time.[citation needed]
Other products added to the line included Claris Emailer; Claris Office Mail, which facilitated setup by non-specialists[10] and Claris Organizer. These products were part of a new effort to diversify Claris and no longer chase the "office" market which, by this point, was considered a lost cause.[citation needed]
The Bento database product aimed at home users or small businesses was released in 2008 and discontinued in 2013.[citation needed]
See also
[edit]- List of Mac software
- Clarus The Dogcow, a prolific icon in Macintosh / Claris software, such as seen in Page Setup configuration dialogs
References
[edit]- ^ Finley, Klint (2019-08-06). "Attention Apple Retro-Heads: Claris is Back!". Wired. ISSN 1059-1028. Retrieved 2019-08-06.
- ^ Brad, Freitag (August 6, 2019). "Introducing Claris International Inc". Claris.com. Claris International Inc. Retrieved 6 August 2019.
- ^ "New Products". Computerworld. 27 (19): 41. May 10, 1993.
- ^ Pollack, Andrew (1987-04-29). "Apple to Spin Off Software Business". The New York Times.
- ^ Ryan, Alan J.; Pitta, Julie (1987-11-02). "Challengers: Computer Associates, Claris Corp". Computerworld. Vol. XXI, no. 44. p. SR19. Retrieved 2025-06-08.
- ^ Lashinsky, Adam (July 17, 2014). "After 17 years, Bill Campbell steps down from Apple's board". Fortune. Retrieved July 17, 2014.
- ^ "Apple subsidiary FileMaker Inc. changes its name (back) to Claris". TechCrunch. 6 August 2019. Archived from the original on 2019-08-07. Retrieved 2024-02-04.
- ^ Benjamin, Louis E Jr; Zilber, Jon (June 1992). "New Dimensions in Spreadsheets". MacUser. Vol. 8, no. 6. p. 32.
- ^ Flynn, Laurie (January 9, 1989). "Claris Finally Releases Forms Packages for Mac". InfoWorld.
- ^ "Claris OfficeMail Overview". Archived from the original on 21 July 2012.
Further reading
[edit]- MacTech, Claris Solutions Alliance Expansion, December 4, 1996
- TidBITS, Michael Jardeen, To Home Page and Back Again, #422/March 30, 1998
- Wired News, Joe Ashbrook Nickell, What is Apple Up to With Claris Shake-up?, January 27, 1998
- Alan Zisman, Apple Windows?-- Software for the rest of us?, March 18, 1994
- A Brief History of ClarisWorks (broken link)
- The Life and Times of AppleWorks GS (broken link)
External links
[edit]Claris
View on GrokipediaBackground
Name origin
The group name ClariS is a portmanteau formed from the pseudonyms of its original members, Clara and Alice, who began uploading cover songs to Nico Nico Douga under the handle "Alice☆Clara" in 2009; it was also chosen as a homage to the character Clarisse from the anime film The Castle of Cagliostro.[8][9]Upon transitioning to a major label debut with SME Records in 2010, the duo selected "ClariS" to preserve their anonymous image on the platform while establishing a distinct artistic persona.[8]
Derived from the Latin term clarus, the name means "bright," "clear," and "shining," chosen to evoke a sense of purity and illumination in their music, aiming to bring positive, uplifting feelings to listeners.[10][11]
Following lineup changes in later years, the name's core symbolism of clarity and brightness has persisted as a foundational element of the group's identity.[11]
Formation
ClariS was formed in 2009 by Clara and Alice, two first-year junior high school students from Hokkaido, Japan, who shared a passion for singing.[12][13] The pair, classmates at the time, began collaborating on music as a way to express their enthusiasm without drawing attention to themselves personally.[6] Motivated by a desire to connect with like-minded fans online while maintaining privacy due to their young age, Clara and Alice decided to upload cover songs anonymously to Nico Nico Douga, a popular Japanese video-sharing platform.[12] This approach allowed them to share their vocal talents freely, focusing solely on the music rather than their appearances or backgrounds.[14] Their early creative influences stemmed from anime soundtracks and J-pop, which inspired a particular emphasis on anisong, the genre encompassing theme songs for anime series.[12] To uphold their anonymity, they adopted the pseudonyms Clara and Alice and committed to never revealing their real identities or faces, ensuring the spotlight remained on the artistry and emotional resonance of their performances.[15] The unit's name, ClariS, derives from a blend of these pseudonyms.[8]History
2009–2011: Nico Nico debut and anisong breakthrough
