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Chris Sievey
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Chris Sievey (25 August 1955 – 21 June 2010) was an English musician, comedian and artist known for fronting the band the Freshies in the late 1970s and early 1980s and for his comic persona Frank Sidebottom from 1984 onwards.[2]
Key Information
Sievey, under the guise of Sidebottom, made regular appearances on North West television throughout the late 1980s and early 1990s, even becoming a reporter for Granada Reports. Later, he presented Frank Sidebottom's Proper Telly Show in B/W for the Manchester-based television station Channel M. Throughout his career, Sidebottom made appearances on radio stations such as Manchester's Piccadilly Radio and on BBC Radio 1 and BBC Radio 5, alongside Mark and Lard.[3][4]
Biography
[edit]Early life and career (1955–1976)
[edit]Sievey grew up in Ashton-on-Mersey, Sale, Cheshire (2.5 miles from Timperley).[2]
In 1969, when he was 14, Sievey began writing and recording his own music,[5] and by the age of 15 was playing in local bands.[6] In 1971, he hitch-hiked to London with his brother, staging a sit-in at the Apple Records HQ, demanding to see one of The Beatles.[2][7] When they were asked to leave they insisted on recording something, and were booked into the studio after playing a song to head of A&R Tony King.[7] Sievey subsequently recorded several demos, which he sent to record companies, receiving many rejection letters which he later compiled into a book.[2] Unable to get a deal, he set up his own Razz label in 1974.[2]
Sievey released two cassettes under his own name in 1975 and 1976 – Girl in My Blue Jeans and All Sleeps Secrets.[8]
The Freshies (1977–1982)
[edit]In 1977 Sievey formed the Freshies, with various other musicians involved including Martin Jackson, Billy Duffy and former Nosebleeds bassist Rick Sarko.[8] A string of singles and several cassettes were released between 1978 and 1983. Most of these were credited to the Freshies, but were occasionally listed as Chris Sievey & the Freshies.[8] In 1981, Sievey played on "Some Boys" by Going Red?, the band formed by former Jilted John star Graham Fellows.[8] The Freshies biggest UK hit was "I'm in Love with the Girl on the Manchester Virgin Megastore Checkout Desk", released initially on his own Razz label (RAZZ 10), it was reissued by the US giant MCA Records with a slightly different title ("I'm in Love with the Girl on a Certain Manchester Megastore Checkout Desk") as there were objections about using the Virgin brand name. The record peaked at No 54. They had regional success in the Manchester area with "My Tape's Gone", "No Money" / "Oh Girl" and "Yellow Spot".
Radio 1, and in particular Mike Read, gave the Freshies a lot of airplay, especially the MCA release. After the "success" of "I'm in Love with the Girl on the Manchester Virgin Megastore Checkout Desk", the group released further singles, "Wrap Up the Rockets" and "I Can't Get 'Bouncing Babies' by The Teardrop Explodes", and although commercially successful in the Manchester area, they failed to make the national charts. They released two further cassettes, Manchester Plays the Freshies and London Plays the Freshies; these were both essentially radio interviews with local and national DJs and concert recordings from each city. Sievey had written his first LP by this stage, The Johnny Radar Story, which, owing to contractual complications, was never released on vinyl. There are master copies on cassette in circulation though (albeit very few). In February 1982, Sievey abandoned the quartet lineup of the Freshies, and reformed it as a duo with Barbara O'Donovan. The duo version of the Freshies released one single, "Fasten Your Seat Belts". In 1982, he released the mini-album Denigration Now, his first work outside the Freshies since 1976's All Sleeps Secrets.
The following year he had a solo release, "Camouflage", with the A-side a song, and the B-side being computer programming.
Frank Sidebottom (1984–1994)
[edit]The Frank Sidebottom character first appeared on an untitled 1984 EP by Chris Sievey & the Freshies, in a spoken-word track wherein Frank talks to Sievey.[9]
The character was instantly recognisable by his large spheroidal head, styled like an early Max Fleischer cartoon. This was initially made from papier-mâché, but later of fibreglass.[10] In the documentary Being Frank, Martin Sievey (Chris's brother) states this was made using plaster of Paris.[11]
Frank, usually dressed in a 1950s-style sharp suit, was portrayed as an aspiring pop star from the small village of Timperley, near Altrincham. His character was cheerfully optimistic, enthusiastic, and seemingly oblivious to his own failings. Although supposedly 35 years old (the age always attributed to Frank irrespective of the passage of time), he still lived at home with his mother, to whom he made frequent references. His mother was apparently unaware of her son's popularity. Frank sometimes had a sidekick in the form of "Little Frank", a hand puppet who was otherwise a perfect copy of Frank.
Comedy character Mrs Merton started out as Frank's sidekick on his radio show Radio Timperley, and the similarity of the characters is evident, exuding a sense of great ambition which belies a domestic lifestyle in the North of England. Sidebottom's former Oh Blimey Big Band members include Mark Radcliffe and Jon Ronson,[12] and his driver was Chris Evans.[10]
Immediately after creating the character, Sievey would record an in-character cover 'Material Boy', and send it to several major labels with the note ''I'm thinking of getting into showbiz. Do you have any pamphlets?" EMI were interested and offered him an interview. Chris appeared in character as Frank,[13] and was signed to their sub-label Regal Zonophone.
Zonophone released his third EP 'Frank's Sidebottom's Firm Favorites' in August of 1985. He'd previously self released two EPs as Frank in 1985, titled 'Frank's Summer Special' as well as an early version of 'Firm Favorites'. The EP reached 97 in the UK Charts on 31 August 1985 before dropping completely.[14] In order to promote the EP, he made an appearance on the TV programme 'TX'[15] the first of many appearances on the ITV network.
His second Zonophone EP, 'Oh Blimey, It's Christmas' charted slightly higher than the first, at number 87, before dropping off again.[16] It was likely the failure of his third Zonophone EP, Sci-Fi, that caused him to be dropped by the label. Afterwards he was signed to Marc Riley's In Tape label, on which he would release two albums and four EPs.[17]
Despite the minimal chart success from these EPs, Frank had developed a cult following that allowed him to attract audiences upwards of 500 in Northern England and London. This act of extensively touring the country would develop Frank's status. Performances were often varied from straightforward stand-up comedy and featured novelty components such as tombola, and crowd interaction. Sometimes the show also included lectures. Contrasting with the alternative comedians of the time, Frank Sidebottom's comedy was family-friendly, if a little bizarre for some. This family friendly nature led to Frank getting his own comic strip in the children's weekly comic Oink!, which launched 1986.
His backing band, dubbed 'The Oh Blimey Band' consisted of Mike Doherty on drums, Rick Sarko on guitar (both formerly of the Freshies), Patrick Gallagher on bass, and later, Jon Ronson on keyboards.[18]
At the same time as touring, Frank would become a semi-regular cast member on the two final seasons of the ITV children's programme No. 73,[19] eventually being grandfathered into its spin off, 7T3.[20]
In 1987, Frank released his first album, a spoken word cassette called 'Fantastic Tales', released through his own 11:37 label. His first musical album, entitled '5:9:88', was released on vinyl by In Tape a year later. This album introduced the character Mrs Merton, portrayed by Caroline Aherne. Aherne continued to use the character as a comic persona, leading to her own TV show, launching the comedians TV career. Chris and the band, whilst disgruntled by the success of a character created for Frank now detached from Frank, did not resent it, with drummer Mike Doherty saying that while she had taken the character's name, she had crafted her own thing out of it.[21]
Frank was perhaps most popular in the North West of England, where his success was caught up in that of the Madchester scene, and for a time was a regular on regional ITV station Granada, even featuring as a reporter on its regional news programme, Granada Reports.
Along with his frequent television appearances, the Frank Sidebottom character also made appearances on radio, on stations such as Manchester's Piccadilly Radio and on BBC Radio 1 and BBC Radio 5, alongside Mark and Lard.[22][23]
Jon Ronson first played with Frank's Oh Blimey Band in 1987, when their original keyboardist (Mark Radcliffe) was unable to make it to a gig at The Cricketers pub at Kennington Oval, London SE11. Ronson was social secretary at the Polytechnic of Central London and knew Mike Doherty as an agent.[24] During the band introductions at the end of the show, Ronson noted a negative reaction to his presence, but found that his microphone had been almost completely muted, leaving him completely unheard by the audience. Despite this, one year later, he was offered a full time place in the band, which he accepted.[25]
This same year Frank was included on the charity album Sgt. Pepper Knew My Father, which featured other acts like Michelle Shocked, the Christians, Sonic Youth, Billy Bragg, Hue and Cry, the Fall and Wet Wet Wet.[26][27] He later recorded "Flying" for another Beatles tribute album, Revolution No. 9.[28]
In 1989, Sievey re-arranged the Oh Blimey Band, introducing Richard Jones from the recently broken up local band the Desert Wolves on bass guitar, along with a new guitarist and saxophonist. Chris wanted to give the band a more professional sound, and booked a 30 date tour, the longest the band had ever undertook. This new lineup was a source of tension between the members, with Richard Jones and Jon Ronson taking a near instant disliking for each other.
The tour and its new sound were panned by audience members and critics alike, leading to Sievey abandoning the new line-up in 1990, instead choosing to perform solo from then on.[29]
After this, Frank began to make semi-regular guest appearances on the final season of ITV programme and No. 73 successor Motormouth,[30] as well as numerous appearances on Channel 4, including the British version of the game show Remote Control which was presented by Tony Wilson, where each week he would pose "Frank's Fantastic Question" to the contestants.[31] The popularity of these appearances led to him getting his own show on the network, Frank Sidebottom's Fantastic Shed Show, which lasted one series in 1992. Afterwards he migrated to What's Up Doc?,[30] where Sievey would not only portray Sidebottom, but also create the recurring segment Life with the Amoebas.[32] After the first two series, Sievey left the show.
