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Press box at Candlestick Park, San Francisco.
The massive press box at Carter–Finley Stadium at NC State.

The press box is a special section of a sports venue that is set up for the media to report about a given event. It is typically located in the section of the stadium holding the luxury box and can be either enclosed or open to the elements. In general, newspaper writers sit in this box and write about the on-field event as it unfolds. Television and radio announcers broadcast from the press box as well. Finally, in gridiron football, some coaches (especially offensive coordinators) prefer to work from the press box instead of from the sideline in order to have an "all 22" view of both the offensive and defensive players, along with coaching personnel ordered to by physicians due to medical conditions, or injuries which require rehabilitation and prevent them from being on the sidelines due to risk of further injury. For college and professional basketball, a "press row" along the sideline across the way from the scorer's table is set up instead for broadcasters and statisticians, while most writers work from a traditional press box position.

The press box is considered to be a working area, and writers, broadcasters, and other visitors to press boxes are constantly reminded of this fact at sporting events. Cheering is strictly forbidden in press boxes, and anyone violating rules against showing favoritism for either team is subject to ejection from the press box by security personnel. The rule against cheering is generally enforced only in the writers' area of the press box, and not against coaches and (in many cases) broadcasters who are known to be employed by one of the teams involved.[1]

References

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See also

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Wikimedia Commons has media related to Announcers' booths.


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Press box

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from Grokipedia
A press box is a designated section within a sports or , typically elevated above the playing field, reserved exclusively for journalists, broadcasters, and other media personnel to observe and report on events such as games or matches, primarily in . This space provides an unobstructed vantage point, essential for accurate coverage, and often includes amenities like desks, electrical outlets, and communication equipment to facilitate real-time reporting. The concept of the press box originated in the late amid the growing popularity of organized sports and the expansion of print media , with the term first recorded around 1889. Early press facilities, with first mentions around 1892, evolved from rooftop galleries and sidelines accommodations in the 1880s and early 1900s to dedicated structures by the 1920s, as seen in venues like , where the initial press box opened in 1927 to seat 240 reporters with basic heating, lighting, and radio facilities. Post-World War II developments, including the rise of television and national broadcasting, prompted upgrades such as enclosed designs, multiple levels, and specialized booths for cameras and announcers, exemplified by 's 1956 Sports Communications Center, which featured 202 reporter seats and 17 broadcast areas. These advancements reflected the increasing demand for comprehensive media access in major leagues like , football, and . In modern stadiums, press boxes serve as critical hubs for , accommodating print reporters, radio and TV crews, photographers, and statisticians while adhering to protocols like no cheering to maintain . Key features often include high-speed , climate control, and modular layouts for adaptability, ensuring efficient operations during high-stakes events. Their importance lies in enabling timely dissemination of information to global audiences, supporting the economic and cultural impact of by bridging venues with fans and media outlets.

History

Origins in Early Stadiums

The emergence of press boxes in the late 19th and early 20th centuries coincided with the growth of organized sports, particularly and , as venues began providing dedicated spaces for reporters to facilitate media coverage and publicity. These early accommodations were rudimentary, often consisting of simple elevated galleries or roosts atop grandstands or , designed to offer journalists a clear view of the action without interference from crowds. In parks, such provisions appeared as early as the ; for instance, at Boston's II, which opened in , a semicircular included ample space for reporters and telegraphers behind home plate to support timely game reporting. Documented examples from this period highlight the basic nature of these setups. In , the first mentions of press boxes occurred at the 1892 Yale-Princeton game at Manhattan Field in New York and the 1893 Harvard-Yale contest in , where reporters were given separate seating atop the to observe and document the plays. These open-air platforms allowed for unobstructed note-taking and telegraphing of game details, essential in an age before electronic broadcasting. The rise of print significantly influenced the development of these early press facilities, as newspapers sought detailed, on-site accounts to meet surging public interest in sports during the . Stadium operators recognized that accommodating the press could generate favorable coverage and boost attendance, leading to the prioritization of such spaces amid the expansion of daily sporting sections in urban papers. A notable early case is the University of Michigan's press gallery, a basic wooden structure built on the roof of the Regents Field at , which provided a dedicated vantage for working journalists to cover football games separately from spectators and players. This setup marked one of the first formalized press areas in , underscoring the shift toward professionalized media accommodations in early .

