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List of Dilbert characters
List of Dilbert characters
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This is a list of characters that have appeared in Scott Adams' Dilbert comic strip.

Primary characters

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Dilbert

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The main character in the strip, Dilbert is a stereotypical technically-minded single male. Prior to October 2014, he was usually wearing a white dress shirt, black trousers and a red-and-black striped tie that inexplicably curves upward; since then, he has worn a red polo shirt with a name badge on a lanyard around his neck. Dilbert received his master's degree in electrical engineering from MIT; he understands engineering well and has good ideas, but has a poor social life. Neither attractive nor blessed with tremendous social graces, Dilbert is capable, but ignored at work and struggles with his romantic life. While he is frequently seen having dates with eligible women, his dates almost invariably end in disaster, usually in surreal and bizarre ways. Dilbert loves computers and technology and will spend much of his free time playing with such things. He had a girlfriend named Liz for a little over two years, but she started dating other men, stating that she would still date Dilbert, but date other men at the same time.

Pointy-haired Boss

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The oblivious manager of Dilbert and the other engineers,[1] and sometimes the main antagonist of the strip; his real name is never mentioned. Scott Adams states that he never named him so that people can imagine him to be their boss. First mentioned on April 20, 1989,[2] he was depicted as a stereotypical late-middle-aged balding middle manager with jowls;[3] it was not until October 21, 1991[4] that he developed his signature "pointy hair" and the jowls disappeared. He is hopelessly incompetent at management, and often tries to compensate for his lack of skills with countless group therapy sessions and business strategies that fail to bear fruit. He does not understand technical issues but always tries to disguise this, usually by using buzzwords he also does not understand. The Boss treats his employees alternately with enthusiasm or neglect; he often uses them to his own ends regardless of the consequences to them. Adams himself wrote that "He's not sadistic, just uncaring". His level of intelligence varies from near-vegetative to perceptive and clever, depending on the strip's comic needs. His utter lack of consistent business ethics, however, is perfectly consistent. His brother is a demon named "Phil, the Prince of Insufficient Light", and according to Adams, the pointy hair is intended to remind one of devil's horns.

Wally

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One of the oldest engineers, Wally was originally a worker trying to get fired to obtain a large severance package. He hates work and avoids it whenever he can. He often carries a cup of coffee, calmly sipping from it even in the midst of chaos or office-shaking revelations. Wally is extremely cynical. He is even more socially inept than Dilbert (though far less self-aware of the fact), and references to his lack of personal hygiene are not uncommon. Like the Pointy-Haired Boss, Wally is utterly lacking in ethics and will take advantage of any situation to maximize his personal gain while doing the least possible amount of honest work. Squat and balding, Wally is almost invariably portrayed wearing a short sleeved dress shirt and tie. Adams has stated that Wally was based on a Pacific Bell coworker of his who was interested in a generous employee buy-out program—for the company's worst employees. This had the effect of causing this man—whom Adams describes as "one of the more brilliant people I've met"—to work hard at being incompetent, rude, and generally poor at his job to qualify for the buy-out program. Adams has said that this inspired the basic laziness and amorality of Wally's character. Despite these personality traits, Wally is accepted as part of Dilbert, Ted, Alice, and Asok's clique. Although his relationship with Alice is often antagonistic and Dilbert occasionally denies being his friend, their actions show at least a certain acceptance of him. He has openly admitted that all his good ideas are about coffee, that sometimes include sabotaging rival companies coffee so they only have decaf.

Alice

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One of the more competent engineers. She is often frustrated at her work because she does not get proper recognition. She believes it is because she is female, though in reality it is likely because she has a quick, often violent temper, sometimes putting her lethal "Fist of Death" to use, even with the Pointy-Haired Boss.

Dogbert

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Dilbert's anthropomorphic pet dog is the smartest dog on Earth. Dogbert is a megalomaniac intellectual dog, planning to one day conquer the world. He once succeeded, but became bored with the ensuing peace, and quit. Often seen in high-ranking consultant or technical support jobs, he constantly abuses his power and fools the management of Dilbert's company, though considering the intelligence of the company's management in general and Dilbert's boss in particular, this is not very hard to do. He also enjoys pulling scams on unsuspecting, and usually dull customers to steal their money. However, despite Dogbert's cynical exterior, he has been known to pull his master out of some tight jams. Dogbert's nature as a pet was more emphasized during the earlier years of the strip; as the strip progressed, references to his acting like a dog became less common, although he still wags his tail when he perpetrates his scams. When an older Dilbert arrives while time-traveling from the future, he refers to Dogbert as "majesty", indicating that Dogbert will one day indeed rule the world...again, and make worshipping him retroactive so he could boss around time travelers.

Asok

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A young intern, he works very hard but does not always get proper recognition. Asok is intensely intelligent but naive about corporate life; the shattering of his optimistic illusions becomes frequent comic fodder. He is Indian, and has graduated from the Indian Institutes of Technology (IIT). The other workers, especially the boss, often unwittingly trample on his cultural beliefs. On the occasions when Asok mentions this, he is normally ignored. His test scores (a perfect 1600 on the old SAT) and his IQ of 240 show that he is the smartest member of the engineering team. Nonetheless he is often called upon by the Boss to do odd jobs, and in meetings his ideas are usually left hanging. He is also seen regularly at the lunch table with Wally and Dilbert, experiencing jarring realizations of the nature of corporate life. There are a few jokes about his psychic powers, which he learned at the IIT. Yet despite his intelligence, ethics and mystical powers, Asok sometimes takes advice from Wally in the arts of laziness, and from Dilbert in surviving the office. As of February 7, 2014, Asok is officially gay, which never impacts any storylines but merely commemorates a decision by the Indian Supreme Court to uphold an anti-gay law.[5]

Ted

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An engineer who is often seen hanging out with Wally. He is referenced by name more often in older comics, but he is still seen occasionally now. He is a friend of Dilbert and Wally, but is not seen interacting with Alice or Asok as much. He has been accepted into Dilbert's clique. He has been fired and killed numerous times (for example, being pushed down a flight of stairs and becoming possessed), so it is likely that he is rehired and brought back to life in a similar way to the other main characters who die and come back. In addition to this, he is often promoted and given benefits over the other employees. Ted has a wife and kids who are referenced multiple times and seen on at least one occasion. Scott Adams refers to him as Ted the Generic Guy because whenever Scott needs to fire or kill someone, he uses Ted, but slowly over time Ted has become his own character. Ted appears in an episode of the series "Y2K", and is mentioned in "the Little People".

Secondary characters

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Loud Howard

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Another coworker who became a regular character in the TV series, despite appearing in just a few comic strips on April 21, 1995 and March 17, 2006, and again by popular request on October 11, 2006. Loud Howard is incapable of speaking quietly, and in the TV series his overpowering voice often breaks anything and everything around him, including people's eardrums. It has also shattered glass, caused his fillings to vibrate so hard they fall out of his teeth, slammed people against the wall and rendered his sneezes powerful enough to strip a person's flesh from their bones. He lives by an airport, which likely accounts for his loud voice.

In the strips, his loud voice is represented by huge lettering and his comically huge mouth (when talking), which takes up most of the available panel space and is therefore difficult to sustain as a running joke. Howard as a recurring character is better-suited to the animated series, where his voice actor, Jim Wise, can speak as loudly as necessary.

Loud Howard made a reappearance on May 24, 2012, where he meets Topper and they both have a shouting match right outside Dilbert's cubicle.

