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Jackson Guitars
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Jackson is an American brand of guitars sold by the Fender Musical Instruments Corporation. Jackson was originally an independent manufacturer of electric guitars and electric bass guitars named after its founder, the American luthier Grover Jackson. The company was acquired by Fender in 2002, which manufactures Jackson-branded guitars in its Corona, California, US, and Ensenada, Mexico facilities, as well as contract production at FujiGen in Japan. Low-priced "budget" models are produced by sub-contractors in Indonesia and China.
Key Information
History
[edit]Early years
[edit]In the late 1970s, Jackson was there to help usher in a new breed of guitar player – the glammed-up hair metal virtuoso. Priding themselves on high-performance instruments that would allow players to achieve new heights on the instrument, Jackson quickly established themselves as a force to be reckoned with in the shred guitar game. By the middle of the '80s, the once small Southern California guitar repair shop was now at the forefront of the pointy headstock, gassed-up super guitar movement.
Daryl Robertson of Guitar World (May 24, 2023) [1]
Grover Jackson obtained part ownership in Charvel's Guitar Repair of Glendora, California in the 1970s. Wayne Charvel eventually filed bankruptcy and sold his interest to Grover Jackson on November 10, 1978, which gave Jackson control of the Charvel name.[2]
Jackson Guitars originated in 1980 when guitarist Randy Rhoads approached the company with an idea for an individualized guitar. The collaborative design effort between Rhoads, Grover Jackson, Tim Wilson, and Jackson's masterbuilder, Mike Shannon, resulted in the creation of the Concorde, an innovative revamp of the traditional Flying V.[3] These designs were such a departure from Charvel's Stratocaster-based models that Jackson elected to label them under a different brand name. He chose his own last name, and created the first Jackson guitar.
Throughout the heavy metal heyday of the 1980s, the Jackson brand was associated with high-quality, American-made, custom instruments, and was used by many popular guitarists of the period. In addition to the original, as they came to be known, Rhoads models, the 1980s spawned distinctively designed Jackson models such as the Soloist, King V, Kelly, and the Dinky, all of which remain icons of the brand.
1990s–present
[edit]
The 1990s brought changes in musical trends. While still making the high-end American-made products, brands like Jackson began producing inexpensive, Asian-made versions of their staple designs in an effort to make their products more accessible to lower-end buyers.
Guitars made for Jackson by Chushin Japan could be of particularly high quality. An example the King V Pro Dave Mustaine signature model was equipped with the same pickups, hardware and materials as the Ontario Jackson Shop version. ( Chushin also produced some domestic market guitars under the Grover Jackson name.)
In the Fall of 2002, Fender Musical Instruments Corporation purchased Jackson from IMC, the company which had bought Jackson from Grover Jackson, and U.S. operations were moved to the Fender factory in Corona. Medium-high-end Jackson guitars were briefly made in Japan. Present day Fender-era Jackson and Charvel guitars are produced at Corona, California, Fujigen Nagano and Fender's Ensenada facility. Low-priced "budget" models are produced by sub-contractors based in Indonesia and China.
After several years of running a company doing sub-contracting work for many well known guitar companies and extensive design consultancy, Grover Jackson is now co-owner of a new guitar brand, GJ2 Guitars, in Orange County, California. His partner in this venture is former Fender Senior Vice President Jon Gold.
Design hallmarks
[edit]
Randy Rhoads model
The distinctive Jackson headstock
From the earliest beginnings until the present day, Jackson Guitars is known for its slender, elegant designs, and feature aggressive motifs that are popular with hard rock and metal musicians.
Traditionally, Jackson (and many Charvel) guitars share the typical pointed headstock that first appeared on Randy Rhoads's prototype in 1980. This likely arose from trade dress infringement issues as a result of Charvel's use of Fender Stratocaster shaped headstocks until the early 1980s. Fender's 2002 acquisition of both the Jackson and Charvel brands has enabled the Strat-style headstock to be reintroduced (under license).
Another Jackson trademark is the 'shark fin' inlays, which inspired other famous guitar companies such as Ibanez to follow suit with similar designs.
