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Infinity
Infinity
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The Sierpiński triangle contains infinitely many (scaled-down) copies of itself.

Infinity is something which is boundless, limitless, endless, or larger than any natural number. It is denoted by , called the infinity symbol.

From the time of the ancient Greeks, the philosophical nature of infinity has been the subject of many discussions among philosophers. In the 17th century, with the introduction of the infinity symbol[1] and the infinitesimal calculus, mathematicians began to work with infinite series and what some mathematicians (including l'Hôpital and Bernoulli)[2] regarded as infinitely small quantities, but infinity continued to be associated with endless processes. As mathematicians struggled with the foundation of calculus, it remained unclear whether infinity could be considered as a number or magnitude and, if so, how this could be done.[1] At the end of the 19th century, Georg Cantor enlarged the mathematical study of infinity by studying infinite sets and infinite numbers, showing that they can be of various sizes.[1][3] For example, if a line is viewed as the set of all of its points, their infinite number (i.e., the cardinality of the line) is larger than the number of integers.[4] In this usage, infinity is a mathematical concept, and infinite mathematical objects can be studied, manipulated, and used just like any other mathematical object.

The mathematical concept of infinity refines and extends the old philosophical concept, in particular by introducing infinitely many different sizes of infinite sets. Among the axioms of Zermelo–Fraenkel set theory, on which most of modern mathematics can be developed, is the axiom of infinity, which guarantees the existence of infinite sets.[1] The mathematical concept of infinity and the manipulation of infinite sets are widely used in mathematics, even in areas such as combinatorics that may seem to have nothing to do with them. For example, Wiles's proof of Fermat's Last Theorem implicitly relies on the existence of Grothendieck universes, very large infinite sets,[5] for solving a long-standing problem that is stated in terms of elementary arithmetic.

In physics and cosmology, it is an open question whether the universe is spatially infinite or not.

History

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Ancient cultures had various ideas about the nature of infinity. The ancient Indians and the Greeks did not define infinity in precise formalism as does modern mathematics, and instead approached infinity as a philosophical concept.

Early Greek

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The earliest recorded idea of infinity in Greece may be that of Anaximander (c. 610 – c. 546 BC) a pre-Socratic Greek philosopher. He used the word apeiron, which means "unbounded", "indefinite", and perhaps can be translated as "infinite".[1][6]

Aristotle (350 BC) distinguished potential infinity from actual infinity, which he regarded as impossible due to the various paradoxes it seemed to produce.[7] It has been argued that, in line with this view, the Hellenistic Greeks had a "horror of the infinite"[8][9] which would, for example, explain why Euclid (c. 300 BC) did not say that there are an infinity of primes but rather "Prime numbers are more than any assigned multitude of prime numbers."[10] It has also been maintained, that, in proving the infinitude of the prime numbers, Euclid "was the first to overcome the horror of the infinite".[11] There is a similar controversy concerning Euclid's parallel postulate, sometimes translated:

If a straight line falling across two [other] straight lines makes internal angles on the same side [of itself whose sum is] less than two right angles, then the two [other] straight lines, being produced to infinity, meet on that side [of the original straight line] that the [sum of the internal angles] is less than two right angles.[12]

Other translators, however, prefer the translation "the two straight lines, if produced indefinitely ...",[13] thus avoiding the implication that Euclid was comfortable with the notion of infinity. Finally, it has been maintained that a reflection on infinity, far from eliciting a "horror of the infinite", underlay all of early Greek philosophy and that Aristotle's "potential infinity" is an aberration from the general trend of this period.[14]

Zeno: Achilles and the tortoise

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Zeno of Elea (c. 495 – c. 430 BC) did not advance any views concerning the infinite. Nevertheless, his paradoxes,[15] especially "Achilles and the Tortoise", were important contributions in that they made clear the inadequacy of popular conceptions. The paradoxes were described by Bertrand Russell as "immeasurably subtle and profound".[16]

Achilles races a tortoise, giving the latter a head start.

  • Step #1: Achilles runs to the tortoise's starting point while the tortoise walks forward.
  • Step #2: Achilles advances to where the tortoise was at the end of Step #1 while the tortoise goes yet further.
  • Step #3: Achilles advances to where the tortoise was at the end of Step #2 while the tortoise goes yet further.
  • Step #4: Achilles advances to where the tortoise was at the end of Step #3 while the tortoise goes yet further.

Etc.

Apparently, Achilles never overtakes the tortoise, since however many steps he completes, the tortoise remains ahead of him.

