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List of Moomin characters
List of Moomin characters
from Wikipedia

Some of the many Moomin characters. From left to right, Sniff, Snufkin, Moominpappa, Moominmamma, Moomintroll (Moomin), Mymble, Groke, Snork Maiden and Hattifatteners.

A large number of characters appear in the Moomin series by Swedish-speaking Finnish writer Tove Jansson. The original Swedish names are given with the etymologies and word associations suggested by Yvonne Bertills in her 2003 dissertation.[1]

Main characters

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Moomintroll

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Moomintroll.

Moomintroll (Swedish: Mumintrollet – invented mumin + troll, "troll"; also simply Moomin) is the protagonist of most of the books.[2]

In the cartoon strip Moomintroll finds himself beset by endless problems. He is a "moomin" – a little white troll with a hippopotamus-like big round snout.[3]

Moomin is very close with Snorkmaiden. They have a very sweet and romantic relationship in the early books.[4] However, later on he and Snorkmaiden are not seen together as often and after ‘Moominland Midwinter’ Moomin refers to Snorkmaiden as a friend. How their relationship is portrayed varies between adaptations. For example, the 1990 animated series shows him consistently, if shyly, returning her affections.

His best friend is Snufkin.[5][6] Snufkin is inspired by Atos Wirtanen, Tove Jansson’s close friend and at one point, fiancé.[7] Moomintroll is also an author avatar for Jansson, meaning the two characters were based on real-life lovers. Because of this real-life parallel, their relationship is sometimes examined in the context of queer theory.[8][9]

Moomintroll was initially called "snork". Jansson described him as her alter ego.[9] The character has a mostly positive reception from critics.[10][11]

The asteroid 58345 Moomintroll was named in his honor.[12]

Moominmamma

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Moominmamma and Moominpappa.

Moominmamma (Swedish: Muminmamman) – the mother of Moomintroll. She is very nurturing and calm.[13] She is almost never without her handbag, which contains essentials like woolly socks, tummy powder, and bark. She makes bark boats every summer, and the first one goes to her favorite.

Moominpappa

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Moominpappa (Swedish: Muminpappan) – orphaned in his younger years, he is a somewhat restless soul who left the orphanage to venture out into the world in his youth, but has now settled down. His eagerness to try new things often sets a story in motion.[13] He usually wears a black top-hat.

Snorkmaiden

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(Swedish: Snorkfrökensnorkig, "snooty, snotty"; fröken, "Miss") – Moomintroll's fair lady friend and admirer. She does fall in love with others sometimes, but returns to Moomintroll before things get too serious. She has blonde hair and sports a golden anklet. She changes color according to her mood, with her baseline color in the books described as pale yellow.[14] Snorks are almost identical to Moomins except that Snorks come in different colors (Moomins are white), have hair on their heads, and their fur changes color depending on their mood. Snorkmaiden is known as Fraulein in the Japanese dub of the 1990s animated series. (Fraulein means "Miss" in German, but is mistakenly Anglicised as "Floren" in the English subtitles for the series)

Snufkin

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(Swedish: Snusmumriken – dialectical snusmumrik or mumrik, "old man who talks carelessly; old codger, old bore; old snuff-taker; snotty or scruffy old man," derived from snus, "snuff, chewing tobacco" + interjection mum, also in mumla "mumble," with pejorative ending -ik) – Moomintroll's best friend, the son of the elder Mymble and the Joxter, and half-brother to the Mymble's daughter and Little My. Snufkin wears old green clothes and a wide-brimmed hat that he has had since birth. He lives in a tent, smokes a pipe, and plays the harmonica. He is based on Tove Jansson's ex-fiancé Atos Wirtanen who was also known to wander.[15]

He lives a nomadic lifestyle, only staying in Moominvalley in the spring and summer, but leaving for warmer climates down south every winter instead of hibernating through the winter as the others of Moominvalley do.[16][17]

The character has a mostly positive reception from both fans and critics.[17][18][19]

Snufkin serves as the main protagonist in the 2024 video game Melody of Moominvalley.

Little My

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(Swedish: Lilla Mymy, "micron, mu") is a small, determined and fiercely independent Mymble. When she wants something done, she does it straight away. She is very aggressive and totally disrespectful, but can be a good friend. She is Snufkin's elder half-sister and first appeared in The Exploits of Moominpappa, in which her small stature is explained as resulting from arrest of growth.

Supporting characters

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Alicia

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(Swedish: Alissa) – Alice, the Witch's granddaughter. Like the Witch, she first appeared in the animated 1990 series and does not appear in the original stories or comic strips. She likes the Moomins and plays with them on the sly whenever the Witch is otherwise occupied. She is a witch-in-training herself, and develops several magic skills during the series, most notably walking on water, underwater-breathing, and running at lightning speed.

The Ancestor

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(Swedish: Förfadern) – the Moomintrolls are descended from small, shaggy trolls living in tiled stoves. One of those is still dwelling in the Moomin family's bathing house cupboard and stove. He is called the Ancestor and makes appearances in Moominland Midwinter and Moominvalley in November.

The Antlion

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(Swedish: Myrlejonet) – in the Moomins universe, antlions are big, burrowing lion-like animals with slender bodies and big claws. In The Moomins and the great flood, Moominmama encounters a territorial antlion that sprays sand in her eyes and then tries to drag her down into his den. In Finn Family Moomintroll, Moomintroll and Snork use the hobgoblins hat to turn the antlion into a hedgehog.

Audrey Glamour

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Minor character from the comic Moomin on the Riviera.

Aunt Hemulen

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Aunt Hemulen is a sister to Mr. Hemulen, only featured in Episode 4 of Season 2 of the animated 1990 series.

Aunt Jane

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Aunt Jane (in Finnish Jenni-täti) is the rich and cranky sister of Moominpappa's mother who appeared in the comic Moomin and Family Life.[20] She is also featured in Episode 27 of the animated 1990 series.

Billy the Kid

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Billy the Kid appears only in the 1990 series, in Episode 17 of Season 2. He lives in "Cowboy Country" and is based on the real outlaw with the same name.

Captain Rum-Pot

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A pirate who appears in the 1990 series.

Daddy Jones

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(Swedish: Kungen/Självhärskaren, Swedish "King"/ "Self-Ruler"; i.e. "autocrat") – the Autocrat in The Exploits of Moominpappa. He owns a fairground full of surprises, sits on a throne and gives a blast on his foghorn when he makes royal proclamations.

Dame Elaine

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A female ghost character living in an old manor house. She only appears in the animated 1990 series.

The Dweller Under the Sink

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(Swedish: den som bor under diskbänken) – a small furry creature that lives under the sink in Moomin House. He only appears in Moominland Midwinter and becomes known to Moomintroll when he wakes up during the long winter hibernation undertaken by the whole Moominfamily. Moomintroll tries to strike up a conversation with him by complimenting on his rather bushy eyebrows, but only succeeds in upsetting him.

Edward the Booble

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(Swedish: dronten Edwarddronten, "the dodo") – a dragonlike, gigantic monster (the second largest creature in the world – only his brother is larger) who pays for people's funerals if he accidentally treads on them. He is generally bad tempered because of this. He accidentally aids the launch of the Oshun Oxtra (Ocean Orchestra), a boat invented by Moominpappa's childhood friend, Hodgkins, by sitting in a river bed.

Emma

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(Swedish) – the rather bitter stage-rat (teaterråtta) in Moominsummer Madness. She helps the Moomin family understand what a theater is and also collaborates with Moominpappa on his play, The Lion's Brides. Before she introduces herself, the family refers to her as Theprop (the prop) after a misunderstanding.

Fillyjonks

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Fillyjonk at Moominworld

(Swedish: Filifjonkan – no semantic meaning, but with the first element compare filibuffare "joker", filidera, "make bad noise", and with the second, fjompa/fjanta/fjolla + -an = "silly/foolish/fussy woman") The first Fillyjonks we hear of are the late theatre director in Moominsummer Madness (Emma the stage-rat is his widow) and the young Fillyjonk who joins the Snork Maiden in the late night jaunt to the wishing well. Later we meet the psychological study of the "Fillyjonk Who Believed In Disasters" (Tales from Moominvalley). Not a single moment of fantasy or joy, only duties and discipline; she is an extremely methodical person tied down with principles and has a deep rooted belief in prestige and tradition. Nevertheless, after a catastrophe, the Fillyjonk can be freed from the trammels of social expectation and can discover the joys of freedom, irrationality and self-expression. Deep inside she has had a wish to live freely as the Moomin family does, without any worries. Fillyjonks resemble humanoid rodents; they are tall and thin, with long muzzles and raccoon-like rings around their eyes.

Fuzzy

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(Swedish: Sås-djuretsåsa, "to linger; to loiter" + djur, "animal") – Sniff's mother. Married to Muddler.

Gaffsie

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(Swedish: Gafsangafsa, "chatter; tittle-tattle") – not much is known about Gaffsie, except that she is a friend of Fillyjonk. She appears most prominently in The Book about Moomin, Mymble and Little My as well as in Tales from Moominvalley in the stories "The Fillyjonk who Believed in Disasters" and "The Fir Tree". She is also mentioned in Moominvalley in November.

Grandpa Grumble

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(Swedish: Onkelskruttetonkel, "uncle," also used in the meaning "grandfather"; for the second element, see under Miffle) – an old man who appears in Moominvalley in November. He is quite old and somewhat senile. He uses a cane and owns many pairs of glasses that he carries with him in a basket.

The Groke

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(Swedish: Mårranmorra "to growl; to grumble", Finnish: Mörkö – "[The] Bogey") – cold and ghost-like, anything she touches will freeze. She initially causes fear, everyone thinking that she is coming to freeze them, but in reality she is just very sad and lonely as she is just seeking friendship and warmth, but is declined by everyone and everything. Her most prominent appearances are in Finn Family Moomintroll, Moominland Midwinter and Moominpappa at Sea.

Hattifatteners

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Hattifatteners

(Swedish: hattifnattar – with the first element compare hatta, "dither"; the second element is related to fnatta (omkring), "flutter around"; få fnatt, "go crazy or get excited over something"; poss. fnatt, "squirrel") – small white ghost-like creatures that resemble worn socks. Hattifatteners are always on the move and travel the sea in large groups (but always in odd numbers), such as boat convoys. They meet every year on a lonely island.[21] Their only goal in life is to reach the horizon. They may communicate using telepathy. The Hattifatteners cannot see very well, but their sense of touch is very strong, and they can feel ground vibrations and electricity. Hattifatteners assemble once a year when they "recharge" in a thunderstorm, when they can cause electrical burns.[22] Hattifatteners grow from seeds, but only if this seed is sown on Midsummer Eve.[23]

Hemulens

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Hemulen in Moomin World theme park, Naantali, Finland.

