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Tracy Chapman
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Key Information
Tracy Chapman (born March 30, 1964) is an American singer-songwriter. She was signed to Elektra Records by Bob Krasnow in 1987.[1] The following year she released her self-titled debut album, which became a commercial success, boosted by her appearance at the Nelson Mandela 70th Birthday Tribute concert, and was certified 6× platinum by the Recording Industry Association of America. The album received six Grammy Award nominations, including one for Album of the Year, three of which she won: Best New Artist, Best Female Pop Vocal Performance for her single "Fast Car", and Best Contemporary Folk Album. In 2025, the album was preserved in the National Recording Registry by the Library of Congress.
In 1989, she released her second album, Crossroads, which earned her an additional Grammy Award nomination for Best Contemporary Folk Album. Her third album, Matters of the Heart, followed in 1992. Her fourth album, New Beginning, was released in 1995 and became another worldwide success. It was certified 5× platinum by the RIAA and yielded the hit single "Give Me One Reason", which earned her the Grammy Award for Best Rock Song.
Five years would pass before the release of her fifth album, Telling Stories (2000). Let It Rain and Where You Live followed in 2002 and 2005, respectively. Her most recent studio album, Our Bright Future, was released in 2008. The remastered compilation album Greatest Hits, which she curated,[2] was released in 2015. In 2023, Chapman became the first black person to score a country number one with a solo composition, and to win the Country Music Association Award for Song of the Year, when Luke Combs covered her song "Fast Car".
Early life and education
[edit]Chapman was born in Cleveland and was raised by her mother, who bought her a ukulele at age three.[3] Her parents divorced when she was four years old.[4] She began playing guitar and writing songs at age eight. She says that she may have been first inspired to play the guitar by the television show Hee Haw.[5] In her native Cleveland, she experienced frequent bullying and racially motivated assaults as a child.[6]
Raised a Baptist, she attended an Episcopal high school[5] and was accepted into the program A Better Chance, which sponsors students at college preparatory high schools away from their home communities. She graduated from Wooster School in Connecticut then attended Tufts University, majoring in anthropology.[3][4][7][8] While a student at Tufts, she busked in nearby spots, including Harvard Square and on MBTA Red Line platforms.[9][10] Chapman recorded demos of songs at the Tufts University radio station, WMFO, for copyright purposes while she was a student at Tufts, in exchange for the station's right to play her songs.[11]
Career
[edit]Chapman made her major-stage debut as an opening act for women's music pioneer Linda Tillery at Boston's Strand Theatre on May 3, 1985.[12] Another Tufts student, Brian Koppelman, heard her playing and brought her to the attention of his father, Charles Koppelman, showing him a demo tape he had smuggled from her college radio station containing the song "Talkin' 'bout a Revolution". Charles Koppelman, who ran SBK Publishing, signed her in 1986. After she graduated from Tufts in 1987, he helped her to sign a contract with Elektra Records.[7][11]

At Elektra, she released Tracy Chapman (1988).[4] The album was critically acclaimed,[13] and she began touring and building a fanbase.[4] "Fast Car" began its rise on the U.S. charts soon after she performed it at the televised Nelson Mandela 70th Birthday Tribute concert at Wembley Stadium in London in June 1988. At the concert, she initially performed a short set in the afternoon, but reached a larger audience when she was a last-minute stand in for Stevie Wonder, who had technical difficulties.[14][15] This appearance is credited with greatly accelerating sales of the single and album.[16] "Fast Car" became a No. 6 pop hit on the Billboard Hot 100 for the week ending August 27, 1988.[17] Rolling Stone ranked the song at number 167 on their 2010 list of "The 500 Greatest Songs of All Time".[18] "Talkin' 'bout a Revolution", the follow-up to "Fast Car", charted at No. 75 and was followed by "Baby Can I Hold You", which peaked at No. 48.[19] The album sold well, going multi-platinum[20] and winning three Grammy Awards, including an honor for her as Best New Artist.[19] Later in 1988 she was a featured performer on the worldwide Amnesty International Human Rights Now! Tour.[4]
Her follow-up album, Crossroads (1989), was less commercially successful than her debut had been, but it still achieved platinum status in the U.S.[20] In 1992, she released Matters of the Heart.[21] Her fourth album, New Beginning (1995), proved successful, selling over five million copies in the U.S. alone.[20] The album included the hit single "Give Me One Reason", which won the 1997 Grammy for Best Rock Song and became her most successful single in the U.S. to date, peaking at No. 3 on the Billboard Hot 100,[22] and going Platinum.[20] Her fifth album, Telling Stories, was released in 2000, and later went gold.[20] She released her sixth album, Let It Rain, in 2002.[23]
She was commissioned by the American Conservatory Theater to compose music for its production of Athol Fugard's Blood Knot, a play about apartheid in South Africa, staged in early 2008.[24] Atlantic Records released her eighth studio album, Our Bright Future (2008).[25] The album earned her a Grammy nomination for Best Contemporary Folk Album the following year.[19]

She was appointed a member of the 2014 Sundance Film Festival U.S. Documentary jury.[26] She performed Ben E. King's "Stand By Me" on one of the final episodes of the Late Show with David Letterman in April 2015. The performance became a viral hit and was the focus of various news articles including some by Billboard and The Huffington Post.[27]

On November 20, 2015, she released Greatest Hits, consisting of 18 tracks including the live version of "Stand by Me". The album is her first global compilation release.[28][better source needed]
In October 2018, she sued the rapper Nicki Minaj over copyright infringement, alleging that Minaj had sampled her song "Baby Can I Hold You" without permission.[29] Chapman stated that she had "repeatedly denied" permission for "Baby Can I Hold You" to be sampled. The lawsuit alleged that Minaj had engaged in copyright infringement (a) by creating the song "Sorry" and (b) by distributing it; she requested an injunction to prevent Minaj from releasing the song. According to the lawsuit, Chapman has a policy of declining all requests for permission to sample her songs. In September 2020, District Court Judge Virginia A. Phillips granted summary judgment in favor of Minaj on the first count of her complaint, stating that Minaj's experimentation with Chapman's song constituted fair use rather than copyright infringement.[30] However, the judge ruled that the second count of the complaint should go to trial. In January 2021, the dispute was settled when Minaj paid Chapman $450,000.[31]
