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Ordinary (heraldry)
Ordinary (heraldry)
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In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge (as in the coat of arms of Austria).

The terms ordinary and subordinary are somewhat controversial, as they have been applied arbitrarily and inconsistently among authors, and the use of these terms has been disparaged by some leading heraldic authorities.[1] In his Complete Guide to Heraldry (1909), Arthur Charles Fox-Davies asserted that the terms are likely inventions of heraldic writers and not of heralds,[2] arguing the "utter absurdity of the necessity for any [such] classification at all," and stating that the ordinaries and sub-ordinaries are, in his mind, "no more than first charges."[3]

Types

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Ordinaries

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Ordinaries
Ordinaries

Ordinaries (sometimes called "honourable ordinaries") resemble partitions of the field, but are formally considered objects on the field. Though there is some debate as to exactly which geometrical charges—with straight edges and running from edge to edge of the shield—constitute ordinaries, certain ones are agreed on by everyone. Except for the chief they are central to the shield. Ordinaries should not be mixed with Division of the field.

  • Cross: a pale and a fess of equal widths conjoined (though the cross is typically thinner than this would suggest), as in the arms of the City of London.
  • Pale: a vertical stripe right down the middle of the shield. Typically 15 to 13 the width of the field.
  • Fess: a horizontal stripe, as in the coat of arms of Austria. Typically 15 to 13 the height of the field.
    • Bar: a narrower fess (said in theory to occupy one-fifth of the field), sometimes reckoned as an ordinary in its own right. It is rarely borne singly.
  • Bend: an oblique band from the dexter chief (the bearer's upper right, viewer's upper left) to the opposite corner, as in the arms of the former grand duchy of Baden.
  • Bend sinister: a bend in the opposite direction (sinister chief to dexter base).
  • Chevron: two diagonal bands meeting in the centre in the form of an inverted V, or like the beams of a gable; as in the arms of Udine, Italy, or Trans, Switzerland.
  • Saltire: a bend and a bend sinister both of equal widths conjoined to form a diagonal cross (×), as in the Scots national banner (often referred to simply as "the Saltire"), and also known colloquially as a St Andrew's cross.
  • Chief: a horizontal band right across the top of the shield, as in the arms of the district of Lausanne (Vaud, Switzerland).
    • Chief triangular begins in the corners and extends to a point that is one quarter to one third the way down the shield. It is a complex line division variant of a chief.
    • Chief enarched is drawn with a concave arch
    • Chief double-arched has two concavities
  • Terrace in base (French: champagne, terrace; Italian campagna; German Schildfuß)
    • Mount when represented in green and curved or arched, as a hill.
    • Mount mounted, or Shapournet shapourned: a trimount.[4]

Ordinaries or subordinaries

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The following are sometimes classed as ordinaries, sometimes as subordinaries (see below):[5]

  • Bordure: the boundary of the shield; often used for cadency
  • Pile: downward pointing triangle, issuing from the top of the shield
  • Pall or Pairle: a Y-shape
    • A variant is the shakefork: a pall cut short of the margins, with pointed ends. It is frequent in Scotland, owing to its prominence in the armoury of Clan Cunningham.

Subordinaries

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Some geometric figures are not considered to be "honourable ordinaries" and are called "subordinaries". Very loosely, they are geometric or conventional charges that, unlike ordinaries, do not stretch from edge to edge of the shield. There is no definitive list or definition, but they generally include:

Fixed subordinaries

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Fixed subordinaries are those that have a particular place to go on a shield—or at least a very limited range of places.

a canton—Gules; on a bend or two cinquefoils azure, on a sinister canton argent a cross crosslet fitchy issuing out of a crescent of the first; a bordure engrailed or for difference—Cook, Scotland
  • Quarter: the dexter chief quadrant of the shield
    • Canton: smaller than the quarter, formally said to occupy one-ninth of the shield, though sometimes drawn smaller, but generally accepted as a square 1/3 the width of the shield. The canton is often said to be the quarter's diminutive, but perhaps it should be treated as a subordinary in its own right as it fulfils heraldic functions not fulfilled by the quarter, and behaves according to its own special rules—as for example in the case of the canton on which baronets in the UK may display the badges of their 'rank', which is very rarely shown occupying such a large area as the upper left third of the field, and is usually much less and very often shown not as square but as a rectangle with its longer side vertical. Very occasionally a 'sinister canton' is found, on the shield's other side.
  • Flaunches, always borne in pairs: a circular arc emerging out of each flank of the shield.
  • Fret: interlacing bendlet, bendlet sinister and mascle.
  • Gore: two arcs meeting in the fess point to form a triangular segment.
  • Gyron: the lower half of a quarter cut diagonally, said to be an old charge but rare although there are modern examples (e. g. de Cluseau)
  • Orle: A bordure separated from the outside of the shield. Like the bordure the orle takes on the shape of the shield or flag it is on. Although the orle's diminutive is the tressure, there are examples of "fillet orles" (orles narrower than usual). When a number of charges are arranged as if on a bordure, they are said to be in orle or to form an orle of such charges. It is often said that an orle may not have other charges charged on it, but the Scots Public Register has the coat of Norie of Noristone: 'Parted per pale argent and sable ane orle engrailed on both sydes charged with four quaterfoiules within a bordur all counterchanged'.
    • Tressure: a thinner version and hence diminutive of the orle. The most famous tressure is probably the double tressure flory counter flory in the royal coat of arms of Scotland. Tressures with other ornamentation exist, such as with maple leaves, crescents, thistles and roses.