(Swedish: Hemulhemul, a legal term, "authority or warrant for something (n.), entitled (adj.)", cf. also adjective ohemul "un-hemul"; "improper, unreasonable") (In Swedish "Hemulen" means "the hemul") – Hemulens feature frequently in the books. One of them is an avid stamp collector, and another is an avid skier. In Finn Family Moomintroll, "un-Hemulenish" (ohemul) contains a sense of "unwarranted, unjustified". Other characters frequently find the Hemulens annoying or overwhelming, as they can be somewhat loud, bossy, abrasive and insensitive, but they are well-intentioned and usually have other redeeming qualities.

Hemulens first appear in Comet in Moominland, featuring one who collect insects and another collecting stamps. The stamp collecting hemulen reappears in the beginning of Finn Family Moomintroll in which he is depressed, as he has every stamp on the face of earth and has lost his purpose in life. Later on, he finds a new purpose: to collect plants (this is the main hemulen character featured in the animated 1990 series).

A female Hemulen raised Moominpappa in an orphanage, and later Moominpappa met her aunt, who looked confusingly like her[24]

The Hobgoblin

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(Swedish: Trollkarlen – "The Wizard") – appearing in Finn Family Moomintroll (Swedish: Trollkarlens hatt), he is a powerful magician who travels the Universe with his flying panther, looking for the King's Ruby. His top hat is found in the Lonely Mountains by Moomintroll, Snufkin and Sniff, who take it back to Moominhouse. Chaos ensues, as anything you put inside the hat is transformed. Moomintroll himself is changed into an ugly tarsier-like monster by the hat when he uses it to hide in during a game. The hat also changes the Moominhouse into a sort of jungle. The Hobgoblin has a quite intimidating appearance, but is friendly.

Hodgkins

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(Swedish: Fredriksson – "Frederickson", a common family name) – an inventor and childhood friend of Moominpappa (The Exploits of Moominpappa). He is Muddler's uncle and thus Sniff's great-uncle. He builds the Oshun Oxtra (misspelling of Ocean Orchestra in English, known as Haffsårkestern in Swedish), a boat in which Moominpappa and his friends travel on their adventures.

Hodgkins is called Frederickson in some translations, such as the 1990 animated series.

The Island Ghost

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(Swedish: Spöket – "The Ghost") – a spectre that haunts the Island colonised by Moominpappa in The Exploits of Moominpappa. He is not very good at haunting and gets annoyed when the colonists laugh at him. He takes up knitting to soothe his nerves.

Joxter

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(Swedish: Joxaren, Swedish verb joxa "fiddle, tinker") – The Joxter is Moominpappa's old friend and father of Snufkin. He is described as worry-free and so lazy that he described his perfect life as: “sitting in a fruit tree, eating fruit as it grows”. He appears beige in colour and has water-clear eyes. He has forebodings throughout the book telling his friends of danger. Joxter also shares his son’s dislike of authority figures stating that their family was at war with a park keeper in The Exploits of Moominpappa. Joxter is the lover of The Mymble (elder).

The Lady of the Cold

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(Swedish: Isfrun – "The Ice-Lady") – a very creepy, beautiful lady who brings winter to Moominvalley. Looking into her eyes will freeze you, turning you into ice. She is also referred to as "The Great Cold" (Swedish: den Stora Kölden – "The Great Cold" – "The Great Frost"). She makes a brief appearance in Moominland Midwinter as she walks across the sea ice and Moomin valley.

In the 1990 animated series, the Lady of the Cold is portrayed as a coldly vindictive elemental being with an alien-looking appearance that is more disturbing than beautiful. It is also inferred that even the Groke are afraid of her.

Mameluke

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The mameluke (Swedish: mameluk) is a type of large fish that first appears in Finn Family Moomintroll, in which Snork manages to catch one during a fishing trip. The mameluke is also featured in episode 62 of the 1990 animated series, in which the Witch saves Little My from being swallowed by it. It is also featured in an episode of the 2019 series, as Moominpappa exaggerates his fishing story with Moomintroll.

Mermaid

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The green-haired Mermaid appears only in the animated 1990 series, in Episode 20 of Season 2.

Miffle

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(Swedish: Skruttet – also as a common noun, det lilla knyttet/skruttet, "the little creep"; skrutt, a noun with "various meanings, although with one common feature, that is something small or something weak, rubbish (skräp, "garbage"), trash or core, which in turn also suggests something quite insignificant and worthless, about to be thrown away. When referring to persons, it is slightly depreciatory, used especially for inferior, sick, incompetent or weak persons (the noun often denotes older persons: skröplig gubbe, "weak old man"). But the noun is also used for small beings with supernatural characteristics, particularly in fairy tales.) – Toffle's love-object in Who Will Comfort Toffle?

Misabel

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(Swedish: Misanmisär, "misery"; miserabel, "miserable") – a very depressed and paranoid female character. In comics and picture books, she is usually the Moomin family's domestic help. Misabel has her only novel appearance in Moominsummer Madness, in which she is not a domestic help, but shows up to be a good actress. She is sometimes the owner of Sorry-oo. It has been said that Misabel's initial reaction to anyone talking to her is fear of them complaining about the quality of her work.

Muddler

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(Swedish: Rådd-djuretrådda "to fuss or muddle or mess about" + djur, "animal") – The nephew of Hodgkins and Sniff's father. A rather untidy and confused individual who collects buttons of all sorts and lives in the coffee tin where he keeps the buttons. Married to Fuzzy.

The Muskrat

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(Swedish: Bisamråttan) – a philosopher who believes in the pointlessness of things and reads Spengler, appears in Comet in Moominland and Finn Family Moomintroll. The Moomin children annoy him by putting hairbrushes in his bed and such like. He eventually takes to living in the cave Sniff discovers in order to get some peace. There is an unfortunate accident, however: in Finn Family Moomintroll, Moomintroll has hidden the Hobgoblin's hat there; anything you put in the Hobgoblin's hat becomes transformed, and the Muskrat gets a nasty shock when he puts his false teeth in it to keep the sand out of them. He enjoys reading a book entitled "the uselessness of everything" which is later changed by the Hobgoblin to "the usefulness of everything".

The Mymbles

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(Swedish: Mymlanmymla, a slang word used in Tove Jansson's circle, with the meaning "to love";[25] compare mumla, "to mumble";[26]) – "the Mymble" is a description given to two different characters. In The Exploits of Moominpappa, there is a matriarchal character known as "the Mymble". She is the mother of a very large and unspecified number of children, including Little My, Snufkin, and a girl referred to simply as "the Mymble's Daughter" (Swedish: Mymlans dotter), who appears to be the eldest of the Mymble's children, and helps her mother with child care for her younger brothers and sisters. In later books and in the comic strips, the Mymble's Daughter comes to be known as just "the Mymble". She appears again as a relatively minor character in Moominsummer Madness, Moominland Midwinter and the comic strips, and is a significant character in Moominvalley in November and in The Book about Moomin, Mymble and Little My.[27]

Niblings

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(Swedish: klippdassar – "rock hyraxes"; compare dassa, "patter or sneak around, walk quietly; (in some areas) hurry up when working; (in child language and rhymes) dance"; also called by the variant name klibbtassar, explained as klibba/klibbig, "to stick/sticky" + tass, "paw") – small aquatic creatures, which chew off people's noses if they are too long for their taste. They enjoy doing the multiplication contests devised by the rather bossy Hemulen's Aunt.

Ninny

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(Swedish – a real female first name, mostly used as a nickname, e.g. for Anna) – Ninny first appears in Tales From Moomin Valley in the story "The Invisible Child". She turned invisible by being frightened too much by her former caretaker. This caretaker gave Ninny to Too-ticky, who then brought her to Moominmama to help make Ninny visible again. Moominmamma succeeds with one of her granny's 'Infallible Household Remedies' and lots of love. Ninny at first is a bore and doesn't know how to play games or have fun. She becomes completely visible during a day on the beach. Moominpappa plans on sneaking up and scaring Moominmamma, but Ninny rushes up behind and shoves Moominpappa into the sea. In the end, the family realizes Ninny is very similar to Little My.

The Park Keeper

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(Swedish: parkvakten) – a Hemulen in charge of a park where the vegetation is trimmed and cut into proper lines and shapes. The park goes by very strict rules, mostly forbidding things, which are written out in big letters on several signs placed around the park. Of all the people in the world, the Park Keeper is the only one Snufkin really dislikes.[28] Snufkin plants Hattifattener seeds in the grounds of the park to drive the Keeper away and then burns all the signs forbidding things.

The Park Keeper is the main antagonist of the 2024 video game Snufkin: Melody of Moominvalley.[29]

The Police Inspector

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(Swedish: Polismästaren) – a by-the-book Hemulen in charge of law enforcement in the valley. He has a crush on Mymble.

Sniff

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Sniff in Moomin World theme park, Naantali, Finland

(Swedish: Sniffsniffa, "to snuff/sob; to sniff") – Moomintroll's immature friend. He is one of the few characters who is interested in money, and is always on the lookout for another way to get rich quick.

Snork

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(Swedish: Snorken) – the Snork Maiden's older brother, also friends with Moomintroll. He and his sister first meet Moomintroll in Comet in Moominland. After that he appears only in Finn Family Moomintroll. He is described as mauve in colour, though changes to a pale green when frightened. His character is obsessive over details, rules, and protocol in the books. In the animated 1990 series, he is described as an avid inventor who has strong belief in the power of science and an obsession with building a flying vehicle.

Sorry-oo

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(Swedish: Ynkynklig, "poor; miserable"; ynka sig, "moan (v.)"; or ynka, "insignificant") – a small dog appearing in various relations – however, he is always melancholic and longing. He has his only novel appearance in Moominland Midwinter, in which he is constantly howling after his distant cousins the wolves. In The Dangerous Journey, he is called "Sorry-oo Le Miserable" (Ynk von Jämmerlund: jämra sig, "to moan"; jämmer, "moaning," as in jämmerdal, "vale of tears"; playing on family names in Finland with von, which indicates a foreign name, and -lund).

Stinky

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(Stinky: from English, although Swedish also has the verb stinka (to stink) – a criminal by profession, trickster, and a dangerous influence who tempts the Moomin family to do things that are against the law or otherwise cause problems for them for his own entertainment. He has a code of conduct of his own, and is offended when the Moomins want to give him a large sum of money which has been causing them much trouble. Physically, Stinky looks like some sort of furry mammal, whose most characteristic attribute is his constant, unbearable stench. He appears in one book (Villain in the Moominhouse) but mainly in comics and cartoons.