Zeno was not attempting to make a point about infinity. As a member of the Eleatics school which regarded motion as an illusion, he saw it as a mistake to suppose that Achilles could run at all. Subsequent thinkers, finding this solution unacceptable, struggled for over two millennia to find other weaknesses in the argument.

Finally, in 1821, Augustin-Louis Cauchy provided both a satisfactory definition of a limit and a proof that, for 0 < x < 1,[17]

Suppose that Achilles is running at 10 meters per second, the tortoise is walking at 0.1 meters per second, and the latter has a 100-meter head start. The duration of the chase fits Cauchy's pattern with a = 10 seconds and x = 0.01. Achilles does overtake the tortoise; it takes him

Early Indian

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The Jain mathematical text Surya Prajnapti (c. 4th–3rd century BCE) classifies all numbers into three sets: enumerable, innumerable, and infinite. Each of these was further subdivided into three orders:[18]

  • Enumerable: lowest, intermediate, and highest
  • Innumerable: nearly innumerable, truly innumerable, and innumerably innumerable
  • Infinite: nearly infinite, truly infinite, infinitely infinite

17th century

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In the 17th century, European mathematicians started using infinite numbers and infinite expressions in a systematic fashion. In 1655, John Wallis first used the notation for such a number in his De sectionibus conicis,[19] and exploited it in area calculations by dividing the region into infinitesimal strips of width on the order of [20] But in Arithmetica infinitorum (1656),[21] he indicates infinite series, infinite products and infinite continued fractions by writing down a few terms or factors and then appending "&c.", as in "1, 6, 12, 18, 24, &c."[22]

In 1699, Isaac Newton wrote about equations with an infinite number of terms in his work De analysi per aequationes numero terminorum infinitas.[23]

Symbol

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The infinity symbol (sometimes called the lemniscate) is a mathematical symbol representing the concept of infinity. The symbol is encoded in Unicode at U+221E INFINITY (&infin;)[24] and in LaTeX as \infty.[25]

It was introduced in 1655 by John Wallis,[26][27] and since its introduction, it has also been used outside mathematics in modern mysticism[28] and literary symbology.[29]

Calculus

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Gottfried Leibniz, one of the co-inventors of infinitesimal calculus, speculated widely about infinite numbers and their use in mathematics. To Leibniz, both infinitesimals and infinite quantities were ideal entities, not of the same nature as appreciable quantities, but enjoying the same properties in accordance with the Law of continuity.[30][2]

Real analysis

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In real analysis, the symbol , called "infinity", is used to denote an unbounded limit.[31] It is not a real number itself. The notation means that  increases without bound, and means that  decreases without bound. For example, if for every , then[32]

  • means that does not bound a finite area from to
  • means that the area under is infinite.
  • means that the total area under is finite, and is equal to

Infinity can also be used to describe infinite series, as follows:

  • means that the sum of the infinite series converges to some real value
  • means that the sum of the infinite series properly diverges to infinity, in the sense that the partial sums increase without bound.[33]

In addition to defining a limit, infinity can be also used as a value in the extended real number system. Points labeled and can be added to the topological space of the real numbers, producing the two-point compactification of the real numbers. Adding algebraic properties to this gives us the extended real numbers.[34] We can also treat and as the same, leading to the one-point compactification of the real numbers, which is the real projective line.[35] Projective geometry also refers to a line at infinity in plane geometry, a plane at infinity in three-dimensional space, and a hyperplane at infinity for general dimensions, each consisting of points at infinity.[36]

Complex analysis

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By stereographic projection, the complex plane can be "wrapped" onto a sphere, with the top point of the sphere corresponding to infinity. This is called the Riemann sphere.

In complex analysis the symbol , called "infinity", denotes an unsigned infinite limit. The expression means that the magnitude  of  grows beyond any assigned value. A point labeled can be added to the complex plane as a topological space giving the one-point compactification of the complex plane. When this is done, the resulting space is a one-dimensional complex manifold, or Riemann surface, called the extended complex plane or the Riemann sphere.[37] Arithmetic operations similar to those given above for the extended real numbers can also be defined, though there is no distinction in the signs (which leads to the one exception that infinity cannot be added to itself). On the other hand, this kind of infinity enables division by zero, namely for any nonzero complex number . In this context, it is often useful to consider meromorphic functions as maps into the Riemann sphere taking the value of at the poles. The domain of a complex-valued function may be extended to include the point at infinity as well. One important example of such functions is the group of Möbius transformations (see Möbius transformation § Overview).

