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Delta Dawn
Delta Dawn
from Wikipedia
"Delta Dawn"
Promotional single by Alex Harvey
from the album Alex Harvey
B-side"Same song"
Released1971
GenreCountry, folk rock
Length4:02
LabelCapitol
Songwriters
ProducerMichael Sunday
Alex Harvey singles chronology
"To Make My Life Beautiful"
(1971)
"Delta Dawn"
(1971)
"Old Fashioned Feeling"
(1972)

"Delta Dawn" is a song written by musician Larry Collins and country songwriter Alex Harvey.[a] The first notable recording of the song was in 1972 by American singer and actress Bette Midler for her debut album The Divine Miss M. However it is best known as a 1972 top ten country hit for Tanya Tucker[1] and a 1973 US number one hit for Helen Reddy.

Content

[edit]

The title character is a faded former Southern belle from Brownsville, Tennessee, who, at 41, is obsessed with the long-ago memory of a suitor who jilted her. The lyrics describe how the woman regularly "walks downtown with a suitcase in her hand / looking for a mysterious dark haired man" who she says will be taking her "to his mansion in the sky."

The song's writing

[edit]

Alex Harvey said he wrote the song about his mother:

My mother had come from the Mississippi Delta and she always lived her life as if she had a suitcase in her hand but nowhere to put it down.

Ten years before Harvey wrote the song, he was performing on TV and told his mother not to come, lest she get drunk and embarrass him. That night she died in a car crash, and Harvey believed it was suicide caused by his rejection.[2]

For years Harvey suffered from guilt over the incident, until a cathartic incident the night he wrote the song. He was at fellow songwriter Larry Collins' house, who was asleep while Harvey noodled around on his guitar. He believed his mother then came to him in a vision:

I looked up and I felt as if my mother was in the room. I saw her very clearly. She was in a rocking chair and she was laughing...I really believe that my mother didn't come into the room that night to scare me, but to tell me, 'It's okay,' and that she had made her choices in life and it had nothing to do with me. I always felt like that song was a gift to my mother and an apology to her. It was also a way to say 'thank you' to my mother for all she did.[3]

After writing the first few lines of the song, Harvey woke Collins and they finished it together.

Recording history

[edit]

The first recording of "Delta Dawn" was made by Harvey for his album Alex Harvey released in November 1971. Harvey had performed as the opening act for Helen Reddy at the Troubadour in January 1972, but at that time Reddy (who also was signed with the Capitol Records label) made no connection with any of Harvey's compositions.[4]

Bette Midler

[edit]
"Delta Dawn"
Single by Bette Midler
from the album The Divine Miss M
A-side"Boogie Woogie Bugle Boy"
ReleasedMay 1973
StudioAtlantic Recording Studios, New York, New York
GenrePop rock
Length5:18
LabelAtlantic
Songwriters

During the time Tanya Tucker’s and Helen Reddy’s recordings of the song were being produced, Bette Midler recorded "Delta Dawn" for her The Divine Miss M debut album, for which her bluesy version was planned as the lead single. Reddy's single was released June 1973, two days after Midler's. The preemption required a marketing change for Midler, so the original B-side "Boogie Woogie Bugle Boy" was shopped to radio, itself becoming a top ten hit.

The song was also included on Midler's 1977 live album Live at Last which was recorded at the Cleveland Music Hall in Cleveland, Ohio.

Tanya Tucker

[edit]
"Delta Dawn"
side-A label
One of side-A labels of the US single
Single by Tanya Tucker
from the album Delta Dawn
B-side"I Love the Way He Loves Me"
ReleasedApril 10, 1972
RecordedMarch 17, 1972
StudioColumbia Studios, Nashville, Tennessee
GenreCountry
Length2:59
LabelColumbia
Songwriters
ProducerBilly Sherrill
Tanya Tucker singles chronology
"Delta Dawn"
(1972)
"Love's the Answer/The Jamestown Ferry"
(1972)

Before Bette Midler's recording, Nashville-based producer Billy Sherrill heard her sing "Delta Dawn" on The Tonight Show and wanted to sign Midler to Epic Records and have her record it. Upon finding that Midler already signed with Atlantic Records, Sherrill cut the song with Tanya Tucker, who was newly signed to Epic,[5] at the Columbia Studios in Nashville, Tennessee. Tucker's version was released in April 1972; it reached number six Country that spring.[6]

While Harvey's original version started with the first verse, Sherrill suggested starting with the chorus instead, done a cappella – a term unknown to 13-year-old Tucker.[3] This distinction became a signature of her version.

