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Bogeyman
Bogeyman
from Wikipedia

Goya's Que viene el Coco (Here Comes the Boogeyman/The Boogeyman Is Coming), c. 1797

The bogeyman (/ˈbɡimæn/; also spelled or known as bogyman,[1] bogy,[1] or bogey,[1] and boogeyman in the United States and Canada)[1] is a mythical creature typically used to frighten children into good behavior. Bogeymen have no specific appearances, and conceptions vary drastically by household and culture, but they are most commonly depicted as masculine, androgynous or even feminine monsters that punish children for misbehaviour.[2] The bogeyman, and conceptually similar monsters, can be found in many cultures around the world. Bogeymen may target a specific act or general misbehavior, depending on the purpose of invoking the figure, often on the basis of a warning from an authority figure to a child. The term is sometimes used as a non-specific personification of, or metonym for, terror – and sometimes the Devil.[3]

Etymology

[edit]

The word bogeyman, used to describe a monster in English, may have derived from Middle English bugge or bogge, which means 'frightening specter', 'terror', or 'scarecrow'. It relates to boggart, bugbear (from bug, meaning 'goblin' or 'scarecrow' and bear) an imaginary demon in the form of a bear that ate small children. It was also used to mean a general object of dread. The word bugaboo, with a similar pair of meanings, may have arisen as an alteration of bugbear.[4] Bogeyman itself is known from the 15th century, though bogeyman stories are likely to be much older.[5]

The word has equivalents in many European languages as bogle (Scots), púca, pooka or pookha (Irish), pwca, bwga or bwgan (Welsh), bucca (Cornish), buse or busemann (Norwegian), puki (Old Norse), bøhmand or bussemand (Danish), bûzeman (Western Frisian), boeman (Dutch), boeboelaas (Surinamese Dutch), Butzemann (German), Böölimaa (Swiss German), Babay/Babayka, búka (Russian), bauk (Serbian), bubulis (Latvian), baubas (Lithuanian), bobo (babok, bebok) (Polish), buba/gogol (Albanian), bubák (Czech), bubák (Slovak), bebok (Silesian),[6] papão (Portuguese), bampoúlas (Greek), babau (also uomo nero, meaning black man) (Italian), babáj (Ukrainian),[citation needed] baubau (Romanian), papu (Catalan), and mumus (Hungarian).

Physical description

[edit]

It is often described as a dark, formless creature with shapeshifting abilities. The bogeyman is known to satiate its appetite by snatching and consuming children.[7] Descriptions of the bogeyman vary across cultures, yet there are often commonalities between them including claws/talons, or sharp teeth. The nature of the creature also varies from culture to culture, although most examples are said to be a kind of spirit, with demons, witches, and other legendary creatures being less common variants. Some are described as having animal features such as horns, hooves, or a bug-like appearance.[8][unreliable source?]

Other putative origins

[edit]

Because of the myth's global prevalence, it is difficult to find the original source of the legends. The Bogeyman was first referenced for the hobgoblins described in the 16th century England. Many believed that they were made to torment humans, and while some only played simple pranks, others were more foul in nature.[8][unreliable source?]

Cultural variants

[edit]

Bogeymen, or bogeyman-like beings, are common to the folklore of many cultures, with numerous variations and equivalents.

Sack Man

[edit]

The Sack Man is a variant of the Bogeyman folklore which, as its name suggests, stuffs children into a sack. It predominantly exists in the culture of Latin American countries, such as Argentina, Uruguay, Chile, Paraguay and Brazil; as well as in Iberian culture (Spain and Portugal), where the variant originated and whence it was brought over to the Americas through colonization.

It is sometimes referred to as el hombre del costal, el hombre de la bolsa, el hombre del saco, or in Portuguese, o homem do saco; all such names meaning either "the sack man" or "the bag man". It may also be known as el viejo del saco (in Spanish) or o velho do saco (in Portuguese), which mean "the old man with the sack". Another Spanish-language variation is el roba-chicos, "the child-stealer".

Similar legends are present in Eastern Europe (e.g. Bulgarian Torbalan, "sack man"), as well as in Haiti and some countries in Asia.[9][failed verification]

El Coco

[edit]

El Coco (also El Cuco and Cucuy, sometimes called El Bolo) is another version of the Bogeyman, common to many Spanish-speaking countries. The Cuca Fera [ca] (or Cucafera) monster is the equivalent in certain parts of Catalonia.

In Spain, parents will sing lullabies and tell rhymes to children, warning them that if they do not sleep, El Coco will come to get them. The rhyme originated in the 17th century and while it has evolved over the years, it has still retained its original meaning to this day. Coconuts (Spanish: coco) received their name because of the hairy, brown "face" created by the coconut shell's three indentations, which reminded the Portuguese sailors of "Coco".

Latin America also has El Coco, although its folklore is different, commonly mixed with native beliefs and, because of cultural contacts, sometimes more closely related to the US version of the Boogeyman. However, the term El Coco is also used in Spanish-speaking Latin American countries, such as Bolivia, Colombia, Guatemala, Peru, Mexico, El Salvador, Honduras, and Venezuela, although there it is more usually called El Cuco, as in Puerto Rico, the Dominican Republic, Chile, Uruguay, Panama and Argentina.

Among Mexican-Americans, El Cucuy is portrayed as an evil monster that hides under children's beds at night and kidnaps or eats those who do not obey his/her parents by going to sleep when it is time to do so. However, the Spanish American bogeyman does not resemble the shapeless or hairy monster of Spain: social sciences professor Manuel Medrano says popular legend describes el cucuy as a small humanoid with glowing red eyes that hides in closets or under the bed. "Some lore has him as a kid who was the victim of violence... and now he's alive, but he's not," Medrano said, citing Xavier Garza's 2004 book Creepy Creatures and other Cucuys."[10]

Cuca

[edit]

In Brazilian folklore, a similar character called Cuca is depicted as a female humanoid alligator, or an old lady with a sack. There is a lullaby sung by many parents to their children that says that the Cuca will come to get them and make a soup, or soap out of them if they do not sleep, just as in Spain. The Cuca is also a character of Monteiro Lobato's Sítio do Picapau Amarelo ("Yellow Woodpecker's Farm"), a series of short novels written for children which contain a large number of characters from Brazilian folklore.[11]

Babau

[edit]

In the countries of central and Eastern Mediterranean, children who misbehave are threatened with a creature known as "babau" (or "baubau", "baobao", "bavbav", or بعبع "Bu'Bu'" or similar). In Italy, the Babau is also called l'uomo nero or "black man". In Italy, he is portrayed as a tall man wearing a heavy black coat, with a black hood or hat which hides his face. Sometimes, parents will knock loudly under the table, pretending that someone is knocking at the door, and say something like: "Here comes l'uomo nero! He must know that there's a child here who doesn't want to drink his soup!". It is also featured in a widespread nursery rhyme in Italy: "Ninna nanna, ninna oh, questo bimbo a chi lo do? Lo darò all' uomo nero, che lo tiene un anno intero." (English: "Lullaby Lulla Oh, who do I give this child to? I will give him to the Boogeyman, who's going to keep him for a whole year") L'uomo nero is not supposed to eat or harm children, but instead takes them away to a mysterious and frightening place.[12][unreliable source?]

