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Photostat machine
Photostat machine
Photostat machine
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The Photostat machine, or Photostat, was an early projection photocopier created in the decade of the 1900s by the Commercial Camera Company, which became the Photostat Corporation. The "Photostat" name, which was originally a trademark of the company, became genericized, and was often used to refer to similar machines produced by the RetinalGraph Company or to any copy made by any such machine.

History

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Commercial Camera Company Photostat advertisement in Engineering News, 1913.
Commercial Camera Company Photostat advertisement in American Machinist, 1920.

Background

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The growth of business during the Industrial Revolution created the need for a more efficient means of transcription than hand copying. Carbon paper was first used in the early 19th century. By the late 1840s copying presses were used to copy outgoing correspondence. One by one, other methods appeared. These included the "manifold writer", developed from Christoph Scheiner's pantograph and used by Mark Twain; copying baths; copying books; and roller copiers. Among the most significant of them was the Blue process in the early 1870s, which was mainly used to make blueprints of architectural and engineering drawings. Stencil duplicators (more commonly known as "Mimeograph machines") surfaced in 1874, and the Cyclostyle in 1891. All were manual and most involved messy fluids.

Retinal and Photostat machines

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George C. Beidler of Oklahoma City founded the RetinalGraph Company in 1906 or 1907, producing the first photographic copying machines; he later moved the company to Rochester, New York in 1909 to be closer to the Haloid Company, his main source of photographic paper and chemicals.

The RetinalGraph Company was acquired by the Haloid Company in 1935. In 1948, Haloid purchased the rights to produce Chester Carlson's xerographic equipment and in 1958 the firm was reorganized to Haloid Xerox, Inc., which in 1961 was renamed Xerox Corporation.[1] Haloid continued selling RetinalGraph machines into the 1960s.

The Photostat brand machine, differing in operation from the RetinalGraph but with the same purpose of the photographic copying of documents, was invented in Kansas City by Oscar T. Gregory in 1907. A directory of the city from 1909 shows his "Gregory Commercial Camera Company". By 1910, Gregory had co-filed a patent application with Norman W. Carkhuff, of the photography department of the United States Geological Survey, for a specific type of photographic camera, for quickly and easily photographing small objects, with a further object "to provide a camera of the type known as 'copying cameras' that will be simple and convenient [...]"[2] In 1911, the Commercial Camera Company of Providence, Rhode Island, was formed. By 1912, Photostat brand machines were in use, as evidenced by a record of one at the New York Public Library. By 1913, advertisements described the Commercial Camera Company as headquartered at Rochester and with a licensing and manufacturing relationship with Eastman Kodak.[3] The pair filed another U.S. patent application in 1913 further developing their ideas.[4] By 1920, distribution agency in various European markets was by the Alfred Herbert companies.[5] The Commercial Camera Company apparently became the Photostat Corporation around 1921, for "Commercial Camera Company" is described as a former name of Photostat Corporation in a 1922 issue of Patent and Trade Mark Review.[6] For at least 40 years the brand was widespread enough that its name was genericized by the public.

The Photostat Corporation was eventually absorbed by Itek in 1963.

Description

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Both RetinalGraph and Photostat machines consisted of a large camera that photographed documents or papers and exposed an image directly onto rolls of sensitized photographic paper that were about 350 feet (110 m) long. A prism was placed in front of the lens to reverse the image. After a 10-second exposure, the paper was directed to developing and fixing baths, then either air- or machine-dried. Since the print was directly exposed, without the use of an intermediate film, the result was a negative print. A typical typewritten document would appear on the photostat print with a black background and white letters. Thanks to the prism, the text would remain legible. Producing photostats took about two minutes in total. The result could, in turn, be photostated again to make any number of positive prints.

The photographic prints produced by such machines are commonly referred to as "photostats" or "photostatic copies". The verbs "photostat", "photostatted", and "photostatting" refer to making copies on such a machine in the same way that the trademarked name "Xerox" was later used to refer to any copy made by means of electrostatic photocopying. People who operated these machines were known as photostat operators.

It was the expense and inconvenience of photostats that drove Chester Carlson to study electrophotography. In the mid-1940s Carlson sold the rights to his invention – which became known as xerography – to the Haloid Company and photostatting soon sank into history.

