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Caparison
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A caparison is a cloth covering laid over a horse or other animal for protection and decoration. In modern times, they are used mainly in parades and for historical reenactments. A similar term is horse-trapper.[1] The word is derived from the Latin caparo, meaning a cape.[2]
History
[edit]
In antiquity, a "magnificently caparisoned horse" takes a central place in a vision reported in the deutero-canonical text, 2 Maccabees 3:25, which prevents the Seleucid emissary Heliodorus from a planned assault on the Jewish temple treasury in Jerusalem.[3]
In the Middle Ages, caparisons were part of the horse armour known as barding, which was worn during battle and tournaments. They were adopted in the twelfth century in response to conditions of campaigning in the Crusades, where local armies employed archers, both on foot and horse, in large quantities. The covering might not completely protect the horse against the arrows but it could deflect and lessen their damage.
An early depiction of a knight's horse wearing a caparison may be seen on the small Carlton-in-Lindrick knight figurine from the late 12th century. Modern re-enactment tests have shown that a loose caparison protects the horse reasonably well against arrows, especially if combined with a gambeson-like undercloth underneath. Medieval caparisons were frequently embroidered with the coat of arms of the horse's rider.
In 1507, a horse disguised as a unicorn at the tournament of the Wild Knight and the Black Lady in Edinburgh had a caparison of black and white damask lined with canvas.[4] Mary, Queen of Scots, gave Lord Darnley a caparison made of gold and silver cloth in September 1566.[5] A caparison made of red taffeta for the horse James VI of Scotland in June 1591 may have been intended for a masque performed at Tullibardine Castle.[6] Velvet caparisons lined with buckram were made for Henrietta Maria and her gentlewomen in 1630s.[7]
Domesticated and temple elephants of India
[edit]
In the Indian state of Kerala, elephants are decorated during temple festivals. They wear a distinctive golden head covering called a nettipattam, which is often translated into English as an elephant caparison. However, it covers only the head, not the body, as in a horse caparison.
See also
[edit]References
[edit]- ^ Trapper sold at Christie's
- ^ "caparison (n.)". Online Etymology Dictionary. Archived from the original on 2015-03-24. Retrieved 20 April 2015.
- ^ Cline, Eric H. (10 March 2010). Jerusalem Besieged: From Ancient Canaan to Modern Israel. 76: University of Michigan Press. ISBN 978-0-472-02537-4.
{{cite book}}: CS1 maint: location (link) - ^ James Balfour Paul, Accounts of the Treasurer, vol. 3 (Edinburgh, 1901), p. 257.
- ^ Joseph Robertson, Inventaires (Edinburgh, 1863), pp. 42, 167.
- ^ Michael Pearce, 'Maskerye Claythis for James VI and Anna of Denmark', Medieval English Theatre 43 (Cambridge: D. S. Brewer, 2022), p. 118.
- ^ Arthur MacGregor, 'Horsegear, Vehicles and Stable Equipment', Archaeological Journal 153 (1997), pp. 176, 195.
External links
[edit]- Caparisons in 13th–17th century illustrations and artwork
- A caparison made for the wedding-celebration of Gustaf II Adolf of Sweden and Maria Eleonora of Brandenburg, 1621
- Caparisons in the 14th-century German – Codex Manesse
This article incorporates text from a publication now in the public domain: Chambers, Ephraim, ed. (1728). "Caparison". Cyclopædia, or an Universal Dictionary of Arts and Sciences (1st ed.). James and John Knapton, et al.