Nonstandard analysis

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Infinitesimals (ε) and infinities (ω) on the hyperreal number line (1/ε = ω/1)

The original formulation of infinitesimal calculus by Isaac Newton and Gottfried Leibniz used infinitesimal quantities. In the second half of the 20th century, it was shown that this treatment could be put on a rigorous footing through various logical systems, including smooth infinitesimal analysis and nonstandard analysis. In the latter, infinitesimals are invertible, and their inverses are infinite numbers. The infinities in this sense are part of a hyperreal field; there is no equivalence between them as with the Cantorian transfinites. For example, if H is an infinite number in this sense, then H + H = 2H and H + 1 are distinct infinite numbers. This approach to non-standard calculus is fully developed in Keisler (1986).

Set theory

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One-to-one correspondence between an infinite set and its proper subset

A different form of "infinity" is the ordinal and cardinal infinities of set theory—a system of transfinite numbers first developed by Georg Cantor. In this system, the first transfinite cardinal is aleph-null (0), the cardinality of the set of natural numbers. This modern mathematical conception of the quantitative infinite developed in the late 19th century from works by Cantor, Gottlob Frege, Richard Dedekind and others—using the idea of collections or sets.[1]

Dedekind's approach was essentially to adopt the idea of one-to-one correspondence as a standard for comparing the size of sets, and to reject the view of Galileo (derived from Euclid) that the whole cannot be the same size as the part. (However, see Galileo's paradox where Galileo concludes that positive integers cannot be compared to the subset of positive square integers since both are infinite sets.) An infinite set can simply be defined as one having the same size as at least one of its proper parts; this notion of infinity is called Dedekind infinite. The diagram to the right gives an example: viewing lines as infinite sets of points, the left half of the lower blue line can be mapped in a one-to-one manner (green correspondences) to the higher blue line, and, in turn, to the whole lower blue line (red correspondences); therefore the whole lower blue line and its left half have the same cardinality, i.e. "size".[38]

Cantor defined two kinds of infinite numbers: ordinal numbers and cardinal numbers. Ordinal numbers characterize well-ordered sets, or counting carried on to any stopping point, including points after an infinite number have already been counted. Generalizing finite and (ordinary) infinite sequences which are maps from the positive integers leads to mappings from ordinal numbers to transfinite sequences. Cardinal numbers define the size of sets, meaning how many members they contain, and can be standardized by choosing the first ordinal number of a certain size to represent the cardinal number of that size. The smallest ordinal infinity is that of the positive integers, and any set which has the cardinality of the integers is countably infinite. If a set is too large to be put in one-to-one correspondence with the positive integers, it is called uncountable. Cantor's views prevailed and modern mathematics accepts actual infinity as part of a consistent and coherent theory.[39] Certain extended number systems, such as the hyperreal numbers, incorporate the ordinary (finite) numbers and infinite numbers of different sizes.[40]

Cardinality of the continuum

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One of Cantor's most important results was that the cardinality of the continuum is greater than that of the natural numbers ; that is, there are more real numbers R than natural numbers N. Namely, Cantor showed that .[41]

The continuum hypothesis states that there is no cardinal number between the cardinality of the reals and the cardinality of the natural numbers, that is, .

This hypothesis cannot be proved or disproved within the widely accepted Zermelo–Fraenkel set theory, even assuming the Axiom of Choice.[42]

Cardinal arithmetic can be used to show not only that the number of points in a real number line is equal to the number of points in any segment of that line, but also that this is equal to the number of points on a plane and, indeed, in any finite-dimensional space.[43]

The first three steps of a fractal construction whose limit is a space-filling curve, showing that there are as many points in a one-dimensional line as in a two-dimensional square

The first of these results is apparent by considering, for instance, the tangent function, which provides a one-to-one correspondence between the interval (π/2, π/2) and R.

The second result was proved by Cantor in 1878, but only became intuitively apparent in 1890, when Giuseppe Peano introduced the space-filling curves, curved lines that twist and turn enough to fill the whole of any square, or cube, or hypercube, or finite-dimensional space. These curves can be used to define a one-to-one correspondence between the points on one side of a square and the points in the square.[44]

Geometry

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Until the end of the 19th century, infinity was rarely discussed in geometry, except in the context of processes that could be continued without any limit. For example, a line was what is now called a line segment, with the proviso that one can extend it as far as one wants; but extending it infinitely was out of the question. Similarly, a line was usually not considered to be composed of infinitely many points but was a location where a point may be placed. Even if there are infinitely many possible positions, only a finite number of points could be placed on a line. A witness of this is the expression "the locus of a point that satisfies some property" (singular), where modern mathematicians would generally say "the set of the points that have the property" (plural).