Mobile subordinaries

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Other subordinaries can be placed anywhere on the field.

  • escutcheon of pretence or en surtout—When one escutcheon is borne in the centre of the coat, it is sometimes called an inescutcheon or an escutcheon of pretence or an escutcheon en surtout. Such centrally placed escutcheons usually have some particular significance. For example, in arms of dominion an inescutcheon typically shows the dynastic arms of the prince, whose possessions are shown in the quarters of the main shield; current examples include the arms of the Danish royal family, with an inescutcheon of the house of Oldenburg, and the coat of arms of Spain, with an inescutcheon of the house of Bourbon-Anjou. In Scots heraldry the escutcheon en surtout serves several different purposes. This all comes under the heading of marshalling.
  • Lozenge: a rhombus with its long axis upright, resembling the diamond of playing-cards.
  • Fusil: a thin lozenge; very much taller than it is wide.
  • Mascle: a voided lozenge (i.e. with a largish lozenge shaped hole)
  • Rustre (very rare): a lozenge pierced (i.e. with a smallish round hole)
  • Roundel: a disc or ball, as in the arms of the Duchy of Cornwall or of the Medici. In the Anglophone heraldries differently coloured roundels have different names, e.g. a roundel or is called a bezant and a roundel azure is called a hurt. French heraldry solely distinguishes besants (roundels of a metal tincture) and tourteaux (roundels of a colour tincture): hence, the Canadian Francophone versions of blazons follow suit — Anglophone hurt is Francophone tourteau d'azur, and Anglophone bezant is a besant d'or
  • Annulet: a voided roundel (i.e. with a largish round hole, resembling a ring)
  • Billet: a small rectangle, resembling a brick or a letter. Billets are normally vertical (as in the arms of the Kingdom of the Netherlands), but can be horizontal (as in the arms of Friesland).

Variations

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Lines

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Ordinaries need not be bounded by straight lines.

Diminutives

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When a coat of arms contains two or more of an ordinary, they are nearly always blazoned (in English) as diminutives of the ordinary, as follows.

Diminutives of the pale

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  • pallet: theoretically half the width of a pale.
  • endorse: half the width of a pallet; also found in pairs on either side of a pale when the term "endorsed" is used

Diminutives of the fess

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  • bar, see above.
  • closet, half the width of the bar
  • barrulet, narrower than both.
  • hamade (also called hamaide or hummet): a bar couped which doesn't reach the edges of the shield, usually in threes

Diminutives of the bend

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  • bendlet, half the width of a bend.
  • ribbon or riband, half the width of a bendlet, occasionally called a cost
  • baton: a bendlet couped which doesn't reach the edges of the shield, often said to be only a bendlet sinister couped, but has certainly been used as a couped bendlet 'dexter' since the 17th century at the latest

Diminutive of the bend sinister

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  • bendlet sinister, half the width of a bend sinister, also very occasionally called a scarpe;
  • baton sinister, a bendlet sinister couped

Diminutives of the chevron

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  • chevronel: half the width of a chevron.
  • couple close: half the width of a chevronnel, but only to be found in pairs with a chevron between them; the phrase 'a chevron between two couple closes' has the alternative 'a chevron couple closed'; in essence the same as cottising a chevron; couple close is not found much in modern blazons

Diminutives of the chief

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  • comble, "half" a chief; rare in the Anglophone heraldries, but does appear in the civic heraldry of France—there even being at least one chief charged with a comble
  • chief enhanced, again "half" a chief, sometimes said not to be a diminutive, but is indistinguishable from the comble which is.
  • fillet: said, by those who do not believe in the comble or chief enhanced, to be the nearest that the chief comes to having a diminutive, which is effectively a barrulet conjoined to a chief at its bottom edge—blazoned either as 'a chief supported by a fillet' or as 'a chief filleted' (or things similar); occasionally appears in its own right—though it is then very little other than a barrulet enhanced.

Diminutive of the cross

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  • cross fillet (or fillet cross), somewhat less than half the width of a cross.

Diminutive of the saltire

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  • fillet saltire, something less than half the width of a saltire
  • saltorel, is sometimes said to be a diminutive saltire, but is best thought of simply as a saltire couped, the word being sometimes used when there are three or more (rather like lioncel and eaglet were used at times when there were three or more lions or eagles in a coat)—a 19th-century armorial uses 'saltorels' only once for every ten or eleven 'saltires'. A common charge in Dutch heraldry.

