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Dan Flavin

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Dan Flavin

Dan Flavin (April 1, 1933 – November 29, 1996) was an American minimalist artist famous for creating sculptural objects and installations from commercially available fluorescent light fixtures.

Daniel Nicholas Flavin Jr. was born in Jamaica, New York, of Irish Catholic descent, and was sent to Catholic schools. He was named after his father, D. Nicholas Flavin. Dan Flavin studied for the priesthood at the Immaculate Conception Preparatory Seminary in Brooklyn between 1947 and 1952 before leaving to join his twin brother, David John Flavin, and enlist in the United States Air Force.

During military service in 1954–55, Flavin was trained as an air weather meteorological technician and studied art through the adult extension program of the University of Maryland in Korea. Upon his return to New York in 1956, Flavin briefly attended the Hans Hofmann School of Fine Arts and studied art under Albert Urban. He later studied art history for a short time at the New School for Social Research, then moved on to Columbia University, where he studied painting and drawing.

From 1959, Flavin was briefly employed as a mail room clerk at the Guggenheim Museum and later as guard and elevator operator at the Museum of Modern Art, where he met Sol LeWitt, Lucy Lippard, and Robert Ryman.

In 1961, he married his first wife Sonja Severdija, an art history student at New York University and assistant office manager at the Museum of Modern Art. The couple had one son, Stephen Flavin. The first marriage ended in divorce by 1979. Flavin's twin brother, David, died in 1962.

Flavin married his second wife, the artist Tracy Harris, in a ceremony at the Guggenheim Museum, in 1992.

Flavin died in Riverhead, New York, of complications from diabetes. A memorial for him was held at Dia Art Foundation on January 23, 1997. Speakers included Brydon Smith, curator of 20th-century art at the National Gallery of Canada, Ottawa; Fariha Friedrich, a Dia Art Foundation trustee; and Michael Venezia, an artist.

Flavin's first works were drawings and paintings that reflected the influence of Abstract Expressionism. In 1959, he began to make assemblages and mixed media collages that included found objects from the streets, especially crushed cans.

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