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Eyelid pull
Eyelid pull
Eyelid pull
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Image of man making the "eyelid pull" hand gesture, published by Di Jorio in 1832 in Naples, Italy

The eyelid pull is a gesture in which the finger is used to pull one lower eyelid further down, exposing more of the eyeball. This gesture has different meanings in different cultures, but in many cultures, particularly in the Mediterranean, signifies alertness, or a warning to be watchful.[1][2][3] In the Italian language, one can say occhio (eye), not necessarily with the gesture, to signify the same.[4]

In France, the gesture of pulling down one's lower eyelid and saying mon œil, or "my eye", is an expression of disdainful, dismissive disbelief.[5] Similar variations of the gesture exist in other European countries, for example Poland[6] or Turkey[citation needed]. The phrase "my eye" is an outdated expression of disbelief in the English language, although without the gesture.[7]

See also

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References

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Eyelid pull

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The eyelid pull is a nonverbal gesture performed by using one finger, typically the , to pull down the lower and expose the reddish beneath, sometimes accompanied by protruding the tongue. This action serves as a form of communication in diverse cultural contexts, primarily expressing disdain, playfulness, or vigilance depending on the region and social setting. In Japanese culture, known as , the gesture is predominantly a childish taunt or expression of mild , where the individual pulls the downward while sticking out the to mock or show dissatisfaction. It is most common among young children, such as those in through , and is often performed secretly to avoid social repercussions in Japan's emphasis on and for authority; adults and older youth rarely use it openly due to its immature connotations. The gesture appears frequently in Japanese media like cartoons and comics but is less overt in everyday adult interactions. In various European countries, the eyelid pull carries more subdued meanings related to awareness or skepticism rather than outright mockery. In and , it signals alertness or disbelief, implying "I'm not fooled by you." In , it functions as a friendly cautionary warning, such as "watch out," often used in casual situations like markets to alert someone to potential trickery. In , the gesture conveys that the recipient is perceived as cunning or sly, serving as a light-hearted acknowledgment of shrewdness. In , it expresses disbelief or doubt, implying "I don't believe you." In , it expresses annoyance or incredulity toward a dubious claim. These variations highlight the gesture's adaptability, though it remains informal and context-dependent across Mediterranean and Eastern European societies.

Description

Basic components

The eyelid pull gesture consists of using the to gently pull down the lower of one eye, thereby exposing the underlying palpebral . This action mechanically displaces the eyelid margin outward, similar in effect to a temporary but performed intentionally and without pathological cause. The palpebral conjunctiva is a thin, vascular that lines the posterior surface of the eyelids, appearing reddish or pink due to its rich blood supply and lymphoid tissue. When exposed by the pull, it contrasts sharply with the surrounding skin and , producing a striking visual that can alter the eye's apparent shape to suggest alertness, surprise, or mockery. While the core execution centers on this eyelid manipulation, the gesture is frequently accompanied by complementary facial elements, such as an open mouth or protruding , to heighten its expressive impact. The pull itself is typically brief and of low intensity, involving minimal force to avoid discomfort while clearly displaying the .

Common variations

One common variation of the eyelid pull involves extending the outward while pulling down the lower , which intensifies the gesture's childish or mocking tone. This form, known as akanbe in Japanese, serves as a taunt expressing or rejection and is typically performed by children. The subtle pull modification features a gentle tug on the lower eyelid with only partial exposure of the palpebral conjunctiva, often employed by adults to convey skepticism or mild disbelief. In French and some Mediterranean cultures, this restrained action signifies doubt, as in the expression mon œil ("my eye"), indicating the speaker does not believe a claim. Accompanying verbal sounds can further amplify the gesture's intent, particularly in English-speaking environments where exclamations like "bleah!" or "nyah!" are uttered alongside the pull to reinforce mockery or derision.

