Hubbry Logo
search
logo
Nederbeat avatar
Nederbeat
Nederbeat
current hub
N

Nederbeat

logo
Community Hub0 Subscribers
Read side by side
Nederbeat
View on Wikipedia
from Wikipedia
Nederbeat
Stylistic origins
Cultural originsMid-1960s, Netherlands
Typical instruments
Other topics
Dutch pop and rock

Nederbeat (also: Nederbiet) is a genre of rock music that began with the Dutch rock boom in the mid-1960s influenced by British beat groups and rock bands such as the Beatles and the Rolling Stones.[1] Among the best-known Nederbeat groups are the Golden Earring, The Motions, The Outsiders and Shocking Blue.

History

[edit]
The Beatles performing in Blokker, Netherlands in 1964

In the 1960s, The Beatles and the Merseybeat sound began to dominate the Dutch charts. The popularity of such music led to interest among Dutch musicians in forming bands to play this type of rock music, replacing a previous genre Indorock performed by Indonesian immigrants in the Netherlands.[2] The interest was further spurred on by the Beatles concerts in the Netherlands in 1964 that drew large crowds, followed by a performance by The Rolling Stones at the Kurhaus in Scheveningen disrupted by an excited audience.[3] The emergence of the popular pirate station Radio Veronica and its creation of the first Top 40 chart in the Netherlands in 1965 also helped spread interest in this music culture.[4]

The Motions in 1966

The Hague was the country's beat capital, where bands such as "the Golden Earrings" (the predecessor of Golden Earring), InCrowd, Q65, Het, Sandy Coast and The Motions were formed,[3] along with its neighbouring coastal town Scheveningen. The clubs on its boulevard, from where Veronica's pirate ship was constantly visible, became the locus for Dutch talent.[citation needed] Other bands such as the Outsiders also emerged in Amsterdam. These bands generally performed in English, with the exception of a few such as Het who performed in Dutch.[3]

Golden Earring in 1969

The Motions were the first Nederbeat band to produce charting singles in the Netherlands with their songs "It's Gone" released in late 1964, and "Wasted Words", in 1965.[5] Their guitarist Robbie van Leeuwen would later form Shocking Blue. Other popular groups were the Outsiders, Q65, Golden Earring, Ro-d-ys, The Shoes, and Cuby & the Blizzards.

Nederbeat had association with the psychedelia and counterculture of the 1960s in the Netherlands.[6] The beat sound was popular for a few years before the sound started to change, and the musical style of the bands evolved. Soul and Rhythm and blues became more popular, groups that performed in such style include Rob Hoeke Rhythm & Blues Group. The Cats shifted into the palingsound they created, while Cuby & the Blizzards developed their own distinct style of blues.[3]

The bands were mostly popular only in the Netherlands, but a few bands found success internationally. In 1970, Tee-Set had a top 10 hit with "Ma Belle Amie" in many countries, while Shocking Blue did better with "Venus", which became the first ever No. 1 single by a Dutch band on Billboard Hot 100. Later in 1973, Golden Earring also had a worldwide hit with "Radar Love".[4] However, despite the successes, the genre had faded in the 1970s as popular music moved on to other genres and tastes such as Disco.

List of Nederbeat bands

[edit]
Q65 in 1967
Tee-Set in 1968
The Outsiders in 1968

The following is incomplete list of Nederbeat bands and some of their songs:

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Nederbeat

View on Grokipedia
from Grokipedia
Nederbeat is a genre of rock music that originated in the Netherlands during the mid-1960s, serving as the country's response to the British Invasion and characterized by raw, energetic garage rock influences, melodic song structures, and predominantly English lyrics delivered with a distinctive Dutch phrasing.[1][2] Inspired directly by bands like The Beatles, The Rolling Stones, and The Kinks, it emerged shortly after The Beatles' 1964 tour of the Netherlands, which ignited widespread Beatlemania and prompted local musicians to form similar groups.[2] The scene peaked between 1965 and 1967, centered in cities like The Hague—nicknamed "Beatstad" for its vibrant music culture—and Amsterdam, amid a broader societal shift away from conservative values toward youthful rebellion.[3] Nederbeat bands often blended British beat with American garage rock elements, resulting in a homespun, moody sound that incorporated bluesy riffs, R&B-pop fusions, and occasional psychedelic touches by the late 1960s.[3][2] While most acts achieved domestic success through labels like Philips and Decca, the genre produced rare international breakthroughs, such as Shocking Blue's 1969 hit "Venus," which topped charts in nine countries.[2] Key figures in Nederbeat included Q65, known for their rebellious anthems like "The Life I Live" (1966); The Golden Earrings (later Golden Earring), with early tracks such as "That Day" (1966); and The Outsiders, whose morose style exemplified the scene's raw edge.[3][2] Other notable groups like The Motions, The Tee Set, and Les Baroques contributed to a diverse output that rivaled British and American contemporaries, often prioritizing original compositions over covers.[3] Though the pure beat phase waned by 1968 as psychedelia and progressive rock took hold, Nederbeat laid foundational groundwork for subsequent Dutch pop innovations and retains cult status for its authentic, unpolished energy.[1][3]

