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"Two Words"
Song by Kanye West featuring Mos Def, Freeway and The Boys Choir of Harlem
from the album The College Dropout
B-side"Through The Wire"
ReleasedNovember 10, 2003
Recorded2002
StudioEdie Road Recording Studio
(Argyle, New York)
Quad Recordings
(New York, New York)
GenreHip hop
Length4:26
Label
Songwriters
ProducerWest
Music video
"Two Words" on YouTube

"Two Words" is a song by American hip-hop artist Kanye West from West's debut studio album The College Dropout (2004). The song features verses from Mos Def (now known as Yasiin Bey), Freeway, and The Boys Choir of Harlem. It was originally released on the 14th of December, 2002, as "2 Words", on Kanye's debut mixtape, called Get Well Soon.... The song was later re-released on the 10th of November, 2003, as the B-side to the mixtape's (and later the album's) lead single, "Through the Wire". A "cinematic" version of the song was released as part of The College Dropout Video Anthology, alongside a music video for the song, on the 22nd of March, 2005. It has been performed by Freeway regularly at his live shows over the years.

Background

[edit]

The original version of the track list for The College Dropout showed that the song was initially scheduled to be titled "2 Words" and have the position of number 5, rather than number 18 as it stands on the official release.[1][2] Featured artist Freeway stated that Kanye wasn't initially respected as a rapper, but after seeing West's talent, when asked to feature on the album, Freeway's response was: "Hell yeah. Let’s do it."[3]

Composition and lyrics

[edit]

Within "Two Words", there is an orchestral sound that includes classical strings. Miri Ben-Ari revealed that she was the one who introduced West to this sound, which led to him falling in love with it.[4] The track contains a sample of 1970 recording "Peace and Love (Amani Na Mapenzi) Movement III (Time)", written by Lou Wilson, Ric Wilson and Carlos Wilson, and performed by Mandrill.[5] On top of this, it samples drums from The 5th Dimension's 1971 track "The Rainmaker".[4]

West references a group he was once in known as the Go Getters with the line: "Go Getters rhyme like, should've been signed twice" and over the years, West has actually recycled multiple rhymes that he first spit when part of the group.[6]

Recording

[edit]

Miri Ben-Ari revealed that "Two Words" was the first recording she ever did with West.[4] It was revealed by West that he drove to the Harlem Boys Choir's summer camp to record them in a barn for the track.[7] West actually had to pay them $10,000 to record a feature for him.[8] Freeway liked the beat when he heard it, which made him: "want to go ham on it" and the rapper laid his verse down for the song before West and Mos recorded their parts.[3]

[edit]

An alternative version titled "Two Words (Frisky Remix)" was shared to BBC Music, which is a mashup of the original and Tinie Tempah's Labrinth-featuring single "Frisky", but only Kanye West, Labrinth and Mos Def are included as artists in the remix.[9] On February 27, 2014, Ace Hood released a freestyle titled "Lyrical Exercise" over the instrumental of "Two Words".[10]

Critical reception

[edit]

Eric Tullis of SPIN described the track as being "the perfect playground for [the three rappers] to break character and address the American reality".[11] It was pointed out by Paul Cantor of Billboard as what is "perhaps the symphonic high point of the record".[12] It received a nomination for Best Hip-Hop Deep Cut at the 2005 Groovevolt Music and Fashion Awards.[13]

Live performances

[edit]

West and Mos performed "Two Words" live with The Roots as a backing band on September 18, 2004, as part of Dave Chappelle's Block Party concert.[14] Freeway has performed the song at his live shows for years and said himself that: "Everyone loves it."[3] On one occasion, Freeway joined West for a performance of it at a Super Bowl party with Pepsi, which was at the time of Super Bowl XL in February 2006.[3]

Music video

[edit]

Despite the song not being one of the album's singles, a music video was officially released for it as part of West's The College Dropout Video Anthology on March 22, 2005.[15] He released an edited version of the video independently on November 4.[16]

All of the people who starred in the music video shot their parts in different places.[3] This didn't mark the only time a video was released for a non-single from West's debut album, since he also shot one for "Spaceship", which was posted online by featured artist GLC on June 1, 2009 - however, it was originally scheduled to be released as a single, unlike "Two Words".[17][18]