History and origins

Japanese development

The term "akanbe," referring to the Japanese eyelid pull gesture, derives from "akai me," meaning "red eye," in allusion to the exposed red beneath the lower eyelid. This highlights the gesture's visual emphasis on the reddened inner eyelid as a form of or disdain. The word itself first appeared in in 1909, in Katai Tayama's Inaka Kyōshi (Rural Teacher), where male students perform the gesture to tease female classmates, marking its early documentation as a playful yet insulting act among youth. The gesture's origins trace back to at least the (1603–1868), where it emerged as a simple pulling down of the lower without additional elements, used to express defiance or in everyday interactions. A notable early example appears in the classical story Konnyaku Mondō (Konnyaku Dialogue), a comedic narrative from that era, in which a konnyaku vendor performs the eyelid pull as a punchline response to a monk's philosophical query, startling the monk and resolving the exchange through humorous impudence. Initially employed in oral traditions like , the gesture served as a non-verbal to assert wit or reject authority without spoken confrontation, often in contexts of social banter or evasion. In Japanese culture, the eyelid pull embedded itself as an immature form of , particularly in children's play, where it mimicked injury—such as a reddened or irritated eye—to feign defiance or mock an opponent's seriousness. This usage reflected broader elements of playful exaggeration in and , positioning "akanbe" as a lighthearted yet rude expression of , commonly featured in early 20th-century and traditional performances to depict youthful irreverence.

Spread to Western cultures

Similar eyelid pull gestures have existed independently in Western cultures, particularly in , predating documented Japanese forms. In , a version of the gesture has been recorded since the , where pulling down the lower while saying "mon œil" (my eye) expresses or disbelief, deriving from the phrase il n'y en a pas plus que mon œil, meaning "I'll believe it when I see it." This European form lacks the protrusion sometimes seen in Japanese variants but shares the facial mockery element, suggesting early parallel development in children's taunts and social signals. By the mid-20th century, Mediterranean variants were documented as signals of vigilance or warning, often pulling the lower to indicate or caution. observed this usage across , , , , and , where the forefinger pulls down the eyelid to convey "I am alert" or "watch out," reflecting a watchful eye in social interactions rather than outright insult. In and , it similarly serves as a subtle alert to be wary. These forms highlight localization, adapting the for interpersonal caution in everyday Mediterranean life.

Cultural significance

As a taunt or insult

The eyelid pull, known as akanbe in Japanese culture, serves primarily as a mocking intended to convey , , or dismissal toward the recipient, often provoking a reaction or belittling their position in a social exchange. This taunt expresses or dissatisfaction without escalating to overt , functioning as a playful yet derogatory signal comparable to a mild verbal jab. In its essence, the gesture aims to undermine the target's or composure, similar to implying or through nonverbal means. This gesture is predominantly employed by children, particularly those aged 3 to 12, in informal settings such as playgrounds or peer interactions, where it facilitates among siblings, rivals, or friends during lighthearted arguments or games. Among adults, its use is infrequent and typically signals immaturity or humorous regression, often limited to casual, non-professional environments like informal gatherings. It thrives in contexts of playful escalation, such as retaliating against perceived unfairness, but remains socially unacceptable in formal or adult-dominated situations due to its childish connotations. Variations in execution reflect differing levels of intensity: a brief, subtle pull of the lower alone delivers mild or , suitable for low-stakes , while a more exaggerated version incorporating protrusion amplifies the , conveying outright derision or provocation. This fuller form heightens the gesture's belittling effect, often reserved for bolder displays of mockery among close peers.