Helen Reddy

[edit]
"Delta Dawn"
vinyl label
One of US reissues
Single by Helen Reddy
from the album Long Hard Climb
B-side"If We Could Still Be Friends"
ReleasedJune 1973[7]
Recorded1972
GenrePop[8]
Length3:08
LabelCapitol
SongwritersLarry Collins, Alex Harvey
ProducerTom Catalano
Helen Reddy singles chronology
"Peaceful"
(1973)
"Delta Dawn"
(1973)
"Leave Me Alone (Ruby Red Dress)"
(1973)

Record producer Tom Catalano created an instrumental track of "Delta Dawn." Catalano first offered the vocal track to Barbra Streisand, but she refused; after this he gave the vocal to Reddy.[9]

Reddy's version, which added upward modulation to Tucker's cold intro and nonstop vocals throughout, entered the top ten on 18 August 1973, on its way to its lone week at number one on the main Billboard Hot 100 chart, on 15 September 1973. It remained in the top 10 for eight weeks,[10] and was ranked as the No. 14 song for 1973 according to Billboard. "Delta Dawn" was also the first of Reddy's six consecutive—and eight overall—number one hits on the Billboard Easy Listening chart.[11] The song also topped the Cash Box chart on 8 September 1973, remaining at number one for two weeks.[12]

Reddy had reached number two with both "I Don't Know How to Love Him" and I Am Woman in her native Australia; "Delta Dawn" became her first number one hit there, spending five weeks at the top of the Kent Music Report in August and September 1973.[13] "Delta Dawn" also marked Reddy's only chart appearance in South Africa, reaching number 13 in the autumn of 1973.[14]

Sylvie Vartan (in French)

[edit]
"Toi le garçon"
Single by Sylvie Vartan
LanguageFrench
English titleYou're the boy
B-side"L'amour au diapason"
ReleasedOctober 1973
GenrePop
Length3:24
LabelRCA
Songwriters
Sylvie Vartan singles chronology
"L’homme que tu seras"
(1973)
"Toi le garçon"
(1973)
"Bye Bye Leroy Brown"
(1973)

In 1973, the song was adapted into French by Michel Mallory as "Toi le garçon" (meaning "You're the boy"). It was recorded by French pop singer Sylvie Vartan and released as a non-album single in October 1973.[15] Vartan's version peaked at Number 22 on the French Belgian charts on March 9, 1974.[16]

Other recordings

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  • Nola Francis released a version of the song in 1973. It peaked at number 98 in Australia.[17]

Chart performance

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Weekly charts

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Tanya Tucker version

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Chart (1972) Peak
position
US Billboard Hot 100[18] 72
US Hot Country Songs (Billboard)[19] 6
Canadian RPM Country Tracks[20] 3

Helen Reddy version

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Sylvie Vartan version (in French)

[edit]
Chart (1974) Peak
position
Belgium (Ultratop 50 Wallonia)[32] 22

Certifications

[edit]
Certifications for the Helen Reddy version
Region Certification Certified units/sales
Australia (ARIA)[33] Gold 50,000^
New Zealand (RMNZ)[34] Gold 10,000*
United States (RIAA)[35] Gold 1,000,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Notes