ClariS emerged in the online music scene in 2009 as the duo Alice☆Clara, uploading their first cover song, a rendition of the Vocaloid track "Step to You" by 40mP, to the Nico Nico Douga platform on October 10. This initial video rapidly accumulated views and comments, marking the beginning of their viral ascent within Japan's utaite (cover artist) community, where amateur singers reinterpret popular songs. Over the next year, they followed with seven additional covers, including anime themes such as "Black Rock Shooter (2M Mix)" and "Listen!!" from K-On!!, which further amplified their popularity and showcased their harmonious vocals and polished production.[13][16] Their online success caught the attention of SME Records, leading to a major label contract and professional debut with the original single "irony" on October 20, 2010. Composed and arranged by kz (of livetune), the track served as the opening theme for the anime Ore no Imōto ga Konna ni Kawaii Wake ga Nai (Oreimo), introducing ClariS to a broader anisong audience. The single debuted at No. 7 on the Oricon Weekly Singles Chart and remained on the ranking for 27 weeks, establishing their breakthrough in the anime music market with its upbeat electronic pop sound and relatable lyrics about hidden emotions.[16][17] Building on this momentum, ClariS released their second single, "Connect," on February 2, 2011, which became the opening theme for the highly acclaimed anime Puella Magi Madoka Magica. Penned by the series' screenwriter Gen Urobuchi with music by Yuki Kajiura, the song captured the show's themes of friendship and uncertainty through its soaring melody and emotional delivery. It peaked at No. 5 on the Oricon Weekly Singles Chart, charting for 53 weeks and earning a Gold certification from the Recording Industry Association of Japan for over 100,000 shipments, solidifying their status as rising anisong stars. Additional original tracks and covers during this period, including contributions to events like the Nico Nico Chokaigi, reinforced their rapid growth, with "Connect" in particular becoming a cultural touchstone.[16][17] Throughout 2009–2011, ClariS adhered strictly to anonymity, concealing their identities in all media and avoiding live performances entirely to preserve the mystique of their faceless duo concept. This approach, while fueling fan intrigue and online speculation, presented promotional challenges, as they relied solely on audio releases and virtual appearances, such as pre-recorded videos for anime events. Their first public live show would not occur until January 5, 2014, at Zepp Tokyo, allowing their music to stand on its own merits during these formative years.[18][19]2012–2014: First album, Alice's departure, and Karen's introduction
In 2012, ClariS released their debut studio album Birthday on April 11 through SME Records.[20] The 12-track collection included prominent anisong hits such as "irony" (opening theme for the anime Ore no Imōto ga Konna ni Kawaii Wake ga Nai) and "Connect" (opening theme for Puella Magi Madoka Magica), alongside original compositions like "nexus" and "reunion".[21] The album debuted at number 2 on the Oricon weekly albums chart and sold 53,909 copies in its first week, earning a Gold certification from the Recording Industry Association of Japan for exceeding 100,000 shipments.[20] It also topped Tower Records' 2012 anime album ranking, underscoring the duo's growing prominence in the anisong scene. By 2014, ClariS faced their first major lineup change when Alice announced her departure on May 26, citing a need to focus on her studies.[22] Her graduation took effect after the release of the duo's third studio album Party Time on June 4, formally ending the original Clara-Alice era that had defined the group's anonymous breakthrough.[23] In her farewell statement, Alice expressed gratitude to fans, staff, and Clara for the support during their time together.[24] Karen joined ClariS as Alice's replacement on November 8, 2014, marking the start of a new duo phase with Clara.[25] Her debut came with the original song "Clear Sky," featured on a bonus CD accompanying the December 2014 issue of Dengeki G's magazine.[26] To maintain the group's signature anonymity, the official website unveiled a character illustration of Karen by artist Otohiko Takano, depicting her with pastel green motifs and a star-cat emblem.[27] The transition period stirred notable interest among ClariS's fanbase, as the vocal shift from Alice to Karen fueled discussions about potential changes to the duo's sound while their faceless tradition persisted, preserving the mystery that had captivated listeners since their Nico Nico origins.[13]2015–2019: Album releases, label transition, and expanding success
