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The Inbetweeners 2
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The Inbetweeners 2
Four young men in summer clothes strolling casually together in a desert
Theatrical release poster
Directed byDamon Beesley
Iain Morris
Written byDamon Beesley
Iain Morris
Produced bySpencer Millman
Starring
Narrated bySimon Bird
CinematographyBen Wheeler
Edited byWilliam Webb
Music byDavid Arnold
Michael Price
Production
companies
Distributed byEntertainment Film Distributors (United Kingdom)
Roadshow Films (Australia and New Zealand)[1]
Release date
  • 6 August 2014 (2014-08-06)
Running time
96 minutes[2]
CountriesUnited Kingdom
Australia
LanguageEnglish
Box office$63.8 million[1]

The Inbetweeners 2 is a 2014 teen coming of age adventure sex comedy film and sequel to The Inbetweeners Movie (2011), which is based on the E4 sitcom The Inbetweeners. It was written and directed by series creators Damon Beesley and Iain Morris.

The film involves four school friends who meet up again for a holiday in Australia, and stars Simon Bird, Joe Thomas, James Buckley and Blake Harrison. In media interviews, the film's writers and actors stated that it was to be an end to the series.

The Inbetweeners 2 was released on 6 August 2014 in the United Kingdom and Ireland,[3] to positive reception from critics. It surpassed the record of its predecessor for the highest gross on the opening day of a comedy in the UK, with £2.75 million,[4] and ended its first weekend with a gross of £12.5 million, the largest opening of any film in 2014,[5] then remained on top for a second week.[6] With an overall gross of £33.3 million, it was the highest-grossing British film in the domestic market in 2014.[7] On 21 August, it was released in Australia, to a mixed reception, and topped the box office in its opening weekend.

Plot

[edit]

It is the lead up to the Easter holidays, and Will, Neil and Jay's respective relationships with Alison, Lisa and Jane of the first film have ended.

Will is studying at university in Bristol while Simon is studying in Sheffield. Will is ostracised by his peers at university, while Simon is with his girlfriend Lucy and friend Pete. Neil works in a bank and Jay is taking a gap year in Australia.

Simon is unhappy with his relationship with Lucy, who has become obsessive and abusive. While Neil and Simon visit Will at the University of Bristol, Jay emails them, claiming that he is a DJ at a popular nightclub in Sydney and lives in a mansion. The trio decide to go to Australia to visit Jay.

Upon arrival in Sydney, they discover that Jay works as a nightclub toilet attendant and lives in a tent at his uncle Bryan's house. At the nightclub, Will is reunited with Katie, a girl he studied with in private school, who is backpacking. At her request, Will agrees to join her at Byron Bay. At Bryan's house, Simon attempts to break up with Lucy over Skype, but Bryan tricks her into thinking Simon is proposing and Lucy agrees to marry him.

Byron Bay

The boys meet Katie who is with a group of backpackers. While Will tries to fit in with the backpackers, they mock him upon realising that he is a holidaymaker rather than a traveller. They travel to a youth hostel in Byron Bay and Will sings a cover of "The First Time Ever I Saw Your Face" to Katie, who seduces him at the hostel. Before they can have sex, Katie passes out, shortly before a backpacker enters and attacks Will for thinking that he is engaging in rape, setting off Will's own rape alarm in the process.

The next day, the boys join the backpackers at Splash Planet, a water park. Jay believes that his ex-girlfriend Jane works there. Neil accidentally kills a dolphin by feeding it fast food, and Simon is attacked by some fathers after they mistake him for a paedophile. A worker tells Jay that Jane has left Splash Planet and is working in the outback. As Will uses a waterslide, Neil soils himself due to IBS symptoms and his faeces follows Will down the slide. Will is hit in the face by the faeces, causing him to vomit uncontrollably and the pool to be evacuated.

The boys leave Splash Planet, and Jay opens up about having traveled to Australia to reconnect with Jane. Lucy tells Simon over Skype that Jane works at a horse farm in Birdsville. The boys prepare to drive there, but Will, angry and dejected over the Splash Planet incident and towards his friends' treatment of him, stays in Byron Bay in the hopes of starting a relationship with Katie and becoming a traveller. Will struggles to fit in with the "spiritual" activities of the travellers and discovers that Katie is having sex with multiple people at once. He rebukes the group and flies to Birdsville, reconciling with the boys.

In the desert, Jay's car runs out of fuel and the boys try to get help, to no avail. Believing that they will die, they are rescued by Jane and her colleagues. Jane is touched by Jay's efforts to win her over again, but does not take him back.

At Bryan's house in Sydney, the boys discover that Jay's father and Will's mother have flown out to meet them. To Will's dismay, his old head of sixth form, Mr Gilbert, is now in a relationship with Will's mother. Over Skype, Lucy breaks up with Simon after revealing that she has been having sex with Pete to Simon's relief. The boys drive off to continue travelling in Australia.