On the eve of the 2020 United States presidential election she performed "Talkin' 'bout a Revolution" on Late Night with Seth Meyers, encouraging people to vote.[32]
When Luke Combs' version of her song "Fast Car" hit number one on the Country Airplay chart in July 2023, Chapman became the first Black woman to score a country number one with a solo composition.[33][34] At the 57th Annual Country Music Association Awards in November 2023, she became the first Black woman to ever take home a CMA Award, winning Song of the Year for "Fast Car", which also made her the first Black songwriter to win that award.[35][36] During the 66th Grammy Awards on February 4, 2024, she joined Combs onstage to sing "Fast Car".[37][38]
Social activism
[edit]Chapman is politically and socially active. In a 2009 interview with National Public Radio, she said, "I'm approached by lots of organizations and lots of people who want me to support their various charitable efforts in some way. And I look at those requests and I basically try to do what I can. And I have certain interests of my own, generally an interest in human rights."[5] In 1988 she performed in London as part of a worldwide concert tour to commemorate the 40th anniversary of the Universal Declaration of Human Rights with Amnesty International.[39] That same year she performed at a tribute concert in honor of South African activist and leader Nelson Mandela's 70th birthday, an event which raised money for South Africa's Anti-Apartheid Movement and several children's charities.[40] She also performed at the event to commemorate the 50th anniversary of Amnesty International held in Paris on December 10, 1998, known as "The Struggle Continues...". She was one of the guest artists at Pavarotti & Friends for Cambodia and Tibet on June 6, 2000, at which she performed a critically acclaimed duet with Luciano Pavarotti of "Baby Can I Hold You Tonight".[41] In 2004, she performed and rode in the AIDS/LifeCycle event.[42][better source needed]
She has been involved with Cleveland's elementary schools, producing an educational music video highlighting achievements in African-American history. She sponsored "Crossroads in Black History", an essay contest for high school students in Cleveland and other cities.[43]
She received an honorary doctorate from Saint Xavier University in Chicago in 1997.[44] In 2004 she was given an honorary doctorate in Fine Arts by her alma mater, Tufts University, recognizing her commitment to social activism.[45]
I'm fortunate that I've been able to do my work and be involved in certain organizations, certain endeavors, and offered some assistance in some way. Whether that is about raising money or helping to raise awareness, just being another body to show some force and conviction for a particular idea. Finding out where the need is – and if someone thinks you're going to be helpful, then helping.
— Tracy Chapman[46]
On April 16, 2023, the South African Presidency announced that Chapman along with others would be bestowed with a National Order – The Order of the Companions of O. R. Tambo which "recognizes eminent foreign nationals for friendship shown to South Africa. It is therefore an Order of peace, cooperation and active expression of solidarity and support." The Order was bestowed in Silver on her "for her contribution to the fight for freedom by participating in efforts to free Nelson Mandela and raising awareness of human rights violations globally." An investiture ceremony for the bestowment was held on April 28, 2023.[47]
Chapman often performs at charity events such as Make Poverty History, amfAR, and AIDS/LifeCycle. She is a feminist.[6]
Personal life
[edit]Although Chapman has never publicly discussed her sexual orientation, writer Alice Walker has said she and Chapman were in a romantic relationship during the mid-1990s.[48][49] Chapman maintains a strong separation between her personal and professional life.[50][4] "I have a public life that's my work life and I have my personal life", she said. "In some ways, the decision to keep the two things separate relates to the work I do."[50] Chapman lives in San Francisco.[51]
Legacy
[edit]A street has been named after Tracy Chapman in Saint-Jean-d'Heurs, a rural commune of France.[52]
Discography
[edit]Studio albums
[edit]- Tracy Chapman (1988)
- Crossroads (1989)
- Matters of the Heart (1992)
- New Beginning (1995)
- Telling Stories (2000)
- Let It Rain (2002)
- Where You Live (2005)
- Our Bright Future (2008)
Awards and nominations
[edit]Grammy Awards
[edit]| Grammy Awards | |||||
|---|---|---|---|---|---|
| Year | Work | Award | Result | Ref | |
| 1989 | Herself | Best New Artist | Won | [19] | |
| Tracy Chapman | Album of the Year | Nominated | |||
| Best Contemporary Folk Album | Won | ||||
| "Fast Car" | Record of the Year | Nominated | |||
| Song of the Year | Nominated | ||||
| Best Female Pop Vocal Performance | Won | ||||
| 1990 | Crossroads | Best Contemporary Folk Album | Nominated | [19] | |
| 1997 | New Beginning | Best Pop Album | Nominated | [19] | |
| "Give Me One Reason" | Record of the Year | Nominated | |||
| Song of the Year | Nominated | ||||
| Best Female Rock Vocal Performance | Nominated | ||||
| Best Rock Song | Won | ||||
| 2010 | Our Bright Future | Best Contemporary Folk Album | Nominated | [19] | |
Other awards and nominations
[edit]| Year | Ceremony | Award | Nominated work | Result | Ref |
|---|---|---|---|---|---|
| 1988 | Billboard Music Awards | Best Female Video | "Fast Car" | Won | [53] |
| 1989 | Soul Train Music Awards | Best R&B/Urban Contemporary Album of the Year, Female | Tracy Chapman | Nominated | [54] |
| Danish Music Awards | Best International Album | Won | |||
| BRIT Awards | Best International Breakthrough Act | Herself | Won | [55] | |
| Best International Solo Female | Won | ||||
| Edison Awards | Best Singer/Songwriter | Won | |||
| MTV Video Music Awards | Best Female Video | "Fast Car" | Nominated | [56] | |
| American Music Awards | Favorite Pop/Rock New Artist | Herself | Won | [57] | |
| Favorite Pop/Rock Female Artist | Nominated | ||||
| 1993 | ECHO Awards | Best International Female | Nominated | ||
| 1996 | MTV Video Music Awards | Best Female Video | "Give Me One Reason" | Nominated | [58] |
| APRA Music Awards | Most Performed Foreign Work | Nominated | [59] | ||
| 2001 | California Music Awards | Outstanding Female Vocalist | Herself | Nominated | [60] |
| 2002 | IFPI Platinum Europe Music Awards | Album Title | Collection | Won | |
| 2006 | Meteor Ireland Music Awards | Best International Female | Herself | Nominated | |
| 2009 | SXSWi: Web Awards Honor | Pop Music | Herself | Nominated | |
| 2023 | Country Music Association Awards | Song of the Year | "Fast Car" | Won | [36] |
| 2024 | Academy of Country Music Awards | Song of the Year | Nominated | [61] | |
| Induction and Awards Gala | Songwriters Hall Of Fame | Herself | Nominated | [62] |
References
[edit]- ^ "Bob Krasnow, Veteran Record Executive, Has Died". Billboard. Retrieved December 29, 2021.