Origins and Historical Development

Early Influences and Emergence

Prior to the British Invasion, the Dutch rock scene was pioneered by Indo-rock, an instrumental style developed by Dutch-Indonesian repatriates in the 1950s following Indonesian independence. This genre, popularized by bands like the Tielman Brothers, established a vibrant music culture, particularly in The Hague, and provided a foundation for subsequent developments through its energetic guitar-driven sound.[4] The emergence of Nederbeat in the mid-1960s was profoundly shaped by the British Invasion, as Dutch youth emulated the energetic rock and beat styles of UK bands like The Beatles and The Rolling Stones. This influence ignited a local rock boom, with teenagers forming garage-style groups to replicate the raw, guitar-driven sound sweeping Europe. The pivotal moment came with The Beatles' visit to the Netherlands in June 1964, where they performed two concerts on June 6 at the Veilinghal in Blokker, drawing thousands of fervent fans and sparking widespread Beatlemania that encouraged aspiring musicians to pick up instruments. Similarly, The Rolling Stones' performance on August 8, 1964, at the Kurhaus in Scheveningen ended in chaos due to an overexcited crowd, further amplifying the excitement around British rock and motivating Dutch bands to pursue similar high-energy performances.[5][6][7] A key catalyst for Nederbeat's visibility was the launch of Radio Veronica's Top 40 chart on January 2, 1965, broadcast from an offshore ship to evade strict Dutch broadcasting regulations. This pirate radio station provided unprecedented airplay for international hits and emerging local acts, boosting singles sales by approximately 30% that year and inspiring more bands to record and compete for chart positions. The chart's debut featured The Beatles' "I Feel Fine" at number one, underscoring the British Invasion's dominance while opening doors for Dutch groups to gain traction.[8][9] The Hague quickly became the epicenter of this burgeoning scene, earning the nickname "Beatstad" (Beat City) for its dense concentration of venues, studios, and Indo-Dutch musicians who blended British influences with local flair. Youth clubs and ballrooms in the city hosted frequent performances, fostering a competitive environment that produced some of the earliest Nederbeat outfits. Among the inaugural recordings was The Motions' single "It's Gone," released in early 1965 on Havoc Records, which captured the genre's nascent garage rock energy and marked one of the first Dutch efforts to chart domestically.[10][11]

Peak Period and Evolution

The peak period of Nederbeat spanned from 1965 to 1967, marked by rapid expansion in band formation and commercial success as the genre capitalized on the lingering enthusiasm from The Beatles' 1964 tour of the Netherlands. By late 1965, numerous amateur groups had emerged across cities like Amsterdam and The Hague, drawing inspiration from British Invasion acts and producing a surge of recordings that blended raw energy with local flair. This growth accelerated through 1967, with increased activity on domestic charts; for instance, The Outsiders achieved a Top Ten hit in the Netherlands with their 1967 single "Summer Is Here," exemplifying the upbeat, melodic style that propelled the scene forward.[12][3] As the decade progressed, Nederbeat began evolving beyond its initial garage rock foundations, incorporating influences from emerging global trends such as psychedelia, soul, and blues by the late 1960s. Bands experimented with distorted guitars, improvisational elements, and atmospheric soundscapes, reflecting the broader countercultural shifts in Europe. Groep 1850 exemplified this transition through their pioneering work, including the 1966 single "Misty Night," widely regarded as one of the first Dutch psychedelic recordings, and experimental tracks like "Frozen Mind" from 1968, which featured heavy psych riffs and trippy effects. Their 1968 album Agemo's Trip to Mother Earth further pushed boundaries with concept-driven narratives, reversed audio techniques, and jazz-infused improvisation, signaling a move toward more avant-garde expressions within the Nederbeat framework.[13][14][3] The genre's prominence began to wane in the late 1960s, fading by the early 1970s as musical tastes shifted toward more complex progressive rock and, later, the dance-oriented disco wave that dominated the mid-decade. This decline was exacerbated by market saturation from international acts and the rise of Dutch progressive bands experimenting with longer formats and symphonic elements, which overshadowed Nederbeat's concise, beat-driven format.[3][15] During this era, international record labels played a crucial role in elevating Dutch acts beyond local audiences, providing distribution and promotion that occasionally led to overseas releases. Philips Records, a Dutch powerhouse, signed and supported key groups like Groep 1850, releasing their psychedelic albums and facilitating European exposure. Similarly, Decca Records affiliated with several Nederbeat outfits, such as The Toreros, enabling limited but notable international pushes amid the competitive 1960s market.[13][2]

