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Sun Throne
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The Sun Throne (Persian: تخت خورشید, romanized: Takht-e Khorshīd), also known as the Peacock Throne (Persian: تخت طاووس, romanized: Takht-e Tāvūs), is a Qajar era Imperial throne of Iran. A radiant sun disk on its headboard and Tavus Khanum, a consort of Fath-Ali Shah Qajar, give the throne each of its names respectively. The throne has the shape of a platform, similar to the Marble Throne in Golestan Palace. The Naderi Throne was constructed later and has the appearance of a chair. Since 1980 it has been displayed at the Central Bank of Iran, as part of the Iranian National Jewels.
History
[edit]
It was constructed for Fath-Ali Shah Qajar in the early 19th century and was used as the coronation throne thereafter. He took Tavus Khanum as one of his consorts. In English, her name translates to Lady Peacock. The marriage ceremony took place on the throne, and Tavus Khanum became his favourite wife. Owing to her name, the throne later received the name "Peacock Throne".[1] It was also theorised that parts of the plundered Mughal Peacock Throne were re-used, such as the legs or other parts; however, no conclusive proof exists.
Not a single element on the Sun Throne features a peacock. The Lion and Sun was the ancient symbol of kingship in Iran. When the Shah would be seated on the throne, he symbolised the lion, with the sun symbol behind his back. The Shah himself, however, could also be seen as the sun. The last Shah, Mohammad Reza Pahlavi, carried the title Aryamehr (Light of the Aryans), which was another connotation for the sun.
Until 1980 the Sun Throne was located in the Mirror Hall of Golestan Palace. In 1980 it was decided to move it to the vaults of the Iranian Crown Jewels at Iran's Central Bank where it is now on display.
See also
[edit]- Mirror Hall (painting of the homonymous hall of The Golestan, by Kamal-ol-molk)
References
[edit]Further reading
[edit]- Curzon, George Nathaniel (1892). Persia and the Persian Question. London: Longmans, Green & Co.
External links
[edit]
Media related to Sun Throne at Wikimedia Commons
Sun Throne
View on Grokipediafrom Grokipedia
Description
Physical Appearance
The Sun Throne, known as Takht-e Khurshīd, takes the form of a ceremonial platform or takht, designed as a raised dais approximately 2 meters high, providing a flat platform elevated for the monarch to kneel upon with an integrated backrest for support.[1] Its layout includes a broad base ensuring stability, creating a structured and imposing silhouette suitable for imperial ceremonies.[5] At the center of the headboard rises the radiant sun disk, or Khurshīd, serving as the throne's defining emblem, characterized by extending rays and intricate symbolic engravings that evoke solar power and divine authority.[6] This disk dominates the upper structure, with the overall design incorporating elaborate gold plating and gemstone inlays arranged in geometric and floral patterns that cover the platform's surfaces, enhancing its visual grandeur without figurative representations of birds. Contrary to misconceptions linking it to avian motifs, the throne lacks peacock figures, focusing instead on abstract and heraldic elements tied to the lion and sun symbol of Persian royalty.[7]Materials and Construction
The Sun Throne features a sturdy wooden core overlaid with gold plating, providing both structural integrity and opulent appearance characteristic of Qajar-era craftsmanship. This construction method ensured durability while allowing for intricate detailing, with the gold frame encrusted directly with gems to create a seamless, radiant surface.[1] The throne is adorned with 26,733 precious stones, including diamonds, rubies, emeralds, and spinels, set using enameling and cloisonné techniques to secure them within compartmentalized gold cells. Among these gems are standout pieces such as four large spinels, three large diamonds, and four large emeralds, polished to precise facets for maximum brilliance and fitted into engraved motifs on the gold. The filigree work along the edges further enhances the design, allowing light to interplay with the gems for a shimmering effect unique to 19th-century Persian jewelry traditions.[1][2] Crafted by skilled royal jewelers in Tehran under imperial commission, the throne exemplifies meticulous artisanal processes, including the hand-engraving of symbolic patterns into the gold base before gem inlay. The platform, elevated for ceremonial use, incorporates subtle metal reinforcements within the wooden structure to support its weight during prolonged events.[2] Due to the exceptional quality of its gems—many of museum-grade clarity and size—and its unparalleled historical provenance as a Qajar imperial artifact, the Sun Throne holds significant value as a cornerstone of Iran's national jewels collection.Historical Development
