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Delta Dawn
View on Wikipedia| "Delta Dawn" | ||||
|---|---|---|---|---|
| Promotional single by Alex Harvey | ||||
| from the album Alex Harvey | ||||
| B-side | "Same song" | |||
| Released | 1971 | |||
| Genre | Country, folk rock | |||
| Length | 4:02 | |||
| Label | Capitol | |||
| Songwriters |
| |||
| Producer | Michael Sunday | |||
| Alex Harvey singles chronology | ||||
| ||||
"Delta Dawn" is a song written by musician Larry Collins and country songwriter Alex Harvey.[a] The first notable recording of the song was in 1972 by American singer and actress Bette Midler for her debut album The Divine Miss M. However it is best known as a 1972 top ten country hit for Tanya Tucker[1] and a 1973 US number one hit for Helen Reddy.
Content
[edit]The title character is a faded former Southern belle from Brownsville, Tennessee, who, at 41, is obsessed with the long-ago memory of a suitor who jilted her. The lyrics describe how the woman regularly "walks downtown with a suitcase in her hand / looking for a mysterious dark haired man" who she says will be taking her "to his mansion in the sky."
The song's writing
[edit]Alex Harvey said he wrote the song about his mother:
My mother had come from the Mississippi Delta and she always lived her life as if she had a suitcase in her hand but nowhere to put it down.
Ten years before Harvey wrote the song, he was performing on TV and told his mother not to come, lest she get drunk and embarrass him. That night she died in a car crash, and Harvey believed it was suicide caused by his rejection.[2]
For years Harvey suffered from guilt over the incident, until a cathartic incident the night he wrote the song. He was at fellow songwriter Larry Collins' house, who was asleep while Harvey noodled around on his guitar. He believed his mother then came to him in a vision:
I looked up and I felt as if my mother was in the room. I saw her very clearly. She was in a rocking chair and she was laughing...I really believe that my mother didn't come into the room that night to scare me, but to tell me, 'It's okay,' and that she had made her choices in life and it had nothing to do with me. I always felt like that song was a gift to my mother and an apology to her. It was also a way to say 'thank you' to my mother for all she did.[3]
After writing the first few lines of the song, Harvey woke Collins and they finished it together.
Recording history
[edit]The first recording of "Delta Dawn" was made by Harvey for his album Alex Harvey released in November 1971. Harvey had performed as the opening act for Helen Reddy at the Troubadour in January 1972, but at that time Reddy (who also was signed with the Capitol Records label) made no connection with any of Harvey's compositions.[4]
Bette Midler
[edit]| "Delta Dawn" | |
|---|---|
| Single by Bette Midler | |
| from the album The Divine Miss M | |
| A-side | "Boogie Woogie Bugle Boy" |
| Released | May 1973 |
| Studio | Atlantic Recording Studios, New York, New York |
| Genre | Pop rock |
| Length | 5:18 |
| Label | Atlantic |
| Songwriters | |
During the time Tanya Tucker’s and Helen Reddy’s recordings of the song were being produced, Bette Midler recorded "Delta Dawn" for her The Divine Miss M debut album, for which her bluesy version was planned as the lead single. Reddy's single was released June 1973, two days after Midler's. The preemption required a marketing change for Midler, so the original B-side "Boogie Woogie Bugle Boy" was shopped to radio, itself becoming a top ten hit.
The song was also included on Midler's 1977 live album Live at Last which was recorded at the Cleveland Music Hall in Cleveland, Ohio.
Tanya Tucker
[edit]| "Delta Dawn" | ||||
|---|---|---|---|---|
One of side-A labels of the US single | ||||
| Single by Tanya Tucker | ||||
| from the album Delta Dawn | ||||
| B-side | "I Love the Way He Loves Me" | |||
| Released | April 10, 1972 | |||
| Recorded | March 17, 1972 | |||
| Studio | Columbia Studios, Nashville, Tennessee | |||
| Genre | Country | |||
| Length | 2:59 | |||
| Label | Columbia | |||
| Songwriters | ||||
| Producer | Billy Sherrill | |||
| Tanya Tucker singles chronology | ||||
| ||||
Before Bette Midler's recording, Nashville-based producer Billy Sherrill heard her sing "Delta Dawn" on The Tonight Show and wanted to sign Midler to Epic Records and have her record it. Upon finding that Midler already signed with Atlantic Records, Sherrill cut the song with Tanya Tucker, who was newly signed to Epic,[5] at the Columbia Studios in Nashville, Tennessee. Tucker's version was released in April 1972; it reached number six Country that spring.[6]
While Harvey's original version started with the first verse, Sherrill suggested starting with the chorus instead, done a cappella – a term unknown to 13-year-old Tucker.[3] This distinction became a signature of her version.