Track listing

[edit]

CD single[19]

  1. "Through the Wire"
  2. "Through the Wire" (instrumental)
  3. "Two Words" (main)
  4. "Two Words" (clean)
  5. "Two Words" (instrumental)

UK CD single[20]

  1. "Through the Wire" (radio edit)
  2. "Two Words" (radio edit)
  3. "Through the Wire" (instrumental)
  4. "Through the Wire" (multimedia track)

Personnel

[edit]

Information taken from The College Dropout liner notes.[5]

  • Songwriters: Kanye West, Dante Smith, Leslie Pridgen, Lou Wilson, Ric Wilson, Carlos Wilson
  • Record producer: Kanye West
  • Recorders: Marc Fuller, Keith Slattery, Carlisle Young
  • Mix engineer: Mike Dean
  • Additional vocals: The Boys Choir of Harlem
  • Keyboards: Keith Slattery
  • Violin: Miri Ben-Ari

Cinematic version

[edit]
"Two Words (Cinematic)"
Song by Kanye West featuring The Boys Choir of Harlem
ReleasedMarch 22, 2005
Recorded2004
GenreHip hop
Length4:04
Label
Songwriters
ProducerWest

On March 22, 2005, The College Dropout Video Anthology was released, which features a bonus audio CD with a cinematic version of "Two Words" as a track on it.[15]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Two Words

View on Grokipedia
from Grokipedia
"Two Words" is a hip-hop song by American rapper and producer Kanye West, serving as the eighteenth track on his debut studio album , released on February 10, 2004. Featuring guest verses from rappers Mos Def (now known as ) and Freeway, along with a choral outro by the Boys Choir of , the track is characterized by its innovative structure in which verses are delivered in a rapid, double-time flow limited to two words or stressed syllables per bar, emphasizing themes of urban hardship, incarceration, and mortality. Produced by West himself, the song samples orchestral elements to underscore its introspective yet gritty narrative, contributing to the album's critical acclaim for blending soulful samples with conscious . Originally considered for single release with a filmed later shared online by West in 2009, "Two Words" exemplifies his early production style that propelled to commercial success, including multiple for the album.

Origins and Production

Background and Development

"Two Words" originated during the production of Kanye West's debut album , which West began conceptualizing after signing with in 2002 following a near-fatal car accident that October. As a primarily behind-the-scenes producer known for soul-sampled beats on tracks like Jay-Z's (2001), West sought to establish his identity as a rapper, incorporating live instrumentation and choir elements to differentiate his sound from prevailing East Coast and Southern hip-hop styles. The song developed as a intended to bridge conscious rap and street narratives, reflecting West's roots and industry experiences. West handled production entirely, layering verses from Mos Def (Yasiin Bey) and Freeway over a beat built around orchestral strings arranged by violinist , marking their initial collaboration. Freeway recorded his verse in a single take at a studio, later recounting in a 2012 interview that West encouraged an aggressive delivery to contrast Mos Def's introspective style, aiming for a dynamic representation of hip-hop's spectrum. The Boys Choir of Harlem provided the gospel-infused chorus and outro, with West personally traveling to their summer camp to capture the recording, prioritizing raw studio energy over polished overdubs. This approach extended to the track's structure, where the choir's swell begins mid-verse to mirror real-time session dynamics, as West explained in discussions about emphasizing authenticity. Lyric development centered on themes of survival in rap's underbelly, with West's hook—"I live by two words: 'Fuck you, pay me'"—drawing from his frustrations with exploitative label deals and production credits. Mos Def and Freeway contributed verses highlighting personal perils of fame and incarceration, aligning with the album's dropout motif critiquing systemic pressures on Black youth. An alternate "cinematic" version with heightened choir elements was tested but not included on the final album, released February 10, 2004, underscoring West's iterative refinement toward a balance of introspection and bombast.