See also

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References

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Photostat machine

View on Grokipedia
from Grokipedia
The Photostat machine was an early projection photocopier, invented in 1907 by Oscar T. Gregory in , that used a large camera to photograph documents and directly expose the images onto rolls of sensitized , producing high-quality reproductions in approximately two minutes per copy. Commercialized by the Commercial Camera Company—formed in , in 1911 and reorganized as the Photostat Corporation by 1921—the machine featured a flatbed for placing originals face-up, a 10-second exposure via a projection lens, and an integrated processing system where the paper advanced through developing and fixing chemical baths before drying, either by air or an electric dryer. The initial output was a negative image with a black background and white text, but a built-in prism could reverse it to create a positive copy resembling the original; additional positive prints could be made by re-photographing the negative. By 1912, Photostat machines were in use at institutions such as the , gaining widespread adoption in the following years and revolutionizing document reproduction in libraries and archives by enabling affordable, off-site access to rare materials without risking damage to originals, a practice that continued into the mid-20th century until superseded by xerographic technologies. The term "Photostat" became a genericized for photographic copies, and machine operators were commonly known as photostat operators, underscoring its cultural and professional impact on office and research workflows.

History

Invention

The origins of the Photostat machine emerged from early innovations in photographic document copying during the first decade of the . In 1906, George C. Beidler, an abstract clerk based in , founded the Rectigraph Company to develop and produce the first commercial photographic copying machines. These devices captured images onto sensitized paper, producing a negative image from which positive copies could be made by re-photographing, and marked an initial step toward efficient reproduction technology. Beidler relocated the company to , in 1909, positioning it amid the region's established photographic manufacturing hub. Concurrently, in 1907, Oscar T. Gregory independently invented a specialized copying camera for documents while working in . Gregory's design adapted established large-format camera technology, incorporating photographic exposure principles to project and record document images onto sensitized media with precision and speed. Early prototypes featured mechanisms for handling continuous rolls of sensitized paper, which were fed into an exposure chamber, illuminated uniformly, and then cut into individual sheets for processing. This foundational work culminated in the 1910 filing of U.S. Patent 1,167,356 by Gregory and collaborator Norman W. Carkhuff, titled "Photographic Camera," which detailed the core mechanism for rapid, automated document copying suitable for non-expert users; the patent was issued on January 4, 1916. The invention's emphasis on simplicity and low-cost operation addressed growing needs in offices and archives for reliable duplication. These developments paved the way for the 's transition to commercial production by the Commercial Camera Company.

Commercialization

The commercialization of the Photostat machine began with the formation of the Commercial Camera Company in 1911 in , established specifically to manufacture and market the device based on Oscar T. Gregory's 1907 invention. By 1913, the company had relocated its headquarters to , and established a licensing and manufacturing partnership with Eastman Kodak, which facilitated production using Kodak's photographic materials and expertise. The machines were priced at around $500 in 1911, making them accessible primarily to large organizations despite the cost, equivalent to several months' wages for many professionals. Initial market adoption was rapid among institutions requiring efficient document duplication. In 1912, the acquired a Photostat machine, marking one of the earliest documented uses for archival copying, while Company also integrated it into its operations that year for technical drawings and records. By 1913, U.S. government agencies had deployed at least 20 units, highlighting the device's appeal for bureaucratic and scientific applications where direct positive prints on sensitized paper offered a significant improvement over manual transcription or wet-collodion processes. The Commercial Camera Company rebranded as the Photostat Corporation around 1921, solidifying its focus on this technology and expanding sales through demonstrations of its speed—producing copies in under a minute—and durability for legal and engineering documents. Corporate evolution involved key acquisitions that reshaped the industry. In 1935, the Haloid Company, a photographic paper manufacturer, acquired the Rectigraph Company—a direct competitor producing similar reflex copying machines—for approximately $500,000, integrating Rectigraph's technology and broadening Haloid's portfolio beyond paper supplies. This move positioned Haloid to explore electrostatic alternatives, leading to a pivotal 1947 agreement with for exclusive rights to develop Chester Carlson's process, which Haloid licensed to transition from wet photographic methods. Meanwhile, the Photostat Corporation continued independent operations until 1963, when it was absorbed by Itek Corporation as part of Itek's aggressive expansion into imaging and optics, though this merger contributed to Itek's short-term financial strains amid broader diversification efforts. These dynamics underscored the Photostat's role in paving the way for modern photocopying while highlighting the sector's consolidation under larger firms like Haloid (later ) and Itek.