Retirement of Frank, stop-motion work and failed solo ventures (1995–2004)
[edit]As the 1990s reached their midpoint, the Frank character began to make fewer public appearances before seemingly being retired. During this time, Sievey began working on a solo album entitled Life in 74 Minutes, which he later abandoned.[33] In 2000 he began working in stop motion animation and became a regular crew member on series 4–6 of Bob the Builder, as well as a writer on the fourth series of Pingu.
In 2003, Chris began working on a new album, entitled Scilly Automatic. One track from this, "Lazy Rising More Slowly, Where R.U, Oh 'Chele'", was released on the 2019 outtakes and rarities compilation Being Frank.[33]
Frank's comeback (2005–2010)
[edit]Frank had faded into obscurity in the late 1990s, rarely appearing either on TV or making live appearances, but a one-off performance at Manchester's Club Indigo Vs Manic Street Mania in December 2005 seemed to be the catalyst for a comeback.
In 2006, Frank reappeared in Greater Manchester on local television channel Channel M. His new show, Frank Sidebottom's Proper Telly Show in B/W, featured celebrity guests and animation. The first showing of each show was in black and white ("so you don't have to turn the colour down"), whilst subsequent repeats were shown in full colour. He also made five appearances on Iain Lee's programme on London's LBC as well as on numerous community radio stations such as Forever Manchester. Frank appeared as a test card shown late at night on Channel M, where he and Little Frank ramble on and sing songs whilst framed in a parody of the classic Test Card F. On 6 March 2007, in an episode of the Podge and Rodge Show on Ireland's RTÉ Two, he appeared in their 'Sham-Rock' talent section, performing a medley of songs by The Smiths. He received an overall score of 22 points from judges James Nesbitt and Glenda Gilson, putting him in first place for all the series' acts so far.
Frank starred in his own exhibition of drawings, animation and cardboard at London's Chelsea Space Gallery next to Tate Britain between 4 July and 4 August 2007. He also appeared at "Late" at Tate Britain on 3 August 2007.[34][35]
He appeared in the Series 3 Christmas special of BBC Scotland's VideoGaiden, performing "Christmas is Really Fantastic", and later appeared on the Series 3 Awards show, and the final web-exclusive episode ("Closedown").[citation needed] Frank appeared briefly as a Manchester United fan in an advert for the FIFA 10 video game in 2009.[36]
Frank performed at Bloom Festival in 2007 and Kendal Calling in 2008.[37] In late 2009 and early 2010 he supported John Cooper Clarke on a UK tour.[citation needed]
Frank's last professional appearance was at the Pyramid Arts Centre, Warrington, on 4 June 2010.[38] His last personal appearance was at the Salutation pub, Higher Chatham Street, Manchester on 11 June 2010 when he launched his World Cup single, "Three Shirts on the Line".[39]
Following Sievey's death in June 2010, a social networking campaign was launched to gain Frank his first UK hit. "Guess Who's Been on Match of the Day" entered the charts at No. 66.[40]
Television work
[edit]Early appearances and No. 73 (1985–1988)
[edit]Sievey's earliest television appearance was on the children's television show TX, with an in-character interview as Frank Sidebottom, shortly after the release of his first Zonophone EP. The following year, Sievey guest starred on the sixth season of British television series No 73, after which he, portraying Frank, would become a regular cast member for its final two seasons (the character generally credited as played by 'Francis Sidebottom'). Sievey would be carried over to the show's short-lived spin-off, 7T3, portraying Frank in two early episodes and (credited under his own name) two one-off characters in the latter half of the series: Big Jake, the theme park ghost, and Reg the Greengrocer.[41] Reg is one of the few examples of Sievey playing a character on television not related to Frank Sidebottom.
Frank Sidebottom's Fantastic Shed Show / What's Up Doc? (1989–1998)
[edit]Three years following the end of 7T3, Frank became a regular cast member on the fourth, and final, season of the children's TV series Motormouth. After Motormouth's cancellation, Frank was given his own show, titled Frank Sidebottom's Fantastic Shed Show, a television programme shown in 1992 featuring Sievey as fictional character Frank Sidebottom.[42] Guests included Caroline Aherne, Phil Cornwell, Midge Ure, Gerry Anderson, the Farm, Pop Will Eat Itself, Oceanic and Keith Chegwin. The show was produced by Dave Behrens[43] for Yorkshire Television and was shown on ITV.[44] The show only went on for one season. Following its conclusion, Sievey became a regular cast member on the first two seasons of What's Up Doc? On the show, as well playing Frank, Sievey would portray Mr. Fantastico, removed after the first season, and Life with the Amoebas.
Throughout the rest of the 1990s, Frank's television appearances would lessen, not attaching himself as a regular cast of anything, but making occasional appearances.
Bob the Builder and others (2000–2005)
[edit]After retiring the character of Frank Sidebottom, Sievey became prop designer and set dresser on the fourth series of stop motion animation Bob the Builder. He remained a crew member until the show's sixth series, but continued to work on specials until 2005. In 2003, he became a writer on Fimbles, and then, in 2004, on the British revival of the Swiss stop motion programme Pingu.
Frank Sidebottom's Proper Telly Show / final appearances (2006–2008)
[edit]In 2006, Sievey revived the character of Frank Sidebottom with the short-lived television series Frank Sidebottom's Proper Telly Show. Throughout 2007, Frank made several television appearances, before releasing his final project, Magical Timperley Tour, a short film featuring Frank touring 100 of his friends around the characters' home town of Timperley.
Filmography
[edit]| Year | Title | Role | Director(s) | Notes |
|---|---|---|---|---|
| 1985 | TX: Episode 16 | Actor, as "Frank Sidebottom" | Richard Bradley & Tim Sullivan | TV appearance, debut of Frank Sidebottom |
| 1986 | No 73: Sit | Janie Grace | TV appearance | |
| 1987 | No 73 (Series 7) | Unknown | TV show | |
| No 73 (Series 8) | Graeme Matthews | |||
| 1988 | 7T3 | Actor, as "Frank Sidebottom", & "Reg" | Unknown | |
| 1989 | Kazuko's Karaoke Klub: 15 July 1989 | Actor, as "Frank Sidebottom" | TV appearance | |
| 1991 | Motormouth (Series 4) | Actor, as "Frank Sidebottom" & "Little Frank". Soundtrack | Graham C. Williams, J. Nigel Pickard, Simon Pearce, Michael Kerrigan, & Nick Bigsby | TV show |
| 1992 | Frank Sidebottom's Fantastic Shed Show | Actor, as "Frank Sidebottom". Writer | Dave Behrens | |
| What's Up Doc? (Series 1) | Actor, as "Life with the Amoebas", "Frank Sidebottom", & "Mr. Fantastico"
Soundtrack |
Bob Collins & Simon Pearce | ||
| 1993 | What's Up Doc? (Series 2) | Actor, as "Life with the Amoebas" & "Frank Sidebottom". Soundtrack | Bob Collins | |
| 1994 | Something for the Weekend: 1 July 1994 | Actor, as "Frank Sidebottom" | Dave Behrens | TV appearance |
| 1998 | Endurance UK | Unknown | ||
| 2000 | Bob the Builder (Series 4) | Props & set dressing | Liz Whitaker, Brian Little, Nick Herbert & Sarah Ball | TV show |
| 2001 | Bob the Builder (Series 5) | |||
| Bob the Builder: "A Christmas to Remember" | Props | Sarah Ball | Film | |
| 2002 | Bob the Builder (Series 6) | Props & set dressing | Liz Whitaker & Nick Herbert | TV show |
| Gina and Stella | Voice actor, as "Frank Sidebottom" | Sarah Ball | Short film | |
| 2003 | Bob the Builder: "Lofty's Long Load" | Props & set dressing | Liz Whitaker | TV show episode |
| Bob the Builder: "The Knights of Fix-A-Lot" | Assistant to art director | Sarah Ball | Short film | |
| Fimbles | Writer | Helen Sheppard | TV show | |
| 2004 | Pingu (Series 5) | Liz Whitaker & Steve Cox | ||
| Bob the Builder: "Snowed Under" | Assistant to art director | Sarah Ball & Jocelyn Stevenson | Short film | |
| Bob the Builder: "When Bob Became a Builder" | Andy Burns, Gilly Fogg & Geoff Walker | |||
| 2005 | Bob the Builder: "Bob's Big Plan" | Jackie Cockle & Sarah Ball | TV show episode | |
| 2006 | Frank Sidebottom's Proper Telly Show (Season 1) | Actor, as "Frank Sidebottom". Writer | Hayley Orwell, Dan Curran, Claire Wolsey | TV show |
| 2007 | Frank Sidebottom's Proper Telly Show (Series 2) | |||
| The Comedy Map of Britain: Episode 4 | Actor, as "Frank Sidebottom" | Ellen Evans & Matt O'Casey | TV appearance | |
| The Podge and Rodge Show (Season 2): Episode 30 | Unknown | |||
| The Most Annoying Pop Songs.... We Hate to Love: Episode 3 | Gareth Cornick, Nick Cory Wright, Richard Dean, Chris Hill, Kevin Hylands, Lindsay Jex, Kate Morey & Lyn Rowett | |||
| Comic Relief: "(I'm Gonna Be) 500 Miles" | Peter Kay | Film | ||
| 2008 | Magical Timperley Tour | Actor, as "Frank Sidebottom", soundtrack | Steve Sullivan | Short film |
Awards and honours
[edit]
In memory of Chris Sievey, 1955–2010. Creator of Frank Sidebottom. "As long as i gaze on timperley sunset i am in paradise"
Sievey was posthumously recognised with the special judges' award at the 2011 Chortle Awards.[47] A publicly funded statue of Frank by Colin Spofforth was unveiled on 20 October 2013 at 11:37 in Timperley village,[46] the timing a reference to one of the character's catchphrases.[48][49]
Death and legacy
[edit]Sievey was diagnosed with cancer in May 2010,[50] and died at Wythenshawe Hospital on 21 June 2010 at the age of 54 after collapsing at his home in Hale, Greater Manchester.[51][52] Sievey left a daughter, Asher, and two sons: Stirling and Harry (1992–2017).[53] After it was reported that Sievey had died virtually penniless and was facing a pauper's funeral provided by state grants,[54] a grassroots movement on various social networking websites raised £6,500 in a matter of hours. The appeal closed on Monday 28 June with a final balance of £21,631.55 from 1,632 donations.[55] Sievey's funeral was held on 2 July 2010 at Altrincham Crematorium. The private service was attended by more than 200 members of his family, friends and former colleagues.[56]
On 8 July 2010, over 5,000 fans of Frank Sidebottom gathered for a party at the Castlefield Arena in Manchester to celebrate Sievey's life. The acts included Badly Drawn Boy and surviving members of Frank's Oh Blimey Big Band who played in tribute.[57][58]
From 1 March to 30 April 2019, Manchester Central Library held an exhibition Bobbins: Frank Sidebottom and Chris Sievey, which featured never-before-seen items from Sievey’s archives, from puppets to home videos to personal artefacts. The exhibition covered both Frank Sidebottom as well as Sievey's other creative endeavours.[59][60]
It was announced in April 2019 that GCHQ had cracked the hidden codes and messages that Sievey had left around the borders of his Frank Sidebottom books and recordings.[61]
Film
[edit]The 2014 film Frank, though not a biopic of Frank Sidebottom, was inspired by the character. It tells the story of a young wannabe musician who joins an experimental rock group led by the enigmatic Frank (Michael Fassbender). The film was written by Jon Ronson and Peter Straughan, and was based on Ronson's experiences playing in Sievey's Oh Blimey Big Band. Although drawing from Ronson's memoir, the story is set in contemporary Ireland and America, and the Frank character combines elements of Sievey with Daniel Johnston and Captain Beefheart.[62]
In 2014, a feature-length documentary about the life and art of Chris Sievey, entitled Being Frank: The Chris Sievey Story[11] was announced and was released in March 2019. It is directed by Steve Sullivan, and was funded through a successful Kickstarter campaign. The film documents Sievey's entire life, including his band The Freshies and his creation of the Frank Sidebottom character, and features interviews with many of Chris Sievey's family and colleagues with exclusive access to Sievey's own personal archive of home movies, diaries, notebooks, props and costumes.[63]
Books
[edit]Jon Ronson, who worked with Sievey, published Frank: The True Story that Inspired the Movie in 2014, a memoir of his time in the Frank Sidebottom Oh Blimey Big Band.
