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Dance Club Songs
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The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by Billboard magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States.[1]
History
[edit]The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title Disco Action. The chart went on to feature playlists from various cities around the country from week to week. Billboard continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position National Disco Action Top 30 premiered.[2] The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart.
The chart would continue to be published continuously for over 40 years, but with changes. The chart soon expanded to 40 positions, then in 1979 the chart expanded to 60 positions, then 80, and eventually the chart reached 100 positions from September 1979 until 1981, when the chart was reduced back to 80.[3] During the first half of the 1980s, the chart maintained 80 slots until March 16, 1985, when the Disco charts were splintered and renamed. Two charts appeared: Hot Dance/Disco Club Play, which ranked club play (at 50 positions), and Hot Dance Music/Maxi-Singles Sales, which ranked 12-inch single (or maxi-single) sales (also 50 positions, later reduced to 10 and discontinued in 2013, since replaced by Dance/Electronic Digital Songs).
On January 26, 2013, Billboard introduced the Hot Dance/Electronic Songs chart, which tracks the 50 most popular dance and electronic songs as determined by Billboard based on digital single sales, streaming, radio airplay across all formats, and club play, with Dance Club Songs serving as the club play component to the multi-metric chart.[4]
On March 31, 2020, due to the COVID-19 pandemic, which caused the closures of clubs, Billboard suspended the chart.[5] The last number-one song, for the issue dated March 28, 2020, was "Love Hangover 2020" by Diana Ross.[6] Even after the pandemic receded and club attendance increased again, Billboard has not revived the chart nor published any information about a possible revival, effectively ending the nearly 44-year run of the chart.
Statistics and Record World data
[edit]Although the disco chart began reporting popular songs in New York City nightclubs, Billboard soon expanded coverage to feature multiple charts each week which highlighted playlists in various cities such as San Francisco, San Diego, Boston, Los Angeles, Chicago, Miami, Phoenix, Detroit, and Houston. During this time, Billboard rival publication Record World was the first to compile a dance chart which incorporated club play on a national level. Noted Billboard statistician Joel Whitburn later "adopted" Record World′s chart data from the weeks between March 29, 1975, and August 21, 1976, into Billboard′s club play history. For the sake of continuity, Record World′s national chart is incorporated into both Whitburn's Dance/Disco publication (via his Record Research company) as well as the 1975 and 1976 number-ones lists.[3]
With the issue dated August 28, 1976, Billboard premiered its own national chart (National Disco Action Top 30) and their data is used from this date forward.[3]
In January 2017, Billboard proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists.[7] Madonna holds the record for the most number-one songs with 50.[8] Katy Perry holds the record for having 18 consecutive number-one songs.[8] Perry's third studio album, Teenage Dream (2010), became the first album in the history of the chart to produce at least seven number-one songs by a lead artist.[note 1] It held this record until Rihanna's eighth studio album Anti produced eight chart-toppers from 2016 to 2017.[9][10] Rihanna is the only artist to have achieved five number-one songs in a calendar year.[10]
Artist achievements
[edit]Top 10 artists of all-time (1976–2016)
[edit]| Rank | Artist name | Ref. |
|---|---|---|
| 1 | Madonna | [7] |
| 2 | Janet Jackson | |
| 3 | Rihanna | |
| 4 | Beyoncé | |
| 5 | Pet Shop Boys | |
| 6 | Donna Summer | |
| 7 | Mariah Carey | |
| 8 | Kristine W | |
| 9 | Jennifer Lopez | |
| 10 | Depeche Mode |
Most number ones
[edit]
| Position | Artist name | Tally of number-ones |
|---|---|---|
| 1 | Madonna[12] | 50 |
| 2 | Rihanna[13] | 33 |
| 3 | Beyoncé[14] | 22 |
| 4 | Janet Jackson[15] | 20 |
| 5 | Katy Perry[16] | 19 |
| 6 | Jennifer Lopez[17] | 18 |
| 7 | Mariah Carey[18] | 17 |
| Kristine W[19] | ||
| 9 | Donna Summer[20] | 161 |
| 10 | Lady Gaga[21] | 15 |
Most consecutive number-ones
[edit]

| Number of songs | Artist name | First hit and date | Last hit and date | Streak breaking song and date |
|---|---|---|---|---|
| 18 | Katy Perry | "Waking Up in Vegas"[9] (August 22, 2009) |
"Swish Swish" (featuring Nicki Minaj) (July 22, 2017) |
"Bon Appétit" (featuring Migos)[8] (#28, April 18, 2017) |
| 11 | Jennifer Lopez | "Qué Hiciste"[22] (June 23, 2007) |
"Live It Up" (featuring Pitbull)[22] (July 20, 2013) |
"I Luh Ya Papi" (featuring French Montana)[23][24] (#5, June 28, 2014) |
| 9 | Kristine W | "Feel What You Want"[25] (July 23, 1994) |
"The Wonder of It All"[26] (January 2, 2005) |
"I'll Be Your Light"[27][28] (#2, February 26, 2006) |
| Beyoncé | "Diva"[29] (March 28, 2009) |
"Countdown"[30] (December 24, 2011) |
"End of Time"[31] (#33, March 3, 2012) | |
| Erika Jayne | "Rollercoaster"[32] (July 28, 2007) |
"How Many Fucks"[32] (August 13, 2016) |
Non-breaking streak | |
| 8 | Kylie Minogue[33] | "All The Lovers" (August 14, 2010) |
"Into The Blue" (April 12, 2014) |
"I Was Gonna Cancel" (#5, August 9, 2014) |
| 7 | Janet Jackson | "When I Think of You"[34] (September 20, 1986) |
"Alright"[34] (May 5, 1990) |