Musical Characteristics

Style and Instrumentation

Nederbeat embodies a homespun garage rock style characterized by jangly guitars, melodic hooks, and energetic rhythms, heavily derived from British beat groups of the 1960s such as The Beatles and The Rolling Stones. This raw, rustic sound often features minor-key melodies and group harmonies, evoking a moody, youthful intensity that distinguishes it from more polished international counterparts.[10][2] Typical instrumentation in Nederbeat includes a rhythm guitar providing jangly chords and a lead guitar employing reverb effects, mild overdrive or fuzz for crunchy tones, alongside a simple walking or riff-based bass locked to the kick drum. Drums deliver punchy, tight 4/4 backbeats with crashing fills and occasional tambourine accents, creating propulsive energy at mid- to up-tempos around 120–160 BPM. Occasional additions like Farfisa or Vox organs for bright, percussive chords, or harmonica for bluesy riffs, introduce psychedelic leanings, particularly in later tracks.[10][16][3] The genre draws significant influence from American blues and rhythm & blues, manifesting in its raw, unpolished production with lean, room-like acoustics, subtle tape slapback, and minimal overdubs, especially evident in the gritty B-sides of singles that highlight spontaneous, passionate deliveries. Compared to broader beat music, Nederbeat possesses a distinct Dutch "homespun" quality through its short, punchy song structures averaging 2–3 minutes, often following a verse-chorus format with riff-based intros, instrumental breaks, and concise outros in straight 8ths or R&B shuffles.[16][3][10]

Lyrics and Language

Nederbeat songs predominantly featured lyrics in English, a deliberate choice by bands to broaden their international appeal and align with the global dominance of British Invasion acts. This linguistic strategy allowed Dutch youth, often fluent in English due to education and media exposure, to emulate idols like the Beatles and Rolling Stones, resulting in phrasing that blended straightforward rock poetry with occasional awkward, inventive twists unique to non-native speakers. Common themes mirrored those of their British counterparts, centering on youth rebellion against authority, the highs and lows of romantic love, and slices of everyday frustration or joy, such as unrequited affection or the thrill of young freedom.[3] While English dominated, occasional Dutch-language tracks infused the genre with local flavor and cultural specificity, grounding it in everyday Dutch vernacular and sentiments. For instance, the Amsterdam-based band Het released "Ik Heb Geen Zin Om Op Te Staan" in 1965, a laid-back beat number expressing youthful apathy and reluctance to face the day, which resonated with domestic audiences through its relatable, colloquial Dutch lyrics.[17] Such songs added a layer of national identity to the otherwise anglicized sound, highlighting the bilingual tensions within the scene.[1] As the genre evolved in the late 1960s, lyrics shifted toward more introspective and psychedelic explorations, departing from simple beat narratives to embrace surreal imagery and altered states of consciousness influenced by emerging countercultural trends. Q65 exemplified this transition with tracks like "The Life I Live," where grinding blues riffs underpinned lyrics delving into personal turmoil and hallucinatory visions, marking a move from external rebellion to inner psychological landscapes.[3] Political content remained rare in Nederbeat, with most songs prioritizing escapist or romantic narratives over explicit social critique, offering listeners an outlet for personal emotions amid the era's rapid changes. This focus on individual stories of love, disillusionment, and mild defiance—such as subtle nods to drug experiences in songs like the Zipps' "Marie Juana"—reinforced the genre's role as youthful entertainment rather than activism.[3]