- ^ Monger, James Christopher. "Greatest Hits – Tracy Chapman". AllMusic. Archived from the original on January 7, 2019. Retrieved January 6, 2019.
- ^ a b Williamson, Nigel (March 11, 2008). "Tracy Chapman's Biography". About-Tracy-Chapman.net. Archived from the original on August 19, 2019. Retrieved July 21, 2019.
- ^ a b c d e f Pond, Steve (September 22, 1988). "Tracy Chapman: On Her Own Terms". Rolling Stone. Archived from the original on October 15, 2019. Retrieved March 13, 2020.
- ^ a b c Martin, Michel (August 20, 2009). "Without Further Ado, Songster Tracy Chapman Returns". NPR. Archived from the original on November 1, 2018. Retrieved July 21, 2019.
- ^ a b Fleming, Amy (October 31, 2008). "Amy Fleming on Tracy Chapman, the quiet revolutionary". The Guardian. Archived from the original on April 15, 2019. Retrieved March 13, 2020 – via www.theguardian.com.
- ^ a b Erlewine, Stephen Thomas. "Tracy Chapman". All Music Guide. Retrieved January 25, 2024.
- ^ "Tracy Chapman: Our 1988 Interview". Spin. August 18, 2019. Archived from the original on July 7, 2023. Retrieved July 7, 2023.
- ^ "Tracy Chapman: On snakes, faith and busking for food". The Independent. February 23, 2003. Archived from the original on June 13, 2022. Retrieved June 13, 2022.
- ^ Rosenwald, Michael S. (November 26, 2003). "To Chapman, underground music is pure performance". The Boston Globe. Archived from the original on June 13, 2022. Retrieved June 13, 2022.
- ^ a b "100 Best Albums of the Eighties: Tracy Chapman, 'Tracy Chapman'". Rolling Stone. November 16, 1989. Archived from the original on July 12, 2012. Retrieved January 25, 2024.
- ^ McLaughlin, Jeff (May 1, 1985). "Linda Tillery's 'healing music'". The Boston Globe. Boston, MA. p. 78.
- ^ Murphy, Peter. "On this day in 1988: Tracy Chapman starts a three-week run at No. 1 with her eponymous debut album". Hotpress. Archived from the original on November 3, 2020. Retrieved April 7, 2020.
- ^ Clayton, Richard (September 26, 2016). "The Life of a Song: 'Fast Car'". Financial Times. Archived from the original on December 10, 2022. Retrieved March 21, 2022.
- ^ Springer, Jacqueline (June 12, 2018). "BBC Radio 4 – Front Row, Tracy Chapman: remembering her remarkable debut 30 years on". BBC. Archived from the original on March 21, 2022. Retrieved March 21, 2022.
- ^ Clayton-Lea, Tony. "Tracy Chapman: 'Being in the public eye is uncomfortable for me'". The Irish Times. Archived from the original on July 7, 2022. Retrieved March 21, 2022.
- ^ "The Hot 100 Chart". Billboard. August 27, 1988. Archived from the original on September 24, 2020. Retrieved November 3, 2020.
- ^ "500 Greatest Songs of All Time: Tracy Chapman, 'Fast Car'". Rolling Stone. April 7, 2011. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
- ^ a b c d e f g "Tracy Chapman". The Recording Academy. Archived from the original on July 5, 2023. Retrieved July 1, 2023.
- ^ a b c d e "American certifications – Tracy Chapman". Recording Industry Association of America.
- ^ Browne, David (May 1, 1992). "Matters of the Heart". Entertainment Weekly. Archived from the original on January 12, 2022. Retrieved January 12, 2022.
- ^ "The Hot 100 Chart". Billboard. June 15, 1996. Archived from the original on January 1, 2022. Retrieved January 1, 2022.
- ^ "CD: Tracy Chapman, Let It Rain". The Guardian. October 18, 2002.
- ^ Zack, Jessica Werner (2008). "A Guiding Hopefulness: An Interview with Tracy Chapman on Blood Knot" (PDF). American Conservatory Theater. pp. 28–30. Archived (PDF) from the original on December 22, 2018. Retrieved July 21, 2019.
- ^ "Happy Birthday To Danbury's Tracy Chapman". Danbury Daily Voice. March 30, 2014. Archived from the original on January 12, 2022. Retrieved January 12, 2022.
- ^ "Tracy Chapman, Dana Stevens, Bryan Singer, Max Mayer and More Among 2014 Sundance Film Festival Jurors". BroadwayWorld. January 9, 2014. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
- ^ Pitney, Nico (June 12, 2015). "Tracy Chapman Singing 'Stand By Me' Will Break Your Heart". HuffPost. Archived from the original on November 8, 2020. Retrieved July 21, 2019.
- ^ "Tracy Chapman Greatest Hits releases on November 20, 2015". About Tracy Chapman. October 16, 2015. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
- ^ "Tracy Chapman sues Nicki Minaj over unauthorised sample". The Guardian. October 23, 2018. Archived from the original on July 19, 2019. Retrieved July 21, 2019.
- ^ Maddaus, Gene (September 16, 2020). "Judge Rules in Favor of Nicki Minaj in Tracy Chapman Copyright Dispute". Variety. Archived from the original on September 17, 2020. Retrieved September 18, 2020.
- ^ Brodsky, Rachel (January 9, 2021). "Nicki Minaj to pay Tracy Chapman $450k in 'Sorry' copyright infringement lawsuit". The Independent. Archived from the original on January 8, 2021. Retrieved January 9, 2021.
- ^ "Tracy Chapman makes rare TV appearance as she urges Americans to vote". The Independent. November 3, 2020. Archived from the original on April 5, 2022. Retrieved April 5, 2022.
- ^ Newman, Melinda (July 3, 2023). "Tracy Chapman Now First Black Woman to Hit No. 1 on Country Airplay as Sole Writer — Who Is the Only Black Male Writer to Have Achieved the Same?". Billboard. Archived from the original on July 4, 2023. Retrieved July 4, 2023.
- ^ Bernstein, Jonathan (June 30, 2023). "Tracy Chapman Will Become the First Black Woman to Score a Number One Country Song as Sole Writer". Rolling Stone. Archived from the original on July 3, 2023. Retrieved July 4, 2023.