Cottise and cottising

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a bend cottised—Per bend azure and gules, a bend nebuly argent cottised rayonny or—Munk, Canada (flag)
a chevron cottisedPer chevron argent and or, a chevron invected sable, plain cotised vert, between two martlets in chief of the third [sable] and a trefoil slipped in base of the fourth [vert]—Lawson, England

The cottise (the spelling varies—sometimes only one t and sometimes c instead of the s) originated as an alternative name to cost (see above) and so as a diminutive of the bend, most commonly found in pairs on either side of a bend, with the bend being blazoned either as between two cottises or as cottised.

Nowadays cottising is used not just for bends but for practically all the ordinaries (and occasionally collections of charges), and consists in placing the ordinary between two diminutive versions of itself (and occasionally other things). A pale so treated is usually blazoned endorsed and a chevron very occasionally couple closed or between two couple closes. A chief, however, cannot be cottised.[7]

The ordinary and its cottices need not have the same tincture or the same line ornamentation.

Ordinaries very occasionally get cottised by things shaped quite differently from their diminutives—like demi maple leaves.

Occasionally a collection of charges aligned as if on an ordinary—in bend, etc.—is accompanied by cotticing.

Voiding, surmounting with another, and fimbriation

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Any type of charge, but probably most often the ordinaries and subordinaries, can be "voided"; without further description, this means that a hole in the shape of the charge reveals the field behind it. Occasionally the hole is of different tincture or shape (which must then be specified), so that the charge appears to be surcharged with a smaller charge.

Notes

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
In heraldry, an ordinary—or heraldic ordinary—is a simple geometric charge consisting of one or more strips or bands of a that occupy a substantial portion of the shield, such as the chief, pale, bend, fess, chevron, , or , and serves as one of the foundational elements distinguishing coats of arms. These charges are typically bounded by straight lines or regular curves and are positioned in fixed locations on the escutcheon, with traditional rules stipulating that a single ordinary should cover approximately one-third of the field to ensure visual prominence and balance. Unlike mobile charges like animals or plants, ordinaries are abstract and non-representational, likely originating in the medieval period as practical reinforcements or decorative patterns on shields and surcoats rather than symbolic motifs. The classification of ordinaries has varied among heraldic authorities, but the most commonly recognized "honorable ordinaries" number around nine, including the chief (a broad band across the top), the (a vertical central band), the bend (a diagonal from upper left to lower right), the fess (a horizontal central band), the chevron (an inverted V-shape), the (various forms like the or ), and the (a diagonal cross or ). Subordinaries, a secondary category, encompass smaller or less prominent shapes such as the (a border around ), orle (a bordure inset from ), flaunch (curved segments at the sides), and (interlaced bands forming a lattice). Diminutives are narrower variants of ordinaries, like the barrulet (a thin fess) or bendlet (a narrow bend), which cannot typically be charged with other figures and are used when multiple instances appear on the shield. Ordinaries play a central role in blazonry, the of , where they often take precedence in descriptions and can be modified by lines of partition (e.g., engrailed, wavy, or embattled edges) to add complexity without altering their core form. Historically, their use dates to the in European armory, appearing in early rolls of arms as essential components for identifying bearers in battle or tournaments, and they remain integral to modern heraldic design in both traditional and creative contexts like the . While lacking inherent symbolism in their basic form, ordinaries can be differenced or accompanied by other charges to convey lineage, , or achievements, ensuring the distinctiveness required by heraldic law against marshalling identical arms.

Overview

Definition

In heraldry, an ordinary is a simple geometric figure bounded by straight or curved lines, occupying a defined position on the shield and serving as one of the two primary types of charges, the other being mobile charges. These figures are characterized by their simplicity, standardization across heraldic traditions, and adherence to specific positional rules, such as the pale extending vertically from the chief to the base of the shield or the fess running horizontally across the middle third of the shield's height. The nine traditional principal ordinaries are as follows, each with a conventional placement:
  • Chief: A horizontal band occupying the upper third of the shield.
  • Pale: A vertical band centered and extending the full height of the shield.
  • Fess: A horizontal band across the center of the shield.
  • Bend: A diagonal band from the upper left to the lower right of the shield.
  • Bend sinister: A diagonal band from the upper right to the lower left of the shield.
  • Chevron: An inverted V-shape issuing from the base toward the chief.
  • Cross: A figure formed by a vertical pale intersected by a horizontal fess, extending to the edges.
  • Saltire: A diagonal cross formed by a bend and bend sinister intersecting at the center.
  • Pile: A wedge-shaped figure issuing from the chief and tapering to a point at or near the base.
Ordinaries differ from mobile charges in that they are static geometric shapes, whereas mobile charges depict representational figures such as animals, plants, or objects that can be placed variably across the shield. Subordinaries represent less common geometric charges that follow similar principles but occupy smaller or more peripheral positions.