Notable Bands and Artists

Pioneering Groups

The pioneering groups of Nederbeat emerged in the mid-1960s, laying the groundwork for the genre's domestic dominance through their innovative adaptations of British Invasion sounds within the Dutch music scene. These bands, primarily from urban centers like The Hague and Amsterdam, achieved significant local chart success and influenced subsequent acts by blending raw energy with melodic sensibilities, often without achieving widespread international recognition.[18][19] The Motions, formed in 1964 in The Hague, were among the earliest Nederbeat acts to gain prominence with their melodic pop-rock style. Their debut single "It's Gone" marked an initial breakthrough in late 1964, followed by the hit "Wasted Words" in 1965, which showcased their harmonious vocals and guitar-driven arrangements. The band's debut album, Introduction to The Motions, released in 1965, further solidified their role in establishing Nederbeat's commercial viability in the Netherlands.[20][18][21] Formed in the early 1960s in Amsterdam, The Outsiders rose to become one of the most popular Nederbeat bands between 1965 and 1967, known for their raw garage sound that captured the era's youthful rebellion. Their 1968 album CQ exemplified this intensity with tracks like "Misfit," featuring gritty guitars and urgent vocals led by Wally Tax, emphasizing the group's dominance in the Dutch underground scene. Despite limited global exposure, CQ remains a cornerstone of Nederbeat for its unpolished authenticity and influence on local rock development.[19][22][23] Q65, established in 1965 in The Hague, brought a bluesy edge to Nederbeat with their dark, menacing tracks that distinguished them from more pop-oriented contemporaries. Their single "World of Birds" from 1967 highlighted this raw, introspective quality, contributing to a short but impactful discography that included the album Revolution in 1966. As forerunners of the genre, Q65's emphasis on emotional depth and blues influences helped shape Nederbeat's evolution within the Netherlands, even as their career was curtailed by internal challenges.[24][25][26] Lesser-known pioneers like Les Baroques and Nicky and The Shouts contributed to Nederbeat's foundational diversity through their jangly, Kinks-inspired singles in 1965 and 1966. Les Baroques, from Baarn, debuted with "Silky" in 1965, delivering a subdued yet distinctive sound that set them apart in the competitive Dutch scene. Similarly, Nicky and The Shouts, based in Groningen, released early singles such as "It's Time" in 1965 and "Tears Inside" in 1966, featuring propulsive beats and glassy guitars that echoed British mod influences. These groups, while not achieving the chart longevity of their peers, enriched Nederbeat's early landscape with regional flavors and experimental edges.[27][2]

Internationally Successful Acts

Among the most prominent Nederbeat acts to achieve international acclaim were Golden Earring and Shocking Blue, whose breakthroughs extended the genre's influence beyond the Netherlands into global charts and tours. Golden Earring, originally formed in 1961 in The Hague as The Golden Earrings, emerged from the early Nederbeat scene with hits that blended beat rhythms and pop sensibilities. Their 1965 single "Please Go" reached the Dutch Top 10, marking an initial domestic breakthrough, while "Dong Dong Diki Digi Dong" topped the Dutch charts in 1968 for several weeks, solidifying their status within the movement.[28][29] By the early 1970s, Golden Earring evolved toward hard rock while retaining Nederbeat roots, achieving their first major international hit with "Radar Love" from the 1973 album Moontan. The track peaked at No. 13 on the Billboard Hot 100 and No. 7 on the UK Singles Chart, driven by its driving rhythm and CB radio-themed lyrics, and it propelled the band to tour the United States 13 times, often as an opening act for major acts. This success, with Moontan selling over 2.5 million copies outside the Netherlands, represented a pivotal extension of Nederbeat's raw energy into broader rock audiences.[30][31] Shocking Blue, formed in 1967 in The Hague, fused Nederbeat with psychedelic elements, creating a distinctive sound that propelled them to worldwide fame. Their breakthrough single "Venus," released in 1969, topped the Billboard Hot 100 for three weeks in early 1970, becoming the first Dutch rock song to achieve that milestone and selling over five million copies globally. Featured on their debut album At Home (1969), which blended psychedelic folk-rock with fuzzy guitars and Mariska Veres' commanding vocals, the track's success led to extensive tours across Europe and North America, including U.S. performances that capitalized on the song's radio dominance.[32][33][34] The Tee Set, formed in 1965 in Delft, contributed to Nederbeat's pop-rock evolution with catchy melodies and sophisticated arrangements. Their 1969 single "Ma Belle Amie" became an international hit, reaching No. 5 on the US Billboard Hot 100 and No. 3 on the Canadian charts in 1970, marking one of the genre's key exports and showcasing Dutch bands' potential on global stages. Another notable export was The Fool, a Dutch multimedia collective that doubled as a psychedelic band, releasing their self-titled album in 1968 on Mercury Records in the U.S. and Polydor in the UK, produced by Graham Nash. Their association with Apple Records—stemming from designing the Beatles' Apple Boutique in London—highlighted their international reach within the psychedelic scene, though commercial success remained more artistic than chart-driven.[35][36]