Recording and Personnel

"Two Words" was recorded as part of the sessions for Kanye West's debut album , which took place between 1999 and 2003 at multiple facilities, including Baseline Studios in , the in , , Quad Recording Studios, and Edie Road Studios. An early live performance and demo version of the track dates to 2002, predating the album's finalization by three years. Kanye West served as the sole producer for "Two Words," handling beat creation, sampling, and arrangement, which features a soulful, orchestral-leaning instrumental with rapid syllable-constrained verses from the guest artists. Recording engineers included Marc Fuller, Keith Slattery, and Carlisle Young, who captured the vocals and choir elements across sessions. Mixing was overseen by Mike Dean, ensuring the track's dense layering of hip-hop flows, gospel choir harmonies from The Boys Choir of , and West's signature samples. Key personnel on the track encompassed vocal contributors Mos Def (credited as Dante Smith), Freeway (Leslie Pridgen), and The Boys Choir of Harlem, alongside songwriting input from West, Smith, Pridgen, and The Brothers Johnson members Lou Wilson, Ric Wilson, and Carlos Wilson for foundational elements.
RolePersonnel
ProducerKanye West
Recording EngineersMarc Fuller, Keith Slattery, Carlisle Young
Mixing EngineerMike Dean
Featured VocalsMos Def, Freeway, The Boys Choir of Harlem
WritersKanye West, Dante Smith, Leslie Pridgen, Lou Wilson, Ric Wilson, Carlos Wilson

Musical Composition

Structure and Instrumentation

"Two Words" employs a verse-centric structure typical of mid-2000s hip-hop, consisting of an introductory spoken segment followed by three distinct verses delivered by , Mos Def, and Freeway, respectively, without a traditional chorus or bridge. The track maintains a consistent at 85 beats per minute, fostering a deliberate, mid-tempo pace that underscores the lyrical emphasis on two-word punchlines or stressed syllable pairs in each verse. This rhythmic framework spans approximately and 26 seconds, with the verses building progressively through layered vocal deliveries and choral accents rather than melodic hooks. The song's production, handled entirely by Kanye West, centers on a sampled orchestral loop derived from Mandrill's "Peace and Love (Amani Na Mapenzi): Movement IV ()" (1978), which provides sweeping string arrangements and subtle percussive elements evoking a sense of grandeur and tension. Additional samples include motifs from The 5th Dimension's "The Rainmaker" (1968) for harmonic texture and subtle vocal flourishes from other sources, integrated to create a soul-infused hip-hop beat with programmed drums, deep bass lines, and minimalistic synth undertones. Live choral performances by The Boys Choir of add ethereal, gospel-tinged harmonies and call-and-response interjections, enhancing the track's thematic weight without overpowering the rap verses. Instrumentation features prominent orchestral strings—suggested in production notes as an intentional addition for classical depth—alongside standard hip-hop elements like kick drums, snares, and hi-hats, all mixed by Mike Dean to balance the organic sample textures with crisp, modern clarity. This combination yields a hybrid sound: the sampled funk-jazz grounds the beat in 1970s soul traditions, while the choir elevates it toward a redemptive, anthemic quality, aligning with the album's overarching production of blending hip-hop with live ensemble elements.

Lyrics and Thematic Content

The lyrics of "Two Words" are structured around a rapid-fire delivery of two-word phrases or two-syllable stressed units, a constraint that forms the song's titular gimmick and underscores its rhythmic intensity. Kanye West's opening verse begins with an intro warning of street life's binary endpoints—"either dead or in jail"—before launching into a litany of societal fragments: "Two words, United States, no love, no brakes / Low brow, high stakes, crack smoke, black folks / Big Macs, fat folks, ecstasy capsules / Presidential scandals, everybody gone." This pattern continues across verses from guest artists Mos Def and Freeway, who mirror the format to catalog personal and communal hardships, such as Mos Def's reflections on "black thoughts, bad laws" and Freeway's nods to incarceration and survival ("jail bars, rap stars"). The track closes with the Harlem Boys Choir repeating "We in the streets, playa," evoking a gospel-like lament amid the preceding barrage. Thematically, the song critiques the entrenched cycles of , , and marginalization in urban African American communities, portraying America as a of unyielding contradictions—opulence alongside decay, opportunity shadowed by systemic barriers. West's phrases juxtapose ("Big Macs, fat folks") with vice ("crack smoke, black folks") and political ("celebrity scandals, everybody cancels"), highlighting causal links between policy failures, like the crack epidemic tied to disproportionate impacts on black populations, and individual fates limited to or mortality. Mos Def extends this to intellectual and cultural resistance, invoking "black thoughts" against "bad laws" as a form of defiance, while Freeway's verse grounds it in firsthand narratives of turning lethal. Overall, the content eschews romanticization, instead emphasizing empirical realities of disadvantage—such as higher incarceration rates for black men, documented at over 1 in 3 lifetime risk by 2003 data—without prescribing solutions beyond raw exposition. This dual-word motif not only amplifies the track's density but serves as a metaphorical of complex social ills into bite-sized indictments, fostering a sense of inescapable duality in for its subjects. Critics have noted how it anticipates West's broader oeuvre of authenticity-driven commentary, blending despair with aspirational undertones via the choir's hopeful repetition, though the dominant tone remains one of unflinching realism over . The avoid overt moralizing, privileging vivid, data-echoing snapshots—like ecstasy's prevalence amid "presidential scandals"—to evoke causal chains from to personal ruin.