They later travel from Australia to Vietnam, and then spend time in Thailand and Cambodia. Upon their return to the United Kingdom months later, Neil is in a relationship with an older female traveller from Byron Bay, while Will's mother announces her engagement to Mr Gilbert.

Cast

[edit]
From left to right: Joe Thomas, Simon Bird, James Buckley and Blake Harrison

Daisy Ridley originally featured in the opening scene but was unavailable for reshoots as she was busy filming Star Wars: The Force Awakens so was cut from the final version of the film.[4][11]

Production

[edit]

Origin

[edit]

Although originally intended as an unambiguous ending to the television series, the unexpected popularity and box office success of The Inbetweeners Movie led to speculation over the possibility of a sequel. These rumours began in early September 2011, while the film was still in cinemas, and were denied by its writers and actors.[12] Around the same time, producer Christopher Young openly recognised the possibility of another film based on the series, claiming that "if there is a sequel it will come from the creative elements ... We've talked about it. In the short term people are dispersing and doing other things but I'm sure in the medium term a sequel is very possible. It won't be immediate but it's definitely not closed."[13] Co-writer Damon Beesley later admitted "we didn't know how successful it would be and that it would have a life on screen. But they did translate to big-screen characters, people did care about them and did go back and see it more than once – and that's very rare in cinema. The idea of not following that up seemed insane to most people".[14] The actors had mixed emotions on making a sequel. Although Buckley and Thomas felt put off by the success of the first film, Harrison and Bird became convinced on reading the script.

Simon Bird, James Buckley, Blake Harrison and Joe Thomas co-produced the film with Spencer Millman but Damon Beesley and Iain Morris awarded a sole producer credit to Millman; Bird, Buckley, Harrison and Thomas are instead listed as uncredited producers in the film final cut.

Iain Morris received inspiration for the film from his own experiences as a high school exchange student on Australia's Gold Coast, describing it as "a place where people go to get drunk, pick some fruit and get drunk again".[15]

Development

[edit]

On 21 August 2012, it was announced that a sequel was in early stages of pre-production.[16] On 8 November, it was announced by series creators Morris and Beesley that a script was being written and it was at "version 0.5"[17]

On 2 August 2013, the sequel was officially confirmed for release in August 2014.[18][19] The series' Facebook page revealed on 15 March 2014 that the sequel would be released on 6 August 2014.[3]

On 9 May 2014, a teaser trailer was released, in which the characters drive through the Outback and call an Aborigine a "fire wanker".[20] A second trailer, this time full length, was released on The Inbetweeners official Facebook page on 18 June, showing more of the storyline.[21]

Filming

[edit]
Parts of the film were shot in the isolated Outback settlement of Marree, South Australia[22]

Filming began in Australia on 7 December 2013,[23][24] before moving to the UK in January 2014.[25][26] Part of the film was shot in Marree, South Australia, an isolated Outback settlement without mobile reception or Internet.[22]

Ben Palmer, the director of the first Inbetweeners film, was involved with Simon Pegg's film Man Up, so Morris and Beesley directed The Inbetweeners 2.[27] Bird said that the actors were initially disheartened by the absence of Palmer, and nervous about the direction of Morris and Beesley due to their lack of experience in the position.[14]

Morris had considered filming the Australian scenes in South Africa due to the comparatively high costs in Australia, which despite a higher budget caused the sequel to have fewer resources than its predecessor.[14] While all locations for the first film had been within 10 minutes of the hotel, locations in the second were separated by a three-hour flight and nine-hour car journey.[14] During filming in the Outback, the Australian crew provided two doctors and 40 litres of IV fluid, although the only point in which a doctor was called was when Buckley thought that he was having a heart attack, which was in reality indigestion from chips and lager.[14] Beesley considered it "the maniac's choice of a film to be your first film".[14] The water park scenes were filmed at Wet'n'Wild Gold Coast, which Thomas described as "some quite challenging scenes".[15]

When asked whether he ever felt averse to any material in the film due to perceived offence, Morris said that the crew's attitude was "let’s shoot everything, push it, and then if it feels like too much when we’re watching it, we can always pull it back in the editing room".[15]

Release

[edit]

The film premiered at Leicester Square, London, on 5 August 2014.[28] In Australia it was distributed by Roadshow Entertainment[1] and released on 21 August.[29] The same company took the film to New Zealand a week later.[1]

Box office

[edit]

The Inbetweeners 2 grossed £2.75 million on its opening day of 6 August 2014, surpassing its predecessor as the top grossing opening day in the UK for a comedy film.[4] By the end of its first weekend, it topped the UK box office with a gross of £12.5 million, surpassing Transformers: Age of Extinction (£11.7 million) as the largest UK opening in 2014; this, however, was less than the £13.2 million opening of The Inbetweeners Movie in 2011.[5] It topped the box office for a second week, in which it grossed £9.83 million.[6] In its third week, it fell to second spot behind new release Lucy.[30]