"Black Cat"[34] (#17, October 27, 1990) |
| Madonna[35] | "Causing a Commotion" (October 31, 1987) |
"Justify My Love" (January 19, 1991) |
"Rescue Me" (#6, March 16, 1991) | |
| "Nothing Really Matters" (March 13, 1999) |
"Impressive Instant" (November 17, 2001) |
"GHV2 Megamix" (#5, December 2, 2001) |
Most number-ones in a calendar year
[edit]
| Number of songs | Artist name | Year charted | Name of songs | Ref. |
|---|---|---|---|---|
| 5 | Rihanna | 2017 | "Love on the Brain", "Sex with Me", "Pose", "Wild Thoughts" (DJ Khaled featuring Rihanna and Bryson Tiller), "Desperado" | [10] |
| 4 | 2007 | "We Ride", "Umbrella" (featuring Jay-Z), "Don't Stop the Music", "Shut Up and Drive" | [36][37] | |
| 2010 | "Russian Roulette", "Hard" (featuring Jeezy), "Rude Boy", "Only Girl (In the World)" | |||
| 2011 | "Who's That Chick?" (David Guetta featuring Rihanna), "S&M", "California King Bed", "We Found Love" (featuring Calvin Harris) | |||
| 2016 | "Work" (featuring Drake), "This Is What You Came For" (Calvin Harris featuring Rihanna), "Kiss It Better", "Needed Me" | |||
| Beyoncé | 2009 | "Single Ladies (Put a Ring on It)", "Diva", "Halo", "Sweet Dreams" | ||
| Lady Gaga | "Poker Face", "LoveGame", "Paparazzi", "Bad Romance" | |||
| 2011 | "Born This Way", "Judas", "The Edge of Glory", "You and I" | |||
| Katy Perry | 2014 | "Unconditionally", "Dark Horse" (featuring Juicy J), "Birthday", "This Is How We Do" |
Quickest collection of first 10 number-ones
[edit]
Song achievements
[edit]Most weeks at number one
[edit]| Number of weeks |
Artist(s) | Song(s) | Year(s) |
|---|---|---|---|
| 11 | Michael Jackson | Thriller (all cuts)[42] | 1983 |
| 9 | Change | "A Lover's Holiday"/"The Glow Of Love"/"Searching"[43] | 1980 |
| 8 | Chic | "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)"/"Everybody Dance"/"You Can Get By"[44] | 1977 |
| 7 | Village People | Village People (all cuts)[45] | |
| T-Connection | "Do What You Wanna Do"[46] | ||
| Chic | "Le Freak"/"I Want Your Love"/"Chic Cheer"[47] | 1978-79 | |
| Donna Summer | "Hot Stuff"/"Bad Girls"[48] | 1979 | |
| Geraldine Hunt | "Can't Fake the Feeling"[49] | 1980 | |
| Chaz Jankel | "Glad to Know You"/"3,000,000 Synths"/"Ai No Corrida"[50] | 1982 |
Shortest climbs to number one
[edit]Longest climbs to number one
[edit]- 19th week — "Wordy Rappinghood"/"Genius of Love" by Tom Tom Club[78]
- 19th week — "Walking on a Dream" by Empire of the Sun
- 17th week — "Losing It" by Fisher
- 16th week — "The Look of Love" by ABC[79]
- 16th week — "Most Precious Love" by Blaze presents U.D.A.U.F.L. featuring Barbara Tucker
- 16th week — "Where Have You Been" by Rihanna
- 16th week — "Right Now" by Rihanna featuring David Guetta
Biggest jump to number one
[edit]- (27–1) Thriller (all cuts) by Michael Jackson[82]
Number-one songs covered by different artists
[edit]- "The Boss" — Diana Ross (1979), The Braxtons (1997), Kristine W (2008), and again Diana Ross (2019).[83]
- "You Make Me Feel (Mighty Real)" — Sylvester (1978)[84] and Byron Stingily (1998)[85]
- "Back to Life" — Soul II Soul (1989) and Hilary Roberts (2019).[86]
- "Keep on Jumpin'" — Musique (1978) and Todd Terry with Martha Wash & Jocelyn Brown (1996)[87]
Album achievements
[edit]Most number-one songs from one album
[edit]Records and other achievements
[edit]This section needs additional citations for verification. (July 2025) |
- Madonna holds the record for the most chart hits, the most top-twenty hits, the most top-ten hits[98] and the most total weeks at number one (75 weeks).[11]
- Enrique Iglesias, Dave Audé, Pitbull, and David Guetta are tied with 14 number-ones on the chart, the most among male artists.
- Rihanna became the first artist to earn 4 number-ones on the chart in a year (2007), a feat she repeated a record 3 additional times before becoming the first act to earn 5 number-ones in a year (2017) as well.
- Madonna scored three number-ones in a single year seven times (1985, 2001, 2003, 2006, 2012, 2015, 2019), making her the first and most act to do so.
- Kylie Minogue became the first act to have two songs in the top three on March 5, 2011. Her song "Better than Today" was number-one while "Higher", a song by Taio Cruz on which Minogue features, was number three. On July 28, 2016, Rihanna became the second act to achieve this when her songs "Kiss It Better" and "Needed Me" were number one and three concurrently, however it made her the first act to have two songs in the top three as the lead act on both. David Guetta was the third to earn this distinction during the chart week of November 24, 2018, when "(It Happens) Sometimes", under his alias Jack Back, was number two, while his "Don't Leave Me Alone" collaboration with Anne-Marie was number three.[99]
- Madonna was the first artist in the chart's history to have 2 studio albums with 5 number-one songs each topping the chart, respectively; from her eighth studio album Music and her ninth studio album American Life; Katy Perry has since surpassed this record, achieving 7 number-ones from her third studio album Teenage Dream, and 5 number-ones from her fourth, Prism.
- The first 12-inch single made commercially available to the public was "Ten Percent" by Double Exposure in 1976.[3]
- The first number one on Billboard's Disco Action chart was "Never Can Say Goodbye" by Gloria Gaynor in 1974.[3]
- The first number one on Billboard's National Disco Action Top 30 was "You Should Be Dancing" by the Bee Gees in 1976.[3]
- Madonna is the first act ever to score as many as 50 No. 1s on any single Billboard chart,[12][100] extending her record over George Strait, who has earned 44 leaders on Hot Country Songs.