Jackson 2021 guitar models: Concert Bass, Demmelition Fury, Dinky, Dominion, Juggernaut, Kelly, Kelly Bird, King V, MF 1, Monarkh, PC 1, Rhoads, San Dimas, Shadowcaster, Soloist, Spectra Bass, Star, Warrior.
References
[edit]- ^ FMIC Brands at Fender website Archived June 30, 2014, at the Wayback Machine, December 8, 2014
- ^ "Dealers". Jacksonguitars.com. Archived from the original on October 23, 2012. Retrieved October 20, 2012.
- ^ "Randy Rhoads: Flight of the Concordes". Guitar World. June 1, 2010. Retrieved October 20, 2012.
External links
[edit]
Wikiquote has quotations related to Jackson Guitars.
Wikimedia Commons has media related to Jackson Guitars.
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Jackson Guitars
View on Grokipediafrom Grokipedia
History
Founding and Early Development
Grover Jackson, an experienced luthier who had been building and modifying guitars since the early 1970s, joined Wayne Charvel's guitar repair shop in Glendora, California, in 1978.[2] Facing financial difficulties, Charvel sold the shop and its brand to Jackson and his partners in November 1978, marking the beginning of Jackson's control over operations.[1] Under Jackson's leadership, the facility transitioned from primarily repair work to producing custom modifications and original builds tailored for local Southern California musicians, particularly those in the emerging rock scene.[2] By summer 1979, the workshop began crafting what would become known as Jackson-built Charvel guitars, emphasizing high-performance features like fast necks for shredding techniques and innovative locking tremolo systems to support the demands of rock and metal players.[1] This shift catered to the flamboyant guitar heroes of the Sunset Strip, who sought instruments that combined speed, stability, and visual flair.[1] The small Glendora operation remained focused on handcrafted, limited-run pieces, producing prototypes and customs in a modest workshop environment that prioritized quality over volume.[2] A pivotal moment came in late 1980 when guitarist Randy Rhoads, then touring with Ozzy Osbourne, approached Jackson for a custom design.[6] On December 23, 1980, Rhoads sketched an asymmetrical V-shaped body on a cocktail napkin during a visit to the Glendora shop, inspiring the creation of the Concorde prototype by midnight.[6] This instrument, named after the supersonic aircraft Rhoads had recently flown on, featured neck-through-body construction and a new pointed headstock, becoming the first guitar branded under the Jackson name to distinguish it from Charvel's legacy.[6] The collaboration solidified Jackson's reputation for innovative, player-specific designs geared toward heavy music genres.[2]Growth and Challenges in the 1980s–1990s
In the mid-1980s, Jackson Guitars experienced rapid growth fueled by surging demand from heavy metal shredders, who sought high-performance instruments for virtuosic playing styles popularized in the era's thrash and speed metal scenes.[2] Annual production scaled dramatically from dozens of custom units in the early 1980s to thousands by the decade's end, enabling the brand to meet widespread market needs while preserving its reputation for quality.[2] This expansion was supported by the introduction of mass-customization techniques, allowing for personalized features like neck-through-body construction and Floyd Rose tremolos without fully sacrificing artisanal craftsmanship.[4] Skilled luthiers played a pivotal role in this scaling; for instance, Mike Shannon contributed significantly to the custom shop, replicating iconic designs such as the Randy Rhoads model and overseeing builds that blended innovation with precision.[2][4] The 1980s economic boom in custom guitars further amplified Jackson's success, as rising popularity among professional musicians—building on early influences like Randy Rhoads—drove consistent orders and positioned the brand as a leader in rock instrumentation.[1] However, the 1990s brought significant challenges, including the rise of grunge and alternative rock, which shifted musical tastes away from shred-heavy metal and reduced demand for high-end, flashy guitars.[2] Compounding this, broader economic downturns in the guitar industry led to declining sales of premium models, prompting Jackson to adapt through experimental designs and cost efficiencies.[2] In response, the company began a shift to overseas production in 1986, partnering with Japan's Chushin Gakki factory to manufacture instruments at lower costs while expanding access to international markets.[4][7][8] Key events marked this transitional period: By 1989, Jackson and Charvel were consolidated under the International Music Corporation (IMC), which streamlined management and facilitated global distribution amid growing competitive pressures.[9][2]Acquisition by Fender and Recent Developments
