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Soho Square
Soho Square
from Wikipedia

View of Soho Square in 1992

Soho Square is a garden square in Soho, London, hosting since 1954 a de facto public park let by the Soho Square Garden Committee to Westminster City Council. It was originally called King Square after Charles II, and a much weathered statue of the monarch has stood in the square, with an extended interruption, since 1661, one year after the restoration of the monarchy.

Of the square's 30 buildings (including mergers), 16 are listed (have statutory recognition and protection). During the summer, Soho Square hosts open-air free concerts.

By the time of the drawing of a keynote map of London in 1746 the newer name for the square had gained sway. The central garden and some buildings were owned by the Howard de Walden Estate, main heir to the Dukedom of Portland's great London estates.[a][1]

At its centre is a listed mock "market cross" building, completed in 1926 to hide the above-ground features of a contemporary electricity substation; small, octagonal, with Tudorbethan timber framing. During the king's statue's absence through intercession of resident business Crosse & Blackwell it was a private garden feature at Grim's Dyke, a country house where it was kept by painter Frederick Goodall then by dramatist, librettist, poet and illustrator W. S. Gilbert of Gilbert and Sullivan fame.

Initial residents were relatively significant landowners and merchants. Some of the square remains residential. From the 1820s to the 1860s, at least eleven artists recently qualified for major exhibitions were resident aside from permanent residents, some of whom were more accomplished artists, as comprised in the local rate books; by the end of that century charities, music, art and other creative design businesses had taken several premises along the square. A legacy of creative design and philanthropic occupants lingers including the British Board of Film Classification, 20th Century Studios UK, Dolby Europe Ltd, Tiger Aspect Productions, Saint Patrick's Catholic Church which provides many social outreach projects to local homeless and addicts, the French Protestant Church of London (by architect Aston Webb) and the House of St Barnabas, a members' club since 2013, which fundraises and hosts events and exhibitions for homelessness-linked good causes.

History

[edit]
Monmouth House in Soho Square was built for the Duke of Monmouth. It was later the French ambassador's residence, but it was demolished in 1773.
Soho Square in 1816. At that time farm animals were often driven into London.
The statue of Charles II by Caius Gabriel Cibber stands at the centre of Soho Square

Built in the late 1670s, Soho Square was in its early years one of the most fashionable places to live in London. It was originally called King's Square, for King Charles II. The statue of Charles II was carved by Danish sculptor Caius Gabriel Cibber during the King's reign in 1681 and made the centrepiece of the square; since it has returned it has not been in the centre.[2] The development lease to convert the immediately surrounding fields, for 53+14 years, was granted in 1677 to Richard Frith, citizen (elector of the Corporation of London) and bricklayer.[3] Ratebooks (of the vestry) continued to call the square King Square until the first decade of the 19th century; however, John Rocque's Map of London, 1746 and Richard Horwood's in 1792–99 mark it as Soho Square.[3]

By the early 19th century, the statue, fountain and attendant figures was described as "in a most wretched mutilated state; and the inscriptions on the base of the pedestal quite illegible".[2] In 1875, it was removed during alterations in the square by Thomas Blackwell, of Crosse & Blackwell, the condiment firm (which had premises at No. 20-21 Soho Square from the late 1830s until the early 1920s), who gave it for safekeeping to his friend, artist Frederick Goodall, with the intention that it might be restored.[2] Goodall placed the statue on an island in his lake at Grim's Dyke, where it remained when dramatist W. S. Gilbert purchased the property in 1890, and there it stayed after Gilbert's death in 1911. In her will, Lady Gilbert directed that the statue be returned, and it was restored to Soho Square in 1938.[4]

The politician William Beckford lived at No. 22 from 1751, and his son William Thomas Beckford, author of the Gothic novel Vathek, may have been born there.

In the 1770s, the naturalist Joseph Banks who had circumnavigated the globe with James Cook, moved into No. 32 in the south-west corner of the square. In 1778, Banks was elected president of the Royal Society and his home became a kind of scientific salon hosting scientists visiting from around the world. His library and herbarium containing many plants gathered during his travels were open to the general public.