- From the dance chart's inception until the week of February 16, 1991, several (or even all) songs on an EP, album or 12-inch single could occupy the same position if more than one track from a release was receiving significant play in clubs (for example, Donna Summer charted several full-length albums, both Chaka Khan and Madonna have hit number one with remix albums). Chart entries like this were especially prevalent during the disco era, where an entire side of an album would contain several songs segued together seamlessly to replicate a night of dancing in a club. Beginning with the February 23, 1991 issue, the dance chart became "song specific", meaning only one song could occupy each position at a time.[3]
- Because of the former policy allowing multiple songs to occupy one position at the same time, there have been three instances when not only multiple songs were at number one, but the songs were performed by different artists. In all scenarios this was due to the tracks being included in film soundtrack albums. In 1978, four tracks from Thank God It's Friday (Donna Summer, Pattie Brooks, Love & Kisses, Sunshine); in 1980, three tracks from Fame (two by Irene Cara and one by Linda Clifford); and in 1985, two songs from Beverly Hills Cop (Patti LaBelle, Harold Faltermeyer) hit number one together.
- Madonna is recognized as the first act to have scored at least one No. 1 on the Dance Club Songs chart in five separate decades since the chart's inception in 1976, having tallied 9 in the 1980s, 13 in the '90s, 18 in the 2000s, 9 in the '10s and, now, one (so far) in the '20s. However, Martha Wash achieved this in 2015, having 1 in the 1970s; "Dance (Disco Heat)" with Sylvester (1978), 1 in the 1980s; "It's Raining Men" with The Weather Girls (1982), 7 in the 1990s, 1 in the 2000s, and 1 in the '10s.
- The Trammps are the only act to replace themselves at number one (issue date June 5, 1976, "That's Where the Happy People Go" → "Disco Party").[3]
- The longest running number-ones on the Hot Dance Club Songs chart are "Bad Luck" by Harold Melvin & the Blue Notes2 in 1975 and the album Thriller by Michael Jackson. Both entries spent eleven weeks in the top spot.[101]
- "One Word" by Kelly Osbourne made chart history on June 18, 2005, when it became the first song to simultaneously top the Hot Dance Club Songs, Hot Dance Singles Sales and Hot Dance Airplay charts.
- LeAnn Rimes became the first country music artist to have topped both the Billboard country chart and the Hot Dance Club Songs chart. Rimes, who had several remixes of her country hits reach the dance chart, achieved that distinction during the week of February 28, 2009, when the electronic dance music remixes of her 2008 single "What I Cannot Change" reached number one.[102][103] Rimes has gone on to place two additional songs atop the dance charts, "Long Live Long" and "Love is Love is Love," both from her 2016 album, "Remnants."
- Olivia Newton-John and Chloe Lattanzi's collaboration with Dave Audé, "You Have to Believe", which reached number one in its November 21, 2015 issue, made history for Newton-John and Lattanzi, as they became the first mother-daughter duo to reach number one on this chart as well as picking up their first number ones at Dance Club Songs as well, although Newton-John had charted four times prior to this.[104]
- Sting has the distinction of being the only artist to reach number one twice on this chart with a song he recorded and re-recorded, as his original version of "Stolen Car (Take Me Dancing)" featuring Twista reached that position in 2004,[105] and again in 2016 as a featured duet with Mylène Farmer for "Stolen Car". In both cases, they were also remixed by Dave Audé, which is another first on this chart that a remixer reached number one with a song he remixed twice.[106]
Footnotes
- 1 Summer's total would be 18 if including two titles that hit number one during the span of time in which Record World's dance chart data is used (see "Statistics and Record World data"). Billboard credits Summer with only 16 number-ones.
- 2 Eight of the 11 weeks-at-number-one for "Bad Luck" is during the span of time in which Record World's dance chart data is used (see "Statistics and Record World data").
See also
[edit]Reference notes
[edit]- ^ Kristine W's "The Power of Music" was the first album to produce seven number-one songs, from 2009–2011, but she was not the lead on one of the songs, "Walk Away", which was credited to Tony Moran featuring Kristine W.
References
[edit]- ^ "Dance Club Songs". Billboard. Retrieved April 11, 2017.
- ^ Murray, Gordon (December 1, 2016). "Greatest of All Time: 40 Years, 40 Highlights from Billboard's Dance Club Songs Chart". Billboard. Archived from the original on December 1, 2016. Retrieved April 11, 2017.
- ^ a b c d e f g h Whitburn, Joel (2004). Billboard Hot Dance/Disco 1974-2003. Record Research. ISBN 0-89820-156-X.
- ^ Pietroluongo, Silvio (January 17, 2013). "New Dance/Electronic Songs Chart Launches With Will.i.am & Britney at No. 1". Billboard. Retrieved August 28, 2020.
- ^ "Billboard to Temporarily Suspend Boxscore, Dance Club Songs Charts". Billboard. March 31, 2020.
- ^ "Dance Club Songs Chart". Billboard.
- ^ a b "Greatest of All Time Top Dance Club Artists". Billboard. Retrieved January 12, 2017.
- ^ a b c Murray, Gordon (July 13, 2017). "Another One in the Basket: Katy Perry Nets 18th Club No. 1 With 'Swish Swish'". Billboard. Retrieved April 11, 2017.
- ^ a b c d Trust, Gary (December 26, 2011). "Katy Perry Notches Record Seventh No. 'One' From 'Teenage Dream' On Dance/Club Play Songs". Billboard. Retrieved July 30, 2014.
- ^ a b c Murray, Gordon (October 5, 2017). "Rihanna First to Five No. 1s in One Year on Dance Club Songs Chart". Billboard. Retrieved October 7, 2017.
- ^ a b "Madonna Makes History With 45th No. 1 on Billboard's Dance Club Songs Chart". Billboard. Retrieved May 14, 2015.
- ^ a b "Madonna Dance Clubs Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ "Rihanna Dance Club Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ "Beyoncé Dance Club Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ "Janet Jackson Dance Club Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ "Katy Perry Dance Club Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ "Jennifer Lopez Dance Club Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ "Mariah Carey Dance Club Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ "Kristine W Dance Club Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ "Donna Summer Dance Club Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ "Lady Gaga Dance Club Songs Chart History". Billboard. Retrieved February 16, 2020.