Evolution in the 20th Century

During the and , press boxes transitioned from open-air galleries to more structured, enclosed facilities to better accommodate growing media needs in expanding stadiums. This shift reflected the rising popularity of and the demand for dedicated spaces for reporters. A prominent example was the original press box at , completed in 1927, which featured an open front with windshields, desks equipped with floor outlets for basic , three radio booths, and two private booths, providing capacity for 240 reporters. These enhancements marked a significant upgrade from rudimentary setups, enabling efficient wire service transmissions and early broadcasts. Following , the boom in and the emergence of prompted further innovations, with press boxes expanding to multi-level designs that segregated different media functions. Stadium operators responded to the influx of broadcasters by integrating dedicated areas for audio and visual production. At 's (then Iowa Stadium), a new five-story press box constructed in 1958 featured three primary levels: the ground level for newspapers and game-day operations, the second for radio and television crews, and the third for scouts and dignitaries, at a cost of approximately $490,000. This facility exemplified the post-war trend toward specialized enclosures that supported the era's burgeoning landscape. In the and , the advent of and expanded national coverage necessitated press boxes with optimal sightlines and increased capacity to handle larger press corps. Facilities began prioritizing lower-level positioning for unobstructed views, aligning with broader stadium modernizations. , opened in 1971 as home to the , incorporated a working media area positioned between the lower and upper decks, offering premium sightlines close to the field while integrating with the venue's innovative luxury box design. This configuration catered to the growing demands of televised games. Major renovations in parks during the 1970s further highlighted these adaptations, as teams enlarged press boxes to accommodate swelling media contingents amid rising attendance and broadcast rights. Such upgrades, driven by the era's media proliferation, solidified press boxes as integral components of infrastructure by the late .

Contemporary Adaptations

Since the early , press box construction has shifted toward modular and prefabricated units to enhance cost-efficiency and enable rapid deployment, particularly in resource-limited settings like high school and venues. These designs, often featuring steel-framed structures with pre-assembled components such as insulated panels, electrical systems, and HVAC units, allow for installation in days rather than months, reducing labor costs by up to 30% compared to traditional site-built options. For instance, Panel Built's modular press boxes, used in projects like the 31' x 11' unit at Mifflin High School in , arrive fully assembled and require only crane placement for quick setup ahead of football seasons. Similarly, Whitley Manufacturing has supplied customizable prefabricated press boxes to high schools such as Cardinal Ritter in and in Austin since the , emphasizing durable, code-compliant builds that support smaller athletic programs without extensive on-site disruption. Contemporary press boxes increasingly incorporate green features to align with broader stadium sustainability goals, including solar panels for generation and energy-efficient HVAC systems to minimize operational costs. Manufacturers like Enviro Buildings integrate energy-efficient insulation and low-emission materials into their modular designs, reducing by optimizing performance in media workspaces. In larger renovations, such as those at stadiums like in , solar arrays covering significant portions of the facility—producing about 40% of annual needs—extend to support press box operations through connected microgrids, while upgraded HVAC systems in media areas enhance efficiency during events. These adaptations reflect a post-2000 emphasis on LEED-compliant principles, as seen in Whitley Manufacturing's projects that include eco-friendly components for athletic facilities. The rise of streaming and in the prompted press box expansions to accommodate podcasters, videographers, and digital reporters, with designs prioritizing high-speed internet, multiple power outlets, and flexible layouts for equipment. Guardian Booth's next-generation models, for example, feature integrated tech like HD camera mounts and robust connectivity to facilitate live streams and real-time social media updates, addressing the needs of hybrid media teams in venues upgraded during that decade. Stadium renovations, such as the 2003 expansion of Texas Tech's Jones AT&T Stadium, added expansive press levels with over 150 TVs and dedicated spaces for digital production, enabling podcasters to capture content alongside traditional journalists. The accelerated adaptations in press box usage, introducing temporary remote access setups that evolved into permanent hybrid designs for safer, more flexible operations. Leagues like the limited on-site media presence in 2020, relying on remote from studios with monitor feeds, which reduced physical occupancy in press boxes by up to 80% during events. This shift, as detailed in post-pandemic analyses, led to lasting innovations like integrated video walls and virtual press rows in renovated facilities, allowing remote podcasters and reporters hybrid access while maintaining in-person capacity for essential staff. For example, enhanced connectivity in modular units from companies like Porta-King now supports seamless remote integration, ensuring press boxes remain adaptable to health protocols and digital demands. Ongoing major renovations as of 2025 continue this trend, exemplified by the $700 million revitalization at Penn State, where the existing press box was demolished in January 2025 to make way for modernized facilities incorporating advanced media technology and improved accessibility.