Butzemann

[edit]

German folklore has dozens of different figures that correspond to the Bogeyman. These have various appearances (such as of a gnome, man, animal, monster, ghost or devil). They are sometimes said to appear at very specific places (such as in forests, at bodies of water, cliffs, cornfields or vineyards). These figures are called by many different names, which are often only regionally known. One of these, possibly etymologically related to the Bogeyman, is the Butzemann [de], which can be of gnome-like and other demonic or ghostly appearance.[13][unreliable source?] Other examples include the Buhmann (who is mostly proverbial) and der schwarze Mann ("The Black Man"),[14][verification needed] an inhuman creature which hides in the dark corners under the bed or in the closet and carries children away. The figure is part of the children's game Wer hat Angst vorm schwarzen Mann? ("Who is afraid of the bogeyman?").

Other examples

[edit]
  • Afghanistan – The Madar-i-Al is a nocturnal hag that slaughters infants in their cribs and is invoked to frighten children into obedience. Burning wild rue seeds and fumigating the area around the baby is believed to offer protection against her.[15]
  • Albania – The Buba is a serpentine monster. Mothers would tell their children to be quiet or the Buba would get them.[16] The Gogol is a terrible giant that frightens children into being good.[17] The Lubia is a female demon with an insatiable appetite for the flesh of children, especially girls. She has many heads, from seven to a hundred, and like the Greek hydra if one head is severed then others will grow in its place.[18]
  • Algeria - The H'awouahoua is a chimeric monster made from various animal parts and eyes of flaming spit. Algerian parents warn their children to behave or the H'awouahoua will come for them and eat them and use their skin to mend his coat that's made of human skin.
  • Azerbaijan – The Div is a hairy giant that eats children. It was outsmarted and defeated by a clever young boy named Jirtdan, a popular hero in Azerbaijani fairy tales.[19]
  • BelizeTata Duende is a mythical goblin described as being of small stature, with a beard, wrinkles, backwards feet, a large brimmed hat, and lacking thumbs. He is the protector of the forests and animals and was used to scare children from going out to play at night or going into the jungle, but he can also help those who are lost, who want to learn music or who want to find fortune.[20][unreliable source?]
  • Bosnia and Herzegovina, Croatia, Serbia and North MacedoniaBabaroga (a South Slavic variant of Baba Yaga; baba meaning hag and rog meaning horn, thus literally meaning horned hag) is commonly attributed the characteristics of the bogeyman. The details vary regionally and by household due to oral tradition, but it always manifests as a menacing hag who hunts irreverent children. It is described as fond of trapping and eating caught children.[21]
  • Brazil and Portugal – A monster more akin to the Bogeyman is called Bicho Papão ("Eating Beast") or Sarronco ("Deep-Voiced Man"). A notable difference between it and the homem do saco is that the latter is a daytime menace and "Bicho Papão" is a nighttime menace. Another important difference is that "Homem do Saco" ("Sack Man") usually kidnaps children who go to places without parents authorization, while "Bicho Papão" scares naughty children and hides under their beds, closets or roofs.[22][unreliable source?]
  • In Inuit religion, there is a shapeshifter called the Ijiraq which is said to kidnap children, hide them away, and abandon them. If the children can convince the Ijiraq to let them go, they can use inukshuk to find their way home.[23] Within Inuit mythology, there is also the Qallupilluit, human-like creatures with long fingernails, green skin, and long hair that live in the sea. They carry babies and children away in their parkas if the children disobey their parents and wander off alone close to the water. The Qalupalik adopt the children and bring them to live with them underwater.[24]
  • Canada – Within the culture of French Canadians the Bogeyman is called Bonhomme Sept Heures [fr] (En: The Seven O'Clock Man). Children are cautioned to go to bed by 7 pm, or else be taken by The Seven O'Clock Man.
  • China, Hong Kong and Macau – Among Cantonese people, 鴉烏婆 (Jyutping: aa1 wu1 po4), roughly meaning "ugly old woman" or "the crow", is an old hag or crow-like monster that kidnaps children, used to scare disobedient children.[25][26]
  • Cyprus – In Cypriot Greek, the Bogeyman is called Kkullas (Κκουλλάς); a man (vaguely described as hooded and/or deformed) who will put misbehaving children in a bag and take them away from their homes.[citation needed]
  • Czech Republic – The equivalent of the Bogeyman in the Czech Republic is bubák (≈ imp) or strašidlo (≈ ghost), but these are not typically connected with abducting children nor with discriminating between well and bad behaved ones. This is more often attributed to polednice[27][unreliable source?] and klekánice (Lady Midday), or to the čert (Krampus, or lit. devil) who, along with St. Nicholas is traditionally believed to visit families on December 5.[28][unreliable source?]
  • Egypt – The "Abu Rigl Maslukha" (ابو رجل مسلوخة), which translates to the "Man With Burnt/Skinned Leg". It is a story that is traditionally told by parents when children misbehave. It is a monster said to have been burnt as a child because he did not listen to his parents. He grabs naughty children to cook and eat them.[29][unreliable source?]
  • England:
    • In East Yorkshire, children were warned that if they stole from orchards they might be eaten by a creature called Awd Goggie.[30][31]
    • Yorkshire children were also warned that if they were naughty the Great Black Bird would come and carry them away.[32][33]
    • In Devon, local versions of Spring-Heeled Jack included a "bogeyman" that "danced in the road and leapt over hedges with the greatest of ease"[This quote needs a citation], with reported sightings in North Devon[34] and locals describing "haunted" stretches of road in the South Devon towns of St Marychurch and Torquay, beginning in the 1840s.[35]
    • The Gooseberry Wife was said to guard gooseberry bushes on the Isle of Wight and took the form of a large hairy caterpillar.[31]
    • Churnmilk Peg in West Yorkshire was a female goblin who guarded nut thickets until they could be harvested and would always be seen smoking a pipe. Melsh Dick was her male counterpart and performed the same function.[31]
    • Tom Dockin had iron teeth that he used to devour bad children.[31]
    • Black Annis was a hag with a blue face and iron claws who lived in a cave in the Dane Hills of Leicestershire. She ventured forth at night in search of children to devour.[36][37]
    • Grindylow, Jenny Greenteeth and Nelly Longarms were grotesque hags who lived in ponds and rivers and dragged children beneath the water if they got too close.[38]
    • Peg Powler is a hag who is said to inhabit the River Tees.[39]
    • Other nursery bogies include Mumpoker, Tankerabogus who drags children into his deep, dark pit and Tom-Poker who lives in dark closets and holes under stairs.[31]
  • Finland – The equivalent of the Bogeyman in Finland is mörkö, often depicted as a dark and hairy creature that may or may not be humanoid. A contemporary usage of the word is in Moomin-stories (originally written in Swedish) in which mörkö (the Groke) is a large, frightening, dark blue, ghost-like creature.
  • France – The French equivalent of the Bogeyman is le croque-mitaine ("the mitten-biter" or "the hand-cruncher").[40]