Stinky caused a controversy due to allegations of racism related to his appearance when he appeared in the Tove Jansson and the Moomins: The Door Is Always Open exhibition held at the Brooklyn Public Library in 2025, and it was decided to remove the character from the exhibition.[30][31][32]

Thingumy and Bob

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(Swedish: Tofslan och Vifslantofs, "tuft"; dialectical vivsa, "tuft," cf. vifta, "wave"; compare the names of Tove Jansson and Vivica Bandler) – two little creatures who turn up in Moominvalley with a large suitcase, which contains the King's Ruby. They speak a strange language (with "-sla(n)" appended to the ends of some words in the Swedish original, which became spoonerisms, e.g. :"'Man you cake it out?' asked Thingumy. 'Mot nutch,' said Bob", in the English translation) and are pursued by the Groke who wants the contents. They upset Moominmamma by stealing her handbag. They eventually return it and the whole family throws a party to celebrate. The Hobgoblin arrives when Thingumy and Bob open the suitcase, exposing the King's Ruby for all to see. They didn't give him the ruby, but when the Hobgoblin gave everyone there a wish, then they wished for the Hobgoblin to have a ruby as beautiful as theirs; the Queen's Ruby.

Toffle

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(Swedish: Knytt – as a common noun also translated "creep", e.g. småknytt "little creatures/creeps", etymologically related to "oknytt" which by convention are to knytt what unseelie are to seelie; knytte, "bundle; (fig.) term of endearment for infants, 'little mite'; (in some dial.) short and/or plump woman"; knytt, dialectical noun from knyst, "the slightest sound") – Toffles are small creatures, shy, scared and confused. A toffle called Salome is featured in Moominland Midwinter and a toffle only named as "Toffle" is the main character in Who Will Comfort Toffle?.

Toft

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(Swedish: (homsan) Toft – for homsan see "Whomper"; Toft is perhaps imaginary, though homonymic with toft, "thwart (n.), rowlock" – a small, very shy boy who appears in Moominvalley in November. Toft makes up one of the people visiting the Moomins while they are absent. He is very mysterious and seems to have the power to make things he imagines come true. He is also able to use Moominpapa's crystal ball. In the original book, Toft is a whomper, but the English translator translated his character into a "boy".

Too-Ticky

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(Swedish: Too-ticki) – a friend of the family, craftswoman and practical philosopher. Has her first appearance in the novel Moominland Midwinter and returns in the short stories of Tales from Moominvalley and in comics. The character and the name are modelled after Tuulikki Pietilä, Tove Jansson's life partner.[33]

Whomper

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(Swedish: Homsan – in the plural Whompses in Who Will Comfort Toffle?; homsa or håmsa, "rush, hurry, bustle, or muddle about (v.); do something carelessly (for example work), usually with bad results (v.); untidy or careless female (n.)") – an earnest little chap. He joins the Moomin family on the floating theater in Moominsummer Madness.

The Witch

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The Witch and Alicia in Moomin World theme park, Naantali, Finland

(Swedish: Häxan – "The Witch", Japanese: Kurarissa (クラリッサ) – "Clarissa") – The Witch looks quite scary and has some powerful magic in her possession, but is a harmless old lady – despite her strong dislike of the Moomins. She would prefer Alicia not to play with them and pay more attention to her studies, but she does warm up for them later on. The Witch first appeared in the 1990 animated series and does not appear in the original stories or comic strips.

In Episode 77 of Season 1 ("The Great Race") of the 1990 edition, Mr. Hemulen refers to the Witch as Clarissa, which is what she is called in the Japanese version.

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia

The Moomin characters constitute the ensemble of anthropomorphic figures populating in the series of novels, short stories, picture books, and comic strips authored and illustrated by Finnish-Swedish artist from 1945 onward.
At the core is the Moomin family, including the idealistic young Moomintroll, the resourceful homemaker Moominmamma, and the memoir-writing explorer Moominpappa, whose domestic life in their round tower house serves as the narrative hub for tales blending whimsy with subtle explorations of independence, creativity, and the passage of seasons.
Prominent among their associates are the free-spirited musician , the feisty orphan , the opportunistic Sniff, and the vain Snorkmaiden, while peripheral yet memorable denizens encompass the duty-bound Hemulens, the anxious Fillyjonks, the inventive Stinky, and ominous presences like , each embodying distinct archetypes that contribute to the series' philosophical depth and enduring appeal.

The Moomin Family

Moomintroll


Moomintroll is the protagonist of the Moomin series created by Finnish author and illustrator , first appearing in the 1945 novel The Moomins and the Great Flood. He is the son and only child of Moominmamma and Moominpappa, residing in the idyllic , and serves as the central figure through whom most adventures unfold across the nine novels, comics, and related media. Moomintroll features in every Moomin book except (1970), where the narrative shifts to other characters reflecting on his absence.
Characterized by his white, round form evocative of a small , Moomintroll embodies youthful curiosity and a deep affinity for nature, often exploring the valleys, seas, and forests surrounding his home. His personality is marked by kindness, loyalty, and a caring disposition toward friends and family, making him a steadfast companion in tales involving comets, floods, and hobgoblin hats. Despite a generally peaceful and imaginative temperament, Moomintroll displays bravery and resourcefulness in crises, such as rescuing Sniff and his mother from a poisonous in (1948). Throughout the series, Moomintroll's relationships highlight themes of and growth; he shares a close bond with the independent , who visits annually, and navigates affections with the Snork Maiden, though Jansson portrays these dynamics with subtlety rather than overt romance. In (1957), he experiences personal maturation by awakening during the typically dormant winter, confronting isolation and learning from figures like Too-Ticky. These episodes underscore his evolution from naive explorer to a more resilient individual, though he remains perpetually youthful in the canon.

Moominmamma

Moominmamma serves as the matriarch of the Moomin family, acting as the mother of Moomintroll and wife of Moominpappa in Tove Jansson's Moomin series of novels and short stories. She first appears alongside her family in The Moomins and the Great Flood, published in , marking the debut of the core Moomin household in Jansson's works. Characterized by a gentle and nurturing disposition, Moominmamma embodies the emotional core of the family, fostering an environment where individuals feel cared for and free to express themselves. She maintains an unflappable calm, rarely becoming upset even amid chaos, and approaches housekeeping unconventionally, such as allowing rainwater to clean dishes rather than washing them manually. Her resourcefulness shines through her ever-present large handbag, stocked with practical essentials like dry socks, string, bark, sweets, and tummy powder, which frequently resolves unexpected dilemmas during adventures. Moominmamma displays creativity and organizational skills in daily life, annually crafting a toy boat from for Moomintroll, tending the family with precision, sewing clothes, and engaging in . In Moominsummer Madness (1954), she comforts Moomintroll amid flooding and change, remarking, “‘There’s a lot of things one can’t understand,’ Moominmamma said to herself. ‘But why should everything be exactly as one is used to having it?’” This reflects her adaptive and subtle rebellious streak, valuing and fun over rigid norms. The character draws inspiration from Jansson's own mother, Signe Hammarsten-Jansson, an illustrator whose supportive yet independent nature influenced Moominmamma's portrayal as a problem-solver who prioritizes emotional security over confrontation.

Moominpappa


Moominpappa serves as the head of the Moomin family, acting as husband to Moominmamma and father to Moomintroll in Tove Jansson's Moomin novels. He embodies a restless adventurer who perceives himself as a deep thinker, eloquent storyteller, and bold explorer, traits his family indulges despite occasional self-absorption.
In family dynamics, Moominpappa prioritizes his loved ones' safety while craving personal space for reflection and pursuits like writing memoirs, which he shares with the household. His practical skills include constructing the Moominhouse and maintaining boats, showcasing manual dexterity with his paws. Visually, he is distinguished by a black and , enhancing his formal, dignified appearance. The character reflects elements of Jansson's father, Viktor Jansson, a sculptor with a passion for seafaring, , and lively escapades, including encounters and social gatherings involving whisky. In (1965), his yearning for novelty propels a maritime expedition, underscoring a belief in preparedness unlocking extraordinary experiences.

Core Companions and Friends

Sniff

Sniff is a fictional character in Tove Jansson's Moomin series, first appearing as an unnamed "small creature" in The Moomins and the Great Flood (1945), where he becomes separated from his parents, the Muddler and the Fuzzy, during a flood and joins the Moomin family's journey. He receives his name in Comet in Moominland (1946) and is subsequently adopted by the Moomins as a younger sibling to Moomintroll, residing in the Moominhouse and participating in their hibernation rituals, during which he sleeps one week longer than the others. Depicted as a small, furry creature with large pointy ears and a long tail, Sniff is good-natured, loyal, and excitable, often eager to embark on adventures with Moomintroll and friends, though his enthusiasm is frequently undermined by timidity and a lack of bravery in the face of danger. He inherits a forgetful nature and susceptibility to from his father, the , and his physical appearance from his mother, the Fuzzy, as detailed in the family tree illustrated in Moominpappa's Memoirs. Sniff exhibits a materialistic streak, dreaming of valuables and anything that glitters, contrasting with more philosophical characters like the , yet his loyalty to the Moomin family endures despite occasional self-interest. He features prominently in early novels such as (1948), contributing to treasure hunts and expeditions, but appears less frequently in later books like (1957), reflecting a shift in the series' focus toward other companions. In Jansson's original color illustrations, Sniff is white, though adaptations often portray him as brown or grey.

Snorkmaiden

Snorkmaiden is a recurring character in Tove Jansson's Moomin novels, debuting in the 1946 book as the sister of the Snork and a companion to Moomintroll during his journey to observe a predicted comet. She embodies the Snork family's distinctive trait of changing skin color in response to emotions, reflecting her sensitive and expressive nature. Often portrayed as Moomintroll's innocent romantic interest, she admires him as a heroic figure and frequently casts them in imaginative play scenarios involving brave princes and beautiful maidens. Characterized as a creative and excitable dreamer, Snorkmaiden demonstrates resourcefulness and quick thinking in crises, such as rescuing Moomintroll from a poisonous bush in and using a looking-glass to free him from a deep-sea in a later adventure. She is kind and thoughtful toward friends, occasionally vain about her appearance—enjoying jewels like her cherished pearl ankle ring—and capable of practical skills, including crafting berry soup or grass mats. In Moominsummer Madness (1954), her exuberance shines through in the line, “I’ll have to calm down a bit. Or else I’ll burst with happiness,” highlighting her emotional intensity. Snorkmaiden's role extends across multiple Moomin stories, where she aids in communal efforts, such as helping a Fillyjonk with invitations or ingeniously capturing a giant Mameluke fish. Her bond with Moomintroll provides emotional support, with her seeking reassurance from him amid sensitivities, though their connection remains playful and non-committal. As a Snork, she shares a familial residence and inventive spirit with her brother, contributing to the valley's ensemble of quirky inhabitants.

The Snork

The Snork is the brother of Snorkmaiden in Tove Jansson's Moomin series of novels. He is portrayed as a diligent, ingenious inventor with a precise and problem-solving nature, often organizing complex projects and constructing machines to address challenges in . Like other , he changes color according to his mood, a trait shared with his sister. Introduced in the 1946 novel , the Snork joins Moomintroll, Sniff, and on their expedition to observe an approaching comet, where he applies his technical expertise to aid the group. An avid reader, he possesses extensive knowledge that he readily shares, though his know-it-all demeanor can sometimes come across as pedantic. Residents of frequently seek his assistance for difficult tasks requiring innovation or systematic planning. The character embodies a contrast to more whimsical Moomin figures through his rational, gadget-oriented approach, reflecting Jansson's exploration of intellectual curiosity amid fantastical events. He does not feature prominently in later books or the Moomin comic strips, limiting his role to select early narratives.