Design and Features

Architectural Layout and Construction

Press boxes are typically positioned in an elevated location above the mid-field area of stadiums or arenas to ensure unobstructed sightlines for journalists and broadcasters. This placement often involves cantilevered structures extending over the upper decks of seating, supported by beams or independent columns anchored to a foundation, allowing for optimal visibility without interfering with spectator views. In smaller venues, they may be freestanding or attached to the rear of , while larger professional stadiums integrate them into the overall architecture for seamless elevation. Core construction of press boxes relies on robust framing systems, commonly using galvanized or extruded aluminum for the primary skeleton, which supports or aluminum floors designed for durability and easy maintenance. Walls are typically insulated with materials such as expanded cores or batts within 2x6 metal stud frames, providing and , while large fixed or sliding windows—often 1/4-inch to 1/2-inch thick , tinted for glare reduction—offer weather protection and panoramic views. Roofs feature sandwich panels with EPDM or TPO membranes over insulated layers to withstand environmental exposure. Size variations accommodate diverse venue scales, ranging from compact units around 200 square feet for small or fields to expansive multi-level complexes exceeding 5,000 square feet in professional stadiums, often separating areas for print media, broadcast teams, and VIP observers across tiers. These layouts may include optional camera decks or upper platforms accessed via interior ladders or stairs. For durability, press boxes employ 24- to 26-gauge metal siding, such as R-panel or stucco-embossed aluminum, paired with pressure-treated wood elements where applicable, to resist corrosion and wear. Designs from manufacturers like Panel Built incorporate compliance with ASCE 7 standards for seismic activity, wind loads up to 90 mph, and snow loads around 30 pounds per square foot, ensuring structural integrity in varied climates.

Technological and Accessibility Standards

Modern press boxes in sports stadiums are equipped with robust power and connectivity infrastructure to support the demands of and . Each workstation typically includes multiple pre-wired electrical outlets to power laptops, cameras, and other devices, ensuring uninterrupted operation during extended events. High-speed , often via fiber optic or Ethernet connections, is standard, with multiple data ports per seat to facilitate , transmission, and collaborative reporting. (AV) systems, including integrated cabling for live feeds, further enhance connectivity, allowing seamless integration with venue-wide networks. To maintain comfort during year-round use, press boxes incorporate advanced climate control and ergonomic features. (HVAC) units provide consistent temperature regulation, often with energy-efficient insulation to handle varying weather conditions. Ergonomic seating and adjustable desks accommodate prolonged sitting, reducing fatigue for journalists and production staff. Lighting systems, typically ceiling-mounted fluorescent or LED fixtures, deliver 20 to 50 foot-candles of illumination to support detailed work without glare, aligning with general ergonomics guidelines adaptable to press environments. Accessibility in press boxes adheres to the Americans with Disabilities Act (ADA) standards to ensure inclusivity for media professionals with disabilities. An accessible route, including ramps with a maximum of 1:12 where changes occur, is required to press boxes in assembly areas unless the aggregate gross floor area of all such boxes serving the field is 500 square feet or less and they are either free-standing and elevated at least 12 feet above grade or located in with single-level entry. For larger configurations, spaces must be provided on an accessible route, dispersed to offer equivalent views, with companion seating and stable, slip-resistant surfaces. Permanent signage, such as for entrances and restrooms, includes raised characters and for tactile identification. Broadcasting technology in contemporary press boxes supports professional media production through specialized integrations. Soundproofing materials, such as acoustic panels, minimize external noise from crowds, enabling clear audio recording and communication. Integrated booths feature multiple monitors for instant replays and game feeds, connected via AV systems for distribution. optic cabling is increasingly standard in modern setups, providing low-latency transmission for live broadcasts and data-heavy applications.

