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Tutenstein
Genre
Created byJay Stephens
Directed by
Voices of
ComposerGuy Michelmore
Country of originUnited States
Original languageEnglish
No. of seasons3
No. of episodes39 + 1 film
Production
Executive producers
  • William T. Baumann
  • Paul Cummins
  • Jessica Hanlon
  • Bruce D. Johnson
Producers
  • Siobhán Ní Ghadhra
  • Tom Gleason
  • Mark Seidenberg
EditorTony Mark
Running time18–22 minutes per episode
Production companyPorchLight Entertainment
Original release
NetworkDiscovery Kids
ReleaseNovember 1, 2003 (2003-11-01) –
October 11, 2008 (2008-10-11)

Tutenstein is an American animated television series, produced by PorchLight Entertainment for Discovery Kids based on the comics by Jay Stephens. The series was first premiered on Discovery Kids' Saturday morning block on NBC on November 1, 2003. It ended on October 11, 2008.[1] The series features young mummy Tutankhensetamun (based on real-life Tutankhamun and usually called "Tutenstein" as in the title) who is awakened about 3,000 years after his accidental death and now must face the fact that his kingdom is gone.[2] The name is a portmanteau of Tutankhamun and Frankenstein.

Beginning in August 2020, Yippee TV, the current owners of the series, made the series officially available for streaming on YouTube.[3]

In October 2022, it was announced that a reboot is currently in the works.[4] It will have a completely new look. There has been no further information since then.

Plot

[edit]

Tutankhensetamun was an impulsive but kindhearted young Egyptian Pharaoh who lived a luxurious but short life. He died because back in Ancient Egypt he saved a friend of his from being smashed by rocks from a collapsing temple, so he himself was crushed to death. He carries the mighty Sceptre of Was, and the circumstances of his death are unknown at first.

In the 21st century, 12-year-old middle school student Cleo Carter accidentally witnesses his awakening after a bolt of lightning hits the mummified body of Tut that is on display at the local museum. She with her anthropomorphic pet cat Luxor must now help Tut to find his way around in the modern world. During the whole series, Set, god of disorder and violence, attempts to destroy Tut and gain possession of the Sceptre to become the ruler of all.

Characters

[edit]

Main

[edit]
  • Tutankhensetamun, "Tutenstein", (voiced by Jeannie Elias in the first two seasons and early season 3 and Donna Cherry in the last four episodes), is a very impulsive but kind-hearted 10-year-old mummy who lives in the museum. His nickname, Tutenstein, is a play on words on Frankenstein. He is often visited by Cleo and Luxor.
  • Cleo Carter (voiced by Crystal Scales in the first two seasons and early season 3 and Leah Lynette in the last four episodes) is a 12-year-old African-American girl who wants to become an Egyptologist. After chasing her cat, Luxor, she accidentally brought Tut back to life. Her father is a well experienced Egyptologist and archeologist.
  • Luxor (voiced by Daran Norris in the first two seasons and David Lodge in season 3) is Cleo's pet cat. When Tut is resurrected, Luxor gains the capability of speech and becomes his self-appointed servant.

Supporting

[edit]
  • Walter Jacobs (voiced by Joey Simmrin) is the easily frightened, friendly yet dimwitted, young security guard at the museum.
  • Professor Horace Behdety (voiced by Lex Lang) is a haughty professor and the cranky director of the museum. It is implied that Behdety discovered Tutankhensetamun's tomb.
  • Dr. Roxanne Vanderwheele (voiced by Jeannie Elias in the first two seasons and early season 3 and Cindy Robinson in the last four episodes) is Behdety's colleague, a bright young scholar and thoroughly modern archaeologist.
  • Rosalie Rivara (voiced by Candi Milo in the first two seasons and Wendee Lee in the third season) is a vain, publicity hungry television news reporter.
  • Natasha (voiced by Liza Del Mundo in the first two seasons and Wendee Lee in the third season) is Cleo's best friend with a bad habit of lying.
  • Kyle (voiced by Debi Derryberry in the first two seasons and Cindy Robinson in the third season) is one of Cleo's friends and has a crush on Natasha.
  • Jake (voiced by Justin Cowden) is one of Cleo's friends and her secret crush.
  • Iris Carter (voiced by Vanessa Marshall) is Cleo's mother and a construction engineer.

The Egyptian Gods

[edit]

The almighty and responsible gods of ancient Egypt are often overseers of all the events of the immortal world and the underworld.

  • Set (voiced by Daran Norris in the first two seasons and David Lodge in season 3) is the Egyptian god of chaos, destruction, and disorder, who is the main antagonist. For thousands of years, he has been condemned to the darkest pit of the Egyptian underworld.
  • Sekhem (voiced by Roger Rose) and Khesef (voiced by Lex Lang) are two of the many demons who work for Set.
  • Apep (voiced by Cam Clarke) is a demon of the Egyptian underworld who takes the form of a giant water snake.
  • Ammut (voiced by Wendee Lee) is a demonic deity who devours the hearts of the dead.
  • Osiris (voiced by Daran Norris) is the Egyptian god of the afterlife, the underworld and rebirth who judges humans after their death.
  • Isis (voiced by Cindy Robinson) is the Egyptian goddess of magic, motherhood and wisdom. She is the wife of Osiris.
  • Ra (voiced by David Lodge) is the Egyptian god of the Sun. He is one of the most important figures in ancient Egyptian religion, since the Sun was sacred to them.
  • Horus (voiced by Jess Harnell) is the Egyptian god of kingship and the sky. He is the gods' greatest and most revered warrior.
  • Anubis (voiced by Lex Lang) is the Egyptian god of mummification, preparations and ceremonies for the dead. He works along with Thoth under Osiris to ensure order and bring balance to all the worlds.
  • Bastet (voiced by Wendee Lee) is the Egyptian goddess of cleanliness, the household and protector of cats.
  • Thoth (voiced by Michael Bell) is the Egyptian god of science, knowledge and writing. He works along with Anubis under Osiris to ensure order and bring balance to all the worlds.
  • Maat (voiced by Wendee Lee) is the Egyptian goddess of the concepts of truth, law, justice, order, balance, and harmony.
  • Nut (voiced by Michelle Ruff) is the Egyptian goddess of the sky and stars.
  • Geb (voiced by Michael Gough) is the Egyptian God of Earth.
  • Bennu is a sacred bird in ancient Egyptian mythology linked with the sun, creation, and rebirth.
  • Hathor (voiced by Kate Higgins) is the Egyptian goddess of joy, beauty, music and feminine love.
  • Sekhmet (voiced by Jeannie Elias) is the Egyptian goddess of battle, warfare and revenge. She is Hathor's wrathful alter ego.
  • Khnum
  • Mut
  • Bes is a minor ancient Egyptian deity worshipped as a protector of households, and in particular, of mothers, children and childbirth.
  • Hemsut
  • Ptah
  • Serket is the Egyptian goddess of nature, animals, medicine and healing from venom/poison.
  • Sobek is the Egyptian god of the Nile river, associated with pharaonic power, fertility, and military prowess.
  • Wadjet is the Egyptian goddess of protection. Her symbol is used by royalty to guard them from evil both during their mortal life and in the afterlife.
  • Imhotep is an Egyptian chancellor to the pharaoh Djoser, probable architect of the step pyramid, and high priest of the sun god Ra at Heliopolis.
  • Atum is the Egyptian god of creation and life, said to have made the first humans out of clay.