Carol

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The bitter secretary of the Pointy-Haired Boss, who hates her boss and all of her co-workers. Initially a minor character in the strip, her character grew enough in popularity over the years that Adams started creating complete storylines for her. Her character was based on all the bad experiences Adams ever had with any secretary.[6] Several strips feature Carol menacing or attacking co-workers with a crossbow (Known as the "Secretary with a Crossbow"). Carol frequently attempts to put the Pointy-haired boss in situations where he will be killed; she states this to the boss directly on numerous occasions. She has, for example: encouraged him to buy a build-it-yourself helicopter kit; scheduled his business trips via third world countries experiencing rebel insurrections; caused him to crash his car by sending him texts marked 'crisis' so that he will answer them while driving; scheduled 'walking meetings' so that his lack of physical coordination may cause self-injury, for example by falling off a bridge, and holding a press conference stating that her boss is an infamous serial killer. Carol's two young, poorly behaved children also make appearances in the strip. She is voiced by Tress MacNeille in the animated TV series.

Ratbert

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A rat formerly used as a laboratory test animal. A cheerful character and something of a nitwit though he does make the occasional brilliant observation. He usually gets all the lowest jobs but has been seen as a consultant before. He has made the pointy-haired boss fall under his consultant spell. Dilbert originally disliked Ratbert for being a rat, but Ratbert is later accepted as a member of the family. He was not originally intended as a regular character, but because of his popularity with readers he was kept.

Ratbert first appeared on July 23, 1990 (1990-07-23). He was not originally intended to be a regular, instead being part of a series of strips featuring a lab scientist's cruel experiments (Ratbert's name at this stage was XP-39C²). Ratbert soon realized that he was the subject of a hideous macaroni and cheese experiment (the scientist made him eat huge amounts of it and writes in his notebook that it causes paranoia in rats[7]) and escaped, eventually finding a refuge in Dilbert's house. He was not initially accepted by the residents, especially Dilbert, who was highly prejudiced against rats. However, he finally allowed Ratbert to become a permanent member of the household.[8]

Ratbert chose his name through a discussion with Dogbert. Dogbert suggested names such as 'Rodney the Rodent' and 'Vernon the Vermin'. XP-39C² suggested the name 'Bill the Rat' before finally settling on 'Ratbert'.[9]

As a simple rat, and having been specially bred to be susceptible to peer pressure, Ratbert is very gullible and innocent, although optimistic. Sometimes his actions can become quite annoying, such as doing "rat dances". Like Dogbert, he has made inroads into business, once working as an intern, a concierge, a consultant (with an "external brain-pack" tied to his torso, which was actually a slab of liver[10]) and vice-president of marketing (for which he was hired on the basis of his week in a dumpster at Procter & Gamble). He also became CEO after a series of strips that involved the previous CEO jumping into a volcano and the first replacement (a vampire) burning up due to daylight. Ratbert was fired for varnishing employees for use as office furniture. He received a severance package of $100 million, the corporate jet, perpetual benefits and a salary of $1 million per year.

Ratbert's biggest ambition in life is to become loved and accepted. He tries to impress those he considers his friends on various occasions, and nearly always fails miserably. Just as Dogbert protects Dilbert on numerous occasions despite his contempt for him, so do Ratbert's friends and family. Ratbert is friendly with Bob the Dinosaur, and is also good friends with Mister Garbage Man, who tries—and fails—to enlighten Ratbert on the complexities of the universe.

Catbert

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The company's evil feline Human Resources director. Although he was originally just supposed to be around for a few strips, the fans named him and demanded more of him.

An unnamed cat appeared in two 1992 strips as the companion of Dilbert's "perfect romantic match"; he or she strongly resembled the later Catbert design. The real Catbert, unnamed, first appeared in a series of comic strips from September 12 to 16, 1994, when he attacked Ratbert and rebooted Dilbert's computer before Dogbert finally kicked him out of the house. Reader response asked for "more Catbert," despite the cat never having been named, and Adams decided to bring him back as the "evil director" of human resources. Catbert appeared again on March 20, 1995,[11] when Dogbert hired Catbert to handle downsizing (a process that leads to Alice and Wally running for the new org chart [12] and colliding so hard that they ended up wearing each other's clothes, backwards[13]).

With the help of his "random policy generator",[14] he comes up with sadistic, illogical, and often evil policies to force on the employees, such as permanently branding them,[15] requiring them to schedule sick time before they actually get sick,[16] replacing the health plan with Google,[17] and making time spent in the bathroom count as "vacation".[18] He also has the help of his "Life Suck 3000" (to suck the life force out of employees faster than normal),[19] and his library of HR binders that give strategies on downsizing and hiring of morons specifically.[20] He often works in tandem with the Pointy-Haired Boss, though on occasion he even harasses him with his policies.[21][22] Catbert typically celebrates the creation of a new evil policy by purring loudly, hugging himself,[23] doing the "evil dance"[24] or by occasionally laughing himself fuzzy.[25]

He often abuses workers by doing things like sending Wally home for wearing shorts, even though Wally's pants reach his ankles.[26] He also claws up employees, once batted Dilbert's head off,[27] hid Asok the intern in his litter box, and pulled some strings to get Wally moved to a window cubicle (so as to use Wally's head as a bed to lie on while warming himself in the sun[28]).

Catbert's more cat-like traits include use of the litter box, purring, and lying on warm or sun-heated surfaces.

Some of his own strategies have been known to backfire on him, like the August 2007 strips where he made the employees wear brain monitoring helmets when he suspected they were thinking about pleasant stuff rather than work. Wally, naturally, was the first whose helmet went off, and when Catbert went over what he was thinking about he went metaphorically "blind",[29] possibly with the same reaction the Pointy-haired boss afterwards had: "I was happier not knowing."[30]

His more evil nature is also kept in with the TV series, voiced by comedian, Jason Alexander, with a notable example being his forging a confession in Dilbert's name claiming Dilbert had been responsible for pilfering dry erase markers as well as using his computer for X-rated sites (as well as completely unrelated crimes such as the Lindbergh kidnapping and the shooting of Larry Flynt), as well as publicly announcing Dilbert's "signing" of the confession with permission given to the other employees to treat Dilbert like a pariah.[31]

Dilbert's mother

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Dilbert's mother (known by fans as "Dilmom") is a homely and intelligent woman. She used to think Dilbert worked at a railroad because he is an engineer. She is often selfish and openly uncaring towards her son; in the TV series she states that, although she loves him, she does not actually like him (but she does like Dogbert). The comic often shows her and her son passive-aggressively attempting to get out of seeing each other. She has nearly the same level of technical knowledge as Dilbert, although she has him do technical work for her. She is obsessed with Scrabble and has been accused of cheating with "counterfeit vowels". (This is a reference to Scott Adams' own mother.) She is voiced by Jackie Hoffman in the TV series. Her husband has been missing for years, at a 24-hour "All-You-Can-Eat" restaurant in the local mall (he will not leave until it is all he can eat); in the animated series, she was touched by a surveillance video of him, given to her by Dilbert and Dogbert.

Dilbert's mother's name appears in the April 12, 2006[32] and the May 31, 2009 [33] strips. She is also called "Dilmom" in the TV series episode "Hunger", by Dogbert and later a TV announcer.

Phil, the Prince of Insufficient Light

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A parody of Satan (the "Prince of Darkness"), Phil ("Prince of Insufficient Light and Supreme Ruler of Heck") is a minor demon who punishes people for small crimes by "darning them to heck" with his "pitch-spoon". Such crimes include using copier paper for the printer, stealing a chair from another cubicle, and finishing off the last coffee from the coffee maker without making another pot. As a minor demon, Phil's punishments are annoying, rather than tormenting, such as being forced to sit at a secretary's desk and be teased by coworkers, or being forced to sit among the accountants at lunchtime and listen to their boring conversations, or, in one strip, "using the spoon" (which involved spooning with said person). Phil was eventually revealed to be the Pointy-Haired Boss's brother. Adams is inconsistent with his depictions of Phil, who sometimes has horns and sometimes does not, and sometimes carries a pitchfork rather than a spoon. Adams has stated that the inconsistency is because he sometimes forgets that Phil is not supposed to have a cape or a pitchfork. He also drank milk.