Role in Heraldic Composition

Ordinaries serve as foundational elements in the composition of a , functioning either as the primary background structure or as prominent charges that occupy significant portions of . They are typically integrated with tinctures—such as metals (or and argent) or colors (gules, azure, vert, purpure, and )—and furs (like ermine or vair) to ensure visibility and contrast. The mandates that colors must be placed on metals and metals on colors to maintain clear distinction, prohibiting color on color or metal on metal, though exceptions apply for furs and certain "proper" charges that depict natural colors. For instance, an ordinary like a fess might be blazoned as "a fess gules" on a field of argent, creating a red horizontal band across a silver background. In ing, the formal description of heraldic designs, ordinaries are articulated with precise terminology that begins with the field and proceeds to the charges in . The ordinary's name is stated first, followed by its and any modifications, ensuring the blazon allows accurate reconstruction of the arms. For example, "Or, a fess between three crescents " describes a field with a horizontal band, flanked by black crescents above and below. This convention prioritizes simplicity and logical sequence, with ordinaries mentioned before mobile charges unless the ordinary is subordinate. Positional hierarchy governs the default placement of ordinaries to avoid ambiguity in composition. The chief occupies the upper third of , the fess the central horizontal band, the vertical center, the bend a diagonal from dexter chief to sinister base, and the base the lower portion, with these positions assumed unless otherwise specified. Multiple ordinaries interact by layering in precedence order—such as a chief surmounting a —without overlapping except when explicitly stated, like in quartered arms. Unlike mobile charges such as lions or eagles, which often carry symbolic connotations of strength or , ordinaries generally exhibit symbolic neutrality, deriving meaning primarily from their structural role or contextual associations rather than inherent significance. They facilitate differentiation in arms, such as in marks for , emphasizing clarity and identification over .

Historical Development

Origins in Medieval

The emergence of ordinaries in heraldry traces back to the mid-12th century in , where they developed as simple geometric designs on shields to aid rapid identification amid the chaos of tournaments and battles during the . These shapes, such as the chief, pale, bend, fess, chevron, , and , initially derived from practical reinforcements on shields, including extra planks or iron strips that strengthened vulnerable areas and were later painted for visibility. This evolution occurred primarily among the feudal military elite in regions like , , and , with the first heraldic shields appearing on seals between 1140 and 1159 across eight West European countries. Influences from earlier traditions contributed to the adoption of these forms, with roots in Roman military —such as shields bearing symbols like eagles—and encountered by Crusaders, which introduced motifs like lions and double-headed eagles that complemented geometric ordinaries. During the Second Crusade (1147–1149), orders like the Templars adopted a red cross on a white field as a prominent ordinary, facilitating group recognition in combat and processions. The purpose was pragmatic: enclosed helmets obscured faces, so bold, contrasting ordinaries ensured knights could be swiftly identified by allies and foes alike, emphasizing simplicity over intricate decoration. Early documented examples appear in seals from and from the mid-12th century (c. 1140–1159), predating formal rolls of arms. The earliest known colored example is the enamel plaque of Geoffrey of Anjou (1151), depicting lions, alongside emerging ordinaries on seals. In , the seal of Raoul I of (c. 1146) features a chequy pattern, an early subordinary. English examples include William de Mandeville's quarterly arms (post-1166, evolving to full ordinaries by c. 1180) and William Longespée's shield with vertical pale-like divisions (c. 1210s). By the 1250s, the Bigot Roll in records ordinaries in 46% of entries, such as bends and es, underscoring their foundational role in armorial bearings for knights. These principal ordinaries, like the cross and pale, were among the earliest adopted for their high visibility in .

Standardization and Evolution

The codification of ordinaries in gained momentum in the through influential treatises that formalized their geometric forms and placement on shields. Johannes de Bado Aureo's Tractatus de Armis, composed around 1394 at the request of Queen Anne of , provided one of the earliest systematic discussions of armorial principles, including the use of simple ordinaries like the chief, pale, and fess to ensure identifiability in battle and tournaments. This work, translated into Welsh and English in the early , emphasized Roman legal precedents to regulate the assumption of arms, thereby establishing ordinaries as foundational elements in heraldic composition. By the 15th century, the integrated these concepts into its practices, formalizing under a from III in 1484 to oversee the recording and of armorial bearings across . Heralds within the College conducted surveys to verify pedigrees and arms, promoting consistent depiction of ordinaries such as the bend and chevron, which were adapted from early decorative patterns to more precise proportions for clarity. Regional variations emerged between British and Continental heraldry, with English traditions adopting more rigid positioning for ordinaries—such as the pale occupying exactly one-third of the shield's width—compared to the flexible artistic interpretations common in French and German practices. For instance, the appeared more frequently in Scottish arms due to its association with St. Andrew, while Continental heraldry often incorporated unique furs and terms absent in British usage. The evolution of ordinary types continued into the with the introduction of subordinaries, such as the and orle, which added layers of complexity to distinguish lines and augmentations without altering principal forms. However, the period saw a decline in the exclusive reliance on ordinaries, as mobile charges like lions and eagles proliferated, integrating with ordinaries to create more narrative designs reflective of personal or familial symbolism. Standardization was further advanced through legal and technological means, including heraldic visitations ordered from Henry V's reign (1413–1422) and intensified in the 16th–17th centuries under , where officials inspected and recorded arms to prevent unauthorized use. The advent of in the facilitated this process via armorials and treatises, such as the 1486 Boke of Saint Albans, which disseminated uniform depictions of ordinaries and ensured consistency across regions. These efforts culminated in the last major visitations by 1686, solidifying ordinaries as enduring, regulated components of heraldic tradition.