Between 1778 and 1836 the square was home to the infamous White House brothel at the Manor House, 21 Soho Square.[5] In 1852, the Hospital for Women (begun nine years earlier at Red Lion Square) moved to No. 30 to accommodate 20 more beds. Twelve years later it bought 2 Frith Street; the old site was remodelled in 1908. It moved and merged in 1989 into the Elizabeth Garrett Anderson and Obstetric Hospital, Euston Road.[6] Eleven artists whose addresses are given as being in Soho Square in exhibition catalogues, whose names do not appear in the vestry ratebooks, are listed by the 1966 Survey of London by historian F H W Sheppard.[3]

A common for commercial/high demand areas sequence of house rebuilding and renovation, which had begun in the 1730s when many of the houses built in the 1670s and 1680s were becoming dilapidated and old-fashioned, continued for the next one-and-a-half centuries. After the 1880s the rate of change was considerably faster. Between 1880 and 1914, 11 of the 38 old houses in the square were rebuilt or considerably altered. The majority of the new buildings provided office accommodation only and the residential, mercantile and manufacturing elements in the square declined. However, three of the eleven houses were demolished to make way for church buildings.[3]

Two of the original houses, No.s 10 and 15, still stand. At No.s  8 and 9 is the French Protestant Church of London, built in 1891–93. Fauconberg House was on the north side of the square until its demolition in 1924.[6]

A 200-person air raid shelter was built under the park during the Second World War, one of dozens in central London. In 2015, Westminster City Council announced plans to put it up for sale.[7] In April 1951, the residents' Soho Square Garden Committee leased the garden to Westminster City Council for 21 years; the garden was not restored and opened to the public until April 1954. New iron railings and gates were provided in 1959 by the Soho Square Garden Committee with the assistance of Westminster City Council.[2]

Burroughes Hall was an important billiards and snooker venue in Soho Square from 1903 until it closed in 1967. The hall was in the premises of Burroughes & Watts Ltd., which had been at 19 Soho Square since 1836.[8]

During the 1970s and 1980s Number 13 Soho Square was home to Richard Williams Animation, an animation studio which produced many award-winning films, including A Christmas Carol, which won the Academy Award for Best Animated Short in 1972.[9]

Residents

[edit]

In 1862 the charity House of St Barnabas moved around the corner from Rose Street to its present base at 1 Greek Street (all other buildings fronting the square have Soho Square addresses).[3]

Wilfrid Voynich had his antiquarian bookshop at No. 1 from 1902.

No. 22 became home to British Movietone[10] and Kay (West End) Film Laboratories,[11] having been re-built to its current form between 1913 and 1914.[12]

Publisher Rupert Hart-Davis lived at No. 36 from about 1947.

From 1956 to 1961, No. 16 was headquarters of VistaScreen.

The composer Benjamin Frankel lived at 17 Soho Square between 1953 and 1957, where he often hosted a circle of artists including the poet Cecil Day Lewis, film director Anthony Asquith, and the writer Leonard Woolf.[13]

From 1967 to 1968, TVC Animation Studio leased floors at No. 20 for the production of The Beatles – Yellow Submarine animated feature film.

From 1955 to 1993, 13 Soho Square was the home and headquarters of animator Richard Williams.[14]

Present day

[edit]

Soho Square is home to several media organisations, including the British Board of Film Classification, 20th Century Fox, Bare Escentuals, Deluxe Entertainment Services Group, Dolby Europe Ltd, Fin London, Paul McCartney's MPL Communications, Tiger Aspect Productions, Wasserman Media Group and See Tickets. Past businesses include Sony Music; the linked record label Sony Soho Square is renamed S2 Records.

The Football Association was headquartered at No. 25 from October 2000 until 2009.

On the east side the Roman Catholic parish church is partially on the site of Carlisle House with catacombs that spread deep under the square and further.

Six approach ways to the square exist:

  • Carlisle Street – from the west.
  • Soho Street – from the north.
  • Sutton Row – from the east.

