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Nikon FM
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|
 | |
| Overview | |
|---|---|
| Maker | Nikon (Nippon Kogaku K. K.) |
| Type | Single-lens reflex |
| Released | 1977 |
| Production | 1977-1982 |
| Lens | |
| Lens mount | Nikon F-mount |
| Sensor/medium | |
| Film format | 35 mm |
| Film size | 36 mm × 24 mm |
| Film speed | ISO 12 – 4000 |
| Focusing | |
| Focus | Manual |
| Exposure/metering | |
| Exposure modes | Manual |
| Exposure metering | TTL with gallium arsenide phosphide photodiode |
| Metering modes | 60/40 center-weighted |
| Flash | |
| Flash | ISO standard Hot shoe |
| Flash synchronization | 1/125 s |
| Shutter | |
| Frame rate | Manually wound (3.5 frames/second with Motor Drive MD-11 or MD-12) |
| Shutter speed range | 1 s – 1/1000 s; Bulb; |
| General | |
| Dimensions | 142×60.5×89.5 mm (5.59×2.38×3.52 in), 590 g |
| Made in | Japan |
| Chronology | |
| Successor | Nikon FM2 |
The Nikon FM is a mechanically operated, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was made in Japan between 1977 and 1982 by Nippon Kogaku K. K. (now Nikon Corporation).
History
[edit]Released in 1977, the FM was the replacement for Nikkormat FT3, which had been introduced only a few months prior. It introduced an entirely new compact, but rugged, copper-aluminum alloy (duralumin) chassis that would become the basis for Nikon's highly successful range of compact semi-professional SLR cameras.
These cameras provided a lower-priced alternative to Nikon's professional F-series cameras, such as the Nikon F2. They were all-new successors to the Nikkormat F- and EL-series of amateur-level SLRs, but despite the lower price-point they continued Nikon's reputation for high-quality construction, impressive durability and measured technical innovation.
The FM proved to be a remarkably long-lived and reliable camera. Over the next twenty-nine years Nippon Kogaku would use the same chassis and basic design philosophy (with some modifications) for the FE (introduced in 1978), FM2 (1982), FE2 (1983), FA (1983) and the limited-production FM3A of 2001.
Design and construction
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The FM is manufactured almost entirely from metal and uses a mechanical shutter. It is manual-focus-only, with manual exposure control. Being mechanical, the FM needs no batteries to operate (though two 1.5 volt 357 or 76A or LR44 or SR44 cells are required to operate the light meter). The metering system comprises a gallium [1] photodiode (with 60/40% center-weighting) that meters through-the-lens at maximum aperture. Its reading is displayed by a "center-the-LED" system using vertically arranged light-emitting diodes (LEDs) next to +/O/- markers on the right side of the viewfinder that indicate overexposure, correct, or underexposure, respectively. The photographer adjusts the aperture or shutter-speed until the "O" LED illuminates to indicate correct exposure. This system can be traced back to the Nikkormat FT of 1965 and its "center-the-needle" system. The succeeding Nikon FM2 uses an improved center-the-LED system.
The FM uses a modern titanium-bladed, vertical-travel focal plane shutter capable of speeds from 1 second to 1/1000 of a second, plus bulb. Flash X-sync is at speeds up to 1/125th second.
The body has dimensions of 89.5 mm height, 142 mm width, 60.5 mm depth and 590 g weight. It is available in two finishes; silver with black trim and all black.
Lens compatibility
[edit]The FM accepts all Nikon F bayonet mount lenses, with certain limitations or exceptions. Full compatibility requires lenses that support the Automatic Maximum-Aperture Indexing (AI) specification. This includes most Nikon lenses manufactured after 1977. Pre-AI lenses can be used, but only with stop-down metering.
Many newer Nikon and third-party F-mount lenses are also compatible. The only major exceptions are G-type Nikkor lenses, which have no aperture ring and thus no way of properly controlling exposure, and DX Nikkors, which do not resolve an image large enough to cover the 135 frame. All other AF Nikkor lenses will mount and be usable, but autofocus and Vibration Reduction (VR) will not be supported.