Episodes

[edit]

Series overview

[edit]
SeasonEpisodesOriginally released
First releasedLast released
113November 1, 2003 (2003-11-01)March 6, 2004 (2004-03-06)
213September 4, 2004 (2004-09-04)November 19, 2005 (2005-11-19)
313September 9, 2006 (2006-09-09)January 13, 2007 (2007-01-13)
Television film1October 11, 2008 (2008-10-11)

Season 1 (2003–04)

[edit]
No.
overall		No. in
season		TitleDirected byWritten byOriginal release dateProd.
code
11"The Awakening"Bob RichardsonMark SeidenbergNovember 1, 2003 (2003-11-01)101
Lightning strikes museum mummy Pharaoh Tut-ankh-en-set-Amun's sarcophagus and brings him back to life in the 21st Century, where he meets his friends Cleo, a 12-year-old girl, and her pet cat Luxor and struggles to adapt to the strange modern world.
22"The Curse of the Pharaoh"Rob LaDucaMark SeidenbergNovember 8, 2003 (2003-11-08)102
When mysterious stranger El Zabkar accidentally sees Tut at the museum, he unleashes the goddess Ammut from the underworld to destroy the living mummy. It's up to Tut, Cleo and Luxor to figure out how to get rid of her.
33"Clash of the Shabitis"Bob RichardsonMark SeidenbergNovember 15, 2003 (2003-11-15)103
Cleo asks Tut to help clean the museum, but he decides to bring his shabtis (wooden tomb servant figurines) to life to do the job for him. When the shabtis get out of control, Tut must stop them before anyone realizes magic is afoot.
44"I Did it My Way"Rob LaDucaBrooks WatchelNovember 22, 2003 (2003-11-22)104
Frustrated by modern life's complications, Tut uses the Bennu Bird to make the world like it was in ancient Egypt. But ruling the ancient world is harder than Tut remembers, and he must decide what's best for his people before the spell is irreversible.
55"The Boat of Millions of Years"Rob LaDucaMark SeidenbergDecember 6, 2003 (2003-12-06)106
Tut has so much fun watching movies at Cleo's house, he wishes it would never end. He calls upon the sun god Ra to delay sunrise so he can stay up longer. But Tut's wish stops time and puts Ra in danger, so Tut must help Ra and save the day.
66"The Powerful One"Bob RichardsonKevin HoppsJanuary 3, 2004 (2004-01-03)105
When Tut's unknowing subjects fail to build him a pyramid on demand, his complaints accidentally summon lioness goddess Sekhmet, protector of pharaohs, who begins a vengeful rampage against humanity. It's up to Tut, Cleo and Luxor to stop her.
77"There's Something About Natasha"Rob LaDucaJulie & Timothy CahillJanuary 10, 2004 (2004-01-10)108
Tut gets a crush on Cleo's best friend Natasha and summons Bes, the ancient Egyptian patron god of children, to help him win her heart. But the spell's results aren't what Tut expected, and he must decide whether Nat's his true love or just a love zombie.
88"The King of Memphis"Bob RichardsonGordon BressackJanuary 17, 2004 (2004-01-17)107
Tut is furious that the Kingland amusement park is dedicated to a king other than him. Mistaking costumed park patrons for multiples of the "imposter" king, Tut endangers his life by separating the two parts of his soul (Ba & Ka) to compete with his rival.
99"Roommates"Rob LaDucaBrian SwenlinJanuary 24, 2004 (2004-01-24)112
Tut has trouble finding peace and quiet at the museum, so he decides he will move in with Cleo.
1010"Ghostbusted"Rob LaDucaBrooks WachtelJanuary 31, 2004 (2004-01-31)110
Tut is up to his old tricks again, but this time he gets caught cheating while playing Senet with the Goddess Isis. Furious with Tut's behavior, she summons the ghost of Nutka.
1111"Near Dead Experience"Rob LaDucaKen Koonce & Michael MertonFebruary 21, 2004 (2004-02-21)109
Since Tut is not used to the advancement of modern day medicine, he fears for Cleo's life when she develops a cold. Tut tries to make Cleo feel better, but things get out of hand when his doctor Imhotep tries to Mummify her.
1212"The Unsafety Zone"Bob RichardsonKevin D. CampellFebruary 28, 2004 (2004-02-28)111
When the alarm system sets off in the new Geb exhibit, Tut is awoken from his sleep. Furious that someone would allow such noise in his royal slumber, Tut decides to turn off the alarm only that allows two thieves to take the Crown of Geb.
1313"Happy Coronation Day, Tutenstein"Rob LaDucaNick DuBoisMarch 6, 2004 (2004-03-06)113
Tut feels unappreciated when Cleo and Luxor throw a Coronation Day party for him that doesn't meet his expectations. While Tut is preoccupied with his needs, demons of the underworld prepare to steal the Sceptor of Was.

Season 2 (2004–05)

[edit]
No.
overall		No. in
season		TitleDirected byWritten byOriginal release dateProd.
code
141"Old Man Tut"Bob RichardsonBrian SwenlinSeptember 4, 2004 (2004-09-04)208
Tut hates being young, so when he breaks his ankh, the next day he turns into a teenager, then the next day he turns into an old man.
152"Cleo's Catastrophe"Rob LaDucaBrooks Wachtel & Cynthia HarrisonSeptember 11, 2004 (2004-09-11)209
Luxor becomes overwhelmed splitting his time hanging with Cleo and finishing all of the Tut's chores. Tut tries to solve the problem by casting a "perfect spell", but accidentally switches Cleo's and Luxor's bodies.
163"The Shadow Gobbler"Bob RichardsonBrooks WachtelSeptember 25, 2004 (2004-09-25)203
Tut, Cleo, and Luxor all lose their shadows when Tut messes with the powers of ancient magic scrolls.
174"Tut Jr."Bob RichardsonKevin HoppsOctober 2, 2004 (2004-10-02)204
Tut convinces Cleo that he is full of responsibility and is more than able to watch her little cousin Thomas for the day until Tut loses Thomas to the underworld.
185"Something Sphinx"Rob LaDucaJohn Behnke & Rob HumphreyOctober 9, 2004 (2004-10-09)205
Luxor feels insignificant when Tut hires a new assistant named Hedgewere who is a baboon servant to help him out. After feeling useless to the pharaoh, Luxor packs up and leaves after he has departed that Tut and Hedgewere run into a deadly scorpion.
196"The Supreme Tut"Bob RichardsonMark SeidenbergOctober 16, 2004 (2004-10-16)206
When Tutenstein decides that his afterlife as a pharaoh couldn't get any worse, it does when Cleo refuses him creamed ice. Not being able to handle rejection of his whims, Tut convinces the higher ups to turn him into a god.
207"The Day of the Undead"Rob LaDucaMark SeidenbergOctober 30, 2004 (2004-10-30)213
Tut learns about Halloween and decides he wants to go trick-or-treating. But when Cleo explains that she and her friends are going to a haunted house, Tut tries to impress everyone by summoning a real ghost.
218"Friends"Bob RichardsonMark SeidenbergNovember 27, 2004 (2004-11-27)201
Tut meets with Buzz and Shakey who are two young teen delinquents and ignores Cleo and Luxor's warning about them. Instead, Tut stirs up trouble that ultimately leads him to the Hall of Two Truths in the underworld, where the gods will decide Tut's fate.
229"Green-Eyed Mummy"Bob RichardsonJohn Behnke & Rob HumphreyDecember 4, 2004 (2004-12-04)202
Tut becomes jealous when Cleo starts spending her time at the new mammoth exhibit. After Tut sends the mammoth to the underworld to regain Cleo's attention, he realizes how much he has hurt Cleo.
2310"Queen for a Day"Rob LaDucaMark SeidenbergJanuary 15, 2005 (2005-01-15)211
Cleo and Luxor realize that Tut has been kidnapped when they find only his Scepter of Was left behind. Meanwhile, Cleo must learn how to use the Scepter and transport her and Luxor to the underworld to save Tut from the god of chaos and destruction.
2411"Procras-Tut-nation"Rob LaDucaJohn Behnke & Rob HumphreyOctober 1, 2005 (2005-10-01)207
Tut decides that skateboarding is more important than completing the Ancient Egyptian Sed Festival. If Cleo doesn't find Tut in time and get him to go to the festival, he could lose all his power.
2512"Behdety Late Than Never"Bob RichardsonJohn Behnke & Rob HumphreyOctober 22, 2005 (2005-10-22)210
Bedhety gets blamed when Tut cranks up the heat and the bills in the museum. After being framed by a conman, Bedhety is sent to jail. Tut, Cleo, and Luxor must prove Bedhety's innocence before the museum shuts down.
2613"Walter the Brain"Bob RichardsonMark SeidenbergNovember 19, 2005 (2005-11-19)212

Tut feels guilty for almost getting Walter fired by Bedhety. To make up for it, Tut uses the magic Scroll of Thoth and grants Walter intelligence. Unfortunately, Thoth isn't happy that the secret scrolls were used.