Caparison
View on Grokipediafrom Grokipedia
A caparison is an ornamental textile covering draped over a horse, typically featuring elaborate decorations such as embroidery, heraldic symbols, or vibrant colors to signify the rider's status, wealth, or affiliation.[1] Originating in late 12th-century Europe, caparisons initially served both decorative and protective purposes, with padded and quilted versions providing armor-like shielding against blows in battle or tournaments.[2] By the early 13th century, they had become widespread across the continent, often combined with mail trappers or plate defenses, and were essential in military processions, jousts, and ceremonies to display coats of arms or national emblems.[2] The term derives from the Middle French caparaçon (15th century), possibly via Old Spanish caparazón, evolving from words for hooded mantles or cloaks, and entered English in the 1570s to describe such saddle coverings or personal adornments.[3] Though they largely faded from active battlefields by the early 15th century in favor of full metal barding, caparisons persisted in ceremonial and parade contexts into the late 16th century and beyond, influencing ceremonial traditions in Europe and beyond, including in Asia.[2][1] In modern usage, the word also metaphorically denotes rich or showy attire for people or objects, but its core historical association remains with equine decoration.[4]
Definition and Etymology
Definition
A caparison is an ornamental cloth covering laid over the back of a horse or other animal, such as elephants in ceremonial contexts, typically draping from the saddle to the sides for both protection and decoration.[1][5] This textile layer often features elaborate designs, such as embroidery or heraldic motifs, enhancing the animal's appearance while providing a barrier against environmental elements.[2][6] It differs from barding, which denotes full-body armor for equines, usually constructed from metal, leather, or rigid materials for combat defense, whereas caparisons prioritize lightweight fabrics and aesthetic embellishment over structural rigidity.[2] Trappings is a broader term for the decorative elements of a horse's harness and outfit, which often includes or refers to the caparison as the large, draped saddle covering that envelops much of the animal's torso.[4][1][7] Today, caparisons are primarily employed in parades, ceremonial processions, and equestrian shows, where their decorative function predominates, unlike historical uses that balanced ornamentation with practical shielding.[8][9]Etymology
The word caparison entered English in the 1570s, borrowed from French caparasson (modern caparaçon), which denoted a cloth spread over a saddle or a decorative covering for a horse.[3] This French term itself derives from Old Spanish caparazón, referring to a saddlecloth or protective covering, ultimately tracing back to Old Occitan capairon.[10] The Spanish form is linked to capa, meaning "cape," emphasizing its origin as a garment-like covering.[11] At its deepest linguistic roots, caparison stems from Late Latin cappa, which signified a cloak, hood, or any protective head covering, evolving from earlier Latin caput ("head").[12][13] This connection highlights the term's foundational association with hooded or draped fabrics used for protection, akin to medieval capes that shielded against weather or served ceremonial purposes. The augmentative forms in Romance languages, such as Medieval Latin caparo (a chaperon or hooded cape), further reinforced this evolution into coverings for both humans and animals.[3] By the 17th century, the meaning of caparison underwent a semantic shift in English usage, extending from its literal sense as a horse's ornamental covering to a metaphorical application denoting rich finery, adornment, or elaborate dress for humans.[3] This broadening reflected the term's connotation of splendor and decoration, paralleling its equestrian origins while adapting to describe personal attire in literary and formal contexts.Historical Development
Origins and Early Use
The earliest evidence for caparisons in Europe dates to the mid-12th century, with iconographic depictions appearing around the 1140s on the seal of Simon de Senlis, Earl of Huntingdon and Northampton, showing a knight mounted on a horse covered by a cloth trapper.[14] By the late 12th century, such coverings had become more widespread, as evidenced by artifacts like the Carlton-in-Lindrick knight figurine, a small bronze sculpture from England portraying a mounted warrior whose horse wears a draped textile over its body.[2] These initial caparisons were padded quilts made from textile materials, designed primarily to insulate war horses beneath heavier metal armor and provide limited protection from environmental elements and projectiles.[15] Caparisons gained prominence during the Crusades, where European knights encountered Eastern warfare tactics emphasizing archery, prompting the adoption of these coverings to shield horses from arrows while allowing for mobility in hot climates.[2] In tournaments, they similarly served practical roles but also facilitated knightly identification through embroidered or appliquéd heraldic devices, enabling spectators and combatants to recognize participants amid the chaos of mock battles.[16] This dual function—defensive and identificatory—marked their integration into chivalric military culture by the close of the 12th century.[17] Over time, caparisons evolved from utilitarian quilts into symbols of status, with luxurious fabrics and intricate heraldic motifs showcasing a knight's wealth, lineage, and feudal allegiances on both battlefields and tourney grounds.[15] This shift reflected broader changes in medieval equestrian practices, where the horse's adornment paralleled the knight's own armored splendor.[2]Medieval Europe