In 2002, Fender Musical Instruments Corporation acquired Jackson Guitars from International Music Corporation (IMC), integrating it into Fender's growing portfolio of brands that includes Squier, Charvel, and EVH.[4][10] This purchase allowed Jackson to leverage Fender's manufacturing infrastructure and distribution network, preserving its focus on high-performance electric guitars while expanding accessibility to a broader market.[3] Following the acquisition, Jackson's U.S. production operations were relocated to Fender's facility in Corona, California, initially in late 2002 and fully transitioned by 2003, replacing the previous Ontario, California site.[11][12] Concurrently, Jackson expanded its import production lines to facilities in Ensenada, Mexico; Indonesia (primarily through Cort); and China, enabling a wider range of affordable models without compromising the brand's signature playability and tone.[13][14] During the 2010s, Jackson introduced the Pro Series and upgraded the X Series to target mid-range players, offering professional-grade features like compound-radius fretboards, high-output humbucking pickups, and Floyd Rose tremolo systems at accessible price points.[15][16] These lines emphasized modern ergonomics and tonal versatility, bridging the gap between entry-level imports and premium USA-made instruments. In the 2020s, Jackson shifted toward sustainability efforts aligned with Fender's broader initiatives, incorporating responsibly sourced tonewoods where feasible, alongside digital customization tools via the brand's online Custom Shop configurator for personalized builds.[17] Post-2020 developments included the 2025 release of the Pro Plus Pure Metal RR1A as part of the new Pure Metal series, featuring Fishman Fluence Modern humbucking pickups and commemorating over 40 years since the model's debut in the early 1980s while honoring Randy Rhoads' enduring influence.[18][19] Jackson also deepened partnerships with artists for signature model updates, including refreshed Juggernaut series guitars with Misha Mansoor of Periphery and the LM-87 with Bring Me the Horizon's Lee Malia, incorporating player-specific modifications like extended-range necks and custom electronics.[20][21] During the 2020–2022 COVID-19 pandemic, Jackson navigated global supply chain disruptions—exacerbated by manufacturing delays in Asia and surging demand—by prioritizing essential production and enhancing quality controls at Corona to mitigate backlogs and maintain output.[22] Meanwhile, founder Grover Jackson pursued independent ventures after departing the company, co-founding GJ2 Guitars in 2008 to produce boutique solid-body electrics like the Arete and Concorde models, drawing on his original Jackson designs with a focus on custom craftsmanship.[23][24]Products and Models
Iconic Early Models
The Rhoads model, introduced in 1980 through a collaboration between guitarist Randy Rhoads and Jackson founder Grover Jackson, featured a distinctive asymmetrical V-shaped body designed for enhanced balance and playability during aggressive performances.[25] This early version incorporated a graphic flame top finish, a 22-fret neck-through-body construction using maple for superior sustain, and a compound radius fingerboard (12-inch at the nut to 16-inch at the heel) to facilitate rapid shredding essential for hard rock and metal styles.[4] Equipped with custom-wound humbucker pickups and a Floyd Rose double-locking tremolo system, the Rhoads prioritized speed and tonal aggression, setting a benchmark for innovative guitar ergonomics in the genre.[26] The Soloist, debuting in prototype form in 1981 and entering limited production by 1984, emerged as a quintessential superstrat tailored for technical virtuosity in heavy music.[27] Its sleek double-cutaway body, typically crafted from alder or basswood with maple wings, allowed for a 24-fret ebony fingerboard that extended high up the neck for extended-range solos, complemented by a neck-through or bolt-on maple neck.[3] Standard configurations included a Floyd Rose locking tremolo for dive-bomb effects, versatile pickup options such as humbuckers in the bridge and single-coils in the middle and neck positions, and Jackson's reverse or pointed headstock for aesthetic flair and tuning stability.[28] These elements made the Soloist a staple for shredders seeking fluid playability and tonal versatility across distorted leads and cleaner rhythms.[4] Introduced in pre-production as early as 1983 with the first serialized example that year, the King V model solidified Jackson's angular aesthetic by 1987, boasting a symmetrical, pointed V-shaped body that projected dramatic stage presence while maintaining ergonomic comfort.