German game Der schwarze Mann, Philadelphia 1907.
  • Germany – The Bogeyman is known as Der schwarze Mann ("the Black Man"). The word black/schwarz does not refer to the color of his skin, but rather to his preference for hiding in dark places, such as in the closets or under the beds of children.[22][unreliable source?] There is also a folk game played by young children called "Wer hat Angst vorm schwarzen Mann?" (Who is afraid of the Black Man?), which is equivalent to the English game British Bulldog, and a folk song called "Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum" (A Bi-Ba-Bogeyman Dances Around in Our House).[41]
  • Greece – In Greek culture, there exists a mythical creature called Baboulas (Greek: Μπαμπούλας). It is used by parents to scare children into behaving. It is said to be some kind of cannibal which eats children. A common phrase involving it is: "Greek: Ο Μπαμπούλας θα έρθει και θα σε φάει", meaning "The Bogeyman will come and eat you".[citation needed]
  • Haiti – In Haiti, a Bogeyman-like entity exists known as Mètminwi / The Master of Midnight. It is depicted as a skinny, extremely tall man who walks around late at night and eats those on the streets. The story is told to children to deter them from going out late.[42]
  • Hungary – The Hungarian equivalent of the Bogeyman is the Mumus, which is a monster-like creature, as well as the Zsákos Ember, literally meaning "a man with a sack". A third creature is the Rézfaszú bagoly ("Copperpenis Owl"), a giant owl with a copper penis.[43]
  • Iceland – The Icelandic equivalent of the Bogeyman is Grýla, a female troll who is said to take and eat misbehaving children on Christmas Eve, despite supposedly having been dead for some time. She is also the mother of the Yule Lads, an Icelandic equivalent of Santa Claus.[44]
  • India – In India, the entity is known by many names across the subcontinent's numerous cultures. Urdu speaking peoples refer to Bogeyman-like creatures by names including Shaitan, Bhoot and Jin Baba. Hindi speakers call them Baba and Bhoot. In Bihar, parents use a demon named Bhakolwa as a Bogeyman. The terms Petona and Kaatu are also used.[citation needed] In Rajasthan, parents use the name Haboo. In Karnataka, the demon Goggayya (roughly meaning "terrible man") is a Bogeyman counterpart. In the state of Tamil Nadu, Rettai Kannan (the two-eyed one) or Poochaandi (பூச்சாண்டி) are equivalents. In Andhra Pradesh, the equivalent of the bogeyman is Boochodu. In central Kerala, the bogeyman is referred to as "Kokkachi", who is said to take away disobedient children. In South Kerala, the bogeyman is called "Oochandi". Among Konkani speakers on India's western coast, "Gongo" is the Bogeyman equivalent. Among Marathi speaking people (predominantly in Maharashtra), parents threaten the misbehaving children with a male ghost called "Bāgul Buā" (बागुल बुवा). In general, the "Buā" is supposed to kidnap children when they misbehave or do not sleep.[citation needed] In the eastern state of Odisha, the Bogeyman is a ghost figure called "Baaya" (ବାୟା). In West Bengal among Bengali speaking people, the equivalent is Juju (জুজু).
  • Indonesia – In Indonesian mythology, particularly on Java, Wewe Gombel is a benevolent ghost which takes away children mistreated by their parents. She keeps the children in her nest atop a palm tree and takes care of the children until the parents decide to mend their ways. If they truly want their children back, Wewe Gombel will return them unharmed.
  • Iran – In Iran, a popular children's folklore creature known as "لولو خورخوره" (Lulu Khor-Khore). Perception of it varies widely, but it's commonly represented as coming out at night and eating misbehaving children.
  • Iraq – Iraqi folklore has the saalua, a half-witch half-demon ghoul that "is used by parents to scare naughty children". She is briefly mentioned in a tale of the 1001 Nights, and is known in some other Persian Gulf countries as well.[citation needed]
  • Ireland – In Ireland, "An fear dubh" is similar to "L'uomo nero" in Italian folklore.
    • Petticoat Loose is the shade of a woman, damned for killing her children who haunted the South of Ireland.[45]
  • Italy – In Italy, "L'uomo nero" (meaning "the black man") is a demon that can appear as a black man or black ghost without legs, often used by adults for scaring their children when they do not want to sleep. In some parts of the country, it is known also as "babau".[46][better source needed]
    • Marabbecca is a malevolent water monster from the mythology of Sicily that was said to reside in wells and reservoirs and to come up and drag children in that played too close to the water.[citation needed]
  • Latvia – referred to as the "Bubulis", an abstract masculine evil being that comes for disobedient children.
  • Lithuania – referred to as the Baubas, an evil spirit with long lean arms, wrinkly fingers, and red eyes. He harasses people by pulling their hair or stifling them.[22][unreliable source?]
  • LuxembourgDe béise Monni (the evil uncle), De Kropemann (the hookman), De Bö, and de schwaarze Mann (the black man) are Luxembourg's equivalents of the Bogeyman. Luxembourg's many variations of the bogeyman may be the result of the strong influence of neighboring cultures. The Kropemann is said to live in the sewer, using his hook to catch children by the nose if they stand too close to a storm drain. Children may also be warned of the béise Monni / schwaarze Mann, will come to take them away if they don't behave.[citation needed]
  • Malta – The Kaw Kaw / Gaw Gaw is said to be a gray slimy male humanoid creature which roams the streets at night. It smells guilt and enter the homes of guilty people, supposedly through cracks and fissures and by extending and contracting its snail-like body. Once inside, it is said to smile uncannily and terrify victims to death. There is also the Il-Belliegħa (the swallowing whirlpool), a female humanoid monster who can shapeshift into a giant serpentine eel-like monster with the face of a monstrous fish and a humanoid arm-like tail with seven fingers who she uses to pull down children who looks down on her wells, or sometimes her long frog-like tongue, but also subsists worms and eels if children are unavailable. [citation needed]
Plaque at Itum Bahal, Kathmandu showing Gurumapa
  • Nepal – In Nepali culture, a popular bogeyman-like figure is hau-guji. Among the Newar people, the "Gurumapa" is a mythical ape-like creature who is said to enjoy devouring children, but is easily reasoned with. In central Kathmandu, at Itum Bahal, in front of the Bhadrakali Temple, is a plaque associated with Gurumapa.[47]
  • Netherlands – The Bokkenrijders or "buck riders" are ghostly thieves who ride flying goats.[48]
  • Pakistan – The Mamma is a large apelike creature that lives in the mountains and ventures forth to kidnap young girls. He will carry them back to his cave where he licks their palms and the soles of their feet which makes them permanently unable to flee.[15]
  • Panama – In Panama, children are warned that if they are naughty, La Tulivieja will come to get them. She is said to be a spirit cursed by God for drowning her child, and transformed into a hideous monster with a pockmarked face, long and bristly hair, clawed hands, a cat's body, and hoofed feet. She was also cursed to forever look for her drowned child.[citation needed]