In its opening week in Australia, the film grossed $3.155 million in Australian dollars, topping the box office and pushing Guardians of the Galaxy into second place.[31] It fell to second place in its second week, with Guardians of the Galaxy returning to top spot.[32]

As of 12 October 2014, the film had made $55,652,783 in the United Kingdom, $6,598,273 in Australia, and $473,316 in New Zealand.[1]

With an overall gross of £33.3 million, The Inbetweeners 2 was the highest grossing British or Irish film in the domestic market in 2014, ahead of Paddington (£27.9 million).[7] It was the third highest grossing of any film in the UK and Ireland in 2014, after The Lego Movie and The Hobbit: The Battle of the Five Armies.[7]

Critical reception

[edit]

On review aggregator Rotten Tomatoes, the film has an approval rating of 69% based on 42 reviews - with an average critic rating of 5.9/10. The site's consensus reads: "The hapless Inbetweeners reunite for another raunchy adventure that will satisfy fans' appetite for laughs, but a downturn in plausibility along with an uptick in mean-spiritedness makes for less fun than their previous exploits."[33] On Metacritic, the film has a 55/100 rating based on 7 critics, indicating "mixed or average reviews".[34]

United Kingdom

[edit]

Robbie Collin of The Daily Telegraph gave the film four stars out of five, saying "Perhaps the biggest compliment you could pay the film, apart from that it's by and large hysterically funny, is that it is unmistakably film-like, with a smoothly arcing plot and gross-out moments staged with the verve and ceremony of an action-movie set-piece."[35] In The Guardian, Mike McCahill gave the film three stars. He found fault in its treatment of female characters, saying "Some of the abundant thought channelled into knob gags could have been diverted towards developing the boys' female counterparts beyond harpies and lust objects". Unlike Collin, he found The Inbetweeners 2 to resemble a television show more than a film: "as with the first film, number 2 never quite shakes its resemblance to primetime E4, complete with ad-ready fadeouts and Walkabout interiors...couldn't the vehicles transporting them to the wider world display slightly more ambition?".[36] Chris Hewitt of Empire magazine gave the film four stars out of five, summing it up as "The Fannytastic Four leave us on a poo-flecked, piss-soaked, sun-burned high that more than overcomes its familiar flaws to become a real contender for the year's funniest film. Four star wankers".[37]

A negative review came from Graham Young of the Birmingham Mail, who found the film's humour to be repetitive: "Damon Beesley and Iain Morris have both directed this sequel which lacks an emotional arc to create momentum...Yes, it can be funny, and you’d have to be a prude not to laugh...But the endless, alliterative phrases for sex and countless in-your-face sight gags dilute the characters and turn the mood wearingly lewd. Like Nick Frost's The Cuban Fury [sic] earlier this year, The Inbetweeners 2 takes a funny premise – and then ruins it."[27] Writing in The Observer, Jonathan Romney gave the film two stars out of five, summing it up as "British TV comedy's favourite Four Stooges take another holiday, resulting in fountainous poo, pee and puke, rampant misogyny, 'ironic' rampant misogyny, rampant 'irony', and that old Carry On staple, horror of sex (especially among the over-25s)". He however predicted that on the record of the first film, The Inbetweeners 2 would be a financial success.[38] In Time Out, Tom Huddleston gave the film one star out of five, saying "‘The Inbetweeners 2’ is riddled with contempt: for its characters, for its audience and most notably for the entire female gender. That a film in 2014 can still get away with depicting all women as either dumb, hapless sluts or ball-busting harridans is frankly unbelievable."[39]

Australia

[edit]

In Australia, Matthew Toomey, a film critic for 612 ABC Brisbane, gave The Inbetweeners 2 a B+. He said "Don’t expect a deep, underlying narrative. This is just a bunch of horny teenagers doing really dumb things. To each their own... but I was entertained. First and foremost, it shocked me – and that’s not easy given how many movies I watch. It pushes the envelope a lot further than I expected and I'd highly recommend seeing the film in a packed cinema. The audience reactions would be hilarious."[29] Louise Keller of Urban Cinefile wrote a mixed review, stating that the film takes a long time to "get going" due to a "silly establishment skit". However, she concluded that "there is genuine affection with which the filmmakers portray their characters and as a consequence, the level of offence is lessened to some degree".[10]

In the Herald Sun, Leigh Paatsch gave the film one star. He criticised the casting, describing the main characters as "supposed to be aged about 20 [but] played by blokes who all look as if they're 30-plus, and carry on as if they’re not yet 10", and also found the film misogynistic, saying "the derogatory manner in which women are spoken of (and often depicted) is relentlessly, callously crass. Sometimes even hateful".[40] A mixed review from Philippa Hawker of the Sydney Morning Herald concluded "The Australian elements seem hastily inserted and incidental: the movie could have been set in any country that had a water park and a place to get lost. But as a hymn to male bonding, and an exploration of the comic possibilities of what happens when a turd hits a water slide, The Inbetweeners 2 is a precisely crafted, assured piece of work".[41]

Home media

[edit]

The Inbetweeners 2 was released on DVD and Blu-ray in the United Kingdom on 1 December 2014.[42] A DVD edition also including the first film was released at the same time.[43]

The DVD featured two audio commentaries, one with Morris and Beesley and the other by the four lead actors, in addition to a behind-the-scenes featurette, deleted scenes, and a blooper reel.[44] The film's release on home media was sponsored by STA Travel, who offered a prize of a holiday to the Australian state of Queensland.[45]

Legacy

[edit]

At its premiere on 5 August 2014, Bird said of the film:[4]

Once you see the film you'll see it feels like they've all moved on with their lives, so unfortunately this is it. It's a great way to say goodbye.