Functions and Usage

Role in Sports Journalism

The press box serves as a dedicated workspace in sports venues, offering journalists unobstructed views of the playing field to facilitate accurate play-by-play and real-time observation during events. These elevated positions, often located high above the field, provide a panoramic perspective essential for capturing game dynamics without interference from ground-level obstructions. Additionally, press boxes equip media personnel with access to monitors displaying live updates and replay screens, enabling reporters to integrate data such as game scores directly into their coverage. The controlled environment also includes quiet areas insulated from crowd noise, allowing for focused writing, audio recording, and live broadcasting without distractions. To accommodate the varied needs of sports media professionals, press boxes feature tailored facilities for different formats of . Print reporters benefit from spacious desks and power outlets suitable for laptops and notebooks, supporting the drafting of articles and analyses on-site. Radio and television crews utilize specialized booths equipped with microphones, audio lines, and video feeds to produce immediate commentary and highlights. Photographers are provided with dedicated vantage points offering clear sightlines for capturing action shots, often supplemented by guidelines for equipment placement to ensure safety and efficiency. By isolating journalists from the emotional intensity of fan sections, press boxes promote objective reporting, enforcing norms such as "no cheering" to maintain and focus on factual . This separation fosters the development of nuanced narratives around pivotal moments, as media professionals can review replays and stats in a distraction-free setting to analyze plays and player impacts without the of crowd reactions. Ultimately, these facilities enhance the quality and timeliness of sports coverage, enabling comprehensive accounts that inform global audiences.

Access Protocols and Etiquette

Access to press boxes is strictly regulated through a credentialing process managed by sports leagues, teams, or event organizers, requiring applicants to submit proof of legitimate media affiliation, such as employment with a recognized outlet or . Credentials are limited in number based on the venue's capacity and event scale, prioritizing working journalists over general observers to ensure space for reporting duties. For major league events, applications are typically handled through centralized systems, like MLB's credentials.mlb.com portal for postseason games, where beat reporters, editors, or producers must vouch for the request. Entry procedures emphasize security and efficiency, with credentials collected at designated press will-call areas, often available starting 90 minutes to four hours before the event, depending on the league. Security personnel conduct checks, including badge scans or biometric verification in some modern stadiums, to prevent unauthorized entry by non-media individuals such as agents, scouts without approval, or fans. Access is time-restricted, with post-event egress required promptly to clear the area, and restrictions prohibit bringing guests, children under 18, or non-essential equipment without prior clearance. Professional etiquette in press boxes upholds journalistic neutrality, with the longstanding "no cheering in the press box" rule prohibiting any vocal support for teams or players to maintain objectivity in reporting. This tradition, popularized in Jerome Holtzman's 1973 book of the same name, extends to bans on seeking autographs, taking personal photographs with athletes, or engaging in disruptive behavior like loud conversations that could interfere with others' work. The focus remains on facilitating accurate coverage, such as filing stories or , rather than fan-like participation. Violations of these protocols, including cheering or unauthorized interactions, can result in immediate ejection from the press box, enforced by sports information directors or security teams. In the , such breaches are deemed conduct detrimental to the league, potentially leading to credential revocation or further sanctions. MLB and examples include the 2017 ejection of an Eagles beat writer from the press box following a dispute interpreted as violating conduct standards, and a Minor League Baseball DJ removed for mocking umpires via audio, highlighting the swift enforcement to preserve the professional environment.