Cultural Impact and Legacy

Influence on Dutch Music Scene

Nederbeat played a pivotal role in transforming The Hague into a central hub for rock music in the Netherlands during the mid-1960s, often dubbed "Beatstad" due to its concentration of bands and venues. This scene fostered a vibrant ecosystem of live performances, with landmark events such as the Rolling Stones' concert in nearby Den Bosch on March 26, 1966, drawing crowds and inspiring local acts like The Outsiders and Q65. Venues in The Hague, including clubs that hosted international acts alongside Dutch groups, continued to thrive into the 1970s, supporting the evolution of rock festivals and sustaining a dedicated audience for emerging genres.[3][37] The movement significantly boosted the Dutch recording industry by spurring local labels to invest in domestic talent, with Negram and Bovema emerging as key players in producing and distributing Nederbeat records. Negram, based in Heemstede, released influential singles and albums by bands such as Tee Set and Q65, capitalizing on the demand for raw, youth-oriented music and increasing overall local production output in the late 1960s. Bovema, which had been marketing international acts, shifted focus to scout and sign Dutch teen talent, contributing to a surge in vinyl releases that helped professionalize the industry and create a self-sustaining market for Nederpop.[38][39][3] Nederbeat laid the groundwork for subsequent Dutch genres, serving as a foundational youth movement that transitioned into symfonische rock and punk by the early 1970s. Bands like Focus, formed from the progressive edges of the Nederbeat scene, drew on its instrumental energy and classical influences to achieve international success with albums such as Moving Waves (1971), marking a shift toward more experimental sounds. This evolution reflected Nederbeat's role in empowering a new generation of musicians, with its rebellious ethos influencing the raw aggression of later punk acts.[40] Socio-culturally, Nederbeat empowered post-war Dutch youth by channeling their frustrations into a liberating expressive outlet, aligning with the broader liberalization of 1960s society amid protests and countercultural shifts. The genre's themes of freedom, rebellion, and non-conformity resonated with movements like Provo, using music to challenge conservative norms and promote personal emancipation. This integration of beat music into youth dissent helped normalize alternative lifestyles, contributing to enduring social changes in the Netherlands.[41][3]

Global Recognition and Modern Revivals

Nederbeat's international legacy gained renewed attention through its inclusion in influential compilation series that highlighted obscure 1960s garage and beat rock from around the world. The 2019 release of Diggin' In The Goldmine: Dutch Beat Nuggets, a multi-volume set curated under the Pseudonym label, featured rare tracks from pioneering Nederbeat acts such as Q65, The Outsiders, and The Motions, exposing them to global collectors and enthusiasts beyond the Netherlands.[42] This series, praised for unearthing "astonishing" artifacts from the Dutch beat era, built on earlier efforts like the 2003 Nederbeat 63-69: Dutch Nuggets 2 compilation, which similarly aggregated original singles to showcase the genre's raw energy.[43] Enduring popularity of individual Nederbeat hits has been sustained through covers and samples by international artists, keeping the genre's sound alive in mainstream contexts. The Shocking Blue's 1969 track "Venus," a cornerstone of Nederbeat's peak-era success, was covered by British group Bananarama in 1986, reaching number one on the Billboard Hot 100 and topping charts in six countries, thus reintroducing the song to new generations.[44] This cover's chart dominance, selling millions worldwide, underscored Nederbeat's melodic hooks and psychedelic flair, influencing subsequent pop and rock productions. In the 2010s, modern revivals amplified Nederbeat's accessibility through reissues, digital streaming, and scholarly interest among collectors. Labels like Pseudonym issued expanded editions of albums by bands such as The Golden Earrings and Brainbox, making previously scarce vinyl available on CD and limited-edition LPs during events like Record Store Day 2018.[45] Streaming platforms like Spotify have democratized access to rare tracks, with dedicated playlists compiling over 100 Nederbeat songs from acts including The Shoes and The Hunters, amassing thousands of saves and streams from international listeners.[46] Academic and collector-focused works, such as Richie Unterberger's 2019 analysis in his reissue reviews, have highlighted the genre's value within global garage rock history, drawing parallels to British Invasion sounds and emphasizing its underappreciated innovation.[42]