  • PolandBaba Jaga is a mythological forest who is said to kidnap badly behaving children and eats them. In some regions (mainly in western Poland) a more common creature is Bebok/Bobo, which in Polish folk beliefs was a small, ugly, annoying and mischievous owl-like creature who was used to scare children in order to discipline them. He is imagined as a small shaggy man wielding a stick or cane with an unnaturally large head, horse hooves and a huge sack into which he throws naughty children.
  • Russia and Ukraine – Children are warned of Babay/Babayka,[49] buka and Baba Yaga, who are said to come for them at night if they misbehave.
  • Saudi ArabiaAbu Shalawlaw (أبو شلولو) is a Bogeyman-like creature said by parents to come to eat children who are disobedient, e.g., by not going to sleep on time or not completing their homework.
    • Hejaz, Saudi Arabiaأمنا الغولة والدوجيرة or "Dojairah and Umna al Ghola", which means "Our mother the Monster", is used to scare children when they misbehave or walk alone outside.
  • Scotland - Misbehaving children were warned that a goblin or demon known as the bodach would come down the chimney and take them.[31][36]
    • The each-uisge is the Scottish version of the water horse, a monster that lives in seas and lochs and usually takes the form of a horse. A cautionary tale tells how the each-uisge persuaded seven little girls to get on its back before carrying them into the water to be devoured.[50]
  • Serbia – The Bauk is an bear-like mythic creature in Serbian folklore. Bauk is described as hiding in dark places, holes or abandoned houses, waiting to grab, carry away, and devour its victim; it has a clumsy gait and it can be scared away by light and noise.[citation needed]
  • South Africa – The Tokoloshe or Tikoloshe is a dwarfish creature of Xhosa and Zulu mythology said to be summoned by sangomas, a traditional healer of the region. It wanders around causing mischief and frightening children.[51] It is also described as a small, muscular, hairy witch-familiar with an unusually large penis which visits women in their dreams and sexually assaults them.[52]
  • South Korea – The "Net Bag Grandfather" (Mangtae Hal-abeoji, 망태 할아버지) is an imaginary old man employed by adults to frighten children into obedience. It is said that he kidnaps spoiled, misbehaving children and takes them away to the mountains, where they are never seen again.
  • Spain
  • Sri Lanka - In Sri Lanka, the creature is called the Goni Billa, which originated from when India was kidnapping Sinhalese people for slavery in about 130–150 AD. They would put sacks on their heads (Goni in Sinhalese) and kidnap the Sri Lankans at night.
  • Switzerland – In Switzerland, the Bogeyman is called Böllima or Böögg and has an important role in springtime traditions. The figure is a symbol of winter and death, and in the annual Sechseläuten ceremony of Zürich, a figure of the Böögg is burnt. In Southern Switzerland, people have the same traditions as in Italy.[22][unreliable source?]
  • Syria – Principally in Syria, but also in bordering countries such as Lebanon and Turkey, parents warn at bedtime to go to sleep or King Richard the Lionheart will get them. The image of the English King Richard the First as a bogeyman in the Middle East has existed since the Third Crusade.[citation needed]
  • Taiwan – The Grandmother/Aunt Tiger (Chinese: 虎姑婆; Pe̍h-ōe-jī: hó͘-ko͘-pô) is a figure used to scare disobedient children.[54]
  • Tanzania – Zimwi is a figure of Swahili folklore used to scare disobedient children.[55]
  • Trinidad and Tobago – Most Trinbagonians (mostly rural peoples) use folklore to scare disobedient children. The most common beings invoked are the Jumbee. Some "jumbies" are the Soucouyant, Lagahoo, La Diablesse, Papa Bois, etc. Bogeyman is also used in the same way, but it is more common in the cities. It is also called "The Babooman".[citation needed]
  • Turkey – The Öcü ([œˈdʒy]) is an equivalent monster in Turkish culture. Much like its English language counterpart, the form, powers, or even general temperament of the creature is undefined to the degree that it is unclear whether the word refers to a single being or a category or species of mythic creatures.[22][unreliable source?]
  • United Arab Emirates - Children were scared with Om Al-Khadar wa Alleef (أم الخضر واللّيف), which means "Mother of Vegetables and Fiber". This name is used in both the UAE and in some neighboring countries like Bahrain. This mythical humanoid female creature is used by parents to make their children stay inside after sunset and go to sleep, along with getting them to eat their vegetables. The name was inspired by the palm tree because of the scary sounds it makes when the wind blows, and because it is tall and its leaves are so long that it resembles a woman.[56]
  • United States – The Bogeyman may be called "Boogerman" or "Boogermonster" in rural areas of the American South ("booger" being an American English equivalent of the British English "bogey"), and was most often used to keep young children from playing outside past dark, or wandering off in the forest. During the Green Corn Ceremony, young Cherokee boys wearing caricature masks would make fun of politicians, frighten children into being good, and shake their masks at young women and chase them around. Male participants in this "Booger Dance" were referred to as the "Booger Men".[57] In some Midwestern states, the boogeyman scratches at the window. In the Pacific Northwest, he may manifest in "green fog". In other places he hides or appears from under the bed or in the closet and tickles children when they go to sleep at night, while in others he is a tall figure in a black hooded cloak who puts children in a sack. It is said that a wart can be transmitted to someone by the boogeyman.[citation needed]
    • The Jersey Devil, which originated in the Pine Barrens of New Jersey in the early 18th century, was originally described as having a horse's head, bat wings, cloven hooves, and a serpent's tail. Regarding the famous Jersey Devil sightings of 1909, Loren Coleman and Ivan T. Sanderson offered the explanation that they were part of an elaborate real estate hoax, used by developers as a boogeyman figure to frighten residents into selling their property at lower prices.[58][unreliable source?]
    • Bloody Bones, also known as Rawhead or Tommy Rawhead, is a boogeyman of the American South.[59] Rawhead and Bloody Bones are sometimes regarded as two individual creatures or two separate parts of the same monster. One is a bare skull that bites its victims and its companion is a dancing headless skeleton.[60] Bloody Bones tales originated in Britain.[31]
    • The Nalusa Falaya ("Long Black Being") is a ghost being of Choctaw mythology described as a tall spindly humanoid that can slither like a snake or become a shadow. It may frighten children from staying out too late and can bewitch hunters.[61]
    • Cipelahq (or Chebelakw) is a dangerous bird spirit of Wabanaki folklore, used in stories to scare children into obeying their parents. Chebelakw has an unearthly cry and resembles a large diving owl, with only its head and talons visible. Similar monsters called Stinkini and Big Owl were found in Seminole and Apache mythologies, respectively.[62]
  • Vietnam – In Vietnam, the Ông Ba bị, Ông kẹ or Ngáo ộp is a creature often used by adults to scare children if they disobey. The Ông Ba bị is described as having nine jaws and twelve eyes ("Ba bị chín quai mười hai con mắt").[63]
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In the 1973 short story "The Boogeyman" by Stephen King, a titular monster kills the children of the protagonist, Lester Billings, driving him into a mental breakdown.[64]