Bob the Dinosaur

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A vegetarian dinosaur who tries to avoid using modern technology and seems proud of his low-tech lifestyle. He was found after Dilbert calculated that dinosaurs could not be extinct, and they therefore must be in hiding. Bob was found hidden behind the couch. Bob has a wife (Dawn) and son (Rex), who also live in Dilbert's house, but they are seen far less frequently than he is, since most of his time is spent at Dilbert's office, where his wedgie duty is constantly needed while working with incompetent co-workers, salesmen, or clients. He has also revealed that, being a dinosaur, he is of course mistaken for a COBOL programmer. Bob likes to nap and eat carrots. In the television series, he appears in the cold opening of the episode "The Little People".

Mister Garbage Man

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Dilbert's garbageman is frequently described in the comic as "the world's smartest garbageman". He appears for the first time in the strip of December 5, 1989.[34] He occasionally solves extremely complex problems for Dilbert and in various strips has developed several futuristic inventions. He once returned Dilbert from the dead by repairing the cloning device that Dilbert had thrown into the garbage.[35][36][37][38] In the TV show, it is revealed that he is the only garbageman for the whole city and is able to collect for all houses through "shortcuts" (i.e. wormholes).

Tina

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Tina is a technical writer who was introduced both to add more females to the cast and to satirize the technical writing profession of the late 20th century. Tina was portrayed as a frustrated feminist, always on the defensive about her skills and her value to the company.[39] She was sometimes referred to as "Tina, the brittle technical writer." She never appears in the TV series, but she appears in some of the animated shorts.

Elbonians

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People from a fictional Fourth World nation, used as a parody of outsourcing. Their culture is radically different from Western culture, and their patriarchy often annoys Alice. Their country is covered in waist-deep mud which they keep wet using expensive bottled water, as revealed in one strip. The main vehicle of their national airline is essentially a giant slingshot. At one point, the French declared war on Elbonia because they tried to launch a satellite with the town slingshot, thereby flattening the French Embassy before Dilbert can intercede; Elbonia ultimately benefited from the war, because the sale of pieces of French bombs became a significant part of the national income. At another time Dogbert lobbied Switzerland to "liberate" Elbonia's oil. Dogbert once became the king of Elbonia, but Dilbert convinced him to abdicate. Elbonia was first described as an Eastern European nation that had recently overthrown communist rule. Scott Adams stated in Seven Years of Highly Defective People that Elbonia was created to allow for a foreign nation inoffensive to people outside the United States, and is based on the average American's perception of any country without cable television.

Accounting trolls

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Sadistic trolls from the accounting department whose bodies are 95% saliva. As Dogbert shows, their brains are so hard-wired that seeing someone wearing a baseball cap backwards causes their heads to explode (which he called "paradigm shifting without a clutch"). The trolls' accounting offices resemble a cavernous Hell. They were originally ruled by a witch who turned Dilbert into an accounting troll, but was destroyed when Dilbert, assigned to budget erasing, erased the accounting department's budget. The trolls are rarely given names, but occasionally a troll by the name Nordlaw is referenced. The first troll introduced in the comics was named Bradley. Their original name was Erv.

Minor recurring characters

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Ming

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"Web Mistress", occasionally dates Mordac.

Mother Nature

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Mother Nature, the ruler of the Earth, judges the characters (usually Dilbert) about how they treat nature.

Company Lawyer

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The company's lawyer. He claims he could have been in almost any legal profession, yet still ended up there. The Pointy Haired Boss uses his bitterness to shut down any project he dislikes.

Mordac

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A senior system/network administrator or manager at Dilbert's company, Mordac the Preventer of Information Services (also known as Mordac the Refuser) strives to make the use of the company's computing resources as difficult and frustrating as possible. In most cases, the ridiculous or over-the-top restrictions he introduces are explained as in line with the company's IT policy (then again, he might be the one writing that policy). In one strip he claimed to have lost the file containing his job description and that he has been "winging it" for five years. There have however been cases — for instance, when he made obscure changes to the network without testing just before allegedly leaving for a three-week vacation on a Russian submarine above the Arctic Circle — when his actions could only be explained by malice. His motives are unclear, although his demeanor suggests he simply takes pleasure using his management and technical powers to make the users of "his" systems suffer. On one occasion, he was attacked while confronting Dilbert by Catbert, as he had made Catbert's personal printer a shared device. In more recent strips he looks different. He has pointed ears and hairstyle much like a Vulcan. He appeared once with a sidekick, "Walter the Budget Man", in the "Merger" episode of the animated series. Here he was voiced by Maurice LaMarche.

Topper

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A relatively frequently recurring character in the strip. Whenever anyone mentions in Topper's earshot any difficult task he or she accomplished, he barges into the conversation with a smug facial expression, exclaiming, "That's nothing!" He then proceeds to top the other's statement with his own, obviously implausible or downright ridiculous, claim (e.g. insulating his house with cheese, implanting himself with insect organs so he can spin silk, or passing a gallstone so big it became the Secretary of Labor in Clinton's administration). He seems to be genuinely offended when the others express disbelief in his purported exploits. He allegedly cannot start a conversation, as he claims that it "ruins his system."

Dadbert

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An unseen character in the comic strip, although he does appear in the animated series, in which his face is hidden in a fashion similar to some of the humans from "Tom and Jerry" or Wilson from "Home Improvement". He left the family during a trip to the mall in 1992 (1979 in the TV series) in order to visit a 24-hour all-you-can-eat restaurant. He refuses to leave until he is sure he has had all he can eat.

Liz

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Dilbert's girlfriend from 1994 to 1996. He met her at a soccer game,[40] where she rebounded a ball off his head to score a goal. Liz would constantly taunt Dilbert about their comparative levels of attractiveness and his obsession with technology, though Dilbert always took such comments in stride. Adams admitted in Seven Years of Highly Defective People that "Liz never really clicked with me", and eventually had her break up with Dilbert, after she started dating other men. She is Dilbert's longest relationship.

Dawn and Rex

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Introduced in 1989, Bob and Dawn came into the strip after Dilbert figured out that not all dinosaurs could be extinct. Dawn was Bob's "mate." Rex was hatched shortly after the introduction of Bob and Dawn. The two characters appeared much less frequently than Bob and have not been seen in a Dilbert strip since September 20, 1997.

The C.E.O.

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The Chief Executive Officer (C.E.O.) of the unnamed company that Dilbert works at has been shown to be incompetent to some level (though not as much as the pointy haired boss) and often at meetings makes a desperate attempt to seem like, as the pointy haired boss put it, "just plain folk". Since 2003, the C.E.O. has been drawn as a young bald man with a big head.[41]

The Company Robot

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The Company's Robot was bought by the pointy haired boss to replace Wally. All it was supposed to do was drink coffee and look at inappropriate Web sites, which Wally admitted was all he did. It was hacked by Dilbert and Wally to make it disgruntled, to make sure Wally kept his job. The robot has appeared on occasion since, especially when plotting for robots to take over the world.