Creation Under Fath-Ali Shah Qajar
The Sun Throne, known as Takht-e Khurshīd, was commissioned by Fath-Ali Shah Qajar in 1815 as a grand symbol of imperial authority and prestige, intended to evoke the splendor of ancient Persian kingship while asserting the Qajar dynasty's power amid regional rivalries with the Ottoman Empire and interactions with European powers.[8] Crafted by the skilled artisan Hajji Mirza (Muhammad) Husayn Isfahani, the throne served to replace the famed Mughal Peacock Throne lost after Nader Shah's campaigns, thereby reestablishing a comparable emblem of sovereignty and celebrating Fath-Ali Shah's military achievements against rivals.[8] This creation aligned with the shah's broader efforts to project an image of magnificence, as seen in diplomatic gifts such as a portrait of himself seated on the throne presented to Napoleon Bonaparte via French envoy Amédée Jaubert.[8] The throne's name derived from the radiant sun disk adorning its headboard, a motif symbolizing divine kingship central to Qajar iconography.[9] It later acquired the alternative designation Takht-e Tāvūs (Peacock Throne) in honor of Tavus Khanum Taj al-Dawlah, Fath-Ali Shah's favored consort from Isfahan, whose marriage to the shah around this period influenced its ornate design featuring peacock-like embellishments.[9] It was commissioned by Hajj Mohammad-Hossein Sadr Esfahani as a wedding gift, and their union was celebrated with the shah seated upon it, further embedding her role in its legacy.[9][10] The throne was fabricated in workshops in Isfahan, drawing on the Qajar court's extensive patronage of the arts during Fath-Ali Shah's reign, which included lavish expansions and decorations at the Golestan Palace complex to elevate Tehran's status as the new capital.[11][12] This patronage encompassed jewelry, painting, and architecture, with the throne's jewel-encrusted gold framework exemplifying the era's fusion of Persian craftsmanship and opulent materials from the royal treasury.[8] Upon completion, the throne was installed in the Talar-i Salam (Salutation Hall), also known as the Throne Room, within the Golestan Palace, where it served as the focal point for ceremonial audiences and receptions.[13] This placement underscored its role in state rituals, positioning it amid mirrored walls and intricate designs that amplified the shah's regal presence.[14]Usage in Coronations and Ceremonies
The Sun Throne, also known as the Takht-e Khorshid or Peacock Throne, functioned primarily as the central seat of power during coronations in the Qajar dynasty, starting with the successors to its commissioner, Fath-Ali Shah Qajar. It was prominently featured in Qajar dynasty coronations, where the shah would ascend the elevated platform amid assembled court officials and dignitaries, embodying the divine right to rule through its radiant sun disk emblem.[15][16] In broader ceremonial protocols, the throne anchored key court gatherings, including Nowruz audiences where the shah received homage from subjects and nobles, and diplomatic receptions hosting foreign envoys to affirm Persia's sovereignty. These events followed structured rites, with the monarch mounting the gem-encrusted platform under ceremonial canopies, surrounded by guards and musicians, to dispense justice, grant audiences, and display imperial splendor.[17][18] During the Pahlavi era, the throne continued its ceremonial role, blending Qajar traditions with modern nationalist elements; it was present in Golestan Palace during Mohammad Reza Pahlavi's 1967 ceremony.[19][20] Following the 1979 Iranian Revolution, which abolished the monarchy, the Sun Throne's active use in coronations and ceremonies ceased entirely, marking the end of its over 150-year tradition as a symbol of royal authority.[16]Relocation and Preservation