[29] The design utilized neck-through construction with a maple neck and ebony or rosewood fretboard, typically featuring 24 jumbo frets for upper-register access, and often integrated active electronics like EMG humbuckers for high-output, noise-free gain suited to thrash and speed metal.[2] A Kahler or Floyd Rose tremolo was common, paired with locking tuners to withstand rigorous whammy bar use, while a bass variant followed in 1988, extending the model's aggressive silhouette to four-string instruments with similar active preamp options.[30] The Kelly, first conceptualized in the early 1980s and reaching production in 1983, drew inspiration from 1960s offset designs like the Gibson Explorer but evolved into a streamlined tube-shaped body optimized for metal's demands.[31] Constructed from alder with a bolt-on or neck-through maple neck, it included a 24-fret rosewood or ebony board, locking tuners for reliable tuning under heavy string bending, and humbucker pickups—often active models—for punchy, saturated tones.[2] This configuration emphasized visual boldness and functional speed, with a contoured heel for easier high-fret access, distinguishing it as a modern reinterpretation for shred-oriented players.[32] Evolving through the 1980s with initial prototypes dating to 1980 and formal introduction around 1986, the Dinky represented a compact evolution of the superstrat formula, featuring a smaller double-cutaway body for agile handling during fast leads.[33] Early iterations often included Jackson's signature reverse headstock, a bolt-on maple neck with a 22- or 24-fret rosewood fingerboard, and versatile pickup layouts blending humbuckers and single-coils, paired with a Floyd Rose tremolo for expressive pitch variation.[3] Manufactured initially in the U.S. at facilities like Glendora before broader production, its scaled-down proportions (approximately 7/8 the size of a standard Stratocaster) enhanced comfort without sacrificing projection, making it ideal for versatile riffing and solos in hard rock contexts.[4] Introduced in 1989, the Warrior model featured a bold, symmetrical angular body design with sharp edges, neck-through-body maple construction, and a 24-fret rosewood or ebony fingerboard, often equipped with high-output humbuckers and a Floyd Rose tremolo.[2] Its aggressive aesthetics and fast playability made it a favorite in thrash and speed metal circles.[4]Modern Series and Variants
Following the acquisition by Fender Musical Instruments Corporation in 2002, Jackson introduced the American Series, built at the factory in Corona, California, utilizing premium tonewoods such as alder or ash for bodies and maple for necks to deliver resonant, high-end instruments tailored for professional musicians.[34] These models emphasize superior build quality, including options for custom specifications, with prices typically starting above $3,000 for Custom Shop variants, reflecting their artisanal construction and attention to detail.[17] In the 2010s, Jackson expanded its accessibility through the Pro Series and X Series, both manufactured as imports from facilities in Indonesia and China, catering to a broader range of players with advanced features at more affordable price points. The Pro Series incorporates compound-radius fretboards spanning 12" to 16" for enhanced playability across the neck, paired with high-output pickups such as Seymour Duncan humbuckers, as seen in models like the Pro Series King V with its mahogany body and Floyd Rose 1000-series double-locking tremolo.[35] The X Series builds on similar innovations, offering versatile configurations with high-output humbuckers and compound-radius ebony or maple fretboards, designed for modern shredding and riffing while maintaining Jackson's signature speed and stability.[36] Signature models represent Jackson's ongoing collaborations with contemporary artists, incorporating extended-range options to suit progressive and metal genres. The 2024 Pro Plus Series Signature Misha Mansoor Juggernaut, for instance, features a poplar body, caramelized maple neck with graphite reinforcement, 20" radius ebony fretboard, and Jackson MM1 high-output humbucking pickups, available in 6- and 7-string variants for intricate, high-gain performances.[37] Similarly, extended-range designs like 7- and 8-string configurations appear in other artist-driven models, emphasizing ergonomic enhancements such as rolled fretboard edges and locking tuners for extended play.[38] Jackson's bass lineup saw significant expansion in the 2010s, drawing inspiration from ergonomic designs akin to Spector models, with the Pro Series Concert Bass JB6 exemplifying this through its contoured alder body, multi-scale fretboard for improved intonation, and active EMG pickups delivering punchy, versatile tones suitable for rock and metal.