Bearded suspender guy

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An old-style computing guy who likes to reminisce about the old days, he's a UNIX user and software architect to whom both Wally and Alice have taken exception. He has appeared with white, black and brown hair, but all appearances include suspenders. He is widely rumored to be based on computer scientist and cryptographer Igor Faynberg (a Bell Labs Fellow), who admits that this may be the case, but has no memory of having met Adams.

Zimbu the Monkey

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A monkey that works at Dilbert's office, who is always a better employee than Dilbert due to his tail, which enables him to be more productive by using his tail to control the mouse and his hands to type. He appears in the episode "Y2K" voiced by Tom Kenny.

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The List of Dilbert characters catalogs the archetypal figures inhabiting Scott Adams' satirical comic strip Dilbert, which debuted in 1989 and chronicles the frustrations of cubicle-dwelling professionals amid bureaucratic incompetence and irrational management. Primary characters include Dilbert, the socially inept yet ingeniously competent systems engineer who navigates absurd projects and pointless meetings; Dogbert, his pet dog with delusions of grandeur and a penchant for domination; the pointy-haired boss, an embodiment of clueless executive authority; Wally, the chronically unproductive engineer who masters the art of feigned effort; Alice, the formidable programmer prone to "The Knack" for explosive productivity and righteous anger; and Catbert, the diabolical feline head of human resources who enforces capricious policies. Secondary and minor characters, such as the naive intern Asok, the bombastic Loud Howard, and the Elbonians from a mud-caked fictional country, further populate the strip's universe, amplifying its critique of workplace pathologies drawn from Adams' telecommunications career experiences. The ensemble's enduring appeal lies in their exaggerated yet relatable depictions of human behavior under hierarchical pressures, though the strip's syndication ended in many outlets in 2023 after Adams' public remarks on racial dynamics prompted widespread backlash from media and publishers.

Core Engineering and Employee Characters

Dilbert

Dilbert is the protagonist and namesake of the comic strip created and illustrated by , which was first syndicated on April 16, 1989. The character embodies the frustrations of a competent trapped in a dysfunctional corporate environment, where innovative ideas are routinely undermined by incompetent management and pointless bureaucracy. Adams drew from his own experiences as a at to craft Dilbert's professional life, portraying him as a systems-oriented thinker who excels at technical problem-solving but falters in navigating office politics. Visually, Dilbert is depicted as a tall, skinny figure with a large forehead, sparse tufts of hair, and minimal facial details—often lacking a visible mouth or distinct eyes in early strips—to emphasize his everyman quality and detachment from emotional expression. His signature red-and-black striped necktie perpetually points upward, defying gravity as a visual gag symbolizing his upward-striving yet thwarted ambitions. Dilbert resides in a cubicle, owns a pet dog named Dogbert, and occasionally dates, though his romantic pursuits highlight his social awkwardness. In terms of personality, Dilbert's traits reflect a composite of engineers Adams observed: highly rational and inventive in contexts, yet profoundly inept at interactions, leading to comedic isolation. He frequently proposes logical solutions or gadgets that ignores or perverts, underscoring themes of corporate inefficiency; for instance, his projects often involve absurd collaborations with fictional low-cost nations like Elbonia. Despite his mediocrity in social spheres—mirroring Adams' self-described traits—Dilbert's technical intuition allows him to intuitively grasp mechanical and electrical principles, enabling survival in a dominated by . Over the strip's run, Dilbert evolves minimally, remaining a consistent of the undervalued whose competence is overshadowed by hierarchical stupidity.

Wally

Wally is a software engineer character in the Dilbert comic strip, depicted as profoundly cynical and dedicated to minimizing work output through elaborate avoidance tactics while securing equivalent pay to more productive colleagues. Creator modeled Wally after a coworker who exemplified laziness and amorality by devising strategies to perform no useful tasks, including efforts to provoke layoff without success. This inspiration drew from real corporate inertia where long-tenured employees evade accountability. Introduced on May 5, 1990, Wally appears as a balding man with glasses, often lounging in his or exploiting bureaucratic loopholes, such as volunteering for futile projects to feign . His schemes highlight inefficiencies in large organizations, where he sustains through despite zero or productivity, sometimes amassing wealth from stock options yet continuing attendance from sheer boredom. Adams has noted Wally's evolution from a generic figure to the archetype of the "lazy " who thrives amid incompetent . Wally interacts with protagonists like and Alice as a reluctant peer, offering sarcastic commentary on office absurdities without ethical restraint, such as undermining initiatives for personal ease. His persistence underscores themes of entrenched underperformance in tech firms, tolerated due to firing costs and failures rather than merit.

Alice

Alice is a primary character in ' Dilbert comic strip, depicted as a highly competent at the unnamed corporation where works. She stands out for her exceptional and , frequently portrayed as the company's top performer and, at times, its highest-paid employee due to merit-based raises. Adams based the character directly on a coworker from his tenure at , describing her as someone whose intensity in meetings could reduce grown men to tears. Known for her no-nonsense attitude and frustration with bureaucratic inefficiencies, Alice often confronts incompetence head-on, employing physical aggression such as her signature "Fist of Death"—a powerful punch delivered to irritating colleagues or supervisors. This trait highlights her intolerance for mediocrity and poor decisions, contrasting with the laziness of characters like Wally. Her interactions typically involve clashes with the pointy-haired boss over absurd policies or demands, underscoring themes of corporate exploitation of high achievers. Despite her aggression, Alice's competence drives plotlines involving innovative solutions thwarted by organizational folly. Visually, Alice is distinguished by her tall, beehive-style hairstyle resembling a pointed , which evolved from earlier curly depictions and symbolizes her no-frills . She maintains professional relationships with , collaborating on projects while sharing mutual exasperation with workplace absurdities, though romantic subplots occasionally arise without resolution. Alice embodies the of the overburdened expert in a dysfunctional , reflecting Adams' observations of real corporate dynamics.

Asok the Intern

Asok is a young Indian intern at the engineering firm depicted in the Dilbert comic strip, introduced by creator Scott Adams to represent the growing number of Indian professionals in the American technology workforce. The character, modeled after an Indian co-worker of Adams at Pacific Bell, first appeared on March 18, 1996. A graduate of the Indian (IIT), Asok is portrayed as extraordinarily intelligent, capable of resolving intricate technical challenges with minimal effort, such as through rapid keystrokes or leveraging his advanced education. He frequently boasts of IIT's demanding curriculum, which he claims honed his intellectual superiority over most peers. However, Asok's and excessive make him vulnerable to manipulation by superiors and colleagues, who exploit his diligence for their own gains while providing scant compensation or recognition. In one notable 2007 storyline, Asok perishes in a prototype moon shuttle explosion but is reincarnated as a hybrid human-candy bar entity after his DNA mixes with a bar, exemplifying the strip's satirical treatment of corporate absurdity and temporary character "deaths." The character's name derives from a common Indian , and his depiction emphasizes cultural contrasts in workplace dynamics without altering core themes of inefficiency and hierarchy.

Ted

Ted is a minor recurring engineer character in Scott Adams' comic strip, serving as a for anonymous office workers in corporate scenarios. He embodies the of the expendable employee, frequently deployed in plots involving downsizing, project failures, or punitive measures by . Adams utilizes Ted to highlight the disposability of mid-level staff in bureaucratic environments, where individual identity yields to interchangeable functionality. Known among fans and referenced by Adams as "Ted the Generic Guy," the character lacks a pronounced , enabling his reuse across strips without continuity disruptions. This designation underscores his role in absorbing comedic fallout, such as abrupt firings or "deaths" for punchline delivery, after which he reemerges unscathed in later appearances. Ted's dark-haired, nondescript design facilitates this recyclability, distinguishing him from more defined colleagues like or Wally. Over the strip's run since its debut on , 1989, Ted has evolved slight traits beyond pure genericity, including over-eagerness to volunteer for tasks and a propensity for verbose communications, as seen in strips depicting interminable emails that test coworkers' patience. He occasionally integrates into , hanging out with engineers like Wally or contributing to team absurdities, yet consistently faces repercussions from the Pointy-Haired Boss. In the 1999-2000 animated adaptation, Ted features prominently in the episode "Y2K," where company records note potential multiples of him, reinforcing his interchangeable essence amid millennium bug preparations.