One of the rare exceptions of a mathematical concept involving actual infinity was projective geometry, where points at infinity are added to the Euclidean space for modeling the perspective effect that shows parallel lines intersecting "at infinity". Mathematically, points at infinity have the advantage of allowing one to not consider some special cases. For example, in a projective plane, two distinct lines intersect in exactly one point, whereas without points at infinity, there are no intersection points for parallel lines. So, parallel and non-parallel lines must be studied separately in classical geometry, while they need not be distinguished in projective geometry.

Before the use of set theory for the foundation of mathematics, points and lines were viewed as distinct entities, and a point could be located on a line. With the universal use of set theory in mathematics, the point of view has dramatically changed: a line is now considered as the set of its points, and one says that a point belongs to a line instead of is located on a line (however, the latter phrase is still used).

In particular, in modern mathematics, lines are infinite sets.

Infinite dimension

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The vector spaces that occur in classical geometry have always a finite dimension, generally two or three. However, this is not implied by the abstract definition of a vector space, and vector spaces of infinite dimension can be considered. This is typically the case in functional analysis where function spaces are generally vector spaces of infinite dimension.

In topology, some constructions can generate topological spaces of infinite dimension. In particular, this is the case of iterated loop spaces.

Fractals

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The structure of a fractal object is reiterated in its magnifications. Fractals can be magnified indefinitely without losing their structure and becoming "smooth"; they have infinite perimeters and can have infinite or finite areas. One such fractal curve with an infinite perimeter and finite area is the Koch snowflake.[45]

Finitism

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Leopold Kronecker was skeptical of the notion of infinity and how his fellow mathematicians were using it in the 1870s and 1880s. This skepticism was developed in the philosophy of mathematics called finitism, an extreme form of mathematical philosophy in the general philosophical and mathematical schools of constructivism and intuitionism.[46]

Logic

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In logic, an infinite regress argument is "a distinctively philosophical kind of argument purporting to show that a thesis is defective because it generates an infinite series when either (form A) no such series exists or (form B) were it to exist, the thesis would lack the role (e.g., of justification) that it is supposed to play."[47]

In first-order logic, both the compactness theorem and Löwenheim–Skolem theorems are used to construct non-standard models with certain infinite properties.

Applications

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Physics

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In physics, approximations of real numbers are used for continuous measurements and natural numbers are used for discrete measurements (i.e., counting). Concepts of infinite things such as an infinite plane wave exist, but there are no experimental means to generate them.[48]

Cosmology

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The first published proposal that the universe is infinite came from Thomas Digges in 1576.[49] Eight years later, in 1584, the Italian philosopher and astronomer Giordano Bruno proposed an unbounded universe in On the Infinite Universe and Worlds: "Innumerable suns exist; innumerable earths revolve around these suns in a manner similar to the way the seven planets revolve around our sun. Living beings inhabit these worlds."[50]

Cosmologists have long sought to discover whether infinity exists in our physical universe: Are there an infinite number of stars? Does the universe have infinite volume? Does space "go on forever"? This is still an open question of cosmology. The question of being infinite is logically separate from the question of having boundaries. The two-dimensional surface of the Earth, for example, is finite, yet has no edge. By travelling in a straight line with respect to the Earth's curvature, one will eventually return to the exact spot one started from. The universe, at least in principle, might have a similar topology. If so, one might eventually return to one's starting point after travelling in a straight line through the universe for long enough.[51]

The curvature of the universe can be measured through multipole moments in the spectrum of the cosmic background radiation. To date, analysis of the radiation patterns recorded by the WMAP spacecraft hints that the universe has a flat topology. This would be consistent with an infinite physical universe.[52][53][54]

However, the universe could be finite, even if its curvature is flat. An easy way to understand this is to consider two-dimensional examples, such as video games where items that leave one edge of the screen reappear on the other. The topology of such games is toroidal and the geometry is flat. Many possible bounded, flat possibilities also exist for three-dimensional space.[55]

The concept of infinity also extends to the multiverse hypothesis, which, when explained by astrophysicists such as Michio Kaku, posits that there are an infinite number and variety of universes.[56] Also, cyclic models posit an infinite amount of Big Bangs, resulting in an infinite variety of universes after each Big Bang event in an infinite cycle.[57]

Computing

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The IEEE floating-point standard (IEEE 754) specifies a positive and a negative infinity value (and also indefinite values). These are defined as the result of arithmetic overflow, division by zero, and other exceptional operations.[58]

Some programming languages, such as Java[59] and J,[60] allow the programmer an explicit access to the positive and negative infinity values as language constants. These can be used as greatest and least elements, as they compare (respectively) greater than or less than all other values. They have uses as sentinel values in algorithms involving sorting, searching, or windowing.[citation needed]

In languages that do not have greatest and least elements but do allow overloading of relational operators, it is possible for a programmer to create the greatest and least elements. In languages that do not provide explicit access to such values from the initial state of the program but do implement the floating-point data type, the infinity values may still be accessible and usable as the result of certain operations.[citation needed]

In programming, an infinite loop is a loop whose exit condition is never satisfied, thus executing indefinitely.