Classification of Ordinaries

Principal Ordinaries

The principal ordinaries form the foundational geometric charges in , consisting of nine core shapes that occupy defined positions on the shield and convey structural significance in armorial compositions. The classification varies among authorities, but commonly recognized principal ordinaries include the chief, pale, fess, bend, bar, chevron, , , and pile, each with standardized proportions typically occupying one-third of the shield's relevant dimension, though artistic variations exist. They are distinguished from subordinaries, which derive from or diminish these forms. The following table summarizes the shapes, positions, and standard proportions of the principal ordinaries:
OrdinaryShapePositionStandard Proportions
ChiefHorizontal bandUppermost section of the shieldOne-third of shield height
PaleVertical bandCenter, from top to bottomOne-third of shield width
FessHorizontal bandAcross the centerOne-third of shield height
BendDiagonal bandFrom dexter chief to sinister baseOne-third of shield width
BarHorizontal bandAcross the center, narrower than fessLess than one-third of shield height
ChevronInverted V (upward-pointing)Centered, base at shield baseBase width one-third of shield width
Vertical and horizontal arms intersecting at centerSpanning the entire shieldArms each one-third of width/height
Diagonal X ()Diagonally across the shieldArms each one-third of relevant dimension
PileDownward-pointing wedge or From chief to a point in baseUpper edge often full width, tapering
These proportions, rooted in medieval conventions, ensure visual balance and allow space for additional charges, with the chief and often holding elevated status due to their prominent placement. In blazoning, principal ordinaries follow a conventional to describe the shield systematically, beginning with the chief, then , fess, bend, bar, chevron, , , and pile, reflecting their hierarchical importance in heraldic design. For instance, the chief, occupying the honorable position at the top, surmounts other ordinaries unless they predate it. The is a central vertical stripe, while the fess is a horizontal band across the midline. The bend is a diagonal band from dexter chief to sinister base, with the bar a shorter horizontal version of the fess. The chevron is an inverted V positioned to allow charges above and below it. The , intersecting at the shield's heart, has over 400 variants but the plain form as the principal. The holds particular prominence in . The pile is a tapering from the chief, frequently used in multiples for compositional effect. Tincturing of principal ordinaries adheres to the , avoiding color on color or metal on metal, and is described simply in blazons; for example, a silver with a is blazoned "argent, a gules." Forms may be voided (hollowed out) or couped (cut off abruptly) to accommodate other charges, as in a voided revealing the underlying field or a couped fess terminating midway. These modifications maintain the ordinary's integrity while enhancing complexity, though the plain versions remain the most fundamental.

