Geoff Johns
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Geoffrey Johns (born January 25, 1973) is an American comic book writer, screenwriter, and film and television producer. Johns's work on the DC Comics characters Green Lantern, Aquaman, The Flash, and Superman has drawn critical acclaim.[2] His critically acclaimed work includes Sinestro Corps War, Blackest Night, Throne of Atlantis, Flashpoint, Doomsday Clock, Superman: Last Son and Superman: Brainiac. He co-created the DC character Courtney Whitmore based on his deceased sister. He also expanded the Green Lantern mythology, adding in new concepts and co-creating numerous characters. Among the DC characters and concepts he co-created are Larfleeze, the Sinestro Corps, the Indigo Tribe, the Red Lantern Corps, Atrocitus, the Black Lantern Corps, Jessica Cruz, Hunter Zolomon, Tar Pit, Simon Baz, Bleez, Miss Martian, Kate Kane, and Christopher Kent.

Key Information

He served as Chief Creative Officer (CCO) of DC Entertainment from 2010 to 2018 and as President and CCO from 2016 to 2018.[3]

He is the co-founder and former co-chairman of DC Films and former co-runner of DC Extended Universe until 2018.[4][3] In film, he was a producer or executive producer of Green Lantern (2011), Batman v Superman: Dawn of Justice (2016), Suicide Squad (2016), Wonder Woman (2017), Justice League (2017), Shazam! (2019), Birds of Prey (2020), co-wrote and produced the story for Aquaman (2018) and wrote the screenplay for Wonder Woman 1984 (2020).

Johns' involvement with DC Entertainment as producer, writer and executive has helped turn the DC Extended Universe franchise into the eleventh highest-grossing film franchise of all-time, having grossed over $5.6 billion at the global box office. The franchise's highest-grossing film, Aquaman, earned over $1.15 billion worldwide, becoming the highest-grossing DC film to-date.

He co-developed the TV series The Flash (2014–2023), Titans (2018–2023), and Doom Patrol (2019–2023) and created and produced the TV series Batwoman (2019–2022), Stargirl (2020–2022) and Superman & Lois (2020–2024). His other work in television includes writing and producing various episodes of Blade, Smallville and Arrow.[5]

In 2018, he stepped down from his executive role at DC Entertainment to open a production company, Mad Ghost Productions, while continuing to work with Warner Bros on writing and producing film, television and comic book titles based on DC Extended Universe and other DC properties such as films Black Adam and Shazam! Fury of the Gods.[5]

In 2023, he co-founded the media company Ghost Machine alongside several other comic book writers and artists to publish independent work.

Early life

[edit]

Geoff Johns was born January 25, 1973,[6] in Detroit, Michigan,[7][8] the son of Barbara and Fred Johns.[9] He is of half-Lebanese ancestry[10] and grew up in the suburbs of Grosse Pointe and Clarkston.[7][11] As a child, Johns and his brother first discovered comics through an old box of comics they found in their grandmother's attic, which included copies of The Flash, Superman, Green Lantern, and Batman from the 1960s and 1970s. He has named the Flash as his favorite character, stating that he owns every issue of it.[7]

Johns eventually began to patronize a comics shop in Traverse City, recalling that the first new comics he bought were Crisis on Infinite Earths #3 or 4 and The Flash #348 or 349, as the latter was his favorite character. As Johns continued collecting comics, he gravitated toward DC Comics and later Vertigo, and drew comics.[7] After graduating from Clarkston High School in 1991,[9] he studied media arts, screenwriting, film production and film theory at Michigan State University.[8] He graduated from Michigan State in 1995,[12] and then moved to Los Angeles, California.[7][9]

Career

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Early career

[edit]

In Los Angeles, Johns cold-called the office of director Richard Donner looking for an internship, and while Johns was being transferred to various people, Donner picked up the phone by accident, leading to a conversation and the internship. Johns started off copying scripts, and after about two months, was hired as a production assistant for Donner, whom Johns regards as his mentor.[7][13]

While working on the production of Donner's 1997 film Conspiracy Theory, Johns visited New York City, where he met DC Comics personnel such as Eddie Berganza, reigniting his childhood interest in comics.[7]

Berganza invited Johns to tour the DC Comics offices, and offered Johns the opportunity to suggest ideas, which led to Johns pitching Stars and S.T.R.I.P.E., a series based on the second Star-Spangled Kid and her stepfather,[14] to editor Chuck Kim a year later. Johns expected to write comics "on the side", until he met David Goyer and James Robinson, who were working on JSA. After looking at Stars and S.T.R.I.P.E., Robinson offered Johns co-writing duties on JSA in 2000,[15] and Johns credits both him and Mike Carlin with shepherding him into the comics industry. He also credits reading James Robinson's The Golden Age as the book responsible for his love of the characters featured in the book, and for his decision to accept writing duties on JSA.[7]

That same year, Johns became the regular writer on The Flash ongoing series with issue 164. Johns' work on The Flash represents one example of his modeling of various elements in his stories after aspects of his birth town, explaining, "When I wrote The Flash, I turned Keystone City into Detroit, made it a car town. I make a lot of my characters from Detroit. I think self-made, blue-collar heroes represent Detroit. Wally West's Flash was like that. I took the inspiration of the city and the people there and used it in the books."[11] Johns' Flash run concluded with #225.[16]

He co-wrote a Beast Boy limited series with Ben Raab in 2000[17] and crafted the "Return to Krypton" story arc in the Superman titles with Pasqual Ferry in 2002.[18] After writing The Avengers vol. 3 #57–76 (Oct. 2002–Feb. 2004) and Avengers Icons: The Vision #1–4 (Oct. 2002–Jan. 2003) for Marvel Comics,[19] Johns oversaw the re-launch of Hawkman and Teen Titans.[20]

Johns was responsible for the return of Hal Jordan in 2005 as the writer of the Green Lantern: Rebirth mini-series[21] and subsequent Green Lantern ongoing title.[22] Johns was the writer of the Infinite Crisis crossover limited series (December 2005 – June 2006), a sequel to 1985's Crisis on Infinite Earths.[23] Following this, Johns was one of four writers, with Mark Waid, Grant Morrison, and Greg Rucka, on the 2006–2007 weekly series 52.[24]

Johns holding up a Funko vinyl figure of Aquaman, one of the titles he wrote as part of The New 52