In an interview with the BBC, Thomas said that Morris and Beesley had been "very adamant" that the series had finished. On his co-stars, he added "There is a bond there that I think would be a stupid thing to waste. You don't get that bond very often with other performers and we do have it and it's a valuable thing".[14]

In the same interview, when asked whether the series had finished, both co-creators answered with a simultaneous "Yes!". Morris expressed that "I think the time is right. After the first film, I wanted to hear more from Jay, Will, Neil and Simon. But this time I feel there is enough. There is more than enough Jay in this world", and Beesley added "The end of the story has always felt like the time where they go off and start living their adult life. And I think this film takes us up to that point".[14]

Various media outlets blamed The Inbetweeners 2 for an increase in a craze of deliberate defecation in swimming pools to distress other guests. They linked the craze, known as "logging" or "Code Brown", to a scene akin to it in the film.[46][47][48][49][50]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
is a 2014 film written and directed by and , serving as the sequel to the 2011 film and concluding the narrative arc from the E4 television series (2008–2010). The film stars , Joe Thomas, James Buckley, and reprising their roles as Will McKenzie, Neil Sutherland, Jay Cartwright, and Simon Cooper, respectively—four socially awkward young men navigating post-school life. It follows the protagonists as they reunite for a chaotic holiday in , where Jay is spending his , encountering mishaps amid pursuits of romance, adventure, and self-discovery in settings from to the . Released on 6 2014 in the United Kingdom, the film runs 96 minutes and earned an IMDb user rating of 6.4/10 from over 48,000 votes. The production reunited the core creative team from the series and prior , with filming primarily in to capture authentic locations that amplified the characters' cultural clashes and comedic embarrassments. Commercially, The Inbetweeners 2 achieved significant success, grossing £2.75 million on its —setting a record for the highest takings for a live-action in British history at the time—and ultimately outperforming its predecessor domestically. This performance underscored the franchise's enduring appeal to audiences drawn to its unfiltered portrayal of adolescent ineptitude and crude humor, though it received mixed , with a 69% approval rating on based on 42 reviews praising its fan-service laughs while critiquing formulaic elements. No major awards were won, but cast members like James Buckley received nominations at the for their performances. The film's defining characteristic lies in its raw, first-hand depiction of male friendship dynamics and failed bravado, eschewing polished narratives for empirical realism in youthful folly.

Background

Franchise Origins

The Inbetweeners franchise began as a British coming-of-age television that aired on E4 from 2008 to 2010. Created and written by and , the series followed four socially awkward sixth-form students through everyday humiliations involving school dynamics, male friendships, and adolescent , employing a style of crude, observational humor rooted in suburban banality. This approach resonated with viewers, fostering a particularly among teenagers and young adults who identified with its unflinching depiction of awkward youth. Beesley and Morris, former flatmates who first collaborated on Channel 4's , specialized in comedies highlighting the mundane discomforts of adolescence, drawing from personal experiences to craft relatable scenarios of and failed bravado. Their work emphasized "lad culture" elements, such as boastful exaggerations and group bonding rituals, which defined the characters' interactions without romanticizing or sanitizing the protagonists' immaturity. The franchise's expansion to film was catalyzed by the 2011 adaptation, The Inbetweeners Movie, which achieved substantial commercial success by grossing over $88 million worldwide against a £3.5 million budget, surpassing expectations and signaling strong audience demand for further installments featuring the core ensemble. This performance, equivalent to over £55 million at contemporary exchange rates, underscored the series' appeal in the British youth comedy genre and justified sequel production.

Sequel Conception

Following the phenomenal commercial success of The Inbetweeners Movie (2011), which grossed £45 million worldwide on a production budget of £3.5 million and became the highest-earning British comedy film at the time, creators Iain Morris and Damon Beesley announced plans for a sequel in August 2012. This decision was primarily driven by the untapped financial potential demonstrated by the original film's return on investment, exceeding 12 times its cost, alongside evident audience demand evidenced by its record-breaking UK box office performance. The sequel's greenlighting reflected a pragmatic extension of the franchise's proven model rather than a narrative imperative, as the television series had already concluded its school-based storylines in 2010. To differentiate from the first film's Malia holiday setting and the UK-centric origins of the E4 series, the creators opted for as the primary location, envisioning scenarios centered on the characters' post-sixth-form gap-year backpacking exploits in the and coastal areas. This choice allowed for fresh comedic contrasts between the protagonists' awkward British sensibilities and exaggerated Australian stereotypes, such as vast deserts and party hostels, while capitalizing on international appeal without necessitating deeper character evolution beyond adolescent mishaps. The sequel's budget was reported to exceed the original's £3.5 million, incorporating elevated production values to accommodate overseas filming and expanded scope, though exact figures remained undisclosed publicly; financing continued through Channel 4's arm, underscoring institutional confidence in replicating the prior economic viability. Official confirmation of production came in August 2013, with slated to commence in that December, aligning the project for an August 2014 release to capitalize on summer holiday viewership.

