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KSPF (98.7 FM, "98.7 The Spot") is a commercial radio station licensed to Dallas, Texas, and serving the Dallas/Fort Worth Metroplex. KSPF is owned by Audacy, Inc., and airs a classic hits radio format.

Key Information

KSPF's studios and offices are located off North Central Expressway at North Fitzhugh Avenue in Dallas.[2] The transmitter site is in Cedar Hill off West Belt Line Road, amid the towers for other Dallas-area FM and TV stations.[3] KSPF broadcasts in the HD Radio hybrid format; a simulcast of sister station KRLD is heard on the station's HD2 sub-channel.

History

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KROW and KLIF-FM

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In 1959, when the station was not yet on the air, it was given the call sign KOST, but that was never used. The station was then rebranded KROW and signed on in 1961 as a Top 40 station under the ownership of noted radio programmer Gordon McLendon. Two years later, the call sign changed to KLIF-FM as a simulcast of McLendon-owned AM 1190 KLIF (now KFXR).

KNUS

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In July 1966, the station changed its call sign to KNUS and began an automated progressive rock/underground rock format, with live disc jockeys added in mid-1967. (McLendon had originally planned to provide an all-news format on the station, hence the NUS (pronounced like "news") call letters, but that never took place.) When McLendon sold his AM Top 40 flagship station KLIF to Fairchild Industries in 1972, he offered the company KNUS as well, but Fairchild declined. As part of the sale, McLendon agreed not to operate any AM station within a 150-mile radius of Dallas. Since the agreement did not forbid him to operate an FM station, McLendon continued to own and program KNUS.

In May 1972, the station shifted to a rock-based Top 40 station, which played hit music without teen-oriented "bubblegum" songs. (The station's initial promotion to plug the new Top 40 format had a disc jockey positioned at the top of a flagpole at McLendon's Gemini Drive-In Movie Theatre. The pole had large "KNUS" lettering mounted vertically on each side of the square truss. The pole was still intact in the 1990s, long after the KNUS calls were dropped, and the Gemini had shut down.)

Transition to oldies

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KNUS eventually transitioned into a more mainstream Top 40, and it paid off when the station passed KLIF in the ratings in the fall of 1975, becoming one of the first FM Top 40 stations to defeat its chief AM competitor. By the end of the 1970s, however, KNUS had fallen out of the top ten. McLendon sold KNUS to the San Juan Racing Corporation in May 1979, which, in turn, sold the station to John Tenaglia's TK Communications on October 27, 1982. Under Tenaglia's ownership, the station switched to an adult contemporary format as KLVU on October 19, 1981. Initially, the station played hits from 1964 through the 1980s and including then-current product. A handful of pre-'64 oldies were also mixed in. In 1984, after an AM oldies station changed formats, KLVU began adding more pre-1964 oldies in the mix. The music began to lean slightly more up-tempo as well. The station morphed into an all-oldies format in 1985, playing pop oldies from the late 1950s, '60s, '70s, and early '80s. The music from the mid to late-1970s and '80s gradually was eliminated in 1986. By then, KLUV was playing only hits from 1955 to 1973.

Owner John Tenaglia purchased the more-coveted KLUV-spelled call sign for $10,000 from a Haynesville, Louisiana, station, trading 98.7's former KLVU calls (which were established at 98.7 on October 19, 1981, under the station's San Juan Racing ownership). By the late 1980s, KLUV evolved into a 1964 to 1969-based oldies format playing a couple pre-1964 songs each hour and one or two early 1970s songs per hour. Tenaglia sold the rebranded KLUV to CBS on April 21, 1995, for a then-staggering $55 million.

KLUV's ident used until 2005.