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See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
"Delta Dawn" is a country song written by Alex Harvey and Larry Collins in 1971, first recorded that year by Harvey on his self-titled album, and later popularized through cover versions that became major hits in the early . The song narrates the story of a faded from , who wears a flower in her hair and waits eternally for a lover who promised to return but never did, blending themes of lost , delusion, and quiet in its evocative . Inspired by Harvey's own mother—a free-spirited woman from the who died in a car accident shortly after Harvey discouraged her from attending one of his performances due to her drinking—the track emerged from a vision Harvey experienced while composing, serving as both a tribute and an apology to her memory. Tanya Tucker's rendition, released in April 1972 as the lead single from her debut album Delta Dawn when she was just 13 years old, marked her breakthrough, peaking at No. 6 on the Billboard Hot Country Songs chart and No. 72 on the Hot 100, establishing her as a child prodigy in country music. Bette Midler included a version on her 1972 debut album The Divine Miss M., where it became a live staple, though it did not chart as a single. Helen Reddy's cover, released in June 1973, achieved the song's greatest commercial success, topping the Billboard Hot 100 for one week in September 1973 and also reaching No. 1 on the Easy Listening chart, while earning gold certification. As a crossover anthem, "Delta Dawn" exemplifies the era's blend of and pop, influencing subsequent covers by artists like and its enduring presence in media, including a performance by Tucker with at the 2023 CMA Awards.

Background and composition

Songwriters and inspiration

"Delta Dawn" was written by Alex Harvey, a Nashville-based songwriter, and Larry Collins, a known for his early career as a child performer with the duo in the 1950s. Harvey, born in , drew from personal tragedy in crafting the lyrics, while Collins, influenced by pioneers like , contributed to the melody during a late-night collaboration in 1971. The song's inspiration stemmed from Harvey's mother, Emily Jeannette, a from Sunflower County in the who lived a life of faded glamour marked by hardship and an enduring obsession with a lost love from her youth. She died in 1958 in a when her vehicle crashed into a tree, an event Harvey long suspected was , leaving him with profound guilt as he pursued his music career away from home. The track served as Harvey's tribute to her memory, capturing the emotional weight of her unfulfilled dreams and resilience. The guilt originated from an incident as a teenager when Harvey discouraged his mother from attending one of his television performances due to her drinking, after which she died shortly thereafter. Harvey conceived the title "Delta Dawn" during a songwriting session at Collins' home, when a vivid vision of his mother appeared to him, evoking her Delta roots and the renewal of daybreak. This personal revelation transformed his grief into the song's haunting narrative core.

Writing process

The writing process for "Delta Dawn" began in 1971 when songwriter Alex Harvey visited the home of fellow musician Larry Collins, where the two collaborated on the song's development. Harvey contributed the core narrative lyrics, drawing from personal experiences, while Collins provided the melody, shaping the song's haunting, memorable tune during informal sessions where Harvey strummed his guitar and refined the words collaboratively. Over multiple sessions, the pair iteratively polished the and , with Harvey describing an emotional intensity as he worked, feeling a profound connection that guided adjustments to capture the story's essence. This refinement transformed the initial concept into a cohesive piece, balancing poignant storytelling with a simple yet evocative structure suitable for audiences. To distinguish himself from the Scottish rock musician of the same name, Alex Harvey occasionally used pseudonyms in his career, though for "Delta Dawn," he recorded under his own name; the process culminated in an initial demo that same year, intended as a straightforward but ultimately versatile enough for broader pop and interpretations. Harvey cut the demo during sessions at Quantum Studios in , in June and August 1971, including it on his self-titled debut album released by later that year.

Lyrics and musical style

Narrative and themes

The song "Delta Dawn" centers on a 41-year-old woman from , once renowned for her beauty and nicknamed Delta Dawn, who now wanders the town clutching a , fixated on a mysterious dark-haired man who abandoned her, promising to take her to his "mansion in the sky." Local residents view her as eccentric or deranged, gossiping that she has been involved with unsavory men, yet she persists in inquiring whether her lost love will return to fulfill his vow. This narrative unfolds through the chorus's direct address to her, questioning the faded flower she wears and her lingering expectations. At its core, the story explores themes of lost youth and the inexorable passage of time, as the clings to memories of her prime while her vitality wanes, symbolized by her unchanged from her despite her age. drives her , transforming a jilted romance into an obsessive that isolates her from the community, portraying obsession as a destructive force rooted in regret. The lyrics evoke elements through the depiction of small-town judgment, decayed , and psychological unraveling, presenting the woman not as a but as a tragic figure ensnared by her past. Key motifs reinforce these ideas: the faded rose she wears represents her bygone allure and the wilting of dreams over time, while her constant question—"Did I hear you say he was meeting you here today?"—underscores her haunting denial of abandonment. The she carries adds layers of religious and redemption fantasies, interpreting her wait as a about the perils of unresolved longing in a judgmental society. Overall, the narrative serves as an empathetic portrait of mental decline, where personal sorrow collides with social stigma, highlighting the human cost of unhealed heartbreak.