From the south side:

At the square's centre is a black-and-white, half-timbered, rustic gardener's hut with a steep hipped roof, a squat upper storey which overhangs (jettying), supported by timber columns. Its details use "Tudorbethan" style, built to appear as an octagonal market cross building. It was built in 1926, incorporating 17th- or 18th-century beams to hide the above-ground features of a contemporary electricity substation.[15][16]

Buildings and their status

[edit]
No. (and any name) Side of Square Listed status When built
1 WSW None -
2 WSW Grade II[17] 1735
3 WSW Grade II[18] 1903
4 - 6 WSW Grade II[19] 1801 - 1805
7 NNW None -
8 - 9 The French Protestant Church NNW Grade II*[20] 1891–1893 by Aston Webb
10 - 10A NNW Grade II[21] 1676
11 NNW None -
12 NNW None -
13 NNW Grade II*[22] 1768–1769
with earlier (c. 1677) original woodwork
above basement stairs.
14 NNW None -
15 NNW Grade II[23] 1677–1680 with later (1800–1900) changes to the facing front and roof
16 NNW None -
17 - 19 ENE None -
20 ENE None -
21 Example Grade II[24] 1838–1840, and 1920
with earlier (c. 17th century) elements
St Patrick's Church ENE Grade II*[25] 1891–1893 (replacing makeshift same church in older building since 1802); many 18th-century fixtures including two standing figures that "may be" from City of London's Moorfields sole place of Catholic worship for earlier years
St Patrick's Presbytery ENE Grade II[24] 1791 - 1793
22 ENE None -
23 ENE None -
24 ENE None -
25 ENE None -
26 ENE Grade II*[26] 1788 - 1789
1 Greek Street (House of St Barnabas) SSE Grade I[27] 1744–1746
27 SSE None -
29 - 30 (former Hospital for Women) SSE Grade II[28] 1909–1910 (recasing of earlier work)
31 - 34 SSE and WSW None -
35 - 36 WSW Grade II[29] 1680 with next two-centuries face and refittings
37 WSW Grade II[29] 1766 (c.) with 19th century alterations
38 - 38A WSW Grade II[30] 1735 with 19th century shopfront, glazing etc.

Cultural references

[edit]

Nearby places (not adjoining)

[edit]

See also

[edit]

Notes and references

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Soho Square is a historic located in the heart of , within the , , . Laid out in the 1680s on former Soho Fields, it serves as a central green space surrounded by Georgian and later buildings, featuring a central garden with lawns, mature trees, and a half-timbered gardener's constructed in 1895. The square's development began with leases granted in 1680–81 by Richard Frith and William Pym, who imposed garden rents on surrounding properties to maintain the enclosed space, initially bounded by wooden palisades and later upgraded to iron railings in 1748–49 at a cost of £698. A notable feature is the of Charles II by sculptor Caius Gabriel Cibber, erected in 1681, removed in 1875, and reinstated in the garden's center in 1938, with restorations in 1938, 1954, and later years. The gardens were replanted in the 1790s with species including almond, peach, cherry trees, lilac, roses, , and , and public access was granted in 1954 following the removal of air-raid shelters. Soho Square holds significant architectural and cultural importance, with several surrounding buildings designated as Grade II* and Grade II listed structures by , including numbers 13, 26, and the French Protestant Church at number 8. It was home to notable figures and institutions, such as naturalist at number 32 from 1777 and the headquarters of the Linnean Society from 1821 to 1857, underscoring its role in London's scientific and intellectual history. Today, it functions as a public oasis amid the bustling West End, open daily from 8 a.m. with seasonal closing times, and prohibits dogs to preserve its tranquility.

Location and Description

Geographical Position

Soho Square is situated in the district of the , , at the geographic coordinates 51°30′51″N 0°07′55″W. This positioning places it at the heart of the West End, approximately 0.5 miles west of and just south of , integrating it into one of London's most vibrant urban cores. The square is bounded by Soho Street to the north, to the east, Carlisle Street to the south, and to the west, forming a roughly rectangular open space amid the dense street network. These surrounding streets define its perimeter, with vehicular access primarily along the northern and southern edges, while pedestrian pathways connect it seamlessly to the adjacent urban fabric. Developed as part of the late 17th-century urban expansion from the emerging West End, Soho Square occupies land formerly part of Soho Fields, which were transformed from rural pasture into structured town planning. Its placement reflects the broader initiative to create fashionable residential squares amid the area's farmland conversion, initiated in the 1670s under developers like Richard Frith. The square integrates with the surrounding grid of streets laid out in the 1670s and 1680s, featuring an irregular pattern of narrow lanes that distinguish 's historic layout from the more orthogonal grids of neighboring districts. At its center lies a garden, serving as a focal point within this planned urban extension.