In 2017, ClariS released their fourth studio album, Fairy Castle, on January 25 under SME Records, marking a significant milestone in their discography as it incorporated tracks from recent singles like "Gravity" and "again," alongside new material that highlighted the duo's evolving sound during their stable period with Clara and Karen.[28] The album included a collaboration with GARNiDELiA on select tracks, expanding their musical partnerships and showcasing a blend of pop and electronic elements tied to anime themes.[29] Later that year, the duo transitioned to Sony Music's Sacra Music label, established specifically for anime song artists to support both domestic and international activities, which facilitated greater alignment with their anisong-focused career.[30] Building on this shift, ClariS issued their fifth studio album, Fairy Party, on November 21, 2018, under Sacra Music, featuring 14 tracks including anime tie-ins such as "Hitorigoto" from Eromanga Sensei and "SHIORI" from Owarimonogatari Season 2, which underscored their continued prominence in the anisong scene.[31] The album's release editions, including limited CD+Blu-ray versions with music videos, emphasized visual and performative elements, reflecting the duo's growing emphasis on multimedia presentation. During this era, ClariS maintained strong anime connections, contributing opening and ending themes to series like Nisekoi ("Gravity" in 2016) and BEATLESS ("PRIMALove" in 2018), which helped sustain their appeal in Japan's animation industry. The period also saw ClariS embark on their first live tours, beginning with the ClariS 1st Live2020–2024: Anniversary celebrations, face reveals, and Karen's graduation
In 2020, ClariS marked their tenth anniversary since major debut with the online concert "ClariS 10th Anniversary Precious LIVE2025–present: Third phase, new members, and recent activities
On January 25, 2025, during their appearance at the "LisAni! LIVE 2025" event held at Nippon Budokan in Tokyo, ClariS announced the addition of two new members, Elly and Anna, to join Clara in forming a trio configuration.[46] This development marked the official start of the group's third chapter, emphasizing a renewed structure following Karen's graduation the previous year.[3] The announcement was accompanied by a live performance debuting the new lineup to the audience, signaling a shift toward expanded vocal dynamics and collaborative artistry.[47] The trio's activities continued with their second live show at the "Odaiba!! Choujigen Ongakusai Fuyu Fes 2025" music festival on February 23, 2025, at Pia Arena MM in Tokyo.[47] This event featured a setlist blending classic hits with fresh interpretations to showcase the members' harmonies, highlighting the group's adaptability and stage presence. Marking their first release as a trio, ClariS issued the single "Colorful -season 03-" on February 24, 2025, a reimagined version of an earlier track that introduced the new vocal arrangement. Later in the year, on July 11, 2025, they released "Umitsuki" digitally (with a CD version on August 20), serving as the opening theme for Rent-A-Girlfriend Season 4 and marking their first anime tie-in in the trio era.[48] In commemoration of the 14th anniversary of the Puella Magi Madoka Magica anime series, ClariS released a self-covered version of their opening theme "Connect," retitled "Connect -season 03-," on October 11, 2025. The track, produced under Sony Music Labels Inc., updates the 2011 original with the trio's vocals and contemporary production elements, and its music video premiered on the official ClariS YouTube channel, garnering significant views from fans worldwide.[49] This release underscored the group's ongoing ties to anime soundtracks while demonstrating their evolution in the third chapter. The trio expanded internationally with their first North American performance at Animethon 2025 in Edmonton, Alberta, Canada, on August 10, 2025, during the MusicFes event.[7] As of November 2025, ClariS continues their third chapter with international outreach, including a confirmed performance at Anime Festival Asia (AFA) Singapore 2025 on November 30 at the Suntec Singapore Convention & Exhibition Centre.[50] The event appearance on the BLAZE Stage will feature the trio in the "I LOVE ANISONG" segment, promoting their recent works and engaging Southeast Asian audiences.[51] Additional activities include promotional tours and potential new single announcements, maintaining momentum in live events and digital content distribution.Public image and artistry
Anonymity and reveals