Both IX Nikkor lenses, for Nikon's Advanced Photo System (APS) SLRs, and very old "invasive" Fisheye-Nikkor lenses from the 1960s must not be mounted on the FM, as their rear elements will damage the FM's reflex mirror.
Other features
[edit]
The FM has a "full information" viewfinder. In addition to the metering LEDs; the viewfinder also displays the set shutter speed and lens aperture to give context to the LEDs. A fixed K-type focus screen with 3 mm split-image rangefinder and 1 mm microprism collar is fitted.
Major system accessories for the FM include the MD-11 and MD-12 motor drives; which enables continuous film advance at 3.5 frames per second, the Data Back MF-12; enabling the imprinting of date and time data on the film, and the Speedlight SB-8E electronic flash; guide number 82/25 (feet/meters) at ASA 100.
Note that there were two distinct versions of the FM, depending on how the FM's light meter (see below) was activated when a motor drive was mounted. The original FM had a rotary switch shutter button collar to lock the shutter, or switch to motor drive mode when the MD-11 was mounted. The MD-12 activated the meter automatically and the switch was omitted on late (1979 or after) FMs. Nippon Kogaku also strengthened the internal construction of late FMs.
Design history
[edit]Due to advances in technology, the 1970s and 1980s saw increasing competition between the major SLR brands: Nikon, Canon, Minolta, Pentax and Olympus. The industry sought to meet increasing consumer demand for entry-level SLR cameras that were more capable than 35mm rangefinder (RF) cameras at the time, such as the Nikon S. From 1975 to 1985, there was a dramatic shift from heavy all-metal manual mechanical camera bodies to more compact bodies with microprocessor electronic automation.
Both Nikon's F2 and the Nikkormats were noted for their toughness and reliability. Nippon Kogaku wanted to instill these qualities into a new smaller and lighter design, and incorporate their high standard of workmanship into entry-level SLRs. For the FM, this meant the use of high-strength machined metal parts, hardened metal gears, a bearing-mounted film and shutter transport, and a camera assembled to precise tolerances. As a result, the Nikon FM is considered one of the most reliable 35mm SLR designs ever built.[citation needed]
The Nikon FM sold very well compared to the competing mechanical Pentax MX (released 1977) and Olympus OM-1N (1979) cameras. It was also a very popular backup camera among professional photographers using the Nikon F2 and F3. Because of its durability and access to the Nikkor lens line, the FM saw success in its market niche and brought the introduction of an improved successor, the Nikon FM2, in 1982.
See also
[edit]References
[edit]- ^ Nikon
- "Nikon MF/AF Bodies - Lens Compatibility" http://www.nikonlinks.com/unklbil/bodylens.htm retrieved 3 January 2006
- Anonymous. "Nikon EM: Budget Priced 35mm Reflex" pp 62–66. Modern Photography's Photo Buying Guide '85. reprint from Modern Photography, July 1979.
- Comen, Paul. Magic Lantern Guides: Nikon Classic Cameras; F, FE, FE2, FA and Nikkormat F series. First Edition. Magic Lantern Guides. Rochester, NY: Silver Pixel Press, 1996. ISBN 1-883403-31-6
- Hansen, William P. Hansen's Complete Illustrated Guide to Cameras; Volume 2. Kennesaw, GA: Rochdale Publishing Company, 2003. ISBN 0-9707710-3-7
- Matanle, Ivor. Collecting and Using Classic SLRs. First Paperback Edition. New York, NY: Thames and Hudson, 1997. ISBN 0-500-27901-2
- Peterson, B. Moose. Magic Lantern Guides: Nikon Classic Cameras, Volume II; F2, FM, EM, FG, N2000 (F-301), N2020 (F-501), EL series. First Edition. Magic Lantern Guides. Rochester, NY: Silver Pixel Press, 1996. ISBN 1-883403-38-3
- Schneider, Jason. "How The Japanese Camera Took Over" pp 56–57, 78, 86. Modern Photography, Volume 48, Number 7; July 1984.