- ^ Yahr, Emily (November 9, 2023). "CMA Awards 2023: Complete list of winners, best and worst moments". The Washington Post. ISSN 0190-8286. Retrieved November 9, 2023.
- ^ a b Ives, Mike (November 9, 2023). "35 Years After Its Debut, Tracy Chapman's 'Fast Car' Wins a Song of the Year Award". The New York Times. ISSN 0362-4331. Archived from the original on November 9, 2023. Retrieved November 9, 2023.
- ^ Hudak, Joseph (February 4, 2024). "Tracy Chapman Performs 'Fast Car' Live for First Time in Nine Years at 2024 Grammys With Luke Combs". Rolling Stone. Retrieved February 4, 2024.
- ^ Flam, Charna; Wenger, Stephanie (February 4, 2024). "Tracy Chapman Delivers Rare 'Fast Car' Performance with Luke Combs at 2024 Grammys". People. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
- ^ Paul Paz y Miño (January 24, 2014). "An Activist Remembers the Concert That Moved a Generation". Amnesty International. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
- ^ "Live Aid's Legacy of Charity Concerts". BBC News. June 30, 2005. Archived from the original on October 12, 2017. Retrieved July 21, 2019.
- ^ McGregor, Claire (July 11, 2022). "Tracy Chapman and Luciano Pavarotti's Gorgeous Duet of Baby Can I Hold You". The Music Man. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
- ^ "AIDS LifeCycle 2004". Online Posting. YouTube. Archived from the original on May 2, 2016. Retrieved July 21, 2019.
- ^ "School Uses Video To Teach Black History". Curriculum Review. 29 (8): 11. 1990.
- ^ "Previous honorary degree recipients". Saint Xavier University. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
- ^ "Commencement Speaker Announced". E-News. Tufts University. May 23, 2004. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
- ^ Younge, Gary (September 28, 2002). "A Militant Mellow". The Guardian. Archived from the original on July 28, 2019. Retrieved July 21, 2019.
- ^ "Announcement of the 2023 National Order Awards nominated names by Director-General of The Presidency, Phindile Baleni". Presidency of South Africa. April 16, 2023. Archived from the original on April 18, 2023. Retrieved April 20, 2023.
- ^ Wajid, Sara (December 15, 2006). "No retreat". Guardian. Archived from the original on July 17, 2019. Retrieved July 21, 2019.
- ^ Brownworth, Victoria A. (February 15, 2024). "Tracy Chapman, Valentine's Day and the subversive stories of our lives". Philadelphia Gay News. Archived from the original on November 5, 2024. Retrieved July 23, 2025.
- ^ a b "2002 - Tracy Chapman still introspective?". About Tracy Chapman. October 15, 2002. Archived from the original on August 23, 2009. Retrieved February 6, 2024.
- ^ Sisario, Ben; Knight, Heather (February 6, 2024). "Where Has Tracy Chapman Been? Her Grammys Triumph Has Fans Wondering". The New York Times. Archived from the original on February 26, 2024. Retrieved March 25, 2024.
- ^ "Rue Tracy Chapman: Saint-Jean-d'Heurs (63364)". data.gouv.fr. October 8, 2023. Retrieved June 2, 2025.
- ^ "Billboard Music Awards – 1988 Awards". IMDb. Archived from the original on December 30, 2021. Retrieved December 29, 2021.
- ^ "Soul Train Awards – 1989 Awards". IMDb. Archived from the original on December 30, 2021. Retrieved December 29, 2021.
- ^ "Brit Awards – 1989 Awards". IMDb. Archived from the original on December 30, 2021. Retrieved December 29, 2021.
- ^ "MTV Video Music Awards – 1989 Awards". IMDb. Archived from the original on December 30, 2021. Retrieved December 29, 2021.
- ^ "American Music Awards – 1989 Awards". IMDb. Archived from the original on December 30, 2021. Retrieved December 29, 2021.
- ^ "MTV Video Music Awards – 1996 Awards". IMDb. Archived from the original on December 30, 2021. Retrieved December 29, 2021.
- ^ "Nominations – 1996". Australasian Performing Right Association (APRA) | Australasian Mechanical Copyright Owners Society (AMCOS). Archived from the original on September 18, 2009. Retrieved September 10, 2018.
- ^ "Tracy Chapman @ California Music Awards 2001". About Tracy Chapman. April 26, 2001. Archived from the original on January 22, 2021. Retrieved July 21, 2019.
- ^ "Luke Combs, Tracy Chapman, Morgan Wallen Score ACM Award Nominations". The Hollywood Reporter. April 9, 2024. Archived from the original on April 9, 2024. Retrieved April 9, 2024.
- ^ "Songwriters Hall Of Fame 2024 Nominees For Induction Announced". Song Hall. Archived from the original on March 17, 2025. Retrieved March 1, 2025.