Composition and structure

"Delta Dawn" is a mid-tempo with pop crossover appeal, structured in a verse-chorus form featuring a bridge that builds emotional tension before resolving into the final chorus. The composition is set in 4/4 time, typically at around 76 beats per minute, allowing for a steady, narrative-driven flow that suits its style. While keys vary across recordings—such as in Helen Reddy's version and Bb major in Tanya Tucker's—the harmonic foundation relies on straightforward I-IV-V progressions that emphasize melodic swells and provide a simple, accessible framework for the song's emotional arc. The chorus serves as the central hook through its repetitive phrasing, reinforcing the melody's catchiness without complex variations. Instrumentation centers on as the driving force, particularly in country-oriented renditions, where adds a signature twang and sustain to heighten the wistful tone. Pop interpretations incorporate for rhythmic support and lush strings to expand the arrangement's depth, creating a fuller sonic palette that enhances crossover accessibility. Depending on the version, the song's runtime spans approximately 3 to 5 minutes, accommodating instrumental intros, solos, and fades that align with its pacing.

Recording history

Original and early recordings

"Delta Dawn" was first recorded by its co-writer Alex Harvey during sessions in June and August 1971 at Quantum Studios in , for his self-titled debut album released by in November of that year. The track was produced as a straightforward , emphasizing Harvey's narrative lyrics about a faded , with backup vocals provided by Tracy Nelson and Dianne Davidson. The recording appeared on the album Alex Harvey (Capitol ST-789), which showcased Harvey's songwriting roots in the genre. A promotional single (catalog number 6517) was issued in late 1971, backed with an instrumental version of the same song, though it failed to chart on national lists; the commercial single (catalog number 3336) followed in May 1972, backed with "Momma's Waiting." As a Nashville-based songwriter, Harvey's version circulated within industry circles, highlighting the song's potential as a vehicle for emerging artists through its evocative storytelling and melodic structure. Dianne Davidson, a backup vocalist on Harvey's track, released her own version as a single in late 1971, which charted modestly on country lists. No known demo or unpublished versions by Harvey and co-writer Larry Collins have been documented prior to this official release, marking it as the song's debut in recorded form. The initial outing established "Delta Dawn" firmly within country's tradition of character-driven ballads, drawing from personal inspirations rooted in Southern life.

Tanya Tucker version

Tanya Tucker, then just 13 years old, recorded "Delta Dawn" in Nashville in early 1972, launching her career as one of music's youngest breakout stars. Produced by at , the track captured her precocious vocal maturity in a straightforward style, emphasizing her raw delivery during the session. The single was released in 1972, serving as the lead track on her debut album of the same name, which came out on September 11, 1972. Tucker's path to the recording began with her discovery by songwriter and actress , who recognized her talent from local performances in Phoenix and introduced her to Sherrill, the A&R chief at Columbia/Epic Records. Sherrill signed her immediately and fast-tracked the project, aiming to position Tucker as a teenage sensation with an edgy, adult-themed hit that contrasted her youth. The arrangement highlighted traditional country elements, including and , contributing to its 3:00 runtime and authentic Southern sound. This version of "Delta Dawn" solidified Tucker's image as a bold young artist, blending innocence with a husky that appealed to audiences seeking fresh energy. The recording's unpolished intensity, achieved in a quick studio turnaround, helped establish her as a prodigy capable of handling complex narratives.