- ^ a b Trust, Gary (October 14, 2013). "Chart Highlights: Katy Perry, Drake, Bastille Score New No. 1s". Billboard. Retrieved August 5, 2015.
- ^ "Hot Dance Club Songs – June 28, 2014". Billboard. June 28, 2014. Retrieved August 5, 2015.
- ^ Murray, Gordon (October 17, 2013). "Diplo, Paris Hilton, Lady Gaga Debut On Dance Charts". Billboard. Retrieved July 31, 2015.
- ^ "Hot Dance Club Songs – July 23, 1994". Billboard. July 23, 1994. Retrieved August 5, 2015.
- ^ "Hot Dance Club Songs – January 22, 2005". Billboard. January 22, 2005. Retrieved August 5, 2015.
- ^ Trust, Gary (March 2, 2010). "The Power Of Kristine W". Billboard. Retrieved August 5, 2015.
- ^ "Hot Dance Club Songs – February 26, 2006". Billboard. February 26, 2006. Retrieved August 5, 2015.
- ^ Trust, Gary (April 28, 2010). "Chart Beat Wednesday: Diva Domination". Billboard. Retrieved August 5, 2015.
- ^ Following "Video Phone", "Run the World Girls", "Best Thing I Never Had" and "Countdown" reached number-one:
- "'Run the World (Girls)'. The week of July 9, 2011". Billboard. July 9, 2011. Retrieved August 5, 2015.
- "'Best Thing I Never Had'. The week of September 10, 2011". Billboard. September 10, 2011. Retrieved August 5, 2015.
- "'Countdown'. The week of December 24, 2011". Billboard. December 24, 2011. Retrieved August 5, 2015.
- ^ a b "Beyoncé Dance Club Songs Chart History". Billboard. Retrieved March 3, 2019.
- ^ a b "Erika Jayne Dance Club Songs Chart History". Billboard. Retrieved March 31, 2020.
- ^ "Kylie Minogue | Biography, Music & News". Billboard.
- ^ a b c "Janet Jackson Dance Club Songs Chart History". Billboard. Archived from the original on November 24, 2020. Retrieved May 6, 2020.
- ^ Murray, Gordon (February 14, 2020). "Madonna Achieves Milestone 50th No. 1 on Dance Club Songs Chart With 'I Don't Search I Find'". Billboard. Archived from the original on December 8, 2020. Retrieved December 30, 2020.
- ^ a b Murray, Gordon (August 11, 2016). "Rihanna Earns 27th No. 1 on Dance Club Songs Chart". Billboard. Retrieved September 20, 2016.
- ^ Murray, Gordon (August 18, 2017). "DJ Khaled Crowns Dance Club Songs for First Time With 'Wild Thoughts'". Billboard. Retrieved August 18, 2017.
- ^ a b c Trust, Gary (August 4, 2011). "Weekly Chart Notes: Jimmy Buffett, Lady Gaga, Bill Cosby". Billboard. Retrieved May 7, 2014.
- ^ Murray, Gordon (November 6, 2014). "Dillon Francis On the 'Money' With No. 2 Dance Debut". Billboard. Retrieved August 5, 2015.
- ^ "Dance Club Songs: Week of August 4, 2012 (Katy Perry, Wide Awake)". Billboard. August 4, 2012. Retrieved July 31, 2015.
- ^ "Madonna Adds 49th No. 1 on Dance Club Songs Chart With Swae Lee Collab 'Crave'". Billboard. Retrieved November 8, 2019.
- ^ "Dance Club Songs: The week of April 2, 1983". Billboard.
- ^ "Dance Club Songs: The week of June 28, 1980". Billboard.
- ^ "Dance Club Songs: The week of December 10, 1977". Billboard.
- ^ "Dance Club Songs: The week of October 15, 1977". Billboard.
- ^ "Dance Club Songs: The week of April 30, 1977". Billboard.
- ^ "Dance Club Songs: The week of January 6, 1979". Billboard.
- ^ "Dance Songs: Top Dance Music Chart". Billboard. Retrieved April 19, 2020.
- ^ "Dance Songs: Top Dance Music Chart". Billboard. Retrieved April 19, 2020.
- ^ "Dance Songs: Top Dance Music Chart". Billboard. Retrieved April 19, 2020.
- ^ "Dance Songs:Top Dance Music Chart". Billboard. Retrieved April 11, 2019.
- ^ "Billboard magazine, issue dated 28 September 1985". September 28, 1985. p. 44. Retrieved September 15, 2015 – via Google Books.
- ^ "Dance Club Songs: The week of March 22, 1986". Billboard.
- ^ "Dance Songs: Top Dance Music Chart". Billboard. Retrieved April 11, 2019.
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- ^ "Dance Songs: Top Dance Music Chart". Billboard. Retrieved June 18, 2021.
- ^ "Dance Songs: Top Dance Music Chart". Billboard. Retrieved March 3, 2017.
- ^ a b Trust, Gary (January 9, 2010). "Chart Highlights: Lady Gaga's 'Marry The Night' Tops Dance/Club Play Songs". Billboard. Retrieved January 24, 2015.
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- ^ "Billboard magazine, issue dated 18 December 1982". December 18, 1982. p. 27. Retrieved October 14, 2015 – via Google Books.
- ^ Murray, Gordan (August 5, 2013). "Rihanna Scores 20th No. 1 on Dance/Club Play Chart; Second-Most No. 1s Ever". Billboard. Retrieved January 24, 2015.
- ^ Murray, Gordan (August 8, 2013). "Rihanna Captures 20th Dance Club No. 1; Lana Del Rey and Cedric Gervais Debut". Billboard. Retrieved January 24, 2015.
- ^ Chin, Brian (September 28, 1985). "Dance Trax, issue dated 22 January 1983". p. 43. Retrieved October 14, 2015 – via Google Books.
- ^ Murray, Gordon (April 11, 2019). "Diana Ross Rules Dance Club Songs Chart with 'The Boss 2019'". Billboard. Retrieved April 11, 2019.
- ^ "US Charts > Sylvester". Billboard. Retrieved November 16, 2019.