Note: This is the last episode where Daran Norris voices Luxor.

Season 3 (2006–07)

[edit]

Note: All episodes in this season were directed by Norton Virgien.

No.
overall		No. in
season		TitleWritten byOriginal release dateProd.
code
271"The Comeback Kid"Kelly Ward & Cliff MacgillivroySeptember 9, 2006 (2006-09-09)301

Tut's desire to be human again leads him to carelessly cast a spell without giving thought to the entire process. The spell backfires, bringing a T-Rex skeleton back to flesh-and-blood life, and giving Set a chance to possess the Scepter of Was.

Note: This is the first episode where David Lodge voices Luxor, replacing Daran Norris.
282"Rest in Pieces"Charlotte FullertonSeptember 12, 2006 (2006-09-12)304
Tut wants to do too much at once, so he divides up his body to let his separate pieces enjoy different activities all at the same time. Set orders a hippo demon to hide Tut's pieces, just as Set did to his own brother Osiris in real Egyptian mythology.
293"Irresistible You"Brooks Wachtel & Cynthia HarrisonSeptember 13, 2006 (2006-09-13)306
Cleo really wants to be liked by Jake, but involving Tut in her problem only leads to chaos, as Tut orders the goddess Hathor to cast a love spell on Cleo and make her irresistible... with disastrous results.
304"Sleepless in Sarcophagus"Howard RabinowitzSeptember 14, 2006 (2006-09-14)308
Tut gets a pet snake named Fang to keep him company and help him sleep. But the snake becomes possessed by Denwen, a demon snake god, sent by Set to steal the Scepter of Was. When Cleo becomes suspicious, Denwen tries to turn Tut against her.
315"The Truth Hurts"Scott PetersonSeptember 16, 2006 (2006-09-16)302
Tut's tendency to be blunt insults the Ancient Egyptian gods, who cut him off from their protection and his own powers, and leave him vulnerable to the evil serpent Apep.
326"Was Not Was"Pamela Hickey & Dennys McCoySeptember 23, 2006 (2006-09-23)303
Tut neglects the Scepter of Was and misplaces it. Unfortunately, Walter finds it, and thinks it's a promotional toy, leaving Walter fair game for an attack by Set and his demons.
337"Tut the Defender"John Behnke & Rob HumphreyOctober 14, 2006 (2006-10-14)305
Tut wants to be a great military leader like his father, but when he brings two museum statues of Viking warriors to life to do battle with him, Tut finds that it's harder to emulate his father than he thought it would be.
348"Spells and Sleepovers"Anne D. BernsteinOctober 28, 2006 (2006-10-28)309
Cleo plans an all-girls slumber party and she doesn't invite Tut. Tut can't stand being left out and decides to crash the party. When Cleo dresses Tut up like a girl, to sneak him in, Tut ends up humiliated and storms off vowing to throw a rival all-boy party.
359"Fearless"Scott PetersonOctober 29, 2006 (2006-10-29)307

Tut tries to prove he is fearless by taking on more and more dangerous tasks until he descends into the Underworld where he finds more fearsome danger than he bargained for.

Note: This is the last episode where Jeannie Elias and Crystal Scales voice Tut and Cleo.
3610"UnPharaoh"Charlotte FullertonNovember 25, 2006 (2006-11-25)310

Set uses his scorpion minion to possess Dr. Vanderwheele into discrediting Tut's Pharaoh title. Cleo struggles to support her friend Tut and find a way to prove his identity, despite having doubts herself about his validity as Pharaoh.

Note: This is the first episode where Donna Cherry and Leah Lynette voice Tut and Cleo, replacing Jeannie Elias and Crystal Scales.
3711"Into the Past"John Behnke & Rob HumphreyDecember 2, 2006 (2006-12-02)313
The Mirror of Isis whisks our heroes back to Ancient Egypt, where Tut discovers things weren't quite as perfect as he remembered them. Meanwhile, Cleo is led on a wild goose chase for her missing father by Set and his minions.
3812"Tut's Little Problem"Brian SwenlinDecember 9, 2006 (2006-12-09)311
Fed up with being short, Tut unleashes a spell to increase his size but, when it backfires, Tut first becomes a giant and then dangerously small. Tut learns to accept who he is - just because his height is small doesn't mean he's lacking.
3913"Keep Your Wandering Eye to Yourself"Philip MortonJanuary 13, 2007 (2007-01-13)312
Tut becomes jealous of Cleo's life beyond the museum and Cleo's new friend Kara. He decides that spying on them is the obvious answer to his problems of feeling left out and enlists "the wandering eye" to spy on Cleo.

Television film (2008)

[edit]
No.TitleDirected byWritten byOriginal release date
40Clash of the PharaohsCharles M. GrosvenorRob Humphrey & John BehnkeOctober 11, 2008 (2008-10-11)
In the series finale, Tut has nightmares about his death so he uses the mirror of Isis to go back to ancient Egypt to prevent his death from happening, but the artifact is stolen by a thief. Cleo, Luxor and Tut go back to Egypt only finding out that it is a thousand years after Tut's death so he, Luxor, and Cleo get followed by a stranger named Kwmonwati, who crowns Cleo after mistaking her for a pharaoh. Kwmonwati plans to take the mirror of Isis with him but fails. Cleo meets the real Cleopatra and Luxor, Cleo, and Tut finally get home. Tut now knows how he died.

Production

[edit]

ABN reported "with regard to the ongoing theme of ancient temples and history found in his animated shows Tutenstein and The Secret Saturdays, [Jay] Stephens quips, "I'm a nerd. I like reading about history and mythology. And the past is full of surprises."[5] Stephens spent many years developing the show for television, coming up with the new setting and cast of characters that diverged significantly from the original comics. Stephens became the creative consultant of the show, with character designer Fil Barlow reinterpreting the look of the entire series. Barlow was the production designer until his contracted 20 episodes expired and was fired. His successor was his student, Thomas Perkins.

The production company, PorchLight Entertainment, which is based in Los Angeles, California, has won Emmys for the first and second seasons of the series. Irish TV production company Telegael, which is based in An Spidéal, Co Galway, also won an Emmy Award for the second season.

Historical accuracy

[edit]

Many of the gods portrayed in the series resemble their historical portrayals and all the Egyptian myths mentioned in the show are genuine.[citation needed] The Scepter of Was being portrayed as an all-purpose magic wand is fictional, though the Was itself is a genuine Egyptian symbol. Unlike Tutankhamun, who died at the age of 19, Tutenstein (Tutahnkensetamun) died when he was 10. However, Tutankhamun did become pharaoh at the age of 9, although the show doesn't say what age Tutenstein became pharaoh. On the other hand, Tutenstein is drawn with a cleft lip, just like the real Tutankhamun. The ancient game senet did exist, but as no precise rules for the game have been preserved, the rules as shown in the series are not accurate.[6] Egyptologist Kasia Szpakowska served as a consultant to the series.