[39] Models like the JS Series Spectra Bass, introduced around 2018, feature poplar bodies, bolt-on maple necks, and high-output humbuckers for aggressive low-end performance, priced around $300–$500 to support stage and studio use.[40] Complementing these series, Jackson offers accessories and limited editions that enhance customization and collectibility, including 2025 anniversary runs celebrating milestones with upgraded hardware like the Floyd Rose 1000-series tremolos for precise tuning stability.[41] These editions, such as the Limited Edition American Series Virtuoso in Gold Rush finish, feature premium appointments and are produced in limited quantities to mark the brand's enduring innovation.[42]Design Features
Structural Innovations
Jackson Guitars introduced neck-through-body construction as a standard feature since 1980, integrating the neck as a continuous extension through the guitar's body core to enhance sustain and overall tonal resonance. This design typically employs a three-piece laminate of maple and walnut for the neck, providing structural integrity while allowing for a seamless vibration transfer from strings to the instrument's full length.[43][44][45] Central to Jackson's playability innovations are the "speed necks," engineered with a thin, rounded U-shaped profile measuring approximately 0.78 inches at the 3rd fret to facilitate rapid fretwork and shredding techniques. These necks feature a satin finish on the back for reduced friction during high-speed playing, prioritizing comfort and speed for metal and rock guitarists. Over time, the fretboard radius has evolved into a compound design, commonly starting at 12 inches near the nut and flattening to 16 inches at the 12th fret, enabling easier chording in lower registers and precise bends during solos.[46][47][48] The brand's signature reverse and pointed headstock, introduced in 1980, optimizes string tension distribution by creating a natural break angle over the nut, reducing the need for string trees and improving tuning stability. Paired with die-cast tuners, this design enhances overall headstock balance and reliability under aggressive playing conditions. Complementing this, Jackson employs scarf-joint construction in the neck, where the headstock is angled via a glued joint running parallel to the wood grain, maximizing strength and preventing breaks common in one-piece angled designs.[43][49][50] Body contours in Jackson models emphasize ergonomic access to higher frets, featuring heel-less or sculpted "shredder's cut" heels that allow unobstructed reach up to the 24th fret without compromising structural support. This innovation supports extended-range playing essential for modern shred styles. For bass guitars, Jackson incorporated active EQ preamps in 1980s models, such as the JE-2000 two-band system, enabling precise tonal shaping and versatility across genres by boosting or cutting frequencies directly from the instrument.[48][51][52]Aesthetic and Functional Elements
Jackson guitars are renowned for their distinctive aesthetic and functional elements that blend aggressive visual styling with performance-oriented features tailored for high-gain genres like heavy metal and hard rock. A hallmark of the brand's fretboard design is the shark fin inlay, typically crafted from mother-of-pearl or abalone materials, which emerged in the 1980s as a symbol of speed and aggression on models such as the Soloist and Dinky.[1] These inlays not only provide a striking visual contrast against ebony or rosewood fingerboards but also enhance the instrument's stage presence, evoking the sharp, predatory imagery associated with shred guitarists.[53] Functionally, Jackson integrated the Floyd Rose locking tremolo system starting in 1981, revolutionizing pitch manipulation by allowing extreme dive-bombing effects without detuning, a critical advancement for metal players seeking stable tuning during aggressive whammy bar use.[1][54] This double-locking design locks both at the nut and bridge to maintain intonation under heavy string bending and tremolo dives. American-made Jacksons often incorporate licensed original Floyd Rose units for precision, while import models utilize Jackson-branded licensed copies to offer similar stability at a more accessible price point.[48] Electronics play a pivotal role in Jackson's tonal versatility, with high-output humbucker pickups—such as the Jackson hot alnico series—delivering the saturated gain essential for metal distortion and sustain.