Subordinaries

Subordinaries are geometric charges in heraldry that are considered secondary or supplementary to the principal ordinaries, often derived from them but occupying less prominent positions or serving auxiliary roles on the shield. They include shapes such as the , orle, quarter, canton, flanch or flaunches, gyron, lozenge, fusil, and mascle, which provide variety in heraldic design while maintaining geometric simplicity. Unlike principal ordinaries, which form the core structural elements, subordinaries are typically narrower, smaller, or positioned peripherally, allowing for intricate compositions without overwhelming the overall arms. Key examples of subordinaries illustrate their diversity. The is a that encircles the entire edge of , often used as a frame for other charges, as seen in the arms of William de Ferrers: "Vaire, or, and gules, a argent semy of horseshoes ." The orle functions as an inner , parallel to the shield's outline but not touching the edges, typically half the width of a and capable of bearing additional charges. The quarter is a charge occupying one-fourth of the shield in the dexter chief, with the remaining field available for other elements. The canton is a small rectangular charge in the dexter chief corner, theoretically one-ninth of the field, often added for honors like the "canton of England" featuring three lions passant guardant or on gules. Flanches, or flaunches, are paired curved segments arcing from the shield's sides toward the center, always appearing in duplicate. The gyron is a triangular charge extending from the center to one corner, representing one-eighth of the shield when used singly, though more commonly seen in multiples as in the Campbell arms: "Gyronny or and ." Lozenge-shaped charges include the lozenge itself, a form; the narrower fusil; and the mascle, a voided lozenge, as in the Ferrers arms: "Gules, seven mascles conjoined or." Subordinaries are distinguished by their positional behavior: fixed subordinaries, such as the quarter, canton, and , maintain static locations relative to the shield's and cannot be repositioned without altering their identity. In contrast, mobile subordinaries like the orle, gyron, lozenge, fusil, and mascle can be placed variably across the field unless the specifies otherwise, offering flexibility in arrangement. Flanches, while paired, are also mobile within their lateral constraints. Proportions and positions of subordinaries are governed by heraldic convention to ensure balance. The follows the full perimeter of , varying in width but never encroaching inward significantly. The orle mirrors this outline internally at a reduced scale, while the gyron radiates precisely from the escutcheon's center to a corner point. The quarter claims one-fourth of the total area, the canton one-ninth, and flanches each cover a modest curved portion near the flanks, all aligned to 's cardinal points for visual harmony. Lozenges and their variants adapt to the space, with fusils elongated for distinction. Due to their secondary status, subordinaries are rarer in central compositions than principal ordinaries and are primarily employed for differencing—to distinguish branches of a —or augmentation, to commemorate honors granted by a . For instance, a often serves as a mark for illegitimate or lines, while a canton might augment arms for notable service, as in the 1660 grant to Jane Lane's of a canton bearing the Lions of . This usage underscores their role in enhancing rather than dominating heraldic identity.

Variations

Line Styles

In heraldry, line styles, also known as lines of partition, define the edges of ordinaries, allowing for stylistic variation while maintaining the ordinary's fundamental geometric form. These lines modify only the boundary of the charge and do not affect its internal filling or ; they are specified in the immediately after the ordinary's name, such as "a fess engrailed" or "a bend wavy." The default line style is straight, characterized by unadorned, linear edges that extend from side to side or top to bottom of the shield, historically representing simplicity and comprising a traditional proportion like one-third of the field for a fess. Engrailed lines feature semicircular notches curving outward along the edge, evoking a series of convex arcs, while invected (sometimes termed imbated) lines reverse this with inward-curving semicircles. Wavy or undy lines produce an undulating pattern resembling gentle waves, often symbolizing water or fluidity, as in "party per fess wavy or and gules" for the Drummond of Megginch arms. Embattled lines mimic the crenellations of a , typically applied to the upper edge of horizontals like the fess unless specified as counter-embattled, seen in examples such as "gules, a fess embattled argent." Further variations include indented lines, which form a zigzag of straight segments at right angles, creating a sharp, toothed appearance as in "argent, a chevron indented gules"; nebuly lines, with broad, cloud-like curves suggesting mist or nebulosity, exemplified by "or, a bend nebuly azure"; raguly lines, featuring slanted, branch-like projections that give a rough, woody texture, a line style known since at least the , as in the arms of Lord Leighton; and dovetailed lines, rare interlocking shapes akin to joints, such as "gules, a chevron dovetailed ermine" in the Kirk arms. Historically, straight lines dominated early medieval from the 12th and 13th centuries, prioritizing clarity for battlefield identification during events like the , with ornate styles like engrailed and indented emerging in the for differentiation among similar arms, as evidenced in monumental brasses such as those of the Scarisbrick and families. By the onward, more elaborate lines like nebuly and raguly gained popularity in continental and , reflecting artistic evolution and the influence of ornamentation, though their use remained governed by rules of contrast to ensure visibility. These line styles enhance the of ordinaries by adding visual texture and can convey symbolism—wavy lines for aquatic themes, embattled for strength, or nebuly for ethereal qualities—while allowing heraldic artists considerable latitude in execution, provided the overall form remains recognizable. For principal ordinaries like the chief, such modifications are blazoned to specify the style, as in "azure, a fess wavy or," ensuring precise replication across depictions.
Line StyleDescriptionExample BlazoningSymbolic Association (if applicable)
StraightUnadorned linear edgeAzure, a and stability
EngrailedOutward semicircular notchesGules, three mullets in bend between two bendlets engrailed argentOrnamental distinction
InvectedInward semicircular curvesPile inveckedReversed engrailing effect
Wavy/UndyUndulating wave patternAzure, a fess wavy or or flow
EmbattledBattlement-like crenellationsGules, a fess embattled argent or defense
IndentedZigzag of straight segmentsArgent, a chevron indented gulesSharp division
NebulyBroad, cloud-like curvesOr, a bend nebuly azureClouds or mist
RagulySlanted, branch-like projectionsQuarterly per fess raguly or and gulesRoughness or nature
DovetailedInterlocking joint shapesGules, a chevron dovetailed erminePrecision or unity