Release and Promotion

Music Video and Visuals

The music video for "Two Words," directed by Coodie Simmons and Chike Ozah, accompanies the track's rapid-fire verses with performance-based footage emphasizing urban grit and . Filmed in shortly after the album's February 10, 2004 release, it depicts rapping against a brick wall, Mos Def seated on a park bench, and Freeway positioned outside a corner store, all rendered in a desaturated, grit-filtered style to evoke authenticity. Interspersed throughout are archival clips of civil rights protests, including police riots, juxtaposed against contemporary scenes of the artists performing and glimpses of inner-city youth, aligning visually with the song's themes of hip-hop resilience and systemic challenges. The Boys Choir of appears in choir segments, reinforcing the track's gospel-infused outro without lip-syncing. This montage approach prioritizes thematic messaging over a linear storyline, opening with faux-vintage documentary credits to frame the content as a historical reflection on Black American struggles. Released on January 1, 2005, via platforms like Shazam and included in The College Dropout Video Anthology DVD on March 22, 2005, the video received limited promotion as "Two Words" was not a commercial single, though it later gained online visibility post-2009. Critics have noted its stylistic restraint compared to West's flashier later works, viewing the raw, documentary-like visuals as an extension of the album's soul-sampled rather than high-production spectacle.

Live Performances

"Two Words" received its television debut performance on during season 2, episode 7, which aired on March 3, 2004, featuring , Mos Def, and Freeway delivering the track's verses in a live setting integrated with the program's sketches. The rendition highlighted the song's collaborative energy, with the artists trading bars over the production while omitting the Boys Choir of Harlem segment for the broadcast format. West and Mos Def performed an extended version of the song on September 18, 2004, at concert in , New York, backed by as the house band. This outdoor event, later documented in the 2005 concert film, showcased the track's live adaptability, incorporating the full gospel choir elements and emphasizing its hip-hop roots amid a lineup of performers including and Jill Scott. Freeway, who contributed the third verse, has maintained "Two Words" as a staple in his solo live shows since 2004, often using it to connect with audiences familiar with his rap scene ties. Examples include its inclusion in his setlist at XL Live in , on March 28, 2025. In January 2019, Yasiin Bey (formerly Mos Def) revived his verse during the #BeyYe residency series at The Novo in Los Angeles on January 13, rapping over the original instrumental to underscore the track's enduring lyrical depth on resilience and street life. While Kanye West occasionally referenced the song in early tour sets following The College Dropout's release, full group reunions have been rare, limiting subsequent high-profile renditions.