Design and Operation

Key Components

The Photostat machine featured a large-format camera setup as its core imaging component, designed to capture high-resolution photographs of documents placed on a flat copying board. This camera, typically mounted on an adjustable frame, utilized a system for focusing and a lens tube to project the document image onto sensitized paper, enabling the reproduction of originals up to large sizes such as 24 by 30 inches. The recording medium consisted of long rolls of sensitized , measuring approximately 350 feet (110 meters) in length, which allowed for of multiple copies without frequent reloading. These rolls were housed in a light-proof chamber at the rear of the machine and fed flat across an exposure plane, where the projected image would chemically react upon illumination, forming a latent negative image. A key optical element was the prism mechanism positioned in front of the , which reversed the projected image to ensure that text and graphics appeared in the correct left-to-right orientation on the final negative copy, despite the inherent mirroring effect of direct photographic projection. This was essential for producing legible reproductions without manual flipping or additional processing steps. Following exposure, the sensitized passed through developing and fixing baths to manifest and stabilize the . The developing bath, containing chemical reducers, converted the exposed areas into visible black tones within seconds, while the subsequent fixing bath, using a hypo solution, removed unexposed silver halides to prevent further sensitivity and fading, completing the wet stage of the copying operation.

Copying Process

The copying process of the Photostat machine began with the placement of the original document face-up on a flat copying board within a darkened enclosure to minimize and ensure accurate exposure. The document was illuminated from above, and a large , equipped with a prism for image reversal, projected the image directly onto a roll of sensitized at a 1:1 scale, producing a rectilinear, distortion-free copy unlike traditional that could introduce perspective distortions. This projection occurred in a controlled environment, with the machine's hood simulating conditions to protect the light-sensitive paper during the brief exposure phase, which typically lasted about 10 seconds. Following exposure, the sensitized advanced automatically from its 350-foot roll, was trimmed to size, and entered the chemical development stage, where it was immersed in a developing bath for approximately 35 seconds to reveal the . The then moved to a fixing bath to stabilize the and halt further , followed by a washing step and drying, either by air exposure or an integrated electric dryer with conveyor belts. The entire process for producing the initial negative print—a reversed with black background and white text or lines—took approximately 2 minutes, making it significantly faster than manual photographic methods of the era. This negative resulted from the direct photographic exposure without an intermediate , leveraging silver-halide sensitized for high-contrast suitable for documents. To obtain a positive print mirroring the original's colors, the negative was re-placed on the copying board and re-exposed through the same projection and development process, effectively inverting the image once more. This double-exposure method doubled the time investment but provided versatile outputs for archival or reference use, with the prism ensuring consistent left-to-right reading orientation in the final positive. The process emphasized precision in handling to avoid over- or underexposure, as the machine's prioritized illumination and chemical timing for reliable results across various document sizes up to large formats.

Applications and Impact

In Business and Archiving

In the early , Photostat machines saw widespread adoption in offices for duplicating contracts, reports, and , marking a significant shift from labor-intensive manual methods. By 1913, the U.S. government had acquired 20 such machines to handle growing administrative demands, while corporations like Du Pont integrated them as early as 1909 for reproducing graphs and technical documents. and companies followed suit by 1914, leveraging the technology to streamline record-keeping in high-volume environments. In libraries and archives, Photostat machines played a crucial role in copying rare books and manuscripts, thereby reducing physical wear on originals and enabling broader scholarly access. During the and , these devices revolutionized rare book studies by producing affordable reproductions that scholars could consult off-site, bypassing the need for extensive travel or handling fragile materials. For instance, the installed a No. 4 Photostat machine in to create high-capacity copies, including replacements for damaged pages in volumes like a 1656 edition of a text. The efficiency gains of Photostat machines over manual transcription were evident in practices from the to the , as they produced copies in approximately 10 seconds per exposure, including built-in development and processes. This speed allowed offices to generate multiple duplicates quickly, as seen in Du Pont's use for engineering reports and the U.S. government's expansion to support wartime documentation needs by the . In archival settings, the technology facilitated the creation of surrogate records, preserving originals while supporting research, such as inserting photostats into books to replace missing leaves. For large-volume copying in and corporate settings, Photostat machines offered substantial and time benefits, with units priced between $500 and $1,050 in the 1910s to , and sensitized paper costing about $0.06 per 11.5-by-14-inch print. These enabled efficient scaling for bulk reproductions, reducing reliance on clerical labor and external services, which had previously delayed business operations. The machines' ability to produce negative copies directly on sensitized paper made them particularly suitable for archival records, where high-contrast reproductions ensured legibility for long-term storage. In the publishing industry, Photostat machines played a key role in proofing layouts, illustrations, and text reproductions prior to final , allowing editors and designers to create accurate "for position only" (FPO) proofs and dummy layouts without altering originals. These photographic copies facilitated the review of page compositions, enabling quick identification of spacing issues or illustrative alignments in book and periodical production. During the and , such machines were integrated into workflows for reproducing deteriorating newsprint on more permanent paper, bridging gaps in archival runs from 1870 to 1927 and supporting the creation of editions. In book production from the to , Photostats were employed to insert reproductions of missing or damaged pages into volumes, preserving scholarly editions while allowing off-site access to rare materials for proofing and verification. This process revolutionized textual reproduction by providing affordable, direct negative copies that could be converted to positive prints for readable review, though with some loss in sharpness. In legal fields, Photostat machines were widely used for duplicating , documents, and patents, producing reliable photographic copies that served as admissible secondary under rules allowing photostats as exact reproductions. The U.S. Copyright Office, for instance, relied on Photostats to record over 490,000 pages of assignments and transfers from 1870 to , binding them into official record books for legal reference and ownership verification. The machines' ability to generate multiple prints from a single negative exposure supported efficient multi-copy distribution in legal contexts, reducing reliance on manual transcription and enabling scalable document sharing from the 1920s through the mid-20th century.