Helen Reddy
[edit]| "Delta Dawn" | ||||
|---|---|---|---|---|
One of US reissues | ||||
| Single by Helen Reddy | ||||
| from the album Long Hard Climb | ||||
| B-side | "If We Could Still Be Friends" | |||
| Released | June 1973[7] | |||
| Recorded | 1972 | |||
| Genre | Pop[8] | |||
| Length | 3:08 | |||
| Label | Capitol | |||
| Songwriters | Larry Collins, Alex Harvey | |||
| Producer | Tom Catalano | |||
| Helen Reddy singles chronology | ||||
| ||||
Record producer Tom Catalano created an instrumental track of "Delta Dawn." Catalano first offered the vocal track to Barbra Streisand, but she refused; after this he gave the vocal to Reddy.[9]
Reddy's version, which added upward modulation to Tucker's cold intro and nonstop vocals throughout, entered the top ten on 18 August 1973, on its way to its lone week at number one on the main Billboard Hot 100 chart, on 15 September 1973. It remained in the top 10 for eight weeks,[10] and was ranked as the No. 14 song for 1973 according to Billboard. "Delta Dawn" was also the first of Reddy's six consecutive—and eight overall—number one hits on the Billboard Easy Listening chart.[11] The song also topped the Cash Box chart on 8 September 1973, remaining at number one for two weeks.[12]
Reddy had reached number two with both "I Don't Know How to Love Him" and I Am Woman in her native Australia; "Delta Dawn" became her first number one hit there, spending five weeks at the top of the Kent Music Report in August and September 1973.[13] "Delta Dawn" also marked Reddy's only chart appearance in South Africa, reaching number 13 in the autumn of 1973.[14]
Sylvie Vartan (in French)
[edit]| "Toi le garçon" | ||||
|---|---|---|---|---|
| Single by Sylvie Vartan | ||||
| Language | French | |||
| English title | You're the boy | |||
| B-side | "L'amour au diapason" | |||
| Released | October 1973 | |||
| Genre | Pop | |||
| Length | 3:24 | |||
| Label | RCA | |||
| Songwriters |
| |||
| Sylvie Vartan singles chronology | ||||
| ||||
In 1973, the song was adapted into French by Michel Mallory as "Toi le garçon" (meaning "You're the boy"). It was recorded by French pop singer Sylvie Vartan and released as a non-album single in October 1973.[15] Vartan's version peaked at Number 22 on the French Belgian charts on March 9, 1974.[16]
Other recordings
[edit]- Nola Francis released a version of the song in 1973. It peaked at number 98 in Australia.[17]
Chart performance
[edit]Weekly charts
[edit]Tanya Tucker version
[edit]| Chart (1972) | Peak position |
|---|---|
| US Billboard Hot 100[18] | 72 |
| US Hot Country Songs (Billboard)[19] | 6 |
| Canadian RPM Country Tracks[20] | 3 |
Helen Reddy version
[edit]
|
Year-end charts[edit]
|
Sylvie Vartan version (in French)
[edit]| Chart (1974) | Peak position |
|---|---|
| Belgium (Ultratop 50 Wallonia)[32] | 22 |
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[33] | Gold | 50,000^ |
| New Zealand (RMNZ)[34] | Gold | 10,000* |
| United States (RIAA)[35] | Gold | 1,000,000^ |
|
* Sales figures based on certification alone. | ||
Notes
[edit]- ^ Harvey more often went by the name Alexander Harvey in later years, to avoid being confused with Glaswegian rocker Alex Harvey.
See also
[edit]References
[edit]- ^ Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition. Record Research. p. 357.
- ^ Chicken Soup for the Soul: Country Music: The Inspirational Stories behind 101 of Your Favorite Country Songs by Jack Canfield — ISBN 978-1935096672
- ^ a b "Delta Dawn by Helen Reddy". Songfacts.com. Retrieved 7 October 2023.
- ^ "(unknown)". Billboard. Vol. 84, no. 2. 8 January 1972. p. 12.