A biography of Chris Sievey, Frank Sidebottom: Out of his Head, was written by Manchester author and personal friend Mick Middles,[64] and was published in November 2014.[65]
Discography
[edit]Studio albums
[edit]- Big Record (1986)
- 5:9:88 (1988) As Frank Sidebottom
- 13:9:88 (1988) As Frank Sidebottom
- Medium Play (1990) As Frank Sidebottom
EPs
[edit]- The Freshies (1978)
- Straight in at No. 2 (1979) With the Freshies
- The Men from Banana Island Whose Stupid Ideas Never Caught on in the Western World as We Know It (1979) With the Freshies
- Red Indian Music (1980)
- Wrap Up the Rockets (1981) With the Freshies
- Untitled (1984) With the Freshies
- Frank Sidebottom Sings Frank's Firm Favorites (1985) As Frank Sidebottom
- Oh Blimey It's Christmas (1985) As Frank Sidebottom
- Sci Fi (1986) As Frank Sidebottom
- Christmas is Really Fantastic (1986) As Frank Sidebottom
- Frank Sidebottom Salutes the Magic of Freddie Mercury and Queen and Also Kylie Minogue (You Know,.... Her Off "Neighbours") (1987) As Frank Sidebottom
- Timperley (1987) As Frank Sidebottom
- Frank's Free Fantasic Footy Flexi (1990) As Frank Sidebottom
Singles
[edit]- "Baiser / Last" (1979)
- "My Tape's Gone / Moonmid Summer" (1980) With the Freshies
- "We're Like You / Hey" (1980) With the Freshies
- "Yellow Spot / If Its News" (1980) With the Freshies
- "Oh Girl / No Money" (1980) With the Freshies
- "I'm in Love with the Girl on the Manchester Virgin Megastore Check-Out Desk" (1980) With the Freshies
- "I'm in Love with the Girl on a Certain Manchester Megastore Checkout Desk" (1981) With the Freshies
- "Wrap Up the Rockets / (It's) Gonna Get Better" (1981) With the Freshies
- "I Can't Get "Bouncing Babies" by the Teardrop Explodes / Tell Her I'm Ill" (1981) With the Freshies
- "Dancin' Doctors / One to One" (1981) With the Freshies
- "If You Really Love Me, Buy Me a Shirt / I Am the Walrus" (1982) With the Freshies
- "Fasten Your Seat Belts / Best We Can Do" (1982) With the Freshies
- "Camouflage" (1983)
- "The Oink! 45" (1986) As Frank Sidebottom
- "Frank's Indie Medley" (1987) As Frank Sidebottom
- "Panic" (1993) As the Sidebottoms
Compilation albums
[edit]- In Love With... (1982) With the Freshies
- Frank Sidebottom's ABC & D... The Best Of... (1999) As Frank Sidebottom
- The Very Very Best Of... Some Long and Short Titles (2005) With the Freshies
- E, F, G & H. The Best Of... Volume Two (2009) As Frank Sidebottom
- Fantastic Show Biz Box Set (2010) As Frank Sidebottom
- Early Singles (2013) With the Freshies
- Being Frank: The Chris Sievey Story (2019)
- Cease & Desist (2019) As Frank Sidebottom
- Telephone Line: Monologues And Messages (2019) As Frank Sidebottom
Self-released material
[edit]Released either on cassette or CD-r
Albums
- The Bees Knees (1975) With the Bees Knees
- All Sleeps Secrets (1977)
- The Freshies Sing the Girls from Banana Island Whose Stupid Ideas Never Caught on in the Western World As We Know It (1979) With the Freshies
- Rough n Ready (1980) With the Freshies
- Manchester Plays (1980) With the Freshies
- The Freshies play London (1981) With the Freshies
- Denigration Now (1982) (Mini-album)
- The Johnny Radar Story (1985) With the Freshies
- Fantastic Tales (1987) As Frank Sidebottom
- Radio Timperley C-60 (1990) As Frank Sidebottom
EPs
- Five Songs (1985)
- Frank's Firm Favorites (1985) As Frank Sidebottom
- Frank's Summer Special (1985) As Frank Sidebottom
- We're Gonna to Write Some Invitations (1988) As Frank Sidebottom
Compilation albums [66]
- Early Razz (1985) With the Freshies
- Studio Out-Takes (1985) With the Freshies
- Fairly Fantastic Xmas Box of Goodies (1990) As Frank Sidebottom
- Soundreel A (1992) As Frank Sidebottom
- Bits & Bobbins (2005) As Frank Sidebottom
- Firm Favorites (2006) As Frank Sidebottom
- Little Box of Bobbins (2024) As Frank Sidebottom[67]
Videos
[edit]- Denigration Now (1982)
- Frank Sidebottom's Fantastic Shed Show (1992)
- Frank's World (2007)
Video games
[edit]References
[edit]- ^ "Chris Sievey: The man behind the papier-mâché mask of Frank Sidebottom – Obituaries, News". The Independent. London. 25 June 2010. Retrieved 1 July 2010.
- ^ a b c d e Rob Hughes (22 June 2010). "Chris Sievey obituary | Culture". The Guardian. London. Retrieved 1 July 2010.
- ^ BBC Lancashire interview with Ted Robbins; Broadcast 9 February 2008; Retrieved 10 April 2008.
- ^ Reynolds, Simon (10 January 2013). "Michael Fassbender as Frank Sidebottom". Digital Spy.
- ^ Being Frank The Chris Sievey Story Fantastic Original Soundtrack Liner Notes - Dave Arnold
- ^ Rosnon, Jon (2015). Frank. England: Picador. pp. 25. ISBN 978-1-5098-2756-5.
- ^ a b Robb, John (2009) The North Will Rise Again: Manchester Music City (1977–1996), Aurum, ISBN 978-1-84513-534-8, p. 22
- ^ a b c d Strong, Martin C. (2003) The Great Indie Discography, Canongate, ISBN 1-84195-335-0, p. 72
- ^ The Freshies / Chris Sievey – Untitled /Track Listing - Virgin Records, 1984
- ^ a b Ronson, Jon (31 May 2006). "Oh blimey!". The Guardian. London.
- ^ a b "Being Frank Movie". Beingfrankmovie.com.
- ^ Jon Ronson (31 May 2006). "Oh blimey!". The Guardian. Retrieved 10 January 2013.
- ^ Rosnon, Jon (2015). Frank. England: Picador. pp. 26. ISBN 978-1-5098-2756-5.
- ^ "frank's firm favourities | full Official Chart History | Official Charts Company". www.officialcharts.com. Retrieved 9 January 2021.
- ^ "TX" Episode #1.16 (TV Episode 1985) - IMDb, retrieved 10 January 2021
- ^ "oh blimey it's christmas | full Official Chart History | Official Charts Company". www.officialcharts.com. Retrieved 9 January 2021.
- ^ "Mark Radcliffe and Lard Chronology". www.scrawnandlard.co.uk. Retrieved 10 January 2021.
- ^ Rosnon, Jon (2015). Frank. England: Picador. pp. 15. ISBN 978-1-5098-2756-5.
- ^ "BBC – Frank Sidebottom creator Chris Sievey was "a genius"". BBC News. 21 June 2010. Retrieved 1 July 2010.