In medieval Europe, caparisons reached their peak prominence during the 13th to 15th centuries, serving as essential coverings for war horses in both military and ceremonial contexts. These textile drapings were commonly used during jousts and tournaments, where they displayed the knight's heraldry to identify combatants amid the spectacle, as well as in battles to provide protective layering over the horse's body. Quilted constructions offered deflection against arrows and other projectiles, enhancing the defensive capabilities of heavily armored destriers while allowing for fluid movement on the battlefield. Royal processions further showcased caparisons as symbols of status, with elaborate designs adorning horses in public displays of power by nobility and monarchs.[2] Caparisons were integrated with evolving plate armor systems for destriers, the powerful war horses favored by knights, often worn over mail trappers and beneath or alongside metal barding components like shaffrons and peytrals. By the mid-15th century, full barding ensembles incorporated caparisons with reinforced elements, combining protection and aesthetics through embroidered coats of arms that proclaimed lineage and allegiance. These decorations, featuring vibrant heraldic motifs, not only served practical identification purposes during chaotic engagements but also elevated the visual grandeur of chivalric traditions. Building briefly on earlier padded designs introduced in the late 12th century, European caparisons adapted to the demands of increasingly sophisticated knightly warfare.[2][2] The widespread adoption of gunpowder weaponry in the 15th and 16th centuries led to the decline of caparisons in active combat, as firearms rendered traditional horse armor less effective against ranged fire. By the early 16th century, they had largely vanished from battlefields across Europe, supplanted by infantry tactics and artillery. However, caparisons persisted in ceremonial roles, including tournaments and state events, where their decorative value continued to symbolize prestige into the late 16th century.[2]In Asia
In ancient Persia, particularly during the Sasanian period (224–651 CE), caparisons served both protective and ornamental functions for war horses, often consisting of leather coverings or scale barding where metallic scales were sewn onto textile blankets to shield cavalry mounts in battle.[18] These designs influenced later Islamic military traditions, emphasizing the horse's role in elite warfare and royal processions.[19] The tradition extended into the Indian subcontinent, with roots in the Delhi Sultanate (1206–1526 CE), where caparisons adorned war horses and elephants during key battles, such as those against Mongol incursions, combining imported Central Asian horse armor with local textiles for enhanced mobility and intimidation on the battlefield.[20] This practice evolved prominently in Mughal India from the 16th to 19th centuries, where caparisons richly decorated both horses and war elephants, featuring velvet, brocade, and zardozi embroidery in gold and silver to denote imperial status during military campaigns and regal processions.[21] Historical accounts, such as those in Abu’l-Fazl’s Ain-i-Akbari, detail these trappings— including jhul carpets and seeri coverings—used in battles like the conquests under Akbar, symbolizing the ruler's power and often incorporating astrological motifs like fish emblems on bridles. In East Asia, caparisons appeared in Chinese imperial culture during the Tang Dynasty (618–907 CE), where silk-embroidered coverings on horses signified aristocratic privilege and were prominently displayed in processions, such as those honoring military victories or tribute from Central Asia.[22] Terracotta figures of caparisoned horses, often glazed in sancai colors with ornate saddles and collars, illustrate their use in ceremonial contexts, restricted by edicts like the 667 CE statute limiting ownership to nobility. Japanese variants, influenced by Tang aesthetics from the 7th–10th centuries, featured similar ornamental trappings on war horses, as evidenced by excavated 7th-century sets in Kyushu including gilt-bronze fittings and embroidered cloths for elite cavalry in imperial rituals.[23] Ottoman Turkish caparisons from the 14th to 17th centuries blended Persian and Islamic elements, adorning cavalry horses with quilted textiles embroidered in arabesque motifs for military parades and battles, such as the sieges of Constantinople.[20] These coverings, often layered over mail for sipahi units, incorporated Quranic inscriptions and floral patterns to invoke divine protection, as seen in surviving 15th-century armors from the period's elite forces.[24]Materials and Design
Fabrics and Construction
Caparisons for horses were primarily constructed from wool, linen, or silk fabrics, selected for their durability and ability to withstand the rigors of travel and combat.[2] These materials were often thickly padded and quilted to provide protection against weather elements and minor impacts while ensuring the horse's comfort during extended use.[2] Construction techniques involved hand-sewing multiple fabric panels into large, draped coverings designed to fit over saddles and the animal's body, with strategic slits for the legs to allow freedom of movement and reinforced edges to prevent fraying.[2] Elephant caparisons followed similar principles but on a grander scale, using heavy silk, velvet, or brocade bases quilted with cotton or buckram padding, sewn via couching stitches on frames like karchob for structural integrity.[25] Historically, caparisons evolved from simple dyed cloth drapes in the 12th century, which offered basic coverage and heraldic display, to more complex multi-layered assemblies by the Renaissance, incorporating padding and reinforcements for enhanced functionality.[2] In India, elephant jhuls (trappings) developed parallel sophistication, with fabrics layered and padded in historical traditions dating to ancient times but reaching elaborate forms in later periods such as the Mughal era, adapting to ceremonial and processional demands.[25]Decorative Elements