Snufkin

Snufkin is a central character in Tove Jansson's Moomin series, portrayed as a philosophical vagabond who embodies independence and a minimalist lifestyle. He first appears in the novel Comet in Moominland (1946), where he aids Moomintroll in navigating dangers during the approach of a comet. Snufkin resides temporarily in Moominvalley during spring and summer, living in a tent and sustaining himself through fishing, but he departs each autumn to wander freely, rejecting possessions and societal constraints such as urban development or excessive order. His character draws inspiration from Jansson's former partner Atos Wirtanen, a Finnish politician known for his free-spirited minimalism, pipe-smoking habit, and adventurous travels, which influenced Snufkin's traits across the first five Moomin novels. Physically, Snufkin is depicted as tall and slender, often wearing a shabby old coat and a wide-brimmed green hat, with a harmonica as his constant companion for solitary nighttime melodies. He values solitude and nature's simplicity, frequently challenging authority figures like park wardens who impose rules on areas, and he imparts wisdom to friends on and the futility of materialism. As the son of the nomadic Joxter and the Mymble, Snufkin shares a half-sibling bond with , though their temperaments differ sharply—his calm introspection contrasting her boisterous energy—yet he maintains a protective, patient demeanor toward inhabitants. In the stories, serves as Moomintroll's closest confidant, encouraging personal growth through example, such as in Tales from (1962), where his reflections on seasonal change and quiet delight in wandering underscore themes of transience and : "It’s the right evening for a tune... one part expectation, two parts spring sadness, and for the rest, just the great delight of walking alone and liking it." His recurring presence across multiple novels, including (1957), highlights Jansson's exploration of freedom versus community, with Snufkin's departures symbolizing the necessity of periodic detachment for renewal.

Little My

Little My is a diminutive, fiercely independent character in Tove Jansson's Moomin series, renowned for her outsized personality despite her small stature. Introduced as the youngest offspring of the Mymble—a prolific mother figure—she embodies unfiltered boldness and resilience, often navigating the world of with a pragmatic disregard for . First referenced in The Memoirs of Moominpappa (originally Moominpappans memoarer, published 1950), Little My emerges from a chaotic family dynamic where the Mymble raises numerous children amid frequent romantic pursuits, leaving the young My to fend for herself early on. This backstory underscores her self-reliant traits, as she survives abandonment and adapts through sheer tenacity rather than reliance on others. Her temperament combines aggression with cheerfulness, marked by a sharp tongue, quick temper, and mischievous impulses that propel her into confrontations or escapades. Jansson characterized her in unpublished notes as lacking respect yet capable of a rough form of affection, prioritizing survival and honesty over social niceties. This makes a foil to more gentle figures like Moomintroll, injecting conflict and realism into through her blunt interventions. Little My features prominently in subsequent works, including the 1952 picture book The Book about Moomin, Mymble and Little My (Hur gick det sen?), where she aids Moomintroll in retrieving a lost message amid familial chaos, highlighting her resourcefulness. In novels like Moominland Midwinter (1957), she thrives in harsh conditions, mocking fears and embracing discomfort, which reinforces her role as an unflinching observer of life's absurdities. Her interactions often catalyze events, from daring rescues to petty squabbles, while her fearlessness earns admiration among Moominvalley's inhabitants.

Too-Ticky

Too-Ticky (Swedish: Tuutikki) is a humanoid character and close friend of the Moomin family in Tove Jansson's Moomin series, introduced in the 1957 novel . She resides year-round in , uniquely refusing to hibernate like most valley inhabitants and instead occupying the abandoned bathing house during winter, where she carves wooden figures and plays the harmonica. This seasonal presence allows her to guide Moomintroll through the unfamiliar rigors of midwinter, emphasizing and the acceptance of natural cycles over fear of the unknown. Portrayed as pragmatic, compassionate, and philosophically inclined, Too-Ticky functions as a problem-solver and voice of practical wisdom, addressing dilemmas with hands-on action rather than abstract worry. Her optimism and curiosity extend to all aspects of life, making her a valued neighbor who balances deep reflection with immediate utility, such as crafting tools or offering counsel on interpersonal conflicts. In (1970), she aids the group in confronting isolation and change, reinforcing themes of resilience through her grounded outlook. The character draws direct inspiration from (1917–2009), Tove Jansson's long-term partner and a prominent Finnish graphic artist and professor, whose artistic skills and independent spirit informed Too-Ticky's resourceful persona. Jansson incorporated elements of Pietilä's personality starting with , reflecting their shared life in and on the island of Klovharu.

Relatives and Extended Kin

The Mymbles

The Mymbles are the large brood of children belonging to the Mymble, a carefree and round-figured mother character in Tove Jansson's Moomin series, first introduced in the 1950 novel The Exploits of Moominpappa. This family of trolls is characterized by their energetic, unruly, and independent natures, often overwhelming their elder sibling Mymble with the demands of supervision during their childhood. Prominent among the Mymbles is , the smallest and most mischievous member, known for her feisty temperament and tendency to pinch others, who frequently resides with the Moomin family rather than her own due to the crowded household. Another key figure is Mymble herself, the eldest daughter, depicted as tall, thin, with long legs and flowing styled in a distinctive "haughty mymble hairdo," who embodies an imaginative, romantic spirit prone to tall tales and daydreams of love. The siblings share a light, slender build and a penchant for lively chaos, contrasting with the more philosophical residents of . The Mymbles appear across several works, including the 1952 picture book The Book about Moomin, Mymble and , where Mymble searches for her lost sister alongside Moomintroll, highlighting their close familial bonds amid adventures. In (1970), Mymble reflects on the burdens of caring for her numerous siblings, underscoring the theme of familial overload in Jansson's narratives. , a wandering philosopher, is their half-brother through shared maternal lineage, adding a layer of extended kinship that ties the Mymbles to broader relations.

Niblings

The niblings constitute a collective group of small, vivacious children sired by the Joxter and borne by the Mymble in Tove Jansson's Moominpappa's Memoirs (Swedish: Muminpappans memoarer), first published in 1950. They emerge in chapter three of the novel, depicted as a horde of tiny, perpetually hungry, and game-loving youngsters who amplify the domestic pandemonium during the protagonists' island escapades. Numbering among the Mymble's extensive progeny—exclusive of more prominent offspring like —the niblings embody unbridled childish energy, often scampering about in packs, devouring provisions, and engaging in impromptu educational pastimes that border on frenzy. The term "niblings," an archaic English dialect word for nieces or nephews, was adopted by Jansson to evoke familial kinship and whimsy, linking the characters to young readers while underscoring their role as extended kin to core Moomin figures. In the narrative, they trail their mother during seafaring ventures, their ceaseless activity contrasting the more reflective tones of Moominpappa's reminiscences, yet contributing to the book's theme of adventurous domesticity. Though not individualized with distinct personalities or arcs, their presence highlights Jansson's portrayal of prolific, hands-off motherhood amid the Moominvalley ethos of tolerant chaos. Beyond the novel, niblings appear sporadically in Jansson's , such as the "Moomin Winter" storyline, where a representative nibling engages in seasonal mischief, reinforcing their archetype as peripheral but persistent agents of liveliness in the series' expanded lore. These comic iterations, serialized from the onward in outlets like the London Evening News, maintain the group's undifferentiated, swarm-like behavior without deepening canonical details from the works.

Joxter

The Joxter is a character in Tove Jansson's Moomin series, introduced in the 1968 book Moominpappa's Memoirs as the carefree father of . He shares a nomadic, independent spirit with his son, having lived a wandering life that involved simple pleasures and avoidance of settled routines. Joxter's mother for Snufkin is identified as the Mymble, making and other Mymble offspring his son's half-siblings through that lineage. In Moominpappa's Memoirs, Joxter appears as a youthful companion to Moominpappa during a series of adventures, alongside figures like the (Sniff's father). His personality is portrayed as worry-free, mildly lazy, and averse to authority, reflecting a preference for unburdened existence over structured obligations. This characterization aligns with the vagabond ethos passed to , who inherits traits of philosophical detachment and harmony with nature from his father. Joxter does not feature prominently in later Moomin narratives, remaining a figure tied to Moominpappa's retrospective tales of pre-family escapades.

Eccentric and Philosophical Inhabitants

The Muskrat

The Muskrat is a recurring character in Tove Jansson's Moomin novels, portrayed as a solitary philosopher who temporarily resides with the Moomin family in Moominvalley. He possesses a distinctive hairy physique accentuated by a prominent moustache and elongated whiskers, embodying a contemplative and reclusive archetype among the valley's inhabitants. Renowned for his gloomy and serious disposition, the favors over , often immersing himself in reading and philosophical rumination on life's futility. This demeanor manifests as a preference for and quiet, where he contemplates profound, albeit pessimistic, ideas, distinguishing him as a wise yet detached figure in Jansson's narratives. The character debuts in the 1946 novel , aiding the in observing an impending comet while maintaining his detached worldview, and reappears in the 1948 work , further highlighting his role as an eccentric advisor prone to solipsistic reflections. His presence underscores themes of existential pondering amid the series' whimsical events, though he eschews active participation in communal adventures.

Fillyjonks

Fillyjonks are slender, long-snouted humanoid creatures residing in , depicted in Tove Jansson's Moomin as anxious individuals preoccupied with order and cleanliness. They exhibit tall statures, worried facial expressions, and a strong aversion to such as worms and moths, reflecting their fastidious nature. This obsession with routine and spotless homes leaves little room for spontaneity, often leading to frustration when others disrupt their disciplined lifestyles or when chaos ensues. A prominent example appears in the "The Fillyjonk Who Believed in Disasters" from Tales from Moominvalley (1962), where the titular Fillyjonk rents a seaside house and lives in perpetual dread of potential catastrophes, such as tidal waves or falling trees. Despite her preparations, a real —a massive wave—sweeps her away, paradoxically granting her a sense of liberation and freedom from her self-imposed anxieties. Her interactions, including inviting neighbor Gaffsie for tea, underscore her social propriety amid underlying fears. Mrs. Fillyjonk, the most recognized fillyjonk in , embodies these traits through her relentless focus on chores like cleaning and cooking, viewing them as life's core purpose. In (1970), she arrives at the empty Moominhouse seeking structure during the family's absence, lamenting, “How can I go on living if I can neither clean nor prepare food? There’s nothing else worth doing.” Her efforts to impose order highlight fillyjonks' discomfort with idleness, often resulting in personal crises that challenge their rigid worldviews. Fillyjonks recur across Jansson's works, symbolizing the tension between control and unpredictability in Moominvalley's whimsical society.