- ^ "US Charts > Byron Stingily". Billboard. Retrieved January 4, 2020.
- ^ "Avicii Advances to No. 1 on Dance/Mix Show Airplay Chart With 'SOS'". Billboard. Retrieved June 1, 2019.
- ^ Hot Dance Club Songs, Billboard.com, issue date August 10, 1996
- ^ Puckett, Lily (February 16, 2018). "Rihanna's ANTI breaks new chart record". The Fader. Retrieved February 16, 2018.
- ^ Murray, Gordon (July 4, 2017). "Rihanna Strikes 30th No. 1 'Pose' Atop Dance Club Songs Chart". Billboard. Retrieved July 4, 2017.
- ^ "Kristine W Dance Club Songs Chart History". Billboard. Retrieved March 3, 2019.
- ^ "Dua Lipa Dance Club Songs Chart History". Billboard. Retrieved February 23, 2019.
- ^ "Die Another Day. Dance Club Songs. The week of November 30, 2002, 2013". Billboard. November 30, 2002. Retrieved August 4, 2015.
- ^ "American Life. Dance Club Songs. The week of May 31, 2003". Billboard. May 31, 2003. Retrieved August 4, 2015.
- ^ "Hollywood. Dance Club Songs. The week of August 23, 2003". Billboard. August 23, 2003. Retrieved August 4, 2015.
- ^ "Nothing Fails. Dance Club Songs. The week of February 7, 2004". Billboard. February 7, 2004. Retrieved August 4, 2015.
- ^ "Love Profusion. Dance Club Songs. The week of April 3, 2004". Billboard. April 3, 2004. Retrieved August 4, 2015.
- ^ "Katy Perry Dance Club Songs Chart History". Billboard. Retrieved March 3, 2019.
- ^ Trust, Gray. "Chart Beat Wednesday: Train, Beyonce, Kings Of Leon". Billboard. Retrieved February 3, 2010.
- ^ Murray, Gordon (July 28, 2016). "Rihanna Gets Her 26th No. 1 on Dance Club Songs Chart With 'Kiss It Better'". Billboard. Retrieved September 20, 2016.
- ^ Murray, Gordon (February 13, 2020). "Madonna Achieves Milestone 50th No. 1 on Dance Club Songs Chart with 'I Don't Search I Find'". Billboard.com. Retrieved July 30, 2025.
- ^ "Ask Billboard: Small Screen, Big Hits". Billboard. Retrieved September 24, 2010.
- ^ "Trying to follow in Garth's, Martina's footprints". The Nashville City Paper. January 15, 2009. Archived from the original on May 14, 2014. Retrieved August 19, 2012.
- ^ "LeAnn Rimes Rules Dance Club Songs With 'Long Live Love'" from Billboard (February 22, 2017)
- ^ "Olivia Newton-John Logs First No. 1 on Dance Club Songs Chart". Billboard. Retrieved November 12, 2015.
- ^ "Hot Dance Club Songs, Billboard.com, issue date August 14, 2004". Billboard.com. August 14, 2004. Retrieved March 28, 2019.
- ^ "Sting 'Thrilled and Surprised' to Hit No. 1 on Dance Club Songs". Billboard. Retrieved February 12, 2016.
External links
[edit]Dance Club Songs
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Chart Description
The Dance Club Songs chart is a weekly ranking published by Billboard magazine that tracks the top 50 dance songs based on their popularity in U.S. nightclubs, as reported by a national sample of club disc jockeys (DJs). Launched as a national survey on August 28, 1976, the chart remained active until its suspension on March 28, 2020, due to the impact of the COVID-19 pandemic on nightclub operations. As of November 2025, the chart remains suspended.[10][7][1] It specifically measures club play, where the #1 position denotes the song receiving the highest number of plays across reporting venues in a given week, providing a direct gauge of dance floor demand.[1] The chart evolved from earlier disco-focused formats, beginning with the Disco Action Top 20 in October 1974, which initially ranked the top 10 to 20 tracks based on responses from New York City discothèques. By 1976, it expanded into a broader national listing under the Disco Top 20 banner, later known as National Disco Action Top 30, before undergoing multiple name changes, such as Hot Dance/Disco in 1981. The format stabilized as a 50-position chart starting the week of March 16, 1985, under the name Hot Dance/Disco. It was renamed Hot Dance Club Play in 1987 and later shortened to Dance Club Songs in 2016 to reflect its emphasis on contemporary dance music.[10][2][11] Unlike Billboard's airplay-driven Mainstream Top 40 or sales/streaming-based Hot 100 charts, Dance Club Songs prioritizes remixes and club-specific edits tailored for DJ sets, often featuring extended mixes, vocal treatments, or instrumental versions not intended for radio or retail. This focus allows artists and labels to target nightclub audiences directly, with chart success hinging on how effectively a remix resonates in club environments rather than mainstream consumption metrics.[12][13]Cultural and Industry Significance
The Dance Club Songs chart has significantly influenced the development of key dance music genres, including disco, house, and electronic dance music (EDM), by identifying and amplifying club trends well before they achieved mainstream radio success. Launched during the height of the disco era, the chart provided an early platform for tracks that defined nightlife sounds, allowing genres to evolve through DJ curation and club feedback rather than traditional sales metrics. This forward-looking role helped propel house music from Chicago's underground scenes in the 1980s and EDM's global rise in the 2000s, establishing the chart as a trendsetter in the dance music ecosystem.[10] In the music industry, the chart has facilitated numerous artist breakthroughs by validating club performance as a launchpad for broader popularity, with many number-one hits foreshadowing subsequent pop chart dominance. For instance, successes on the chart often translated to increased radio airplay and commercial deals, underscoring its predictive power for crossover appeal. Additionally, it has been central to remix culture, as rankings frequently feature remixed versions tailored for club environments, encouraging artists and producers to innovate with extended mixes, breakdowns, and genre fusions that enhance dancefloor engagement. This emphasis on remixes has not only extended the lifecycle of songs but also democratized access for emerging DJs and producers to reinterpret established tracks.[14] Following the introduction of the Hot Dance/Electronic Songs chart in 2013, the Dance Club Songs methodology integrated with broader Billboard tracking systems, contributing club DJ reports to a multifaceted metric that includes streaming, sales, and airplay data. This synergy has enriched the overall measurement of dance music success, allowing club hits to influence rankings across multiple charts and reinforcing the genre's commercial viability. In 2025, Billboard further evolved its dance tracking by revamping the Hot Dance/Electronic Songs chart and introducing the Hot Dance/Pop Songs chart, maintaining the integration of club DJ reports to reflect ongoing genre diversification.[8][15] The chart's cultural footprint is particularly notable in LGBTQ+ communities and nightlife scenes from the 1970s through the 2010s, where it mirrored and elevated music that fostered safe spaces for expression and identity. Originating in an era when gay clubs were incubators for dance innovation, the chart captured anthems that resonated in these venues, from disco divas to house pioneers, thereby amplifying marginalized voices and contributing to the genre's role in social movements. Its focus on club play helped sustain vibrant nightlife cultures, making it a vital cultural artifact for queer history in music.[16]History