- ^ Kosser, Michael (2006). How Nashville Became Music City, U.S.A.: A History Of Music Row. Lanham, Maryland, US: Backbeat Books. p. 147. ISBN 978-1-49306-512-7.
- ^ Tucker, Tanya (1997). Nickel Dreams: My life (Large print ed.). Waterville, Maine: Thorndike Press. p. 132. ISBN 0-7862-1182-2.
- ^ "Discography". Billboard. Vol. 86, no. 31. 3 August 1974. p. 52. ISSN 0006-2510.
- ^ Breihan, Tom (April 19, 2019). "The Number Ones: Helen Reddy's "Delta Dawn"". Stereogum. Retrieved January 21, 2023.
- ^ Tucker, Tanya (1997). Nickel Dreams: my life (Large print ed.). Waterville, Maine: Thorndike Press. p. 178. ISBN 0-7862-1182-2.
- ^ "All US Top 40 Singles For 1973". Billboard.
- ^ Hyatt, Wesley (1999). The Billboard Book of Number One Adult Contemporary Hits. New York: Watson-Guptill Publications. p. 126. ISBN 0-8230-7693-8.
- ^ "Cash Box Top Singles - 1973". Tropicalglen.com. Retrieved 7 October 2023.
- ^ a b "Australian Weekly Single Ccharts (David Kent) for 1973". Hitsofalldecades.com. Retrieved June 7, 2018.
- ^ a b "SA Charts 1965 - 1989 Acts R". South African Rock Lists. Retrieved 7 June 2018.
- ^ "45 Tours 70 – Site officiel de Sylvie Vartan" (in French). Retrieved 2024-06-21.
- ^ "Sylvie Vartan - Toi le garçon - ultratop.be". www.ultratop.be. Retrieved 2024-06-21.
- ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 117. ISBN 0-646-11917-6.
- ^ "Tanya Tucker Chart History (Hot 100)". Billboard.
- ^ "Tanya Tucker Chart History (Hot Country Songs)". Billboard.
- ^ "RPM Country Singles - Volume 17, No. 23". Library and Archives Canada. Retrieved 7 November 2024.
- ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. 2012-03-30. Retrieved 2018-02-19.
- ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. 1973-09-29. Retrieved 2018-02-19.
- ^ {https://charts.nz/forum.asp?todo=viewthread&id=44536&pages=2
- ^ "Helen Reddy Chart History (Hot 100)". Billboard. Retrieved 7 November 2024.
- ^ "Helen Reddy Chart History (Adult Contemporary)". Billboard. Retrieved 7 November 2024.
- ^ "Cash Box Top 100 Singles, September 15, 1973". Archived from the original on June 9, 2015. Retrieved February 28, 2018.
- ^ Kent, David (1993). Australian Chart Book 1970–1992. Australian Chart Book, St Ives, N.S.W. ISBN 0-646-11917-6.
- ^ Canada, Library and Archives (December 26, 2017). "Image : RPM Weekly". Library and Archives Canada.
- ^ "Top 100 Hits of 1973/Top 100 Songs of 1973". Musicoutfitters.com.
- ^ "Billboard Year-End Charts 1973" (PDF). Americanradiohistory.com.
- ^ "Cash Box Year-End Charts: Top 100 Pop Singles, December 29, 1973". Archived from the original on July 15, 2014. Retrieved February 28, 2018.
- ^ "Sylvie Vartan - Toi le garçon - ultratop.be". www.ultratop.be. Retrieved 2024-06-21.
- ^ "Cash Box Magazine" (PDF). Cash Box. 23 March 1974. p. 51. Retrieved 15 November 2021 – via World Radio History.
- ^ "Gold from Down Under" (PDF). Cash Box. 22 November 1975. p. unknown. Retrieved 15 November 2021 – via World Radio History.
- ^ "American single certifications – Helen Reddy – Delta Dawn". Recording Industry Association of America. Retrieved August 15, 2024.