In 2006, Johns and Kurt Busiek co-wrote the "Up, Up and Away!" story arc in Superman and Action Comics. He then reunited with Richard Donner on the "Last Son" storyline in Action Comics with Donner co-plotting the series with his former assistant.[19] The Justice Society of America series by Johns and artist Dale Eaglesham began in February 2007[25] and six months later, he and Jeff Katz launched the new Booster Gold series. That same year, Johns helmed the critically acclaimed[26][27][28][29][30] "Sinestro Corps War" storyline in the Green Lantern titles.[31] He wrote the "Final Crisis" one-shot Rage of the Red Lanterns with artist Shane Davis[32] and collaborated with Gary Frank on Action Comics.[33] Johns and Frank produced the "Brainiac" storyline in which Superman's adopted father Jonathan Kent was killed[34] and retold Superman's origin story in 2009's Superman: Secret Origin.[35]

Also in 2009, Johns teamed with artist Ethan Van Sciver on The Flash: Rebirth miniseries, which centered on the return of Barry Allen as the Flash[36][37] and wrote the Blackest Night limited series.[38] Commenting on Johns's creation of such concepts as the Blue Lantern Corps, the Red Lantern Corps, and the Indigo Tribe, DC Comics writer and executive Paul Levitz noted in 2010 that "One of Johns' sharpest additions to DC mythology is the notion that the Green Lanterns are but one color within a rainbow spectrum, and that the other hues have their own champions. Folding in old concepts and inventing new ones, Johns has established limitless story possibilities."[39]

President and CCO of DC Entertainment

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On February 18, 2010, Johns was named the Chief Creative Officer of DC Entertainment, which was established to expand the DC Comics brand across other media platforms.[40][41] Johns stated that the position would not affect his writing.[42] He then co-wrote the Brightest Day series with Peter Tomasi.[43] He and Marv Wolfman were the principal writers of DC Universe Online, a massively multiplayer online role-playing game released in 2011.[44][45]

In September 2011, following the conclusion of Johns's mini series, Flashpoint, and the crossover storyline of the same name, DC Comics instituted an initiative called The New 52, in which the publisher cancelled all of its superhero titles and relaunched 52 new series with #1 issues, wiping out most of the then-current continuity. Johns and artist Jim Lee, DC Comics' Co-Publisher, launched the line with a new Justice League series, written and illustrated by Johns and Lee, respectively. The series' first story arc was a new origin of the Justice League, which depicted the return of DC's primary superheroes to the team.[46] Johns's contributions to The New 52 include a serialized Shazam! (Captain Marvel) backup feature in Justice League that began with issue #7, as well as the relaunched Aquaman and Green Lantern monthly titles.[47][48][49]

Johns and Gary Frank collaborated on the Batman: Earth One graphic novel, an out of continuity story, released in mid-2012,[50][51] which served as the first in a series of graphic novels intended to redefine Batman.[52] In 2013, after writing Green Lantern for nine years, Johns ended his run with issue 20 of the New 52 series,[53] which was released May 22, 2013.[54] DC Comics' All Access webcast announced on February 4, 2014, that Johns would be writing the Superman series which would be drawn by John Romita Jr.[55][56] The Johns/Romita Jr. team was joined by inker Klaus Janson.[57] In May 2016, Johns was promoted to President and Chief Creative Officer of DC Entertainment and reported to Diane Nelson, the President of DC Entertainment.[58][59]

Johns and Gary Frank collaborated on Doomsday Clock, a limited series featuring Superman and Doctor Manhattan.[60][61] Johns and Richard Donner co-wrote "The Car" chapter in Action Comics #1000 (June 2018) which was drawn by Olivier Coipel.[62]

In June 2018, Johns stepped down from his executive role at DC Entertainment and entered into a writer and producer deal with Warner Bros. and DC Entertainment. He opened Mad Ghost Productions, a production company that works on film, television and comic books based on DC Comics properties.[63]

After DC Entertainment

[edit]

At San Diego Comic-Con in 2018, DC announced a new "pop-up" imprint, The Killing Zone, to be curated by Johns.[64][65] It was initially set to begin publishing in May 2019.[66] In May 2020, Johns confirmed that the imprint was in development.[67]

In November 2020, it was announced that Johns would launch a new creator-owned series from Image Comics titled Geiger with long-time collaborator Gary Frank, to debut in April 2021. The series would be his first independent comics series in more than ten years.[68] In September 2021 it was reported that Johns and Frank would expand "The Unnamed Universe" of Geiger, starting with Junkyard Joe in October 2022.[69][70]

On October 12, 2023, Johns and a group of colleagues announced at the New York Comic Con that they were forming a cooperative media company called Ghost Machine, which would publish creator-owned comics, and allow the participating creators to benefit from the development of their intellectual properties. The company publishes its books through Image Comics, and its other founders includes Brad Meltzer, Jason Fabok, Gary Frank, Bryan Hitch, Francis Manapul, and Peter J. Tomasi, all of whom would produce comics work exclusively through that company.[71][72] Johns' inaugural work for the company was writing Geiger: Ground Zero, a two-issue series drawing by Frank that serves as a prequel to their 2021 miniseries of the same name.[73] Set in a post-apocalyptic future, the book centers upon a man named Tariq Geiger[74][75] who lost his family and his humanity in a nuclear war, when he was transformed into the Glowing Man, a being who can absorb radiation but struggles to contain it.[74] Ground Zero would be followed by an ongoing Geiger series.[71][73]

Film

[edit]
Johns speaking at the 2017 WonderCon to promote DC Comics film projects

Johns served as a co-producer and creative consultant for the 2011 Green Lantern film directed by Martin Campbell and starring Ryan Reynolds.[76]

Johns was an executive producer on the 2016 film Batman v Superman: Dawn of Justice.[77] Following negative critical reception to the film, Johns and Jon Berg were named to jointly run the DC Extended Universe and a newly established Warner Bros. division, DC Films, in May 2016.[78] They served as producers on the 2017 film Justice League.[79] Johns also co-wrote the story for Aquaman with James Wan and Will Beall, co-wrote the story for Green Lantern Corps with David S. Goyer and co-wrote Wonder Woman 1984 with Patty Jenkins and David Callaham.[80][81][82] In January 2018, after Justice League underperformed at the box office, Jon Berg was replaced by Walter Hamada as the head of DC Films, with Johns still working "closely" with Hamada on future productions.[83][84][85]

Television

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"Recruit", a 2005 episode of the Superman prequel series Smallville, on which Johns's studio mate Jeph Loeb was a writer–producer, featured a villain by the name of Geoff Johns. In 2008, Johns wrote "Legion", the eleventh episode of the eighth season, in which he introduced the three core members of the Legion of Super-Heroes.[86] At the 2009 San Diego Comic-Con, he announced that he was writing another Smallville episode, titled "Society", based on the Justice Society of America. The success of his first episode and the ambitious nature of his follow-up episode enabled the producers to transform it into a two-part story, which subsequently aired as a feature-length episode titled "Absolute Justice".[87]

In 2006, Johns co-wrote the story for the Justice League Unlimited episode "Ancient History", which starred Green Lantern, Hawkgirl, Hawkman, Shadow Thief, and Vixen.