In several movies, the Bogeyman is portrayed as a villainous, dark humanoid figure, such as Disney's The Nightmare Before Christmas (1993) (which featured Oogie Boogie) and DreamWorks' Rise of the Guardians (2012), among numerous others.

In the Disney Channel Original Movie, Don't Look Under the Bed, the Boogeyman who's portrayed by Scottish actor, Steve Valentine appears on camera causing mischief on The McCausland's roof. Frances discovers that this hideous mythical creature is her imaginary friend, Zoe in disguise who's portrayed by American actress, Rachel Kimsey. Larry Houdini (Eric "Ty" Hodges) who's the imaginary friend of her younger brother, Darwin McCausland makes Boogey Goo which scares Frances to death and transforms into a Boogeyman. The purpose of him transforming into this scary creature is to get kids and teens to stop believing in their imaginary friends.

See also

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References

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from Grokipedia
The Bogeyman is a shapeless, mythical monster figure in global folklore, primarily invoked to frighten children into obedience by threatening punishment for misbehavior, often lurking in dark places like closets or under beds. This archetypal entity embodies parental and societal efforts to enforce moral and social norms through fear, appearing in oral traditions, lullabies, and stories across cultures without a fixed form to heighten its terror. The origins of the Bogeyman trace back to ancient myths and medieval , where child-snatching monsters served as cautionary symbols, evolving from formless threats in tales to more defined figures in literature. Scholarly analysis links it to broader themes of mortality, creativity, and the dual role of scaring and lulling in child-rearing, as seen in Greek myths like devouring his offspring or the luring away 130 children in 1284 as punishment for communal greed. By the , the term "bogeyman" solidified in English literature as a disciplinarian, reflecting anxieties about abundance, , and the unknown. Cultural variations of the Bogeyman abound worldwide, adapting to local fears and traditions while retaining its core function of . In Germanic folklore, it manifests as , a horned demon who whips naughty children during , contrasting the benevolent . Latin American versions include El Cucuy (or El Coco), a shadowy that snatches disobedient kids at night, rooted in Iberian tales brought by colonizers. Russian lore features , a cannibalistic witch in a hut on chicken legs who tests and devours the unworthy, while jumbies and Indian bhoots represent restless spirits punishing the young. These iterations, from the French Croque-mitaine (bone-cruncher) to the Scottish , illustrate how the figure universalizes childhood fears of abandonment and the dark, empowering communities to teach resilience through ritualized terror.

Overview

Definition and Purpose

The bogeyman is a mythical, amorphous creature invoked by adults to frighten children into behavioral compliance, often embodying parental or broader societal norms designed to enforce . This folkloric figure functions primarily as a deterrent against misbehavior, such as refusing to go to bed, wandering off, or disobeying rules, through vague like "the bogeyman will get you" that leverage children's imaginations to promote obedience without specifying consequences. By personalizing the threat to immediate situations, it reinforces social expectations and standards in a non-violent manner. Prevalent across numerous cultures worldwide, the bogeyman adapts to local anxieties and traditions while consistently serving the role of punishing naughty children, as seen in parental narratives from diverse societies like the Masai and Iranian communities. Its universality underscores a shared strategy for child-rearing, where of the unknown is harnessed to instill caution and adherence to rules. Lacking a fixed physical form, the bogeyman allows tellers to tailor its description—such as a lurking shadow or monstrous shape—to heighten the terror for the listener. This flexibility ensures its enduring effectiveness as a tool for behavioral control. Specific cultural variants, like the Iberian El Coco, build on this foundational purpose by targeting disobedient children with similar admonitions.

Historical Context

The bogeyman first emerges in during the 15th and 16th centuries, primarily as a variant of hobgoblins and specters invoked in oral tales to discipline children by instilling fear of or abduction. Its trace back further to ancient myths, such as Greek tales of child-devouring figures like , evolving through medieval traditions of frightening entities used by parents and storytellers to enforce behavioral norms in agrarian societies. The English term itself traces to "bogge," denoting a haunting specter akin to a . From pre-industrial oral traditions, where the bogeyman circulated through communal to maintain , the figure evolved into documented forms with the rise of 19th-century printed collections. Collectors like the captured these motifs in tales such as "The Young Giant," where a father employs the bogeyman as a threat against a giant intruder to terrify his child, reflecting the transition from ephemeral narratives to preserved literary archetypes. This shift marked a broader documentation of disciplinary amid industrialization and expansion. Cultural exchanges during European colonialism and migration from the 18th to 19th centuries influenced some variants of the bogeyman, particularly in the where European concepts hybridized with indigenous mythologies, though analogous figures existed independently in many non-European cultures. Into the , the bogeyman endured in strategies, frequently appearing in threats to deter misbehavior, such as warnings of abduction for venturing alone. Early child-rearing literature and psychological observations noted its persistence despite emerging critiques of inducing undue anxiety, with studies linking such tactics to broader patterns of fear-based control in modern households.

Etymology and Origins

Linguistic Etymology

The term "bogeyman" derives from the compound "bogey" and "man," with its earliest recorded use dating to the in English, denoting a haunting specter or object of . The root "bogey" stems from Middle English "bugge" or "bogge," appearing around the late as a term for a frightening specter or goblin-like entity. This evolved into the modern compound "bogeyman" by the , when it became a standard reference to an imaginary monster used to scare children. Related English terms share this etymological foundation in "bugge." The "," a northern English variant first recorded in the 1560s, refers to a mischievous sprite or household spirit haunting specific locations. Similarly, "," attested from the 1580s, combines "bug" (an obsolete sense of or from "bugge") with "," originally evoking a bear-like that devoured children. Cross-linguistically, equivalents reveal patterns tied to Indo-European roots for ghosts or fear-inducing figures. In Welsh, "bwg" denotes a ghost, paralleling the "bugge" stem, while Scottish "bogill" similarly means goblin. German variants include "Buhmann" or "Butzemann," both meaning a frightening man or boogey, and French "babau," an ogre-like terror for children. Possible deeper connections trace to Old Norse terms like "púki" for a mischievous spirit, suggesting broader Indo-European motifs of spectral fear, with further parallels in other Indo-European languages such as Lithuanian "baubas" for a similar child-scaring entity. In modern usage, "bogeyman" has shifted from folklore to idiomatic English, often denoting a scapegoat or exaggerated threat, particularly in 20th-century political rhetoric where leaders invoke imaginary foes to consolidate power.

Historical and Mythological Origins

The bogeyman figure in European folklore is often theorized to have mythological roots in pre-Christian spirits and demons that embodied nocturnal fears and mischief. Scholars have proposed connections to Celtic fae creatures like the púca, a shapeshifting entity from Irish mythology known for its unpredictable and sometimes terrifying behavior toward humans, particularly in rural and harvest-related tales where it could lead children astray or assume monstrous forms to enforce moral lessons. Similarly, the Germanic alp, a malevolent spirit associated with nightmares and suffocation, shares traits with early bogeyman depictions as an invisible or shape-changing terror that preys on the vulnerable during sleep, reflecting broader Indo-European beliefs in household or night demons. These links suggest the bogeyman evolved from ancient animistic traditions where supernatural beings served as cautionary archetypes against disobedience or wandering at night. In 16th-century , the bogeyman crystallized as a distinct entity through terms like "," a or spectral bear-like monster invoked to frighten children into compliance, appearing in and oral tales as a devourer of the naughty. This development is evidenced in contemporary accounts where bugbears were tied to goblin-like "goblindom" figures from earlier medieval lore, blending pagan remnants with Christian moralizing to personify abstract dangers. Some theories extend this to historical metaphors, positing that bogeymen represented real threats such as medieval bandits who abducted children for or labor, transforming societal anxieties into mythic guardians of order during times of instability. Non-Western parallels indicate of child-snatching demons, independent of European influences. In ancient Mesopotamian mythology, —a daughter of the god depicted with a lioness head, donkey ears, and talons—was a vengeful demon who infiltrated homes to touch pregnant women's stomachs seven times, killing unborn children, or to abduct and devour newborns, embodying primal fears of and maternal peril. Such figures, documented in incantations and amulets from the 1st millennium BCE, parallel the bogeyman's role as a punitive specter without direct cultural transmission. Tracing the bogeyman's precise origins remains debated among folklorists due to its reliance on oral traditions, which fragmented and adapted across generations before written records emerged in the . Key 20th-century studies, such as and Peter Opie's analysis of British childhood lore, highlight how these figures persisted through rhymes and warnings, resisting linear historical mapping while underscoring their universal function in enculturating . Challenges arise from the syncretic nature of , where pre-Christian elements merged with later societal threats like plagues—personified in as skeletal reapers snatching lives—further obscuring mythic purity.