Diminutives

Diminutives in heraldry are reduced versions of ordinaries, typically half the width or narrower than their parent form, and are frequently depicted in multiples to create visual distinction or to occupy space on the shield without dominating the field. These narrower charges allow for greater complexity in armorial designs while maintaining the geometric simplicity characteristic of ordinaries. The diminutives are classified according to their parent ordinary. For , the primary diminutive is the , which occupies half the width of a full pale; a further diminutive is the endorse, measuring half the width of a or one-quarter of the pale, often appearing in pairs flanking a pale. For the fess, the bar serves as the main diminutive at half the fess's width, with the barrulet (half a bar) and as even narrower variants, the latter sometimes used in multiples. The bend's diminutives include the bendlet (half the bend's width) and the cotise (half the bendlet's width), with cotises typically appearing in pairs accompanying a bend. For the bend sinister, the scarpe functions as the equivalent diminutive, mirroring the bendlet in proportion and placement. The chevron's diminutive is the chevronel, half its width, which may be braced or interlaced when multiple are present. The chief has no standard diminutive in traditional British heraldry. For the , there is no direct diminutive ordinary, but crosslets—small, independent cross charges—serve a similar role in multiples or as mobiles on larger ordinaries. The lacks a standard diminutive, with occasional use of saltorels in specialized continental arms but not in standard English practice. When multiples of diminutives are blazoned, even numbers are generally arranged symmetrically in pairs (gemels), while odd numbers are centered on the field for balance; for instance, a blazon might specify "three pallets" for odd placement or "two bars gemels" to denote a paired set treated as a single unit. This convention ensures harmonious composition, with artistic latitude allowed in spacing to avoid overcrowding. Diminutives are primarily used for differencing arms within a family, such as adding pallets or bars to indicate for heirs or branches, or to fill available space on while accommodating additional charges. Examples include the Bohun arms, blazoned as "Azure, a bend argent cottised between six lioncels rampant or," where cotises differentiate the design, or the Sawbridge arms with "Or, on two bars azure, as many barrulets dancetté argent" to enhance visual layering. Diminutives may also incorporate line styles like engrailed or wavy for further variation.

Embellishments and Modifications

Embellishments and modifications of ordinaries in involve decorative techniques that add complexity and visual distinction to these fundamental charges, often employed to differentiate arms or enhance aesthetic appeal while adhering to traditional rules. These alterations, such as bordering or internal adjustments, allow heraldic designers to create layered compositions without introducing entirely new elements. Cottising refers to the addition of narrow , known as cottises, placed on either side of a principal ordinary to flank it symmetrically. Typically half the width of a bendlet, a cottise cannot stand alone and serves to frame the ordinary, often using diminutives like bendlets or barules. For instance, a bend cottised appears in the arms of the Harley family, where the central bend is accompanied by two narrower lines of the same . Similarly, the Bohun arms feature "Azure, a bend argent, cottised between six lioncels rampant or," illustrating how cottising integrates with other charges. This modification emerged in later to add subtlety and avoid overcrowding the shield. Voiding involves hollowing out the interior of an ordinary, leaving only its outline visible and exposing the underlying field tincture through the center. This creates a transparent or framed effect, distinguishing it from solid charges. A classic example is the voided , where the arms form a around the field, or the mascle, defined as a lozenge voided, as seen in the arms of De Quincy. In the Dukinfield arms (quartered by Tatton), a is both pointed and voided, emphasizing the technique's use in crosses and other geometric forms. Voiding is particularly effective for ordinaries like chevrons or fesses, though it requires careful blazoning to specify the extent of the hollowing. Fimbriation is the application of a narrow or edging of a contrasting around an ordinary, effectively outlining it to improve visibility or contrast against the field. This lies in the same plane as the charge and must follow its contours precisely. An example is a fimbriated gules edged in argent on an azure field, which prevents tincture violation by separating color from color. In , the royal tressure—often flory and counter-flory—is a specialized fimbriated form encircling the field, but its use requires special license from the . Fimbriation adds elegance without altering the ordinary's core shape, commonly applied to bends, chevrons, or . Surmounting occurs when one ordinary or charge overlays another, with the upper element interrupting the line of the lower one. In blazoning, the undermost charge is named first to clarify the composition. For example, in the Beaumont arms, a bend surmounts a rampant, or a canton may overlay a as in the Clerke baronetcy. A chief can surmount both a tressure and , creating hierarchical depth. This technique allows intersection without merging, as in a surmounting a , and is distinct from debruising, which implies partial covering. Surmounting enhances compositional balance in complex shields. These embellishments must comply with the fundamental , prohibiting metal upon metal or color upon color to ensure legibility from a distance, with rare exceptions like the arms of Jerusalem. and voiding specifically help circumvent such conflicts by introducing intermediate tinctures or exposing the field. In later , these modifications increased complexity, reflecting evolving artistic preferences while maintaining clarity.