Critical reception

[edit]

Common Sense Media gave the show a rating of 3 stars out of 5, saying "The character of Tut is amusing, with his combination of childishness and egotism, and his interaction with Cleo and Luxor can be quite funny. The resolutions of the stories are fairly predictable – Tut uses his powers for good to help his friends, and harmony is restored – but the situation is unusual enough to keep the show fresh."[7] DVD Verdict said "To be fair, as a product of the Discovery Channel, the producers have tried something slightly different with Tutenstein. Its educational children's programming, the attempt of an educational station to compete with more popular stations. Each episode incorporates some educational tidbits: explaining aspects of ancient Egyptian mythology and history. Unfortunately, the learning gets a bit mixed up with all the other nonsense."[8] The Sydney Morning Herald wrote "It's The Mummy for kids... There's no Brendan Fraser or Rachel Weisz here, but the humorous dialogue – and the inclusion of a talking cat – should be a winner among younger viewers."[9]

Awards and nominations

[edit]
Year Nominee / work Award Result
2004 Tutenstein Daytime Emmy Award for Outstanding Special Class Animated Program Won
2006 Tutenstein Daytime Emmy Award for Outstanding Special Class Animated Program Nominated
2007 Tutenstein Daytime Emmy Award for Outstanding Special Class Animated Program Won

Broadcast

[edit]

The series aired on Discovery Kids and premiered in the United States on November 1, 2003 (along with Kenny the Shark). The final episode aired on January 13, 2007. A TV movie entitled Tutenstein: Clash of the Pharaohs aired on October 11, 2008, ending the series. After the series ended, reruns continued to air on The Hub until December 30, 2012.

In August 2003, Fox Kids Europe acquired the show's television, home video and consumer products rights for Europe, Israel, India and French-speaking Africa from PorchLight, with Buena Vista International Television servicing television distribution. Following the rebrand of the company as Jetix Europe in 2004, the series premiered on the European Jetix networks around that time.[10]

In 2004 the series had its British terrestrial television debut on ITV – first as part of the Saturday morning children's program Ministry of Mayhem, and later in a weekday afternoon slot on CITV, where it was one of the highest-rating shows for kids aged 4–15.

It also aired on Nickelodeon and ABC in Australia, and Maxi TV in Turkey.

In East and Southeast Asia, it aired on Disney Channel.[11]

Beginning on August 18, 2020, the series was officially made available for streaming on YouTube without charge by Yippee TV.[12][13][14]

The series, with the exception of the third season, and television special are also available for streaming on Hoopla. The series is also available on the Common Sense Media-owned streaming service Sensical.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Tutenstein

View on Grokipedia
from Grokipedia
Tutenstein is an American animated created by and produced by for . The show, which aired from , , to , follows the adventures of a 10-year-old Egyptian named Tut-ankh-en-Set-Amun—commonly called Tutenstein—who is accidentally revived in a modern-day by an inquisitive 12-year-old girl named Cleo Carter and her cat, . Blending humor with light educational content about ancient Egyptian history and culture, the series depicts Tutenstein's comedic struggles to adapt to 21st-century life while grappling with his lost royal status. Based on Stephens' comic books of the same name, Tutenstein comprises totaling 39 half-hour episodes, concluding with a feature film titled Tutenstein: Clash of the Pharaohs released in 2008. The animation style employs traditional 2D techniques, featuring by talents such as Jeannie Elias as the egotistical yet childlike Tutenstein, Crystal Scales as the intelligent and resourceful Cleo, and as Horace Behdety, the museum curator. Episodes often involve magical mishaps with ancient artifacts, threats, and lessons in friendship and humility, making it appealing to young viewers interested in and fantasy. The series received generally positive reception for its engaging storytelling and subtle educational value, earning a 7.0/10 rating on from over 3,400 user reviews and praise from family media outlets for promoting curiosity about ancient civilizations without heavy didacticism. Broadcast initially on in the United States, it later aired internationally and became available on streaming platforms, contributing to its among nostalgic audiences. The series won two and received additional nominations. In October 2022, a was announced to be in development, featuring a redesigned look, but no further details or release have emerged as of 2025. Its enduring availability on services like Prime Video and underscores its lasting appeal as accessible, family-friendly animation.

Overview

Premise

Tutenstein is an animated television series centered on the accidental revival of an ancient Egyptian in the modern world. The core plot revolves around 12-year-old Cleo Carter, an inquisitive girl with a passion for , who unwittingly awakens the 3,000-year-old mummy of Tut-ankh-en-Set-Amun—commonly known as Tut—in the International Museum of World History. This occurs when Cleo uses an ancient scarab amulet during a storm, bringing the young pharaoh back to life after millennia of dormancy. Upon his resurrection, Tut faces significant as he transitions from the grandeur of to the complexities of 21st-century America, struggling to comprehend everyday technologies, social norms, and the absence of his former divine status. He relies heavily on Cleo and her sarcastic cat, , for guidance in navigating this unfamiliar environment, often leading to humorous misunderstandings and mishaps as Tut attempts to reclaim what he perceives as his rightful authority. The series features recurring elements such as Tut's magical abilities, which stem from Egyptian artifacts and allow him to cast spells, though these powers frequently backfire and cause chaos. Conflicts often arise from escaped demons or antagonistic forces from , with Egyptian deities occasionally intervening in the plots to influence events. Structured as a half-hour animated program blending , , and educational insights into ancient Egyptian history and culture, Tutenstein targets children aged 6-11, promoting themes of adaptation and friendship through its episodic format.

Themes and Style

Tutenstein explores central themes of culture clash between ancient Egyptian royalty and contemporary life, as the revived pharaoh Tut-ankh-en-Set-Amun grapples with modern conveniences and societal norms while insisting on his royal status after millennia. This juxtaposition highlights friendship across time periods, with Tut forming bonds with a present-day girl named Cleo, who shares his fascination with Egypt, fostering mutual growth amid supernatural adventures. The series also emphasizes respect for history and mythology, portraying ancient Egyptian elements not as mere spectacle but as integral to character development and narrative resolution. Educational integration is seamlessly woven into the storytelling, offering lessons on Egyptian history, hieroglyphs, and myths through Tut's explanations and mishaps, designed to engage young viewers without overt preachiness. For instance, episodes often pause to clarify mythological figures or historical artifacts, sparking curiosity about in a relatable, adventure-driven format. The artistic style employs traditional 2D animation characterized by vibrant colors that evoke the richness of ancient Egyptian palettes, alongside detailed motifs in artifacts and backgrounds to authenticate the historical setting. Exaggerated facial expressions and dynamic poses amplify comedic moments, drawing from creator ' comic book roots, which infuse the visuals with a playful, exaggerated energy reminiscent of classic cartoons. Overall, the tone balances lighthearted with humor, where Tut's drives humorous conflicts, tempered by mild peril that resolves positively to suit young audiences and inspire interest in ancient cultures. This approach ensures entertainment primacy while subtly honoring mythological lore.

Characters

Main Characters

The main characters of Tutenstein form a tight-knit trio consisting of the revived ancient Egyptian pharaoh Tutankhensetamun, his modern-day guide Cleo Carter, and her enchanted cat Luxor, whose adventures drive the series' narrative as they navigate magical mishaps and lessons in humility. Tutankhensetamun, commonly known as Tut or Tutenstein, is a 10-year-old mummified pharaoh who is accidentally revived to life in a contemporary museum after 3,000 years. Portrayed as precocious and ego-centric, Tut initially exhibits an arrogant and impulsive personality, often demanding royal treatment and using his ankh amulet to cast spells that lead to chaotic situations. Despite his self-centered tendencies, he possesses a kind-hearted core and gradually learns humility through his exposure to modern life and friendships. Voiced primarily by Jeannie Elias in the first two seasons and early season 3, with Donna Cherry taking over for the final episodes, Tut bucks the typical monstrous mummy stereotype by behaving like a spoiled yet redeemable child. Cleo Carter, a 12-year-old African-American and avid enthusiast, serves as Tut's primary guide to the present day and acts as the voice of reason within the group. Intelligent and brave, she volunteers at the museum where Tut awakens and frequently humbles his inflated ego while helping resolve the magical crises he unleashes. Her passion for makes her an ideal companion, balancing Tut's impulsiveness with practical wisdom and courage. Cleo is voiced by Scales in the first two seasons and early season 3, and by Lynette in the last four episodes of season 3. Luxor, Cleo's pet cat, gains the ability to speak upon Tut's revival, revealing himself as the pharaoh's ancient Egyptian companion and royal advisor. Sarcastic and witty, Luxor provides through his dry commentary on Tut's antics while offering magical assistance and protection during adventures, including occasional interactions with Egyptian deities in times of crisis. Loyal yet exasperated by the duo's troubles, he acts as a mediator in their relationships. Luxor is voiced by in the first two seasons and by David Lodge in season 3.