Management and Bureaucratic Characters

Pointy-Haired Boss

The Pointy-Haired Boss serves as the direct supervisor to , Wally, Alice, and other engineers in the comic strip, embodying the archetype of an incompetent middle manager who prioritizes superficial corporate metrics over substantive results. Created by , the character relies heavily on management buzzwords, demonstrates a profound misunderstanding of technical work, and often attributes team failures to subordinates while taking credit for successes. This portrayal draws from Adams' observations of corporate environments where advancement occurs through political maneuvering rather than expertise, as illustrated in strips where the boss enforces misguided policies like excessive meetings or flawed performance evaluations. Introduced in the early days of the strip's syndication on April 17, 1989, the boss initially appeared with jowly features and non-pointy hair before evolving into the iconic hairstyle symbolizing intellectual vacuity by the early . Adams selected ten notable strips featuring the character for a 2013 National Boss Day compilation, highlighting scenarios such as the boss's attempts to "motivate" employees through absurd incentives or his obliviousness to project risks, which underscore the character's role in satirizing bureaucratic dysfunction. The Pointy-Haired Boss frequently interacts with higher executives like the CEO, positioning him as a buffer who relays distorted information upward while shielding upper management from operational realities, a dynamic that perpetuates inefficiency in the . Despite his flaws, the character occasionally shows marginal cunning in office politics, such as navigating layoffs or reorganizations to preserve his position, reflecting Adams' view that such managers survive by appearing busy rather than delivering value. This persistence critiques the , where individuals rise to their level of incompetence, a concept echoed in analyses of the strip's commentary on corporate hierarchies.

Catbert

Catbert is a in the Dilbert comic strip, portrayed as a cat who serves as the evil director of at the unnamed company where Dilbert works. He enforces policies designed to maximize employee discomfort, such as teasing workers prior to downsizing announcements. Catbert first appeared in the strip in September 1994 as an unnamed generic cat that interacted with other characters before evolving into the HR role. The character embodies satirical criticism of corporate HR practices, deriving satisfaction from bureaucratic torment and illogical rules that prioritize company interests over employee welfare. Scott Adams, the strip's creator, intended Catbert initially as a one-off element but expanded the role due to its resonance with readers familiar with workplace absurdities. Visually, Catbert is depicted as a red-furred cat with pointed ears resembling demonic horns, enhancing his malevolent persona. In strips, he often lounges in an office setting, generating policies via a "random policy generator" that produce outcomes like mandatory nicknames or restrictions on employee comforts. Catbert's interactions highlight tensions between management and staff, such as advocating for or benefit cuts under the guise of . Unlike other animal characters like Dogbert, who operates independently, Catbert's authority is confined to HR functions, amplifying his impact within the corporate . Adams has discussed Catbert in interviews as a symbol of HR's adversarial stance toward employees, reflecting real-world perceptions of the department as a tool for enforcement rather than support.

The CEO

The CEO serves as the highest-ranking executive in Dilbert's unnamed corporation, embodying the pinnacle of managerial incompetence within ' satirical framework. Portrayed as a young, bald man with an oversized, egg-shaped head, he consistently demonstrates a profound lack of and awareness, surpassing even the deficiencies of the Pointy-Haired Boss. His decisions often exacerbate corporate dysfunction, such as dismissing operational funding in favor of buzzword-driven initiatives like reengineering, as illustrated in examples where he prioritizes cost-saving fads over substantive . This character highlights the disconnect between executive compensation and value added, earning millions annually through stock options and salary despite contributing minimally to productivity or innovation. In a 2012 comic strip, the CEO is explicitly labeled as "ignorant, bald, and overpaid," underscoring his self-unawareness and the absurdity of rewarding ineptitude at the top levels. Adams draws from real-world corporate observations, critiquing CEOs for generating vague mission statements and demanding superfluous meetings that burden subordinates without advancing goals. Since around 2003, his visual design has emphasized these traits, reinforcing the strip's theme that organizational hierarchies promote the least capable to positions of ultimate authority.

Administrative and Support Characters

Carol

Carol serves as the secretary to the Pointy-Haired Boss in Scott Adams' comic strip. She is characterized by her bitter, misanthropic attitude toward her job and superiors, frequently delaying or ignoring tasks to assert control amid bureaucratic chaos. This dynamic highlights the leverage administrative roles can hold over incompetent management, with Carol embodying the frustrations of underappreciated office support staff. In notable strips, such as one from November 22, 1993, Carol brandishes a while agreeing to routine duties like photocopying, symbolizing her defensive response to workplace intrusions and her willingness to escalate minor annoyances into threats. Her personality—marked by narcissism, sarcasm, and cruelty—initially positioned her as a peripheral figure but earned fan appreciation, expanding her appearances to critique corporate power imbalances and employee alienation.

Accounting Trolls

The Accounting Trolls are a collective of minor characters in Scott Adams' Dilbert comic strip, embodying the obstructive of the department at the engineer's unnamed . Portrayed as , green-skinned trolls with horns and excessive drooling, they systematically delay reimbursements, expense approvals, and payments by invoking convoluted rules and technicalities, often with sadistic glee. This satirizes real-world hurdles, as Adams draws from his own experiences in banking and roles where processes frustrated . Their habitats are depicted as subterranean caverns akin to infernal realms, filled with mumbling seated at desks, reinforcing a theme of as a punitive detached from business operations. Interactions typically involve protagonists like seeking routine financial processing, only to face endless loops of form revisions or arbitrary denials; for instance, one troll advises to "try the wool setting" for expediting a lengthy procedure, highlighting their unhelpful pedantry. Dogbert occasionally intervenes, exploiting their neurological vulnerabilities—such as aversion to specific numerals like 3, which induces pain due to hard-wired instincts—to extract concessions or rescues. In extended arcs, the trolls' domain was once governed by a witch who temporarily transformed into one of their kind, amplifying the horror of assimilation into rigid, joyless conformity; she was later deposed, but the trolls persist as antagonists. Adams references them in (1996) as exemplars of departmental sabotage, contrasting their inefficiency with engineering innovation. They also appear in the 1999–2000 animated series, voiced by , where their traits amplify comedic confrontations over audits and budgets.

Tina the Tech Writer

Tina serves as the in Dilbert's unnamed firm, a role introduced to satirize the profession's emphasis on precise language and interpersonal sensitivities in corporate environments. Her first depiction as an unnamed female tech writer occurred in a dated March 12, 1995, where she interacts with over documentation delays, highlighting tensions between writers and engineers. Over subsequent appearances, the character evolved to embody recurring frustrations with wording that she perceives as dismissive or biased, such as objecting to terms like "manual" for implying manual labor over intellectual effort. Characterized by a hair-trigger sensitivity, Tina often escalates minor phrasing issues into conflicts, interpreting them as slights against technical writers or women in tech, which underscores 's satirical take on workplace and communication barriers. This trait led to her initial informal moniker "Tina the Brittle Technical Writer" among readers and critics, reflecting portrayals of her as humorless and literal-minded in demanding revisions for inclusivity or respect. adjusted the label to simply "Tina the Tech Writer" following backlash accusing the depiction of , though the core behaviors persisted in strips critiquing over-sensitivity in professional documentation. Tina's arcs typically involve futile advocacy for better treatment of her role, such as protesting engineers' shortcuts in specs or management's disregard for manuals, positioning her as a foil to more assertive colleagues like Alice. She does not appear in the 1999-2000 animated series, remaining a comic-exclusive figure whose gags emphasize causal disconnects between intent and interpretation in office dynamics. Recurring visual cues include her purple dress, contrasting the engineers' casual attire, and she occasionally intersects with broader company absurdities, like futile inclusivity training sessions. Her portrayal has drawn divided responses, with some viewing it as prescient critique of credentialism in writing roles, while others decry it as stereotypical, amid broader debates on Adams' satirical targets.