- Schneider, Jason. "A Half Century of The World's Greatest Cameras!" pp 56–59, 76, 124. Modern Photography, Volume 51, Number 9; September 1987.
- Schneider, Jason. "Great Buys In Used SLRs!!" pp 80–81, 130. Popular Photography, Volume 61, Number 11; November 1997.
- Shell, Bob translator and Harold Franke. Magic Lantern Guides: Canon Classic Cameras; A-1, AT-1, AE-1, AE-1 Program, T50, T70, T90. Sixth Printing 2001. Magic Lantern Guides. Rochester, NY: Silver Pixel Press, 1995. ISBN 1-883403-26-X
- Stafford, Simon and Rudi Hillebrand & Hans-Joachim Hauschild. The New Nikon Compendium: Cameras, Lenses & Accessories since 1917. 2004 Updated North American Edition. Asheville, NC: Lark Books, 2003. ISBN 1-57990-592-7
External links
[edit]
Wikimedia Commons has media related to Nikon FM.
- Nikon FM articles from mir.com.my Photography in Malaysia
- Nikon FM photo from Nikon Corporation's online archives
- best manual focus Nikon SLRs page from www.cameraquest.com/classics Stephen Gandy's CameraQuest Classic Camera Profiles
Nikon FM
View on Grokipediafrom Grokipedia
History
Development Origins
In the mid-1970s, the 35mm SLR market experienced intense competition as manufacturers sought to address the demand for more compact and lightweight cameras, driven by the success of models like the Olympus OM-1 introduced in 1972 and the Pentax MX launched in 1976.[3][4] These compact designs challenged the dominance of larger professional SLRs, prompting Nippon Kogaku K.K. (now Nikon Corporation) to develop a smaller alternative to its bulkier predecessors, such as the Nikkormat FT3 and Nikon F2.[1][4] The Nikon FM was conceptualized during this period as a response to U.S. distributor requests for a high-performance camera positioned below the professional-grade F2, emphasizing downsizing while maintaining compatibility with existing Nikon systems.[1] The primary design goals for the Nikon FM centered on mechanical reliability independent of electronic components, ensuring durability in demanding conditions without battery dependency for core operations.[1] This approach targeted advanced amateur photographers and professionals seeking a robust backup camera that could serve as a reliable secondary body alongside more advanced systems.[4] Key influences included the integration of the Auto Indexing (AI) lens mount, originally developed for earlier Nikon F models, to enable seamless compatibility with a wide range of Nikkor lenses and support TTL metering without manual adjustments.[1] The project incorporated value engineering principles to reduce size and cost through innovative production techniques, such as simplified mechanisms, while preserving the high build quality associated with Nikon's professional lineup.[1] Development of the Nikon FM occurred concurrently with its electronic counterpart, the aperture-priority Nikon FE, sharing foundational design elements like the compact body layout and AI integration to streamline manufacturing and expand Nikon's offerings in the compact SLR segment.[1]Release and Production
The Nikon FM was officially introduced at the 1977 Nippon Camera Show and went on sale in Japan in May 1977, followed by a global rollout later that year.[1] Production of the FM took place from 1977 to 1982 at Nikon's manufacturing facilities in Japan.[4][5] At launch, the body-only FM was priced at approximately $300 USD, establishing it as an accessible professional-grade manual SLR for photographers seeking reliability without premium costs.[6] The camera was available in chrome and black finishes.[7][8] Production ceased in 1982 as Nikon shifted focus to the updated FM2 model, which addressed growing demands for higher shutter speeds up to 1/4000 second.[9] The mechanical FM also formed the basis for the electronic Nikon FE variant, released in 1978.[10]Technical Design
Construction and Build