Decline and Legacy

Technological Supersession

The introduction of by Chester F. Carlson in 1938 marked a pivotal shift in copying technology, offering a dry electrostatic process that contrasted sharply with the wet-chemical methods of Photostat machines. Carlson's invention, initially developed in a makeshift lab, produced the first xerographic image on October 22, 1938, using a plate coated with to transfer images without liquids. This innovation was commercialized by the Haloid Company (later renamed ) in the , culminating in the launch of the plain-paper copier in 1959, which automated the process and made high-volume copying accessible to offices. Electrostatic copiers like the models provided key advantages over Photostat machines, including faster production speeds—up to 400 copies per hour for the —compared to the slower, labor-intensive Photostat process that required sensitized paper and chemical development. They also delivered positive prints directly on plain paper without the need for reversal rephotography or hazardous chemicals, reducing mess and health risks associated with Photostat's wet processing. Additionally, these machines were significantly smaller and more compact, fitting easily into office spaces unlike the bulky camera-based Photostat units that occupied dedicated rooms. The phase-out of Photostat machines began gradually in the 1950s as xerographic technology was developed and commercialized, accelerating with Xerox's market entry. In 1959, the Photostat Corporation was acquired by Itek Corporation for approximately $4 million, after which production of Photostat machines ceased. By the 1970s, the dry-process efficiency of electrostatic copiers had fully supplanted Photostats, driven by lower operational costs and greater reliability; Photostat maintenance involved ongoing expenses for chemicals and sensitized materials, with each 11.5"x14" print costing about $0.06, while xerography minimized such recurring outlays through reusable toner and plain paper. These economic shifts, combined with the superior speed and convenience of xerography, rendered the wet-chemical Photostat obsolete in professional settings.

Genericization and Cultural Role

The term "Photostat" originated as a trademark for machines produced by the Commercial Camera Company, but by the mid-20th century, it had become a genericized term in , commonly used to refer to any photographic reproduction or copying process, much like "" later did for electrostatic photocopying. This linguistic shift reflected the machine's widespread adoption in offices, libraries, and government agencies, where "making a photostat" denoted any quick duplication of documents, regardless of the equipment used. In mid-20th-century and media, Photostat machines symbolized the mechanization of work and scholarly , often appearing as emblems of bureaucratic and the of access. For instance, they featured in depictions of academic pursuits, such as in discussions of rare book studies where photostats enabled scholars to analyze texts remotely without handling originals, revolutionizing fields like and Shakespearean criticism during the to —a trend that persisted into post-World War II narratives of intellectual labor. While specific portrayals are scarce, the machines embodied the era's technology in broader cultural artifacts, underscoring themes of replication and administrative drudgery in stories of corporate and governmental life. Vintage Photostat machines are preserved today in various institutional collections, where they serve as artifacts illustrating early 20th-century innovations in document management and are occasionally displayed in exhibits on history and printing technology. Early copying technologies like the Photostat profoundly influenced practices by facilitating the rapid duplication of records, which contributed to increased use in during the early to mid-20th century, as organizations like governments and corporations amassed vast archives of copies for legal, archival, and operational purposes. This proliferation transformed administrative workflows, allowing decentralized access to documents and reducing reliance on centralized filing systems, though it also exacerbated consumption and storage challenges before being largely supplanted by xerographic in the 1950s.
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