Following the 1979 Iranian Revolution, the Sun Throne was relocated in 1980 from its longstanding position in the Mirror Hall of Golestān Palace to the secure vaults of the Treasury of National Jewels within the Central Bank of Iran in Tehran, as part of broader efforts to protect national assets amid political upheaval.[5] This move shifted the throne from a ceremonial object to a safeguarded element of cultural heritage, housed alongside other imperial jewels in a fortified underground facility designed to mitigate risks from instability.[21] Preservation efforts emphasize environmental stability to safeguard the throne's intricate gold framework, enamel work, and embedded gems, including thousands of precious stones vulnerable to degradation from humidity, temperature fluctuations, and pollutants. The Treasury maintains a climate-controlled setting with regulated temperature and humidity levels, supported by advanced security systems to prevent physical damage or theft.[22][23] Public access to the Sun Throne has been limited since its transfer, with viewing opportunities introduced through guided museum exhibits at the Treasury beginning in the early 1990s, allowing controlled observation without direct handling. To ensure ongoing security and preservation, photography and electronic devices are strictly prohibited within the exhibit areas, with visitors required to store personal items prior to entry.[24][25] Conservation faces ongoing challenges from Iran's political instability, which has periodically led to museum closures and artifact relocations for safety, as seen in 2025 when cultural sites were shuttered amid regional tensions. International sanctions further complicate maintenance by constraining funding and access to specialized restoration materials and expertise, contributing to broader governmental neglect of cultural heritage preservation amid economic pressures.[26][27][28]Symbolism and Cultural Significance
Lion and Sun Motif
The Lion and Sun motif is evoked on the Sun Throne through its radiant sun disk, with the seated monarch symbolizing the lion grasping a sword, representing royal strength and martial justice, while the sun evokes divine illumination and eternal sovereignty. This symbolic integration elevates the monarch as the "Shadow of God" (Zillullah) and a solar ruler embodying divine farr (glory), rooted in ancient Iranian kingship akin to the Zoroastrian deity Mithras.[11] The motif's historical evolution traces back to the Ilkhanid period in medieval Persia during the 13th century, where it appeared in artistic representations such as ceramic tiles combining the lion and sun as zodiacal and royal icons. It gained prominence under the Safavid dynasty in the 16th century, evolving into a national emblem on flags and banners, as seen during the reign of Shah Tahmasp I (r. 1524–1576), signifying the fusion of astrological symbolism with imperial authority. Fath-Ali Shah Qajar (r. 1797–1834) further adapted and formalized the emblem during his rule, incorporating it into official regalia to emphasize dynastic continuity with pre-Islamic Persian traditions while asserting Qajar legitimacy.[29] On the Sun Throne, the enlarged sun disk amplifies the motif's solar aspects, portraying the Shah as channeling cosmic order and justice. This reinforced the throne's role in coronations, linking the ruler's authority to celestial power and protective might. The motif's cultural layers draw from Zoroastrian solar worship, interpreting the sun as a source of enlightenment and the lion as a guardian of cosmic balance, which during Qajar rule evolved into Shia Islamic interpretations viewing the lion as Asadollah (Lion of God), symbolizing Imam Ali's bravery and the sun as divine nur (light).[29][11]Peacock Association and Naming
The name "Takht-e Tāvūs" (Peacock Throne) for the Sun Throne originates from its association with Tavus Khanum, a favored consort of Fath-Ali Shah Qajar whose title, meaning "Peacock Lady," inspired the renaming of the gem-studded artifact originally known as Takht-e Khorshid (Sun Throne).[30] This etymology reflects personal patronage rather than decorative motifs, as the throne's primary emblem is a radiant sun disk rather than peacock imagery.[11] The throne is frequently misconstrued in historical narratives as featuring dancing peacock statues akin to those on the Mughal Peacock Throne, though the Iranian version contains no such avian elements or motifs. This confusion arises from the shared English appellation "Peacock Throne," which has led to the Qajar artifact being erroneously identified with its Indian counterpart in some accounts.[30] In Persian cultural tradition, peacocks symbolize immortality and royalty, rooted in ancient beliefs that the bird's flesh does not decay, evoking eternal life and divine favor as echoed in Zoroastrian-influenced lore from Avestan texts.[31] This symbolism indirectly elevated the prestige of Tavus Khanum's title and, by extension, the throne named in her honor.[32] In official Qajar records, the throne is predominantly referred to as the Sun Throne (Takht-e Khorshid), with the "Peacock" designation gaining prominence in 20th-century Western scholarship and popular histories.[11][33]Related Artifacts