External links
[edit]Delta Dawn
View on GrokipediaBackground and composition
Songwriters and inspiration
"Delta Dawn" was written by Alex Harvey, a Nashville-based country songwriter, and Larry Collins, a musician known for his early career as a child rockabilly performer with the duo The Collins Kids in the 1950s.[4][7] Harvey, born in Brownsville, Tennessee, drew from personal tragedy in crafting the lyrics, while Collins, influenced by rockabilly pioneers like Duane Eddy, contributed to the melody during a late-night collaboration in 1971.[8][9] The song's inspiration stemmed from Harvey's mother, Emily Jeannette, a hairdresser from Sunflower County in the Mississippi Delta who lived a life of faded glamour marked by hardship and an enduring obsession with a lost love from her youth.[8][4] She died in 1958 in a car accident when her vehicle crashed into a tree, an event Harvey long suspected was suicide, leaving him with profound guilt as he pursued his music career away from home.[8][4][10] The track served as Harvey's tribute to her memory, capturing the emotional weight of her unfulfilled dreams and resilience. The guilt originated from an incident as a teenager when Harvey discouraged his mother from attending one of his television performances due to her drinking, after which she died shortly thereafter.[1] Harvey conceived the title "Delta Dawn" during a songwriting session at Collins' home, when a vivid vision of his mother appeared to him, evoking her Delta roots and the renewal of daybreak.[8][4][1] This personal revelation transformed his grief into the song's haunting narrative core.Writing process
The writing process for "Delta Dawn" began in 1971 when songwriter Alex Harvey visited the home of fellow musician Larry Collins, where the two collaborated on the song's development. Harvey contributed the core narrative lyrics, drawing from personal experiences, while Collins provided the melody, shaping the song's haunting, memorable tune during informal sessions where Harvey strummed his guitar and refined the words collaboratively.[1] Over multiple sessions, the pair iteratively polished the lyrics and melody, with Harvey describing an emotional intensity as he worked, feeling a profound connection that guided adjustments to capture the story's essence. This refinement transformed the initial concept into a cohesive piece, balancing poignant storytelling with a simple yet evocative structure suitable for country audiences.[1] To distinguish himself from the Scottish rock musician of the same name, Alex Harvey occasionally used pseudonyms in his career, though for "Delta Dawn," he recorded under his own name; the process culminated in an initial demo that same year, intended as a straightforward country ballad but ultimately versatile enough for broader pop and country interpretations. Harvey cut the demo during sessions at Quantum Studios in Torrance, California, in June and August 1971, including it on his self-titled debut album released by Capitol Records later that year.[8][1]Lyrics and musical style
Narrative and themes
The song "Delta Dawn" centers on a 41-year-old woman from Brownsville, Tennessee, once renowned for her beauty and nicknamed Delta Dawn, who now wanders the town clutching a suitcase, fixated on a mysterious dark-haired man who abandoned her, promising to take her to his "mansion in the sky."[11] Local residents view her as eccentric or deranged, gossiping that she has been involved with unsavory men, yet she persists in inquiring whether her lost love will return to fulfill his vow.[4] This narrative unfolds through the chorus's direct address to her, questioning the faded flower she wears and her lingering expectations.[12] At its core, the story explores themes of lost youth and the inexorable passage of time, as the protagonist clings to memories of her prime while her vitality wanes, symbolized by her unchanged nickname from her father despite her age.[11] Unrequited love drives her delusion, transforming a jilted romance into an obsessive faith that isolates her from the community, portraying obsession as a destructive force rooted in regret.[4] The lyrics evoke Southern Gothic elements through the depiction of small-town judgment, decayed Southern femininity, and psychological unraveling, presenting the woman not as a villain but as a tragic figure ensnared by her past.[12] Key motifs reinforce these ideas: the faded rose she wears represents her bygone allure and the wilting of dreams over time, while her constant question—"Did I hear you say he was meeting you here today?"—underscores her haunting denial of abandonment.[11] The Bible she carries adds layers of religious delusion and redemption fantasies, interpreting her wait as a cautionary tale about the perils of unresolved longing in a judgmental society.[4] Overall, the narrative serves as an empathetic portrait of mental decline, where personal sorrow collides with social stigma, highlighting the human cost of unhealed heartbreak.[12]Composition and structure