Toffle

Toffle is a timid, introverted creature residing in Moominvalley, characterized by profound loneliness and a fear of the unknown that keeps him isolated from others. He is depicted as easily frightened by everyday noises, shadows, and social gatherings, often observing festivities from the periphery without participating. As the protagonist of Tove Jansson's 1960 picture book Who Will Comfort Toffle?, Toffle embodies themes of solitude and emerging courage; initially paralyzed by self-focused isolation, he discovers a distress message in a bottle from another lonely being, Miffle, which spurs him to embark on a purposeful journey to aid her. This act marks his character development, shifting from passive fear to empathetic action, culminating in a rescue effort that fosters mutual companionship. The book, set amid familiar Moominvalley inhabitants like Fillyjonks and Hemulens but without direct Moomin involvement, highlights Toffle's internal growth through rhyme and illustration. Toffle appears sparingly beyond the , with references in later adaptations such as the 2022 episode "Toffle's Tall Tales" of the Moominvalley, where he interacts with Moomintroll and Sniff during a nighttime walk home. His portrayal consistently emphasizes vulnerability paired with latent bravery, distinguishing him from more outgoing Moomin characters.

Ninny

Ninny is a minor character in Tove Jansson's 1962 collection Tales from , appearing exclusively in the short story "The Invisible Child". She is depicted as a young girl who has become entirely invisible due to prolonged mistreatment and fear inflicted by her aunt, who raised her out of obligation rather than affection. Initially, the only visible aspect of Ninny is a small silver bell around her neck, which serves as a marker of her presence. Brought to the Moomin household by Too-Ticky during autumn, Ninny exhibits extreme shyness, propriety, and emotional restraint, avoiding play or expression beyond fear, as a result of her traumatic upbringing. Moominmamma, drawing from an old book of remedies, prepares a intended to reverse the , combining it with nurturing care to foster Ninny's sense of security. The process culminates in Ninny's full visibility after an incident involving the aunt's unexpected visit and a confrontation on the beach, where Ninny's pent-up rage manifests as she pelts her aunt with seaweed, symbolizing her emotional liberation. Post-recovery, Ninny integrates briefly into Moominvalley life, displaying a more vibrant personality, though she departs with her aunt after the latter apologizes under duress. The story underscores themes of and through , with Ninny's arc illustrating how sustained fear can diminish one's presence, reversible only via confrontation and support. Adaptations, such as the , retain core elements like the bell and but expand her appearances across episodes.

Bureaucratic and Order-Enforcing Figures

Hemulens

Hemulens constitute a recurring type of character in Tove Jansson's Moomin novels, depicted as tall, stout humanoids who prioritize order, duty, and strict adherence to rules and regulations. They frequently indulge in obsessive collecting pursuits and embody a bureaucratic disposition, enforcing structure amid the whimsical chaos of . The species debuts in Jansson's first Moomin work, The Moomins and the Great Flood (1945), establishing their role as methodical figures within the series' ecosystem. Subsequent appearances highlight varied individuals, such as the botanist Hemulen in Comet in Moominland (1946), who rescues Moomintroll from a river and embodies scientific rigor. A park keeper Hemulen serves as an adversary to Snufkin, clashing over the latter's disregard for prohibitions against camping and harmonica-playing in regulated areas. The stamp-collecting Hemulen, featured prominently in tales like "The Hemulen Who Loved Silence" from Tales from Moominvalley (1955), exhaustively pursues a complete album, only to experience profound dissatisfaction upon completion, prompting a shift to botanical specimens as a new fixation. Though often portrayed as domineering or monotonous, Hemulens demonstrate underlying benevolence, aiding others through their organizational skills and sense of obligation, rendering them endearing despite occasional overzealousness.

Aunt Hemulen

Aunt Hemulen, also referred to as the Hemulen's Aunt or the Maiden Aunt Hemulen, is a minor character in Tove Jansson's The Exploits of Moominpappa (Swedish: Muminpappans bravader, 1950), a collection of memoirs recounting the youthful adventures of Moominpappa and his companions. She exemplifies the Hemulen species' affinity for structure and authority, displaying an insistent bossiness that contrasts with the group's more carefree ethos. During a sea voyage involving Moominpappa (then known by other names in his wanderings), the Joxter, the , and Hodgkins, Aunt Hemulen is kidnapped by a swarm of mischievous Niblings, who seize her from a boat and drag her into the water. Moominpappa swims to her rescue, only to discover her domineering personality upon saving her; she promptly assumes a leadership role among , declaring, “I'm the Hemulen's aunt and I know only grown-up and sensible people,” and enforcing rules such as multiplication contests to discipline the Niblings. Her presence introduces tension through her obsession with order, including admonishments like urging the group to secure a before dark and criticizing their lack of , traits that underscore Hemulens' general predilection for duty and regulation over spontaneity. Aunt Hemulen does not appear in subsequent Moomin novels, remaining confined to this episodic role that highlights Jansson's portrayal of bureaucratic rigidity within the valley's eccentric society.

The Park Keeper

The Park Keeper (Swedish: Parkvakten) is a Hemulen who administers a rigidly ordered , enforcing strict regulations on behavior and landscaping to maintain geometric precision in vegetation and pathways. He embodies bureaucratic , posting prohibitive signs such as "DO NOT SIT ON THE GRASS" and "LAUGHING FORBIDDEN" to suppress spontaneity and natural disorder. Introduced in Tove Jansson's 1954 novel Moominsummer Madness (original Swedish: Vem ska bo i Moominhuset?), the character first appears as the overseer of an urban park that contrasts with the wild freedom of , highlighting tensions between regimentation and liberty during the story's flood-induced disruptions. His park features caged wildlife and manicured lawns, reflecting a philosophy of control that extends to prohibiting personal freedoms like unsupervised play or expression. The Park Keeper serves as the principal antagonist to , the nomadic philosopher who systematically dismantles the signs and liberates the park's enclosures, viewing such impositions as antithetical to harmonious, unowned living. This rivalry underscores Jansson's recurring motif of individual autonomy clashing with institutional overreach, with the Hemulen's zeal for order stemming from a collector's mindset typical of his species, albeit applied to environmental and social discipline rather than stamps or butterflies. Subsequent adaptations, including the 2019 episode "Snufkin and the Park Keeper," portray him similarly as an unyielding enforcer, though these expand on his role beyond the original texts.

The Police Inspector

The Police Inspector serves as the chief law enforcement officer in , embodying a rigid commitment to rules and order amid the valley's often whimsical chaos. As a Hemulen, he possesses the species' typical long snout and white fur, attired in a dark blue helmet, yellow scarf, and jacket with white buttons, which underscore his official demeanor. His character reflects Tove Jansson's portrayal of bureaucratic figures who prioritize procedure over flexibility, frequently intervening in minor infractions or disturbances caused by residents like Stinky, whom he views as a reliable source of predictable criminality to justify police activity. Introduced in Jansson's Moominpappa's Memoirs (1950), maintains a professional distance from the Moomin family but develops a romantic affection for Mymble's Daughter, the elder sister of , whom he courts in subsequent stories. This unrequited or understated interest humanizes his otherwise stern persona, appearing sporadically in the comic strips where he enforces regulations on park usage, thefts, or public disturbances. In these depictions, his with Moominvalley's nonconformist inhabitants highlights Jansson's subtle of overzealous , as he storms off to file reports when events devolve into . The character's role extends to adaptations, including the 1990s animated series, where he features in episodes addressing robberies or infractions, reinforcing his function as a foil to the freer-spirited protagonists. Unlike more antagonistic Hemulens, the Police Inspector operates within a framework of perceived duty rather than personal zealotry, though his by-the-book approach often proves comically ill-suited to the valley's improvisational lifestyle.

Antagonists and Threats

The Groke

The Groke (Swedish: Mårran) is a in Tove Jansson's Moomin novels, introduced as a shadowy, solitary figure who embodies profound and the chill of isolation. She appears as a large, hunched, hill-shaped creature with an unsettling grimace, cold staring eyes that emit an eerie blue glow, and a presence that instantly freezes the ground and vegetation beneath her. Residents of fear her as an ominous intruder who arrives uninvited, speaks rarely if at all, and passively envelops her surroundings in frost, yet she harbors a desire for warmth and connection that her terrifying demeanor prevents. The debuts in the 1948 novel (Trollkarlens hatt in Swedish), where she relentlessly pursues the diminutive thieves Thingumy and Bob after they steal a valuable from the Hobgoblin's , eventually reaching the Moominhouse in her quest. She reappears in (1957; Moominvintern in Swedish), aligning with the book's theme of harsh winter endurance, as illustrated on its cover and evoked through encounters that highlight her role as a harbinger of unrelenting cold. Her most developed portrayal occurs in (1965; Sent i världen in Swedish), where she shadows the Moomin family to a remote island during their voyage; positioning herself outside their dwelling, she watches longingly but hesitates to approach until Moominpappa kindles a fire for her, enabling her to sit nearby and momentarily partake in its warmth, suggesting a capacity for solace amid her inherent desolation. Interpretations of often frame her not as a deliberate but as a psychological symbol of inner fears, depression, or the human struggle with rejection, though Jansson herself offered no definitive explanation, emphasizing her enigmatic nature. Her passive freezing ability underscores themes of emotional distance, where proximity to others yields unintended harm, yet moments of outreach, as in , reveal vulnerability beneath the dread she inspires.

The Hobgoblin

The Hobgoblin (Swedish: Trollkarlen; Finnish: Taikuri) is a magician character in Tove Jansson's Moomin series, prominently featured in the 1948 novel . He travels the universe astride a flying , obsessively collecting red , particularly seeking the legendary King's Ruby, the largest known specimen. Residing in a roofless house on a remote mountaintop filled with precious stones, the Hobgoblin embodies a blend of enigma and melancholy, driven by a desire to illuminate the world through his gems. Physically, he appears as a tall, bearded figure with glowing red eyes, clad in a flowing , white gloves, and a black that serves as a repository for his rubies. Despite his intimidating visage—which initially alarms the Moomin family—he proves amiable and even joins them for pancakes, revealing a sociable side beneath his otherworldly demeanor. His , central to the plot of , possesses transformative properties: objects placed inside it undergo bizarre alterations, such as an eggshell becoming a or Moomintroll himself temporarily morphing into a , flat-headed creature during a game of . In the story, the hat is discovered by Moomintroll, Sniff, and atop the Lonely Mountains, sparking a chain of chaotic adventures in , including the conversion of the Moominhouse attic into a tropical . The arrives seeking his lost and the King's Ruby, held by the Hemulen, but upon witnessing the Moomins' contentment without material treasures, he forgoes personal gain and magically transforms a bush into a tree laden with rubies as a . This act underscores themes of value beyond possessions, with the character described by as ancient and cosmic in scope. While primarily a one-off antagonist-turned-ally in the novels, the recurs in adaptations, such as the 1990s anime series and video games like Muumit ja Taikurin hattu (1997), often retaining his ruby quest and shape-shifting abilities.