Home and Family Characters

Dogbert

Dogbert is the anthropomorphic pet dog of the engineer in the comic strip , created by and syndicated since April 16, 1989. Depicted as a small black dog with erect ears and a superior demeanor, Dogbert exhibits human-level intelligence, articulate speech, and bipedal posture, frequently lounging on furniture while dispensing acerbic commentary. His personality is defined by cynicism, arrogance, and megalomania, with recurring ambitions to conquer the world and subjugate humanity, often through opportunistic schemes like corporate consulting or political maneuvers. Scott Adams has explained that Dogbert draws partial inspiration from a disobedient dog that ignored commands, combined with Adams's own darker, self-described "evil side," positioning the character as an outlet for unfiltered . In contrast to the earnest but hapless , whom Adams portrays as kind-hearted and thus maladapted to earthly realities, Dogbert's ruthless renders him ideally equipped for exploitation and dominance. Dogbert's interactions with blend condescension and occasional reluctant alliance, as seen in arcs where he advises on inventions or sabotages rivals, while his broader contempt targets human gullibility, frequently leading to fraudulent ventures that mock bureaucratic folly. Notable recurring motifs include Dogbert's self-proclaimed genius status, his founding of satirical organizations like Dogbert's New to fleece the , and temporary ascensions to power—such as briefly ruling nations or assuming papal —only to revert due to incompetence or boredom. These elements underscore 's on power dynamics and intellectual . In the short-lived animated airing from January 25, 1999, to July 25, 2000, on , Dogbert was voiced by , amplifying his smug delivery in 30 episodes. Adams has noted evolving personal affinity with Dogbert's traits over time, reflecting the character's role as a proxy for unvarnished realism amid corporate absurdity.

Ratbert

Ratbert is a in ' Dilbert , introduced in 1990 as an escaped laboratory rat who hides in the home of the engineer . Initially appearing in a short storyline involving lab experiments, Ratbert was not planned as a permanent addition to the cast but gained popularity for his hapless demeanor and was retained as a household member alongside Dilbert's dog, Dogbert. Depicted with exaggerated features like oversized eyes and a scraggly tail, Ratbert embodies low intelligence and vulnerability, often originating from his breeding as a lab subject susceptible to manipulation, such as experiments. His personality traits include extreme , boundless despite repeated failures, and an eagerness to please, leading to humorous scenarios where he is easily influenced or thrust into unsuitable roles, like temporary office tasks or absurd inventions tested on him. Dogbert frequently treats Ratbert as a pseudo-pet or dim , exploiting his naivety for schemes, while initially views him as a pest but gradually tolerates his presence in the family dynamic. In later developments, Ratbert has been repurposed in Adams' post-syndication strips, relaunched in 2023 on a subscription platform, where he satirizes media practices as a "context removing editor" at a fictional outlet, reflecting Adams' commentary on journalistic biases. This evolution underscores Ratbert's adaptability in illustrating themes of incompetence and external pressures, consistent with the strip's critique of and human folly.

Dilbert's Mother

Dilbert's Mother is a recurring supporting character in ' Dilbert comic strip, depicted as an elderly, homely woman who exhibits intelligence comparable to her son's, often applying logical reasoning to critique everyday absurdities. She initially misunderstands Dilbert's profession as a railroad due to his background, reflecting common public misconceptions about technical fields. Her interactions with Dilbert typically occur via , where she expresses frustration over bureaucratic hurdles, such as convoluted government paperwork for routine tasks like driver's license renewals, satirizing administrative overreach and inefficiency. On the surface, she presents as a doting parent who bakes cookies for her son and engages in games like , where her verbal acuity shines, occasionally leading to accusations of cheating with improvised tiles. However, she can be sarcastic and blunt, mocking Dilbert's career stagnation and lack of personal achievements while receiving retorts in kind, underscoring a pragmatic, no-nonsense familial dynamic. A flashback strip portrays her taking a young Dilbert to the doctor after he disassembles the , illustrating his innate proclivities and her early concern for his unconventional behavior. Her husband, referred to as Dadbert or Dilbert's father, has been absent since abandoning the family at a mall's , a detail emphasized in storylines exploring Dilbert's upbringing. In the 1999–2000 animated television series, she is voiced by and features in episodes such as "The Name," where she dominates a game with advanced vocabulary like "quixotic," and "The Gift," highlighting family holiday tensions. The character's name is occasionally referenced in strips dated April 12, 2006, and May 31, 2009, though fans commonly term her "Dilmom." Overall, she embodies the archetype of a sharp-witted everyperson navigating modern life's petty tyrannies, contributing to the strip's commentary on systemic frustrations beyond the corporate sphere.

Dadbert

Dadbert is the father of and husband of Dilbert's mother in ' Dilbert comic strip, first syndicated on April 16, 1989. He is depicted as an in the newspaper strips, with his presence conveyed through off-panel dialogue or references rather than visual appearances, emphasizing the strip's focus on Dilbert's family dynamics via implication. Dadbert's first on-screen portrayal occurred in the animated television series , which aired from January 25, 1999, to July 25, 2000. Voiced by , he appears in the Season 2 premiere episode "The Gift," broadcast on October 25, 1999, where Dilbert encounters his estranged father at a mall while searching for a birthday gift for his mother. This episode highlights Dadbert's absentee role in Dilbert's life, portraying him as detached yet recognizable in a consumer setting.

External and Group Characters

Elbonians

Elbonians are the fictional residents of Elbonia, a recurring underdeveloped nation in Scott Adams' comic strip, first referenced in the April 2, 1990, installment as a "tiny East European country." Elbonia is consistently portrayed as an extremely poor, fourth-world state recently emerged from , with its landscape and populace perpetually engulfed in deep mud that serves as both environmental feature and comedic device. The Elbonians appear as interchangeable, mud-encrusted figures whose identical appearances—due to the obscuring layer of filth—emphasize their anonymity and the absurdity of corporate interactions with them, such as or signing ill-advised contracts. This mud coverage extends to all aspects of life, rendering personal distinctions irrelevant and fueling gags involving failed , , and opportunistic business ventures. In the , Elbonians feature prominently in the March 1, 1999, episode "Elbonian Trip," where Dilbert's team inspects production facilities amid the nation's squalor, highlighting themes of exploitative global labor. Elbonia functions as a neutral proxy for real-world developing economies, enabling satire of offshoring and international dealings without implicating specific countries, as Adams designed it to preserve broad market appeal. Recurring plotlines involve characters like Dogbert manipulating Elbonian politics or resources, such as lobbying for oil extraction or briefly assuming leadership, underscoring the strip's critique of naive foreign policy and corporate shortsightedness. Elbonians occasionally exhibit counterintuitive savvy, like employing intelligent pigs in governance, inverting expectations of backwardness for ironic effect.