Notable Examples

Iconic Press Boxes in Professional Venues

The press box at in , home to the MLB's Boston Red Sox since the stadium's opening in 1912, exemplifies historic compactness in professional sports facilities. Positioned several levels above home plate along the first-base line, it offers journalists an intimate, elevated vantage point of the field despite its limited space, which has been expanded incrementally over decades, including a major overhaul in the late 1980s that integrated premium seating while preserving its original charm. At in , the press box serves as a multi-tiered hub on the suite level behind home plate, blending media operations with adjacent luxury suites for a seamless professional environment. Renovated as part of broader stadium enhancements, it includes a state-of-the-art control room for and expanded amenities like gender-neutral restrooms, accommodating the high volume of coverage for the MLB's while maintaining unobstructed sightlines to the field. AT&T Stadium in , features a modern press box designed in the late for the NFL's , spanning 3,500 square feet and accommodating over 200 media members with panoramic views of the playing field and its iconic high-definition video boards. This state-of-the-art setup, integrated into the venue's overall architecture since its 2009 debut, supports extensive broadcast needs through advanced wiring and proximity to production facilities. These iconic press boxes highlight the scale and sophistication of media infrastructure, where facilities like those at Fenway, , and provide catered meals during games—ranging from gourmet spreads to regional specialties—and prioritized post-game access to field levels and locker rooms for interviews and reporting.

Significant Press Boxes in College and Amateur Settings

In college and amateur sports settings, press boxes serve as vital hubs for local media coverage, often reflecting the unique cultural and architectural adaptations of university and community venues. At , home to the Wolverines, the press box evolved significantly from its origins. An early press gallery was added atop the grandstand at the university's previous in 1903 to accommodate reporters covering football games. This setup transitioned to upon its opening in 1927, but a major upgrade came in 1956 with the construction of a four-story Sports Communications Center, featuring blue brick exterior trim and space for over 300 media members. This facility, dedicated on September 22, 1956, not only supported extensive coverage through print, radio, and early television but also increased the stadium's overall seating capacity to 101,001, underscoring its role in elevating amateur sports journalism. Similarly, at the exemplifies innovative design tailored to the experience. Its press box features an open-faced structure, allowing journalists an unobstructed view and immersive exposure to the stadium's renowned crowd noise, which amplifies the auditory intensity of games. Renovations in the early , completed around 2002, expanded the facility into a six-story complex with enhanced press areas, including improved workspaces for production such as video streaming and online reporting. These updates supported the growing demands of modern , integrating better electrical infrastructure and connectivity for real-time coverage of Ducks football. In smaller amateur contexts, such as Texas high school football—iconic for its "Friday Night Lights" tradition—press boxes have seen practical innovations through modular constructions added in the 2010s. Venues like those in the Lake Travis Independent School District incorporated prefabricated, two-story modular press boxes designed for quick assembly, providing dedicated spaces for local radio and TV broadcasters alongside coaching areas. These additions, often completed faster than traditional builds, emphasized community-oriented broadcasting by enabling live streams and announcements that engage small-town audiences during weekly games. Similar modular upgrades appeared across Texas districts, such as in San Angelo ISD around 2011, where new press boxes were integrated into stadium renovations to support grassroots media without disrupting school budgets. A key cultural aspect of these press boxes in and settings is their frequent naming after donors, journalists, or sports communicators, which honors contributions to local . For instance, the University of Georgia's press box levels are named for Dan Magill, a pioneering sports information director, and Claude Felton, a longtime director, recognizing their foundational roles in athletics coverage. Similarly, Northern Illinois University's press box honors Bud and Joyce Nangle, donors who supported media facilities, while named its after alumnus Rob Parker, a radio analyst, to celebrate broadcasting ties. Such namings highlight how these venues foster , contrasting with larger professional facilities by prioritizing personal legacies over commercial scale.

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