Reception and Impact

Critical Reception

"Two Words" garnered positive critical attention upon the release of The College Dropout on February 10, 2004, with reviewers highlighting its structural innovation, where verses are delivered in couplets or two-syllable bursts, and its blend of soulful sampling with orchestral elements. The track samples Mandrill's "Peace and Love (Amani Na Mapenzi): Movement IV (Encounter)" from 1976, which is transformed into a dramatic backdrop augmented by live guitars, piano, strings, and the Boys Choir of Harlem. Pitchfork's February 20, 2004, album review lauded the song as "ferocious," noting how it escalates the sample into an "ominous choir and violin-fed war cry" that accommodates sharp, menacing bars from Mos Def, such as his line equating defeat to "a loss to the Patriots." Similarly, Billboard's 2014 retrospective track-by-track analysis praised the posse cut's "unique flow" and serious thematic weight, emphasizing Kanye's production choices that create a sense of grandeur and urgency through the featured artists' contributions from Freeway and Mos Def. Critics appreciated the track's lyrical density and collaborative energy, positioning it as a standout closer that contrasts the album's earlier moments with raw intensity, though some noted its intensity might limit standalone appeal compared to more melodic singles. The song's reception aligns with the album's broader acclaim, including Metacritic's 85/100 aggregate from 36 reviews, but specific commentary underscores its role in showcasing West's ability to fuse conscious rap with experimental form.

Commercial Performance

"Two Words" served as the B-side to Kanye West's debut single "," released on November 4, 2003, via , but received no significant radio or promotional push as a standalone track. As a result, it failed to enter major music charts independently during its initial physical release period. The track's primary commercial footprint derives from its inclusion as the eighteenth song on West's debut album , released February 10, 2004, which debuted at number two on the with 441,000 copies sold in its first week. The album achieved quadruple platinum certification in the United States, reflecting cumulative sales exceeding 4 million units domestically, and generated over 5 million units across select international markets including the UK, , and . While individual track-level sales data from the pre-streaming era remains limited, "Two Words" contributed to the album's overall success, which totaled equivalent album sales (EAS) surpassing 9.6 million units globally as of recent analyses. In the digital streaming landscape, "Two Words" has amassed over 72 million plays on alone, underscoring sustained listener interest two decades post-release. This streaming volume aligns with the track's cult following among hip-hop enthusiasts, though it trails more prominent singles from the album like "" and "" in total equivalents.

Cultural Legacy

"Two Words" contributed to the broader cultural shift in hip-hop during the mid-2000s by exemplifying Kanye West's approach to blending soul samples with raw lyrical content, featuring collaborations across subgenres. The track unites conscious lyricism from Mos Def (), street-oriented verses from Freeway, and West's introspective narrative, reflecting West's stated intent to bridge divides between commercial and underground rap. This collaborative structure on the song mirrored the album's overall impact, which sold over 441,000 copies in its first week of release on February 10, 2004, and earned quadruple platinum certification by 2005, influencing subsequent artists to incorporate diverse guest features and genre fusion. The production, including samples from Mandrill's "Peace and Love (Amani Na Mapenzi): Movement IV (Encounter)" released in 1977 and The 5th Dimension's "The Rainmaker" from 1971, along with the Boys Choir's gospel-infused choir elements, reinforced West's signature soul-revival aesthetic in hip-hop. This fusion has been noted in discussions of West's production legacy, where tracks like "Two Words" helped popularize orchestral and choral elements in rap, paving the way for similar experimentation in albums by artists such as and . The choir's involvement, drawing from 's cultural institutions, added a layer of community representation tied to African American musical traditions. West's verse, particularly the line "So I live by two words: 'Fuck you, pay me,'" encapsulates a pragmatic toward the music industry's exploitative dynamics, resonating as a for and fair compensation. Originating from West's personal experiences with production credits and payments, the phrase has echoed in hip-hop discourse on business realism, appearing in fan analyses and retrospective reviews as emblematic of post-2000s rap's confrontational stance against label practices. Despite the track's relative underperformance on charts compared to singles like "," its enduring discussion in 2024 anniversary pieces underscores its role in solidifying West's reputation for thematic depth over mainstream polish.