Johns and David S. Goyer co-wrote the pilot for the Spike TV drama Blade, which premiered in June 2006. Johns served as one of the writing staff on the television show. Later that year, Johns teamed up with Matthew Senreich of Robot Chicken fame to write the screenplay for a holiday family-friendly movie titled Naughty or Nice for Dimension Films. Johns and Senreich are billed as directors of the movie, with actor/producer Seth Green set to provide a lead voice as well as serving as voice director on the film. This association led to Johns contributing material to the fourth season of Robot Chicken.[88]

In 2012, Johns joined The CW's Green Arrow origin series Arrow, as a writer. He first contributed to the first-season episode "Muse of Fire", which served as the introduction of The Huntress, the teleplay for which he co-wrote with executive producer Marc Guggenheim from a story by co-creator Andrew Kreisberg. Later in the season, Johns wrote the sixteenth episode, "Dead to Rights". The episode was directed by frequent Johns collaborator Glen Winter.[89]

On July 30, 2013, it was announced at the summer TCA tour that Johns and Arrow co-creators Kreisberg and Greg Berlanti would be introducing Barry Allen in the second season of the show, with the potential of a spin-off for the character with the 20th episode acting as a backdoor pilot.[90] CW executives were so pleased with the handling of the character that they forwent the backdoor pilot, in favor of a full-fledged version.[91] In May 2014, The Flash was picked up to series, to premiere later that year.[92] Johns serves as co-developer and executive producer. He co-wrote, with Kai Yu Wu, the episodes "Going Rogue", which introduces the villain Leonard Snart/Captain Cold to the series, and "Revenge of the Rogues", which brought the rogue Heat Wave to the series fully after being introduced off screen in "Going Rogue".

In a July 2015 interview, Johns said he was collaborating with Reginald Hudlin and Denys Cowan on a live-action digital Static series from DC and Warner Bros. Blue Ribbon division.[93]

Kreisberg, a producer on the TV series Supergirl, credits Johns with the idea that Hank Henshaw was really Martian Manhunter during production of that series' pilot in 2015.[94]

In July 2018, Johns announced that he would be writing and executive-producing a DC Universe television series about Courtney Whitmore, a character that he created, titled Stargirl.[95] The series premiered in May 2020.[96]

In April 2020, it was reported that Johns is to produce a series based on Green Lantern for HBO Max.[97]

In October 2022, it was announced that Paramount Television Studios would develop a TV adaptation of Geiger from Johns and Justin Simien, with Johns writing the pilot, serving as showrunner, and executive producing along with Jamie Iracleanos for Mad Ghost Productions, and Gary Frank.[98]

Personal life

[edit]

Johns' younger sister, Courtney, was a victim of the TWA Flight 800 crash. The DC Comics superheroine Courtney Whitmore/Stargirl, whom Johns created, is based on her.[99]

In a 2010 interview, Johns named Steve McNiven as an artist he would like to collaborate with, J. Michael Straczynski's run on Thor as his then-favorite ongoing comic book.[7]

Johns is a comic book retailer[100] who co-owns Earth-2 Comics in Northridge, California.[7]

Selected bibliography

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Filmography

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Films

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See also: Category:Films based on works by Geoff Johns
Year Title Credited as Notes
Writer Producer
1997 Conspiracy Theory No No Assistant to Richard Donner, as Geoffrey Johns
Double Tap Assistant to Mills Goodloe and Alex Collet
1998 Lethal Weapon 4 Assistant to Richard Donner
2011 Green Lantern: Emerald Knights Yes Two segments
Green Lantern No Yes
2013 Justice League: The Flashpoint Paradox Executive
2016 Batman v Superman: Dawn of Justice
Suicide Squad No Additional photography/ reshoots[101]
2017 Wonder Woman Uncredited
Justice League No
2018 Aquaman Story Wrote story with James Wan and Will Beall
2019 Shazam! No
2020 Birds of Prey
Wonder Woman 1984 Yes Wrote screenplay with Patty Jenkins and David Callaham, story with Patty Jenkins
2022 Black Adam No
2023 Shazam! Fury of the Gods
The Flash Uncredited No Additional literary material[102]

Television

[edit]
Year Title Credited as Notes
Writer Producer
2005–2006 Justice League Unlimited Yes No 1 episode
2006 Blade Consulting Writer (4 episodes), consulting producer (12 episodes)
2008–2009 Robot Chicken No 5 episodes
2009 Titan Maximum Story Yes Story by (8 episodes), co-producer (9 episodes)
2009–2011 Smallville Yes No Writer (3 episodes), actor (1 episode)
2010 Robot Chicken: Star Wars Episode III
2012 Robot Chicken DC Comics Special Executive
Metal Hurlant Chronicles No 1 episode
2012–2014 Arrow 5 episodes
2014 Robot Chicken DC Comics Special 2: Villains in Paradise Executive
2014–2018 The Flash No Developed with Greg Berlanti and Andrew Kreisberg
Writer (4 episodes)
2015 Robot Chicken DC Comics Special III: Magical Friendship
2018–2023 Titans Executive Created with Akiva Goldsman and Greg Berlanti
Writer (5 episodes)
2019–2023 Doom Patrol No
2019–2022 Batwoman
2020–2022 Stargirl Yes Also creator and showrunner
Writer (4 episodes)
2021–2024 Superman & Lois No

Awards and recognition

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References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Geoff Johns