[1] These ceramic or alnico-magnet designs provide aggressive midrange bite and clarity in high-gain settings, powering iconic models from the 1980s onward. Beginning in the 1990s, many Jackson guitars incorporated coil-splitting capabilities via push-pull pots, enabling players to switch from full humbucker roar to brighter single-coil tones for added dynamic range without swapping instruments.[55] Visually, Jackson's finishes and graphics emphasize flamboyance, particularly in the 1980s era of custom builds, where flame maple tops were often finished in see-through colors to showcase the wood's figured grain, creating a luxurious, three-dimensional depth.[1] Custom airbrushed artwork, including swirling patterns and thematic motifs, adorned limited-run customs during this period, amplifying the guitars' rockstar allure and differentiating them from standard production models.[56] Hardware selections further blend form and function, with black chrome or gold finishes providing a bold, thematic contrast that enhances the overall aggressive aesthetic on models like the Rhoads.[1] Roller saddles, integrated into many bridge designs, ensure precise intonation and smooth string vibration, reducing friction for cleaner sustain and easier setup adjustments across the 24-fret neck.[48]Manufacturing and Production
American-Made Era
The American-Made Era of Jackson Guitars, spanning the 1980s through the early 2000s, centered on meticulous craftsmanship in Southern California facilities, emphasizing custom-built, high-performance instruments for professional musicians. Operations began at the Glendora workshop, acquired from Charvel’s Guitar Repair in 1978 and expanded through the 1980s, where luthiers hand-sanded bodies and necks to achieve precise contours and playability. Mid-decade, the introduction of CNC routing enhanced accuracy in shaping premium North American woods like alder and maple, selected for their tonal resonance and stability, while maintaining a hands-on approach to assembly.[1][2] Quality control during this period relied on individual luthier oversight, ensuring each guitar met exacting standards for intonation, action, and durability; serial numbering commenced in 1980 to track production and authenticity. Custom orders, often tailored for touring artists, came with comprehensive warranties covering structural integrity and finish quality, reflecting the era's commitment to reliability under stage conditions. Production remained boutique-scale, with a strong emphasis on one-off customs that prioritized innovation over mass output.[2][57] A key transition occurred in 1985 with the relocation to larger facilities in Ontario, California, allowing for expanded capacity while preserving USA-based artisan methods ahead of broader corporate changes. This move supported growing demand without compromising the signature hand-fitted necks, which provided seamless body integration for enhanced sustain, and nitrocellulose finishes that delivered a vintage-inspired feel with thin, resonant applications. These elements defined the era's output, including early models like the Soloist and King V built in Glendora.[1][2][57]Global Production Shifts
In the mid-1990s, Jackson Guitars expanded its production through a partnership with Japan's Chushin Gakki factory, focusing on mid-tier models in the Professional series. This collaboration enabled the manufacture of high-quality import guitars utilizing precision CNC machining to ensure consistent construction and playability, marking a shift from solely American production to incorporating Japanese craftsmanship for broader market accessibility.[58] Following Fender's acquisition of Jackson in 2002, production expanded internationally to optimize costs and volume, with the Ensenada, Mexico facility becoming a key site for entry-level and mid-range models such as the Pro Series. This move allowed for efficient scaling while maintaining design standards, with Mexican-built guitars like the Pro Origins 1985 San Dimas series produced in Ensenada to evoke Jackson's classic aesthetics. Concurrently, partnerships with factories in Indonesia (via Cort) and China (via Samick) supported high-volume output for the X Series, enabling affordable access to Jackson's signature shapes and features for global consumers. After the acquisition, USA production for premium models relocated to Corona, California.[4][59] Jackson established distinct quality tiers to cater to varying player needs, with the USA Custom Shop in Corona, California, representing the pinnacle of handcrafted, premium instruments using select materials and bespoke specifications. In contrast, import models incorporate innovations like heat-treated (HT) maple necks for enhanced stability and resistance to environmental changes, balancing performance with cost efficiency. Throughout the 2020s, automation in manufacturing processes, including CNC routing and assembly lines at international facilities, has accelerated production turnaround while upholding tolerances for speed necks and hardware integration.