Supporting Characters

Cleo's family anchors her everyday life outside the , often creating challenges in concealing Tut's presence while highlighting contrasts between ancient and modern worlds. Her mother, Iris Carter, works as a construction engineer and serves as a supportive yet oblivious parental figure, frequently appearing in episodes where Cleo must sneak away for adventures without arousing suspicion. Iris provides emotional grounding for Cleo, emphasizing family bonds amid the chaos of Tut's antics, such as in storylines involving household mishaps or school-related excuses. Cleo's father, an Egyptologist, is referenced as having disappeared under mysterious circumstances prior to the series' events, fueling Cleo's passion for and occasionally driving subplots where she seeks clues about his fate, like time-travel escapades to . This absence adds depth to Cleo's character, motivating her protectiveness over artifacts and her reluctance to reveal Tut's revival, which could echo her father's unexplained loss. No siblings are prominently featured, though Cleo occasionally interacts with young relatives like her cousin Thomas in family-oriented episodes, amplifying comedic tensions when Tut interferes. At the museum, staff members play key roles in facilitating artifact-based plots and maintaining the secrecy of Tut's existence, often through unwitting involvement in magical mishaps. Professor Horace Behdety, the eccentric , is a self-proclaimed expert on Egyptian history who frequently boasts about his knowledge but overlooks subtle anomalies around Tut's ; his strict oversight forces Cleo to improvise cover-ups, adding layers of and humor as he nearly uncovers the truth multiple times. Behdety's character contrasts Tut's ancient arrogance with modern academic pomposity, serving as a foil in episodes centered on exhibit mishandlings or historical inaccuracies. The museum's security guard, Walter Jacobs, is a timid, slow-witted young employee easily startled by Tut's escapades, such as unintended spells or late-night wanderings; his bumbling attempts to investigate strange noises often lead to comedy and aid in diverting attention from the protagonists. Walter's recurring duty to patrol the premises heightens the stakes for keeping Tut hidden, while his gullibility allows for plot resolutions where magical events are dismissed as pranks or equipment failures. Among Cleo's school peers, friends and rivals underscore her social life and Tut's outsider perspective, injecting contemporary teen dynamics into the narrative. Jake, a skateboarding enthusiast and Cleo's secret crush, represents typical adolescent interests that clash with Tut's outdated views, leading to humorous misunderstandings like over modern hobbies or failed attempts to impress with ancient wisdom. As a recurring schoolmate, Jake provides social contrast, occasionally witnessing Tut in disguise and prompting Cleo to weave elaborate lies to preserve the secret. Other peers, such as best friend —who has a tendency to embellish stories—and occasional bullies like Kyle, highlight group pressures and rivalries, advancing subplots where Tut's interference causes schoolyard chaos or exposes cultural clashes for comedic effect. These characters collectively serve as foils to Tut's pharaonic mindset, generating humor through generational and cultural misunderstandings while propelling efforts to maintain secrecy amid everyday teen challenges.

Egyptian Deities

In Tutenstein, the Egyptian deities are immortal supernatural entities inspired by ancient Egyptian mythology, portrayed with animal-headed or anthropomorphic forms that align with traditional iconography, such as jackal heads or hybrid beast bodies. These gods and demons are typically summoned via incantations, amulets, or artifacts from Tut's era, adhering to the series' polytheistic framework where they enforce cosmic rules without any implication of contemporary worship. They interact with the revived pharaoh Tutankhensetamun in a blend of deference to his royal status and humorous frustration at his impulsive, childlike behavior, often aiding or obstructing him to maintain balance in the mortal and afterlife realms. Ammut, known as the Devourer, is depicted as a fearsome hybrid demon merging the features of a , , and , embodying her role as the judge and consumer of unworthy souls. Drawing from the mythological who devours hearts that fail the test of truth, she participates in the ceremonial weighing of the heart against Ma'at's feather, alongside figures like and , condemning impure souls to in the . In the narrative, Ammut functions as a minor , summoned to test or threaten characters like Tut, providing opportunities for magical confrontations that resolve through adherence to ancient rites and emphasizing themes of moral judgment. Anubis appears as the jackal-headed god of mummification and the , with a sleek black form that evokes guardianship and solemnity, true to his mythological origins as the embalmer and guide of souls. Portrayed as just, reasonable, and somewhat intimidating yet benevolent, he oversees funeral preparations and the scales of judgment, declaring, "We shall have no interruptions!" during rituals. His narrative role involves facilitating transitions between , often intervening to aid Tut in preserving mummified remains or averting improper resurrections, thereby teaching the importance of proper burial customs while injecting tension into episodes involving escaped spirits. Bastet is shown as a graceful -headed , sometimes with a black or gray feline visage, reflecting her mythological inspiration as the protector of homes, fertility, and , originally a lioness warrior who evolved into a gentler domestic . She exhibits a protective, affectionate personality, particularly drawn to Tut's companion , and serves as a benevolent force promoting cleanliness and household harmony. In the series, Bastet aids protagonists by warding off chaos or demonic threats, her appearances highlighting comedic bonds with felines and underscoring the gods' adherence to domain-specific rules, such as defending against intruders in sacred spaces. Ra, the authoritative sun god, is depicted with radiant solar disk motifs and associations, embodying his central mythological status as the creator and daily traverser of the , battling chaos nightly in the . As a powerful, commanding figure responsible for the sun's rise, he represents order and light, often invoked for celestial interventions. Narratively, Ra provides authoritative guidance or magical resolutions to cosmic imbalances caused by Tut's mishaps, such as restoring daylight or countering darkness, while his interactions with the young mix regal respect with exasperated corrections, reinforcing the polytheistic and the gods' role in upholding ma'at (cosmic balance). Set, the god of chaos, destruction, and storms, serves as the primary antagonist, portrayed in a sinister shroud with glowing red eyes and an animalistic, shadowy form inspired by his mythological depiction as a mysterious desert beast who slew . Exiled to the underworld's depths for millennia, he schemes to overthrow the divine order and dominate both gods and mortals, driven by vengeful ambition. His functions create major conflicts, such as unleashing demons or manipulating artifacts to escape imprisonment, often clashing with Tut in battles that blend high-stakes mythology with humor, illustrating the eternal struggle between order and disorder in the series' lore.

Production

Development

Tutenstein originated from a comic book character created by Canadian cartoonist Jay Stephens in the 1990s, inspired by his visit to a traveling King Tut exhibit. The character first appeared in Stephens' JetCat Clubhouse anthology series, published by Oni Press starting in 2001, which featured short stories blending ancient Egyptian themes with humor and adventure. PorchLight Entertainment, founded in 1995 by Bruce D. Johnson and William T. Baumann, acquired the rights and adapted the comic for television in 2002, aiming to fit ' focus on educational programming for children. The series was greenlit for an initial 13-episode season to emphasize learning about through entertaining narratives. Executive producers included Bruce D. Johnson, with PorchLight handling overall development to balance factual history with comedic elements. Creative decisions prioritized authenticity in depicting and history. The production consulted Egyptologist Dr. Kasia Szpakowska to ensure accurate representations of deities and customs. The production partnered with Ireland's Telegael Teoranta for co-production, enhancing international appeal by incorporating Telegael's expertise in , music, and . This collaboration helped tailor the series for global audiences while maintaining its educational core. Key pre-production milestones included conceptualizing the pilot episode, "The Awakening," as the origin story where a lightning strike revives the young pharaoh in a modern museum, setting up the central conflict between ancient royalty and contemporary life. Episode structures drew brief influence from the comic's dynamic panel layouts to create fast-paced, visually engaging storytelling.