Arts, games, and cognitive sciences

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Perspective artwork uses the concept of vanishing points, roughly corresponding to mathematical points at infinity, located at an infinite distance from the observer. This allows artists to create paintings that realistically render space, distances, and forms.[61] Artist M.C. Escher is specifically known for employing the concept of infinity in his work in this and other ways.[62]

Variations of chess played on an unbounded board are called infinite chess.[63][64]

Cognitive scientist George Lakoff considers the concept of infinity in mathematics and the sciences as a metaphor. This perspective is based on the basic metaphor of infinity (BMI), defined as the ever-increasing sequence <1, 2, 3, …>.[65]

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Infinity is a foundational concept in mathematics and philosophy denoting something boundless, endless, or larger than any finite quantity, often represented by the symbol ∞, which was first introduced by the English mathematician John Wallis in his 1655 treatise De sectionibus conicis to signify values that increase without limit. This idea has ancient roots, as articulated by Aristotle in his Physics, where he differentiated between potential infinity—a process or magnitude that can be extended indefinitely but remains finite at any stage, such as the endless divisibility of a line segment—and actual infinity, which he deemed impossible because it would imply a completed whole exceeding all finite parts, like an infinite body that could not exist as a substance. Aristotle argued that "the infinite exhibits itself in different ways—in time, in the generations of man, and in the division of magnitudes," but always potentially, never as an actualized entity, since "magnitude is not actually infinite" but can be reduced to infinity through division. In the development of modern during the , the German mathematician revolutionized the understanding of infinity by establishing it as a rigorous, actual through his of transfinite numbers, outlined in his 1895–1897 work Contributions to the Founding of the Theory of Transfinite Numbers. Cantor defined the actual infinite as a "completed infinite," distinct from the potential infinite, which he described as "a variable finite... every potential infinite presupposes an actually infinite," allowing for the treatment of infinite aggregates as definite wholes. He introduced transfinite cardinal numbers to measure the sizes of infinite sets, such as the smallest infinite cardinal ℵ₀ (aleph-null), representing the of the natural numbers, and demonstrated that not all infinities are equal— for instance, the set of real numbers has a larger (2^ℵ₀, or the continuum) than the integers, as proven in his 1874 paper "On a Property of the Collection of All Real Algebraic Numbers." Complementing cardinals, transfinite ordinal numbers describe the order types of well-ordered infinite sets, with the first transfinite ordinal ω defined as the limit of all finite ordinals, enabling arithmetic operations like addition and multiplication on infinities, where, for example, ω + ω = ω · 2 but ω · 2 < ω². Beyond pure mathematics, infinity permeates other fields, influencing concepts in physics and cosmology, such as the potentially infinite extent of the universe or singularities in general relativity, though these applications often invoke potential rather than actual infinities to avoid paradoxes. Cantor's framework also underpins key results like the continuum hypothesis, which posits that there is no set with cardinality between ℵ₀ and 2^ℵ₀ and remains independent of standard set theory axioms, highlighting ongoing debates about the nature of infinity. Philosophically, infinity continues to challenge intuitions, evoking Zeno's paradoxes from ancient Greece, which illustrated apparent contradictions in infinite divisions of space and time, and inspiring theological discussions of divine boundlessness.