The years when Chuck Brinkman was the program director (1988–2006) included many personalities such as Hubcap Carter, Glen Martin (who had also previously been there during the KNUS and KLVU days), Jason Walker, Jonathan Hayes, Jim Brady, Johnny Michaels, Steve Eberhart, Al Forgeson, Paula Street (who in 1987 went to WODS Boston, now KLUV's sister station), Dave Van Dyke, Charlie Van Dyke (the station's imaging voice at the time), Debi Diaz, John Summers, Jim Prewitt, Jay Cresswell, Bob Gomez, Sandi Sharp, Ben Laurie, Bob deCarlo, Roger Manning (who inherited the Saturday Night Oldies Party from Hubcap Carter), Johnny Stone, John McCarty, Tony Moreno, Mike Wade, Brian Pierce, Kate Garvin, and Ken Fine, who was Chief Engineer.

Death of Ricky Nelson

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On December 31, 1985, singer Ricky Nelson and his band were flying to KLUV's New Year's Eve sock hop, hosted by Ken "Hubcap" Carter. The plane crashed near DeKalb, Texas, 136 miles northeast of Dallas, killing Nelson and his entourage.

Transition to classic hits

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In 1997, KLUV, like many oldies stations around the United States, began mixing in (in this case, bringing back) hits of the late 1970s and even a few from the early 1980s. In 1998, the station largely removed most of the 1955 to 1963 songs from its playlist. Another CBS station, KLUV (AM) 1190 (now KFXR) and, coincidentally, the same dial position as former sister station KLIF, existed from 1998 to 2000 and primarily played 1950s music. Meanwhile, the main station continued modifying its format to more of a classic hits format with songs from the mid-1960s to early 1980s. By 2003, KLUV no longer played pre-1964 music, with a few rare exceptions. Most years, on Memorial Day weekend, KLUV featured a "Top 500 Countdown" in which the top 500 oldies, as picked by the station's listeners, were played in descending order for the entire weekend. During this time, Breakfast with the Beatles was also one of the specialty programs that aired on KLUV on Sunday mornings.

In 2002, the station was temporarily the radio home of the Dallas Cowboys football team, featuring live broadcasts of their games. In 2006, Dallas Cowboys broadcasts moved to sports radio station KTCK.

From November 23, 1998, to June 27, 2003, KLUV competed with Disney/ABC Radio's KMEO ("Memories 96.7") and again from June 30, 2008, until March 12, 2010, with Citadel Broadcasting's KPMZ ("Platinum 96.7"). Both stations aired a classic adult contemporary format playing soft hits of the 1960s to the 1980s with a couple of pre-1964 songs per hour. (Today, 96.7 is sports station KTCK-FM).

KLUV was the first radio station in the United States to report the death of Michael Jackson in July 2009.[citation needed]

In 2005, with the retirement of long-time radio veteran and morning host Ron Chapman, KLUV hired noted Dallas news personality Jody Dean as his replacement. On October 25, 2010, Jody Dean and the Morning Team started simulcasting the show on then co-owned KTXA. In January 2013, Jody Dean and the Morning Team was downsized to just Jody Dean and Rebekah Black, later adding David Rancken. Jody would retire five years later, and was replaced by Jeff Miles and was shortly named Miles in the Morning. Dean later worked at a local service in Dallas.

Dallas-Fort Worth's Christmas station

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KLUV's sister station, then-adult contemporary KVIL (103.7 FM), would usually flip to Christmas music from mid-November to the day after Christmas Day for many years until 2013, when the station shifted to a Hot AC format in May that year. Therefore, the Christmas music format moved to KLUV and began on November 15, 2013.[4][5] For 2014, the Christmas format began on November 13 and ended at midnight on December 29. From 2013 until Christmas night in 2017, KLUV had simulcast its Christmas music on sister TV station KTXA during that station's annual Yule Log special, which runs from the evening of Christmas Eve to Christmas Day.[6]

When the station first began airing all-Christmas, there had been rumors that KLUV would drop its longtime classic hits format on December 26, 2013, to become a Top 40/CHR station as "Amp Radio 98.7". CBS stated that there were no plans to change KLUV's format, with the station remaining classic hits. This format change was highly unlikely anyway, because the CHR format was already being heard on KHKS, KLIF-FM, and later on KVIL, who would rebrand as "AMP 103.7" in January 2017. In November 2016, KDGE (formerly known as alternative "102.1 The Edge") also switched to Christmas music after the station was relaunched as mainstream adult contemporary "Star 102.1". (KVIL itself shifted to alternative a year later.)