- ^ "Chris Sievey". IMDb. Retrieved 10 January 2021.
- ^ Rosnon, Jon (2015). Frank. England: Picador. pp. 31–32. ISBN 978-1-5098-2756-5.
- ^ "TheMet.biz". TheMet.biz. 20 September 2006. Archived from the original on 6 May 2008. Retrieved 20 May 2009.
- ^ "ScrawnandLard.co.uk". ScrawnandLard.co.uk. Retrieved 20 May 2009.
- ^ Jon Ronson (31 May 2006). "Guardian.co.uk". London: Blogs.guardian.co.uk. Retrieved 22 September 2021.
- ^ Ronson, Jon (2015). Frank. England: Picador. pp. 15–17. ISBN 978-1-5098-2756-5.
- ^ Alexis Petridis (1 June 2007). "Guardian.co.uk". London: Blogs.guardian.co.uk. Archived from the original on 3 June 2007. Retrieved 20 May 2009.
- ^ "Amazon.co.uk". Astore.amazon.co.uk. 20 September 2004. Archived from the original on 21 July 2011. Retrieved 20 May 2009.
- ^ "Revolution No. 9: A Tribute to The Beatles in Aid of Cambodia". Rateyourmusic. Retrieved 21 June 2010.
- ^ Rosnon, Jon (2015). Frank. England: Picador. pp. 37–41. ISBN 978-1-5098-2756-5.
- ^ a b "Chris Sievey". IMDb. Retrieved 10 January 2021.
- ^ "ComedyCV.co.uk". ComedyCV.co.uk. Archived from the original on 6 May 2008. Retrieved 20 May 2009.
- ^ "What's up doc? series 1 episode 1 STV for TVS 1992 (edited) – YouTube". www.youtube.com. 22 April 2013. Retrieved 10 January 2021.
- ^ a b Chris Sievey – Being Frank Liner Notes – Steve Sullivan, 2019 7A Records
- ^ "CHELSEA space: #15 Frank Sidebottom". Chelseaspace.org. 7 October 2024.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ "frank's world: June 2007 Archives". 9 November 2007. Archived from the original on 9 November 2007.
- ^ "FIFA 10 UK TV ad". Eurogamer.net. Retrieved 26 July 2015.
- ^ "photos – Kendal Calling 2008". Efestivals.co.uk. Retrieved 26 July 2015.
- ^ "Time for some Frank talk". Warringtonguardian.co.uk. May 2010. Retrieved 1 June 2012.
- ^ "Three Shirts on the Line". YouTube. November 2010. Archived from the original on 13 December 2021. Retrieved 2 June 2012.
- ^ "Guess Who's Been on Match of the Day". Official Charts Company. July 2010. Retrieved 13 December 2010.
- ^ 7T3 (TV series 1988), retrieved 28 December 2020
- ^ "Mike Brown meets Frank Sidebottom". Seaside FM 105.3. Archived from the original on 28 June 2010. Retrieved 22 June 2010.
- ^ Lewishohn, Mark (2003). Radio Times Guide to TV Comedy. London: BBC Worldwide. ISBN 0-563-48755-0.
- ^ "Archived copy". Archived from the original on 6 July 2007. Retrieved 23 June 2010.
{{cite web}}: CS1 maint: archived copy as title (link) - ^ "Chris Sievey". IMDb. Retrieved 28 December 2020.
- ^ a b "Tribute to Frank Sidebottom, the comic who broke the mould". Manchester Evening News. Manchester. Archived from the original on 6 April 2016.
- ^ Powder Blue Internet Business Solutions. "Victoria Wood honoured at Chortle Awards". chortle.co.uk. Retrieved 26 July 2015.
{{cite web}}:|author=has generic name (help) - ^ "Frank Sidebottom – Frank Sidebottom". franksidebottom.org.uk. Retrieved 26 July 2015.
- ^ "Frank Sidebottom statue unveiling at precisely 11.37am". ITV News. 20 October 2013. Retrieved 26 July 2015.
- ^ "Frank's got cancer". Chortle. 13 May 2010. Retrieved 21 June 2010.
- ^ "BBC notice of Sievey's death". BBC News. 21 June 2010. Retrieved 22 June 2010.
- ^ "Frank Sidebottom dies after collapsing at home". Manchester Evening News. Retrieved 21 June 2010.
{{cite news}}: CS1 maint: deprecated archival service (link) - ^ "Son of Frank Sidebottom creator killed". Bbc.co.uk. 14 February 2017.
- ^ "Frank Sidebottom comic faces pauper's funeral". Manchester Evening News. Archived from the original on 26 June 2010. Retrieved 23 June 2010.
- ^ "Frank Sidebottom's creator saved from pauper's funeral". BBC News. 23 June 2010. Retrieved 23 June 2010.
- ^ "Frank Sidebottom's creator Chris Sievey's funeral held". BBC News. 2 July 2010. Retrieved 20 July 2010.
- ^ "Frank Sidebottom farewell party packs Manchester arena". BBC News. 9 July 2010. Retrieved 20 July 2010.
- ^ "BBC – In pics: Frank's Fantastic Farewell". BBC News. 9 July 2010. Retrieved 20 July 2010.
- ^ Sue, David (1 March 2019). "Things to do in Manchester this weekend: March 1 to 3". Manchestereveningnews.com.
- ^ Turner, Matthew (1 March 2019). "Frank Sidebottom exhibition opens today in Manchester Central Library - and a new film next week". Ilovemanchester.com.
- ^ "GCHQ cracks Frank Sidebottom's secret codes". BBC News. 14 April 2019. Retrieved 14 April 2019.
- ^ Rose, Steve (24 April 2014). "Michael Fassbender: Frank and me". The Guardian. Retrieved 14 March 2024.
- ^ "'A glorious and ridiculous ride': Steve Sullivan on excavating Frank and the Chris Sievey story". Sight & Sound magazine website. 2 April 2019. Retrieved 2 April 2019.
- ^ Ronson, Jon (12 January 2014). "Frank Sidebottom: the true story of the man behind the mask". The Guardian. Retrieved 3 February 2014.
- ^ Middles, Mick (6 November 2014). Frank Sidebottom Out of His Head: The Authorised Biography of Chris Sievey. Empire Publications Limited. ISBN 978-1909360242.
- ^ "ALBUMS | frank sidebottom". 15 June 2021. Archived from the original on 15 June 2021. Retrieved 13 April 2023.
- ^ "poeticjusticemagazine.com/2024/08/09/frank-sidebottom-little-box-of-bobbins/". Poetic Justice Magazine. 9 August 2024. Retrieved 9 December 2024.
- ^ a b Bunder, Leslie B. (April 1985). "Sieving Through The Biz". Crash. Newsfield Publications Ltd (15). ISSN 0954-8661.
External links
[edit]Chris Sievey
View on GrokipediaBiography
Early life (1955–1976)
Christopher Mark Sievey was born on 25 August 1955 in Ashton-on-Mersey, Sale, Cheshire, England, a suburb in the Greater Manchester area. He grew up in a working-class household, where modest circumstances shaped his early years. Sievey had an older brother, Martin, who shared his enthusiasm for music and later collaborated with him on creative projects. Raised five miles from Timperley, Sievey was immersed in the vibrant local music environment from a young age, which sparked his lifelong passion for the arts.[1][4][1] From his early teens, Sievey displayed a compulsive creativity, teaching himself to play guitar and drums while experimenting with recording using rudimentary equipment. Influenced heavily by the Beatles, he began writing and recording songs with Beatlesque melodies as a self-taught musician. In 1969, at age 14, he traveled to London and busked outside Apple Records, where his performances caught the attention of George Harrison, though no recording deal emerged due to the Beatles' internal challenges. By 1971, Sievey and his brother staged a sit-in at Apple Records, securing a demo session in the presence of Ringo Starr; these early tapes were mailed to record companies but yielded no immediate success. He also founded a small indie label, releasing homemade cassettes of his work throughout the early 1970s.[4][5][5][6][7] As a teenager, Sievey formed school bands and joined local groups in Greater Manchester, performing his first semi-professional gigs in pubs and clubs around the area. His interests aligned with the burgeoning Manchester music scene, drawing from emerging punk and new wave sounds alongside his pop influences. To support himself, he took early jobs in factories and worked as a roadie for local acts, balancing manual labor with his musical pursuits. By the mid-1970s, Sievey had moved to Timperley, establishing a home base that fostered his ongoing creative experiments. These formative experiences laid the groundwork for his transition to more structured band projects.[8][9]The Freshies (1977–1982)
Chris Sievey formed the punk and new wave band The Freshies in 1977 in Manchester, serving as the frontman and primary songwriter, drawing on his earlier musical experiments with self-recorded tapes to establish a DIY approach.[10][11] The band's lineup fluctuated during its five-year run, featuring notable musicians such as drummer Martin Jackson (later of Magazine) and guitarist Billy Duffy (later of The Cult), alongside later members including guitarist Barry Spencer, bassist Rick Sarko (formerly of Ed Banger and the Nosebleeds), and drummer Mike Doherty (formerly of The Smirks).[1][11] The Freshies' music combined punk energy with catchy pop hooks and satirical, witty lyrics centered on everyday absurdities and local Manchester life, exemplified by tracks like the playful ode to retail romance in their single "I'm in Love with the Girl on the Manchester Virgin Megastore Checkout Desk," which first appeared on a 1980 cassette EP on Sievey's Razz label and charted at No. 54 in 1981 on MAM Records.[1][12] Embracing a strong independent ethos, the band self-released three cassette albums—All Sleeps Secrets (1977), Girls from Banana Island (1979), and Rough 'N' Ready (1980)—before producing their most polished effort, the 1981 LP The Johnny Radar Story, which marked their highest-budget project to date.[10] Other singles, such as "Chainstore" and the nuclear protest song "Wrap Up the Rockets," highlighted their ironic power pop style and social commentary.[12] The band built a cult following in Manchester through low-key local gigs, including early performances at venues like Oldham's Boundary pub in 1978, and gained some regional media traction via coverage in music magazine Sounds and support from Rabid Records founder Tosh Ryan, though national radio play remained limited.[12] Their biggest chart success came in 1981 when "I'm in Love with the Girl on the Manchester Virgin Megastore Checkout Desk" peaked at No. 54 on the UK Singles Chart via MAM Records, yet broader mainstream breakthrough eluded them despite the single's quirky appeal.[1] By 1982, The Freshies disbanded amid financial strains from self-releasing efforts, internal challenges with fluctuating lineups unable to match Sievey's creative vision, and his growing interest in comedic solo projects, leading to a brief duo incarnation with Barbara O'Donovan before the group's full dissolution.[10][12]Creation of Frank Sidebottom (1983–1994)