Historical Development

Ancient Greek and Indian Concepts

In ancient Greek philosophy, the concept of infinity emerged through cosmological and metaphysical speculations that challenged finite boundaries in the natural world. Anaximander of Miletus (c. 610–546 BCE), a pre-Socratic thinker, proposed the apeiron—the boundless or unlimited—as the primordial substance underlying all existence. This indefinite, eternal, and infinite entity, distinct from specific elements like water or air, served as the source from which opposites such as hot and cold arose, and to which all things returned through a process governed by cosmic justice. The apeiron was envisioned as spatially and temporally infinite, ensuring perpetual generation and decay without exhaustion, marking an early abstraction away from mythological origins toward a naturalistic infinite substrate. Zeno of Elea (c. 490–430 BCE), a disciple of Parmenides, further explored infinity through paradoxes that highlighted the logical difficulties of motion, plurality, and divisibility, defending the Eleatic view of reality as a singular, unchanging whole. In the dichotomy paradox, Zeno argued that to traverse any distance, one must first cover half of it, then half of the remainder, and so on, resulting in an infinite series of tasks that cannot be completed in finite time, thus rendering motion impossible. The Achilles and the tortoise paradox extended this idea: even a swift runner like Achilles, given a head start to a tortoise, must endlessly approach but never reach it, as he covers infinite diminishing intervals before overtaking. Similarly, the arrow paradox posited that at any instant, an arrow in flight occupies a single position and is thus at rest, implying that motion, composed of such instants, cannot exist—a challenge rooted in the infinite divisibility of space and time. These arguments, preserved in fragments by later writers like Aristotle, underscored the paradoxes of assuming infinity in the physical world without formal resolution. In ancient Indian thought, particularly in Jainism from the 6th century BCE, infinity (ananta) was integral to cosmology and metaphysics, describing an eternal, uncreated universe encompassing boundless categories of existence. Jain texts, such as those attributed to Mahavira (c. 599–527 BCE), categorized reality into infinite space (akasa), which is all-pervading and composed of infinite space-points; infinite time (kala), structured in endless cycles without beginning or end; and infinite souls (jiva), each possessing potential infinite attributes like knowledge, perception, bliss, and energy (ananta-catushtaya). This framework viewed the cosmos as a finite inhabited region within an infinite expanse, emphasizing non-absolutism (anekantavada) where infinity manifests in multifaceted, inexhaustible forms across matter, motion, and rest. Early Vedic texts, dating from around 1500–1200 BCE, incorporated infinity through cyclical cosmologies that portrayed the universe as undergoing perpetual cycles of creation, preservation, and dissolution. The describes cosmic processes emerging from an indeterminate, infinite source, with time structured in vast, repeating and kalpas that extend boundlessly, reflecting an eternal rhythm without absolute origin or termination. This infinite recursion, personified in deities like as the preserver across endless epochs, integrated infinity into both material and spiritual realms, influencing later Puranic elaborations on boundless multiverses.

Medieval to 17th-Century European Views

In medieval Europe, the concept of infinity was largely shaped by 's distinction between potential and actual infinity, which had been transmitted through Islamic philosophy and early scholasticism. posited potential infinity as an ongoing process that could continue indefinitely without completion, such as the division of a line segment or the counting of numbers, but he rejected actual infinity as an existing completed totality, arguing it would lead to contradictions and undermine the finite nature of the physical world. This framework influenced medieval thinkers by providing a philosophical basis for reconciling infinity with Christian theology, where infinity was often reserved for divine attributes while creation remained finite and actual infinities were deemed impossible in the material realm. Theological discussions further developed these ideas, particularly through the works of Thomas Aquinas and Islamic philosophers like Al-Ghazali, whose writings impacted European scholarship via translations. Aquinas, drawing on Aristotle, affirmed God's infinite nature as perfect and unbounded in essence, power, and knowledge, but emphasized that creation is finite to avoid paradoxes; for instance, he argued that an infinite series of causes would imply no first cause, thus necessitating a finite universe originating from an infinite God. Similarly, Al-Ghazali critiqued Aristotelian eternalism by highlighting the incoherence of an actual infinite past, asserting that the universe's finite creation by an infinite God resolves temporal paradoxes, a view that resonated in medieval debates on divine infinity versus created finitude. A key figure bridging theology and early mathematics was Nicholas of Cusa, who in his 1440 work De Docta Ignorantia introduced the principle of "learned ignorance," positing that human reason cannot fully comprehend infinite divine attributes like God's oneness and eternity, yet through this awareness, one approaches truth by recognizing the infinite as the coincidence of opposites—maximum and minimum—in God's nature. By the 17th century, European views shifted toward mathematical explorations of infinity, exemplified by Galileo's paradox and the symbolization of the infinite. In Two New Sciences (1638), Galileo observed that the natural numbers and their perfect squares (1, 4, 9, 16, ...) can be put into one-to-one correspondence, implying that an infinite whole is neither larger nor smaller than a proper subset of itself, which he described as a "property of infinity" defying intuitive proportions. This paradox highlighted tensions between Aristotelian potential infinity and emerging ideas of actual infinities in mathematics. Concurrently, John Wallis introduced the lemniscate symbol ∞ in his 1655 treatise De sectionibus conicis to denote indefinitely large quantities in the study of conic sections and series, marking a pivotal step in formalizing infinity's notation for analytical purposes.