The Nikon FM features a chassis constructed from duralumin, a copper-aluminum alloy known for its strength and lightness, providing a durable foundation for the camera's compact form. This all-metal body measures 142 × 89.5 × 60.5 mm and weighs 590 grams without lenses or accessories, making it significantly smaller and lighter than Nikon's professional F-series cameras while maintaining robustness suitable for fieldwork.[11][12] The build quality emphasizes resistance to harsh environmental conditions, with the all-metal construction enabling reliable operation in cold weather, though the battery-dependent metering may falter while the mechanical shutter continues to function without power. This design renders the FM shock-resistant and capable of enduring professional fieldwork as a dependable backup to more electronic models, thanks to its precision engineering and minimal reliance on batteries for core operations.[13][3] Ergonomically, the FM incorporates an integrated ISO-type hot shoe for flash mounting, a single-stroke film advance lever with a 135° winding angle that also serves as the meter on/off switch, and a built-in self-timer offering an 8- to 14-second delay, all optimized for one-handed operation during shooting. The body is covered in a leatherette material that enhances grip and comfort, contributing to its user-friendly handling in extended sessions.[12]Shutter and Exposure System
The Nikon FM features a Copal CCS-M square-type focal-plane shutter with vertical metal blades, designed for durability and precision in a compact form. This fully mechanical shutter operates without any electronic dependencies, ensuring reliable performance even in adverse conditions such as extreme cold or battery failure. The vertical travel of the blades allows for a compact integration within the camera body while maintaining smooth operation and minimal vibration during exposure.[1][14] Shutter speeds range from 1 second to 1/1000 second in full-stop increments, supplemented by a Bulb mode for extended exposures beyond one second. Flash synchronization is supported at speeds up to 1/125 second via a dedicated hot-shoe contact and PC terminal, enabling compatibility with electronic strobes without the need for specialized high-speed sync features. The mechanical timing mechanism, driven by a string-and-pulley system connecting the top-mounted shutter speed dial to the cam shaft, provides consistent performance across the range, with the shutter's 7-millisecond travel time contributing to its flash sync capability.[1][14][15] Exposure is controlled entirely manually through the interlocking shutter speed dial on the camera's top plate and the aperture ring on compatible Nikkor lenses, allowing photographers to set both parameters independently for precise creative control. There are no automated exposure modes, emphasizing the FM's design philosophy of simplicity and user autonomy. The battery, required only for the light meter's operation, has no influence on shutter function, preserving full manual usability in the absence of power.[12][14]Viewfinder and Metering
The Nikon FM features a fixed eye-level pentaprism viewfinder that provides approximately 93% frame coverage and 0.86× magnification when using a standard 50mm lens focused at infinity.[14] This design ensures a bright and clear viewing experience suitable for most compositional needs, with the standard eyepiece set to -1 diopter for users without significant vision correction requirements; optional corrective eyepieces from Nikon allow for adjustments ranging from -4 to +3 diopters to accommodate individual eyesight variations.[2] The viewfinder displays essential information including selected shutter speeds on the left side, lens aperture via the Aperture Direct Readout (ADR) system when using compatible AI-Nikkor lenses, and a central 12mm-diameter reference circle indicating the metering area.[16] At the heart of the focusing aids is the standard Nikon Type K focusing screen, which combines a matte Fresnel field for general composition, a 3mm split-image rangefinder spot for precise alignment in low-contrast scenes, and an surrounding microprism collar to highlight out-of-focus areas through shimmering effects, facilitating quick and accurate manual focusing across various lens types.[14] While the screen is factory-installed and not designed for user interchangeability without disassembly, it can be replaced with other compatible Nikon screens (such as Type E or P) by authorized service centers to suit specialized applications like astrophotography or macro work.[2] The metering system employs through-the-lens (TTL) center-weighted averaging, where approximately 60% of the sensitivity is directed toward the central 12mm circle and 40% to the surrounding field, powered by two gallium photo-diode (GPD) cells for reliable light measurement.[14] This setup supports full-aperture metering with AI and later Nikon lenses, falling back to stop-down metering for pre-AI glass, with an operational range of EV 1 to 18 at ISO 100 using a 50mm f/1.4 lens.