Layout and Features

Soho Square features a central area that functions as a public park, leased by the Soho Square Garden Committee to since 1954. The garden provides a green oasis amid the urban density of , with largely paved surroundings enclosing four symmetrical areas, mature trees, shrubs, and scattered seating for visitors. At the heart of the square stands a statue of Charles II, originally sculpted in lead by Danish artist Caius Gabriel Cibber in 1681 to commemorate the monarch after whom the square was initially named King's Square. The statue, which once topped a pedestal, was removed in 1875 due to severe weathering and stored at various locations, including the home of librettist at Grim's Dyke; it was restored and reinstated in the square in 1938 per the terms of Gilbert's widow's will. Dominating the garden's center is a half-timbered, black-and-white gardener's hut in Tudorbethan style, built in 1925 by the Electricity Company to disguise the above-ground entrance and features of an underground electricity substation while doubling as a practical storage space for tools. The structure, often mistaken for an ancient Tudor relic due to its rustic, octagonal appearance, was refurbished in 2009 to maintain its whimsical charm. The square is accessible via pedestrian entrances, providing easy entry from surrounding streets such as Soho Street to the north and Carlisle Street to the south, facilitating its role as a and respite spot. In addition to daily recreational uses like picnicking and relaxation on the lawns and benches, the garden hosts free open-air concerts during the summer months, enhancing its community appeal.

History

Origins and Early Development

Soho Square originated as part of the broader development of Soho Fields in the late , when the area was transformed from open land into a residential enclave. On 6 April 1677, a lease for 53¼ years was granted by Joseph Girle to Richard , a and elector of the Corporation of , to develop the fields surrounding the site of the future square. Frith partnered with investor William Pym to initiate building activities, following Girle's acquisition of the lease from Henry Jermyn, Earl of St Albans, involving a of £2,333, marking the square's foundational phase as a speculative venture amid 's westward expansion. Construction commenced in the late 1670s, establishing the square as a fashionable residential development originally named King Square in honor of Charles II. The initial layout featured a central formal enclosed by wooden palisades (upgraded to iron railings in 1748–49), surrounded by uniform terraced houses designed for affluent occupants, reflecting the era's emphasis on orderly, aristocratic . By the early 1680s, the square had taken shape with substantial brick buildings, including the installation of a statue of Charles II in 1681 at its center, underscoring its royal connotations. The square rapidly gained prominence as a high-status address in the burgeoning West End, attracting and professionals seeking proximity to the and emerging cultural hubs. Its design and location positioned it as a symbol of prestige, contrasting with the more commercial districts to the east. By the mid-18th century, the name had shifted to , as evidenced on John Rocque's detailed map of published in 1746, aligning it with the wider area's nomenclature derived from historical hunting cries.

Later Historical Changes

In 1773, Monmouth House, the grand 17th-century mansion that had anchored the eastern side of the square, was demolished to accommodate a series of smaller speculative buildings, marking an early shift toward more fragmented urban development. The late 18th and 19th centuries saw Soho Square evolve commercially, with the at No. 21 operating as the notorious brothel c. 1776–1800, a high-end establishment disguised as a that catered to elite clientele amid the square's declining residential prestige. By mid-century, the site at No. 30 repurposed former townhouses into the for Women in 1852, which expanded to adjacent properties including No. 29 and No. 1 Frith Street, providing specialized care for female patients until its relocation in 1989. During the , the square transitioned from predominantly residential use to a mixed-use character, as aristocratic homes gave way to offices, workshops, and commercial tenants, reflecting Soho's broader industrialization and diversification. In 1875, the dilapidated statue of Charles II—erected in 1681 by Caius Gabriel Cibber at the square's center—was removed during garden renovations funded by tenants , who relocated it to the lake at Grim's Dyke estate in Harrow Weald, where it remained until its return to Soho Square in 1938 following the death of W.S. Gilbert's widow. The square's infrastructure adapted further during with the construction of an underground beneath its gardens, designed to protect hundreds from Blitz bombings in a 3,200-square-foot brick and concrete space. In 2015, proposed selling the disused shelter for £175,000, envisioning its conversion into a or event venue while preserving its historical integrity, though the proposal did not lead to conversion and as of 2025 the shelter remains largely disused.