"Delta Dawn" is a mid-tempo country ballad with pop crossover appeal, structured in a verse-chorus form featuring a bridge that builds emotional tension before resolving into the final chorus.[13] The composition is set in 4/4 time, typically at around 76 beats per minute, allowing for a steady, narrative-driven flow that suits its ballad style.[14] While keys vary across recordings—such as C major in Helen Reddy's version and Bb major in Tanya Tucker's—the harmonic foundation relies on straightforward I-IV-V progressions that emphasize melodic swells and provide a simple, accessible framework for the song's emotional arc.[15][16] The chorus serves as the central hook through its repetitive phrasing, reinforcing the melody's catchiness without complex variations.[15] Instrumentation centers on acoustic guitar as the driving force, particularly in country-oriented renditions, where pedal steel guitar adds a signature twang and sustain to heighten the wistful tone.[17] Pop interpretations incorporate piano for rhythmic support and lush strings to expand the arrangement's depth, creating a fuller sonic palette that enhances crossover accessibility.[13] Depending on the version, the song's runtime spans approximately 3 to 5 minutes, accommodating instrumental intros, solos, and fades that align with its ballad pacing.[18]Recording history
Original and early recordings
"Delta Dawn" was first recorded by its co-writer Alex Harvey during sessions in June and August 1971 at Quantum Studios in Torrance, California, for his self-titled debut album released by Capitol Records in November of that year.[8][19] The track was produced as a straightforward country ballad, emphasizing Harvey's narrative lyrics about a faded Southern belle, with backup vocals provided by Tracy Nelson and Dianne Davidson.[20][1] The recording appeared on the album Alex Harvey (Capitol ST-789), which showcased Harvey's songwriting roots in the country genre. A promotional single (catalog number 6517) was issued in late 1971, backed with an instrumental version of the same song, though it failed to chart on national lists; the commercial single (catalog number 3336) followed in May 1972, backed with "Momma's Waiting."[21][22][23] As a Nashville-based songwriter, Harvey's version circulated within industry circles, highlighting the song's potential as a vehicle for emerging country artists through its evocative storytelling and melodic structure.[8][24] Dianne Davidson, a backup vocalist on Harvey's track, released her own version as a single in late 1971, which charted modestly on country lists.[25] No known demo or unpublished versions by Harvey and co-writer Larry Collins have been documented prior to this official release, marking it as the song's debut in recorded form.[19] The initial outing established "Delta Dawn" firmly within country's tradition of character-driven ballads, drawing from Harvey's personal inspirations rooted in Southern life.[1]Tanya Tucker version
Tanya Tucker, then just 13 years old, recorded "Delta Dawn" in Nashville in early 1972, launching her career as one of country music's youngest breakout stars. Produced by Billy Sherrill at Columbia Records, the track captured her precocious vocal maturity in a straightforward country style, emphasizing her raw delivery during the session. The single was released in 1972, serving as the lead track on her debut album of the same name, which came out on September 11, 1972.[26][27][28] Tucker's path to the recording began with her discovery by songwriter and actress Dolores Fuller, who recognized her talent from local performances in Phoenix and introduced her to Sherrill, the A&R chief at Columbia/Epic Records. Sherrill signed her immediately and fast-tracked the project, aiming to position Tucker as a teenage sensation with an edgy, adult-themed hit that contrasted her youth. The arrangement highlighted traditional country elements, including fiddle and steel guitar, contributing to its 3:00 runtime and authentic Southern sound.[26][27][28] This version of "Delta Dawn" solidified Tucker's image as a bold young artist, blending innocence with a husky timbre that appealed to country audiences seeking fresh energy. The recording's unpolished intensity, achieved in a quick studio turnaround, helped establish her as a prodigy capable of handling complex narratives.[26][27]Bette Midler version
Bette Midler's recording of "Delta Dawn" appeared on her debut album The Divine Miss M, released in November 1972 by Atlantic Records.[29] The track was produced by Barry Manilow, Geoffrey Haslam, and Ahmet Ertegun, and runs for an extended 5:18, allowing for a dramatic build in intensity.[30][29] The arrangement adopts an upbeat pop-rock approach within the album's contemporary pop/rock and soft rock framework, highlighted by Midler's theatrical vocals that reflect her cabaret background.[29] Backing elements include horns and gospel-inspired choral elements, contributing to a lively, performative energy.[31] Originally planned as the lead single from the album, Midler's bluesy rendition was overshadowed when Helen Reddy's version emerged, prompting Atlantic to promote "Boogie Woogie Bugle Boy" instead; "Delta Dawn" was issued as its B-side in May 1973.[6][32] This shift broadened the song's appeal beyond its country origins into pop and rock audiences through Midler's distinctive interpretation.[33]Helen Reddy version