Starting in November 2019, KLUV began playing Christmas music on its HD3 sub-channel with a wider playlist than heard previously on KLUV's main signal. The main channel did not switch to all-Christmas music, continuing its classic hits format through December, but playing some occasional Christmas songs in its regular playlist.

Entercom/Audacy era

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KLUV's logo, used until June 14, 2023

On February 2, 2017, CBS Radio announced it would merge with Entercom (now known as Audacy, Inc.).[7] The merger was approved on November 9, 2017, and was consummated on November 17.[8][9]

In early 2017, KLUV added in music from the 1990s by artists such as Sheryl Crow and UB40, while gradually phasing out music from the 1960s.[10]

By 2019, KLUV's slogan changed to "Nobody Plays More 80s", which is also being used on other Audacy-owned classic hits stations such as WOGL in Philadelphia.

On June 14, 2023, at 6 a.m., KLUV relaunched as "98.7 The Spot", utilizing a brand used at sister station KKHH in Houston. The final song under the KLUV brand was "Celebration" by Kool & the Gang, while the first song as "The Spot" was "Sweet Child o' Mine" by Guns N' Roses. The change came as a result of the "K-LUV" intellectual property being transferred to Educational Media Foundation (EMF) as part of a deal including ownership of WTSS in Buffalo and WLFP in Memphis; Dallas–Fort Worth had been one of three markets in which EMF's national trademark for K-Love was preempted by an existing usage of the name. "The Spot" launched jockless, with the fate of KLUV's existing airstaff left unannounced. While the new brand is undoubtedly influenced by KKHH's adult hits presentation, KLUV retains a classic hits-style focus on music from the 1970s to 1990s, with some hits from the 2000s, as Audacy already programs an adult hits format in Dallas–Fort Worth on KJKK.[11] On June 20, Audacy filed to change the station's call sign to KSPF effective June 26, with KLUV being moved to the construction permit for a new EMF-owned station in Huron, South Dakota.[12]

KSPF HD channels

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HD2

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98.7 (as KLUV at the time) launched HD Radio operations in 2006, including an HD2 sub-channel. Originally, it was called "The Fab Format", playing The Beatles full time. In January 2008, the HD signal changed to KLUV's previous oldies format, playing music from the 1950s, 1960s and some early 1970s. The station was received on HD-equipped radios on 98.7-HD2.[13] In August 2018, it had rebranded as "Smokin' Oldies", while retaining its oldies focus.

On February 27, 2023, the oldies format on the HD2 subchannel was replaced by a simulcast of KRLD's news format, which is also carried on KJKK's HD2 subchannel.

HD3

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In early May 2016, 98.7 launched another digital subchannel on 98.7-HD3, and aired Radio Disney's Top 40 format targeted to children and younger teens. (Radio Disney was previously heard on KMKI until September 15, 2015.) Entercom's deal with Radio Disney expired at the end of May 2018. The next month, KLUV-HD3 flipped to a classic AOR-format known as "KLUV Classic Trax," playing deep cuts from the 1970s to the 1990s. Starting with the 2019 holiday season, KLUV-HD3 began airing Christmas music from early November through Christmas Day. The subchannel aired a few public service announcements each hour but had no commercial interruptions. The HD3 signal has since been turned off with no programming replacement.

KSPF is heard online on the Audacy platform.[14]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
KSPF (98.7 FM, "98.7 The Spot") is a commercial radio station licensed to , , , and serving the . The station is owned by , Inc., through licensee Audacy License, LLC, and broadcasts a format featuring music primarily from the , , and 1980s. KSPF operates in the format. Its HD2 subchannel simulcasts the news/talk programming of co-owned KRLD (1080 AM). The station first signed on in 1961 and has undergone multiple call sign and format changes, including a rebrand from KLUV to KSPF on June 14, 2023. The studios are located in Uptown Dallas at 4131 North Central Expressway, while the transmitter is in Cedar Hill.