Animation and Voice Cast

Tutenstein was produced using traditional 2D animation techniques, with Nic Entertainment in South Korea handling the animation for seasons 1 and 2, while DQ Entertainment took over for season 3. PorchLight Entertainment in Los Angeles led the overall production, overseeing creative direction and coordination, and Telegael Teoranta in Ireland managed post-production services, including editing and visual effects integration. The series directors, Rob LaDuca and Bob Richardson, emphasized fluid character movements rendered at 24 frames per second to capture dynamic action sequences, with backgrounds featuring intricate Egyptian motifs such as hieroglyphs and temple architecture to immerse viewers in ancient themes. The voice cast featured a mix of established actors delivering performances suited to the show's youthful, adventurous tone. Tut Ankh En Set Amun (Tutenstein) was voiced by Jeannie Elias in season 1, Maryke Hendrikse in season 2, and Donna Cherry in season 3. Cleo Carter was brought to life by Crystal Scales for seasons 1 and 2 as well as early episodes of season 3, with Leah Lynette assuming the role for the remaining season 3 installments. David Lodge provided the voice for Luxor the cat across all seasons and the god Set in season 3, while Lex Lang voiced Professor Horace Behdety and the god Anubis. Guest voices for other Egyptian deities and supporting characters included talents like Candi Milo and Cam Clarke for roles such as Isis and Atum in select episodes. Sound design incorporated authentic Egyptian musical influences, composed by , who blended traditional instruments like the flute and percussion with modern orchestral elements to evoke ancient . was handled by Salami Studios, ensuring clear and immersive effects for the 22-minute runtime, excluding commercials.

Episodes

Series Overview

Tutenstein is an American animated series that consists of 39 half-hour s distributed across three seasons, along with a 71-minute . The series aired from November 1, 2003, to January 9, 2007, on , with the concluding film Clash of the Pharaohs premiering on October 11, 2008. Season 1 ran from 2003 to 2004 with 13 s, followed by Season 2 in 2004–2005 (13 s) and Season 3 in 2006–2007 (13 s). In October 2022, a was announced and, as of November 2025, remains in development. Each episode typically features self-contained stories structured around A and B plots, blending comedic adventures with educational elements tied to ancient Egyptian history and mythology, while incorporating minor character arcs focused on the Tut's personal growth and adaptation to modern life. Recurring dynamics among the main characters, such as Tut's interactions with his friends Cleo and , provide continuity across the largely episodic format. These historical tie-ins help explain aspects of Egyptian culture, gods, and pharaonic life in an accessible way for young audiences. The production benefited from critical recognition early on, with the series winning Daytime Emmy Awards for Outstanding Special Class Animated Program in 2004 for Season 1 and in 2006 for Season 2, which influenced the polish and refinement seen in later episodes.

Season 1 (2003–2004)

The first season of Tutenstein aired from November 1, 2003, to May 22, 2004, comprising 13 episodes that introduce the central characters and premise of a revived ancient Egyptian pharaoh navigating modern life. It emphasizes Tut's culture shock upon awakening in the 21st century, basic introductions to Egyptian myths through his magical abilities and artifacts, and the ongoing challenge of maintaining secrecy about his existence to avoid detection by Cleo's family and authorities. The season's narrative builds foundational themes of friendship, responsibility, and cultural clash, with Tut's impulsive use of magic often leading to comedic yet educational mishaps. This debut season earned the 2004 Daytime Emmy Award for Outstanding Special Class Animated Program, recognizing its animation quality and appeal to young audiences. The episodes are listed below with their original air dates and brief synopses.
No. overallNo. in seasonTitleOriginal air dateSynopsis
11The AwakeningNovember 1, 2003During a , 12-year-old Cleo Carter chases her cat into a , where strikes the of , accidentally reviving him to life in the modern world.
22Curse of the PharaohNovember 8, 2003Tut attempts to use ancient magic for the first time in the present day, resulting in an unintended curse that complicates Cleo's daily routine.
33Clash of the ShabtisNovember 15, 2003Tut's magical shabti figures activate unexpectedly, leading to chaos as Cleo helps contain the animated servants from .
44I Did It My WayNovember 22, 2003Frustrated with modern rules, Tut tries to assert his pharaonic authority, forcing Cleo to intervene to prevent exposure.
55The Boat of Millions of YearsDecember 6, 2003Tut invokes an ancient solar barge artifact, transporting him and Cleo into a mystical journey tied to Egyptian lore.
66The Powerful OneJanuary 3, 2004Tut discovers a source of enhanced power from an Egyptian , but must learn control to avoid endangering his new friends.
77There's Something About NatashaJanuary 10, 2004Tut develops feelings for Cleo's friend , prompting awkward attempts to impress her while hiding his .
88King of MemphisJanuary 17, 2004During a event, Tut seizes an opportunity to role-play as a , blending ancient traditions with contemporary activities.
99RoommatesJanuary 24, 2004As Tut adjusts to sharing space with Cleo and Luxor, tensions arise over household rules and his ancient habits.
1010GhostbustedJanuary 31, 2004Tut encounters entities linked to his past, requiring Cleo's help to resolve unrest in the museum.
1111Near Dead ExperienceFebruary 21, 2004A modern medical scare for Cleo triggers Tut's fears of mortality, drawing on Egyptian beliefs about the .
1212The Unsafety ZoneMay 15, 2004Tut's magic disrupts safety at Cleo's , forcing quick action to restore order without revealing his presence.
1313Happy Coronation Day, TutensteinMay 22, 2004On the anniversary of his ancient coronation, Tut seeks to celebrate, leading to a mix of Egyptian rituals and modern festivities.

Season 2 (2004–2005)

The second season of Tutenstein premiered on September 4, 2004, and concluded on November 19, 2005, comprising 13 episodes broadcast on . This season advanced the series by incorporating deeper explorations of Egyptian lore, including intricate rituals and interactions, while highlighting Tut's evolving leadership abilities amid greater collaboration with Cleo and . elements were amplified through more sophisticated magic systems, such as enchanted artifacts and portals, fostering themes of responsibility and alliance-building distinct from the origin-focused narratives of prior episodes. The episodes maintained the show's episodic structure, blending humor, adventure, and educational insights into ancient Egyptian history and mythology. Below is a table listing all episodes, including titles, original air dates, and brief synopses.
EpisodeTitleAir DateSynopsis
2x01FriendsSeptember 4, 2004Tut befriends a pair of mischievous , leading to public pranks despite Cleo and 's warnings; his actions result in a in the Hall of Two Truths.
2x02Green-Eyed MummySeptember 11, 2004Jealous of Cleo's attention to a mammoth exhibit, Tut uses magic to send it to the , requiring the group to retrieve it before chaos ensues.
2x03The Shadow GobblerSeptember 25, 2004Tut accidentally activates a that summons a shadow-eating ; he, Cleo, and race to recapture the shadows before to prevent .
2x04Tut Jr.October 2, 2004While babysitting Cleo's young cousin Thomas, Tut loses him in the during a magical mishap, forcing a rescue mission involving Egyptian guardians.
2x05Something SphinxOctober 9, 2004Tut revives a sphinx statue for protection, but it rampages through the city; the team must solve riddles to calm it and return it to .
2x06The Supreme TutOctober 16, 2004Seeking ultimate power, Tut animates two Viking warriors as bodyguards, but they escape into modern New York, sparking a chaotic pursuit.
2x07Old Man TutNovember 27, 2004Frustrated with youth, Tut mishandles his and ages rapidly into an elderly version of himself, leading to humorous struggles with mobility and wisdom.
2x08Cleo's CatastropheDecember 4, 2004Cleo experiments with Tut's magic to gain confidence, but unleashes a that swaps their personalities, forcing them to reverse it before permanent damage.
2x09January 15, 2005Tut grants Cleo queenly powers for a day to help with school, but the magic spirals out of control, attracting jealous deities from the Egyptian pantheon.
2x10Day of the February 26, 2005A botched spell during a event reanimates multiple ancient artifacts as minions, overwhelming the group in a zombie-like uprising.
2x11Procras-Tut-NationOctober 1, 2005Tut's activates a time-loop , trapping the team in repeating days until he completes a vital task on time.
2x12Behdety Late Than NeverOctober 22, 2005Tut frames the god Behdety for a after cranking up the heat to discomfort visitors; they must clear his name to avoid .
2x13Walter the BrainNovember 19, 2005To impress a new friend, Tut enchants Walter with intelligence from Thoth's domain, but the overload turns him into an uncontrollable genius.