[16] Film sensitivity is set manually via a dial around the shutter speed selector, covering ISO 12 to 3200 in one-stop increments, and exposure accuracy is conveyed through three LED indicators in the viewfinder: '+' for overexposure by more than one stop, 'o' for correct exposure within ±0.2 EV, and '-' for underexposure by more than one stop.[2] The metering electronics are powered solely by two 1.5V S76 silver-oxide batteries housed in the camera's baseplate, independent of the mechanical shutter operation, ensuring the viewfinder remains functional even if batteries fail.[14] A low-battery condition is indicated by erratic or flickering LED readings, prompting timely replacement to maintain metering precision without affecting core camera functionality.[16]Lens and Compatibility
F-Mount System
The Nikon FM utilizes the Nikon F-mount, a bayonet-style lens mount originally introduced in 1959 with the Nikon F camera, which enables seamless interchangeability of manual focus lenses across Nikon's SLR lineup.[17] This enduring design standard allows the FM to maintain broad backward compatibility with manual focus Nikkor lenses dating back to the mount's inception.[16] In 1977, Nikon enhanced the F-mount with the Auto Indexing (AI) system, incorporating a linear ridge on the lens's rear aperture ring that facilitates automatic maximum aperture indexing when mounted on compatible bodies like the FM.[18] The FM supports all AI and AI-S Nikkor lenses produced from 1977 onward, providing full open-aperture metering for precise exposure control without manual adjustments.[16] The bayonet mechanism ensures smooth lens attachment through a friction-based twist-lock, aligning the lens index with the camera's mount index and rotating counterclockwise until it secures with an audible click.[16] Additional mechanical features include a body-mounted depth-of-field preview lever, which allows photographers to stop down the aperture manually for visualizing sharpness and focus range in the viewfinder.[16] Pre-AI lenses from before 1977 can be used on the FM by locking up the meter's coupling lever, though metering reverts to stop-down mode.[16]Lens Limitations
The Nikon FM, while compatible with a wide range of F-mount lenses, imposes specific limitations on certain types due to its manual focus design and mechanical metering system. Pre-AI lenses, produced before 1977, require the camera's non-AI selector switch to be engaged for safe mounting, as their protruding aperture indexing ridge can otherwise damage the meter's coupling lever; even then, metering is limited to stop-down mode, where the photographer manually stops down the aperture to measure exposure before returning to the shooting aperture.[19][20] AI conversion kits are available to modify these lenses for full compatibility, eliminating the risk and enabling automatic maximum aperture indexing.[21] Several Nikon lens variants are outright incompatible or severely restricted on the FM. G-type Nikkor lenses, which lack an aperture ring (including many AF-S designs without one), prevent aperture control and metering integration, as the camera relies on mechanical linkage from the ring for operation; these lenses can mount but remain fixed at their minimum aperture, rendering them unusable for precise exposure.[19][20] However, AF and AF-D Nikkor lenses with aperture rings are compatible, functioning like AI-S lenses for manual operation and open-aperture metering.[21] DX-format lenses, optimized for APS-C sensors, produce severe vignetting or dark corners on the FM's full-frame 35mm film due to insufficient image circle coverage.[21][20] IX-Nikkor lenses, designed for Nikon's short-lived APS film cameras, feature rear elements that protrude deeply into the mount, risking contact with the shutter curtain or mirror and preventing secure mounting.[22] Early Fisheye-Nikkors, such as the 8mm f/2.8 and 7.5mm f/5.6, have bulbous rear elements that interfere with the moving mirror during viewing and focusing, requiring mirror lock-up which the FM does not natively support without modification.[23] Workarounds exist for some limitations but come with trade-offs. Non-AI lenses can be used cautiously with the FM's switch and stop-down metering, though this complicates workflow compared to AI lenses; adapters allow mounting of certain G-type lenses for manual focus and fixed-aperture shooting, but autofocus is entirely unsupported on the mechanical FM.[19][21] These constraints particularly limit integration with modern digital-era optics, favoring instead the camera's strengths with manual-focus AI and AI-S lenses, such as the Nikkor 50mm f/1.4 AI, which provide seamless metering and creative control.[20]Additional Features and Accessories