ClariS adopted a strategy of complete anonymity upon their formation in 2009 by two junior high school students, Clara and Alice, to safeguard their personal lives and prioritize education while pursuing music on platforms like Nico Nico Douga.[18] This approach involved using anime-style illustrations and silhouettes in promotional materials and music videos, with no public photos or personal details disclosed, allowing the duo to focus solely on their vocal performances without external pressures.[15] The anonymity extended to live activities, as their first in-person appearance was on January 5, 2014, at Zepp Tokyo behind a large curtain obscuring their figures; they refrained from onstage performances until their first solo concert in 2015 at Zepp Tokyo, where they appeared veiled to obscure their faces during the entire set.[15] The veil of secrecy surrounding ClariS generated widespread media speculation and intensified fan curiosity, transforming their identity into a central element of their brand that emphasized the purity of their music over visual celebrity.[36] Fans engaged deeply with the duo's output through online communities and anisong events, where the absence of faces amplified the mystique and encouraged interpretations of their songs as universal expressions unbound by individual personas. A partial breakthrough occurred in 2017 at their Nippon Budokan concert, where Clara and the newly joined Karen briefly removed their masks onstage, offering fans a fleeting glimpse but quickly reverting to anonymity to preserve the established image.[18] The full reveal unfolded on October 20, 2020, during their inaugural online concert "ClariS 10th Anniversary Precious LIVEMusical style and influences
ClariS's music is predominantly rooted in J-pop and anisong, characterized by upbeat, electronic-infused pop arrangements that emphasize emotional vocals layered over synth-driven melodies and rhythms. This style often features bright, energetic productions suited to anime themes, with harmonious dual (or now triple) vocals delivering a sense of clarity and shine reflective of their name's Latin origins.[54][55] Their lyrics frequently explore themes of youth, fantasy, and resilience, intertwining personal growth and emotional journeys with anime narratives to evoke longing, connection, and overcoming adversity. For instance, early works capture dreamy aspirations and relatable teen emotions, while later tracks delve into mature reflections on distance and unity, often mirroring the fantastical elements of their anime ties.[54][55][56] ClariS draws influences from a range of J-pop and anisong artists, including Ayaka for Clara's vocal aspirations, Akina Nakamori and LiSA for Karen's emotive delivery, as well as contemporary acts like back number, Official髭男dism, miwa, and yui, which shape their blend of pop accessibility and heartfelt expression. Producers like kz (of livetune) and ryo (of supercell) have also impacted their sound through collaborations on debut tracks, introducing electronic and rhythmic complexities.[54][55][57] Beginning with Nico Nico Douga covers of existing songs, ClariS evolved to original compositions upon their major debut, transitioning from synth-heavy electronic pop to more diverse incorporations of retro-futuristic elements, jazz, and rock in subsequent releases. The 2017 shift to Sacra Music under Sony facilitated broader experimentation, including richer vocal harmonies and occasional live instrumentation to enhance emotional depth in their anisong output.[55][56][30] With the recent addition of new members in 2025, their sound has further expanded through three-part harmonies, adding ethereal layers while preserving the core upbeat resilience tied to anime storytelling.[56]Members
Current members
Clara, born in 1996 in Hokkaido, is the founding and sole original member of ClariS, having debuted with the group in 2009 as a junior high school student. She primarily handles lead vocals, maintaining continuity in the unit's musical direction.[58][46] Elly joined ClariS in January 2025, focusing on vocals and live performances. Anna also joined in January 2025, emphasizing vocals.[46][3] As a trio since early 2025, ClariS operates with Clara serving as the anchor for the group's legacy, while Elly and Anna contribute to a collaborative vocal harmony and expanded performance style, marking the start of the unit's third chapter.[47]Former members