Helen Reddy's recording of "Delta Dawn" was released as a single in June 1973 by Capitol Records, serving as the lead track from her album Long Hard Climb. Produced by Tom Catalano, the song runs for 3:15 and marked Reddy's follow-up to the success of her 1972 hit "I Am Woman," which had established her as a major pop artist. Catalano prepared an instrumental track in advance, and to capitalize on Reddy's rising popularity, allowing for a swift production process. This version became her second number-one hit on the Billboard Hot 100. The arrangement features a soft pop style with lush orchestral strings that provide a cinematic backdrop, complemented by gentle, tinkling piano lines that underscore the melody's emotional depth. Reddy's emotive vocals, delivered with a mature tone at age 31, effectively convey the weariness and longing of the song's protagonist, an older woman reflecting on lost youth. The song's themes of faded beauty are particularly enhanced by Reddy's interpretive phrasing, adding a layer of poignant realism to the narrative.International and other versions
In 1973, French singer Sylvie Vartan released an adaptation of "Delta Dawn" titled "Toi le garçon," with lyrics localized by Michel Mallory to fit a more universal romantic narrative, shifting away from the original's Southern U.S. setting to a story of a girl waiting for her lover. The single, arranged by Raymond Donnez, entered the Belgian charts on January 5, 1974, peaking at number 22 and spending 10 weeks in the Top 50.[34] This version marked one of the earliest European takes on the song, contributing to its initial spread beyond North America. That same year, Australian country artist Nola Francis recorded an English-language cover for Fable Records, produced at Bill Armstrong Studios in Melbourne, which captured the song's melodic structure while appealing to local audiences through straightforward country styling.[35] Released in July 1973 as a double A-side with "Bird on a Wire," it achieved modest national success, entering the Australian charts and reaching number 98, though it performed stronger locally, peaking at number 4 on Melbourne surveys.[36] The song saw further international adaptation in Europe during the mid-1970s, often reworking its themes of longing and faded youth to resonate with regional sensibilities. Norwegian singer Inger Lise's 1973 version, "Anna," translated the narrative into a Scandinavian context, emphasizing emotional isolation.[37] In Finland, Maarit released "Laakson Lilja" in December 1973, softening the Southern imagery into a valley lily metaphor for lost innocence.[38] German adaptations included Bruce Low's straightforward 1973 rendition and Daliah Lavi's 1976 "Neuer Wind," which infused a folk-pop energy to broaden its appeal.[39][40] In Canada, Quebec artist Claude Valade offered a French cover, "Jonathan le goéland," in 1976, adapting the story to a coastal, migratory bird motif to evoke regional wanderlust.[41] These versions highlighted the song's versatility, allowing its core melody and themes to connect with diverse cultural audiences while preserving its emotional core.Commercial performance
Chart performance
Tanya Tucker's 1972 recording of "Delta Dawn" marked her breakthrough hit, peaking at number 6 on the Billboard Hot Country Songs chart in July 1972 and reaching number 72 on the Billboard Hot 100.[42][43] The single spent 15 weeks on the Hot Country Songs chart, establishing Tucker as a prominent young artist in country music that year. Helen Reddy's version, released in 1973, achieved far greater commercial success across multiple formats and markets. It debuted on the Billboard Hot 100 at number 86 in late June 1973, steadily climbing over 12 weeks to reach number 1 on September 15, where it held the top position for one week before descending, ultimately charting for 20 weeks total.[6] The track also topped the Billboard Adult Contemporary chart for two weeks and ranked number 14 on the 1973 year-end Top Pop Singles chart, while securing the number 1 spot on the year-end Top Adult Contemporary Singles chart.[6] Internationally, Reddy's "Delta Dawn" mirrored its U.S. dominance, hitting number 1 on the RPM Top Singles chart in Canada for three weeks starting in August 1973 and charting for 16 weeks overall.[44] In Australia, it reached number 1 on the Kent Music Report for five weeks starting in August 1973, becoming one of Reddy's signature international successes.[45]| Chart (1973) | Peak Position | Weeks on Chart | Source |
|---|---|---|---|
| U.S. Billboard Hot 100 | 1 | 20 | Billboard |
| U.S. Billboard Adult Contemporary | 1 | Billboard | |
| Canada RPM Top Singles | 1 | 16 | RPM via tsort.info |
| Australia Kent Music Report | 1 | Kent Music Report via bangagong |