The Witch

The Witch (Finnish: Noita, Swedish: Häxan) is a character original to the 1990–1992 Japanese-Finnish-Dutch anime adaptation of Tove Jansson's Moomin stories, where she serves as an occasional antagonist with magical abilities.) Despite her fearsome appearance, including a gaunt face and association with dark creatures like spiders and snakes, she is depicted as a largely harmless elderly woman who prefers solitude in her forest cottage. She possesses powerful magic, which she uses to attempt training her granddaughter Aliisa (also known as Alicia) in , often clashing with the child's preference for befriending residents. Initially antagonistic toward the due to her reclusive nature and disdain for their company, the Witch gradually warms to them over various episodes, revealing a more benign side beneath her intimidating demeanor. The character appears in multiple episodes, such as "The Witch" and "Witch-Walking," where her spells occasionally disrupt valley life, though her actions stem more from traditional witchery than malice. In one instance, she is addressed as Clarissa by Mr. Hemulen during a race event. Unlike core figures from Jansson's original novels and comics, the Witch and her apprentice were invented for the series to expand supernatural elements.)

The Lady of the Cold

The Lady of the Cold is a supernatural entity in Tove Jansson's 1957 novel , personifying the onset of winter in . She arrives across the frozen sea, ushering in severe cold that compels valley inhabitants to seek shelter indoors. Described as a beautiful yet ominous figure cloaked in white resembling candlelight—or bluish with dark shadows when viewed through ice—Moomintroll glimpses her during his solitary winter awakening but is repeatedly cautioned by companions like Too-Ticky against direct , as her gaze induces fatal freezing. An absent-minded squirrel succumbs after staring into her eyes, found rigid and lifeless the next day, underscoring her lethal presence. To appease her, Moomintroll and his winter associates construct a snow horse as an offering, which she claims before departing, signaling the gradual thaw and restoration of normalcy. Jansson omits illustrations of the character in the original edition, enhancing her enigmatic, god-like aura as an anthropomorphic force of nature rather than a conventional . In subsequent adaptations, such as the 2019 Moominvalley animated series, she appears visually but retains her core traits of inevitability and peril.

The Antlion

The Antlion is a minor antagonistic creature in Tove Jansson's Moomin series, depicted as a territorial, insect-like predator that inhabits sandy pits and ambushes victims by flinging sand. It first appears in the 1945 novel The Moomins and the Great Flood, where one attacks Moominmamma on a during the family's flight from flooding, pelting her with sand until rescued by Moomintroll and Sniff. In the 1948 book , Moomintroll and companions capture a specimen, with Moomintroll describing it as "a genuine furiously angry that we have taken prisoner." The captured is later thrown into the Hobgoblin's , which transforms it into hundreds of tiny, strange creatures. These encounters portray the as a localized threat in the , emphasizing sudden perils from the natural environment rather than a sentient .

Supernatural and Mysterious Beings

Hattifatteners

The Hattifatteners are small, pale, creatures depicted in Tove Jansson's Moomin series as restless wanderers driven solely by the urge to migrate toward the horizon. They travel in silent groups, often numbering in odd quantities, navigating seas in small boats without sails or oars. These beings exhibit no interest in food, drink, or verbal communication, maintaining an enigmatic silence throughout their journeys. Physically, Hattifatteners possess round, typically colorless eyes and emit a scent reminiscent of scorched thunderclaps, attributed to their affinity for electrical charges accumulated during thunderstorms. Exposure to lightning causes them to swell in size and intensify their electric potency, rendering them hazardous to nearby entities through shocks upon contact. They demonstrate a particular zeal for barometers, using these instruments to forecast weather phenomena, as observed in their predictive behaviors preceding celestial events. In the narrative of (1946), Hattifatteners consult barometers to anticipate the comet's arrival, assembling in anticipation of atmospheric disturbances. A dedicated , "The Secret of the Hattifatteners," within Tales from (1955), explores Moominpappa's youthful expedition with a group of these creatures, highlighting their migratory rituals and electrical nature during a storm-induced gathering on an island. Their appearances underscore themes of mystery and inevitability, portraying them as indifferent forces of nature unbound by Moominvalley's social structures.

Thingumy and Bob

Thingumy and Bob are a pair of diminutive, identical elf-like creatures introduced in Tove Jansson's 1948 novel . They arrive in as secretive wanderers carrying a suitcase containing the stolen King's Ruby, which they had taken from out of fear and a desire to protect it. Despite their timid nature, the duo demonstrates resourcefulness by evading pursuit and eventually befriending the Moomin family, who help conceal their treasure from the . Physically, Thingumy and Bob are slightly shorter than , with rounded heads, short spiky hair, and a tendency to wear simple clothing; Thingumy is distinguishable by his red hat. They communicate exclusively in a private language comprehensible only to each other and partially learned by Moomintroll over time, reflecting their insular bond. Their small size allows them to hide in confined spaces, such as under rugs, in handbags, or kitchen drawers, underscoring their shy and elusive demeanor. The characters reappear in Jansson's , maintaining their traits as nervous yet loyal companions who prioritize secrecy and mutual dependence. Their creation draws inspiration from Jansson's own relationship with , with the names derived from affectionate nicknames ("Tofslan" and "Vifslan" in Swedish), embodying themes of intimate partnership amid external threats. In adaptations, such as the 1990-1992 series, they feature in episodes centered on their arrival and the incident, preserving their fearful yet endearing portrayal.

The Ancestor

The Ancestor (Swedish: Förfadern) is a diminutive, furry resembling an early, ape-like of the Moomintrolls, characterized by its fur, prominent , and elongated black . This creature inhabits the tiled within the Moominhouse parlor, emerging solely and remaining silent throughout its appearances. It represents the primitive ancestry of the Moomin family, tracing back to shaggy s that once dwelled in similar hearth spaces before evolving into the more anthropomorphic forms seen in later generations. First introduced in Tove Jansson's 1957 novel , the interacts briefly with Moomintroll during the family's winter hibernation, underscoring themes of isolation and ancestral legacy in the stark midwinter setting. It reappears in the 1970 novel , where its nocturnal presence adds to the atmospheric melancholy as autumnal visitors navigate the empty Moominhouse. Unlike more sociable Moomin characters, the embodies a reclusive, instinct-driven existence, avoiding daylight and communication, which Jansson uses to evoke the uncanny persistence of ancient traits amid familial . No further canonical depictions occur in Jansson's primary works, though its design has inspired merchandise and illustrations faithful to the original descriptions.

The Dweller Under the Sink

The Dweller Under the Sink (Swedish: Den som bor under diskbänken) is a minor character in Tove Jansson's 1957 novel , depicted as a small, furry creature residing beneath the kitchen sink in the Moomin family's home during the winter season. This entity emerges as one of the secretive winter inhabitants of , encountered by Moomintroll after he prematurely awakens from while the rest of his family remains asleep. The creature communicates exclusively in incomprehensible gibberish, such as phrases like "Radamsah" and "Shadaffoomoo," which underscore its alien and reclusive nature amid the novel's theme of seasonal isolation and unfamiliar winter life. It possesses notably bushy eyebrows and embodies a grumpy, elusive demeanor, contrasting with the more sociable summer residents of the valley; Too-ticky, another winter figure, references familiarity with such beings, highlighting their persistent but hidden presence in the Moomin household. The Dweller does not appear in other Moomin works, serving primarily to evoke the eerie, autonomous rhythms of midwinter in Jansson's narrative.

The Island Ghost

The Island Ghost (Swedish: Spöket) appears in Tove Jansson's 1950 novel Moominpappa's Memoirs, as a spectral inhabitant of a remote, colonized by Moominpappa and his companions during their youthful adventures. This character embodies a comically inept entity, tasked with deterring intruders through traditional ghostly tactics such as producing creaking noises, generating chills, and manifesting eerie presences, yet consistently undermined by his own clumsiness. In the story, the Island Ghost's attempts to scare the settlers falter due to physical mishaps, including a sneeze that causes him to collide with a doorframe, diminishing his terrorizing effect and eliciting sympathy rather than fear from Moominpappa. Disheartened by his failures, he abandons haunting altogether, adopting as a soothing alternative pursuit to calm his frustrated spirit. This resolution highlights Jansson's recurring theme of reconciling otherworldly beings with domestic tranquility, portraying the ghost not as malevolent but as a hapless figure seeking harmless occupation. The character's depiction underscores the novel's blend of exploratory peril and whimsical resolution, with no further canonical appearances in Jansson's primary Moomin works.

Adventure and Outsider Characters

Captain Rum-Pot

Captain Rum-Pot is a pirate captain who appears in the Japanese Tanoshii Mūmin Ikka (1990–1992), an adaptation of Tove Jansson's Moomin stories. He leads a crew aboard an old sailing ship that wrecks off the coast of during a severe storm in episode 12, titled "." The pirates disembark to hunt for treasure they purportedly buried in the valley years prior, confronting the Moomin family with threats and demands amid their search. Depicted as a burly, rum-loving skilled with knives, Rum-Pot (voiced by in the original Japanese) embodies a mix of menace and , with his crew's antics providing humor rather than sustained villainy. The , noted for its intense storm sequences and pirate invasion, was among three banned from broadcast in due to content deemed too frightening for young audiences. Unlike core characters from Jansson's novels and , Rum-Pot originates solely from this iteration, reflecting the series' expansion of adventurous, outsider figures into seafaring escapades. His name evokes traditional pirate tropes, with alternate designations like Budd in some localizations underscoring adaptation-specific flair.

Daddy Jones

Daddy Jones, also known as the Autocrat or Självhärskaren (Swedish for "self-ruler"), appears exclusively in Tove Jansson's The Exploits of Moominpappa (originally published in 1950 and revised as Moominpappa's Memoirs in 1968). He rules an island kingdom characterized by whimsical entertainments, including a funfair and a from which he signals with a . As a cheerful, bald elderly man, he hosts extravagant events such as his 100th birthday party, featuring a lottery where participants retrieve numbered eggs from a to win prizes, and a garden party with mechanical pranks like wire spiders and artificial lakes that unexpectedly tip guests into water. Insisting that subjects address him as "Daddy Jones" rather than "King," he embodies a blend of benevolent authority and playful eccentricity, encouraging adventures among visitors like Moominpappa and his companions, who briefly colonize a nearby island under his influence. His domain reflects Jansson's themes of exploratory freedom and lighthearted absurdity, with Daddy Jones facilitating escapades that culminate in further voyages aboard the ship Oshun Oxtra.

Mermaid

The Mermaid is a minor character in the Moomin series, featured in the self-titled story "Moomin and the " (original Swedish: Mumin och sjöjungfrun), one of the episodic adventures syndicated in newspapers like the London Evening News during the 1950s. Authored by Lars Jansson, Tove Jansson's brother, who continued the strip after her initial run, the narrative centers on Moomintroll's encounter with the as an enigmatic sea dweller, incorporating elements of maritime and the allure of the unknown into the Moomin world's exploratory tales. Unlike recurring figures from the novels, the serves as a one-off outsider, highlighting the ' expansion into fantastical, episodic encounters beyond .