Architecture and Buildings

Notable Structures

Soho Square is surrounded by approximately 30 buildings, forming a perimeter that showcases a blend of historical and , with 16 of these structures designated as listed buildings in Grades I, II*, and II by . These listings reflect the square's significance in preserving London's urban heritage, encompassing examples from the late 17th century onward. Among the standout Grade II* listed buildings is No. 13 Soho Square, a Georgian townhouse constructed between 1768 and 1769, which served as the studio for animator Richard Williams, where parts of the Oscar-winning film were produced. Another prominent Grade I listed structure is the House of St at the corner of , built from 1744 to 1746 as a charitable residence; the charity closed in January 2024, with liquidators seeking a new charitable occupant as of 2025. Nos. 8-9, occupied by the French Protestant Church, represent a late 19th-century addition, designed by and completed in 1891-1893 in a Free Franco-Flemish Gothic style. Earlier examples include No. 2 Soho Square, a Grade II listed from 1735, built by carpenter John Sanger in stock brick with a slate roof, exemplifying early Georgian domestic design. In 2023, Japanese firm Kajima Properties acquired No. 27 Soho Square for , a multi-let office building spanning 31,000 square feet, marking a significant in the square's modern evolution. The square's architecture demonstrates diversity, with predominant Georgian terraces featuring symmetrical facades and brickwork from the 18th century, interspersed with Victorian-era extensions that introduced more ornate detailing and height. Adjacent to the square, the Film House development at 142 Wardour Street, led by Hines, neared completion in late 2025, refurbishing a 1920s Art Deco building into premium office spaces to enhance the area's commercial landscape.

Preservation and Listing Status

Soho Square contains a significant number of protected heritage assets, reflecting its historical importance as an 18th-century . The square features one Grade I listed building: the House of St Barnabas at 1 , a Georgian townhouse noted for its interiors and architectural merit, designated on 24 February 1958. Several Grade II* listed buildings contribute to its elevated status, including the French Protestant Church at 8-9 Soho Square, amended in 2017 for its Free Franco-Flemish Gothic design by ; No. 13, a late 18th-century structure with intact Georgian features; and No. 26, valued for its early 19th-century commercial architecture. Numerous Grade II listed buildings, such as No. 2 (an 18th-century house with period detailing) and others like Nos. 3, 4-6, 10, 15, 21, and 36, further enhance the square's heritage fabric, with designations primarily occurring from the 1970s onward. Historic England has played a central role in these protections since the mid-20th century, administering the statutory listing system under the Planning (Listed Buildings and Conservation Areas) Act 1990 to safeguard buildings of special architectural or historic interest. Designations in Soho Square began with the Grade I listing in 1958 and expanded through assessments, recognizing the square's contribution to London's urban heritage. Preservation efforts face ongoing challenges, including repairs from bomb damage that affected parts of , including Soho, where structures like the underground air raid shelters beneath the square—constructed during —required careful integration into later conservation work. Modern redevelopment pressures, such as the 2015 proposals involving the disused WWII shelter and adjacent sites, have tested balances between commercial needs and heritage integrity, often leading to public consultations and revised plans to avoid adverse impacts. The square's buildings form a key part of the Soho Conservation Area, designated by in 1969 and expanded in subsequent decades to cover 76% of the borough, with policies emphasizing the preservation of the Georgian core through controls on , alterations, and new developments. This status mandates that changes respect the area's modest-scale brick buildings, sash windows, and historic layout, preventing the loss of unlisted structures of merit like Nos. 11, 14, and 20-35. Recent post-2023 initiatives highlight efforts to harmonize growth with heritage, notably Great Portland Estates' (GPE) acquisition of the Soho Square Estate (including Nos. 16-19) for £70 million, where plans for new office and retail space incorporate commitments to adhere to conservation area guidelines, ensuring sensitive design that preserves the square's character amid urban pressures.