Season 3 (2006–2007)

The third and final season of Tutenstein premiered on September 9, 2006, and concluded on January 9, 2007, consisting of 13 episodes that aired irregularly on , contributing to the series' wrap-up without a formal . This season emphasized the culmination of Tut's journey toward adapting to modern life while grappling with his ancient heritage, including intensified confrontations with Egyptian gods like and Set, and deeper explorations of themes such as belonging, friendship, and pharaonic responsibility. Key arcs resolved Tut's internal conflicts over his dual identity, culminating in episodes that tested his leadership and loyalty, such as challenges to his status and reflections on his past. The season also featured a voice recast for the titular character, with Donna Cherry providing Tut's voice throughout, succeeding previous performers Jeannie Elias and . The episodes built on prior explorations of Egyptian mythology by integrating more personal stakes for Tut and his friends Cleo and Luxor, often blending humor with moral lessons on humility and cooperation.
No. overallNo. in seasonTitleAir dateSynopsis
271The Comeback KidSeptember 9, 2006Tut uses a magical ankh to temporarily become flesh and blood again, but the spell accidentally revives a dinosaur exhibit in the museum, forcing him to team up with Cleo to contain the chaos.
282Rest in PiecesSeptember 12, 2006Overwhelmed by tasks, Tut casts a spell to separate his body parts for multitasking, but they go rogue across the city, requiring Cleo and Luxor to round them up before he falls apart permanently.
293Irresistible YouSeptember 13, 2006Tut casts a love spell intended for a crush but accidentally targets Cleo, leading to comedic mishaps as she becomes irresistibly charming, while he scrambles to reverse it amid school drama.
304The Truth HurtsSeptember 14, 2006Tut's blunt honesty offends the ancient Egyptian gods, who revoke his powers and banish him temporarily, leaving him vulnerable in the modern world until he learns diplomacy.
315Sleepless in SarcophagusSeptember 15, 2006A nightmare-inducing demon possesses a snake artifact, plaguing Tut with sleepless nights and hallucinations, prompting Cleo to help him confront his fears from ancient battles.
326Was Not WasSeptember 23, 2006Tut loses his royal scepter, which animates inanimate objects in the museum, turning everyday items into chaotic servants that he must reclaim to restore order.
337Tut the DefenderOctober 14, 2006When a new exhibit of Viking artifacts arrives, Tut revives two ancient warriors to "defend" the museum, but their berserker rampage pits him against unexpected foes.
348Spells and SleepoversOctober 28, 2006To crash Cleo's slumber party without detection, Tut disguises himself as a girl using magic, but the spell backfires, leading to slapstick revelations and lessons on trust.
359FearlessOctober 31, 2006Trying to prove his bravery, Tut opens a portal to the Underworld, unleashing a fire demon that terrorizes the city, forcing him to embrace vulnerability to seal it.
3610UnPharaohNovember 25, 2006A cursed scorpion bracelet possesses Dr. Vanderwheele, who challenges Tut's legitimacy as pharaoh; Cleo rallies support to affirm his role amid a museum takeover.
3711Tut's Little ProblemDecember 2, 2006A botched growth spell shrinks Tut to insect size, turning the apartment into a giant obstacle course as he navigates dangers to reverse the curse with Cleo's aid.
3812Into the PastDecember 9, 2006Using Isis's magical mirror, Cleo time-travels to ancient Egypt to uncover secrets about her father's research and Tut's history, altering events that affect the present.
3913Keep Your Wandering Eye to YourselfJanuary 9, 2007Jealous of Cleo's new friend, Tut uses a spying spell that backfires, swapping his and Luxor's bodies and teaching him about respecting privacy and friendship boundaries.
These episodes highlighted Tut's evolving relationships, particularly his reliance on Cleo as a moral anchor, while resolving overarching arcs like his quest for acceptance among the gods and in modern society. The sporadic airing schedule, with gaps of weeks between some installments, reflected the network's programming shifts and marked the end of the series' run.

Television Film (2008)

"Tutenstein: Clash of the Pharaohs" is a 71-minute animated television film that premiered on Discovery Kids in the United States on October 11, 2008. Produced by PorchLight Entertainment in association with Discovery Kids, the film features the same core creative team behind the original series, including director Rob LaDuca. It served as the unofficial series finale, concluding the narrative arcs introduced across the three seasons while expanding the scope with time-travel elements and heightened stakes involving ancient Egyptian mythology. The plot centers on Tutankhensetamun, the young mummified pharaoh revived in modern times, who is tormented by nightmares about the circumstances of his death. Accompanied by his friends Cleo, a 12-year-old Egyptology enthusiast, and Luxor, her talking cat, Tut uses the magical Mirror of Isis to journey back approximately 3,000 years to ancient Egypt in an attempt to alter his fate. However, due to a malfunction with the artifact, the group arrives about 1,000 years after Tut's era, during a period evoking Cleopatra's time. Cleo is mistaken for a pharaoh figure, granting her temporary authority but drawing the ire of a scheming advisor who covets the mirror's power and aims to seize the throne. The story unfolds across multiple locations in ancient Egypt, including palaces and temples, as the protagonists navigate encounters with gods and mythical creatures, ultimately relying on their friendship to resolve the conflict and return to the present. This adventure builds briefly on the divine dynamics explored in season 3, incorporating interactions with Egyptian deities to heighten the mythological tension. Unlike the standard 22-minute episodes, the film employs a feature-length format with more elaborate animation sequences depicting diverse historical settings and action-oriented battles over sacred artifacts like the Mirror of Isis. Voice acting remains consistent, with Donna Cherry reprising her role as Tut, Leah Lynette as Cleo, and David Lodge as Luxor, alongside additional cast for new characters such as the antagonist advisor. While the series earned for its first two seasons, the film did not receive similar nominations, though it maintained the educational blend of humor, adventure, and Egyptian lore that defined the franchise.

Release and Broadcast

United States Premiere

Tutenstein premiered in the on November 1, 2003, as part of the Discovery Kids programming block on NBC's Saturday morning lineup. The series debuted with the episode "The Awakening," marking the first animated content in the block's history, which had previously focused on live-action educational shows. Episodes aired weekly during the first season from late 2003 through 2004, followed by season 2 in 2004–2005 and season 3 in 2006–2007, with longer gaps between later seasons due to production schedules. As a key component of ' educational programming, Tutenstein targeted children aged 6–11, blending adventure with lessons on ancient Egyptian history and mythology to engage young viewers in factual learning. The network positioned the show within its lineup of fact-based , emphasizing cultural alongside . Following the conclusion of new episodes in 2007 and the 2008 , reruns aired on The Hub Network starting October 11, 2010, continuing until December 30, 2012. The series capitalized on the enduring public fascination with King , whose tomb discovery in 1922 had sparked global interest in Egyptian artifacts and history since the U.S. exhibitions. Home media releases supported domestic availability, with and issuing DVD collections featuring episode sets and bonus educational content, such as documentaries on Egyptian lore, beginning in the mid-2000s.