Production

Development Process

The script for The Inbetweeners 2 was penned by the series' co-creators, and , who sought to extend the characters' arcs into post-school life, depicting their awkward navigation of early adulthood, gap years, and persistent immaturity rather than recycling the holiday mishaps of . On 8 November 2012, Beesley and Morris publicly revealed that scripting was underway, with the draft at an early "version 0.5" stage, signaling initial momentum following the commercial triumph of the predecessor. By August 2013, the project advanced to official confirmation, with a targeted release set for summer , reflecting a deliberate effort to preserve the franchise's core emphasis on raw, unvarnished portrayals of male camaraderie and adolescent folly without concessions to mainstream sensibilities. Pre-production planning grappled with logistical and financial constraints inherent in scaling the television format to a , particularly in selecting as the primary setting to underscore the characters' escapist pursuits abroad. Morris conducted location reconnaissance in as a more economical alternative, citing 's higher production costs compared to even the , yet opted for the authenticity to avoid contrived repetition of the Crete-based antics in the prior installment. This choice necessitated coordinating international shoots across diverse sites like and remote South Australian areas, demanding early partnerships with local crews and facilities to mitigate budgetary pressures while ensuring the narrative's focus on isolation and cultural remained integral.

Casting Decisions

The principal cast from the E4 television series (2008–2010) and the 2011 film was retained for The Inbetweeners 2, comprising Simon Bird as Will McKenzie, Joe Thomas as Simon Cooper, James Buckley as Jay Cartwright, and Blake Harrison as Neil Sutherland. This continuity ensured preservation of the performers' established rapport, which had been central to the franchise's depiction of adolescent ineptitude extending into young adulthood. Supporting roles featured new actors to advance the narrative, including Emily Berrington as Katie, Will's pretentious university acquaintance, and Freddie Stroma as Ben, Simon's backpacker rival. Creators Damon Beesley and Iain Morris selected these performers to align with the film's satirical archetypes, avoiding disruptions from recasting core characters amid the actors' emerging post-series careers in television and film. No significant alterations to the lead ensemble occurred, reflecting a deliberate emphasis on character evolution through familiar portrayals rather than reinvention.

Filming and Locations


Principal photography for The Inbetweeners 2 commenced on 7 December 2013 in Australia, with the production team capturing the film's backpacking narrative across diverse coastal and outback sites. The shoot focused primarily on Queensland locations such as the Gold Coast, Byron Bay, Tweed Shire, and Ballina Shire, leveraging these areas' beaches, hostels, and urban backdrops to depict the characters' chaotic holiday. Additional filming occurred in the isolated South Australian outback town of Marree, where a week's production emphasized remoteness for key comedic sequences.
In January 2014, the crew relocated to the for remaining exteriors and interiors, including scenes at to represent travel logistics. UK-based studio work supplemented Australian footage, handling any controlled environments needed for the low-budget comedy's practical setups. The production's emphasis on real locations over digital enhancements preserved the series' authentic, unpolished tone, particularly in set pieces filmed on-site. Challenges arose during the Marree shoot, including James Buckley's bout of severe enough to mimic a heart attack, highlighting the logistical strains of remote filming. Despite such hurdles, the schedule concluded by early 2014, enabling ahead of the film's August release.

Synopsis

Plot Summary

Following the end of , Will McKenzie and Simon Cooper attend university, Sutherland works at a bank, and Cartwright embarks on a in . During a visit to Will at Bristol University, the friends receive an from boasting of his success as a DJ owning a , residing in a , and enjoying frequent sexual encounters, prompting Will, Simon, and to join him for a four-week holiday in . Will's mother provides him with a for safety before departure. In , the trio learns Jay's claims are fabrications; he cleans toilets at a and lives in a . Will meets and travels with backpacker , while the group relocates to a youth hostel in , enduring humiliations including Will accidentally activating his rape alarm during intimacy with . Further misadventures occur at a , and pursuing Jay's ex-girlfriend Jane in the , their vehicle runs out of petrol in the , leading to until rescued by Jane's colleagues. The friends regroup at Jay's uncle's house, where they discover their parents have arrived, including Will's mother now dating their former teacher Mr. Gilbert. Jay's attempt to reconcile with Jane fails, Simon's with ends via as she reveals a new partner, and romantic pursuits for the others prove fruitless. Despite these failures set against backpacker culture, the quartet reaffirms their bond, planning a subsequent trip to . A reveals Will's mother and Mr. Gilbert's engagement.