Usage and Examples

Traditional Applications

In traditional heraldry, ordinaries featured prominently in armorial bearings of medieval , providing simple yet distinctive elements for identification. The Scottish national flag, known as the , exemplifies this with its design of a white diagonal (, a principal ordinary) on a blue field, blazoned as azure, a argent, which traces its origins to the as a symbol of St. Andrew, of . Similarly, in , the —a ordinary with fleur-de-lis terminations—appeared in noble and royal arms during the , symbolizing faith and monarchical authority. In English contexts, ordinaries such as the were integrated into royal and noble designs; for instance, the cross of St. George (argent, a gules), another principal ordinary, was adopted in the for the and appeared in variations of royal arms to denote sovereignty. Ordinaries also served critical functions in differencing, allowing families to distinguish branches while maintaining core designs. A , an ordinary forming a border around , was commonly added to the arms of cadet or illegitimate lines; in Scottish practice, this was the primary method of , as mandated in heraldic traditions to prevent confusion among kin. employed similar techniques, where a bordure of contrasting or pattern labeled heirs or relatives without altering the paternal inheritance. From the 13th to 15th centuries, ordinaries on shields were indispensable for recognition in tournaments, where armored combatants relied on visual cues for safe engagement, and on seals, which authenticated documents and personal identity in an illiterate era. Tournament rolls and chroniclers from this period document knights bearing simple ordinaries like pales or fesses for swift identification amid melee. Seals appended to charters often displayed shields quartered with ordinaries, evolving from equestrian motifs in the 12th century to formalized armorial compositions by the 14th, as evidenced in English and French archives. Partitioning the shield using lines derived from ordinaries further enhanced compositional variety in traditional applications. Per fess divided the field horizontally, akin to a fess ordinary, while per pale split it vertically like a pale, enabling the placement of distinct ordinaries or charges in each compartment to represent alliances or inheritances. These divisions, common in 13th-century armorials, allowed for balanced yet informative designs, such as a shield per pale with a cross in one half and a saltire in the other.

Modern and Contemporary Uses

In the 20th and 21st centuries, ordinaries have found renewed application in institutional , particularly in official seals and emblems of governments and organizations. A prominent example is the Great Seal of the , adopted in 1782 but emblematic of enduring modern use, where the escutcheon is composed of a chief and a pale—the two most honorable ordinaries—dividing the field into blue and red sections to symbolize . Similarly, numerous seals incorporate ordinaries for structural simplicity and symbolic clarity; for instance, the features quartered ordinaries including a cross bottony, reflecting heraldic traditions adapted to civic identity. These designs prioritize bold geometric forms to ensure recognizability on documents and flags, maintaining heraldic principles in contemporary administrative contexts. Corporate and commercial branding has also adapted ordinaries, drawing on their timeless geometric appeal for logos and trademarks. The Chevron Corporation's , introduced in the mid-20th century, employs a stylized chevron—a principal ordinary representing protection and aspiration—dividing the field and evoking stability in the energy sector. This adaptation highlights how ordinaries provide a versatile framework for modern visual identity, balancing simplicity with symbolic depth in global commerce. While not formally granted as arms, such uses echo heraldic composition to convey authority and heritage. Civic heraldry continues through institutions like the in , which issues modern incorporating ordinaries to achieve clear, distinctive designs suitable for individuals, families, and organizations. Since the early , these have emphasized ordinaries such as fesses and bends for their adaptability in differencing arms, ensuring compliance with rules while accommodating contemporary needs like digital reproduction. For example, to professionals and institutions often feature a central ordinary as the primary charge, simplifying composition without sacrificing tradition. In digital and revivalist contexts, ordinaries underpin fantasy heraldry in role-playing games and online communities. Dungeons & Dragons, since its 1974 inception, employs ordinaries like saltires and chevrons in player-created coats of arms to denote noble houses and alliances, fostering immersive world-building. Online armorial databases, such as the Society for Creative Anachronism's Ordinary & Armorial, catalog thousands of modern registrations featuring ordinaries, enabling global enthusiasts to search and register designs that adhere to heraldic standards. These platforms democratize heraldry, extending its use into virtual and creative domains. Globally, non-European traditions have integrated ordinaries into hybrid systems, notably in following the 1994 . The Bureau of Heraldry, established in 1963 but revitalized post-apartheid, registers coats of arms that combine principal ordinaries—such as pales and crosses—with indigenous motifs like flowers or Zulu patterns, symbolizing national reconciliation and cultural diversity. This approach, governed by the Heraldry Act of 1962 as amended, ensures ordinaries serve as neutral structural elements in inclusive designs for families, municipalities, and corporations. Subordinaries occasionally appear in these grants for subtle differencing among related bearers.

References

  1. https://en.wikisource.org/wiki/A_Complete_Guide_to_Heraldry/Chapter_9
  2. https://en.wikisource.org/wiki/The_Grammar_of_Heraldry/Chapter_4
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