Mameluke

The Mameluke is a gigantic, monstrous featured in Tove Jansson's 1948 novel , where it serves as the object of an exhilarating undertaken by Moomintroll and his friends. Depicted as an elusive and formidable creature lurking in local waters, the Mameluke embodies the adventurous spirit of discovery in the , drawing the group into a collective hunt that highlights themes of camaraderie and triumph over nature's challenges. In the story, the pursuit escalates when the fish takes the bait, leading to its dramatic capture amid chaos and excitement, after which the characters prepare to grill it using spontaneously withering vines as impromptu firewood. This underscores the whimsical of Moomin feasts, transforming a perilous catch into a communal celebration. The Mameluke's role remains confined primarily to this , though it reappears in later adaptations, such as animated where its capture and occasional escape amplify the original's sense of peril and mercy.

Hodgkins

Hodgkins, rendered as Fredrikson in some Swedish editions, is Moominpappa's longstanding friend and inventive collaborator, prominently featured in Tove Jansson's 1950 The Exploits of Moominpappa (originally Moominpappas bravader). As an engineer and tinkerer, he prioritizes mechanical functionality and experimentation over practical utility, embodying a relentless curiosity for that drives much of the duo's early escapades. His designs include the riverboat Oshun Oxtra, a vessel powered by unconventional propulsion systems, reflecting his affinity for bold, untested engineering. In the narrative, Hodgkins adopts and raises the as his own, introducing him to Moominpappa during their youthful wanderings, which establishes familial ties extending to later characters like Sniff through speculative lineage connections in the series. He possesses a pragmatic demeanor, often tempering Moominpappa's enthusiasm with technical insight, and harbors a personal quest tied to his estranged brother, a poet whose work Ocean Orchestra inspired the Oshun Oxtra's name—though the sibling's fate remains unresolved in the text. Unlike more whimsical inhabitants, Hodgkins represents a grounded, proto-industrial , contributing to adventures involving shipwrecks, Hattifatteners, and maritime perils without reappearing in subsequent core novels.

Comic and Episodic Figures

Whomper

Whomper (Swedish: Homsan) is a minor character in Tove Jansson's Moomin series, depicted as an earnest, small troll-like creature. The name derives from the Swedish verb homsa, meaning to rush about or act carelessly, often with unintended consequences, which aligns with the character's impulsive tendencies. Whomper first appears in the 1954 novel Moominsummer Madness, where he encounters the Moomin family amid a severe that disrupts . He joins their makeshift floating theater troupe, contributing to the group's chaotic performances on the water, including roles that highlight his timid yet enthusiastic nature. This episodic role underscores themes of adaptation and community during crisis, as the characters improvise art from debris. In the 1955 short story collection Tales from Moominvalley, a young Whomper features prominently in "A Tale of Horror," where he experiments with storytelling to frighten his baby brother, flattening himself in hiding to observe the effect. His narratives escalate in terror until he meets Little My, whose even more vivid scary tales overwhelm him, leading to a confrontation that reveals his vulnerability. This portrayal emphasizes Whomper's imaginative but anxiety-prone disposition, contrasting with bolder Moomin figures. Whompers represent a broader category of small, furry trolls in the series, akin to the original Swedish depiction of Toft as a homsan rather than a human boy. Though primarily book-based, the character's episodic appearances influence adaptations, including animated films where voice actors portray variants like a "Blonde Whomper."

Stinky

Stinky is a recurring in Tove Jansson's *, first appearing in the as a small, brown, hairy creature residing of . He self-identifies as a proud , distinguishing himself from the more passive Moomin residents by actively scheming and causing disruptions, often with comedic failures. Characterized by irritability, greed, and self-interest, Stinky prioritizes personal profit or amusement, only aiding others when it serves his ends, as seen in strips where he plots thefts or pranks but relents for gain. In the 1954 comic Moomin and the Brigands, he proposes using his natural odor to "stink them out" during conflicts, highlighting his reliance on cunning over brute force. His name reflects a persistent, off-putting stench, a trait underscoring his outsider status and failed villainy. Primarily an episodic figure in the newspaper comics rather than the prose novels, Stinky embodies Jansson's satirical take on mischief without redemption arcs, appearing in shorter adventures that emphasize his flops over lasting threats. In August 2025, a library exhibition excluded Stinky from a Moomin display amid sensitivity concerns, a move dismissed by scholars as absurd given his role as a non-caricatured, universal rogue rooted in Jansson's whimsical critique of .

Sorry-oo

Sorry-oo (Swedish: Ynk, denoting misery or insignificance) is a small canine character in Tove Jansson's Moomin series, characterized by chronic melancholy and timidity. In the 1957 novel , Sorry-oo inhabits during the off-season, emerging nocturnally to howl at the moon while fantasizing about reunion with his robust kin, whom he simultaneously dreads. This portrayal underscores his internal conflict between longing for belonging and innate fearfulness, as he fixates on absent relatives amid the valley's winter isolation. Sorry-oo recurs in Jansson's comic strips, where his shy demeanor manifests in mumbling speech and social withdrawal, often positioning him as a peripheral, apologetic figure in ensemble scenarios. Merchandise from licensed producers, such as Arabia mugs introduced in winter series from 2016 onward, depicts him alongside motifs like the Snow Horse, affirming his association with themes of seasonal solitude.

Toft

Toft is a minor character in Tove Jansson's novel Moominvalley in November, published in Swedish as Sent i november in 1970. He appears as one of several unexpected visitors who arrive in Moominvalley during autumn, after the Moomin family has departed for the sea, drawn by an instinctive longing for their home. Depicted as a small boy with big eyes and messy hair, Toft embodies shyness and solitude, often feeling lonely and out of place among the more assertive arrivals like the Fillyjonk and the Hemulen. Prior to his journey, he lives alone under the tarpaulin covering Hemulen's abandoned boat, where he sustains himself by inventing elaborate stories about life in Moominvalley. This imaginative streak persists in the Moominhouse, where he retreats to quiet corners, discovers an old book, and conjures visions of a large, aggressive creature lurking nearby, highlighting his introspective and anxious tendencies. Unlike the other visitors who eventually depart or adapt in their own ways, Toft remains the sole occupant willing to linger in the house, positioned as the only one prepared to greet the should they return. His episodic role underscores themes of quiet anticipation and personal reverie in the novel's melancholic atmosphere, without deeper integration into the core Moomin ensemble.

Alicia

Alicia (Swedish: Alissa; Finnish: Aliisa) appears exclusively in the 1990 Japanese anime television series Tanoshii Mūmin Ikka (Fun Family Moomin), an adaptation of Tove Jansson's Moomin works. She is portrayed as the granddaughter of the , a reclusive figure, and serves as her grandmother's apprentice in . Unlike characters from Jansson's original novels and , Alicia was created specifically for this . Despite her familial ties to the Witch, who harbors disdain for the Moomins, Alicia develops a fondness for the Moomin family and covertly plays with them during moments when her grandmother is preoccupied with spells or other pursuits. Her involves gradual mastery of magical skills, prominently including broomstick flight and other rudimentary enchantments demonstrated in episodes focused on training. Physically, she is depicted as a young girl with long blonde hair and blue eyes, often clad in simple attire befitting a . Alicia's episodic appearances highlight themes of hidden friendships and the tension between inherited antagonism and personal affinity, though her role remains peripheral without resolution in deeper narrative integration. She is featured in select episodes, such as those involving witch-related escapades, but does not recur prominently across the full 104-episode run of the series, which aired from 1990 to 1991. Representations of Alicia extend to theme park in , , where costumed figures allow visitors to interact with her alongside the Witch.

Audrey Glamour

Audrey Glamour is a minor character introduced in Tove Jansson's third Moomin comic strip, Moomin , serialized in British newspapers from 1955 to 1956. In the story, she represents the allure of on the , where the Moomin family vacations amid socialites and gamblers. Depicted as a glamorous, anthropomorphic figure with a fashionable appearance, Audrey Glamour embodies superficial elegance and Hollywood-style stardom, drawing admiration from Snorkmaiden, who idolizes her as a symbol of sophistication. Her interactions highlight themes of envy and aspiration in Jansson's narrative, as Snorkmaiden emulates her poise during encounters at the resort's and casino scenes. The character reappears in the 2014 animated Moomins on the Riviera, directed by Xavier Picard and based on Jansson's comic, where she retains her role as a beautiful influencing Snorkmaiden's behavior. In this version, voiced by in the English dub, Audrey's presence underscores the comic's satire on fame and materialism, with no significant expansions beyond the source material.

Aunt Jane

Aunt Jane (Swedish: Faster Jenni; Finnish: Jenni-täti or Mimmi-täti) is the sister of Moominpappa's mother, making her his aunt by blood relation, and a recurring figure exclusive to Tove Jansson's Moomin comic strips rather than the original novels. She is depicted as a wealthy, snobbish, and irritable character who often imposes her domineering personality on the Moomin family, with Moominpappa showing evident unease or fear in her presence due to her nagging and bullying tendencies. Her debut occurs in the second comic strip storyline, Moomin and Family Life (published serially in the London Evening News starting in 1954), where she interacts with the family in ways that highlight domestic tensions and her superior social status. A dedicated storyline titled Moomin and Aunt Jane appears in the compiled comic collections, specifically Volume 10 of The Complete Tove Jansson and Lars Jansson Comic Strip, underscoring her role in episodes involving family obligations and interpersonal conflicts. In these narratives, her wealth enables manipulative behaviors, such as sending unwanted "gifts" or demanding compliance, which contrast with the Moomins' more relaxed valley lifestyle. Aunt Jane has been adapted into , appearing in Episode 27 of the 1990–1992 Japanese Moomin (Tanoshii Mūmin Ikka), titled "Aunt Jane," where Moominpappa receives a rare letter from her, revealing her as a "stinkingly rich" relative he dreads, leading to family preparations for her potential visit. More recently, in the 2024 British-Finnish series Moominvalley (Season 4, Episode titled "Moominpappa and Aunt Jane"), she arrives unannounced at Moominpappa's book-launch party, portrayed as formidable and intent on disrupting proceedings, with Moomintroll actively working to mitigate her influence. These adaptations preserve her core traits of crankiness and entitlement while expanding on comic-strip dynamics for episodic drama.