External links
[edit]- Tracy Chapman at AllMusic
- Tracy Chapman discography at Discogs
- Tracy Chapman discography at MusicBrainz
Tracy Chapman
View on GrokipediaEarly Life
Childhood and Family Background
Tracy Chapman was born on March 30, 1964, in Cleveland, Ohio, into a working-class family.[4] Her parents divorced when she was four years old, after which her father had limited involvement in her life.[5] She was raised primarily by her mother in a predominantly Black, low-income neighborhood characterized by urban poverty.[5] Her mother, working to support the family, nonetheless prioritized music by saving to purchase instruments for Chapman and her older sister, Aneta, fostering early self-reliance amid financial constraints.[6] [7] The household dynamics emphasized maternal responsibility, with Chapman's mother handling sole custody and daily provisions post-divorce, shaping a environment of economic necessity over abundance.[8] This single-parent setup in Cleveland exposed Chapman to the realities of intergenerational working-class struggles, including limited resources that her mother mitigated through deliberate efforts like acquiring a ukulele for her at age three.[7] No major relocations occurred during her early childhood, keeping the family rooted in the city's challenging socioeconomic context until later moves.[9]Education and Early Musical Influences
Chapman attended the Wooster School, a private preparatory institution in Danbury, Connecticut, on a scholarship starting at age 14, graduating in 1982.[10][11] During her time there, she taught herself to play acoustic guitar and gained initial performance experience through chapel services and student events.[12] Following high school, Chapman enrolled at Tufts University in Medford, Massachusetts, initially aspiring to become a veterinarian, and graduated in 1987 with a Bachelor of Arts degree in anthropology, supplemented by studies in African cultures and ethnomusicology.[13][11][12] She took every available ethnomusicology course at Tufts, developing an interest in West African musical traditions that paralleled her anthropological focus.[12][14] At Tufts, Chapman's musical activities expanded through campus performances, including winning a freshman-year talent contest with an original song, and appearances at local coffeehouses and street busking in the Boston area.[15][13] These efforts, often featuring acoustic folk-style originals, drew attention from local audiences and radio outlets, with early demos recorded during this period.[16] Her foundational influences included her mother's repertoire of gospel and lounge songs, alongside broader exposure to folk-rock and protest-oriented songwriting traditions encountered in preparatory and collegiate settings.[17][18]Musical Career
Debut and Initial Breakthrough (1987–1989)
In 1987, Tracy Chapman was discovered by Tufts University student Brian Koppelman, who obtained a demo tape of her performances and facilitated her entry into the music industry.[19] Following her graduation from Tufts that year, Koppelman helped secure a recording contract with Elektra Records, where she was signed by label chairman Bob Krasnow.[20] Krasnow championed her work from the outset, enabling the production of her debut album without interference in her creative process.[21] Chapman's self-titled debut album, Tracy Chapman, was released on April 5, 1988, by Elektra Records.[20] The album quickly ascended to the top of the Billboard 200 chart, holding the number one position starting August 27, 1988.[22] It has since sold more than 20 million copies worldwide, establishing it as one of the best-selling debut albums in history.[23] The lead single "Fast Car" propelled the album's breakthrough, reaching number 6 on the Billboard Hot 100 chart in 1988.[24] Chapman's visibility surged further with her performance of the song at the Nelson Mandela 70th Birthday Tribute concert on June 11, 1988, at Wembley Stadium in London, broadcast to an audience of 67 countries.[25] At the 31st Annual Grammy Awards in 1989, "Fast Car" earned Chapman the award for Best Female Pop Vocal Performance, while she also received Best New Artist and the album won Best Contemporary Folk Recording.[26]Mid-Career Albums and Commercial Peaks (1990–2000)
Chapman's third studio album, Matters of the Heart, was released on April 28, 1992, by Elektra Records.[27] The album debuted at number 57 on the Billboard 200 and peaked at number 53, spending 11 weeks on the chart.[28] It received a gold certification from the RIAA in November 2001 for sales exceeding 500,000 units.[29] No singles from the album achieved significant chart success, reflecting a dip in mainstream visibility compared to her debut. After a three-year gap, Chapman released New Beginning in 1995, which became her commercial pinnacle during the decade. The blues-influenced single "Give Me One Reason" peaked at number 3 on the Billboard Hot 100 in June 1996.[30] The track earned Chapman the Grammy Award for Best Rock Song at the 39th Annual Grammy Awards on February 26, 1997, along with nominations for Record of the Year, Song of the Year, and Best Female Rock Vocal Performance.[30] New Beginning sold approximately 6.27 million copies worldwide.[31] To promote the album, Chapman embarked on the New Beginning Tour, beginning with U.S. dates in March 1995 to test material and extending through 1996 across multiple continents.[32] She also performed at events like Lilith Fair in 1997, bolstering her festival circuit presence.[33] Chapman's fifth album, Telling Stories, arrived on February 14, 2000, capping the period's output. It sold around 907,500 copies globally and received gold certifications in markets including France and Switzerland.[31] [29] The release was supported by a five-month tour starting in March 2000.[34] This era, particularly driven by New Beginning, represented Chapman's empirical peak in chart performance and sales before a transition to lower-profile releases.Later Releases and Professional Hiatus (2000–2022)
Chapman's fifth studio album, Telling Stories, was released on September 5, 2000, by Elektra Records.[35] The album peaked at number 33 on the US Billboard 200 chart, marking a decline from the top-10 performance of her previous release, New Beginning (1995).[36] It featured collaborations with artists like John Popper of Blues Traveler and received mixed reviews for its blend of folk-rock and pop elements, though it sold modestly compared to her earlier commercial peaks.[37] In 2002, Chapman issued Let It Rain, her sixth studio album, on October 15.[38] This release reached number 25 on the Billboard 200, continuing the trend of diminishing chart positions.[36] The album emphasized introspective themes with sparse production, but lacked major hit singles, contributing to lower sales figures amid shifting music industry preferences toward more commercial genres.[39] Where You Live, released on September 13, 2005, served as Chapman's seventh studio album, co-produced with Tchad Blake.[40] It charted at number 49 in the US, reflecting further erosion in mainstream appeal.[36] Supported by a tour across US cities in October 2005 and subsequent European dates, the album's tracklist included socially conscious material but failed to recapture broader audience interest.[41] The eighth and final studio album of this period, Our Bright Future, appeared on November 11, 2008.[42] Peaking at number 57 on the Billboard 200 and number 75 on the UK Albums Chart, it underscored ongoing commercial challenges.[43] Chapman promoted it with a European solo tour in 2008 and a summer tour in 2009 comprising 36 shows, after which her live performances became infrequent.[44] Following Our Bright Future, Chapman entered an extended professional hiatus, releasing no new studio material through 2022. This period of dormancy aligned with her stated preference for privacy and selective engagement, resulting in minimal public appearances and industry activity.[45] Touring remained rare, with no major world tours announced, signaling a broader withdrawal from the promotional cycles typical of active recording artists.[46] The absence of output contrasted sharply with her earlier productivity, amid a music landscape increasingly dominated by digital streaming and pop trends that favored higher-visibility acts.Recent Resurgence and Public Re-engagement (2023–2025)