Notable Residents and Tenants

Historical Figures

William Beckford, the prominent English novelist, politician, and art collector, was born in 1760 at his family's residence at No. 22 Soho Square, where the household had been established since 1751 by his father, the wealthy Jamaican plantation owner and , William Beckford (1709–1770). The younger Beckford, best known for his Gothic novel (1786), inherited a vast fortune at age ten, enabling his lifelong pursuits in literature, architecture, and collecting exotic artifacts, though he spent much of his later life at in . Sir Joseph Banks (1743–1820), the renowned botanist, naturalist, and long-serving president of the Royal Society (1778–1820), resided at No. 32 Soho Square from 1777 until his death in 1820, transforming the property into a major hub for scientific inquiry. There, Banks maintained an extensive personal library and herbarium, housing over 20,000 plant specimens from his voyages with Captain James Cook, and it served as the operational base for his correspondence networks, patronage of explorers, and coordination of botanical exchanges that advanced global scientific knowledge. The house facilitated Banks's role in establishing institutions like the African Association and influencing the Royal Botanic Gardens at Kew. The , founded in 1788 to promote natural history, had its headquarters at No. 32 Soho Square from 1821 to 1857, following Banks's tenure, serving as a key center for botanical and zoological research during the early . Wilfrid Michael Voynich (1865–1930), a Polish-Lithuanian bookseller and , operated his renowned rare book dealership from No. 1 Soho Square starting in 1898, specializing in incunabula, manuscripts, and early printed works that attracted international collectors. By 1902, Voynich had acquired several notable items, including a Malermi from , and his Soho Square premises became a center for scholarly transactions until he relocated to Shaftesbury Avenue in 1904; he later gained fame for discovering the enigmatic in 1912. Rupert Hart-Davis (1907–1999), the influential British publisher and editor, established his firm, Rupert Hart-Davis Ltd., with offices at No. 36 Soho Square by 1950, following its founding in 1946, where he built a reputation for high-quality literary editions and bibliographies. From this location, previously occupied by other publishers since the , Hart-Davis oversaw acclaimed series like the Soho Bibliographies and edited seminal works, including the letters of and , contributing significantly to 20th-century literary scholarship. In the mid-20th century, Soho Square hosted creative figures such as composer Benjamin Frankel (1906–1958), who lived at No. 17 from 1953 to 1957 and composed film scores and symphonies while engaging with London's artistic community. Similarly, animator Richard Williams (1933–2019) ran his influential studio at No. 13 from 1955 to 1993, producing award-winning commercials, title sequences, and the Oscar-winning (1971), establishing Soho as a key site for innovation.

Modern Occupants

In the media and entertainment sectors, several prominent organizations maintain offices in Soho Square. The (BBFC), responsible for age ratings and content advice for films, videos, and games in the UK, has its headquarters at No. 3 Soho Square. Europe, the regional arm of the audio technology company, occupies Nos. 4-6, where it supports film, broadcast, and music production with advanced sound solutions. Recent decades have seen notable shifts in tenancy, reflecting Soho's evolution as a creative hub. (FA), England's governing body for the sport, headquartered at No. 25 from October 2000 until its relocation to in 2009, marking a period of modernization for the organization. Sony Music Entertainment UK operated from Nos. 17-19 until the early 2010s, when it consolidated operations elsewhere in , including a move to King's Cross by 2022. Post-2023 developments underscore a pivot toward premium office spaces. Great Portland Estates (GPE) acquired the Soho Square Estate, encompassing Nos. 16-19 Soho Square and adjacent properties, for £70 million in August 2023, with plans to redevelop the site into a high-quality headquarters building featuring retail on to attract top-tier tenants. Similarly, Kajima Properties Europe purchased No. 27 in June 2023 for over £45 million, initially multi-let to five tenants, and has since initiated focused on multi-tenant office configurations while opening its own European office on the third floor in March 2025. These acquisitions signal an intentional curation of high-end occupiers, enhancing the square's appeal to creative and professional firms amid London's competitive office market.

Present Day

Usage and Events

Soho Square serves as a vital public green space in , leased by the Soho Square Garden Committee to since 1954 and operating as a public park open daily from 8 a.m. with seasonal closing times. The square's central garden provides a serene oasis amid the bustling district, attracting visitors for relaxation and recreation. Daily activities in the square center on informal use by nearby office workers, , and locals, who frequent the space for lunchtime breaks, walking paths, and casual gatherings. It is particularly popular during midday hours as a spot for eating outdoors, resting on benches, and escaping the urban intensity of surrounding streets like . These activities contribute to the square's role as a communal hub. Accessibility features include ramped entrances, block paving and pathways suitable for wheelchairs, multiple benches for seating, and proximity to step-free like the tube station. The Soho Square Garden Committee oversees maintenance on behalf of surrounding property owners, ensuring the upkeep of lawns, trees, and facilities to support access.