Cast and Characters

The principal cast of The Inbetweeners 2 consists of the four lead actors reprising their roles from the E4 television series The Inbetweeners (2008–2010) and the 2011 film The Inbetweeners Movie. Simon Bird portrays Will McKenzie, the narrator and former private school student navigating social awkwardness among his state school friends. James Buckley plays Jay Cartwright, the boastful and sexually exaggerated member of the group. Blake Harrison depicts Neil Sutherland, the dim-witted but good-natured friend often involved in mishaps. Joe Thomas embodies Simon Cooper, the ambitious yet insecure character prone to romantic failures. Supporting roles include as Katie Evans, Will's brief romantic interest and a backpacker encountered in . appears as Oliver, Katie's Australian boyfriend. returns as Pamela, Will's mother. David Field plays Wayne, a rough Australian who interacts with the protagonists.
ActorCharacter
Will McKenzie
James BuckleyJay Cartwright
Neil Sutherland
Joe ThomasSimon Cooper
Katie Evans
Oliver
Pamela
David FieldWayne

Release

Promotion and Marketing

A for The Inbetweeners 2 was released online on 9 May 2014, building early anticipation by previewing the characters' misadventures in . This was followed by the first full trailer on 18 2014, which highlighted the film's crude humor and backpacking theme to engage the franchise's fanbase. Marketing efforts included promotions via platforms like and the film's official channels, targeting the 18-24 demographic with viral clips emphasizing the sequel's raunchy elements. Trailers were distributed through entertainment networks such as , leveraging the original series' popularity to generate pre-release buzz. The first official poster, unveiled in early July 2014, depicted the four protagonists walking through the Australian outback with the "Soz, Oz," satirizing the destination and sparking discussion for its irreverent tone. This approach filtered audiences by foregrounding the film's politically incorrect humor, aligning with the series' established style. Despite the film's mocking portrayal of Australian locales, the production's use of real outback settings indirectly boosted interest in the country's appeal through media coverage of filming locations.

Theatrical Distribution

The Inbetweeners 2 was released theatrically in the and on August 6, 2014, by , marking the film's world premiere in these primary markets where the originating television series had built its core audience. The (BBFC) awarded it a 15 certificate after the distributor implemented cuts to two scenes involving crude sexual content, reducing it from an advised to broaden accessibility while retaining strong language, sex references, nudity, and drug misuse elements. The rollout extended to on August 21, 2014, handled by Roadshow Films (a subsidiary), capitalizing on the film's setting and the series' appeal in English-speaking territories. The Australian Classification Board rated it MA15+, citing strong crude sexual references, nudity, and coarse language, aligning with content maturity standards for mature accompanied viewers. followed on August 28, 2014, further emphasizing a strategy focused on Anglophone markets with established franchise familiarity. Internationally, distribution rights were presold by Zodiak Rights to territories including (SquareOne Entertainment), the (Front Row Filmed Entertainment), and /CIS (Big Movie House), reflecting a targeted approach to non-English markets with potential for youth comedy reception rather than a simultaneous global . The saw no wide theatrical rollout, with availability limited to select screenings and prioritizing video-on-demand platforms over cinema distribution. This phased strategy underscored prioritization of the , , and proximate regions to leverage cultural resonance and minimize risks in unfamiliar markets.

Box Office Performance

The Inbetweeners 2 opened on 6 August 2014, a Wednesday, earning £2.75 million on its first day, which established a record for the highest opening day gross for a live-action comedy in the United Kingdom. This midweek timing aligned with the UK's summer school holidays, facilitating high attendance from the film's primary demographic of young viewers. By the end of its opening week, including previews, it had accumulated £12.5 million, securing the largest opening of any film in the UK that year to date. In the UK market, the film ultimately grossed £33.4 million, positioning it as the top-grossing British or Irish production domestically in 2014. However, this total represented an underperformance relative to the 2011 predecessor, which earned £45 million in the same territory. Worldwide earnings reached approximately $63.9 million, with the accounting for the majority. International receipts were constrained by the film's heavy dependence on UK-specific cultural references and , limiting broad appeal; it received no wide theatrical release in the United States and modest uptake elsewhere, such as topping the Australian weekend chart upon its 21 August debut but generating only $6.6 million there overall.

Home Media Release

The Inbetweeners 2 was released on DVD and Blu-ray in the on 1 December 2014 by Entertainment One. The editions featured bonus content, including a 66-minute documentary, multiple deleted scenes (such as an alternate opening and sequences like "Flying to Oz"), and a blooper reel, which provided additional material on the 's production in . These extras extended viewer engagement beyond the theatrical cut by offering insights into the cast's experiences and unused footage. Home video sales contributed to the film's overall , with international and physical releases helping reach an estimated total gross of £58 million following its theatrical run. followed, with the film becoming available for streaming on platforms such as in various regions, though availability has varied over time due to licensing agreements. This streaming presence supported ongoing viewership post-physical release, particularly in markets outside the .