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Geoff Johns (born January 25, 1973) is an American comic book writer, screenwriter, and television producer best known for his influential work revitalizing DC Comics characters such as Green Lantern, Aquaman, the Flash, and Superman through acclaimed series and major crossover events like Blackest Night and Infinite Crisis.[1][2] Born in Detroit, Michigan, Johns graduated from Michigan State University, where he studied media arts, screenwriting, film production, and film theory.[2][3] After relocating to Los Angeles to pursue opportunities in the entertainment industry, he entered the comics field while working on a film set in New York, debuting as a writer with the DC series Stars and S.T.R.I.P.E. in 1999, which introduced his co-created character Stargirl.[3][2] Johns gained prominence with his extended runs on The Flash (2000–2005) and Green Lantern (2004–2013), including the miniseries Green Lantern: Rebirth that reintroduced the character Hal Jordan and launched the expansive Sinestro Corps War mythology.[4][5] His work on Aquaman for the New 52 initiative (2011–2016), co-created with artist Ivan Reis, transformed the character from a punchline into a cornerstone of DC's lineup by exploring Atlantis and Arthur Curry's dual heritage.[4] He also penned key stories for the Justice League, Teen Titans, Justice Society of America, and Superman, contributing to company-wide narratives such as Infinite Crisis (2005–2006), the weekly series 52 (2006–2007), and Brightest Day (2010–2011).[2][6] From 2010 to 2018, Johns served as Chief Creative Officer at DC Entertainment, overseeing creative direction for comics, films, and television before stepping down to focus on writing and producing under a deal with Warner Bros.[7][8] In his producing role, he has executive produced DC films including Wonder Woman (2017), Aquaman (2018), and Shazam! (2019), as well as television series such as the CW's Stargirl (2020–2022), which he co-developed and which adapts his comic work.[3][1] In 2023, Johns co-founded the comic book publishing imprint Ghost Machine in partnership with Image Comics, launching a shared superhero universe with titles including Geiger and Redcoat.[9] Johns' contributions have earned him industry accolades, including the 2010 Spike TV Scream Award for Best Comic Book Writer for his work on Blackest Night and Brightest Day.[10]

Early life

Family and childhood

Geoff Johns was born on January 25, 1973, in Detroit, Michigan, to parents Barbara and Fred Johns.[11] He has two siblings, including a younger sister named Courtney.[12] Of half-Lebanese descent through his father, Johns spent his early years in the Detroit area suburbs.[13] During his childhood, Johns developed a passion for comics after he and his brother discovered an old box of issues in their grandmother's attic, containing Silver Age titles such as The Flash, Wonder Woman, and Superman from the 1950s and 1960s.[14] This find sparked his lifelong interest in storytelling through sequential art, as the vibrant adventures and heroic narratives captivated the young brothers and encouraged their imaginative play. Johns has recalled how these comics, combined with Saturday morning cartoons like Challenge of the Super Friends, shaped his early creative pursuits and appreciation for ensemble dynamics in fiction.[15] A profound family tragedy occurred in 1996 when Johns' sister, Courtney Elizabeth Johns, died at age 18 in the explosion of TWA Flight 800 off the coast of Long Island, New York, en route to a tennis program in France.[16] The incident, which killed all 230 aboard, deeply affected Johns, motivating much of his later emphasis on themes of loss, family bonds, and resilience in his writing.[17]

Education and early influences

Johns attended Clarkston High School in Clarkston, Michigan, graduating in 1991.[18] He then enrolled at Michigan State University, where he earned a bachelor's degree in media studies in 1995, concentrating on screenwriting, film production, and film theory.[2][3] The death of his sister in the 1996 TWA Flight 800 disaster fueled his drive toward creative storytelling as a means of processing grief and honoring personal connections.[16] After graduating, Johns moved to Los Angeles and took on unpaid internships and assistant roles in Hollywood, most notably serving as an assistant to filmmaker Richard Donner during production on films including Lethal Weapon 4 and Conspiracy Theory.[2] These early positions immersed him in professional set environments and honed his understanding of narrative development, laying the groundwork for his transition into writing for comics and media.[3]

Comics career

Entry into the industry

Johns entered the comics industry in 1997 after moving to New York for work on the film Conspiracy Theory, during which he visited DC Comics offices unannounced to pitch ideas and showcase his screenwriting portfolio. Despite initial rejections from editors who encouraged him to focus on comics rather than film scripts, his persistence led to a position as an assistant to Jenny Kato, who served as executive Jenette Kahn's assistant at DC.[15] His educational background in media arts and screenwriting from Michigan State University proved instrumental in honing his scripting skills, which he adapted to comic formats during this early phase. While assisting at DC, Johns continued pitching stories, drawing from personal experiences, including the 1996 death of his sister Courtney in the TWA Flight 800 disaster, to develop concepts centered on family and heroism. This breakthrough came with his first published miniseries, Stars and S.T.R.I.P.E. (1999–2000), co-created with artist Lee Moder and inked by Dan Davis, featuring teenager Courtney Whitmore as the new Star-Spangled Kid teaming up with her stepfather Pat Dugan as S.T.R.I.P.E. The series directly honored his late sister, incorporating her name and spirited personality into the lead character.[3][19][20] Building on this debut, Johns contributed to JSA starting with its inaugural issues in 1999, co-writing the launch alongside James Robinson to revive the Justice Society of America with a focus on legacy and intergenerational dynamics. In 2000, he began his run on The Flash (vol. 2) from issue #164, collaborating closely with artist Scott Kolins to explore Wally West's challenges as a maturing speedster facing personal and villainous threats. These early assignments, amid ongoing pitches and revisions, highlighted Johns' tenacity as a newcomer navigating rejections while forging key artistic partnerships that shaped his distinctive narrative style emphasizing emotional depth and character-driven action.[15]