[60][4] Supply chain disruptions from the 2021–2023 COVID-19 pandemic and escalating U.S. tariffs on Asian imports prompted adaptations, including increased output at the Ensenada plant to leverage nearshoring benefits under USMCA agreements. This shift mitigated delays in component sourcing and reduced exposure to trade volatilities, allowing Jackson to sustain deliveries amid global logistics challenges.[61][62] As of 2025, Jackson's production is predominantly import-based, with the majority of output from Mexico, Indonesia, and China to meet demand for accessible models, while U.S. facilities handle premium American Series and Custom Shop guitars. Sustainability efforts, aligned with parent company Fender Musical Instruments Corporation's initiatives, promote responsible sourcing and environmental stewardship across the brand's global operations.[63][64]Notable Users and Endorsements
Pioneering Musicians
Randy Rhoads, guitarist for Ozzy Osbourne from 1980 to 1982, collaborated closely with Jackson to design the Concorde, an asymmetric V-shaped guitar that debuted as a white prototype during the 1981 Blizzard of Ozz tour.[6][65][66] This innovative design, which Rhoads personally shaped to reflect his neoclassical style, popularized the angular V-body aesthetic among metal players seeking visual and sonic aggression.[6][65] Dave Mustaine, frontman of Megadeth, adopted custom Jackson King V and Soloist guitars in the mid-1980s, starting with a white King V during the Peace Sells... but Who's Buying? era in 1986.[67][68] These models incorporated active pickups for high-gain clarity and 24-fret necks to enhance tuning stability during aggressive down-tuning and shredding techniques central to thrash metal.[67][69] Other 1980s metal icons further solidified Jackson's reputation through customized instruments. Adrian Smith of Iron Maiden has relied on modified Soloist guitars for their fast necks and versatile humbucker setups, aligning with the band's galloping rhythms and soaring leads.[70][71] Jackson boosted its early visibility by sending factory prototypes to prominent hair metal acts like Ratt and Dokken in the 1980s.[72][73] Robbin Crosby of Ratt commissioned a symmetrical variant of the Rhoads design, evolving into the King V and showcasing Jackson's custom capabilities.[72] George Lynch of Dokken wielded custom Soloists with Floyd Rose tremolos, highlighting the brand's role in high-performance shredding during arena tours.[73] Rhoads' tragic death in a 1982 plane crash immortalized the Concorde model, transforming it into a symbol of metal innovation and enduring legacy.[74][75]Contemporary Artists
In the 2010s, Misha Mansoor of the progressive metal band Periphery became a prominent Jackson endorser, collaborating on the Juggernaut signature series tailored for djent and extended-range playing. The Pro Plus Series Signature Misha Mansoor Juggernaut HT7 features a 7-string configuration with a 26.5-inch scale length, poplar body, caramelized maple neck, and custom Jackson MM1 humbucking pickups for articulate, high-gain tones suited to complex riffing and technical precision.[76] This model reflects Mansoor's input on playability, including a compound-radius ebony fingerboard and locking tuners for stability during aggressive down-tuning common in djent.[77] Contemporary endorsements have expanded Jackson's appeal into progressive fusion and alternative metal, as seen with artists like Lee Malia of Bring Me the Horizon, who uses custom Soloist variants for his riff-heavy style in the 2020s. Malia's Pro Series Signature LM-87 incorporates an okoume body, custom Jackson LM-87 signature pickups (bridge humbucker and neck P-90), and a TOM-style bridge with anchored tailpiece to balance clarity and aggression in post-hardcore contexts.[21] Similarly, Jeff Loomis, formerly of Nevermore and now with Arch Enemy, favors 8-string Soloist models like the Pro Series Signature Jeff Loomis SL7 for intricate solos and layered harmonies in progressive metal. These guitars feature extended-range necks, DiMarzio Blaze humbuckers, and Edge tremolos, enabling Loomis's signature blend of neoclassical shred and modern heaviness.[78] Jackson's endorsement landscape evolved post-2015 through social media engagement and artist collaborations, fostering signatures that incorporate direct feedback on designs like the Pro Series lineup. Platforms such as Instagram and YouTube have amplified visibility, with factory tours allowing endorsers to refine specs for mass production, broadening the brand from shred to diverse metal subgenres.[79] In 2025, updates include expanded Juggernaut variants for Mansoor, such as the ET7 with EverTune bridge for intonation stability, and new signatures like Diamond Rowe's Pro Series Monarkh DR12MG for Tetrarch, highlighting gender-diverse representation in heavy music with its nyatoh body and poplar burl top, 3-piece nyatoh set-neck with graphite reinforcement, and EMG 81/85 humbuckers.[77][80][81]Legacy and Cultural Impact