Characteristics and Depictions

Physical and Behavioral Traits

The bogeyman is commonly depicted in folklore as a shadowy, humanoid figure whose physical form is often indistinct or amorphous, allowing it to blend into darkness and exploit children's fears of the unknown. Descriptions frequently portray it as tall and looming, sometimes as high as a wall or steeple, with elongated limbs or sinewy arms suited for grasping. It may appear clad in ragged or tattered clothing, or entirely black-skinned, emphasizing its association with night and concealment in hidden spaces such as closets, under beds, or wardrobes. In some traditions, it possesses monstrous features like claws, sharp teeth, or a protruding red tongue, enhancing its menacing silhouette without a fixed, universal appearance. This vagueness in form contributes to its adaptability across narratives, often rendering it invisible until it chooses to reveal itself. Behaviorally, the bogeyman is characterized by nocturnal , emerging primarily at night to monitor and target disobedient children, whom it punishes through abduction or more severe means such as devouring or dragging them to an . It lurks in proximity to sleeping areas, waiting for opportunities to enforce or social rules by instilling terror and ensuring compliance through . Actions are typically malevolent and unpredictable, involving sudden appearances to seize or harm, often triggered by perceived misbehavior like staying up late or ignoring parental warnings. While not always fatal in intent, its interventions serve to correct deviance, sometimes by beating or terrifying the child into submission before vanishing. Variations in the bogeyman's form include animalistic elements, such as horns or furry appendages, which heighten its predatory nature, or ghostly intangibility that allows it to pass through barriers. It may to mimic objects or exploit specific phobias, such as appearing as a large, crawling entity or a chained specter rattling in the distance. Despite these shifts, it remains consistently malevolent, prioritizing over any benevolent role, and its presence is marked by an aura of inevitability that discourages resistance. Sensory elements amplify the bogeyman's terror, with accounts often including eerie sounds like groans, whispers, or clanking chains to signal its approach, building in the quiet of night. These auditory cues, combined with fleeting glimpses of its form, create a multisensory of dread that lingers in retellings.

Symbolic and Psychological Interpretations

The bogeyman serves as a potent of the unknown, embodying abstract fears such as abandonment, , and societal disruption that are difficult for children to articulate. In psychological terms, it personifies parental and societal mechanisms for enforcing control, transforming intangible anxieties into a tangible to encourage compliance and boundary-setting during . This symbolic role allows the figure to adapt across contexts, representing not just immediate dangers but deeper existential uncertainties, as seen in its evolution from warnings to modern metaphors for unresolved trauma. Psychological research highlights the bogeyman's dual impact on : it aids by teaching behavioral limits but can exacerbate anxiety if overused. A 2009 study in Child Development examined age and gender differences in children's fears of monsters, finding that younger children (ages 3-4) often rely on magical strategies to "scare away" imaginary threats, while older children (ages 5-7) and girls tend to use more cognitive approaches, such as reassurance or distraction, reflecting maturing emotional regulation skills. However, persistent exposure to bogeyman narratives may heighten nighttime fears or generalized anxiety, particularly in sensitive children, underscoring the need for balanced parental to foster resilience rather than instill lasting dread. In the internet age, the bogeyman has evolved into "digital bogeymen" like , symbolizing online threats such as cyber-predators and , which amplify fears of the virtual unknown among . Recent scholarship, including works from the , describes these figures as modern that mirrors societal anxieties about digital isolation and predation, with exemplifying how perpetuates biocultural fears of abduction and surveillance. This adaptation extends into , where warnings about "stranger danger" online echo traditional bogeyman tales but risk overpathologizing normal exploration. Therapeutically, the bogeyman motif is harnessed in child counseling to help process fears, drawing on elements to build coping mechanisms. Imagery-based , for instance, uses drawings in sessions to externalize trauma-related anxieties, enabling children to confront and reframe fears of abandonment or harm as manageable narratives. Simple interventions like the "anti-monster letter"—where children write authoritative notes banishing the creature—have proven effective in reducing nighttime fears in young patients, promoting a and aligning with cognitive-behavioral principles. Such approaches leverage the bogeyman's symbolic familiarity to transform terror into empowerment within clinical settings.

Cultural Variants

European Variants

In the , particularly , the serves as a prominent bogeyman figure, depicted as a mischievous or malevolent household spirit that haunts farms and homes, often causing disturbances to enforce good behavior among children. This supernatural entity, sometimes invisible or shape-shifting, was invoked by parents to deter mischief, reflecting anxieties about domestic order in rural Victorian-era . Another British variant, Rawhead and , emerges from English pond lore as a skeletal, bloodied monster lurking in watery haunts to drag away disobedient children, embodying fears of and the unknown depths. Germanic traditions feature the Butzemann, a faceless shrouded in a or resembling a , who hides in dark corners like closets or under beds to punish children who refuse to sleep or misbehave. Closely tied to Yuletide customs, acts as the stern companion to , a ragged figure carrying a sack of switches or ashes to whip or abduct naughty children during his annual visits, contrasting the saint's rewards for the virtuous. In , the Babau appears as a tall, black-cloaked abductor with a hooded face, often knocking on doors or lurking in shadows to seize children who stay awake at night or defy parental rules, serving as a direct threat in nursery rhymes and tales. , particularly Russian, includes , an ambiguous crone with iron teeth who lives in a on chicken legs and is sometimes portrayed as a cannibalistic witch threatening to devour misbehaving children, though her role can shift to that of a guardian in broader myths. France's Croque-mitaine, literally "the one who crunches mittens" or bone-cruncher, is a nocturnal specter that bites or devours the hands of unruly children, hiding in attics or wardrobes to enforce bedtime obedience in traditional stories.