Key DC Comics runs and events

Geoff Johns' tenure at DC Comics is marked by transformative runs on flagship titles and sprawling events that redefined core elements of the DC Universe, building on the momentum from his acclaimed Justice Society of America series in the early 2000s, which revitalized the Golden Age team and established him as a key architect of DC's shared continuity.[21] Johns revitalized Green Lantern from 2004 to 2013, beginning with the Green Lantern: Rebirth miniseries that restored Hal Jordan as the central hero after his controversial Parallax arc, reestablishing the Green Lantern Corps as a galactic peacekeeping force powered by willpower. This run expanded the mythos with the introduction of the emotional spectrum, culminating in the Sinestro Corps War (2007-2008), a crossover event where former Green Lantern Sinestro formed a yellow fear-based corps to challenge the Greens, leading to an intergalactic conflict that reshaped the Lantern lore and elevated the series to bestseller status.[22][23] In 2005-2006, Johns co-wrote the universe-altering Infinite Crisis event series alongside creators like Grant Morrison, serving as a sequel to Crisis on Infinite Earths and addressing lingering multiversal inconsistencies by reintroducing surviving heroes from the original Crisis, exploring themes of heroism's flaws, and culminating in a rebooted DC timeline that integrated disparate continuities more cohesively. This paved the way for further cosmic expansions, including Blackest Night (2009-2010), a massive crossover where the black power of death animated fallen heroes as undead Black Lanterns, forcing the emotional spectrum corps to unite against Nekron's apocalypse and solidifying Johns' influence on the Lantern saga.[24][25] Johns spearheaded the New 52 initiative with his Justice League run from 2011 to 2016, co-creating a modern origin for the team in the post-Flashpoint reality and featuring crossovers like Throne of Atlantis, where Aquaman's brother Ocean Master declares war on the surface world, forging key alliances and highlighting Johns' focus on character-driven epics. His 2011 Flashpoint miniseries depicted Barry Allen altering the timeline to save his mother, resulting in a warped DC Universe that necessitated the New 52 reboot, while Doomsday Clock (2017-2019) integrated the Watchmen universe into DC's, examining Superman's role in a cynical world and restoring multiversal elements through time manipulations. Throughout these works, Johns created enduring characters such as Stargirl (Courtney Whitmore) in Stars and S.T.R.I.P.E. #0 (1999), the modern Reverse-Flash (Eobard Thawne's reimagined obsessive nemesis to Barry Allen in The Flash: Rebirth), and Pandora in Flashpoint #5, a immortal figure tied to the New 52's origins and the unleashing of its altered reality.[26][27][28][29][30][31]

Executive positions at DC

In 2010, Geoff Johns was promoted to Chief Creative Officer (CCO) of DC Entertainment, a newly formed division aimed at overseeing the company's comics, animation, and multimedia initiatives.[32][33] In this role, Johns guided the creative strategy across DC's publishing and entertainment properties, drawing on his background as a prominent writer to align storytelling with broader media adaptations.[34] By 2016, Johns advanced to President and CCO of DC Entertainment, expanding his responsibilities to include coordination of film and television projects in collaboration with Warner Bros.[35][36] This promotion occurred amid a reorganization of DC's film division, where Johns co-led efforts with Warner Bros. executive Jon Berg to develop a cohesive shared universe strategy for DC properties on screen.[37][35] A key initiative under Johns' leadership was the 2016 DC Rebirth relaunch, which he spearheaded through the one-shot DC Universe: Rebirth special issue.[38] This event restored elements from the pre-Flashpoint continuity, addressing fan concerns about prior reboots while revitalizing ongoing series.[39] The relaunch significantly boosted sales, with DC Comics achieving record-breaking figures in July 2016—capturing the top market share for the first time in three years—and contributing to industry-wide highs not seen in two decades.[40][39][41] Johns' collaboration with Warner Bros. extended to shaping the DC Extended Universe's narrative framework prior to 2018, including oversight of projects like Wonder Woman and Justice League to ensure alignment with comic book lore.[37][35] In June 2018, Johns stepped down from his executive positions at DC Entertainment to pursue writing and producing full-time, entering into a first-look deal with Warner Bros. that allowed him to focus on creative projects across comics, film, and television.[7][34][8]

Post-DC comics work

Following his departure from executive roles at DC Entertainment in June 2018, Geoff Johns maintained an active writing presence with the publisher, focusing on character-driven stories that built on his prior contributions to the DC Universe.[42] Johns launched the Shazam! ongoing series in late 2018, reuniting with artist Dale Eaglesham for the monthly title that debuted in 2019. The Shazam! series (2019–2020), spanning 15 issues, centered on Billy Batson and the extended Captain Marvel family navigating the mystical Seven Magic Lands, emphasizing themes of family, wonder, and heroism amid threats from the magical realms.[43] This run modernized the characters' lore while tying into broader DC events, concluding with collected editions that highlighted Johns' emphasis on optimistic, ensemble storytelling.[44] In 2020, Johns wrote the acclaimed three-issue miniseries 3 Jokers, delving into the multiple incarnations of Batman's arch-nemesis.[45] In 2022, Johns expanded on the Shazam family and Golden Age heroes through the oversized one-shot The New Golden Age, which unraveled mysteries spanning DC's heroic history from the 1940s onward.[46] Featuring art by multiple collaborators including Jerry Ordway and Steve Lieber, the issue served as a narrative bridge to a relaunched Justice Society of America series (2022–2023), where Johns explored the Captain Marvel family's role in multigenerational conflicts against threats like the Injustice Society.[47] This project underscored Johns' ongoing interest in legacy characters and the interconnected DC timeline. Johns also contributed to DC's larger event initiatives during this era, including story elements in the 2021 Future State preview of potential futures.[48] His involvement helped weave threads from earlier works like DC Universe: Rebirth into these narratives, maintaining continuity across the publisher's output.[49] A notable final DC project was Justice League Incarnate (2021–2022), a multiverse-spanning miniseries co-written by Johns that defended infinite Earths from existential threats, capping his direct ties to the publisher's core titles.[50] Post-2018, Johns began shifting toward creator-owned concepts, debuting Geiger in 2021 at Image Comics with artist Gary Frank; this post-apocalyptic series followed a nuclear-powered hero in a irradiated American West, signaling his pivot to independent storytelling ahead of new imprints.[51]