Bette Midler version

's recording of "Delta Dawn" appeared on her debut album , released in November 1972 by . The track was produced by , Geoffrey Haslam, and , and runs for an extended 5:18, allowing for a dramatic build in intensity. The arrangement adopts an upbeat pop-rock approach within the album's contemporary pop/rock and soft rock framework, highlighted by Midler's theatrical vocals that reflect her cabaret background. Backing elements include horns and gospel-inspired choral elements, contributing to a lively, performative energy. Originally planned as the lead single from the album, Midler's bluesy rendition was overshadowed when Helen Reddy's version emerged, prompting Atlantic to promote "Boogie Woogie Bugle Boy" instead; "Delta Dawn" was issued as its B-side in May 1973. This shift broadened the song's appeal beyond its country origins into pop and rock audiences through Midler's distinctive interpretation.

Helen Reddy version

Helen Reddy's recording of "Delta Dawn" was released as a single in June 1973 by , serving as the lead track from her album Long Hard Climb. Produced by Tom Catalano, the song runs for 3:15 and marked Reddy's follow-up to the success of her 1972 hit "," which had established her as a major pop artist. Catalano prepared an instrumental track in advance, and to capitalize on Reddy's rising popularity, allowing for a swift production process. This version became her second number-one hit on the Hot 100. The arrangement features a soft with lush orchestral strings that provide a cinematic backdrop, complemented by gentle, tinkling lines that underscore the melody's emotional depth. Reddy's emotive vocals, delivered with a mature tone at age 31, effectively convey the weariness and longing of the song's , an older woman reflecting on lost . The song's themes of faded are particularly enhanced by Reddy's interpretive phrasing, adding a layer of poignant realism to the narrative.

International and other versions

In 1973, French singer released an of "Delta Dawn" titled "Toi le garçon," with localized by Michel Mallory to fit a more universal romantic narrative, shifting away from the original's Southern U.S. setting to a story of a girl waiting for her lover. The single, arranged by Raymond Donnez, entered the Belgian charts on January 5, 1974, peaking at number 22 and spending 10 weeks in the Top 50. This version marked one of the earliest European takes on the song, contributing to its initial spread beyond . That same year, Australian artist Nola Francis recorded an English-language cover for Fable Records, produced at Bill Armstrong Studios in , which captured the song's melodic structure while appealing to local audiences through straightforward styling. Released in July 1973 as a double A-side with "Bird on a Wire," it achieved modest national success, entering the Australian charts and reaching number 98, though it performed stronger locally, peaking at number 4 on surveys. The song saw further international adaptation in during the mid-1970s, often reworking its themes of longing and faded youth to resonate with regional sensibilities. Norwegian singer Inger Lise's 1973 version, "Anna," translated the narrative into a Scandinavian context, emphasizing emotional isolation. In , Maarit released "Laakson Lilja" in December 1973, softening the Southern imagery into a valley lily metaphor for lost innocence. German adaptations included Bruce Low's straightforward 1973 rendition and Daliah Lavi's 1976 "Neuer Wind," which infused a energy to broaden its appeal. In , artist Claude Valade offered a French cover, "Jonathan le goéland," in 1976, adapting the story to a coastal, migratory motif to evoke regional . These versions highlighted the song's versatility, allowing its core melody and themes to connect with diverse cultural audiences while preserving its emotional core.

Commercial performance

Chart performance

Tanya Tucker's 1972 recording of "Delta Dawn" marked her breakthrough hit, peaking at number 6 on the chart in July 1972 and reaching number 72 on the Hot 100. The single spent 15 weeks on the chart, establishing Tucker as a prominent young artist in music that year. Helen Reddy's version, released in 1973, achieved far greater commercial success across multiple formats and markets. It debuted on the Billboard Hot 100 at number 86 in late June 1973, steadily climbing over 12 weeks to reach number 1 on September 15, where it held the top position for one week before descending, ultimately charting for 20 weeks total. The track also topped the Billboard Adult Contemporary chart for two weeks and ranked number 14 on the 1973 year-end Top Pop Singles chart, while securing the number 1 spot on the year-end Top Adult Contemporary Singles chart. Internationally, Reddy's "Delta Dawn" mirrored its U.S. dominance, hitting number 1 on the RPM Top Singles chart in for three weeks starting in August 1973 and charting for 16 weeks overall. In , it reached number 1 on the for five weeks starting in August 1973, becoming one of Reddy's signature international successes.
Chart (1973)Peak PositionWeeks on ChartSource
U.S. Hot 100120Billboard
U.S. Adult Contemporary1Billboard
RPM Top Singles116RPM via tsort.info
1Kent Music Report via bangagong
Bette Midler's 1972 recording, included on her debut album , was not released as a single but became a live staple in her performances. Similarly, French singer Sylvie Vartan's 1973 French-language version, released as a non-album single, reached number 22 on the Belgian French-language chart on March 9, 1974.