Alternative meanings

In various cultural contexts, the eyelid pull gesture—performed by using a to tug down the lower —carries non-insulting connotations beyond its use as a taunt, often signaling vigilance or doubt. In Mediterranean regions such as and , it functions as an alertness signal, indicating "watch out" or "I'm watching you" to warn someone of potential or to urge caution in a situation. This interpretation emphasizes awareness and subtle notification rather than mockery, commonly employed in everyday interactions like markets or social gatherings to alert others discreetly. In analysis, particularly within French non-verbal communication, a subtle eyelid pull conveys or disbelief without direct verbal confrontation, allowing the performer to express politely. Known as "mon œil" (literally "my eye"), this implies "I don't believe you" or "you're lying," serving as a mild way to question a statement's veracity in casual settings. Surveys of French respondents indicate that approximately 71% interpret it negatively as signaling disbelief or , though 24% view it as neutral and non-aggressive, highlighting its informal nature unsuitable for formal or contexts. This usage aligns with broader studies documenting the eyelid pull as a cue for irony or superiority in questioning truthfulness. Regional nuances further differentiate the gesture's skeptical role in French culture, where "mon œil" politely underscores disbelief in conversational exchanges, often replacing the verbal to maintain social harmony. In these contexts, it remains a light-hearted yet pointed indicator of , frequently observed in informal dialogues to avoid overt confrontation while conveying incredulity.

Tropes and characterizations

In media and popular culture, the is classified under the trope "Eyelid Pull Taunt," which depicts a childish act of antagonism where a character pulls down their lower , often while protruding the and uttering a mocking sound like "Bleah!" or "Nyeeeh!" to express disdain or playfulness. This trope highlights the gesture's role in visual storytelling as a non-verbal cue for immature provocation, distinguishing it from more aggressive insults by emphasizing whimsy over hostility. The gesture frequently characterizes certain archetypes, such as brats, tricksters, or immature heroes, who employ it to convey defiance or cheekiness in interactions with authority figures or rivals. In narratives, particularly and cartoons, it suits characters or youthful protagonists, underscoring their rebellious or lighthearted personalities without escalating to verbal confrontation. This association reinforces the trope's use by figures who prioritize playful rebellion over mature discourse, often in ensemble casts where such antics provide . Symbolically, the eyelid pull represents against or resistance to within plot dynamics, serving as a visual for a character's unwillingness to conform. It embodies a moment of youthful , allowing storytellers to illustrate internal conflicts through exaggerated facial expressions that highlight themes of or of . In broader narrative arcs, this motif often punctuates scenes of challenge, where the gesture diffuses tension while affirming the character's defiant stance.

Notable examples

In , the eyelid pull gesture is commonly employed by child characters as a form of playful taunting. In the long-running series , Suneo Honekawa uses it to mock over a collectible card in the episode "Noby, the Great Illusionist." Similarly, in the film Doraemon: Nobita's Great Adventure in the Antarctic Kachi Kochi (2017), the antagonist Yamitem performs the gesture with both eyes after deceiving the group and capturing the real . This usage aligns with the gesture's role in Japanese media as a lighthearted among children. In live-action contexts, actor demonstrated the gesture during a interview, pulling down his lower eyelid with his at the 1:17 mark to express skeptical humor while discussing a topic. In , adopted a variant in the 2010s during his tenure with CMLL in , widening his left eye using his thumb and as a direct response to racist taunts from fans mocking his Japanese features with slanted-eye gestures; this "circle eye" pose became a signature part of his persona and carried over to NJPW events.

Habitual pulling in children

Habitual pulling in children is characterized as a non-gestural, repetitive involving intermittent traction on the lower s, typically without any intent to taunt or socially. This functional action often aims to widen the eye opening or attract , as reported by affected children who described it as making their eyes "look funny" or ensuring they opened sufficiently. The behavior commonly manifests in children between 3.5 and 9.5 years of age, with symptoms persisting for 1 to 13 months before in documented cases. It resolves spontaneously or with parental and medical reassurance in most instances, typically within two weeks, though rare recurrences may occur without long-term issues. Follow-up observations over 6 to 15 months confirm no further symptoms or associated ocular/systemic problems in resolved cases. Potential causes include habit formation following initial irritation or a child's self-perceived narrow eye appearance, alongside attention-seeking motivations noted by parents. No associated stressful events were identified in clinical reviews, and the habit is deemed non-pathological unless it persists beyond typical resolution periods. Diagnosis relies on clinical history and observation to rule out underlying issues, distinguishing it from medical conditions like blepharospasm, which involves involuntary eyelid closure rather than manual pulling. In evaluated pediatric cases, no systemic diseases or acute ocular disorders, such as accommodative esotropia beyond spectacle correction, were present, confirming the benign nature through exclusion.