Distinction from Mughal Peacock Throne
The Mughal Peacock Throne, commissioned between 1628 and 1635 by Emperor Shah Jahan, served as the seat of power in the Diwan-i-Khas hall of Delhi's Red Fort, distinguished by its chair-like structure adorned with two animated peacock figures encrusted with thousands of jewels representing the bird's iridescent feathers.[34][35] This opulent artifact symbolized Mughal imperial grandeur until its looting by the Persian ruler Nader Shah during the 1739 sack of Delhi, following his victory at the Battle of Karnal.[36][37] In contrast, the Iranian Sun Throne, constructed in the early 19th century under Fath-Ali Shah Qajar around 1798–1815, functions as a static raised platform without any avian motifs or animated elements, emphasizing a radiant sun disk on its headboard instead of peacock imagery.[8][1] While the Mughal throne evoked dynamic, bird-inspired symbolism tied to Hindu and Persian aesthetics, the Sun Throne drew from indigenous Qajar traditions, resembling the earlier Marble Throne in form and serving ceremonial purposes independently of foreign designs.[1][8] Nader Shah transported the captured Mughal throne to Iran, where it briefly enhanced his court before his assassination in 1747 triggered its dismantling; the structure was likely broken apart and its gold melted down, with jewels redistributed among successors, though no definitive records confirm reuse in later artifacts like the Sun Throne—claims of such incorporation remain unverified speculation.[38][35][39] The fates of the two thrones diverged sharply: the Mughal original vanished amid post-Nader chaos, with a subsequent replacement also lost by the mid-19th century, while the Iranian Sun Throne has endured intact, originally housed in Tehran's Golestan Palace and relocated in 1980 to the Central Bank vault, where it is preserved as a national treasure.[1][38] This distinction underscores common historical confusions, as the Sun Throne's occasional "Peacock" moniker—derived from Fath-Ali Shah's consort Tavus Khanum—bears no direct relation to the Mughal artifact's avian theme or provenance.[8][1]Comparison to Naderi and Marble Thrones
The Sun Throne shares its platform form with the Marble Throne (Takht-e Marmar), whose veranda dates to the mid-18th century under the Zand dynasty but whose throne platform was built in 1805–1806 during the Qajar dynasty under Fath-Ali Shah, composed of 65 pieces of yellow marble from Yazd Province and featuring carved supports depicting human figures, fairies, and mythical creatures.[2] While the Marble Throne's simpler, unjeweled design emphasized architectural elegance through marble carvings and surrounding tilework, it directly influenced the Sun Throne's elevated platform style when the latter was constructed in the early 19th century under Fath Ali Shah Qajar.[2] In contrast, the Sun Throne's opulent gold plating and gem encrustation marked a departure toward greater splendor, reflecting Qajar-era extravagance absent in the Marble Throne's more restrained aesthetic.[2] Unlike the platform-based Sun and Marble Thrones, the Naderi Throne adopts a chair-like form, constructed in 1812 under Fath Ali Shah as a portable alternative, featuring a wooden frame covered in gold and adorned with 26,733 jewels including diamonds, rubies, emeralds, and spinels, with a backrest shaped like a peacock tail incorporating motifs of ducks, dragons, and florals.[2] This design prioritized mobility, allowing assembly in 12 sections for travel and ceremonies, whereas the Sun Throne's fixed platform suited stationary, grand displays.[2] The Naderi Throne, named in honor of Nader Shah despite its later creation, incorporated blue velvet upholstery and prominent diamond settings, evolving from the Sun Throne's sun motif into a more versatile variant for Qajar rulers.[2] All three thrones embody the continuity of ancient Persian kingship, tracing symbolic lineage to Achaemenid traditions of elevated royal seating, and were historically housed in Tehran's Golestan Palace complex, underscoring their role in imperial pageantry.[2] Today, the jeweled Sun and Naderi Thrones form part of Iran's National Jewels collection in the Central Bank vault, while the Marble Throne remains on display in Golestan Palace.[2] Functionally, the Sun Throne held elevated prestige for major coronations and state rituals, the Marble Throne served everyday audiences and Qajar inaugurations including Reza Shah's in 1925, and the Naderi Throne facilitated portable or informal uses, such as Mohammad Reza Shah Pahlavi's 1967 coronation.[2]References
- https://commons.wikimedia.org/wiki/Category:Sun_Throne