Following the breakup of his band The Freshies in 1982, Chris Sievey began experimenting with new creative outlets, drawing on the group's satirical edge to develop a solo performance persona. The character of Frank Sidebottom first appeared in voice on the 1983 cassette single "The Biz" by The Freshies, which included a playable ZX Spectrum computer game created by Sievey. Frank was conceived as an eccentric, aspiring pop star from Timperley, Manchester, characterized by an oversized papier-mâché head with oversized eyes and a fixed grin, a childlike innocence, and a high-pitched, nasal Mancunian voice. This alter ego allowed Sievey to explore absurdist comedy while performing deliberately naff pop songs, serving as a subversive contrast to his own more conventional rock background. The character fully debuted on an untitled 1984 EP by Chris Sievey & the Freshies.[13][14] Frank Sidebottom's live debut occurred in Manchester venues around 1985, where Sievey performed under the persona with simple props and backing tracks, quickly gaining a local following for its surreal, interactive style. By the mid-1980s, Frank secured a residency on Piccadilly Radio in Manchester, broadcasting segments like "Radio Timperley" that featured improvised sketches and music, helping to build a cult audience in the indie and alternative scenes. The act expanded nationally in the late 1980s with the formation of the Oh Blimey Big Band, a loose ensemble including musicians like Jon Ronson on keyboards, leading to a major 30-date UK tour that showcased Frank's chaotic energy and audience participation. Performances often included puppet sidekicks like Little Frank, blending music with vaudeville-like antics.[14][15] Sievey released several recordings as Frank Sidebottom during this period, starting with EPs on Regal Zonophone in 1985, such as "Frank's Summer Special" and "Frank's Firm Favorites," which mixed novelty tunes with spoken-word comedy. A standout single, "Christmas Is Really Fantastic," issued in 1986 on InTape, captured the persona's whimsical holiday spirit through upbeat, ironic lyrics and became a perennial favorite among fans. The first full album, Fantastic Tales, followed in 1987 on Sievey's own 11:37 label, compiling absurd tracks like covers of pop hits reimagined in Frank's childlike style, further cementing the act's underground appeal.[16][17] The comedy in Frank Sidebottom's routines revolved around absurdist humor and a fabricated backstory, portraying Frank as an eternal teenager managed by the fictional Mrs. Merton (voiced by collaborator Caroline Aherne), who handled "booking" mishaps with deadpan wit. Interactions often broke the fourth wall, with Frank referencing a nonexistent career of hits and feuds, all delivered with catchphrases like "Oh blimey!" to heighten the naive enthusiasm. This self-aware fakery earned cult status in Manchester's indie circuit, where the persona's rejection of rock authenticity resonated with post-punk audiences.[14][15] By the early 1990s, Frank Sidebottom reached a peak of popularity with high-profile gigs, including a slot at the 1993 Glastonbury Festival's comedy tent, where the act's participatory songs drew enthusiastic crowds. Collaborations, such as Ronson's involvement in the Oh Blimey Big Band from 1988 onward, added musical depth and helped sustain the tours amid growing media interest. These activities solidified Frank as a staple of alternative entertainment, blending music and performance art in a way that influenced later eccentric acts.[18][14]Mid-career projects and challenges (1995–2004)
Following the peak popularity of his Frank Sidebottom persona in the early 1990s, Chris Sievey retired the character in the late 1990s due to exhaustion from maintaining the demanding alter ego and a desire to explore new creative avenues beyond its constraints.[14] The persona's fortunes had dwindled amid shifting cultural tastes, leaving Sievey resentful of how it overshadowed his broader artistic ambitions and limited opportunities for personal expression.[14] This retirement marked a pivot away from live performances and comedy, contrasting sharply with the earlier success of Frank's manic, head-masked shows that had built a cult following in the 1980s.[1] In the wake of this shift, Sievey attempted solo musical projects, including work on an unreleased album tentatively titled Life in 74 Minutes during the late 1990s, which he ultimately abandoned amid creative and logistical hurdles. By 2003, he had begun another solo effort, Scilly Automatic, from which only one track, "Lazy Rising More Slowly, Where R.U, Oh 'Chele'", was later released posthumously, highlighting persistent challenges in securing label support or commercial viability for his independent recordings.[19] These ventures faced repeated rejections from record labels, exacerbating Sievey's financial instability, which was compounded by inconsistent gig work and a history of reckless spending.[14] Sievey redirected his energies toward stop-motion animation, joining Hot Animation in Altrincham as an assistant to the art director, where he contributed to children's television series such as Pingu and Bob the Builder from the late 1990s through the early 2000s.[1] His roles included prop design, set dressing, and experimentation with claymation techniques, creating short sequences and illustrations tailored for young audiences in these clay-based productions.[14] These efforts provided a more stable creative outlet, though they offered limited financial relief amid Sievey's ongoing struggles with heavy drinking and drug use, which contributed to personal health dips and a chaotic lifestyle.[14] Throughout this period, Sievey grappled with balancing family responsibilities, including raising his three sons—Stirling, Asher, and Harrison—following his divorce from his wife Paula, while navigating professional setbacks that left him in near penury.[1] The inconsistent income from animation gigs and failed music pursuits underscored his broader challenges, prompting a temporary withdrawal from the public eye until financial pressures necessitated the revival of Frank Sidebottom in 2005.[14]Frank Sidebottom revival (2005–2010)
In 2005, Chris Sievey revived the Frank Sidebottom character after a hiatus in the mid-1990s, driven by financial necessity and renewed interest from fans who had maintained a cult following for the persona.[14] This resurgence began with the release of the album Bits and Bobbins, a collection of tracks that showcased Sidebottom's signature blend of comedy sketches, pop covers, and original songs, marking Sievey's return to recording under the alias after years of limited output.[20] The revival was further boosted by involvement from former collaborators like journalist Jon Ronson, who had played keyboards in Sidebottom's band during the 1980s and publicly reflected on the character's enduring appeal, helping to generate media attention.[15] By 2006, Sidebottom had reformed his backing group, the Oh Blimey Big Band, to embark on a series of live tours across the UK, performing at venues and festivals that highlighted the character's eccentric mix of music and humor.[1] Key appearances included slots at events like the Bloom Festival in 2007 and Kendal Calling in 2008, where Sidebottom's performances drew crowds with improvised routines and tributes to pop icons.[14] That same year, Sievey launched Frank Sidebottom's Proper Telly Show on Channel M, a short-lived series featuring celebrity guests such as Simon Pegg and Nick Frost, which aired in black-and-white format to evoke a retro aesthetic and included musical segments alongside comedic interviews.[21] The pilot and subsequent episodes captured Sidebottom's chaotic energy, blending live band performances with audience interaction.[1] Collaborations during this period expanded Sidebottom's reach, including joint tours with punk poet John Cooper Clarke, where the duo combined spoken-word poetry with Sidebottom's musical interludes for sold-out shows.[1] Sievey also ventured into digital media, producing web content such as animated shorts and fan newsletters that featured cryptic artwork and updates on Sidebottom's "adventures," while merchandising efforts included T-shirts, badges, and records sold at gigs to sustain the character's independent operation.[14] These initiatives reflected Sievey's hands-on approach to building a grassroots fanbase, often through direct mailings and online forums that kept the persona alive beyond traditional stages. In 2009 and 2010, Sidebottom focused on hometown gigs in Manchester, including a notable performance at The Salutation pub on June 11, 2010, where he debuted a World Cup-themed single amid enthusiastic local crowds.[1] Sievey was actively involved in recording sessions during this time, producing material that included unreleased tracks blending comedy and music, some of which captured Sidebottom's evolving style with guest musicians.[1] Despite emerging health challenges, including a cancer diagnosis in May 2010, Sievey maintained a high level of creative enthusiasm, viewing the revival as a chance to cement Sidebottom's legacy as a uniquely British outsider artist.[14] This period underscored Sievey's dedication, as he balanced personal struggles with prolific output that reaffirmed the character's joyful absurdity.Television and media career
Early television appearances (1985–1988)
Sievey's earliest television outing as the Frank Sidebottom character took place in 1985 on the short-lived ITV children's programme TX, where he participated in an in-character interview hosted by Tony Slattery.[22][1] This debut introduced Sidebottom's eccentric, papier-mâché-headed persona to a broader audience beyond Manchester's local music scene, showcasing his blend of comedy and music through improvised banter.[2] Building on this exposure, Sievey appeared regularly as Frank Sidebottom on the ITV children's series No. 73 from 1986 to 1987, featuring in nine episodes alongside the show's young cast.[23] In these segments, Sidebottom engaged in absurd comedic sketches, such as participating in games like the "Sandwich Quiz" with guests or proposing chaotic solutions to household chores, all while maintaining his childlike, out-of-touch demeanor that interacted playfully with the child actors.[24][25] These appearances highlighted Sidebottom's family-friendly yet surreal humor, often revolving around everyday scenarios twisted into nonsensical adventures. By 1987, Sievey expanded Sidebottom's presence to Channel 4's music and pop culture game show Remote Control, where the character served as a comedic regular alongside host Anthony H. Wilson through the late 1980s.[1][2] Segments featured Sidebottom delivering parody commentary on music videos and celebrity clips, further embedding the persona in national youth television. These early broadcasts marked a pivotal shift for Sievey, elevating Frank Sidebottom from regional live performances to televised cult status, though the demands of the oversized head and strict in-character commitment posed physical and performative challenges during live tapings.[1][14]1990s television shows (1989–1998)