19th-Century Paradoxes and Resolutions

In the mid-19th century, Bernhard Bolzano advanced the study of infinity through his posthumously published Paradoxien des Unendlichen (1851), where he systematically analyzed properties of infinite collections and highlighted their paradoxical behaviors relative to finite sets. demonstrated that an infinite set can be placed in one-to-one correspondence with one of its proper subsets—a defining characteristic that distinguishes infinity from finitude—and applied this to resolve apparent contradictions, such as the equinumerosity of the natural numbers and the subset of their squares. His work prefigured modern set theory by emphasizing the consistency of such correspondences without relying on actual infinities, instead treating them as completed wholes in a logical framework. Building on these ideas, Georg Cantor revolutionized mathematics in the 1870s by introducing the concept of distinct infinite cardinalities, proving that not all infinities are equivalent in size. In his 1874 paper "Über eine Eigenschaft des Inbegriffes aller reellen algebraischen Zahlen," Cantor showed that the set of real algebraic numbers is countably infinite by enumerating polynomials with rational coefficients and their roots, and proved that the real numbers are uncountably infinite using nested intervals. This established the existence of infinities larger than the countable infinity of the naturals, challenging intuitive notions of size and laying groundwork for transfinite arithmetic. Cantor's later 1891 diagonal argument extended this to all real numbers: assuming a countable enumeration of reals as infinite sequences of digits, he constructed a new real differing from each listed one in at least one diagonal position, proving by contradiction that no such complete enumeration exists. Concurrently, Richard Dedekind addressed foundational issues involving infinity in his 1872 essay Stetigkeit und irrationale Zahlen, where he defined real numbers via "cuts" that partition the rationals into two nonempty sets with all elements of one less than the other, without a greatest or least bounding rational. This construction implicitly relies on infinite sets, as each cut represents an infinite division of the rationals, providing a rigorous basis for the continuum and resolving paradoxes of continuity without infinitesimals. Dedekind's approach complemented Cantor's by formalizing the uncountable nature of the reals through set-theoretic means, emphasizing arithmetic completeness over geometric intuition. These developments illuminated the paradoxes of infinity, such as the counterintuitive equipotence of infinite sets with proper subsets, which Bolzano and Cantor both explored. A vivid illustration of countable infinity's peculiarities is Hilbert's paradox of the Grand Hotel, where a fully occupied hotel with countably infinite rooms can accommodate additional guests (even countably infinitely many) by systematically shifting occupants to higher-numbered rooms, freeing up space without eviction. Though articulated by David Hilbert in the early 20th century, this thought experiment elucidates 19th-century insights into bijections preserving cardinality in infinite domains.

Symbolic and Conceptual Foundations

Notation and Symbols for Infinity

The lemniscate symbol ∞, resembling a sideways figure eight, was introduced by English mathematician John Wallis in 1655 in his work De sectionibus conicis. There, it denoted infinite quantities in the study of conic sections and infinite series, marking the first standardized mathematical representation of infinity. The term "lemniscate" derives from the Latin lemniscus, meaning ribbon, reflecting the symbol's looped form. Leonhard Euler adopted the ∞ symbol in the mid-18th century, employing it extensively in his treatises on analysis and infinite series, such as in Introductio in analysin infinitorum (1748), where it signified unbounded growth or endless summation. Euler's prolific use helped solidify its place in calculus notation, transitioning it from geometric contexts to broader analytical applications. In set theory, alternative notations emerged for distinguishing sizes of infinity. Georg Cantor introduced the aleph symbols, beginning with ℵ₀ (aleph-null) in 1895, to represent the cardinalities of infinite sets, where ℵ₀ denotes the smallest infinite cardinality, that of the natural numbers. This Hebrew letter-based notation, chosen by Cantor for its association with transcendence, allowed precise enumeration of transfinite numbers beyond the lemniscate's general usage. The ∞ symbol plays a key role in real analysis through the extended real line, which appends +∞ and −∞ to the real numbers ℝ, forming the set \overline{\mathbb{R}}. This construction facilitates handling divergent limits and improper integrals without undefined expressions. For instance, limits approaching infinity are expressed as limxf(x)=L\lim_{x \to \infty} f(x) = L, a notation formalized in 19th-century texts to describe asymptotic behavior. In integration, ∞ denotes unbounded domains, as in the improper integral f(x)dx=limalimbabf(x)dx\int_{-\infty}^{\infty} f(x) \, dx = \lim_{a \to -\infty} \lim_{b \to \infty} \int_a^b f(x) \, dx, which evaluates the area under a curve over the entire real line. The integral symbol ∫ originated with in 1675, but infinite limits were incorporated during the 19th-century development of rigorous integration theory by . Outside pure mathematics, topological objects like the Möbius strip provide visual symbols for infinity. Independently discovered in 1858 by August Ferdinand Möbius in his unpublished notebooks and by Johann Benedict Listing in Vorstudien für Topologie, the Möbius strip is a non-orientable surface formed by twisting and joining a rectangular strip's ends. Its single-sided, boundaryless nature evokes an infinite loop, as a path along its surface returns to the starting point after traversing twice its length without crossing an edge, symbolizing endless continuity.