Interpretations and Debates

Lyrical Analysis

The of "Two Words" structure the song around a recurring motif of distilling identity, struggle, and defiance into concise phrases, beginning with Kanye West's introduction that frames urban existence as a binary trap: "We in , playa, get your mail / It's only two places you end up: either dead or in jail." This opening sets a tone of rooted in observed patterns of violence and incarceration in American inner cities, where West calls for solidarity across diverse actors in the hip-hop ecosystem—"throw your hands up" for hustlers, pimps, players, and even "crackheads and lawyers"—highlighting a unified front against systemic pressures. Freeway's verse amplifies themes of survival and prowess through rapid-fire delivery, self-identifying with "two words: Freeway," evoking speed and evasion akin to track star , while boasting invincibility: "I'm very, very, very ill / And I'm known to spit venom." His lines reference cultural icons like to underscore physical and lyrical dominance, portraying rap as a battlefield where technical skill ("fast runners") counters environmental threats, a nod to the competitive ethos of Philadelphia's street rap scene from which Freeway emerged on January 6, 1977. This segment interprets resilience not as abstract hope but as honed ability to outpace adversity, aligning with the track's broader causal emphasis on individual agency amid constrained choices. Mos Def (Yasiin Bey), contributing on November 10, 2003, shifts to introspective cultural affirmation in his outro, weaving national symbols into personal heritage—"Red, white, blue, black"—to reclaim American identity for marginalized communities while critiquing exploitation: "We are what we been offered / And we offerin' ourselves up to the slaughter." His verse interprets historical subjugation as a cycle of self-sabotage enabled by external lures, urging awakening through pride in origins, as in "Drink a of Crystal / Two words: Fuck y'all," rejecting commodified luxury for authentic rebellion. West's own verse reinforces regional loyalty—"Eh yo, two words, Chi town, South side, world wide / 'Cause I'll rep that till I fuckin' die"—grounding the narrative in Chicago's South Side, where he was born June 8, 1977, and framing loyalty as a defiant constant against transient fame. The Harlem Boys Choir's gospel-infused close, recorded at a cost of $10,000 in a makeshift studio, introduces contrapuntal elevation, contrasting gritty verses with harmonious uplift to symbolize potential transcendence or collective culpability in societal failures. Interpretations position this as bridging street realism with spiritual redemption, though the prioritize unvarnished depiction of urban entropy—crack epidemics, political scandals, economic disparity—over resolution, reflecting West's production choice to merge conscious rap with commercial sampling from King Curtis's "Ode to Super Soul." Overall, the track's lyrical economy critiques how broader forces like policy failures and cultural funnel opportunities into dead ends, attributing agency to cultural expression as a form of resistance.

Social Commentary and Critiques

The song employs a rigid two-word (or two-syllable) rhythmic structure across verses to encapsulate vignettes of urban hardship, systemic disenfranchisement, and survival tactics in African American communities, framing these as direct responses to opportunity scarcity. Mos Def's opening verse dissects media complicity and political rhetoric, invoking phrases like "independent network" to critique corporate control over information flows and "politically corrected" to highlight enforced ideological conformity that obscures gritty realities. Freeway's contribution extends this to personal peril, rapping "dead or in jail" as the binary outcomes of street involvement, attributing cycles of incarceration and violence to economic desperation rather than individual moral failing. Kanye's verse reinforces encounters with law enforcement as normalized friction, stating "we get down with cops, all the time," which analysts interpret as evidence-based adaptation to biased policing patterns documented in urban data, prioritizing over confrontation. Broader societal indictments appear in rapid-fire allusions to "crack smoke, folks" and "presidential scandals," linking drug epidemics—traced to policy failures like the , which disproportionately targeted crack over powder cocaine—to entrenched racial disparities in arrest rates, where Black Americans faced sentencing 18 times harsher for equivalent offenses as of 1995 data. The Boys Choir's repetitive "we in the streets, playa" hook juxtaposes youthful voices against mature themes, symbolizing generational entrapment in environments where legitimate paths yield "no love, no brakes." Critiques of the track center on its tonal ambiguity, with reviewers observing a "deafening mix of social and bragging" that risks diluting condemnation of structural incentives with implicit endorsement of as aspirational. This tension arises from verses that, while exposing causal links between neglect and —such as welfare reforms in the correlating with rises in informal economies—simultaneously boast of navigating them successfully, prompting debate on whether prioritizes artistic ingenuity over unambiguous . Some interpretations argue this mirrors real-world , where without romanticization ignores how high-reward risks fill voids left by failing institutions, though others contend it perpetuates narratives that externalize agency amid verifiable self-perpetuating dynamics like family disruption from mass incarceration, which affected over 2.3 million U.S. families by 2004.