In the early 1990s, Chris Sievey, performing as the eccentric character Frank Sidebottom, starred in the low-budget children's television series Frank Sidebottom's Fantastic Shed Show, which aired on ITV in 1992. The program consisted of seven episodes, including a pilot, and was produced by Yorkshire Television under the direction of Dave Behrens. Set in a makeshift shed studio, the variety format featured Sidebottom interviewing puppet representations of celebrity guests, performing original songs with his band, and engaging in whimsical sketches that highlighted Sievey's handmade props and musical talents. Sievey served as both writer and performer, infusing the show with his signature chaotic humor and childlike enthusiasm.[26][1] The series evolved into a regular segment on the Saturday morning children's program What's Up Doc?, which continued on ITV (initially under CITV scheduling) from 1992 to 1995, building on the shed-based antics with broader sketches and live-action elements. Produced initially by TVS and later by Meridian Broadcasting, the show incorporated Sievey's stop-motion animations, hand-drawn illustrations, and cameos from real celebrities alongside puppet interactions, such as Sidebottom's quirky interviews and musical interludes. Episodes often blended comedy, music, and visual gags, with Sidebottom's segments providing a distinctive, surreal contrast to the program's variety format. Sievey remained deeply involved in writing and performing these parts, adapting his character's eccentricity to fit the evolving structure.[1][27][28] These programs garnered niche appeal among young audiences for their playful, unpolished energy, while cultivating a cult following among older viewers who appreciated the shows' offbeat creativity and Sidebottom's unpredictable persona. Despite limited budgets that necessitated Sievey's hands-on approach to set design, scripting, and even prop construction, the series captured the height of Sidebottom's television popularity in the 1990s.[29][13]Voice work and animation contributions (1999–2005)
In the late 1990s, following the retirement of his Frank Sidebottom persona due to financial difficulties, Chris Sievey transitioned to behind-the-scenes work in children's television animation, seeking greater stability away from live performances. This period marked a shift toward stop-motion production roles, where he contributed to popular BBC and HIT Entertainment series, leveraging his creative background in illustration and comedy to support educational content for young audiences.[14][1] Sievey's most extensive involvement was with Bob the Builder, a stop-motion animated series that premiered in 1999, where he served as a props and set dresser from 2000 to 2005. His work on sets and props appeared in at least 32 episodes, including specials like Bob the Builder: Bob's Big Plan (2005), helping to craft the show's detailed, everyday construction environments that emphasized problem-solving themes for preschool viewers. This role allowed Sievey to apply his artistic skills in a collaborative studio setting, contributing to the series' visual consistency across its early international success.[30][31] Additionally, Sievey worked on the Swiss-British stop-motion series Pingu during its fifth season, co-writing the episode "Pingu's Bedtime Shadows" (2004), which explored imaginative fears through the penguin character's signature non-verbal storytelling. His animation contributions extended to general production on the show, aligning with its whimsical, sound-effect-driven style that resonated with global child audiences.[1][32] In a rare on-screen voice role during this era, Sievey provided the voice of a radio DJ, performing as his Frank Sidebottom character, in the short animated film Gina and Stella (2002), directed by Sarah Ball. This brief appearance infused the story of two mice sisters with Sidebottom's eccentric humor, bridging Sievey's past comedic persona with his emerging animation career and highlighting his versatility in children's media.[33]Late television projects (2006–2008)
In 2006, Chris Sievey revived his long-dormant Frank Sidebottom persona for television with Frank Sidebottom's Proper Telly Show, a short-lived comedy series broadcast on the Manchester-based Channel M.[1] The program, which ran for two series totaling 12 episodes from November 2006 to March 2007, featured a mix of absurd sketches, musical performances, and talk-show segments, blending Sidebottom's signature childlike humor with contemporary celebrity guests such as Simon Pegg, Nick Frost, and Dwight Schultz.[21] Aired initially in black and white to evoke a retro aesthetic, with color repeats later, the show captured Sidebottom's eccentric style through low-budget production elements like homemade sets and improvised antics.[34] The series highlighted production challenges typical of Sievey's independent approach, including self-funded aspects and regional limitations that restricted its reach beyond Greater Manchester viewers on Freeview and Sky.[35] Sievey handled much of the creative direction himself, drawing on his animation and music background to integrate stop-motion clips and live band performances by Little Frank and his Funhouse backing group. These elements underscored the DIY ethos that defined his career, though the show's niche format and local broadcast contributed to its brevity.[36] Beyond the main series, Sidebottom made select guest appearances on comedy programs during this period, marking some of the character's final on-screen outings and reinforcing his cult status among alternative comedy enthusiasts. Episodes of Proper Telly Show often showcased interactions with fans and performers, illustrating the character's enduring appeal and loyal fanbase in Manchester's creative scene.[37] By 2008, with television opportunities waning, Sievey shifted emphasis back to live performances, where the Frank Sidebottom revival paralleled his TV efforts in sustaining the persona's whimsical legacy.[1]Other creative works
Video games
Chris Sievey's foray into video games began in the early 1980s, leveraging affordable home computers like the Sinclair ZX81 and ZX Spectrum to blend his musical and comedic talents with interactive programming. Primarily self-taught in BASIC, Sievey created humorous, experimental titles that often incorporated elements of his music or the emerging Frank Sidebottom persona, marking early indie efforts in the UK gaming scene.[38][39] One of his initial projects was tied to the 1983 single "Camouflage" by Chris Sievey, featuring a rudimentary music video program for the ZX81 that displayed synced lyrics, a bouncing ball, an American flag, and a dancing figure. Released on 2000 copies of the vinyl and cassette via Random Records, the B-side contained audio data for loading the program onto a ZX81, an innovative but technically challenging promo that required users to transfer code from record grooves to tape.[38] That same year, Sievey developed Flying Train, a psychedelic ZX81 game where players piloted a locomotive through a space-time gate, packaged with the "Camouflage" single. EMI later commissioned a color version for the ZX Spectrum as a standalone release, highlighting Sievey's ability to merge novelty gaming with music promotion in a pre-digital distribution era.[38] In 1984, Sievey authored The Biz, a text-based band management simulation for the ZX Spectrum published by Virgin Games, where players assembled a group, navigated industry pitfalls like theft and addiction, and aimed for chart success against steep odds (estimated at 40-50 million to one). The cassette included eight Freshies tracks, an interview between Sievey and the nascent Frank Sidebottom character, and cheat-resistant code that Sievey himself rarely completed, underscoring its depth and humor.[38][40][41] By the mid-1980s, under the Frank Sidebottom name, Sievey contributed simpler programs to magazines like Crash. Amoeba Rescue (1986) challenged players to guess pixel locations on screen to save an amoeba, while The Charming Eggtimer (also 1986) provided a timed guide for boiling eggs—both exemplifying his whimsical, accessible style for young audiences. These were distributed via print listings for home programmers, fostering a cult following in the ZX community.[38] Sievey's games, often humorous and music-infused, pioneered comedic indie titles in the UK, influencing later experimental works by emphasizing interactivity and persona-driven content over polished graphics. Limited to niche releases through singles, magazines, and small publishers, many saw archival preservation post his death, with emulations available on retro platforms.[38][42]Stop-motion animation and illustrations
In the 1990s, following the initial retirement of his Frank Sidebottom persona, Chris Sievey transitioned into stop-motion animation as a professional pursuit, initially as a hobbyist endeavor that evolved into steady employment in the industry. He specialized in claymation techniques, notably contributing as an animator to the children's series Pingu, where he manipulated clay figures frame by frame to create expressive penguin characters in a wordless, comedic style.[43] Sievey also worked on Bob the Builder during its fourth series, serving as a prop designer and set dresser, employing puppetry methods with articulated plasticine models to build interactive construction-themed scenes that emphasized practical, hands-on animation.[44] This period marked a shift from Sievey's earlier performance-based creativity to more solitary, technical animation work, providing financial stability during a hiatus from public-facing projects. By the early 2000s, his skills in stop-motion had become a reliable side hustle, allowing him to support his family while honing a meticulous approach to character movement and set construction. His writing contributions to Pingu, such as the episode "Pingu's Bedtime Shadows" (credited as Frank Sidebottom), complemented these animation efforts.[44][45] Among his independent animation projects, Sievey created the stop-motion pilot Frank's World toward the end of his life, a short film featuring his signature papier-mâché-headed character in absurd, self-contained adventures intended as the basis for a potential series. Produced using traditional stop-motion puppetry with custom-built figures, the pilot showcased Sievey's whimsical storytelling through simple, lo-fi setups that captured Frank's chaotic perspective on everyday life.[44] This non-broadcast work highlighted his desire to extend the Frank universe into visual media beyond live performance. Sievey received commissions for animation contributions to BBC children's programming, including set design for Bob the Builder, where his props enhanced the show's educational focus on teamwork and problem-solving through durable, reusable models.[44] Although no verified children's book illustrations are documented, his broader artistic output included sketches and designs that informed these professional gigs. He also contributed as a writer and artist to the children's comic Oink!, creating strips featuring the Frank Sidebottom character.[1] Parallel to his animation endeavors, Sievey produced illustrations for album covers, comics, and homemade zines, often featuring quirky, hand-drawn depictions of everyday absurdities infused with his humorous sensibility. These works, such as doodles and sequential art in personal zines, served as outlets for his illustrative style during creative lulls, blending cartoonish exaggeration with detailed line work.[46][47] Many of Sievey's animation models, sketches, and unpublished zines are preserved in family collections, forming an extensive personal archive that underscores the breadth of his non-musical creative output.[47]Personal life
Family and relationships