Film and television career

Screenwriting and production in films

Geoff Johns entered the film industry as a key figure in adapting DC Comics properties for the screen, particularly within the DC Extended Universe (DCEU), where he served in roles ranging from screenwriter and story creator to producer and consultant.[1] Johns contributed to the 2011 film Green Lantern as co-producer and creative consultant, drawing on his acclaimed comic book run on the character to help shape the project's development and ensure fidelity to the source material.[1] His involvement helped guide the adaptation of Hal Jordan's origin story, though the screenplay was ultimately credited to Greg Berlanti, Michael Green, Marc Guggenheim, and Michael Goldenberg. Johns served as executive producer and co-wrote the story for Batman v Superman: Dawn of Justice (2016), contributing to the narrative integration of DC's trinity of Superman, Batman, and Wonder Woman. He also acted as executive producer on Suicide Squad (2016), overseeing the adaptation of the ensemble anti-hero team. He was executive producer on Wonder Woman (2017), providing creative input that helped launch the character's successful solo film. In Aquaman (2018), Johns co-wrote the story alongside director James Wan and screenwriter Will Beall, incorporating elements from his comic book storyline Throne of Atlantis, which influenced the film's depiction of Arthur Curry's underwater heritage and conflicts.[52] He also served as an executive producer on the project, which grossed over $1.1 billion worldwide and marked a commercial success for the DCEU. For Justice League (2017), Johns acted as executive producer and provided uncredited contributions during the film's extensive reshoots in London, where he was on-site to assist with revisions, including enhancements to Cyborg's narrative arc based on his comics work.[53] These efforts aimed to align the ensemble film more closely with the interconnected DCEU vision he helped architect.[36] Johns continued his producing role with Shazam! (2019), serving as executive producer and overseeing the adaptation of the Captain Marvel/Shazam character from his comic book revivals, contributing to the film's lighthearted tone and family-oriented themes.[34] The movie earned critical praise for its humor and received a sequel greenlight. He expanded his screenwriting credits on Wonder Woman 1984 (2020), co-writing the screenplay with director Patty Jenkins and Dave Callaham, while also producing; the script explored Diana Prince's 1980s-era adventures, incorporating mythological elements from Johns' broader DC contributions.[54] The film faced delays due to the COVID-19 pandemic but highlighted Johns' focus on character-driven superhero narratives. Throughout the 2010s, Johns developed unproduced projects for the DCEU, including a story treatment for a The Flash film that was expanded into a screenplay by Dan Mazeau, positioning him as a producer; this version emphasized Barry Allen's speedster lore from his comics but was ultimately shelved amid shifting studio priorities.[55] In November 2025, Atlas Entertainment and Ghost Machine announced a deal for a feature film adaptation of Redcoat, the comic series written by Johns, with Johns expected to be involved in writing and producing given his role with Ghost Machine.[56]

Involvement in television

Johns began his television career in the early 2000s as a consulting producer on the WB/CW series Smallville (2001–2011), where he contributed to the adaptation of DC Comics characters into a serialized drama format. He wrote several episodes, including the two-part "Absolute Justice" (2010), which introduced the Justice Society of America and earned praise for its faithful yet innovative take on Golden Age heroes, and "Booster" (2011), featuring Blue Beetle. These contributions helped integrate comic lore into the show's mythology, influencing its later seasons. In 2012, Johns expanded his role as an executive producer on Arrow (2012–2020), co-developing the series alongside Greg Berlanti and Andrew Kreisberg to launch the Arrowverse, a shared universe of DC television properties. He also served as executive producer and co-developer on The Flash (2014–2023), co-writing key episodes such as "Going Rogue" (2014), which introduced Captain Cold, and contributing to the structure of major crossovers like "Crisis on Infinite Earths" (2019–2020) that connected multiple series.[57] His oversight ensured consistency in character portrayals and event storytelling across the franchise, which grew to include over a dozen shows. Johns co-developed and executive produced Titans (2018–2023) and Doom Patrol (2019–2023), contributing to the expansion of the DC Universe streaming service's live-action lineup with darker, character-focused adaptations of Teen Titans and the misfit superhero team. He also created and executive produced Batwoman (2019–2022), integrating the character into the Arrowverse. Johns co-created, executive produced, and served as showrunner for DC's Stargirl (2020–2023) on DC Universe and The CW, adapting his own comic series Stars and S.T.R.I.P.E. into a live-action story centered on teen hero Courtney Whitmore.[58] The series emphasized family dynamics and legacy heroes, reviving the Justice Society while running for three seasons before concluding amid DC's streaming shifts.[59] He also executive produced Superman & Lois (2021–2024), providing creative guidance on its grounded portrayal of the iconic couple as parents, though day-to-day showrunning was handled by Todd Helbing.[60] Post-2020, Johns developed a Green Lantern live-action series for HBO Max under his Mad Ghost Productions banner, focusing on multiple Lanterns including Hal Jordan, John Stewart, Guy Gardner, and Jessica Cruz in a prestige drama format.[61] The project advanced to scripting but was canceled in January 2023 as part of Warner Bros. Discovery's content reevaluation.[62] This marked his shift toward HBO Max's adult-oriented DC projects before the platform's broader DCU integration.[63]

Other professional ventures

Founding of Ghost Machine

In October 2023, Geoff Johns co-founded Ghost Machine, a creator-owned comics imprint, alongside collaborators including Ivan Reis, Gary Frank, Jason Fabok, Bryan Hitch, and Francis Manapul, with distribution handled through Image Comics.[64][65] The company was officially launched at New York Comic Con, marking it as the first cooperative media venture of its kind in the industry, where creators retain full equity and control over their intellectual properties.[64][66] Ghost Machine's mission centers on building interconnected shared universes across genres such as superheroes, horror, and science fiction, emphasizing collaborative storytelling while ensuring creator ownership from inception.[64][67] This approach draws briefly from Johns' prior experience architecting DC Rebirth's expansive narrative framework at DC Comics, adapting it to prioritize independent creator equity.[68] The imprint aims to innovate beyond traditional superhero tropes, fostering bold, genre-blending stories that allow for multimedia expansion while keeping creative decisions in the hands of the founding team.[69] The imprint's initial release was the 64-page one-shot Ghost Machine #1 in January 2024, which introduced key characters and teased the interconnected universes through short stories spanning sci-fi, horror, and action elements.[64][69] This was followed in April 2024 by the debut of its flagship ongoing series: Geiger (written by Johns with art by Gary Frank), Redcoat (by Johns and Bryan Hitch), and Rook: Exodus (by Johns and Jason Fabok), each exploring distinct yet linked worlds within the shared framework.[70][69] By October 2024, Ghost Machine expanded into horror with the launch of the Hyde Street line, a Twilight Zone-inspired anthology series co-created by Johns and Ivan Reis, focusing on interconnected tales of the supernatural and the macabre.[71] Complementing this, the one-shot It Happened on Hyde Street: Devour, written by Maytal Zchut with art by Leila Leiz, debuted as the line's inaugural horror entry, delving into themes of body horror and psychological dread tied to the broader universe.[72][73] In 2025, Ghost Machine continued to expand with the announcement of new series including First Ghost, co-written by Johns, Brad Meltzer, and illustrated by Gene Ha, set to launch later in the year.[74] The Rook: Exodus series returned with a new story arc in October 2025.[75] Additionally, in November 2025, Atlas Entertainment and Ghost Machine secured a deal to develop a feature film adaptation of the Redcoat series.[76]