Potential risks and effects

Frequent or forceful lower pulling can result in short-term issues such as irritation, redness, and minor tearing due to repeated on the delicate tissue. These effects arise from mechanical stress that disrupts the 's barrier, leading to localized . Over time, chronic pulling may contribute to lower eversion (), where the lid turns outward, potentially causing prolonged exposure of the ocular surface. This can lead to conjunctival changes such as dryness and exacerbate irritation. Although rare, there is an increased risk of if causes small breaks in the or mucosal surfaces, allowing bacterial entry. To prevent these risks, moderation in eyelid manipulation is advised, along with maintaining good eye and addressing any underlying irritants promptly. Individuals with persistent habits should consult an ophthalmologist to evaluate for contributing factors and receive tailored guidance. In typical cases of habitual pulling in children, the behavior is benign and resolves without long-term effects, distinct from compulsive behaviors in conditions like obsessive-compulsive disorder (OCD), which may involve tics but require separate behavioral assessment if suspected.

References

  1. https://journeys.dartmouth.edu/folklorearchive/2018/11/14/insulting-gestures-japan-gesture-3/
  2. https://www.ricksteves.com/travel-tips/sightseeing/european-gestures
  3. https://www.turkishclass101.com/blog/2019/08/16/turkish-body-gestures/
  4. https://www.polishpod101.com/blog/2019/08/16/polish-body-gestures/
  5. https://open.maricopa.edu/com110/chapter/4-4-nonverbal-communication-in-context/
  6. https://www.ncbi.nlm.nih.gov/books/NBK441929/
  7. https://www.ncbi.nlm.nih.gov/books/NBK519502/
  8. https://www.imaios.com/en/e-anatomy/anatomical-structures/palpebral-conjunctiva-1557867260
  9. https://pressbooks.library.vcu.edu/langculture/chapter/5-1/
  10. https://www.animenewsnetwork.com/encyclopedia/lexicon.php?id=87
  11. https://skdesu.com/en/akanbe-facial-gesture-with-eyes
  12. https://note.com/suikyo321/n/ne3eb26e0d673
  13. https://rakugo-arasuji.com/rakugo-konnyakumondo/
  14. https://www.thelocal.fr/20211126/french-expression-of-the-day-mon-oeil
  15. https://cybercosmopolitan.files.wordpress.com/2015/11/1995-bodytalke28094the-meaning-of-human-gestures-desmond-morris.pdf
  16. https://www.afar.com/magazine/10-essential-european-gestures-to-learn-before-your-next-trip
  17. https://www.thejapanesepage.com/taunting-sarcasm-with-akkanbe/
  18. https://wittycompanion.com/what-is-akanbe/
  19. https://www.yabla.com/italian-blog/2019/04/04/italian-hand-gestures/
  20. https://tandem.net/blog/italian-hand-gestures
  21. https://www.explore.com/1450169/popular-european-gestures-know-before-trip-according-rick-steves/
  22. https://publish.iupress.indiana.edu/read/the-semiotics-of-french-gestures/section/52785458-ab2a-4796-91d5-0828e88872c7
  23. https://researchspace.auckland.ac.nz/bitstreams/faa5c889-0f7b-402d-8f0b-6e30ab8b1419/download
  24. https://tvtropes.org/pmwiki/pmwiki.php/Main/EyelidPullTaunt
  25. https://www.bodylanguagesuccess.com/2017/10/body-language-analysis-no-4100-bryan.html
  26. https://pubmed.ncbi.nlm.nih.gov/2396656/
  27. https://drkopelman.com/pulling-eyelids/
  28. https://www.webmd.com/eye-health/what-is-eyelid-ectropion
  29. https://columbuseyelid.com/blog/risk-factors-for-droopy-eyelids/
  30. https://www.mountsinai.org/care/psychiatry/services/ocd-tics
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