Chris Sievey married Paula in 1975 after meeting her at a factory where they both worked; the ceremony took place at a registry office during their lunch hour, with two passersby serving as witnesses.[48][49] The couple settled in Timperley, Greater Manchester, where they raised their three children: sons Stirling (born 1979) and Harry (born 1992), and daughter Asher (born 1979).[50][1] Paula played a supportive role in Sievey's creative pursuits, often managing household finances and participating in his whimsical projects, such as painting their faces blue for fun, while Sievey focused on his artistic endeavors.[49] The family enjoyed a playful home life centered around games, television, and Sievey's inventions, though it was occasionally disrupted by his touring commitments with the Freshies and later Frank Sidebottom performances.[49] Sievey's children occasionally appeared in his Frank Sidebottom shows, contributing to the chaotic, family-oriented energy of the acts, which contrasted with his more private personal demeanor away from the stage.[51] Despite these involvements, Sievey maintained a low-profile personal life, shielding his family from much of the public scrutiny surrounding his alter egos.[43] Sievey and Paula separated in the late 1990s amid mounting personal challenges, including financial difficulties that strained their relationship, and they divorced shortly thereafter; a brief reconciliation attempt failed due to ongoing issues like Sievey's drinking.[49][52] Post-divorce, Sievey remained on amicable terms with Paula and their children, maintaining close family ties even as he pursued new relationships, such as a six-year partnership with Michelle Pouncey.[1][52] His son Harry died in a cycling accident in 2017.[53] The family continued to support one another, with Paula and the children later contributing insights to tributes honoring Sievey's legacy.[51]Financial struggles and health issues
Throughout his career, Chris Sievey grappled with persistent financial instability, largely stemming from his commitment to a DIY ethos in music production. In 1974, he established his own label, Razz Records, to independently release and distribute recordings by his band The Freshies, bypassing traditional industry channels but incurring significant personal costs without guaranteed returns.[8] This self-financing approach, while enabling creative control, contributed to mounting debts, including a large unpaid tax bill in later years, and left him unable to build lasting financial security despite periods of cult success with Frank Sidebottom.[49] Sievey's income remained inconsistent, derived primarily from live gigs, television appearances, and radio work as both himself and Frank Sidebottom, though residuals from TV projects were minimal and insufficient to sustain him. Mid-career ventures, such as self-released albums and short-lived projects, often failed to generate steady revenue, exacerbating his economic challenges; he frequently gave away earnings to friends and family when money came in, only to face repossessions like his television and resort to cooking over a Bunsen burner due to unpaid bills.[49] By his later years, these patterns culminated in virtual pennilessness, with his estate leaving no funds for basic needs upon his death in 2010—a situation common among independent UK artists who prioritized artistic independence over commercial viability.[54][13] Health issues compounded Sievey's difficulties, beginning with stress-related strains in the 1990s amid career dips and personal upheavals, including his divorce from Paula Sievey, which added emotional and financial pressure. Excessive drinking emerged as a coping mechanism during this period, straining relationships and contributing to a chaotic lifestyle where he would disappear for days, further isolating him from support networks.[49] In May 2010, Sievey was diagnosed with cancer, specifically a tumour on his chest, which rapidly deteriorated his condition; he canceled a planned gig shortly after, citing feeling unwell, but maintained his work ethic by attempting to revive Frank Sidebottom with a structured five-year plan earlier in the decade.[13][1] Family provided crucial backing amid these declines, with ex-wife Paula managing household finances during their marriage—"I had to be the sensible one," she recalled—though the instability ultimately led to their separation.[49] His children, including Stirling and Asher, offered emotional support, helping navigate the practical fallout of his financial mismanagement and health battles, even as Sievey's generous but impulsive nature persisted: "Chris didn’t care about money… it would all be gone in a day."[49]Death
Illness and passing (2010)
In May 2010, Chris Sievey was diagnosed with cancer after experiencing trouble eating, which he initially mistook for a tapeworm infection.[55] A gastroscopy revealed a tumour in his chest near the oesophagus, prompting him to seek treatment including chemotherapy sessions.[56] Sievey publicly announced his illness that month, leading him to withdraw from most public engagements, though he made a final appearance on 11 June launching a World Cup charity single with proceeds benefiting cancer research.[1] The cancer progressed rapidly, and on 21 June 2010, Sievey collapsed at his home in Hale, Greater Manchester, while recovering from surgery for the chest tumour.[57] He was rushed to Wythenshawe Hospital in Manchester, where he died later that day at the age of 54 from complications related to the cancer.[58] News of Sievey's death prompted immediate tributes from peers and collaborators, with his agent Nigel Round describing him as "just a nice bloke" and a "private person" who had built a loyal fanbase.[58] Comedy promoter David Behrens praised Sievey as a "genuinely funny and creative comic talent," highlighting the significant impact of his work as Frank Sidebottom.[58]Funeral and immediate aftermath
Chris Sievey's funeral took place on 2 July 2010 at Altrincham Crematorium in Greater Manchester, as a private service organized by his family.[50] The event was attended by over 200 people, including family members, former bandmates from The Freshies, comedians such as Charlie Chuck and John Thomson, musicians like Badly Drawn Boy (Damon Gough) and Mark Radcliffe, and close friends.[50][59] Eulogies were delivered by Sievey's children—Stirling, Asher, and Harry—described as poignant reflections on their father's creative influence and whimsical spirit.[59] The service opened with The Beatles' "All You Need Is Love" and closed with The Beach Boys' "God Only Knows," infusing the proceedings with a lighthearted, Frank Sidebottom-inspired tone.[50] The arrangements were necessitated by Sievey's penniless estate following his death, prompting an urgent online fundraising appeal launched by friends and fans via Facebook and Twitter, which raised over £20,000 within days to cover costs and provide support for his family and cancer charities.[50][59] This effort averted a pauper's burial and underscored the devoted following Sievey had cultivated through his alter ego.[54] Media coverage immediately following the funeral highlighted Sievey's cult status, with the BBC reporting on the emotional service and fan solidarity, and The Guardian's obituary emphasizing his innovative comedy and enduring appeal as Frank Sidebottom despite mainstream challenges.[50][1] Early tributes included a public memorial event titled "Frank's Fantastic Farewell," held on 8 July 2010 at Manchester's Castlefield Arena, featuring celebrity speakers, videos of Frank's performances and artwork, and performances to celebrate his legacy, organized with family involvement.[59] Sievey's children expressed gratitude for the support, with son Stirling noting his father's impulsive generosity had left the family in financial straits but affirming the profound personal impact of his artistic life.[60] The family also began safeguarding Sievey's extensive personal archive of drawings, recordings, and memorabilia, ensuring its preservation for future recognition of his multifaceted contributions.[61]Legacy
Awards and honors
During his lifetime, Chris Sievey received no major formal awards for his multifaceted career in music, comedy, and illustration.[13] Posthumously, Sievey was honored with the Special Judges' Award at the 2011 Chortle Awards, recognizing his enduring contributions to British comedy through the character Frank Sidebottom. The award, presented at a ceremony in London attended by peers including comedians and industry figures, highlighted Sievey's innovative and cult-favorite performances, which had influenced generations of alternative entertainers despite his lack of mainstream commercial success.[62][63] Other local honors include a life-sized bronze statue of Frank Sidebottom, unveiled in 2013 on Timperley Metrolink station forecourt in Sievey's hometown of Timperley, Greater Manchester. Funded by over £60,000 raised through public donations from fans and supporters, the statue by artist Paulina Skavova (based on a model by Colin Spofforth) depicts the character in his signature pose and serves as a permanent tribute to Sievey's creative legacy.[64][65] An unofficial blue plaque was also installed inside the Salutation Pub in Manchester, commemorating Sievey's final live performance there shortly before his death in 2010 and acknowledging his impact on the local music and comedy scene.[66] These awards and honors emphasize Sievey's role as an overlooked genius in indie comedy and music, celebrating his whimsical, DIY approach that prioritized artistic eccentricity over commercial acclaim and inspired posthumous appreciation for his boundary-pushing work.[67]Cultural impact and tributes