Caparisons were frequently embellished with embroidery using gold and silver threads to create intricate patterns that enhanced their visual appeal and conveyed status.[26] These coverings often incorporated fringe, including rare gilt varieties on mail trappers, adding a flowing, ornamental edge. Jewels such as lapis lazuli and turquoise were sometimes set into saddle plates associated with caparisons, providing sparkling accents that highlighted wealth.[26] In medieval Europe, decorative elements prominently featured heraldic symbols, including the rider's coat of arms and associated colors, to identify the owner and assert lineage during tournaments and processions.[2] Color symbolism played a key role, with red (gules) signifying valor and military fortitude in these heraldic designs. Tassels and bells were common customizations for ceremonial events, with tassels of silver wire adorning edges for dramatic effect and bells attached to collars to produce auditory accents amid crowds.[27][28] In Asian traditions, particularly in India, caparisons incorporated floral and religious icons, such as the chintamani motif—a triple jewel symbolizing auspiciousness and enlightenment—often rendered in sumptuous textiles to evoke spiritual and cultural depth.[29] Gold thread and elements were prevalent in these designs, symbolizing royalty and divine prosperity, with elaborate embroidery elevating the coverings for royal processions.[30]Uses and Cultural Significance
Equestrian and Ceremonial Uses
In modern equestrian and ceremonial contexts, caparisons primarily fulfill decorative and symbolic roles, emphasizing tradition and visual splendor over any protective function. During military parades, such as those performed by the British Household Cavalry, horses are fitted with ornate shabraques—ceremonial saddle cloths akin to caparisons—that prominently display the unit's battle honors and regimental emblems to evoke historical prestige.[31] These coverings are integral to events like the annual Trooping the Colour, where the Household Cavalry Mounted Regiment's horses parade in full regalia, preserving centuries-old military customs. Similarly, in weddings featuring horse-drawn carriages, caparisons add an element of grandeur, often customized with floral motifs or thematic designs to complement the occasion's festive atmosphere, though their use remains more common in cultural or historical-themed celebrations. Caparisons have experienced a notable revival in historical reenactments and certain equestrian sports, where they help recreate authentic period aesthetics or highlight team affiliations. Enthusiasts and performers in medieval tournaments and Renaissance fairs frequently employ reproduction caparisons to outfit horses for jousting demonstrations and processions, ensuring fidelity to original designs while prioritizing safety and mobility. In equestrian sports like dressage, particularly during exhibition performances or national team displays, caparisons occasionally appear to showcase colors and insignia, blending competitive precision with ceremonial flair, though they are not standard in formal judging arenas. A prominent global example is the Spanish Riding School in Vienna, Austria, where Lipizzaner stallions have worn traditional velvet saddle cloths—functioning as caparisons—during classical dressage performances since the institution's founding in the 16th century, underscoring the enduring link between equestrian artistry and historical pageantry.[32] These coverings, often in rich red velveteen, complement the horses' white coats and the school's baroque setting, drawing international audiences to witness this preserved tradition.[32]For Elephants in India
In Indian culture, caparisons for elephants have deep historical roots, particularly in the Mughal and Vijayanagara empires, where they served both martial and symbolic functions. During the 16th to 17th centuries, war elephants in the Mughal Empire were outfitted with elaborate caparisons consisting of metal plate armor and decorative fabrics to protect vital areas and intimidate foes, as seen in battles like the First Battle of Panipat in 1526.[33] Similarly, the Vijayanagara Empire (14th–16th centuries) relied on elephants for military campaigns, adorning them with protective coverings and ornate trappings that underscored royal authority, as evidenced by temple carvings and historical accounts of their use in warfare against northern invaders. These caparisons, often combining chain mail, jewels, and richly embroidered cloths, transformed elephants into mobile fortresses and emblems of imperial might. By the 19th century, following British colonial influence and the decline of large-scale warfare, such adornments shifted from combat to ceremonial contexts, emphasizing prestige in royal processions and festivals rather than battlefield utility.[34] In contemporary South Indian traditions, caparisons play a central role in temple rituals, symbolizing the elephant as a divine mount for deities. At the Srirangam Ranganathaswamy Temple in Tamil Nadu, one of the largest Vishnu temples, resident elephants like Andal and Lakshmi are draped in ornate gold-plated forehead ornaments and embroidered cloths during festivals such as the annual Brahmotsavam, where they carry sacred idols in processions to invoke divine presence and bless devotees. These adornments, featuring intricate gold embroidery on silk bases, represent the elephant's sacred status as vahana (vehicle) for gods like Vishnu, enhancing the ritual's spiritual and visual grandeur. Similar practices occur across South Indian temples, where caparisons elevate everyday ceremonies into communal spectacles of devotion. Kerala's festival traditions exemplify this evolution through the use of nettai, or anointment cloths, which are silken caparisons applied during rituals to honor temple elephants. In events like the Thrissur Pooram, established in the late 18th century by Sakthan Thampuran of Cochin, elephants are festooned with nettipattam and nettai made of red silk embroidered with gold threads depicting deities such as Lord Brahma and motifs inspired by Indra's elephant Airavata, signifying prosperity and divine protection.[35] These cloths, anointed with oils and vermilion before parading through streets amid fireworks and percussion, trace their origins to 18th-century innovations by artisans like Kirangattu Namboothiri for nearby Peruvanam Pooram, blending artistry with religious symbolism in one of India's most vibrant elephant processions.[35]References
- https://en.wiktionary.org/wiki/caparison