Latin American and Iberian Variants

In the Iberian Peninsula, the bogeyman figure manifests prominently as El Coco, an imaginary entity invoked in lullabies and warnings to frighten children into obedience, particularly to ensure they sleep. Originating from Spanish folklore traditions, El Coco is described as an old man or shadowy monster who devours the flesh of disobedient children, leaving only their skin, as captured in rhymes like "Duérmete, niño, que ahí viene el viejo, te come la carne, y te deja el pellejo." This figure draws from ancient European precursors but evolved distinctly in Spain and Portugal, where it served as a disciplinary tool in child-rearing, blending fear with moral instruction against mischief. A related variant is Cuca, prevalent in Portuguese and later adapted in through colonial transmission. In , Cuca derives from the Iberian "Coca," a dragon-like or witchly bogeywoman used to scare children, with roots tracing to mythological influences such as the Greek , reinterpreted in medieval tales. Depicted as a female humanoid with reptilian features, such as an head and , Cuca lurks in caves or forests, brewing potions to punish naughty children by abducting or devouring them. This evolution highlights the blending of Iberian oral traditions with local elements during Portuguese , transforming the malevolent spirit into a gendered, witch-like terror that reinforces bedtime routines and behavioral norms. Across Latin America, colonial influences from Iberia merged with indigenous beliefs to produce unique bogeyman variants, often incorporating elements of local landscapes and pre-Columbian spirits. The Hombre del Saco, or Sack Man, is a widespread figure in Spain and extended to Mexico and other regions, portrayed as a gaunt, ugly old man carrying a large sack to kidnap and consume misbehaving children. Rooted in medieval Iberian folktales of abduction and confinement, this entity embodies fears of disappearance and serves as a cautionary tale against wandering at night, with variants emphasizing sale into slavery or ritual eating to heighten dread. In Mexican contexts, it retains the sack motif but integrates urban settings, warning children of street dangers through parental invocations. In Venezuela's Los Llanos region, El Silbón emerges as a whistler, a damned soul haunting the plains with a sack of bones, targeting the disobedient or those who disrespect family. The legend originates from 19th-century oral traditions tied to the Independence War and rural hardships, describing El Silbón as an emaciated youth cursed by his grandfather after murdering his father in a fit of rage, doomed to carry the bones while his whistle signals proximity—loud when far, faint when near and deadly. As a bogeyman, it instills terror in children through communal storytelling, embedding lessons on and the perils of the wilderness. Indigenous Andean influences yield the in and , a fat-stealing personifying colonial exploitation and racial otherness. Known also as kharisiri or ñakaq, the is typically a white or outsider, often disguised as a or traveler, who slits victims' throats to extract fat for machinery, hospitals, or churches, reflecting anxieties over and modernization. With roots in 16th-century Conquest-era myths blaming for such atrocities, it functions among Quechua and Aymara communities as a fear figure warning against strangers, symbolizing the draining of indigenous vitality by external forces. In , adapts as a weeping child-snatcher, a ghostly doomed to eternally search for her drowned offspring while luring or abducting living children near rivers. Variants blend Aztec goddess Cihuacoatl—a sorrowful omen of empire's fall—with Spanish tales of vengeful mothers, portraying her as a pale figure in white whose cries precede misfortune or . Historically tied to colonial-era gender roles and indigenous mourning rituals, is invoked by parents to deter children from water or nighttime play, enforcing safety through supernatural dread.

Asian, African, and Other Global Variants

In Asian folklore, the Namahage represents a demon-like figure from northern Japan, particularly in Akita Prefecture, where men dressed as ogres with red or blue masks and straw capes visit homes on New Year's Eve to interrogate children about their behavior, threatening to punish the lazy or disobedient by flaying their skin. This tradition, rooted in Shinto rituals, serves to encourage good conduct among the young. In Indian traditions, the Bhoot is depicted as a restless ghost of the deceased, often invoked by parents to frighten children into obedience, with tales warning that it haunts the living world to punish misdeeds or unresolved earthly attachments. Similarly, in the Philippines, Mumu are vengeful spirits of the dead that linger due to improper burials or violent ends, manifesting as shadowy apparitions that target naughty children at night, snatching them away as retribution for bad behavior. African folklore features the Tokoloshe, a diminutive, hairy evil spirit from Zulu and Xhosa mythology, summoned by witches to cause harm; it hides under beds or furniture to attack sleepers, particularly children, leading to beliefs in elevated sleeping arrangements for protection. The Impundulu, known as the in Zulu lore, is a vampiric avian demon that serves as a witch's , capable of into a black-and-white bird or human form to abduct children or drain blood from victims during storms. Beyond these regions, the emerges in Australian Aboriginal stories as a swamp-dwelling monster lurking in billabongs and rivers, described variably as a seal-like beast or serpentine creature that emits terrifying roars to lure and devour children who wander too close to water. In Haitian Vodou-influenced , the is an elderly who sheds her skin at night to transform into a fireball , infiltrating homes through cracks to suck the blood of the sleeping, especially children, leaving them weakened or dead. Middle Eastern tales portray the Ghul as a shape-shifting that preys on travelers and children, luring them to graveyards to feast on their flesh, often appearing as a or beautiful to facilitate the deception. Recent mappings of global bogeyman figures, such as a 2023 overview, highlight the Indonesian , a hopping bound in a white burial shroud, believed to be a soul unable to move on due to a knotted kain kafan, which terrifies children by bounding silently through villages at night.

Sociocultural Role

Use in Child Rearing and Folklore

The bogeyman has long served as a disciplinary tool in child rearing across various cultures, where parents and caregivers invoke the figure to enforce rules such as bedtime compliance or proper manners through threats embedded in lullabies, rhymes, and oral warnings. For instance, in English folklore, parents might warn children that "Mr. Miacca will take you away" if they venture outside alone, a tactic documented in 19th-century collections of county folklore. Similarly, German traditions feature rhymes about the Butzemann, a bogeyman who punishes disobedient children, often recited by nannies to quiet rowdy youngsters at night. These methods leverage the bogeyman's amorphous, lurking presence to instill immediate obedience without physical intervention, a practice rooted in oral storytelling that predates written records. In , the bogeyman integrates into cautionary tales, proverbs, and seasonal rituals to reinforce communal norms and moral lessons. Stories like those collected by the portray bogeyman-like figures as devourers of the naughty, serving as narrative devices in proverbs such as "Be good, or the bogey will get you," which emphasize consequences for . Festivals exemplify this role vividly; in Austrian Alpine traditions, Krampusnacht on features costumed men as —a horned, chain-rattling bogeyman—who parades through villages to frighten children into good behavior, sometimes swatting them with birch switches or threatening abduction in a sack. This ritual, tied to pre-Christian customs, blends fear with festivity to promote seasonal discipline. The transmission of bogeyman lore often falls to women, particularly mothers and grandmothers, who share these tales within settings to guide and preserve cultural continuity. In many European folk traditions, female caregivers recount bogeyman stories during evening routines, adapting them to dynamics—such as intensifying threats for persistent misbehavior—to foster generational learning and emotional bonds. This gendered pattern reflects broader patterns where women act as primary narrators of cautionary myths to young children. While the bogeyman's prominence in everyday child rearing has waned in urban 21st-century environments due to shifts toward evidence-based parenting and reduced reliance on fear tactics, it persists in rural areas and immigrant communities where oral traditions remain strong. In rural Alpine villages, Krampusnacht continues as a living ritual, and among diaspora groups, variants like the Latin American El Coco endure in bedtime rhymes to deter wandering children. These survivals highlight the bogeyman's adaptability in maintaining cultural identity amid modernization.