Loud Howard

Loud Howard is a recurring minor character in ' Dilbert comic strip, depicted as an engineer working alongside Dilbert and other colleagues at the unnamed corporation. His defining trait is an inability to speak at normal volumes, resulting in constant shouting that disrupts meetings, startles coworkers, and amplifies everyday office interactions into . This vocal excess, paired with a comically oversized in illustrations, underscores themes of involuntary personal flaws clashing with corporate decorum. Adams created in response to fan requests for a character representing extreme , intending only one or two appearances but expanding his role due to reader popularity. The character embodies Adams' approach to incorporating audience suggestions into the strip, highlighting how seemingly trivial traits can generate sustained humor in bureaucratic . Appearances remain sporadic in the print medium, focusing on scenarios where Howard's volume unwittingly sabotages productivity or exposes managerial incompetence. Loud Howard gained prominence in the Dilbert animated series (1999–2000), where his shouts were exaggerated to cause physical destruction, such as shattering windows or toppling furniture, voiced by Jim Wise to emphasize the auditory chaos. The series, which premiered on January 25, 1999, elevated minor strip elements like Howard for episodic comedy, portraying him as a well-intentioned but hapless team member whose trait amplifies the show's critique of engineering workplace absurdities.

Mister Garbage Man

Mister Garbage Man, commonly known as the World's Smartest Garbageman, is a recurring supporting character in ' Dilbert comic strip, portrayed as an exceptionally intelligent who collects trash from 's home. Despite his humble profession, he exhibits profound technical expertise and philosophical insight, often resolving intricate dilemmas or offering sage counsel to characters like and Dogbert. For instance, in an August 19, 2021, strip, he provides guidance to on a practical issue, highlighting his problem-solving prowess. The character embodies the trope of the overlooked genius in menial labor, frequently engaging Dogbert in existential dialogues that reveal a cynical yet poetic worldview tied to his daily encounters with refuse. In the animated series (1999–2000), he is voiced by , maintaining his role as a calm, enigmatic inventor capable of devising advanced devices like weather controllers or phasers. His appearances underscore themes of unrecognized talent and the absurdity of societal hierarchies in Adams' satirical universe.

Fantastical and Minor Recurring Characters

Bob the Dinosaur

Bob the Dinosaur is a recurring minor character in ' Dilbert comic strip, depicted as a large, green-skinned vegetarian dinosaur coexisting in the modern human world. He embodies absurd humor through his anachronistic presence, often highlighting contrasts between prehistoric simplicity and contemporary office dysfunction. Introduced in early strips before the series focused primarily on corporate , Bob represents an "artifact" from the comic's initial phase of fantastical elements. Bob's origin stems from Dilbert's mathematical calculation disproving , leading to his discovery hiding behind a sofa. He maintains a low-tech lifestyle, proudly avoiding modern and where possible, though he serves as the office "wedgie enforcer," administering atomic as karmic punishment to misbehaving employees. This role underscores themes of raw, primal amid bureaucratic inefficiency, with Bob cheerfully executing tasks like tweaks to favor approved vendors. In select strips, Bob interacts with core characters like Dogbert, following commands unquestioningly due to his dim-witted yet affable nature, or appears in group settings delivering comeuppance. His and physiology enable gags involving diet, strength, and outdated instincts, such as ripping underpants from targets in promotional materials tied to the strip. While less prominent in later office-centric arcs, Bob persists for occasional dinosaur-themed absurdity.

Phil, the Prince of Insufficient Light

Phil, the Prince of Insufficient Light, serves as the inept sovereign of Heck, a satirical underworld domain reserved for petty infractions rather than grave sins, functioning as a bureaucratic of traditional infernal realms. In this capacity, he metes out trivial torments such as eternal paperwork drudgery, suboptimal parking assignments, or enforced listening to insipid hold music, underscoring themes of mundane inefficiency over outright malevolence. His armament includes a oversized spoon employed for "darning" offenders to Heck, symbolizing ineffectual akin to a diluted figure. As the sibling of the Pointy-Haired Boss, Phil embodies familial incompetence extended to cosmic scales, occasionally collaborating or outsourcing minor sinner management to his brother, such as redirecting indulgence cases for workplace processing. This relation highlights creator ' recurring motif of hereditary managerial futility, with Phil's operations mirroring corporate absurdities like endless meetings or pointless protocols. His interventions typically target protagonists like for offenses including unauthorized office furniture use or minor lapses, resulting in annoyances that resolve without lasting consequence, reinforcing the strip's critique of low-stakes . Phil's visual depiction evolved from initial floppy-cheeked, aged features resembling early Pointy-Haired Boss iterations to a more youthful, streamlined appearance, aligning with broader stylistic refinements in the comic. He recurs sporadically across strips since his debut in the 1990s, with notable involving sinner auctions or realm administration mishaps, but lacks prominent adaptation in the 1999-2000 , confining his presence primarily to print media. This limited frequency preserves his novelty as a vehicle for exploring insufficient evil, where true punishment manifests as perpetual mild frustration rather than damnation.

Company Lawyer

The Company Lawyer serves as the in-house counsel for Dilbert's unnamed employer, appearing in to dispense advice that satirizes excessive corporate caution and legal entanglement in business decisions. Creator portrays him as capable of identifying liabilities in even the most innocuous projects, underscoring the Dilbert Principle's view of bureaucratic inertia where "no project is so risk-free that your company lawyer can't kill it." This character embodies the strip's critique of how legal departments prioritize lawsuit avoidance over innovation, often leading to absurd recommendations during meetings with the Pointy-Haired Boss and engineers like Dilbert. Notable appearances include a 2009 strip where the Company Lawyer asserts the company's ownership of the "DilbertFiles" due to an engineer's internal file , forcing Dilbert to negotiate usage rights despite it being his own creation. In a 2005 strip revised for publication, the character endures an attack by a during a corporate event, prompting a redrawn version to alter the injury location from rear to back for appropriateness. Another instance depicts him hastily signing a software without consulting stakeholders, later defending the error by claiming urgency in a meeting with . These episodes highlight Adams' recurring theme of lawyers enabling managerial incompetence through selective interpretation of rules and contracts.

Mordac

Mordac is a minor recurring character in the comic strip, portrayed as the obstructive head of the company's Information Services (IS) department, whose title is explicitly "Preventer of Information Services." He embodies bureaucratic inefficiency in IT support by routinely denying employees' requests for software upgrades, hardware access, or technical assistance, often with a demeanor that derives satisfaction from thwarting . This characterization satirizes real-world IT gatekeepers who prioritize enforcement over user needs, as exemplified in strips where Mordac confiscates personal devices like PDAs or blocks open-source code usage under pretextual security concerns. Mordac first appeared in a Sunday strip dated February 7, 1999, bursting into 's cubicle to declare his role and seize the engineer's computer and PDA, leaving Dilbert in dismay. Subsequent appearances reinforce his role as a nemesis to office workers, such as when he enforces arbitrary restrictions on technology adoption, reflecting ' observations of corporate IT dynamics drawn from his own background. While not a central figure, Mordac recurs in scenarios highlighting absurd policy overreach, like hypnotizing users into compliance or rejecting innovative tools, underscoring themes of institutional in large organizations.

Topper

Topper is a minor recurring character in ' Dilbert comic strip, portrayed as an office employee who habitually interrupts colleagues to one-up their stories or accomplishments with claims of greater feats. This behavior manifests in strips where Topper barges into conversations upon hearing any mention of difficulty or success, escalating the narrative to absurd extremes, such as countering a report of personal hardship with an even more improbable ordeal of his own. Adams based the character on a specific real-life acquaintance from his career, capturing the frustration of interacting with relentless self-aggrandizers in professional environments. Topper's appearances satirize the competitive ego dynamics in workplaces, where individuals prioritize topping others over genuine dialogue, often leaving speakers exasperated or ignored. He typically engages with core characters like or the pointy-haired boss, amplifying the strip's commentary on dysfunctional corporate interactions.