Ownership and Management

The central garden of Soho Square is owned by a group of trustees and has been leased to since 1954, providing public access to the space. The Soho Square Garden Committee, which includes several trustees, oversees the broader interests of the garden alongside those of the owners and occupiers of surrounding buildings, ensuring coordinated care and stakeholder input. Day-to-day management and public oversight are handled by the council, maintaining the garden as a well-used public amenity open daily from 8 a.m., with closures at dusk for security. The perimeter buildings around Soho Square feature a mix of freehold and leasehold properties, reflecting fragmented historical development. A notable recent shift occurred in 2023 when Great Portland Estates (GPE) acquired the freehold interests in 16-19 Soho Square, 29-43 Oxford Street, and 7 Falconberg Mews from King Sloane Properties Limited for £70 million, based on a property valuation of £772 per square foot. This transaction, completed through the purchase of the owning company, positions GPE to redevelop the site into a high-quality headquarters office with retail elements, generating approximately £1.5 million in annual rent, with construction planned to commence in 2025 to expand the development to around 100,300 square feet. Earlier ownership dynamics included a 2015 proposal to sell a World War II air raid shelter beneath the garden for £175,000, potentially for conversion into a subterranean restaurant or bar, though the plan was not executed and the shelter remains disused. Garden maintenance is primarily managed by under the lease terms, with funding derived from public resources and stakeholder contributions to support ongoing upkeep and enhancements. Recent area developments, such as the completion of Hines' Film House refurbishment at 142 Wardour Street in autumn 2025—a 1920s building transformed into premium office space—have elevated adjacent property values and prompted updated management plans for Soho Square's environs, emphasizing sustainable and high-quality urban integration.

Cultural Impact

Literary and Artistic References

Soho Square has been featured in several notable works of 19th- and 21st-century , serving as a setting that underscores themes of domesticity and urban transformation. In Charles Dickens's (1859), the square provides the backdrop for the Manette family's quiet lodgings, where Doctor Manette and his daughter reside after his release from the , symbolizing a fragile sanctuary amid revolutionary turmoil. Similarly, in Susanna Clarke's (2004), the eponymous magician Jonathan Strange and his wife Arabella establish their home in Soho Square, integrating the location into the novel's of English magic and social intrigue. The square's cultural presence extends to early 18th-century periodicals, where it appears in The Spectator essays featuring the fictional character Sir Roger de Coverley. Authored by and between 1711 and 1712, these papers describe Sir Roger residing in Soho Square during his London visits, portraying it as a fashionable hub for the and a contrast to rural life. This depiction highlights the square's role as a social nexus in , blending with observations of urban manners. Visual representations of Soho Square in 18th- and 19th-century further illustrate its evolving character through maps and prints. Engravings from the period, such as those depicting the square's original layout with passing carriages and gardens around 1720, capture its early aristocratic elegance, while later Victorian-era illustrations around 1812 and 1890 show sheepherding amid encroaching , reflecting London's shift from rural to commercial center. In music, Soho Square has inspired lyrical references that evoke its melancholic and vibrant atmosphere. The 1956 musical , with lyrics by , mentions the square in the song "Why Can't the English?" to critique dialects heard among its diverse crowds. More directly, Kirsty MacColl's 1993 song "Soho Square" from the album personifies the location as a site of longing and solitude, with lyrics contemplating an empty bench that later inspired a there. These references have contributed to Soho's broader bohemian artistic identity, positioning the square as a symbolic heart of London's creative undercurrents from the onward, where literary and visual depictions intertwined with the area's reputation for nonconformist culture. In the center of Soho Square stands a weathered statue of King Charles II by sculptor Caius Gabriel Cibber, originally erected in 1681 and reinstalled in 1938 following restoration, serving as the square's primary permanent memorial and a nod to its historical royal associations. Beyond this, the square features no other fixed plaques, though informal tributes to its creative legacy abound, including annual fan gatherings that celebrate the area's artistic heritage. A notable addition to the square's memorials is the Kirsty MacColl bench, installed in 2001 on the southern side near to honor the British who tragically died that year; its plaque bears the inscription "One day I'll be waiting there, no empty bench in Soho Square," quoting her 1993 song of the same name. This bench has become a focal point for tributes, hosting the annual Kirstyfest event since 2001, where fans gather on the Sunday nearest her October 10 birthday for music and remembrance in the square's gardens. Soho Square's proximity to London's media epicenter has amplified its visibility in popular culture, particularly in film and television productions set in the capital. The square appears in notable works such as the 1999 romantic comedy Notting Hill, where it features in street scenes; the 1996 live-action 101 Dalmatians, capturing its central London vibe; and Alfred Hitchcock's 1972 thriller Frenzy, highlighting Soho's gritty underbelly. This on-screen presence is bolstered by the surrounding area's concentration of post-production facilities, including studios like The Farm and De Lane Lea, which have made Soho a hub for the British film and TV industry since the late 20th century. In broader media, the square symbolizes Soho's eclectic, vibrant neighborhood, often portrayed in 2020s tourism features as a "hidden gem" offering a tranquil escape amid the district's buzz. Recent cultural events have further tied the square to contemporary celebrations, such as tie-ins with 's annual festivals in 2023–2025, including the Soho Jazz Festival, where performers and attendees utilize the gardens for informal sessions that underscore its role in the area's lively arts scene.