Modern Interpretations and Adaptations

In the digital age, the bogeyman has evolved into manifestations like , an internet-born figure from 2009 that exemplifies digital folklore and serves as a cautionary symbol for online threats to children. Emerging from on platforms such as and YouTube series like , Slender Man embodies ambiguity and surveillance fears, with its faceless, elongated form lurking in digital spaces to induce anxiety and warn against internet dangers such as and exposure to harmful content. Similarly, hoaxes like the 2019 Momo Challenge, featuring a sculpted figure urging via videos on and , amplified parental concerns about predatory online interactions, prompting moral panics and educational campaigns on digital safety. These adaptations reflect a shift from physical to virtual threats, where the bogeyman symbolizes the pervasive risks of the internet as a "lair" for unseen predators in 2020s parenting guides. Contemporary societal metaphors employ the bogeyman to scapegoat complex issues in and media, framing abstract threats as monstrous entities to mobilize public sentiment. For instance, has been depicted as a "convenient bogeyman" in policy debates, diverting attention from systemic inaction by portraying environmental crises as an inevitable, fear-inducing specter rather than a solvable problem. In immigration discourse, media portrayals under political administrations have constructed migrants as bogeymen, reinforcing nativist anxieties and shaping public perceptions of as a battle against existential threats. Similarly, terms like "" culture have been weaponized as a political bogeyman in polarized debates, representing exaggerated fears of cultural shifts and serving as a rallying point for conservative narratives on . These usages highlight the bogeyman's enduring role in simplifying societal fears into tangible villains. In child psychology, therapeutic adaptations leverage the bogeyman for externalization techniques, helping children separate fears from their identity through and cognitive-behavioral methods. Modern approaches, such as those in child CBT, use "evil pink monsters" or similar imagery to personify anxieties, allowing kids to confront and reframe threats in sessions, thereby reducing internalized shame. extends this by employing puppets or drawings to externalize problems as external entities, akin to a bogeyman, fostering resilience and problem-solving skills in clinical settings. Cultural revivals in multicultural societies blend bogeyman variants, particularly among immigrant families adapting traditions to new contexts. In U.S. Latino communities, El Coco—a hairy, child-snatching figure from Iberian —persists in Mexican-American households as a tool for discipline, merging with local fears to maintain cultural continuity amid pressures. This preserves while addressing hybrid identities, as seen in narratives where El Coco warns against both traditional misbehavior and modern urban dangers. Post-2020 trends, influenced by the COVID-19 pandemic, have heightened bogeyman-like fears in parenting, with studies documenting increased use of imaginary threats to manage children's compliance during isolation. Research from 2021 shows that parental anxiety about the virus indirectly amplified children's fears, often personifying COVID-19 as a monstrous entity through media exposure and family discussions, leading to elevated emotional distress. Between 2021 and 2023, global surveys revealed a surge in controlling parenting behaviors tied to pandemic-related threats, where bogeyman narratives evolved to encompass health anxieties, promoting hygiene and social distancing as defenses against an invisible "monster." This period marked a therapeutic pivot, with psychologists recommending moderated fear-based storytelling to balance protection and psychological well-being in diverse families.

Literature and Traditional Media

The bogeyman figure appears in 19th-century European as a or monstrous entity employed to evoke and enforce lessons, often manifesting as punishing spirits in fairy tales and novels. In the Brothers Grimm's collection Children's and Household Tales (1812, revised 1857), stories such as feature a cannibalistic witch who lures and devours children, serving as a bogeyman-like that punishes disobedience and . Similarly, alludes to ghostly bogeyman archetypes in (1843), where Marley's apparition warns Scrooge of eternal torment, embodying a figure that haunts the living to compel reform. Folklore collections from the preserved and analyzed these motifs, documenting the bogeyman in traditional rhymes and tales as a tool for . Iona and Peter Opie's The Oxford Dictionary of Nursery Rhymes (1951, revised 1977) compiles historical examples, including variants of rhymes invoking the bogeyman to deter misbehavior, such as those warning of shadowy figures who punish naughty children at night. These anthologies highlight how the bogeyman evolved from oral traditions into printed forms, with entries tracing rhymes like "Hush-a-bye, baby, on the tree top" incorporating threats of falling or abduction by unseen monsters. In poetry and songs, the bogeyman often symbolizes lurking dread, used in verses to instill caution through rhythmic warnings. Johann Wolfgang von Goethe's poem "Erlkönig" (1782), set to music by in 1815, portrays the as a seductive yet deadly spirit who abducts children, influencing 19th-century Romantic literature's depiction of the bogeyman as an inescapable fate. Nursery rhymes and ballads further this tradition; for instance, the English rhyme "Boney was a warrior" (early 19th century) casts Napoleon Bonaparte as "Boney the Bogeyman," a monstrous invader who devours misbehaving youth, blending historical fear with moral instruction. Early 20th-century children's books portrayed the bogeyman as an in fantastical , emphasizing its role in tales of adventure and peril. In Walter de la Mare's Peacock Pie: A Book of Rhymes (1913), the collection includes poems that create an atmosphere of whimsical yet eerie threat to captivate young readers, drawing from to explore childhood anxieties.

Film, Television, and Contemporary Media

The bogeyman has been a recurring figure in horror cinema since the late 20th century, often embodying primal fears of the unseen intruder in domestic spaces. The 1980 slasher film , directed by , centers on a vengeful entity that haunts a family after a traumatic childhood incident involving a witnessed through a mirror, blending psychological terror with supernatural elements. This low-budget production, inspired by urban legends, popularized the bogeyman as a masked killer lurking in shadows, influencing subsequent slashers. Similarly, the 2005 film Boogeyman, directed by Stephen T. Kay, depicts a shape-shifting monster that preys on children, drawing from but expanding into a of repressed trauma and isolation in rural . Adaptations of Stephen King's 1973 short story "The Boogeyman" have further cemented the figure's cinematic presence, portraying it as a grief-manifesting . The 2023 horror-thriller The Boogeyman, directed by and starring and , follows a family tormented by the entity following their daughter's death, emphasizing themes of unresolved loss and familial dysfunction; originally slated for , it received a theatrical release on June 2, 2023, before streaming. Critics noted its effective use of and practical effects to evoke dread, though some found the pacing uneven. In television and animation, the bogeyman appears as a cautionary spectral threat, particularly in youth-oriented horror. The 1990s Nickelodeon series Are You Afraid of the Dark? featured the creature in its Season 1 episode "The Tale of the Dark Music" (1992), where a boy discovers a boogeyman-like monster in his new home's basement, tied to a cursed musical instrument that lures victims; the episode uses storytelling framing to heighten suspense for young audiences. By contrast, the long-running fantasy horror series Supernatural (2005–2020) features an extensive array of monsters drawn from folklore, mythology, and religion—including demons, angels, ghosts, vampires, werewolves, shapeshifters, wendigos, djinn, kitsune, leviathans, ghouls, rugaru, skinwalkers, and many others—but does not include the bogeyman as a distinct creature or hunted monster. Disney's stop-motion animated film The Nightmare Before Christmas (1993), directed by Henry Selick, introduces Oogie Boogie as the boogeyman of Halloween Town—a gambling, bug-filled sack antagonist voiced by Ken Page—who kidnaps Santa Claus in a plot of chaotic villainy, blending whimsy with menace in Tim Burton's gothic style. Post-2020 media has revitalized the bogeyman through interactive and franchise explorations, often linking it to modern anxieties. The 2023 The Boogeyman adaptation, as noted, delves into via family trauma, achieving a 60% approval on for its atmospheric tension despite formulaic elements. In video games, (2015, remade in 2024 for PS5 and PC) incorporates bogeyman-like entities through its —a ravenous, shape-shifting Native American spirit that stalks stranded teens on Blackwood Mountain—creating branching narratives of driven by player choices. Music references persist, as in AC/DC's "Boogie Man" from their 1995 album , where lyrics describe a nocturnal predator "out at night" evoking the figure's stealthy pursuit. Contemporary discussions of the bogeyman in media highlight its endurance in horror franchises. The 2025 book You Can't Kill the Boogeyman: The Ongoing Halloween Saga—13 Movies and Counting by Wayne Byrne provides a critical examination of the Halloween series (1978–present), framing Michael Myers as the quintessential bogeyman—an indestructible, silent stalker symbolizing inescapable evil—and includes interviews with creators on its cultural impact. This work underscores how the archetype evolves in visual media to reflect societal fears, from suburban invasion to perpetual resurrection.

References

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