Integrated Features
The Nikon FM features a manual film transport system designed for reliable operation, with a single-stroke film advance lever that requires a 135° winding angle and includes a 30° standby position to activate the metering system while keeping the lever clear of the viewfinder.[16] The lever also serves as a shutter release lock when fully returned to its flush position.[14] For rewinding, a built-in crank allows manual film retraction after pressing the rewind release button on the baseplate.[16] Multiple exposures are facilitated by a dedicated lever that disengages the film advance mechanism, allowing the shutter to be recocked on the same frame while adjusting exposure settings.[16] Additional integrated controls enhance usability, including a self-timer lever on the front of the camera body that provides an approximate 10-second delay before firing the shutter, which can be canceled at any time.[14] A depth-of-field preview button enables manual stopping down of the lens aperture to visualize the final focus range directly in the viewfinder.[16] Film loading is simplified by the camera's hinged, swing-open back design, which opens via a safety lock on the rewind knob and includes a detachable insert with a memo holder for recording exposure details.[14] The battery compartment, housing two 1.5V silver-oxide cells for the TTL metering system, is accessed via a coin-slotted cover on the bottom plate; metering functionality can be verified without film loaded by advancing the lever to its standby position, which illuminates an LED indicator if power is sufficient.[16] The camera also integrates an ISO-type hot shoe for direct flash mounting with sync speeds up to 1/125 second.[14]External Attachments
The Nikon FM supports a range of external motor drives to enable powered film advance, enhancing its utility for action photography. The MD-11 motor drive attaches via a screw-on connection at the camera's baseplate and is powered by eight AA batteries, providing continuous shooting at up to 3.5 frames per second when the shutter speed is 1/125 second or faster.[24] The MD-12, an upgraded successor to the MD-11, offers similar 3.5 frames-per-second performance and is also compatible with the FM through the same mounting system; it notably supports integration with bulk film backs like the MF-5 for extended shooting sessions.[25] Both units include single-frame and continuous modes, with the MD-12 featuring an automatic power-off function to conserve battery life.[26] For flash photography, the FM's standard ISO hot shoe accessory mount accommodates a variety of units, including third-party strobes with manual or automatic exposure control, syncing at speeds up to 1/125 second. The dedicated Nikon Speedlight SB-8E, designed specifically for compact SLRs like the FM, mounts directly on the hot shoe and provides non-TTL automatic exposure modes via its sensor, though full manual adjustment is required for precise control given the camera's center-weighted metering system.[27] Data imprinting is facilitated by the MF-12 databack, which replaces the camera's standard back and connects to the FM's PC sync terminal via a provided cord to synchronize LED exposure during each frame advance.[28] This accessory imprints year, month, day, hour, minute, or second data in the frame's lower right corner, selectable via onboard controls, making it useful for documentary or scientific applications.[29] Additional close-up attachments expand the FM's macro capabilities through its F-mount interface. Bellows units like the PB-4 allow variable extension for magnifications up to 1:1 or greater when paired with compatible lenses, offering precise focusing control without infinity focus.[30] Extension tubes, such as the PN-11, provide fixed-length spacing between the lens and body to achieve close focusing ratios, commonly used with standard primes like the 50mm f/1.8 for detailed reproduction work.[31] These attachments maintain full aperture control and metering compatibility on the FM. All listed accessories integrate via the FM's standard F-mount lens interface or ISO accessory shoe, ensuring electrical contacts for metering and synchronization where applicable; external power packs, such as the MN-1 nickel-cadmium unit, can supplement battery-powered devices like the MD-11 for prolonged use in cold conditions.[32] Teleconverters, like the TC-200, are also compatible when mounted between F-mount lenses and the body, extending focal lengths while preserving accessory shoe functionality.[33]Legacy