Additional producing and entrepreneurial efforts

In 2018, Geoff Johns established Mad Ghost Productions as his independent production company, securing an exclusive first-look deal with Warner Bros. for the development of film and television projects. This arrangement enabled him to write, produce, and oversee content creation across various formats, marking a significant entrepreneurial shift following his departure from executive roles at DC Entertainment.[7][34] Through Mad Ghost Productions, Johns has focused on expanding his creative output into multimedia ventures, leveraging the first-look agreement to prioritize original intellectual properties and collaborative storytelling opportunities. The company operates from Los Angeles and emphasizes innovative production models that support writer-driven narratives. As of 2025, the deal continues to underpin Johns' producing activities, allowing him to maintain a portfolio of ongoing developments in film and television.[77][78] Johns' entrepreneurial efforts via Mad Ghost Productions highlight his commitment to bridging comic book influences with broader entertainment ecosystems, fostering environments for emerging talent and diverse project pipelines outside traditional studio constraints. This venture represents a key pillar of his post-DC career, emphasizing sustainability and creative autonomy in the industry.[3]

Personal life

Family and relationships

Geoff Johns was born on January 25, 1973, in Detroit, Michigan, to parents Barbara and Fred Johns, with his father of Lebanese descent. He grew up in the suburbs near Grosse Pointe Woods alongside his younger sister, Courtney, fostering a close-knit family environment during his childhood.[13] The family bonds strengthened significantly following the tragic loss of Courtney Johns, who was killed at age 18 in the 1996 TWA Flight 800 explosion while traveling to France for a foreign exchange program. Johns has described this event as a profound family milestone, noting the unwavering support from his parents during the grieving process, which helped him navigate the early stages of his career in Hollywood and comics.[17][19] Johns maintains strict privacy regarding his current immediate family and relationships, with few public details available about his marriage or children. Reports indicate he married in the 2010s and has at least one child born that decade, though exact dates and further personal disclosures remain private. This discretion extended to his demanding role as DC Entertainment's Chief Creative Officer from 2010 to 2018, where family life reportedly influenced his emphasis on work-life balance amid executive responsibilities.[14][79]

Philanthropy and influences on work

Following the tragic loss of his sister Courtney in the 1996 TWA Flight 800 disaster, Geoff Johns established the Courtney Johns Memorial Scholarship that year to support an endowment fund aiding young women in their educational pursuits.[17][80] This initiative reflects Johns' commitment to honoring her memory through efforts promoting empowerment and opportunity for youth.[81] Johns has actively partnered with major comic industry charities, including serving as a key figure in DC Entertainment's We Can Be Heroes campaign launched in 2012, which raised funds and awareness for the hunger crisis in the Horn of Africa through superhero-themed initiatives involving creators and fans.[82][83] He has also contributed to broader philanthropic efforts at events like Comic-Con International, supporting programs that advance youth literacy and access to comics as educational tools.[84] During the COVID-19 pandemic in 2020-2021, Johns participated in the Creators4Comics auction, offering items to raise over $430,000 for the Book Industry Charitable Foundation to aid struggling comic retailers and industry workers.[85][86] The personal impact of his family's loss profoundly shaped Johns' creative output, infusing themes of hero-family dynamics, resilience, and emotional recovery into series such as JSA—where Stargirl debuted as a tribute to his sister—and Shazam!, emphasizing found families and overcoming grief.[87][88] Johns has connected these motifs to his experiences of love intertwined with loss, noting how the death of his 18-year-old sister, when he was 23, influenced explorations of rage, hope, and familial bonds in his storytelling.[87] In the 2020s, he has shared insights on mental health and resilience through convention appearances and interviews, drawing from these personal influences to discuss the therapeutic role of narrative in processing trauma.[81][89]

Awards and honors

Comic book accolades

Geoff Johns has received several notable accolades for his comic book writing, particularly during his tenure at DC Comics in the 2000s and 2010s. In 2002, he earned the Wizard Fan Award for Breakout Talent for his work on The Flash, marking his early rise as a prominent writer in the industry.[2] He followed this with consecutive Wizard Fan Awards for Best Writer in 2005, 2006, 2007, and 2008, recognizing his contributions to series such as Infinite Crisis, Green Lantern: Rebirth, and 52.[2] In 2010, Johns was honored with the Scream Award for Best Comic Book Writer, awarded by Spike TV for his overarching influence on DC's superhero narratives, including the Blackest Night event.[90] That same year, he received multiple nominations at the Will Eisner Comic Industry Awards, including for Best Writer for works like Blackest Night, The Flash: Rebirth, and Superman: Secret Origin, as well as a nomination for Best Limited Series for Blackest Night alongside artist Ivan Reis.[91][92] Johns's Justice League series, which he wrote starting in 2011 as part of DC's New 52 initiative, achieved significant commercial success, with issue #1 becoming the best-selling comic book of the year according to Diamond Comic Distributors data.[93] This run not only revitalized the flagship team title but also contributed to DC's market dominance in the early 2010s, with consistent high sales reflecting his ability to drive mainstream appeal for superhero comics.[2]

Film and television recognition

Aquaman (2018), for which Johns received story credit, was nominated for Best Comic-to-Motion Picture Release at the 45th Saturn Awards in 2019.[94] Similarly, Shazam! (2019), on which Johns served as a producer, received nominations including Best Fantasy Film at the 46th Saturn Awards in 2020. Johns's Justice League series, which he wrote starting in 2011 as part of DC's New 52 initiative, achieved significant commercial success, with issue #1 becoming the best-selling comic book of the year according to Diamond Comic Distributors data.[93] This run not only revitalized the flagship team title but also contributed to DC's market dominance in the early 2010s, with consistent high sales reflecting his ability to drive mainstream appeal for superhero comics.[2]