Reception

Critical Analysis

The Inbetweeners 2 garnered mixed , with reviewers commending its fidelity to the source material's raunchy, awkward humor while critiquing its formulaic structure and dependence on gross-out elements. On , it achieved a 69% approval rating from 42 reviews, reflecting an average score of 5.9/10, where positive assessments praised the authentic portrayal of immature male friendships and situational comedy amid misadventures. Metacritic's compilation of seven critic reviews indicated 57% positive verdicts, 29% mixed, and 14% negative, underscoring a divide between appreciation for the film's unpretentious execution and dissatisfaction with its lack of innovation. Critics frequently lauded the sequel's character-driven gags, such as the protagonists' bungled attempts at maturity in an Australian setting, which echoed the TV series' blend of cringe-worthy realism and escalating absurdity. For example, The Guardian's gave it three out of five stars, arguing it improved on the 2011 film's failure to replicate the original show's banter, delivering "hilarious" sequences despite retaining a primetime television feel. Empire magazine similarly rated it four out of five, highlighting the "rude, crude" laughs and a "killer twist" that rewarded franchise loyalists. These elements were seen as empirically effective in sustaining the series' appeal through exaggerated, relatable failures rather than polished narrative arcs. Conversely, detractors pointed to repetitiveness, with the plot recycling tropes like failed romances and cultural clashes from prior installments, offering minimal growth beyond superficial post-school transitions. Another Guardian review described sparse laughs amid critic-proof commercialism, faulting the overemphasis on vulgarity without advancing the characters' emotional depth. critiqued the "crass, vulgar, and sex-obsessed" content as prioritizing graphic references and swearing over substantive development, though acknowledging underlying heart in the friendships. Aggregate trends reveal that while the 's strengths lie in its unapologetic commitment to juvenile realism—bolstered by the original cast's chemistry—many professionals deemed it stagnant, appealing primarily to fans tolerant of its rather than broadening comedic sophistication.

Audience and Commercial Reception

The film's commercial performance provided strong validation of its appeal to audiences, grossing a worldwide total of $63.9 million against a budget of approximately £3.5 million, with the accounting for the majority at £33.4 million, the highest for any British production that year. This success was propelled by exceptional opening figures, including a record £2.75 million on its first day—the largest ever for a live-action in the UK—and £12.5 million over the debut weekend, surpassing all 2014 releases domestically. Audience enthusiasm manifested in robust word-of-mouth, enabling the film to retain the top spot into its second weekend with £4.3 million, a testament to repeat viewings among young male demographics who formed its core fanbase. Verified audience metrics corroborated this, with aggregating a 60% positive score from over ratings, averaging 3.5 out of 5, and early user feedback reaching 7.5/10, indicating broad approval for its crass, relatable portrayal of post-adolescent ineptitude. Supporters in online discussions emphasized the film's unvarnished humor as a key strength, countering detractors' elitist dismissals of its by arguing it authentically captured the banal absurdities of male without sanitization, fueling sustained and commercial outperformance relative to critical aggregates. This resonance highlighted an audience preference for forthright over restrained alternatives, evidenced by the sequel's ability to draw crowds despite limited international penetration beyond and select European markets.

Regional Variations

In the , The Inbetweeners 2 garnered broad acclaim for its relatable extension of the series' themes of youthful awkwardness and banter, resonating strongly with domestic audiences and achieving a record £2.75 million on its opening day, the highest for any live-action comedy. The amassed £12.5 million over its debut weekend, surpassing all other releases that year and facing minimal public backlash amid its commercial dominance. Australian reception proved more varied, with local critics acknowledging the film's deployment of stereotypes depicting "trashy bogans" and hippies alongside backpacker tropes, though these elements were often framed as comedic rather than deeply satirical. Despite such commentary, it topped the national upon its 21 August 2014 release and ultimately grossed $6.6 million, indicating solid commercial uptake. Beyond the primary Anglosphere markets, the film's reception remained subdued, hampered by its reliance on UK-specific slang and cultural in-jokes that posed barriers for non-British viewers, resulting in sparse theatrical distribution and earnings concentrated overwhelmingly in the UK, Australia, and New Zealand. This cultural specificity contributed to limited international traction, with no significant U.S. theatrical run and audience engagement elsewhere often centered on decoding the humor's linguistic elements rather than widespread adoption.