Philosophical Distinctions: Potential vs. Actual Infinity

The distinction between potential and actual infinity originates with , who in his Physics argued that the infinite exists only as potentiality, not as actuality. Potential infinity refers to an unending process that can always continue indefinitely, such as the division of a line segment into smaller parts without end, where each step remains finite but the process has no completion. In contrast, actual infinity denotes a completed infinite whole, like an infinite collection of all natural numbers existing simultaneously as a finished totality, which rejected as incoherent and impossible in the physical world because it would imply an untraversable magnitude or an actualized endlessness that contradicts the finitude of substances. This Aristotelian framework persisted through much of Western philosophy, influencing medieval thinkers who viewed actual infinity as metaphysically problematic, often associating it solely with divine attributes. In the 20th century, the distinction was revived in mathematical intuitionism by L.E.J. Brouwer, who rejected actual infinity in favor of potential infinity, insisting that infinite mathematical objects must be constructible through finite mental processes and cannot exist as pre-given completed sets. Brouwer's position emphasized that mathematics is a free creation of the human mind, where potential infinity aligns with ongoing constructions, such as generating sequences step by step, without assuming a fully realized infinite domain. Hermann Weyl further critiqued actual infinity in his 1918 work Das Kontinuum, drawing on intuitionistic ideas to argue that the classical continuum relies on an untenable actual infinite, proposing instead a predicative analysis grounded in potential infinite processes to avoid paradoxes in set theory. Metaphysically, the potential-actual distinction bears on debates over infinite regress, particularly in causation: an actual infinite regress would constitute a completed backward chain of causes without a first cause, which some philosophers deem impossible as it violates the principle that contingent beings require an uncaused ground, whereas potential infinity allows for an unending but never-completed series compatible with a finite universe initiated by a necessary being. This tension underscores broader implications for cosmology, where models positing an actual infinite past (e.g., eternal inflation) clash with finitist views favoring a beginning to avoid explanatory regress.

Infinity in Analysis and Calculus

Limits and Infinite Series in Real Analysis

In real analysis, the concept of infinity arises fundamentally in the study of limits of functions as the input approaches infinity, providing a rigorous framework for understanding asymptotic behavior without invoking actual infinite values. The limit limxf(x)=L\lim_{x \to \infty} f(x) = L, where LL is a real number, is defined using the epsilon-delta formalism adapted for unbounded domains: for every ϵ>0\epsilon > 0, there exists M>0M > 0 such that if x>Mx > M, then f(x)L<ϵ|f(x) - L| < \epsilon./Chapter_2:_Limits/2.5:_Limits_at_Infinity) This definition captures the idea that f(x)f(x) gets arbitrarily close to LL for sufficiently large xx, formalizing the intuitive notion of "approaching" a value at infinity. Such limits are essential in analyzing the long-term behavior of functions, such as in growth rates or decay, and form the basis for theorems like those on rational functions where horizontal asymptotes correspond to these limits./04:_Applications_of_Derivatives/4.06:_Limits_at_Infinity_and_Asymptotes) Infinite series extend this framework to sequences of partial sums, where convergence to infinity plays a key role in determining whether n=1an\sum_{n=1}^\infty a_n sums to a finite value. A series converges if the sequence of its partial sums sn=k=1naks_n = \sum_{k=1}^n a_k converges to a real number LL, meaning limnsn=L\lim_{n \to \infty} s_n = L; otherwise, it diverges, potentially to ±\pm \infty. To test convergence, criteria like the ratio test, introduced by Augustin-Louis Cauchy, examine the limit limnan+1an=ρ\lim_{n \to \infty} \left| \frac{a_{n+1}}{a_n} \right| = \rho
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