Station Overview

Technical Details and Coverage

KSPF operates on the 98.7 MHz frequency in the FM band and is licensed to the city of Dallas, Texas. The station holds a Class C license from the Federal Communications Commission (FCC), allowing it to broadcast with an effective radiated power (ERP) of 100,000 watts. Its antenna height above average terrain (HAAT) measures 507 meters, enabling a robust signal from its transmitter site in Cedar Hill, Texas, located at approximately 32° 35' 19" N latitude and 96° 58' 06" W longitude. The station's coverage footprint centers on the Dallas-Fort Worth metroplex, the fourth-largest radio market in the United States, reaching an estimated population of over 8.3 million within its primary contour (as of 2024). The signal extends beyond the urban core to include surrounding North Texas counties such as Collin, Denton, Tarrant, and , providing reliable reception across a diverse geographic area that encompasses suburban and rural communities. This wide reach supports the station's role in regional , with terrain-limited ensuring strong performance in the flat to rolling landscapes of the region. As of 2025, KSPF is owned by Audacy License, LLC, a subsidiary of , Inc., following the 2017 merger between Entercom Communications and that created one of the largest radio operators in the country, and Entercom's subsequent rebranding to in March 2021. emerged from Chapter 11 bankruptcy on September 30, 2024, becoming a .

Current Format and Programming

KSPF, branded as "98.7 The Spot," maintains a classic hits format centered on popular tracks from the 1970s through the 2000s, featuring artists such as Journey, Madonna, Prince, and Queen to appeal to a broad nostalgic audience. The station's slogan, "Your Spot...Your Music," underscores its emphasis on timeless hits with minimal interruptions, fostering a music-intensive listening experience that limits talk segments to brief station liners and occasional promotions. Programming revolves around local on-air talent during key dayparts, with Carter hosting the weekday morning show from 6 a.m. to noon, delivering engaging commentary alongside the core playlist to energize commuters in the Dallas-Fort Worth market. Afternoons from noon to 6 p.m. are led by , who joined in October 2023 and continues to provide a dynamic drive-time presence blending music curation with light listener interaction, while evenings from 6 p.m. to midnight feature Alex Luckey, focusing on deeper cuts and weekend specials to extend engagement. The format targets adults aged 25-54, capitalizing on the competitive Dallas-Fort Worth radio landscape by prioritizing relatable, high-energy classics that resonate with working professionals and families seeking familiar entertainment. Listener engagement is enhanced through the app for , contests, and on-demand access, contributing to the station's recent success, including a #1 ranking in the July 2024 PPM ratings with a 6.4 share among persons 12+. As of November 2025, no significant alterations to the format or lineup have occurred since the June 2023 rebrand, building on the station's longstanding roots in and programming.

Historical Development

Origins and Early Formats (1961–1966)

KSPF traces its origins to 1961, when it signed on as KROW at 98.7 FM in , , under the ownership of the McLendon Corporation led by pioneering broadcaster . The station launched with a high-energy Top 40 format, playing the era's biggest pop hits to capture the youth audience in the competitive Dallas-Fort Worth market, where FM radio was still emerging as a viable alternative to dominant AM signals. McLendon's innovative programming techniques, including tight playlists limited to the top-selling singles and engaging listener contests, defined KROW's early sound and helped it stand out amid limited FM competition. During its initial years, KROW operated with restricted hours—typically from noon to 6 p.m. through —focusing on energetic disc jockeys who delivered rapid-fire announcements, jingles, and promotional stunts to build excitement around the music. This approach mirrored the successful strategies McLendon had perfected on his flagship AM station, KLIF (1190), emphasizing entertainment value to attract teenagers and young adults in a market where FM adoption was growing but still secondary to AM for music listening. The McLendon Corporation maintained full ownership throughout this period, leveraging the station as an extension of its Top 40 empire. In late , KROW underwent a significant rebranding, adopting the callsign KLIF-FM to align more closely with its AM counterpart and simulcasting KLIF's programming for expanded reach. This change allowed the FM signal to reinforce the Top 40 hits and news segments from KLIF (1190 AM), broadening the McLendon network's presence in the Dallas-Fort Worth area while continuing to target a youthful demographic amid the early FM era's challenges. McLendon's broader influence on radio formatting, including these synchronized operations, laid foundational techniques that would echo in later ventures like the progressive rock shift at what became KNUS-FM.