In June 2023, country artist Luke Combs released a cover of Chapman's 1988 single "Fast Car" from her debut album, which reached number one on the Billboard Hot Country Songs chart for ten weeks, marking the first time a song solely written by a Black woman achieved that position. The cover's success generated substantial royalties for Chapman as the original songwriter, with Combs' version certified multi-platinum and contributing to renewed catalog revenue amid streaming platform algorithms favoring viral country crossovers. This external catalyst broke Chapman's professional hiatus, as the track's chart dominance—peaking at number two on the Billboard Hot 100—prompted her co-attribution in industry accolades without new releases from her. At the 2023 Country Music Association (CMA) Awards on November 8, Chapman's "Fast Car" won Song of the Year, the first such victory for a Black songwriter in the award's history, shared with Combs as performer.[47] This recognition, based on the cover's empirical metrics including over 20 million equivalent units sold by late 2023, underscored the economic ripple effects, with Chapman's publishing rights yielding verifiable income streams from radio airplay (up 300% post-release) and digital sales. Chapman re-emerged publicly with a duet performance of "Fast Car" alongside Combs at the 66th Grammy Awards on February 4, 2024, her first major stage appearance in over a decade, eliciting a standing ovation and immediate chart resurgence for the original track. Post-performance data showed U.S. streams of Chapman's version surging 241% to 949,000 daily on February 5, with sales increasing 38,400%, propelling it back onto the Billboard Hot 100 at number 42—its first entry since 1988—and boosting overall Spotify streams past 1 billion by January 2025.[48] [49] [50] In 2025, Chapman engaged in rare interviews tied to the 35th anniversary reissue of her debut album, discussing the "Fast Car" revival's unexpected momentum. In an April 4 New York Times feature, she reflected on the song's enduring appeal and her pride in its craftsmanship, attributing the resurgence to Combs' authentic rendition rather than orchestrated promotion.[51] An NPR conversation on April 7 highlighted her strategy for sustaining optimism amid global uncertainties, while an April 20 El País interview addressed concerns over U.S. democratic institutions alongside appreciation for the royalties enabling her low-profile lifestyle.[52] [53] These appearances, devoid of announcements for new material, evidenced selective re-engagement driven by verifiable commercial upticks rather than proactive touring or recordings.Lyrical Themes and Public Views
Social and Political Commentary in Songwriting
Tracy Chapman's songwriting frequently explores motifs of economic hardship, social stratification, and individual agency within constrained circumstances, often through character-driven narratives rather than overt ideological declarations. In "Fast Car," released in 1988 on her debut album, the lyrics chronicle a protagonist's aspirations to transcend generational poverty via relocation and employment, only to confront recurring barriers such as inadequate education, substance abuse, and labor exploitation that perpetuate dependency.[54] [55] The song's structure emphasizes causal chains—parental alcoholism leading to child neglect, and unfulfilled promises of prosperity trapping families in urban decay—drawing from empirical patterns of socioeconomic mobility observed in late 20th-century America.[56] Similarly, "Talkin' 'Bout a Revolution," also from the 1988 debut, envisions collective uprising against wealth disparities, with verses depicting the destitute "rising up and taking what's theirs" amid whispers of change that build to anticipated action.[57] The lyrics highlight disparities in resource access—contrasting the poor's meager sustenance with the affluent's excess—while framing revolution as an emergent response to unaddressed grievances, though the song notes the current state as subdued discourse rather than enacted transformation.[58] This motif recurs in tracks like "Across the Lines," which narrates interracial tension and segregation's isolating effects through everyday vignettes of restricted movement and opportunity.[59] Chapman's education in anthropology at Tufts University shaped her lyrical method, fostering an ethnographic lens that prioritizes detailed societal observation over prescriptive advocacy, as evidenced in her reflections on cultural documentation paralleling song preservation.[60] Early works employ concrete, first-person or third-person storytelling to render abstract inequities tangible, such as in depictions of welfare reliance and job scarcity. Over time, her style retained narrative elements—"story songs" as she described them in 2025—but shifted toward subtler explorations of human resilience amid persistent structural conditions, eschewing the direct calls to arms of her debut for introspective examinations of endurance.[61] [62] In a 2025 interview, Chapman distanced herself from the "protest singer" categorization, asserting that while her lyrics address inequities, they constitute personal storytelling rather than activist manifestos, a stance underscoring her preference for evoking conditions through implication over explicit mobilization.[63] [64] This approach aligns with the empirical continuity of the issues portrayed: despite the 1988 anticipation of upheaval in her revolution-themed song, measurable indicators like income inequality have shown limited systemic reversal, with U.S. Gini coefficients hovering around 0.41 in recent decades, reflecting enduring divides without the wholesale redistribution envisioned.[65]Activism, Engagements, and Expressed Concerns
Chapman participated in Amnesty International's Human Rights Now! world tour from September to October 1988, performing in multiple countries alongside artists including Bruce Springsteen, Sting, Peter Gabriel, and Youssou N'Dour to raise global awareness of human rights issues.[66] That same year, on June 11, she performed at the Nelson Mandela 70th Birthday Tribute concert at Wembley Stadium in London, debuting "Fast Car" publicly as part of efforts to support the anti-apartheid movement in South Africa.[25] In December 1998, Chapman appeared at the Paris Concert for Amnesty International at Bercy, where she performed songs including "Fast Car" to commemorate the organization's ongoing human rights advocacy.[67] She joined the We The Planet tour in 2003, a series of music festivals and events promoting environmental consciousness, social activism, and global awareness through performances and community engagements.[68] In 2004, she rode in the AIDS/LifeCycle event from San Francisco to Los Angeles, contributing to a fundraising effort that generated over $4.9 million for HIV/AIDS services via the San Francisco AIDS Foundation.[69] In an April 2025 interview with El País, Chapman voiced concerns about the state of democracy in the United States, stating, "I'm worried about democracy in the United States."[53] She has rejected the label of "protest singer," describing herself primarily as a musician whose performances incidentally raise awareness for causes rather than engaging in formal activism.[63] Chapman has demonstrated protectiveness over her intellectual property through legal action, filing a copyright infringement lawsuit in October 2018 against Nicki Minaj for incorporating an unauthorized sample of "Baby Can I Hold You" into the unreleased track "Sorry."[70] The case settled in January 2021, with Minaj paying Chapman $450,000 to cover damages, costs, and attorney fees.[71] Her activism has remained limited to targeted performances and endorsements, without evidence of ongoing leadership roles in advocacy organizations.Reception and Evaluation