Controversies

Humor and Political Incorrectness

The humor in The Inbetweeners 2 centers on crass language, scatological gags, and depictions of social ineptitude among young men transitioning from , capturing their propensity for exaggeration, failed bravado, and involuntary embarrassments. This style extends the original series' emphasis on unpolished interactions, such as the protagonists' crude banter and mishandled attempts at maturity, which reviewers described as a deliberate embrace of over refinement. The film's elements, including jokes touching on homophobia and derogatory , reinforce this by forgoing euphemisms for direct, if abrasive, representations of immature speech patterns observed in male peer groups. Unlike many modern teen comedies that sanitize content to evade , The Inbetweeners 2 prioritizes unvarnished scenarios drawn from plausible youthful indiscretions, such as bodily mishaps triggered by poor decisions, which amplify cringe-inducing realism over contrived punchlines. This approach yields sequences like the waterpark incident, where one character's guilt-induced digestive distress escalates into public chaos during a slide descent, illustrating how minor lapses in control cascade into acute humiliation—a dynamic grounded in cause-and-effect rather than exaggeration for shock alone. Audience reactions, including reports of widespread laughter at such moments, indicate the style's effectiveness in evoking through relatable awkwardness, contributing to the film's appeal amid a of more restrained humor. The persistence of this politically unfiltered tone, despite potential for offense, underscores its fidelity to the of everyday adolescent folly, where inarticulacy and taboo-breaking serve as authentic markers of growth rather than relics of insensitivity. Critics acknowledging the film's "shocking, filthy, controversial" bent noted its in eliciting strong responses precisely because it eschews bowdlerization, allowing viewers to confront the discomfort of unidealized without intervention. This contrasts with sanitized alternatives that prioritize inoffensiveness, potentially diluting the causal chains of that drive the comedy's .

Depictions of Gender and Offensiveness

Critics from outlets including Stuff and the accused The Inbetweeners 2 of in its portrayals of female characters, such as Lucy—reimagined as a duplicitous, promiscuous antagonist who cheats on Simon—and Katie, depicted as a naive, intellectually limited backpacker oblivious to the protagonists' advances. These characterizations were described as reductive stereotypes, framing women as either "dumb, hapless sluts" or domineering figures lacking agency beyond serving the male leads' failures. Such views, often from reviewers emphasizing progressive sensitivities, contended that the 's humor reinforced disrespectful attitudes toward women, with males viewing females uniformly through lenses of or villainy. Counterarguments highlight the film's adherence to satirical consistency, where female flaws mirror the protagonists' exaggerated idiocy—Will, , Simon, and are routinely shown as delusional, incompetent, and self-deprecating in their pursuits, undermining claims of gendered imbalance by portraying immaturity as universal rather than targeted malice. This approach extends the franchise's moral undertones on , critiquing male entitlement through equal-opportunity ridicule rather than endorsing it, as evidenced by the characters' repeated humiliations that preclude heroic narratives. No lawsuits, , or bans stemmed from these depictions, despite vocal critiques, and the film's record £2.75 million opening-day gross for a —surpassing its predecessor—signals widespread viewer tolerance, including among mixed-gender audiences who embraced its unvarnished take on post-adolescent awkwardness without broader backlash.

Legacy

Cultural and Commercial Impact

The Inbetweeners 2 reinforced the franchise's commercial dominance in , with its UK box office gross of £33.4 million contributing to the series' collective success exceeding £100 million from the two films, underscoring strong audience demand for its style of humor. This performance, including a record-breaking £2.75 million for a , highlighted the viability of adapting TV formats into theatrical releases focused on unpolished escapades, paving the way for similar ensemble trip narratives in subsequent comedies. Culturally, the film amplified the franchise's influence on depictions of adolescent awkwardness, prioritizing raw, empirical portrayals of male friendship and failure over idealized narratives, which resonated amid shifting landscapes favoring authenticity. Its success sparked discussions on humor's limits, where metrics affirmed popularity of elements—such as exaggerated sexual mishaps—over detractors' moral concerns, evidencing viewer appetite for causal realism in rather than prescriptive correctness. Enduring elements like quotable lines ("How long after a poo do you have to wait before you can have sex?") and scenes have embedded in vernacular, fueling memes and social trends on platforms like and , with compilations and references sustaining cultural relevance a post-release. This permeation validates the franchise's role in shaping informal youth discourse, distinct from mainstream media's often sanitized outputs.

Franchise Developments

Plans for a third Inbetweeners film surfaced after the 2014 release of The Inbetweeners 2, with initial concepts including a setting, but these efforts faltered following the 2019 reunion special The Inbetweeners: Fwends Reunited. The special's lukewarm reception, criticized for lacking the original series' spark, discouraged cast participation and highlighted creative challenges in extending the adolescent-focused narrative as the actors entered their thirties. By 2024, lead actor confirmed no active projects were underway, reflecting broader fatigue with revisiting the premise amid the cast's diverging careers. In October 2025, original creators Iain Morris and Damon Beesley signed a partnership between their production company Fudge Park and Banijay UK, explicitly aimed at reviving the franchise after over a decade of dormancy. This deal paves the way for new content, with indications of a potential 2026 production involving the core cast—Simon Bird, James Buckley, Blake Harrison, and Joe Thomas—who have voiced support for the proposals despite past reservations. The revival draws on the show's persistent streaming viewership and merchandising revenue, prioritizing proven audience demand over sentimentality, though specifics on whether it will manifest as a film or series remain undisclosed.

References

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