Surrounding Area

Adjacent Streets and Access

is bordered on its northern side by Soho Street, a short thoroughfare that directly connects the square to the commercial hub of , providing easy pedestrian and vehicular access from one of London's busiest shopping arteries. To the east lies , which runs alongside the square and extends southward to Shaftesbury Avenue, serving as a primary north-south route through and facilitating connectivity to the West End's theatre district. On the southern edge, Carlisle Street adjoins the square, leading directly to and enabling seamless navigation to nearby areas of known for their vibrant retail and entertainment offerings. The western perimeter interfaces with , which directs traffic and pedestrians northward toward the square and ultimately links to routes heading to , enhancing westward mobility within the neighborhood. Access to Soho Square is primarily pedestrian-oriented, with entry facilitated through six surrounding alleys and streets—such as the aforementioned bordering roads plus supplementary passages like Sutton Row—that create an enclosed, intimate environment ideal for foot traffic and discouraging through-vehicular movement. Proposals for 2025 initiatives in include traffic restrictions on adjacent streets such as , limiting non-essential vehicles to specific hours for deliveries and servicing.

Nearby Landmarks

Soho Square is surrounded by a vibrant array of cultural and commercial landmarks within a 0.5 km radius, contributing to the area's dynamic appeal. The Soho Theatre, located on Dean Street approximately 0.2 km south of the square, serves as a key venue for contemporary plays, comedy, and cabaret performances, drawing diverse audiences to its intimate spaces. Similarly, Ronnie Scott's Jazz Club on Frith Street, about 0.2 km southeast, has been a cornerstone of London's jazz scene since 1959, hosting international musicians in its historic basement venue and enhancing the square's nighttime cultural energy. The Liberty department store on Regent Street, roughly 0.3 km east, stands out with its Tudor Revival architecture and curated selection of luxury fabrics, fashion, and homeware, attracting shoppers seeking artisanal British design. Further afield but still proximate, cultural hubs like the Dominion Theatre, 0.4 km north on , exemplify the West End's theatrical legacy with large-scale productions such as musicals, bolstering Soho's role as an entertainment gateway. For shopping and dining, lies 0.3 km east, featuring authentic Asian eateries, markets, and festivals that infuse the neighborhood with culinary diversity and festive atmospheres year-round. , just 0.2 km south, offers a pedestrian-friendly zone of independent boutiques, street art, and eateries, evoking its 1960s mod fashion heritage while supporting modern retail innovation. Transport connectivity strengthens these attractions' accessibility, with 0.3 km west providing services since its full opening in May 2022, facilitating quicker links to and to amplify visitor footfall around the square. Recent revitalization efforts from 2023 to 2025, including expansions tied to the 's influence and regeneration plans, have heightened the area's vibrancy through new cultural venues like Soho Place and improved pedestrian infrastructure, fostering economic growth and sustained appeal for tourists and locals alike.

References

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