ClariS was originally formed in 2009 by Clara and Alice, two junior high school students from Hokkaido who began uploading vocal covers to Nico Nico Douga under the name Alice☆Clara. Alice served as a co-founder and vocalist until her departure in June 2014. During her tenure, she contributed to the duo's breakthrough in the anisong scene, including their major debut single "irony" in October 2010, which served as the opening theme for the anime Oreimo, and the follow-up "Connect" in 2011, the opening theme for Puella Magi Madoka Magica. These early releases established ClariS's signature bright, emotive pop sound and helped propel them to national recognition. Alice left the unit to focus on her academic studies, marking the end of the original duo lineup.[45] Karen joined ClariS as the new second vocalist in November 2014, shortly after Alice's exit, forming a new duo with Clara that defined the group's most commercially successful period. Over her decade-long tenure, Karen contributed to numerous releases, including the 2017 album Fairy Castle, which featured upbeat tracks like "Prism" and solidified their transition to Sony's SACRA MUSIC label, as well as the 2018 compilation Fairy Party. She also played a key role in the duo's 10th anniversary celebrations in 2020, during which ClariS publicly revealed their faces for the first time at a concert, ending years of anonymity and boosting their live performance presence. Karen graduated from the unit on November 10, 2024, following the conclusion of the "ClariS AUTUMN TOUR 2024," citing her desire to pursue personal dreams, including marriage and starting a family.[44][2][6]Timeline
| Date | Event | Members Involved | Context |
|---|---|---|---|
| 2009 | Formation of ClariS | Clara and Alice join | The duo was formed by junior high school students Clara and Alice, who began posting cover songs on Nico Nico Douga.[25] |
| October 20, 2010 | Major debut | Clara and Alice | Released debut single "irony," marking their entry into the music industry under Sony Music.[25] |
| June 4, 2014 | Alice's departure | Alice leaves | Alice graduated from the group to focus on her education.[59] |
| November 8, 2014 | Karen joins | Karen joins | Karen, a classmate of Clara and fan of the group, joined as the new second member. |
| October 20, 2020 | Face reveal milestone | Clara and Karen | During their 10th anniversary online concert "ClariS 10th Anniversary Precious LIVE |
| September 1, 2024 | Karen's departure announced | Karen to leave | Karen announced her graduation from the group after nearly a decade, effective at the end of her autumn tour.[2] |
| November 10, 2024 | Karen's departure | Karen leaves | Karen performed her final concert with ClariS, concluding her tenure.[45] |
| January 25, 2025 | New members announced | Elly and Anna join | ClariS entered its third phase with Elly and Anna joining alongside original member Clara, announced at the Lis Ani! LIVE 2025 event.[60] |
Discography
Studio albums
ClariS's studio albums represent the core of their discography, showcasing their evolution from youthful pop to more mature and experimental sounds while maintaining ties to anime theme songs. Their debut marked an entry into the J-pop scene with fresh, energetic tracks, and subsequent releases reflected growing artistic confidence and collaboration with prominent producers. The debut album Birthday, released on April 11, 2012, features 12 tracks and serves as an introduction to the duo's bright, synth-driven pop style, including hits like "irony" and "Connect" used in anime openings. It peaked at No. 2 on the Oricon weekly albums chart, selling 53,909 copies in its first week.[20] Second Story, released on June 26, 2013, with 12 tracks, explores themes of maturity and self-discovery through layered vocals and intricate arrangements, building on their earlier success with contributions from producers like kz(livetune). The album reached No. 6 on the Oricon weekly albums chart.[61] Party Time, released on June 4, 2014, compiles 12 upbeat tracks emphasizing fun and celebration, coinciding with their activities and featuring energetic anthems suited for live performances. It achieved a peak of No. 5 on the Oricon weekly chart.[62] Fairy Castle, their first album with Karen, released on January 25, 2017, includes 15 tracks (deluxe edition) blending pop with electronic elements and anime ties, such as "border" from Tsukimonogatari. It peaked at No. 7 on the Oricon weekly albums chart.[28][62] Fairy Party, released on November 21, 2018, features 12 tracks continuing their fairy-themed era with vibrant pop and vocal harmonies, earning praise for production. It debuted at No. 6 on Oricon.[63][62] Parfaitone, marking continued evolution as a duo, released on April 6, 2022, includes 11 tracks shifting toward electronic influences while showcasing soaring vocals on themes of transition and light. It debuted at No. 4 on the Oricon weekly albums chart.[64][62] Iris, their seventh and final album as a duo before becoming a trio, released on May 22, 2024, contains 12 tracks reflecting emotional depth and pop sensibilities, including the single "ALIVE". It peaked at No. 5 on Oricon as of November 2025.[65][62]Singles and EPs