Origins and Launch
The rise of disco music in the early 1970s, fueled by urban nightlife scenes and hits from artists like the Jackson 5 and Chic, created a demand for tracking underground club favorites that often bypassed mainstream radio.[17] Billboard responded by launching its first disco-oriented survey on October 26, 1974, titled the Disco Action chart, which initially focused on regional popularity in key cities like New York.[18] This precursor ranked up to 40 tracks based on reports from disc jockeys (DJs) in prominent clubs, capturing the pulse of dance floors during the genre's explosive growth.[17] By 1976, as disco permeated broader pop culture with blockbuster films like Saturday Night Fever on the horizon, Billboard evolved the survey into a national format to better reflect the genre's nationwide appeal.[2] The chart officially launched as the National Disco Action Top 30 on August 28, 1976, compiling data from DJ playlists across New York and other regional clubs to rank the most-played dance tracks.[19] This shift marked the chart's role in spotlighting club-driven hits that might otherwise remain obscure, providing a vital barometer for the industry's emerging dance music ecosystem.[2] The inaugural number-one entry was the Bee Gees' "You Should Be Dancing," which topped the list for five consecutive weeks and exemplified the upbeat, falsetto-driven sound dominating clubs at the time.[2] From its outset, the chart emphasized DJ feedback over sales or airplay, distinguishing it from Billboard's Hot 100 and underscoring disco's grassroots origins in nightlife venues.[18]Evolution and Key Milestones
Following the initial establishment of the chart, Billboard expanded the Dance/Disco listing to 40 positions in 1977, further expanding to 60 positions in early 1979 and to 100 positions later that year, before reducing it to 80 positions in 1981; this coincided with the waning popularity of traditional disco and the emergence of post-disco sounds like hi-NRG and Italo disco, which allowed the survey to capture a broader range of club tracks beyond the genre's peak.[2][20] This adjustment reflected the music industry's shift away from pure disco dominance, enabling the chart to adapt to evolving dance floor preferences amid the "disco sucks" backlash.[10] A pivotal milestone occurred in 1987 when the chart was renamed Hot Dance Club Play to better encompass the diverse club-oriented music beyond disco remnants, emphasizing remixes and 12-inch singles played by DJs.[2] By 1986, the ranking stabilized at 50 positions, providing a more comprehensive snapshot of club activity as electronic influences grew.[2] The 1990s marked a significant genre evolution with the inclusion of house and techno, genres that originated in underground scenes but gained mainstream traction; for instance, house tracks like Crystal Waters' "Gypsy Woman (She's Homeless)" topped the chart in 1991, while techno hits such as Technotronic's "Pump Up the Jam" had dominated earlier in the decade.[2] Entering the 2000s, the chart incorporated digital reporting improvements that enhanced accuracy of DJ playlists.[10] This period saw a continued focus on remix culture, with producers tailoring versions for club play to propel originals up the ranks. By the 2010s, the chart had fully transitioned from its disco roots to embrace electronic dance music (EDM), incorporating big-room, progressive house, and festival anthems that reflected global trends in electronic production. A key development in 2013 involved elements merging with the newly launched Hot Dance/Electronic Songs chart, which blended club play data with streaming and sales for a multi-metric view, though the core Dance Club Songs retained its DJ-driven methodology.[10][2]Suspension and Post-2020 Legacy
On March 31, 2020, Billboard announced the suspension of the Dance Club Songs chart, freezing it at the 50 songs from the issue dated March 28 amid the escalating COVID-19 pandemic.[7] The decision stemmed from widespread club closures and social distancing measures that halted nightlife operations across the United States, eliminating the DJ reports essential to the chart's methodology.[7] With no new data forthcoming, Billboard deemed it impossible to continue tracking club play accurately, marking a profound impact on the dance music industry reliant on physical venues for promotion and validation.[21] As of November 2025, the chart remains suspended with no resumption announced, effectively rendering it defunct after nearly 46 years of operation.[1] This prolonged hiatus reflects ongoing challenges in the nightlife sector, including delayed recovery from pandemic-related disruptions and shifts in how dance music is consumed and measured.[3] Despite its suspension, the Dance Club Songs chart endures in Billboard's historical rankings, such as the 2025 list of the 100 Best Dance Songs of All Time, which draws heavily from its archived number-ones to highlight enduring hits.[22] Its legacy influences contemporary charts like Dance/Mix Show Airplay, which tracks dance tracks on radio and mix shows as a partial substitute for club-based metrics. In 2025, Billboard further adapted by launching the Hot Dance/Pop Songs chart on January 18, splitting from the broader Hot Dance/Electronic Songs to better capture dance-pop crossovers via streaming, sales, and airplay data.[15] Post-2020, the cultural landscape of dance music has pivoted toward streaming-centric evaluations, with Billboard's active dance charts prioritizing digital consumption over traditional DJ feedback to reflect modern listening habits in a club-less era.[3] This evolution underscores the chart's foundational role in defining dance success while adapting to technological and societal changes.[9]Methodology
Data Collection Process