Progressive Rock and Top 40 Era (1966–1981)

In July 1966, the station, previously known as KLIF-FM and operating as a of its AM counterpart with a Top 40 format, adopted the call letters KNUS and transitioned to an automated and underground format, marking its independence and focus on . This shift introduced live disc jockeys alongside automation starting in mid-1967, emphasizing deep album cuts, , folk, and classical influences to appeal to younger listeners seeking alternatives to the dominant AM Top 40 stations in the Dallas-Fort Worth market. By the late 1960s, KNUS had fully embraced (AOR), competing directly with AM rock outlets like KLIF by offering extended programming blocks and a more eclectic playlist that fostered a dedicated audience. The station's programming evolved in the early 1970s toward a rock-based Top 40 hybrid, incorporating hit-driven tracks while retaining some progressive elements, which culminated in a power increase in 1971 and a full pivot to mainstream Top 40 by 1971. This format change, supported by promotions like the 1975 "Fantasy Park" radio special, propelled KNUS to its peak popularity, achieving #1 ratings in the Dallas-Fort Worth market in fall 1975 with a 6.0 share, surpassing rival KLIF's 5.6 share and becoming one of the first FM Top 40 stations to outperform its AM competition nationally. Under Gordon McLendon's ownership, KNUS maintained shares around 6 percent in the mid-1970s, solidifying its role as a youth-oriented powerhouse that blended rock anthems with emerging hits to capture the region's growing suburban demographic. Ownership transitioned in May 1979 when McLendon Corporation sold KNUS to San Juan Racing Corporation for $3.75 million amid declining late-decade ratings that dropped the station out of the top ten. San Juan retained the Top 40 format through 1981 before selling the station to TK Communications in October 1982, setting the stage for further changes.

Shift to Adult Contemporary and Oldies (1981–1995)

In 1981, under San Juan ownership, the station adopted the call letters KLVU and launched an adult contemporary format focused on "love songs," shifting away from its prior progressive rock identity as KNUS amid declining ratings in that genre. San Juan Racing Association's radio division (excluding KLVU) was acquired by Gulf Broadcast Group for $62 million around the same time. By 1982, KLVU had been sold separately to TK Communications, owned by John Tenaglia, allowing for continued investment in the softer music direction. On , , the call sign was updated to KLUV through a swap with a small station in Haynesville, , for a reported $10,000, establishing the branding that would endure. The format initially retained an adult contemporary gold emphasis, blending current soft hits with older standards. Under TK ownership, KLUV gradually evolved toward a dedicated niche by late 1985, centering on popular hits from 1955 to 1973 while phasing out newer material. Programming highlighted nostalgic appeal through era-specific jingles, themed segments like the "Saturday Night Dance Party," and on-air talent who evoked the vibe, fostering a sense of familiarity for adult listeners. This focus resonated strongly in the Dallas-Fort Worth market, cultivating a loyal audience of adults 25–54 and driving consistent ratings gains; by spring 1995, KLUV achieved a 3.8 share among 12+ listeners, ranking among the market's top performers. The station's success culminated in its April 1995 sale to —soon to merge into —for approximately $51 million, reflecting the format's commercial viability.

Key Milestones and Events

Format Evolutions and Rebrandings (1995–2025)

In 1995, acquired KLUV, which had established an format focused on and 1970s music since the mid-. Under ownership, the station gradually evolved its programming toward a format by the late , expanding its playlist to emphasize tracks from the mid- through the early while maintaining its core appeal to longtime listeners. This shift broadened the station's reach without abandoning its foundational roots from the . CBS Radio's stewardship of KLUV lasted until 2017, when the company merged with Entercom Communications in a deal announced on February 2 and completed on November 17. The merger integrated KLUV into Entercom's portfolio, preserving its classic hits format branded as "98.7 K-LUV." In March 2021, Entercom rebranded as , reflecting a broader emphasis on multi-platform audio content, though KLUV's on-air programming remained unchanged. From 2017 to 2023, KLUV continued delivering , with periodic adjustments to incorporate more tracks and select early 1990s songs, such as those by and , particularly evident by early 2017 to refresh its library and attract younger demographics. This evolution maintained the station's focus on hits spanning over five decades while prioritizing the and . On June 14, 2023, rebranded KLUV as "98.7 The Spot," aligning it with the branding of KKHH "95.7 " in and stemming from an intellectual property exchange with the . The call letters officially changed to KSPF on June 26, 2023, while the format continued uninterrupted as . The station has continued this format without further rebrands as of November 2025. has retained ownership of KSPF as of November 2025.