Billy the Kid

Billy the Kid is an episodic antagonist featured in the Japanese anime adaptation Tanoshii Mūmin Ikka (1990–1992), which loosely draws from Tove Jansson's Moomin stories. Portrayed as a notorious bank robber operating in a Wild West-themed "Cowboy Country," he embodies the archetype of an outlaw gunslinger, engaging in criminal activities such as robbery and kidnapping. In one storyline, he abducts Snorkmaiden, prompting intervention from Moomin and his friends, highlighting themes of adventure and confrontation in the series' expanded episodic narratives. The character's design and role parody elements of lore, with appearing primarily in Episode 17 of the second season (part of the Bōken Nikki arc, episodes 79–104 overall). This depiction aligns with the anime's tendency to introduce original, non-canonical figures not present in Jansson's books or comics, prioritizing episodic plots over fidelity to the source material.

Dame Elaine

Dame Elaine is a female ghost who appears exclusively in episode 46 of the 1990–1992 Japanese-Finnish-Dutch animated television series Moomin. The episode, titled "Dame Elaine," centers on Moominpappa inheriting Gobble Manor, a remote country estate reputed to be haunted, prompting initial reluctance from him to visit due to ghostly rumors. Upon arrival, the Moomin family encounters Dame Elaine, a resident with seven centuries of existence behind her, who lacks the stereotypical eerie traits like clanking chains or severed heads. Depicted as lonely from prolonged isolation without visitors, Dame Elaine engages animatedly in conversation once the family arrives, revealing a sociable rather than malevolent nature. To address her solitude, Moominpappa extends an invitation for her to join or visit Gobble Manor socially, integrating her into the narrative as a benign episodic figure rather than an . This portrayal draws from original story elements in the series, which adapts Tove Jansson's Moomin works while incorporating non-book scenarios, emphasizing themes of inheritance, family adventure, and unexpected companionship over horror.

Edward the Booble

Edward the Booble (Swedish: Dronten Edward) is a gigantic, dragon-like creature in Tove Jansson's Moominpappa's Memoirs (originally published in Swedish as Muminpappans memoarer in 1950). He represents one of the largest beings in the Moomin universe, described as the world's second-largest animal after his brother. Residing primarily in the sea near the Moomin family's habitats, Edward occasionally emerges onto dry land, showcasing remarkable underwater agility for his scale. Depicted as a , wingless entity resembling a massive with a shell-like house on its back, Edward's imposing form belies a gentle disposition; he takes deliberate care to avoid trampling smaller creatures during land excursions. In the story, Moominpappa and his companion Hodgkins seek Edward's aid to launch their boat, Oshun Oxtra, from a boatyard by enlisting him to tow it into the water, highlighting his utility as a benevolent giant. Edward's interactions underscore themes of unlikely alliances in Jansson's work, where his prodigious strength serves cooperative ends without aggression. He swims habitually close to the Moomins' bathing areas, integrating into their coastal environment as a passive yet awe-inspiring presence. No further canonical appearances occur beyond this , positioning him as a episodic figure tied to Moominpappa's youthful adventures.

Emma

Emma is a minor character in Tove Jansson's Moominsummer Madness, the fifth novel in the Moomin series, originally published in Swedish as Hattivattnarnas stad in 1954. She serves as the proprietor of an abandoned theater discovered by the Moomin family amid a valley-wide flood triggered by volcanic activity. Depicted as an elderly, grey, wrinkled rat with an initially angry and solitary disposition, Emma reacts with fury to the Moomin family's intrusion into her domain, complaining about their lack of theatrical knowledge and the poor quality of food they bring. Over time, her bitterness softens into a more patient and calm attitude as she engages with the newcomers. Emma collaborates with Moominpappa to co-write a play, which the family rehearses and performs in her theater; she demonstrates tolerance during the chaotic , guiding them despite persistent errors and improvisations. Her background includes to the deceased stage manager Fillyjonk, making the recurring Fillyjonk character her late husband's niece.

Fuzzy

Fuzzy (Swedish: Sås-djuret) is a minor character in Tove Jansson's Moomin series, debuting in the novel Moominpappa's Memoirs (Moominpappans memoarer). She marries the during an adventure recounted by Moominpappa, establishing her as his devoted spouse and the mother of their son, Sniff. Though briefly depicted, Fuzzy embodies domestic contentment amid the series' whimsical escapades, contrasting the Muddler's scatterbrained nature. Fuzzy resides with the in a repurposed coffee jar, reflecting the eccentric habitats common among peripheral inhabitants. Her defining trait is an avid collection of saucepans, underscoring a quirky fixation paralleling the Muddler's button-hoarding. Despite this, she plays no active role in later Moomin narratives, with Sniff raised primarily by the Moomin family rather than his parents. This arrangement highlights the series' theme of fluid, chosen familial bonds over biological ties.

Gaffsie

Gaffsie (Swedish: Gafsan; Finnish: Louska) is a minor character in Tove Jansson's Moomin series, depicted as the sole friend of Mrs. Fillyjonk, a fillyjonk known for her rigid adherence to routine and fear of chaos. She embodies a pragmatic, somewhat detached demeanor in contrast to Mrs. Fillyjonk's neurotic preparations, arriving for a scheduled visit laden with conventional social offerings like cakes. Gaffsie debuts in the "The Fillyjonk Who Believed in Disasters," published in the 1962 collection Tales from (English translation 1963), where Mrs. Fillyjonk's escalating anxiety over potential catastrophes—such as typhoons, tornadoes, or sandstorms—culminates in a real whirlwind destroying her home, leading to her unexpected liberation. During the visit, Mrs. Fillyjonk internally dismisses Gaffsie as "a jackass" and "a silly woman with cakes and pillow-slips," underscoring their strained, formal friendship rooted in social obligation rather than deep affinity. She reappears in the same volume's story "The Fir Tree," involving a family quest for a holiday tree that involves gifting an item to Gaffsie's daughter, further portraying her as part of the fillyjonk social circle with familial ties. Gaffsie is also referenced in later works like (1970) and (1970), though without prominent roles, suggesting her significance lies in illustrating the insular, propriety-driven world of fillyjonks. Illustrations and adaptations, including comic strips by Lars Jansson, often depict Gaffsie with distinctive pinkish hair and a composed, aunt-like appearance, aligning with the series' anthropomorphic animal-human hybrids. Her name derives from Swedish gafsa, implying chatter or gossip, which subtly hints at her role in polite, superficial exchanges.

Grandpa Grumble

Grandpa Grumble (Swedish: Onkelskruttet) appears exclusively in Tove Jansson's 1970 novel Moominvalley in November, the final book in the Moomin series. He is depicted as an elderly wanderer, over 150 years old by his own vague recollection, afflicted with significant memory loss that prevents him from remembering his original name or past life details. Adopting "Grandpa Grumble" as a self-chosen moniker, he embodies a grumpy, obstinate temperament, often fixating on trivial distinctions like classifying a fishing spot as a "brook" rather than a "stream." In the story, Grandpa Grumble arrives at the Moominhouse seeking the absent Moomin family, drawn by nostalgic memories of the valley as a place of comfort from his youth. He interacts reluctantly with other unexpected visitors—, the Fillyjonk, the Hemulen, Toft, and the Mymble—resisting communal efforts such as spring cleaning while pursuing solitary obsessions, including fishing and an elusive quest to encounter a mythical "" figure. His reveals aversion to uncomfortable topics, as when he sighs and demands silence on matters he dislikes. Grandpa Grumble's cane-dependent mobility and cheerful acceptance of his senility highlight his independence amid decline, contributing to the novel's exploration of absence, adaptation, and the passage of time without the central present. He departs the valley on his own terms, underscoring a persistent, if irritable, sense of adventure.

Miffle

Miffle is a minor character in Tove Jansson's Moomin series, introduced as a small, timid girl in the 1960 Who Will Comfort Toffle? (Swedish: Vem ska trösta Knyttet?). She resides alone in a remote house by the sea, plagued by fear of the dark, strange noises, and the looming presence of , a shadowy, anxiety-inducing creature. In a desperate bid for companionship, Miffle composes a plea for help and seals it in a bottle, casting it into the waves. The protagonist Toffle, himself a shy and isolated figure, discovers the bottle and embarks on a perilous journey to rescue her, ultimately confronting to free Miffle from her terror. Their encounter fosters mutual comfort, transforming their shared loneliness into friendship; the story concludes with the pair affirming their bond and venturing toward together. Jansson's depiction emphasizes themes of overcoming fear through connection, with Miffle's vulnerability mirroring Toffle's to highlight incremental courage. Unlike recurring Moominvalley inhabitants, Miffle appears solely in this standalone tale, which notably omits the core Moomin family while retaining the series' atmospheric setting. Jansson leveraged the character's appeal by inviting readers to send letters to Miffle's address, resulting in an influx of fan mail that underscored the book's resonance with isolated children. This interactive element, drawn from Jansson's observations of fan responses to Toffle, reinforced Miffle's role as a symbol of sought-after solace.

Misabel

Misabel is a in Tove Jansson's Moomin series, first introduced in the 1954 novel Moominsummer Madness. She is depicted as a small, insecure young female with straight dark hair parted in the middle, characterized by persistent , , and a tendency toward dramatic emotional displays. In Moominsummer Madness, Misabel encounters the Moomin family during a that strands them in an abandoned theater; initially miserable and withdrawn, she discovers a talent for , transforming through interaction with the group and participating in improvised performances that culminate in a communal play. This novel marks her sole major appearance in Jansson's prose works, where her arc emphasizes themes of personal growth amid adversity. Subsequent portrayals in Jansson's comic strips, starting with the 1956 strip "Moominmamma's Maid," reframe Misabel as the Moomin family's domestic helper, often accompanied by her timid dog Sorry-oo. Here, she exhibits heightened , suspicion, and caution—particularly in household tasks like cleaning—while relying on Snorkmaiden for encouragement to overcome her depressive tendencies. These comics highlight her as a foil to the ' carefree nature, underscoring contrasts in temperament and routine.

Muddler

The (Swedish: Rådd-djuret) is a minor character in Tove Jansson's Moomin series, introduced in the 1950 novel Moominpappa's Memoirs (Muminpappans memoarer). He serves as a companion to Moominpappa during his youthful adventures and is characterized by chronic anxiety and absent-mindedness, often leading him to fret over trivial matters or misspell words, such as naming the expedition ship Havsorkestern as Haffsårkestern. Depicted as a small creature with a , the dresses in ragged clothes, frequently wears a pan on his head for unclear reasons, and chooses to live inside a discarded tin, reflecting his disorganized lifestyle. His defining trait is an obsessive compulsion to collect buttons, though his results in him repeatedly losing them along with other possessions; this habit underscores his shy, scatterbrained nature, where he prioritizes hoarding over practicality. As the nephew of the inventor Hodgkins, the joins a nautical expedition crewed by Moominpappa, Hodgkins, and the Joxer, during which he encounters and marries Fuzzy (Såsdjuret), a similarly diminutive and vague character. The couple becomes the parents of Sniff (Nipsu), a opportunistic young creature who abandons them to live with the Moomin family in , highlighting the Muddler's parental detachment. He does not appear in subsequent Moomin stories, remaining a one-off figure emblematic of Jansson's portrayal of eccentric, peripheral valley inhabitants.

References

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