Successors and Variants
The Nikon FM was produced in both a standard chrome finish and a black body variant, the latter introduced as a cosmetic option with identical mechanical specifications.[34] The first direct successor, the Nikon FE, was released in June 1978 and built on the FM's compact design by adding an electronically controlled shutter and aperture-priority auto-exposure mode.[35] This allowed for automated operation while preserving full manual control, appealing to photographers seeking versatility without sacrificing reliability. In 1982, the Nikon FM2 succeeded the original FM, incorporating a lightweight titanium shutter with a honeycomb-etched pattern that enabled a maximum speed of 1/4000 second— the fastest in the world at the time—and an initial X-sync speed of 1/200 second.[9] Additional refinements included interchangeable focusing screens and a viewfinder ready-light for flash units. The model was updated in 1984 as the FM2n with an improved sync speed of 1/250 second. The FE2, introduced in early 1983, merged the FM2's high-speed titanium shutter with the FE's electronic features, supporting aperture-priority auto-exposure up to 1/4000 second and TTL flash control.[36] Later that year, in September 1983, Nikon launched the FA, which expanded to multi-mode automation including programmed and shutter-priority AE, alongside the first matrix metering system in a 35mm SLR for more accurate exposure across varied scenes.[36] The FM series concluded with the FM3A in July 2001, a hybrid model that combined the FM2's mechanical manual operation (battery-independent) with aperture-priority auto-exposure from earlier FE models, using a sophisticated control system for seamless switching between modes.[37] Shutter speeds ranged from 8 seconds to 1/4000 second in auto mode and Bulb to 1/4000 second manually. Subsequent models evolved the FM's core mechanical foundation by integrating advanced electronics for exposure automation and material upgrades like titanium for enhanced durability and reduced weight. The original FM was phased out by 1982, supplanted by these more capable successors.[34]Influence and Collectibility
The Nikon FM gained prominence among photojournalists in the 1980s as a dependable backup camera, valued for its mechanical simplicity that allowed operation even when electronic systems in primary cameras failed under harsh conditions.[38] Its compact design and reliability made it a preferred secondary body for professionals working in demanding environments, complementing larger models like the Nikon F2 and F3.[11] As a symbol of Nikon's transition to more compact single-lens reflex cameras in the late 1970s, the FM represented a blend of professional durability and accessibility for enthusiasts, influencing the evolution of manual SLRs.[39] It appeared in films such as The Eyes of Laura Mars (1978), where it underscored themes of photojournalism, and has been referenced in photography literature as an exemplar of analog craftsmanship.[40] In the 2020s, the Nikon FM has experienced renewed popularity within film photography revival communities, where its manual controls encourage deliberate shooting practices amid the dominance of digital automation.[41] Its F-mount compatibility enables use with adapters like the FTZ II on modern Nikon Z-series mirrorless bodies, allowing hybrid analog-digital workflows for creative projects such as street and portrait photography.[42] Well-maintained Nikon FM units command market values of $100–250 USD as of 2025, with collectors prioritizing examples featuring intact shutters and accurate metering for their enduring functionality.[43][44] The camera's appeal lies in its robust construction and lens ecosystem, making it a sought-after item for both use and display in analog enthusiast circles.[45] Nikon has not issued official re-releases of the FM, leaving its legacy sustained through third-party repair services that perform cleanings, calibrations, and part replacements to keep vintage units operational.[46] This approach, exemplified by specialized shops offering comprehensive overhauls, ensures the camera's usability for decades beyond its production run.[46] Successors like the FM3A extended the mechanical lineage but did not replicate the original's exact compact ethos.[39]References
- https://camera-wiki.org/wiki/Nikon_FM