References

  1. https://genius.com/albums/Kanye-west/The-college-dropout
  2. https://genius.com/Kanye-west-two-words-lyrics
  3. https://www.last.fm/music/Kanye%2BWest/The%2BCollege%2BDropout/Two%2BWords
  4. https://secondhandsongs.com/work/51850/all
  5. https://www.billboard.com/music/rb-hip-hop/kanye-wests-the-college-dropout-an-oral-history-5893976/
  6. https://www.complex.com/music/a/insanul-ahmed/interview-freeway-talks-about-the-making-of-kanye-wests-two-words
  7. https://www.complex.com/music/a/insanul-ahmed/kanye-west-college-dropout-making-of
  8. https://www.discogs.com/release/252296-Kanye-West-The-College-Dropout
  9. https://recordplant.com/portfolio/kanye-west-the-college-dropout/
  10. https://www.instagram.com/reel/C_Q2NOIMGF5/
  11. https://musicbrainz.org/release/da13b81f-7b09-3fb6-b5c9-8551f22c797e
  12. https://www.mixonline.com/technology/marc-fuller-upgrades-true-systems-381763
  13. https://music.apple.com/us/song/two-words-feat-mos-def-freeway-the-boys-choir-of-harlem/1437467901
  14. https://getsongbpm.com/song/two-words/kVgov
  15. https://open.spotify.com/track/62wtttQzoIA9HnNmGVd9Yq
  16. https://www.whosampled.com/Kanye-West/Two-Words/
  17. https://www.youtube.com/watch?v=0ggUWX4Sr1E
  18. https://www.azlyrics.com/lyrics/kanyewest/twowords.html
  19. https://www.songmeaningsandfacts.com/two-words-an-anthology-of-social-commentary-and-personal-struggle/
  20. https://www.radio.callmefred.com/en/song_story/two-words-kanye-west/
  21. https://imvdb.com/video/kanye-west/two-words
  22. https://www.complex.com/music/a/ernest-baker/ranking-all-42-of-kanye-wests-music-videos
  23. https://www.vice.com/en/article/has-kanye-west-ever-made-a-good-music-video-an-investigation/
  24. https://www.youtube.com/watch?v=tkFOBx6j0l8
  25. https://www.shazam.com/song/1412873610/two-words-feat-mos-def-freeway-the-boys-choir-of-harlem/music-video
  26. https://genius.com/Kanye-west-two-words-cinematic-lyrics/q/release-date
  27. https://www.rottentomatoes.com/tv/chappelle_s_show/s02/e07
  28. https://www.youtube.com/watch?v=K6c-qWHM-pY
  29. https://a4d.fandom.com/wiki/Two_Words
  30. https://www.harlemworldmagazine.com/kanyes-two-words-featuring-the-boys-choir-of-harlem-mos-def-and-freeway-video/
  31. https://www.shazam.com/en-us/event/42d7a138-bae2-4375-9a9b-94563afe4b63
  32. https://www.youtube.com/watch?v=Ofh5wlb4pcc
  33. https://www.reddit.com/r/rap/comments/sfv5zf/kanye_west_ft_mos_def_freeway_2_words_live_on/
  34. https://pitchfork.com/reviews/albums/8767-the-college-dropout/
  35. https://www.billboard.com/music/music-news/kanye-wests-the-college-dropout-at-10-classic-track-by-track-review-5901147/
  36. https://chartmasters.org/kanye-west-albums-and-songs-sales/
  37. https://bestsellingalbums.org/album/23635
  38. https://www.mystreamcount.com/track/62wtttQzoIA9HnNmGVd9Yq
  39. https://aurn.com/in-his-own-class-revisiting-kanyes-the-college-dropout-20-years-later/
  40. https://www.shatterthestandards.com/p/the-legacy-of-kanyes-college-dropout
  41. https://www.musixmatch.com/lyrics/Kanye-West/two-words-mos-def-freeway-the-boys-choir-of-harlem
  42. https://www.billboard.com/music/rb-hip-hop/kanye-west-political-references-lyrics-7526562/
  43. https://www.popmatters.com/westkanye-college-2496110889.html
  44. https://musaalgharbi.com/2018/11/13/kanye-west-liberation-theology/
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