The Dance Club Songs chart relies on weekly reports submitted by a national panel of club DJs, who provide playlists of the most popular tracks played in their venues. These reports form the primary source of data, capturing the songs that generate the strongest audience response on dance floors. According to Billboard's official methodology, the chart is compiled exclusively from this DJ-submitted information, reflecting real-time club play rather than sales or airplay metrics.[1] In its early years during the 1970s, data collection was regionally focused, heavily weighted toward major markets like New York City, with DJs reporting from key urban clubs. By August 1976, the process had expanded to include over 100 top clubs across 15 national markets, where DJs ranked tracks based on observed audience reactions to played records.[23] The panel evolved over time to encompass a broader cross-section of U.S. clubs by the 1990s, increasing geographic diversity beyond coastal hubs. DJs typically submit ranked lists of their top 10 to 20 most-played songs each week, prioritizing remixes tailored for club environments over original versions, as these formats drive higher engagement in live settings. By the 2000s, the panel had grown to more than 100 participants, reaching 140 DJs by 2013, many of whom held residencies at mid-sized venues nationwide.[14] The process faces inherent challenges due to the subjectivity of DJ selections, which depend on individual interpretations of crowd response rather than objective metrics like attendance or play counts. Verification of reported plays is limited, as Billboard does not track actual performance data in real time, leading to potential discrepancies between panel reports and broader club trends. This reliance on self-reported playlists from a select group of DJs can result in charts that emphasize niche or promotional remixes over mainstream popularity.[14]Ranking and Publication Mechanics
The Billboard Dance Club Songs chart is compiled by aggregating reports submitted by a national panel of club DJs, who detail the songs played in their sets that generated the strongest audience responses during the tracking period. These reports form the basis for ranking the most popular tracks in U.S. nightclubs, with the panel drawn from DJs at venues of varying sizes and locations to provide a representative snapshot of club play. The following describes the methodology during the chart's active period from 1976 to 2020; it was suspended indefinitely starting March 28, 2020, due to nightclub closures from the COVID-19 pandemic.[1][7][24] The rankings are determined by the frequency and prominence of songs across the DJ submissions, where higher placements in individual reports contribute more significantly to a song's overall position on the chart. In instances of close competition or data irregularities, Billboard's editorial staff conducts reviews to resolve ties and make necessary adjustments, including accounting for "add plays"—new songs recently incorporated into DJ sets—to better capture emerging popularity without overemphasizing established tracks. The process weights contributions based on the panel's composition, ensuring larger or more influential clubs have appropriate influence while maintaining balance.[14][10] The chart is published weekly, appearing online on Tuesdays via Billboard.com and in the print magazine, with the official date assigned to the issue Saturday to reflect data collected from the prior Friday through Thursday. This timing allows for timely dissemination while aligning with industry reporting cycles.[25] Launched nationally on August 28, 1976, as a 30-position chart, it expanded over time and adopted a 50-position format starting March 16, 1985, which it maintained until its suspension in 2020, evolving from earlier regional disco surveys that typically ranked only the top 10 or 20 tracks per market. Debut eligibility requires songs to accumulate sufficient reports from the DJ panel, often starting with a minimum threshold of plays or rankings to enter the lower positions, particularly for new releases promoted through targeted outreach to DJs.[10][11][1]Artist Achievements
All-Time Top Artists
The all-time top artists on the Dance Club Songs chart reflect the genre's evolution from disco roots to contemporary pop and electronic influences, with rankings determined by cumulative performance metrics such as total weeks on the chart, highest positions achieved, and overall impact from the chart's inception in 1976 through its suspension in March 2020. Billboard's comprehensive 40th anniversary analysis in 2016 provided the definitive all-time ranking based on these factors up to that point, and while additional #1 hits were achieved in the subsequent years with no official update issued, the hierarchy remained stable due to the reinforcement of established leaders like Madonna. This recap underscores the chart's role in elevating artists who consistently delivered club-ready remixes and originals, blending vocal prowess with dance production.| Rank | Artist | No. 1 Hits (1976–2020) | Total Weeks at No. 1 | Total Chart Entries |
|---|---|---|---|---|
| 1 | Madonna | 50 | 75 | 64 |
| 2 | Janet Jackson | 20 | 41 | 41 |
| 3 | Rihanna | 33 | 42 | 40 |
| 4 | Beyoncé | 22 | 35 | 35 |
| 5 | Pet Shop Boys | 14 | 30 | 32 |
| 6 | Donna Summer | 16 | 25 | 28 |
| 7 | Mariah Carey | 17 | 28 | 30 |
| 8 | Kristine W | 16 | 22 | 25 |
| 9 | Jennifer Lopez | 18 | 20 | 24 |
| 10 | Depeche Mode | 14 | 18 | 22 |
Most Number-One Hits
Madonna holds the record for the most number-one hits on the Billboard Dance Club Songs chart, with 50 across her career spanning from 1983 to 2020.[4] Her dominance is evident in a breakdown by decade: nine in the 1980s, 13 in the 1990s, 18 in the 2000s, nine in the 2010s, and one in the 2020s with "I Don't Search I Find."[4] This achievement made her the first artist to top any single Billboard chart 50 times, underscoring her unparalleled longevity and influence in dance music.[4] Rihanna ranks second with 33 number-one hits as of the chart's suspension in 2020.[26] Beyoncé follows with 22 (solo), while Janet Jackson has 20, the latter milestone reached in 2018 with "Made for Now" featuring Daddy Yankee.[27] These four artists form an elite group with 20 or more number-ones, a threshold that highlights sustained success in the genre over decades. Donna Summer was the first artist to reach 10 number-one hits on the chart, achieving this milestone in the late 1970s during disco's peak, with a career total of 16.[28] Among groups, the Pet Shop Boys lead with 14 number-ones as of 2020, setting the record for duos or ensembles.[29] Their success, including tracks like "Love Etc.," exemplifies the chart's embrace of electronic and synth-pop acts.[30]| Artist | Number-One Hits | Notes |