Influence on Genres
Jackson Guitars played a pivotal role in the 1980s shred revolution, where their innovative designs with fast, thin necks facilitated advanced techniques such as two-handed tapping, sweep picking, and rapid scale runs essential to the era's virtuosic style.[1] This instrumentation aligned closely with the New Wave of British Heavy Metal (NWOBHM) and the emerging glam metal sound, providing the speed and sustain needed for the high-gain, melodic solos that defined bands on the Sunset Strip and beyond.[1] Pioneering guitarist Randy Rhoads, who collaborated on early Jackson prototypes, exemplified this influence through his work on Ozzy Osbourne's Blizzard of Ozz (1980), where the guitars' precise intonation and playability elevated neoclassical metal phrasing.[1] In the 1990s, Jackson's shift to imported production made high-performance guitars more accessible, contributing to the rise of nu-metal by enabling riff-heavy, downtuned playing that moved away from pure shred virtuosity toward groove-oriented aggression.[1] Bands in this genre, influenced by the affordability and durability of Jackson models like the King V, incorporated the brand's aggressive aesthetics and tonal bite into hybrid styles blending hip-hop, grunge, and metal, as seen in the broader adoption across acts exploring extreme riffing.[82] From the 2000s onward, Jackson expanded into 7- and 8-string models, fueling the growth of progressive metal and djent subgenres with their extended-range capabilities for low-tuned, polyrhythmic chugs and complex harmonies.[83] The brand's integration with Fender following the 2002 acquisition broadened its reach into hard rock, allowing signature series that appealed to a wider array of players seeking versatile, high-output instruments.[3] Culturally, Jackson guitars became markers of the era through appearances in MTV videos and landmark albums like Blizzard of Ozz, solidifying their iconography in heavy music visuals and inspiring competitors such as ESP to develop similar high-performance designs.[1] On a broader scale, Jackson's early adoption of locking tremolo systems, like the Floyd Rose, set industry standards for tuning stability during aggressive dive bombs and whammy effects, influencing guitar manufacturing across metal and rock.[84]Collectibility and Market Position
Vintage Jackson guitars from the 1980s, particularly USA-made models like the Soloist, have gained significant collectible appeal due to their craftsmanship and association with the era's rock and metal scenes. These instruments often sell for $5,000 to over $8,000 in the resale market, with exceptional examples, such as Jeff Beck's 1983 pink Soloist, fetching up to $543,000 at auction in 2025.[85][86] The Randy Rhoads prototypes stand out even more, with the long-lost RR3 model auctioned for $147,329 in 2022, reflecting their rarity and historical value exceeding $100,000.[87][88] The reissue market in the 2020s has further boosted collector interest through Jackson's USA Select series, which recreates classic designs with modern refinements. Models like the USA Select Soloist SL1 now command used values over $3,000, appealing to enthusiasts seeking authentic vintage aesthetics without the premium of originals.[89] Authentication is facilitated by Jackson's official serial number lookup system and included certificates, ensuring provenance for high-end purchases.[90] In the broader electric guitar market, Jackson holds a niche position, particularly dominant in the metal segment where its aggressive designs resonate.[91] Synergy with parent company Fender has expanded retail availability, integrating Jackson into wider distribution networks.[20] Jackson faces stiff competition from PRS and Gibson in the premium segment, where higher pricing and brand prestige challenge its positioning. However, strengths in affordability through imported Pro Series models—priced under $1,000—provide an edge for entry-level buyers, complemented by robust 2025 growth in online sales driven by platforms like Reverb.[92][93] Legacy preservation is evident in museum displays, such as those at Hard Rock Cafe locations featuring rock memorabilia, and active fan communities on platforms like Facebook, where enthusiasts share custom modifications like pickup swaps and aesthetic upgrades to personalize their instruments.[94][95]References
- https://commons.wikimedia.org/wiki/Category:Chushin_Gakki