References

  1. Sounds of the Netherlands – day one: a history of Dutch pop in 10 ...
  2. An Introduction to Nederbeat - Strange Currencies
  3. DUTCH NUGGETS: ORIGINAL 1960s' ROCK & ROLL 'ARTYFACTS ...
  4. An Introduction to Nederbeat – Strange Currencies
  5. 6 June 1964: Live: Blokker, the Netherlands | The Beatles Bible
  6. The Rolling Stones Setlist at Kurhaus, Scheveningen
  7. [PDF] valuing pop music in the Netherlands (1955–1965) - Wilfred Dolfsma
  8. Diamond Jubilee: The Dutch Top 40 Turns 60!
  9. Nederbeat - Melodigging
  10. https://www.discogs.com/release/5231155-The-Motions-Its-Gone-Ive-Got-Misery
  11. https://www.discogs.com/release/2091103-Outsiders-Summer-Is-Here
  12. Group 1850
  13. Group 1850 | Interview | Beer Klaasse
  14. Progressive Rock Bands Break Boundaries | definitivedecades
  15. Diggin' In the Goldmine: Dutch Beat Nuggets 1964-1970
  16. https://www.discogs.com/release/1962973-Various-Nederbeat-Singles-63-69-The-B-Sides-1
  17. The Motions Songs, Albums, Reviews, Bio & More... - AllMusic
  18. The Outsiders Songs, Albums, Reviews, Bio & Mo... - AllMusic
  19. https://www.discogs.com/release/2200166-The-Motions-I-Follow-The-Sun-Wasted-Words
  20. https://www.discogs.com/release/3938386-The-Motions-Wasted-Words-The-Havoc-45s
  21. https://www.discogs.com/release/5081711-The-Outsiders-CQ
  22. C.Q. - The Outsiders | Album - AllMusic
  23. Q 65 Songs, Albums, Reviews, Bio & More | AllM... - AllMusic
  24. https://www.discogs.com/release/31373818-Q65-The-Life-We-Live-Anthology-1965-2000
  25. Revolution - Q 65 | Album - AllMusic
  26. Les Baroques Songs, Albums, Reviews, Bio & Mor... - AllMusic
  27. Golden Earring: Five Great Songs - Rock and Roll Globe
  28. https://www.discogs.com/master/453541-Golden-Earrings-Dong-Dong-Di-Ki-Di-Gi-Dong
  29. Behind The Song: “Radar Love” by Golden Earring
  30. O/T Radar Love - ACDCfans.net
  31. Week of March 7, 1970 - Billboard Hot 100™
  32. Shocking Blue Songs, Albums, Reviews, Bio & Mo... - AllMusic
  33. Shocking Blue Was More Than 'Venus.' Check Them Out—You May ...
  34. The Fool (artist) - The Paul McCartney Project
  35. The Beatles, The Fool, and Apple Boutique - Arrive Without Travelling
  36. How Shocking Blue established the hippie age in Europe
  37. https://www.discogs.com/label/248188-Negram-BV
  38. Dutch-East Indies artists and their role in the music industry 1950-1970
  39. PROG'S never-Netherlands - Record Collector Magazine
  40. Expressive revolutions: '1968' and music in the Netherlands ...
  41. Top Twenty Rock Reissues of 2019 | Folkrocks - Richie Unterberger
  42. https://www.discogs.com/release/2887615-Various-Nederbeat-63-69-Dutch-Nuggets-2
  43. Bon Jovi to Janet Jackson: No.1 Songs From 1986 - Billboard
  44. Record Store Day 2018 - PromotionalEvent | RECORD STORE DAY
  45. Nederbeat - playlist by Syb van Beelen | Spotify
User Avatar
No comments yet.