References

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  2. Geoff Johns - DC Comics
  3. Geoff Johns | MSU College of Communication Arts & Sciences
  4. Discovering Aquaman Through Geoff Johns' Iconic Run - DC Comics
  5. 'Rebirth': Geoff Johns Talks About Bringing Hope Back to the DC ...
  6. Journey Through Atlantis: A Look Back at Geoff Johns' Aquaman | DC
  7. Geoff Johns To Step Down As DC Chief Creative Officer - Deadline
  8. Geoff Johns Exits DC Entertainment President, Chief Creative Officer
  9. Geoff Johns Interview GREEN LANTERN, Green Lantern 2, DC ...
  10. Geoff Johns - Biography - IMDb
  11. Courtney Elizabeth “Court” Johns (1978-1996) - Find a Grave
  12. Geoff Johns - Ethnicity of Celebs | EthniCelebs.com
  13. Geoff Johns - Age, Family, Bio | Famous Birthdays
  14. An Interview with Geoff Johns - Fanboy Planet
  15. 'Stargirl' based on creator/showrunner Geoff Johns' beloved sister
  16. SUPER TRIBUTE FOR SUPER TEEN – WRITER'S COMIC-BOOK ...
  17. Clarkston native forms new comic book company Ghost Machine
  18. DC's Geoff Johns Shares the Personal Story Behind Stargirl Series
  19. JSA PRESENTS: STARS AND S.T.R.I.P.E VOL. 1 - DC Comics
  20. Geoff Johns exclusive to DC with 3-year deal - CBR
  21. GREEN LANTERN BY GEOFF JOHNS OMNIBUS VOL. 1 - DC Comics
  22. GREEN LANTERN BY GEOFF JOHNS BOOK THREE - DC Comics
  23. INFINITE CRISIS - DC Comics
  24. BLACKEST NIGHT - DC Comics
  25. JUSTICE LEAGUE #1 - DC Comics
  26. JUSTICE LEAGUE VOL. 3: THRONE OF ATLANTIS - DC Comics
  27. FLASHPOINT | DC
  28. DOOMSDAY CLOCK: THE COMPLETE COLLECTION - DC Comics
  29. Stargirl by Geoff Johns | DC Comics Issue - DC Universe Infinite
  30. THE FLASH (2010) #8 - DC Comics
  31. DC ENTERTAINMENT NAMES EXECUTIVE TEAM
  32. DC Entertainment Names Executive Team - Deadline
  33. Geoff Johns Exits DC Entertainment for Writing and Producing Deal ...
  34. Geoff Johns Promoted to President of DC Entertainment - Variety
  35. Geoff Johns Confirmed as DC Entertainment President
  36. Warner Bros Responding To Fans & Critics With DC Films Shakeup
  37. DC ENTERTAINMENT REVEALS FIRST DETAILS OF “REBIRTH ...
  38. DC Comics' 'Rebirth' brings new life — and huge sales
  39. 2016 Comic Book Sales to Comics Shops - Comichron
  40. How DC Comics Scored Its Biggest Win in Years With 'Rebirth'
  41. Geoff Johns Out as DC Entertainment President - TheWrap
  42. GEOFF JOHNS ANNOUNCES STARGIRL SERIES FOR DC ...
  43. New Shazam! Comic Series Announced - Comic-Con 2018 - IGN
  44. https://ew.com/books/2018/12/04/geoff-johns-shazam-bigger-spotlight-page-screen/
  45. THE NEW GOLDEN AGE #1 - DC Comics
  46. Justice Society of America Vol. 1: The New Golden Age - Amazon.com
  47. Who's Who in the Multiverse-Spanning Justice League Incarnate | DC
  48. The DC Omniverse - Continuity Changes In 2021, After Future State
  49. Amazon.com: Justice League Incarnate
  50. Geoff Johns Moves to Image Comics for 'Geiger'
  51. Aquaman Writers on Black Manta and Deleted Scenes - Collider
  52. Justice League Reshoots: Geoff Johns Is In London
  53. Wonder Woman 1984 (2020) - Moria Reviews
  54. Geoff Johns to Produce/Co-Write "Flash" - CBR
  55. Andrew Kreisberg and Geoff Johns Talk FLASH CW Show - Collider
  56. The CW | DC's Stargirl
  57. Geoff Johns To Write & Produce 'Stargirl' Series For DC Universe
  58. Talent Name Geoff Johns - Superman & Lois - CW Press
  59. Geoff Johns Producing Green Lantern HBO Max Series
  60. Green Lantern [HBO Max] - IGN
  61. James Gunn Responds To Claim HBO Max's Green Lantern Series ...
  62. Ghost Machine, First-of-its-Kind Creator-Owned and Cooperative ...
  63. A Comic Book Upstart Seeks to Shake Up the Industry
  64. Ghost Machine, First-of-Its-Kind Creator Co-Owned, Cooperative ...
  65. Geoff Johns, Brad Meltzer, Francis Manapul, Bryan Hitch + more ...
  66. Geoff Johns dishes on the machinations of DC and his future with ...
  67. Ghost Machine: Behind the Comic Industry's Biggest Shake-Up in ...
  68. GHOST MACHINE | Image Comics
  69. Hyde Street Gets Double Vision in Ghost Machine October 2024 ...
  70. https://imagecomics.com/press-releases/image-ghost-machines-it-happened-on-hyde-street-devour-sells-out-today-first-day-of-release
  71. It Happened on Hyde Street: Devour #1 review - AIPT
  72. Geoff Johns - Creator/Writer/Producer/Showrunner at Ghost Machine
  73. Mad Ghost Productions | Film & Television Industry Alliance
  74. https://www.alchetron.com/Geoff-Johns
  75. Scholarship - courtney elizabeth johns
  76. 'Stargirl' Showrunner Geoff Johns Shares The Hidden Story Behind ...
  77. DC Entertainment Launches 'We Can Be Heroes' Charity Fundraiser ...
  78. We Can Be Heroes -- Geoff Johns Thank You - YouTube
  79. We Can Be Heroes campaign gives back to comic-book fans
  80. Comic Creators Launch Twitter Auctions to Support Comic Book ...
  81. Comic store benefit raises $430000 in five days for coronavirus relief
  82. https://www.comicsalliance.com/geoff-johns-explores-the-emotional-corps-of-blackest-night/
  83. After Justice League and Aquaman, Geoff Johns returns with his ...
  84. Geoff Johns Breaks Down that Tribute to His Sister in Stargirl's ...
  85. Geoff Johns Biography | Booking Info for Speaking Engagements
  86. Eisner Award nominees announced - AV Club
  87. 2010 Eisner Award winners announced - Digital Spy
  88. Inside the numbers: JUSTICE LEAGUE # 1 is officially ... - DC Comics
  89. Aquaman (2018) - Awards - IMDb
  90. 37th Annual GLAAD Media Awards Nominees
  91. Producers Guild of America Awards Celebrates Everything ...
  92. Geoff Johns - Producer • Executive • Comic Book Writer - TV Insider
  93. SDCC 2018: Geoff Johns Spotlight Panel - ComicBook.com
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