|---|---|---|
| Madonna | 50 | Record holder; spans five decades |
| Rihanna | 33 | Second overall; active through 2017 |
| Beyoncé | 22 | Solo entries |
| Janet Jackson | 20 | Reached milestone in 2018 |
| Pet Shop Boys | 14 | Most by a group (as of 2020) |
Consecutive and Annual Dominance
Katy Perry holds the record for the most consecutive number-one hits on the Dance Club Songs chart, achieving 18 successive leaders from her 2008 single "I Kissed a Girl" through to "Swish Swish" in 2017.[31] This streak, which spanned multiple albums including One of the Boys, Teenage Dream, Prism, and Witness, underscored her unparalleled dominance in the dance club scene during that period, with each release supported by targeted remixes tailored for DJ playlists.[32] Another notable consecutive run belongs to Beyoncé, who notched six straight number-one hits on the chart from 2006 to 2008, encompassing tracks like "Check on It," "Déjà Vu," "Ring the Alarm," "Irreplaceable," "Listen," and "Get Me Bodied." This sequence highlighted her transition to solo superstardom and the chart's affinity for R&B-infused dance anthems during the mid-2000s.[33] In terms of annual dominance, Rihanna set the benchmark with five number-one hits in 2017 alone—"Sex with Me," "Pose," "Wild Thoughts" (with DJ Khaled and Bryson Tiller), "Desperado," and "Love on the Brain"—marking the first time any artist achieved that many leaders in a single calendar year on the chart.[34] Earlier, Madonna matched a high-water mark for the era by securing four number-ones in 1990 with "Keep It Together," "Vogue," "Hanky Panky," and "Justify My Love," reflecting the explosive popularity of house and club remixes in the late 1980s dance scene. The 1980s overall saw elevated annual activity, with artists like Madonna and Whitney Houston frequently topping the chart multiple times per year amid the rise of extended 12-inch singles and underground club influences.[35] These streaks and yearly peaks were often amplified by strategic remix campaigns, where labels commissioned multiple DJ-specific versions to maximize club airplay and chart longevity, as seen in Perry's "Rise" reaching number one through diverse remixes in 2016. Such efforts allowed artists to sustain momentum across successive releases without interruption.[32]Rapid Success Records
The Dance Club Songs chart has highlighted several artists' rapid ascents through targeted promotional strategies and prolific output, with milestones like reaching the first 10 number-one hits serving as key indicators of breakout velocity. Madonna holds the record for the quickest accumulation of 10 number ones, achieving this feat from her debut chart-topper "Holiday"/"Lucky Star" in September 1983 to "Vogue" in April 1990, spanning approximately seven years.[4] This pace was fueled by her consistent release of remix-heavy singles tailored for club DJs, allowing her to dominate the chart early in her career with nine number ones by the end of the 1980s alone.[4] Other artists have demonstrated even quicker paths to intermediate milestones, underscoring the chart's evolution toward faster turnarounds in the 2000s. Rihanna, for instance, reached her first five number ones in just under three years, from "Pon de Replay" topping the chart on October 8, 2005, to "Take a Bow" on June 21, 2008—a timeline accelerated by Def Jam's aggressive remix campaigns that saturated club play.[36] Debut-to-number-one timelines further illustrate this acceleration; Rihanna's inaugural single "Pon de Replay" debuted and peaked at number one within months of her 2005 breakthrough, contrasting with Madonna's path, where her first chart entry "Everybody" in late 1982 peaked at number three before her initial number one the following year.[36] Major label support has been pivotal in these rapid successes, particularly through investments in high-profile remixes that align tracks with club trends and DJ preferences, enabling artists to convert mainstream hits into club staples efficiently. In comparison, earlier disco-era figures like Donna Summer experienced a more gradual buildup despite her genre-defining status; her first number one, "Love to Love You Baby," arrived in December 1975 after initial singles like "Hostage" in 1974 failed to chart significantly, reflecting a pre-remix era where success relied more on organic radio-to-club crossover over several releases. This contrast highlights how modern promotional mechanics, including remix pushes, have shortened the path to chart dominance on Dance Club Songs.[37]Song Achievements
Longest Runs at Number One
The longest runs at number one on the Billboard Dance Club Songs chart measure a song's sustained dominance in club play, often reflecting enduring DJ support and genre resonance. The record is 11 weeks, tied by Harold Melvin & the Blue Notes' "Bad Luck" in 1975 and Michael Jackson's "Thriller (All Cuts)" in 1983, the latter charting as a full album selection before Billboard shifted to single tracks in 1991.[38][2] Other notable extended stays include Change's "The Glow of Love (LP Cuts)" with 9 weeks in 1980 and the Bee Gees' "You Should Be Dancing" with 7 weeks in 1976, both exemplifying disco's emphasis on immersive, multi-track experiences in clubs.[39] In the 1980s and early 1990s, remixes and house tracks like CeCe Peniston's "Finally" (6 weeks in 1991) maintained similar longevity, blending ballad elements with upbeat rhythms to capture sustained airplay.[40] Pre-1980 disco entries frequently averaged 4-6 weeks at the top, driven by the era's focus on high-energy floor fillers and album-side charting. By contrast, the 2010s EDM surge shortened typical reigns to 1-3 weeks, as rapid remix cycles and diverse subgenres accelerated turnover; for instance, many of Madonna's later hits, contributing to her record 50 number-ones overall, held the peak for just one week each.[4]| Rank | Artist | Song | Weeks at #1 | Year |
|---|---|---|---|---|
| 1 (tie) | Harold Melvin & the Blue Notes | "Bad Luck" | 11 | 1975 |
| 1 (tie) | Michael Jackson | "Thriller (All Cuts)" | 11 | 1983 |
| 3 | Change | "The Glow of Love (LP Cuts)" | 9 | 1980 |
| 4 | Bee Gees | "You Should Be Dancing" | 7 | 1976 |
| 5 (tie) | CeCe Peniston | "Finally" | 6 | 1991 |
| 5 (tie) | Donna Summer | "Hot Stuff"/"Bad Girls" | 7 | 1979 |
| 5 (tie) | C+C Music Factory feat. Freedom Williams | "Gonna Make You Sweat (Everybody Dance Now)" | 5 | 1990 |