Certifications

The version of "Delta Dawn" was certified by the (RIAA) in August 1973 for sales exceeding 1 million units in the United States. This certification underscored the song's commercial breakthrough, marking one of Reddy's early major accolades in the pop market. No certification was awarded for the single, consistent with RIAA thresholds of the era that required 1 million units for but higher for on singles. The Tanya Tucker version, released as her debut single in 1972, did not receive formal certifications from the RIAA or other major bodies. However, it contributed significantly to the sales of her debut album Delta Dawn. Other versions of the song, including those by Bette Midler and international artists, did not attain certified status.

Legacy

Cultural impact

"Delta Dawn" played a pivotal role in launching Tanya Tucker's career as a teenage country sensation, propelling the 13-year-old artist to national prominence with its release in 1972 and establishing her as one of the genre's youngest breakout stars. Similarly, Helen Reddy's 1973 cover elevated her status as a feminist icon in pop music, following the success of "I Am Woman" and reinforcing her image as a voice for women's empowerment through its dramatic interpretation of a woman's unfulfilled longing. The song's crossover appeal bridged country and pop audiences, with Tucker's raw country rendition peaking on the country charts while Reddy's version topped the Billboard Hot 100, exemplifying the era's genre-blending trends that introduced country narratives to broader mainstream listeners. The track contributed to the popularization of Southern Gothic tropes in 1970s music, portraying a faded haunted by lost love in a style that evoked mystery and decay, influencing subsequent storytelling in country-pop hybrids. In later years, "Delta Dawn" has been referenced in political and personal narratives, with 2024 analyses drawing parallels between its themes of societal unrest and economic strain to contemporary issues like and political division, evoking comparisons to the 1970s under Nixon and modern times under Trump. The song featured prominently in media appearances, including footage from a 2019 project that contributed to the 2022 documentary The Return of Tanya Tucker: Featuring Brandi Carlile, which chronicled Tucker's early career and collaborations like her meeting with Brandi Carlile. It also appeared in the 2022 documentary The Return of Tanya Tucker: Featuring Brandi Carlile, highlighting her comeback and creative revival. Additionally, Tucker performed "Delta Dawn" during her sold-out 2020 headlining show at Nashville's Ryman Auditorium, marking a triumphant return to the historic venue.

Recent covers and media appearances

In 2020, "Delta Dawn" gained renewed visibility through the animated film , where voiced a character named Delta Dawn, the leader of the Country Trolls tribe. This media appearance introduced themes to younger audiences via the film's , which featured original country tracks performed by the character. The song experienced a notable revival in 2023 with an cover by the vocal group Home Free featuring , released as a single that highlighted harmonious vocal arrangements and contemporary country flair. The track was made available on major streaming platforms, showcasing the song's adaptability to modern vocal ensemble styles. Tanya Tucker, the song's breakthrough performer, has maintained its presence through ongoing live renditions in the 2020s. She joined for a collaborative performance at the 57th Annual CMA Awards in 2023, blending her original style with group harmonies on stage. Additionally, Tucker delivered a solo version at in 2024, incorporating personal touches like featuring her dogs during the set. In 2025, independent country artists have embraced "Delta Dawn" in digital formats, producing acoustic and viral covers on platforms like and that emphasize raw, intimate interpretations. Emerging talents such as Hannah Marie Kelley, Sheyna Gee, and EllieMae shared renditions throughout the year, with Kelley's studio-tracked version produced by Gabriel Kelley, Gee's barn acoustic performance gaining online buzz, and EllieMae's cover evoking Tucker's outlaw spirit. These efforts underscore the song's enduring appeal in user-generated content, fostering grassroots revivals without major chart impacts.

References

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