Commercial Achievements and Industry Recognition
Tracy Chapman's self-titled debut album, released in 1988, reached number one on the Billboard 200 chart and was certified six-times platinum by the RIAA, indicating shipments of six million units in the United States.[72] The lead single "Fast Car" peaked at number six on the Billboard Hot 100, contributing to the album's commercial breakthrough.[73] Her 1995 album New Beginning achieved five-times platinum certification from the RIAA and included the single "Give Me One Reason," which earned Chapman a Grammy Award for Best Rock Song in 1997.[3] Chapman has won four Grammy Awards from 13 nominations, including Best New Artist, Best Female Pop Vocal Performance for "Fast Car," and Best Contemporary Folk Album in 1989.[74] In 2023, Luke Combs' cover of "Fast Car" topped the Billboard Hot Country Songs and Country Airplay charts, marking Chapman as the first Black woman to reach number one on the latter.[24] The cover also secured Chapman the Country Music Association's Song of the Year award, the first for a Black songwriter in that category.[75] The resurgence from Combs' version generated at least $500,000 in global publishing royalties for Chapman by mid-2023, primarily due to her ownership of the song's publishing rights.[76] Overall, Chapman's catalog has surpassed 54 million equivalent album units worldwide.[77]Critical Assessments and Artistic Evolution
Tracy Chapman's self-titled 1988 debut album garnered widespread critical acclaim for its raw authenticity, narrative-driven folk style, and unflinching portrayal of social issues such as poverty and racism, marking a perceived return to genuine artistry amid the era's polished pop production.[78][79] Reviewers highlighted her powerful vocals and story-songs like "Fast Car" as evoking emotional depth and universality, positioning the record as a fresh counterpoint to mainstream excess.[80] Subsequent releases, including Crossroads (1989) and New Beginning (1995), elicited more divided responses, with some critics praising her continued lyrical intelligence and melodic craftsmanship while others faulted the works for diminishing narrative immediacy and sentimental leanings compared to the debut's urgency.[81][82] By the early 2000s, albums like Let It Rain (2002) drew mixed assessments, often described as introspective and bleak yet challenging to embrace fully due to their somber repetition of themes without the earlier albums' breakthrough spark, reflected in aggregate scores around 63/100.[83][84] Chapman's artistic trajectory evolved modestly from the debut's stripped-back acoustic folk narratives toward subtle incorporations of blues rhythms and gospel harmonies in later efforts, as evident in tracks like "Another Sun" from Let It Rain, though she largely eschewed radical genre shifts in favor of refining her core singer-songwriter approach.[85][86] This consistency fueled debates over artistic priorities, with detractors accusing her of commercial concessions—such as the blues-inflected hit "Give Me One Reason" from New Beginning—that diluted the debut's uncompromised edge, while supporters valued the persistence of her socially conscious voice.[82] Certain critiques, particularly from contrarian or conservative-leaning observers, have pointed to an overreliance on motifs of systemic hardship and victimhood in her oeuvre, arguing that the recurrent emphasis on societal ills without foregrounding individual agency or practical resolutions renders later works formulaic and less dynamically engaging than the debut's focused outrage.[87] Despite such views, her thematic steadfastness underscores a deliberate resistance to fleeting trends, prioritizing introspective realism over reinvention.[81]Controversies and Public Debates
In 2023, country singer Luke Combs' cover of Chapman's 1988 hit "Fast Car" reached number one on the Billboard Country Airplay chart, marking the first time a song solely written by a Black woman topped that ranking, with Chapman receiving songwriting royalties from the version's sales exceeding 10 million units in the U.S. alone.[88] The cover prompted public debate, with some critics accusing Combs of cultural appropriation by a white male artist profiting from a Black woman's work rooted in experiences of poverty and escape, while others decried such objections as elitist gatekeeping that ignored the song's universal appeal and Chapman's expressed approval.[89] Chapman issued a statement welcoming the renewed interest, stating she was "happy for Luke and his success and grateful that new fans have found and embraced 'Fast Car.'"[90] Certain media analyses framed the cover's success as highlighting historical industry exclusion of Black and queer artists like Chapman, implying her 1980s breakthrough was anomalous despite barriers tied to race and sexuality.[91] This narrative overlooks empirical evidence of her early commercial triumphs, including her self-titled debut album selling over six million copies in the U.S. by 1989 and winning three Grammy Awards, achievements attained through talent and market reception rather than overcoming purported systemic erasure.[87] Chapman, who has maintained privacy regarding her personal life and never publicly confirmed rumors of queerness, has prioritized artistic control over identity-based marketing, as evidenced by her consistent refusals of sampling requests from various artists.[87] Chapman's protectiveness extended to legal action in 2018 when she sued Nicki Minaj for copyright infringement over the unreleased track "Sorry," which incorporated elements of her song "Baby Can I Hold You" despite Chapman's repeated prior denials of permission to sample it.[92] The case settled in 2021 with Minaj paying Chapman $450,000, including costs and fees, underscoring Chapman's enforcement of intellectual property rights amid broader industry practices where she is known for inclusion on informal "do not sample" lists to preserve the integrity of her originals.[93][94] These disputes reflect debates on artistic ownership versus creative reuse, with Chapman's stance prioritizing causation from unauthorized use to potential dilution of her work's value over permissive collaboration.[95]Personal Life
Relationships and Privacy Choices
Chapman has maintained a deliberate policy of privacy throughout her career, eschewing media interviews and public disclosures about her personal affairs to prioritize her artistic work over celebrity exposure.[96] This approach, evident since her breakthrough in the late 1980s, involved limiting appearances and avoiding tabloid scrutiny, which enabled her to retreat from the spotlight after initial fame without engaging in promotional cycles typical of peers.[97] Her seclusion strategy persisted into the 2000s and beyond, with public sightings rare until her February 4, 2024, performance of "Fast Car" at the Grammy Awards alongside Luke Combs, marking a selective re-engagement after decades of minimal visibility.[98] Details of Chapman's romantic partnerships remain unconfirmed by her directly, as she has never publicly addressed her sexual orientation or relationships, leading to reliance on secondhand accounts from associates.[96] In the mid-1990s, author Alice Walker described a romantic involvement with Chapman in interviews, characterizing it as a private affair that Chapman preferred not to publicize.[99] Similarly, unverified reports have linked Chapman to actress Guinevere Turner in a long-term same-sex relationship dating back to around 2010, though neither party has substantiated these claims publicly.[100] Chapman has no record of marriage or heterosexual partnerships, and sources consistently note her single status or undisclosed private life as of 2024.[101] This privacy stance has empirically shielded Chapman from scandals that erode other artists' legacies, allowing her music's thematic depth—such as critiques of social inequality—to endure without personal narratives overshadowing professional output.[102] By forgoing confessional publicity, she sustained relevance through organic revivals, like the 2023 chart resurgence of "Fast Car" via Luke Combs' cover, rather than manufactured media ties.[97] Such choices reflect a causal prioritization of creative autonomy over transient fame, yielding a career insulated from external volatility.[103]Health and Lifestyle