Liz

Liz is a recurring character in Scott Adams' Dilbert comic strip, introduced in the summer of 1994 as the engineer's girlfriend. Prior to her debut, Adams previewed the character in a promotional , describing her potential role in resolving Dilbert's romantic inexperience—either by consummating the relationship or perishing via meteor strike, with reader feedback to influence the outcome. He noted that success in the storyline would be visually signaled by rendering Dilbert's limp rather than erect. The character's appearances spanned strips through 1996, depicting an on-again, off-again dynamic fraught with misunderstandings and abrupt terminations initiated by Liz over petty disputes. Adams later explained that syndication editors prevented explicit resolution of Dilbert's virginity via Liz, preserving the engineer's innocence amid escalating romantic tension. Her portrayal highlighted themes of mismatched expectations in relationships, with Liz often positioned as more socially adept yet inconsistently committed compared to Dilbert's literal-mindedness.

Dawn, Bob, and Rex

Bob, Dawn, and Rex constitute a family of anthropomorphic s integrated into 's household, cohabiting with Dogbert and Ratbert. Bob and Dawn debuted in the comic strip in July 1989, materializing after Dilbert ran a computer simulation demonstrating the improbability of total dinosaur , positing instead that survivors had concealed themselves. This revelation underscored the strip's penchant for absurd, logic-driven premises blending science and fantasy. Bob, the patriarchal figure and most recurrent of the trio, embodies a vegetarian dinosaur archetype, characterized by a genial yet oblivious disposition. He recurrently dispenses inept counsel to Dilbert and enforces rudimentary order via wedgies, particularly in workplace scenarios, reflecting the comic's satirical take on primal instincts amid modern ineptitude. Dawn, Bob's mate and of a distinct reptilian morphology, features sparingly, typically in domestic contexts that highlight the family's incongruous existence. Their progeny, Rex—hatched via an egg amid comedic birthing complications—appears infrequently as an infant, occasionally exempt from the parental duo's depicted intellectual limitations. Collectively, these characters amplify the surreal undercurrents of Dilbert's personal life, serving as foils to the 's while rarely intersecting with his professional tribulations. Bob maintains semi-regular cameos post-introduction, whereas Dawn and Rex diminish in visibility, aligning with the strip's selective expansion of its fantastical ensemble.

The Company Robot

The Company is a robotic employee in ' Dilbert comic strip, introduced by the Pointy-Haired Boss as a cost-saving measure to replace the chronically unproductive engineer Wally. Intended to automate routine tasks and enhance efficiency, the robot instead emulates Wally's minimal output by spending its operational time drinking coffee and browsing inappropriate websites, thereby failing to deliver any meaningful productivity gains.) This character's depiction underscores the strip's recurring theme of technological interventions in corporate environments yielding counterproductive results due to flawed or inherent limitations in machine programming relative to human . In subsequent appearances, the occasionally assumes other roles, such as a custodian or temporary project assistant, but consistently underperforms, often requiring human intervention or exhibiting unexpected behaviors like mimicking employee laziness. The robot features in various Dilbert strips compiled in collections, including the 2013 book I Sense a Coldness to Your Mentoring, where it is portrayed with a Teletubby-like design to emphasize its simplistic, childlike inefficiency despite advanced billing. Its malfunctions serve as on overhyped , predating modern AI discussions but aligning with Adams' observations on workplace dynamics where tools reflect the dysfunctions of their deployers rather than resolving them.

Mother Nature

Mother Nature is a fantastical minor character in the comic strip, personified as the ruler of who judges and punishes humans for . She orchestrates Dilbert's death in a 1990 storyline spanning September 17 to October 9 by directing three deer to shoot him with arrows, framing it as retribution for in an unorthodox and lethal approach to ecological enforcement. This act highlights the strip's of nature's indifference or hostility, contrasting sentimental anthropomorphisms by showing her deriving satisfaction from cruelty, such as when she electrocutes Dogbert after he accuses her of sadism. Her limited appearances underscore themes of causal realism in environmental interactions, where natural forces respond brutally rather than benevolently to human impact.

Ming

Ming serves as the webmistress at Dilbert's workplace, tasked with managing the company website and related digital resources. Like other departmental gatekeepers such as Mordac, she is portrayed as obstructive and unaccommodating toward employees requiring web access or modifications, embodying the bureaucratic inefficiencies satirized in the strip. Ming's interactions highlight themes of dysfunctional workplace dynamics and unlikely attractions. In one appearance, Dilbert asks her on a date, citing her habitual as a "geeky to which she responds with about his motives. She enters a romantic relationship with Mordac, the Preventer of Information Services, which persists even after the Pointy-Haired Boss restructures the hierarchy to place her under Mordac's authority. Additionally, Ming expresses exasperation toward her boss, interpreting "beat" literally as a desire for physical retribution rather than mere defeat in a December 10, 2014, strip.

Zimbu the Monkey

Zimbu the Monkey is a minor recurring character in ' Dilbert comic strip, portrayed as a office worker employed by the same dysfunctional as Dilbert and his colleagues. Zimbu consistently outperforms human employees such as Dilbert and Wally in productivity tasks, particularly those involving computers, due to his ability to multitask efficiently. This superiority stems from his , which he employs to operate the while simultaneously typing on the keyboard with both hands, enabling faster and manipulation than humans can achieve with standard limb configurations. The character's depiction satirizes themes of corporate , evolutionary adaptations in modern workplaces, and the absurdity of hiring non-human talent to boost output. Zimbu first appeared in comic collections, including issue #14 titled , where he embodies the trope of animal employees humiliating underperforming humans. In various strips, Zimbu highlights inefficiencies in human workers by completing assignments with minimal effort, often leading to scenarios where engineers like Dilbert face job insecurity from competition. For instance, in one narrative, the company leverages Zimbu's skills for outsourced or specialized PC tasks, underscoring critiques of management decisions favoring raw speed over strategic value. Zimbu also features in the animated television series (1999–2000), where he aids Wally in resolving technical crises. In the episode "Y2K" (Season 1, Episode 10), Zimbu accesses the company's mainframe system known as , preventing a millennium bug-induced collapse through his dexterous abilities. Additionally, Zimbu appears in tie-in media, such as the 1997 video game , in which players assign undesirable projects to him as the "savvy corporate monkey" to optimize Dilbert's workload. More recent strips, including one referencing for addictive apps, portray Zimbu hospitalized from overuse, extending the satire to technology's behavioral impacts on even enhanced workers.

Bearded Suspender Guy

Bearded Suspender Guy is a minor recurring character in Scott Adams' Dilbert comic strip, embodying the stereotype of a smug, old-school Unix administrator. He is visually characterized by a portly build, full beard, and suspenders, often displaying a condescending demeanor toward users of graphical user interfaces (GUIs). The character debuted in the June 24, 1995, strip, where he encounters Wally and derides him for relying on a GUI, proclaiming the superiority of Unix command-line interfaces with a smug expression. This portrayal satirizes the perceived elitism among early Unix enthusiasts, contrasting their preference for text-based systems with emerging point-and-click technologies. In later appearances, he functions as a technical consultant or , dispensing advice laced with for pre-GUI eras, though specific strips beyond the debut emphasize his role as a know-it-all figure consulted by Dilbert's colleagues on complex issues. His archetype aligns with broader cultural depictions of "condescending Unix users" in tech humor, highlighting tensions between veteran command-line purists and modern developers.

References

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