International Airings

Tutenstein was distributed internationally through various networks, beginning shortly after its U.S. premiere, with localized dubs to adapt the series for global audiences. In Europe, Fox Kids Europe acquired rights in August 2003 and the show began broadcasting across the continent starting in 2004 on the rebranded Jetix networks, including in the UK, France, and Germany, where it aired until around 2009. The series featured full dubs in local languages, such as French on France 5 and Jetix, with Tut voiced by regional actors in the French version to enhance cultural resonance. Similarly, the German dub aired on Jetix, utilizing voice talent for Tut to appeal to young viewers. In , Tutenstein premiered on around 2003–2004 and continued airing through 2010, benefiting from the network's regional presence. The show received a Latin American Spanish dub produced by Etcétera Group, with Tut voiced by regional , ensuring accessibility across Spanish-speaking countries. A dub was also created, allowing broadcasts in and other Portuguese-speaking markets, further localizing the Egyptian-themed adventures for children. Asia saw the series expand via in East and starting in 2006, with additional reach through co-production elements. In , DQ Entertainment in Hyderabad contributed to animation production, marking a significant collaboration that helped the Indian studio win a Daytime Emmy in 2007 for the series. This partnership facilitated and distribution in the region, including and other local versions. In , Tutenstein aired on Maxi TV, often in a Turkish dub, contributing to its popularity in the . Reruns of Tutenstein persisted into the on various platforms, with full episodes becoming available on via an official channel launched in August 2020, extending its reach to streaming audiences worldwide. No major revivals or new productions have been announced as of 2025. The international airings, supported by dubs and co-productions, introduced to diverse young audiences, fostering educational interest in ancient history across markets.

Reception

Critical Reviews

Tutenstein received mixed to positive reviews from critics, who appreciated its blend of humor and educational elements while noting some formulaic aspects in its storytelling. Common Sense Media awarded the series 3 out of 5 stars in an October 2025 review, describing it as "amusing but formulaic," with praise for the titular character's entertaining mix of childishness and egotism, as well as the funny interactions among Tut, Cleo, and . The review highlighted how the show could spark children's interest in through its incorporation of historical facts alongside comedic adventures. Audience reception has been generally favorable, reflected in an IMDb user rating of 7 out of 10 based on 3,445 votes as of 2025. Viewers often commended the series for its humorous take on the mummy trope, portraying Tut as a flawed yet relatable anti-hero who subverts Hollywood stereotypes by being humanized and self-centered rather than monstrous. User reviews emphasized the engaging combination of comedy and factual content about and history, which helped teach lessons on , , and selflessness. Critics pointed out repetitive plot structures as a common drawback, with story resolutions typically following a predictable pattern where Tut misuses his powers before ultimately helping his friends and restoring order. The series' two Daytime Emmy wins for Outstanding Special Class Animated Program further indicate its recognized quality in blending entertainment with educational appeal. In later years, discussions among fans in the have highlighted a nostalgic appreciation for Tutenstein's role in introducing young audiences to , though professional critiques post-2010 remain limited.

Awards and Nominations

Tutenstein earned two for Outstanding Special Class Animated Program, highlighting its production quality and educational approach to children's . The series first won in 2004 for its inaugural , marking a significant achievement for producer in the category. This recognition underscored the show's success in combining adventure with factual insights into ancient Egyptian and mythology. In 2007, Tutenstein secured a second Daytime Emmy in the same category for its later seasons, with executive producers D. Johnson and William T. Baumann credited for the win; this was noted as PorchLight's continued success with the program. The series also received a nomination in 2006 for Outstanding Special Class Animated Program, reflecting ongoing acclaim for its animated storytelling. Additionally, in , it was nominated for the Prix Jeunesse International in the best children's program category, an honor from the prestigious German festival focused on innovative youth television. No major awards or nominations followed the 2008 television film, as the series concluded its run without further accolades in prominent ceremonies. These honors collectively affirmed Tutenstein's role in educational , distinguishing it among children's programming for its historical accuracy and engaging format.

Historical and Educational Aspects

Accuracy to

The animated series Tutenstein demonstrates a commitment to visual and narrative fidelity in depicting Egyptian deities, drawing closely from ancient iconography. For instance, is portrayed with the head of a atop a , aligning with traditional representations where the of mummification and the is shown in this hybrid form to symbolize his role in guiding souls. Similarly, , the devourer of unworthy hearts, appears as a composite creature with a head, forequarters, and hindquarters, matching her mythological depiction as a fearsome guardian in the Hall of . These designs were informed by consultations with Egyptologists, ensuring alignment with artifacts from sites like the Valley of the Kings. The series also accurately references core Egyptian myths, such as the resurrection of , where reassembles and revives her husband after his dismemberment by Set, allowing him to rule the ; this plot device is invoked in episodes involving themes of rebirth and the without alteration. Hieroglyphs used in the show, often summarizing episode plots on tomb walls or amulets, are translated correctly according to ancient conventions, as verified by production consultants who cross-referenced them against real inscriptions. Artifacts like the scarab amulet featured prominently are based on genuine talismans from Tutankhamun's , such as the winged scarab pectoral of , symbolizing rebirth and protection in Egyptian cosmology. Details of pharaonic life, including burial practices and daily rituals, further reflect discoveries from Tutankhamun's intact , excavated in 1922, which provided unprecedented insights into 18th Dynasty customs. Production involved expert input from Egyptologists Kasia Szpakowska, who advised on mythological and linguistic elements across all seasons, and Peter Lacovara, who authenticated historical content including artifact designs and deity roles. This collaboration extended to the 2008 , where Lacovara ensured continuity in cultural representations. Despite these strengths, Tutenstein takes fictional liberties for narrative appeal. The character Luxor, a talking anthropomorphic cat serving as Tutankhamun's companion, draws inspiration from Bastet, the feline goddess of protection and fertility, but exaggerates her attributes by granting the animal human-like speech and agency absent in mythology. Additionally, the protagonist Tutankhamun is depicted as a petulant child who died at age 10, contrasting with historical evidence that he ascended the throne around age 9 but ruled until his death at approximately 19, as determined from tomb inscriptions and skeletal analysis. These deviations blend real history with fantasy, such as the magical reanimation of the mummy, to suit a children's audience while prioritizing entertainment over strict biography. Recent archaeological developments, including the 2025 opening of the Grand Egyptian Museum displaying Tutankhamun's full tomb collection and studies linking his artifacts to rituals, highlight ongoing revelations that the series could not anticipate but underscore its foundational use of established lore.

Educational Impact

_Tutenstein has been recognized for fostering children's interest in ancient Egyptian history and mythology through its blend of adventure and factual elements. The series encourages young viewers to explore by featuring a , Cleo Carter, who is passionate about the subject and assists the revived in navigating the modern world. This narrative structure promotes problem-solving skills and self-esteem, as Tut uses his magical scepter to resolve conflicts, often drawing on historical knowledge. Educational reviews highlight how the show may inspire further learning about Egyptian culture, serving as an accessible entry point for children into complex topics like pharaonic life and artifacts. Teachers and academics have approved Tutenstein for its alignment with school curricula, particularly in history and , distinguishing it from less accurate media representations of . It supports by integrating mythological elements with historical context, enhancing cognitive understanding and memory retention in or settings. For instance, the series has been incorporated into educational kits for senior courses, facilitating pre- and post-visit activities that deepen engagement with archaeological themes. The accurate depiction of Egyptian motifs aids these lessons without delving into religious promotion, focusing instead on cultural and historical narratives. Produced by , known for edutainment series, Tutenstein earned for Outstanding Special Class Animated Program in 2004 and 2006, underscoring its value in blending entertainment with educational content. Its legacy persists through reruns and online availability on platforms like and , where full episodes remain accessible for family viewing and . As of November 2025, it is not available on major streaming services like or , limiting broader revival but sustaining niche educational use. The series also contributed to in children's programming by centering Cleo, an African-American girl aspiring to be an Egyptologist, offering positive representation for underrepresented youth in STEM and history fields. This approach, combined with its exposure to ancient Egyptian themes via , has helped perpetuate "Egyptomania" among younger audiences, making historical education more relatable and inclusive.

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