Notable Incidents and Seasonal Traditions

One of the most tragic events associated with KSPF occurred on , 1985, when pioneer , his fiancée Helen Blair, and five band members perished in a plane crash en route to a sock-hop sponsored and promoted by the station, then operating as KLUV-FM, at the Park Suite Hotel in . The aircraft, departing from , experienced an in-flight fire from a faulty cabin heater, leading to a crash-landing in a wooded area near , approximately 35 miles west of Texarkana. KLUV's promotion of the event as a celebration of underscored the station's emerging focus on music, and Nelson's death—coming just months after KLUV's format shift—amplified for and icons among listeners. The tragedy transformed the planned concert into a wake, with KLUV airing tributes that resonated deeply in the Dallas-Fort Worth market, reinforcing the emotional pull of the genre during the station's transitional era. The station has not been involved in any reported major incidents since the 1985 tragedy. In terms of seasonal traditions, KSPF has maintained an annual all-Christmas music format on its main channel since 2013, typically launching around mid- and continuing through , positioning it as one of the Dallas-Fort Worth area's leading broadcasters. This programming shift features nonstop holiday classics, drawing large audiences and consistently achieving ratings spikes, such as a 6.1 share in the holiday book compared to its regular 4.0 share. The tradition, carried over from the KLUV branding, enhances the station's cultural role in community festivities and has become a staple for seasonal listening in the region, continuing as of 2025.

Digital and Multicasting Operations

HD2 Subchannel

The HD2 subchannel of KSPF (98.7 FM) debuted in 2006 alongside the station's adoption of technology, marking an early implementation of digital multicasting by then-owner across multiple markets. This subchannel provided an additional audio stream complementing the main analog signal, enabling expanded programming options for listeners equipped with receivers. Initially, it carried "The Fab Format" focused on , before switching to an format in 2008. Since February 27, 2023, the HD2 subchannel has carried a full of KRLD (1080 AM), delivering its /talk format focused on and national , traffic, weather, and talk programming. This arrangement allows KRLD's content—produced by —to reach FM audiences via the 98.7-2 without requiring a dedicated analog transmitter, thereby broadening access in the Dallas-Fort Worth metroplex where AM signals can face interference challenges. Designated as 98.7-2, the subchannel operates without independent branding, instead aligning directly with KRLD's "NewsRadio 1080" identity and website for unified listener experience. Its primary purpose is to enhance Audacy's distribution of news/talk content through digital means, offering a secondary pathway for real-time information in a major market while leveraging the efficiency of HD multicasting to minimize operational costs. Reception is limited to compatible HD Radio devices, such as certain car stereos and home tuners, reflecting the subchannel's role as a targeted extension of the cluster's news offerings rather than a standalone service. As of November 2025, the simulcast remains active.

HD3 Subchannel

The HD3 subchannel of KSPF, designated as 98.7-3, represents a digital multicast channel. It launched in early May 2016 with 's Top 40 format targeted at children and younger teens. Radio Disney aired until May 2018, after which the subchannel flipped to "KLUV Classic Trax" in June 2018, featuring deep cuts from the 1970s to 1990s. In November 2019, HD3 began carrying all-Christmas music seasonally, with a wider playlist and no commercials, continuing through the holiday period. The HD3 subchannel has been inactive since approximately 2020, with no replacement programming. As of November 2025, 98.7-3 remains off-air, though there is potential for future reactivation under Audacy's ongoing digital operations.

References

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