ClariS's singles have been a cornerstone of their discography, often serving as opening or ending themes for popular anime series, which has contributed to their prominence in the anisong genre. Their debut single "irony," released on October 20, 2010, was used as the opening theme for the anime Ore no Imōto ga Konna ni Kawaii Wake ga Nai (Oreimo) and debuted at No. 7 on the Oricon weekly singles chart. This was followed by "Connect" on February 2, 2011, the opening theme for Puella Magi Madoka Magica, which peaked at No. 5 on Oricon and has since amassed over 70 million streams on digital platforms. Subsequent releases like "Luminous" (October 10, 2012), the opening theme for the first two Puella Magi Madoka Magica films (Beginnings and Eternal), reached No. 4 on Oricon, showcasing their growing chart success tied to high-profile anime projects. The duo's singles continued to blend pop sensibilities with anime storytelling, with "Click" released on January 29, 2014, as the opening for Nisekoi and peaking at No. 7 on Oricon. Following Alice's departure and Karen's addition in late 2014, "border" marked their first single as the new lineup on January 7, 2015, serving as the ending theme for Tsukimonogatari and debuting at No. 10 on Oricon. Post-2020 releases emphasized digital streaming and anniversary celebrations, including "Fight!!" on February 17, 2021, the ending for Hataraku Saibō!! (Cells at Work! Season 2), which charted at No. 12 on Oricon and gained traction through anime tie-ins. In 2023, "Koisekai" (July 13, 2023) further highlighted their evolution, achieving strong digital performance with over 10 million streams in its first year. Recent singles as of November 2025 include "Clear Sky -2024-" (October 23, 2024), a re-recording marking the trio's debut collaboration, and "Umitsuki" (digital July 12, 2025; CD August 20, 2025), the opening for Rent-A-Girlfriend Season 4, their first anime tie-in as a trio, peaking at No. 3 on Oricon.[66][48][67][17]| Title | Release Date | Anime Association | Oricon Peak |
|---|---|---|---|
| irony | October 20, 2010 | Oreimo OP | #7 |
| Connect | February 2, 2011 | Puella Magi Madoka Magica OP | #5 |
| Luminous | October 10, 2012 | Puella Magi Madoka Magica films 1-2 OP | #4 |
| Click | January 29, 2014 | Nisekoi OP | #7 |
| border | January 7, 2015 | Tsukimonogatari ED | #10 |
| Fight!! | February 17, 2021 | Cells at Work! S2 ED | #12 |
| Koisekai | July 13, 2023 | N/A | N/A (digital focus) |
| Clear Sky -2024- | October 23, 2024 | N/A (trio debut) | #8 |
| Umitsuki | August 20, 2025 | Rent-A-Girlfriend S4 OP | #3 |
Cover songs and other releases
ClariS, initially performing under the name Alice☆Clara, gained initial recognition through a series of cover songs uploaded to the Nico Nico Douga video-sharing platform between 2009 and 2010. These early covers primarily featured anime themes, Vocaloid tracks, and J-pop songs, showcasing the duo's vocal harmonies and contributing to their discovery by a record label. The uploads marked their transition from amateur performers to professional artists, with several videos amassing significant viewership and establishing their fanbase within the utaite community.[71] The following table highlights representative cover songs from this period, selected for their popularity and diversity in genres:| No. | Upload Date | Song Title | Original Artist(s) | Notes |
|---|---|---|---|---|
| 1 | October 10, 2009 | STEP TO YOU | 40mP (Vocaloid, feat. Hatsune Miku) | Debut cover; Vocaloid song that introduced their style. |
| 2 | October 17, 2009 | Black★Rock Shooter | Supercell | Anime-inspired track; -2M mix version. |
| 3 | November 3, 2009 | Scrap & Build | kuu (Vocaloid) | Upbeat Vocaloid cover. |
| 4 | November 14, 2009 | Watashi ga Kami wo Kitta Riyuu | ryo (Vocaloid, supercell) | Dramatic Vocaloid rendition. |
| 5 | November 29, 2009 | only my railgun | fripSide | Opening theme for Toaru Kagaku no Railgun. |
| 6 | December 12, 2009 | Kimi no Shiranai Monogatari | supercell | Ending theme for Bakemonogatari. |
| 7 | December 31, 2009 | Lion | May'n & Nakajima Megumi | Short version; opening for Macross Frontier. |
| 8 | January 16, 2010 | Lion | May'n & Nakajima Megumi | Full version follow-up. |
| 9 | February 6, 2010 | Finder | kemu (Vocaloid) | Energetic Vocaloid cover. |
| 10 | March 5, 2010 | LEVEL5 - judgelight - | fripSide | Second Railgun opening theme. |
| 11 | April 3, 2010 | Polyrhythm | Perfume | J-pop hit cover. |
| 12 | May 8, 2010 | Don't say "lazy" | K-ON! cast | Ending theme for K-ON!. |
| 13 | June 5, 2010 | Listen!! | K-ON! cast | Ending theme for K-ON!!.[71] |