Chapman resides in a secluded property in Half Moon Bay, within the rural outskirts of the San Francisco Bay Area, spanning nearly one acre of land and valued at approximately $3 million, which supports her preference for privacy and tranquility.[104][105] She has maintained a low-key routine centered on independence, with no verified public reports of significant health conditions or disclosures.[106][107] In a 2000 interview, Chapman described herself as "sort of" vegetarian, noting that she eats fish while avoiding other meats.[108] As of 2025, she continues this pattern of seclusion, expressing sustained personal hope despite broader uncertainties, while affirming no immediate plans for changes in her daily habits or professional output.[109][110]Legacy
Influence on Artists and Genres
Luke Combs' cover of Chapman's 1988 single "Fast Car," released in 2023, debuted at No. 1 on the Billboard Hot Country Songs chart on September 25, 2023, marking the first instance of a song solely written by a Black woman reaching that position since the chart's inception in 1990.[111][112] This milestone extended Chapman's folk-rock composition into mainstream country, where it also secured the Country Music Association's Song of the Year award in 2023—the first for a Black songwriter—demonstrating measurable genre crossover through chart performance and industry accolades rather than stylistic imitation alone.[113] Chapman's emphasis on narrative-driven songwriting has been adopted by folk and indie artists prioritizing authenticity over commercial polish. Brandi Carlile has credited Chapman's introspective storytelling for shaping her own folk-indie approach, while Tori Amos has referenced the raw emotional directness in Chapman's lyrics as influencing her piano-based indie compositions. Khalid has similarly highlighted Chapman's folk-rooted vulnerability as a model for blending personal narratives with broader R&B-indie elements. Other covers underscore her ripple effects across genres, including Justin Bieber's pop rendition of "Fast Car" in 2015 and Sam Smith's soul-infused version, which adapted her folk structure to contemporary indie-pop arrangements.[114] These adaptations, tracked via streaming data and airplay metrics, reflect empirical adoption in indie and pop-folk hybrids, where Chapman's concise, causality-focused lyrics—detailing cycles of poverty and aspiration—inform peer songcraft without anecdotal endorsements.[115]Broader Cultural Impact and Empirical Outcomes of Themes
Chapman's lyrics in tracks such as "Fast Car" depict intergenerational cycles of poverty, including themes of familial breakdown, limited economic mobility, and unfulfilled aspirations for escape through labor or relocation.[116] Similarly, "Talkin' Bout a Revolution" articulates frustration with economic inequality, invoking collective uprising as a potential remedy while underscoring the gap between the affluent and the marginalized.[65] These motifs resonated culturally by humanizing structural barriers, fostering empathy across demographics, as evidenced by the song's cross-generational appeal in narratives of hardship.[117] However, empirical indicators reveal limited resolution of the highlighted issues; the U.S. official poverty rate stood at 13.1% in 1988, declining modestly to 11.1% by 2023, with approximately 36.8 million individuals remaining below the threshold amid population growth.[118] Income inequality metrics further illustrate persistence, with the Gini coefficient—a measure of distribution disparity—registering approximately 0.403 in 1988 and rising to 0.418 by 2023, reflecting widened gaps despite policy interventions like expanded tax credits.[119] Chapman's advocacy for revolutionary change in "Talkin' Bout a Revolution" has not correlated with causal reductions in these disparities, as broader socioeconomic data attributes modest poverty declines more to targeted transfers (e.g., Earned Income Tax Credit expansions) than to systemic upheavals or awareness raised by protest music.[120] While her work inspired personal reflections on inequity, as noted in analyses of music's role in shaping solidarity, quantifiable policy shifts directly traceable to such themes remain elusive, with inequality trends driven by factors like globalization and technological shifts rather than cultural agitation.[121] The 2023 cover of "Fast Car" by Luke Combs propelled renewed cultural traction, topping country charts and prompting Chapman's rare 2024 Grammy performance, which tripled daily streams of her original to over 637,000 and elevated it to #1 on iTunes.[122] [123] This revival underscored the themes' enduring relevance amid stagnant empirics—poverty rates hovering near pre-1988 levels relative to population—highlighting music's capacity for emotional resonance over transformative outcomes.[124] Critics and observers attribute inspirational value to such songs in bridging rural-urban divides on hardship, yet acknowledge that while they amplify discourse, they yield no verifiable acceleration in poverty alleviation beyond baseline trends.[125] This duality—profound cultural echo paired with empirical stasis—exemplifies the themes' role in sustaining awareness without resolving underlying causal structures.Discography
Studio Albums
Tracy Chapman's debut studio album, Tracy Chapman, was released on April 5, 1988, by Elektra Records.[126] It reached number 1 on the US Billboard 200 chart.[36] The album has achieved sales exceeding 20 million copies worldwide.[127] Her second studio album, Crossroads, followed on June 13, 1989, also via Elektra Records.[35] It peaked at number 9 on the Billboard 200.[43] The third album, Matters of the Heart, was issued in 1992 by Elektra Records.[128] New Beginning, her fourth studio album, appeared on November 14, 1995, under Elektra Records, peaking at number 4 on the Billboard 200 and certified 5× Platinum by the RIAA for shipments of 5 million units in the US.[129] Telling Stories, released September 26, 2000, by Elektra, charted at number 69 on the Billboard 200.[130] Let It Rain, the sixth album, came out on October 15, 2002, via Elektra Records, reaching number 89 on the Billboard 200.[128] Where You Live followed on September 13, 2005, peaking at number 119 on the Billboard 200.[129] Her eighth and most recent studio album, Our Bright Future, was released on November 11, 2008, by Elektra Records.[37]Key Singles and Collaborations
Tracy Chapman's most prominent single, "Fast Car," released in April 1988, peaked at number 6 on the Billboard Hot 100 chart.[131] The track garnered three Grammy nominations, including Record of the Year, Song of the Year, and Best Female Pop Vocal Performance.[132] "Give Me One Reason," issued in 1996, reached number 3 on the Billboard Hot 100 and topped the Mainstream Rock Tracks chart.[133] It won the Grammy Award for Best Rock Song in 1997.[24]| Single | Release Year | US Hot 100 Peak | Additional Achievements |
|---|---|---|---|
| Fast Car | 1988 | 6 | #5 UK Singles Chart; Grammy nominations for Record, Song of the Year, Best Female Pop Vocal[132] |
| Give Me One Reason | 1996 | 3 | #1 Mainstream Rock; Grammy for Best Rock Song[24] |