Sievey's persona as Frank Sidebottom exemplified outsider art through its eccentric fusion of music, comedy, and handmade visuals, inspiring subsequent creators who embraced unconventional, self-taught approaches to performance and expression. His work on the fringes of the late-1970s Manchester music and comedy scene contributed to the rise of alternative humor, influencing the surreal style that defined the region's cultural output in the 1980s and 1990s. For instance, Sidebottom made notable appearances on shows like The Smell of Reeves and Mortimer, hosted by Vic Reeves and Bob Mortimer, helping to shape the era's boundary-pushing comedic landscape. Following Sievey's death in 2010, which catalyzed widespread recognition of his contributions, tributes emerged to honor his legacy. A life-size bronze statue of Frank Sidebottom, funded entirely by fan donations, was unveiled in Timperley in 2013 as a permanent homage to the character and its creator. Annual fan-led events, such as FrankCon—curated by the Sievey family and collaborators—have sustained this enthusiasm, with the 2025 edition held in Timperley over the Bank Holiday weekend to mark what would have been Sievey's 70th birthday. Post-2010 media revivals have drawn on Sievey's vast personal archive of tapes, drawings, and recordings to reintroduce his work to new audiences. The 2019 documentary Being Frank: The Chris Sievey Story prominently featured this material, revealing the depth of his creative output and sparking renewed interest in his multifaceted artistry. Podcasts exploring his influence, including episodes on The Late Night Alternative dedicated to Sidebottom's comics and persona, have further amplified these archival elements since his passing. Commemorations for the 15th anniversary of his death in 2025 included exhibitions like Frank's World at Trafford Local Studies Centre, showcasing original memorabilia and reinforcing his status as a cult icon. Sievey's global fanbase, often described as a devoted cult following, has preserved his legacy through online communities and dedicated preservation efforts. The University of Liverpool's Centre for Digital Humanities created a 3D digital replica of the iconic papier-mâché head in 2020 to ensure its long-term accessibility. His complete archive, including rare artifacts and recordings, is now safeguarded in Manchester's Archives+ under controlled conditions by 11:37 Enterprises, the official steward of his estate. Recent discussions around Sievey's financial legacy underscore the broader struggles of independent artists, as he faced chronic money problems throughout his career and died without funds, prompting fans to raise over £20,000 for a proper funeral. These themes, highlighted in retrospectives on his DIY ethos and personal hardships, continue to resonate in 2024 conversations about the economic vulnerabilities of creative outsiders in the music and comedy industries.Films, books, and documentaries
The 2014 comedy-drama film Frank, directed by Lenny Abrahamson and co-written by Jon Ronson and Peter Straughan, stars Michael Fassbender in the title role as an eccentric musician who performs wearing a large papier-mâché head.[68] The story is loosely inspired by the life and alter ego of Chris Sievey, particularly his Frank Sidebottom persona, drawing from Ronson's real-life experiences as a keyboardist in Sievey's band during the late 1980s.[69] The film explores themes of creativity, identity, and outsider artistry, blending humor with poignant insights into the challenges of maintaining a performative facade.[70] It received critical acclaim for Fassbender's nuanced portrayal and its authentic capture of Sievey's whimsical eccentricity, earning a 92% approval rating on Rotten Tomatoes based on 164 reviews.[71] In 2018, the documentary Being Frank: The Chris Sievey Story, directed by Steve Sullivan, provided a comprehensive portrait of Sievey's life and career, utilizing extensive archive footage of his performances, personal recordings, and animations alongside interviews with family members, friends, and collaborators.[72] The film delves into the symbiotic yet strained relationship between Sievey and his Frank Sidebottom character, highlighting how the persona both elevated and overshadowed his identity as a musician, artist, and comedian.[73] Sievey's family played a key role in the production, granting access to private materials and participating in on-camera discussions to offer intimate perspectives on his creative process and personal struggles.[49] Premiering at the South by Southwest Film Festival, it garnered widespread praise for its heartfelt and humorous tribute, achieving a 96% approval rating on Rotten Tomatoes from 26 reviews.[74] Jon Ronson's 2014 memoir Frank: The True Story that Inspired the Movie, published by Riverhead Books, recounts his encounters with Sievey during their time together in the Frank Sidebottom Oh Blimey Big Band, weaving personal anecdotes with reflections on Sievey's enigmatic artistry and the blurred lines between performer and persona. The slim volume, expanded from an earlier e-book, serves as both a tribute to Sievey's innovative spirit and a meditation on the allure of eccentric outsiders in the music world.[75] Posthumous publications have further preserved Sievey's legacy through compilations of his visual and written works. The 2014 biography Frank Sidebottom: Out of His Head – The Authorised Biography of Chris Sievey by Mick Middles, based on decades of friendship and collaboration, chronicles Sievey's multifaceted career with insights from those closest to him, emphasizing his contributions to comics and illustration alongside music.[76] These works, including collections of Sievey's cartoon strips originally published in magazines like Oink!, highlight his talent for absurd, hand-drawn humor that complemented his stage persona.[77]Discography
Albums
Chris Sievey's musical output as a bandleader, solo artist, and alter ego spanned self-released cassettes, independent vinyl releases, and conceptual recordings, often characterized by lo-fi production and a blend of power pop, new wave, and comedic elements.[10] His work with The Freshies emphasized DIY ethos, with early albums recorded using basic home setups.[6] The Freshies, formed by Sievey in 1977, issued three self-released cassette albums during their initial run. All Sleeps Secrets (1977) featured Sievey performing all instruments, capturing raw punk-influenced sketches.[10] This was followed by The Girls From Banana Island (1979) and Rough 'N' Ready (1980), both limited-run cassettes that showcased the band's evolving power pop sound with humorous, Manchester-centric lyrics.[10] In 1981, Sievey self-financed a higher-budget project, The Johnny Radar Story, intended for wider distribution but ultimately remaining unreleased beyond private circles, marking the band's effective end.[10] Under his own name, Sievey released Big Record in 1986 on Cordelia Records, a 10-track vinyl album recorded at Drone Studio in Chorlton, Manchester, between January 1985 and January 1986, blending introspective pop with witty narratives.[78] As Frank Sidebottom, Sievey's recordings leaned into absurdist humor and autobiographical vignettes, often self-produced with lo-fi techniques evoking home studio experimentation.[16] The debut, Fantastic Tales (1987) on the 11:37 Label, comprised spoken-word stories and comedic monologues, including tracks like "The Day I Found a Hippopotomous" and "The Day I Won a Million Pounds."[79] This was followed by the expansive double LP 5:9:88 (1988) on In Tape, a 63-track collection of synth-pop snippets, answering machine messages, and satirical skits such as "The Robins Aren't Bobbins" and "Me Great Big Zoo Scrapbook," reflecting Sidebottom's chaotic persona.[80] Another double LP, 13:9:88 (1989) on In Tape, featured 29 tracks of comedic songs and sketches, including "Hit the North" and "Mrs. Merton." Medium Play (1990), a 10-inch vinyl EP on In Tape, featured covers and originals like a medley of Bros songs and "Guess Who's Been on Match of the Day," maintaining the humorous, eclectic style.[81][82] In total, four albums and EPs were released under the Frank Sidebottom moniker during Sievey's lifetime.[16] Sievey also produced unpublished demos in the 1990s under his own name, including material later referenced in biographical accounts as Life in the Gladhouse, though these remained unreleased during his lifetime.[83] Posthumously, several of Sievey's recordings have seen reissues, including vinyl editions of Big Record in 2022 and comprehensive anthologies like Little Box of Bobbins: Frank's Fantastic Anthology 1985-1993 (2024) on Cherry Red, preserving his humorous and autobiographical themes for new audiences.[84][85]| Artist/Project | Album Title | Year | Format | Notes |
|---|---|---|---|---|
| The Freshies | All Sleeps Secrets | 1977 | Cassette | Self-released; Sievey on all instruments; punk sketches.[10] |
| The Freshies | The Girls From Banana Island | 1979 | Cassette | Self-released; power pop with local humor.[10] |
| The Freshies | Rough 'N' Ready | 1980 | Cassette | Self-released; evolving band sound.[10] |
| The Freshies | The Johnny Radar Story | 1981 | Unreleased | Self-financed; higher budget, limited circulation.[10] |
| Chris Sievey | Big Record | 1986 | Vinyl LP | Cordelia Records; studio-recorded pop narratives.[78] |
| Frank Sidebottom | Fantastic Tales | 1987 | Vinyl LP | 11:37 Label; spoken-word comedy stories.[79] |
| Frank Sidebottom | 5:9:88 | 1988 | Double Vinyl LP | In Tape; 63 tracks of lo-fi synth-pop and skits.[80] |
| Frank Sidebottom | 13:9:88 | 1989 | Vinyl LP | In Tape; 29 tracks of comedic songs and sketches, including "Hit the North."[82] |
| Frank Sidebottom | Medium Play | 1990 | 10-inch Vinyl EP | In Tape; covers and medleys with satirical edge.[81] |
Singles and EPs
Chris Sievey's early career with The Freshies emphasized independent releases on small labels like Razz Records, often in 7-inch vinyl format, which helped build a cult following in the Manchester punk and new wave scenes.[10] These singles frequently featured humorous, observational lyrics tied to everyday life, with B-sides showcasing experimental or lo-fi production. Later solo efforts and Frank Sidebottom releases shifted toward more eccentric themes, including cassette formats for broader accessibility and promotional purposes, such as radio playthroughs.[86] Posthumously, many of these limited-run vinyl pressings have gained collectibility among fans of obscure British indie music, with signed or numbered copies fetching higher values at auctions.[87] Key singles and EPs are summarized below, focusing on original releases with notable chart performance where applicable.| Project | Title | Year | Format | Label | Notes |
|---|---|---|---|---|---|
| The Freshies | The Freshies EP (Washed Up / Baiser) | 1978 | 7" vinyl EP | Razz Records | Includes tracks "Baiser," "Two of the Same Girl," "Washed Up," and "Moon Midsummer"; early punk-influenced release.[88] |
| The Freshies | I'm in Love with the Girl on the Manchester Virgin Megastore Check-Out Desk | 1980 | 7" vinyl single | MCA Records | Peaked at #54 on the UK Singles Chart; B-side "Subbuteo"; promotional tie-in referencing the Virgin Megastore.[89][90] |
| Chris Sievey | Red Indian Music | 1980 | 7" vinyl EP | Razz Records | Tracks include "Sue of the Sioux," "Riding Out to Devils Ridge," and "Return of Sue of the Sioux"; limited pressing.[91] |
| The Freshies | Fasten Your Seatbelts | 1982 | 7" vinyl single | Stiff Records | Duo release with Barbara O'Donovan; B-side "Best We Can Do"; no major chart success but noted for pop-punk energy.[10] |
| Chris Sievey | Camouflage | 1983 | 7" vinyl / cassette single | EMI | Includes computer-programmable B-side tracks for ZX81; rare promo versions exist with radio markings.[92][86] |
| Frank Sidebottom | Christmas is Really Fantastic | 1986 | 7" vinyl single | Regal Zonophone | Festive novelty track; limited release with no chart entry but enduring fan favorite.[17][93] |
| Frank Sidebottom | Panic | 1993 | 7" vinyl single | Independent | Final single before character's temporary retirement; B-sides feature cover versions.[16] |
